Ibrahim El Dessouki إبراهيم الدسوقي

Page 1

‫إﺑﺮاﻫﻴﻢ‬

,DTCJKO (N




7TKRVKEJ / 2KN QP &CPXCU Z EO

7TKRVKEJ 0 2KN QP &CPXCU Z EO

7TKRVKEJ 5 2KN QP &CPXCU Z EO


‫ﻳﻘﺪم ﺟﺎﻟﻴﺮي ﺣﺎﻓﻆ أول ﻣﻌﺮض ﺷﺨﺼﻲ ﻟﻠﻔﻨﺎن اﻟﻤﺼﺮي‬ ‫إﺑﺮاﻫﻴﻢ اﻟﺪﺳﻮﻗﻲ ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ وﻳﻀﻢ‬ ‫اﻟﻤﻌﺮض ﻟﻮﺣﺎت ﻣﻨﺘﻘﺎة ﻣﻦ ﻣﺨﺘﻠﻒ اﻟﻤﺠﻤﻮﻋﺎت اﻟﺘﻲ‬ .‫أﻧﺘﺠﻬﺎ اﻟﻔﻨﺎن ﺧﻼل ﻣﺴﻴﺮﺗﻪ اﻟﻔﻨﻴﺔ‬

+CHG\ *CNNGT[ KU RTQWF VQ RTGUGPV (I[RVKCP CTVKUV ,DTCJKO (N 'GUUQWMK!U HKTUV UQNQ GZJKDKVKQP KP 6CWFK $TCDKC 7JG GZJKDKVKQP YKNN DG UJQYKPI C TCPIG QH YQTMU HTQO CETQUU VJG CTVKUV!U OQUV UGOKPCN UGTKGU


‫ﻋﺮف اﻟﺪﺳﻮﻗﻲ ﺑﺄﺳﻠﻮﺑﻪ اﻟﺸﺨﺼﻲ واﻟﻔﺮﻳﺪ ﻣﻦ ﻧﻮﻋﻪ ﻓﻲ أﻋﻤﺎﻟﻪ‬ ‫اﻟﻔﻨﻴﺔ‪ ،‬ﻓﻤﺎزال ﻳﺴﺘﺨﺪم ا\ﻟﻮان اﻟﺰﻳﺘﻴﺔ ﻟﻠﺘﻌﺒﻴﺮ ﻋﻦ ﻣﻔﺎﻫﻴﻤﻪ‬ ‫اﻟﻤﻌﺎﺻﺮة و ﻣﻮاﺿﻴﻌﻪ اﻟﻤﺨﺘﻠﻔﺔ‪ ،‬وﺗﻈﻬﺮ ﻣﻬﺎراﺗﻪ ﻓﻲ اﻟﺪﻣﺞ ﻣﺎ‬ ‫ﺑﻴﻦ ﺣﺪاﺛﺔ ا\ﻓﻜﺎر و ﻋﺮاﻗﺔ اﻟﺘﻘﻨﻴﺔ ﺣﺘﻰ ﺗﻜﺎد ﺗﺼﺒﺢ أﻋﻤﺎﻟﻪ ﻣﺮآة‬ ‫ﻟﺮوح ﻣﺼﺮ اﻟﺤﺪﻳﺜﺔ و ﻣﺎ ﺗﺤﻤﻠﻪ ﻣﻦ ﺗﺎرﻳﺦ ﺛﻘﺎﻓﻲ ﻋﺮﻳﻖ‪ .‬وﻣﺎﻳﻮازن‬ ‫أﺳﻠﻮﺑﻪ اﻟﻤﺴﺘﻘﻞ‪ ،‬ﻋﺪم ﺗﻄﺎﺑﻘﻪ ﻣﻊ اﻟﺘﻘﺎﻟﻴﺪ اﻟﺘﺼﻮﻳﺮﻳﺔ وﻋﺪم‬ ‫ﺗﻤﺮده ﻛﻠﻴﺎً ﻋﻠﻴﻬﺎ ﻓﻲ اﻟﻮﻗﺖ ﻧﻔﺴﻪ‪.‬‬ ‫ﻓﺒﺎﻟﺮﻏﻢ ﻣﻦ اﺗﺒﺎﻋﻪ \ﺳﻠﻮب ﻣﻮﺣﺪ إﻻ أن ﻣﻮاﺿﻴﻌﻪ ﺗﺨﺘﻠﻒ‪.‬‬ ‫وﻻ ﺷﻚ أن اﻟﻤﻮﺿﻮع اﻟﻤﻔﻀﻞ ﻟﻠﺪﺳﻮﻗﻲ وا\ﻏﺰر ﻓﻲ اﻧﺘﺎﺟﻪ‬ ‫اﻟﻔﻨﻲ ﻫﻮ اﻟﻘﻮام ا\ﻧﺜﻮي‪ .‬ﺣﻴﺚ ﺗﺼﻮر ﻟﻮﺣﺎﺗﻪ ﺟﻤﺎﻟﻴﺎت اﻟﻤﺮأة‬ ‫اﻟﻤﺼﺮﻳﺔ ‪ .‬ﻓﻴﺼﻮر اﻟﺪﺳﻮﻗﻲ اﻟﺠﺴﻢ ﺑﻮزﻧﻴﺘﻪ اﻟﻔﻨﻴﺔ‪ ،‬وﻳﻤﺜﻠﻬﺎ‬ ‫ﺑﺠﺴﺪ ﻳﻜﺴﻴﻪ ﺟﻠﺒﺎﺑﺎ ﺳﺎﺗﺮا ً و ﻓﻲ اﻟﻮﻗﺖ ﻧﻔﺴﻪ ﺗﺒﺮز ﻣﻦ ﺧﻼﻟﻪ‬ ‫اﻟﻤﻨﺤﻨﻴﺎت اﻟﺘﻜﻮﻳﻨﻴﺔ ﻓﻲ اﻟﺠﺴﺪ‪ ،‬وﺗﺤﻤﻞ اﻟﻤﺮأة ﻣﻼﻣﺢ ﻓﺮﻋﻮﻧﻴﺔ‪،‬‬ ‫ﻓﺘﺒﺪو وﻛﺄﻧﻬﺎ ﺷﺨﺼﻴﺎت أﺳﻄﻮرﻳﺔ ﻓﺮﻋﻮﻧﻴﺔ‪ ،‬ﻓﺘﺒﻘﻰ ﻋﻴﻨﺎﻫﺎ‬ ‫ﻓﺎرﻏﺔ‪ ،‬ﺗﺤﺪق ﺑﺤﺪة ﻛﻌﻴﻮن أﺑﻮ اﻟﻬﻮل اﻟﻤﻄﻠﺔ ﻋﻠﻰ اﻟﻐﻴﺐ‪ ،‬وﻋﻠﻰ‬ ‫ﻣﺎ ﻳﻜﻤﻨﻪ ﻣﻦ أﺳﺮار وﻏﻤﻮض‪.‬‬

‫إﺑﺮاﻫﻴﻢ اﻟﺪﺳﻮﻗﻲ‬

‫ﺗﺰاﻣﻦ اﻟﻀﻮء واﻟﻈﻞ‬ ‫ﻛﺘﺎﺑﺔ آﻳﺔ ﻋﻠﻲ رﺿﺎ و رﻧﻴﻢ ﻓﺎرﺳﻲ‬

‫ﺗﻜﻮن‬ ‫ﻳﺘﻌﻤﻖ اﻟﺪﺳﻮﻗﻲ ﻓﻲ ﻋﺮاﻗﺔ وﻃﻨﻪ و ﻳﺠﺴﺪه ﺧﻼل ﻟﻮﺣﺎت ّ‬ ‫ﻣﺸﻬﺪا ﺑﺼﺮﻳﺎ ﻟ ﻋﻤﺪة واﻟﻤﻌﺎﺑﺪ اﻟﻘﺪﻳﻤﺔ ﻣﻦ ﻣﺪﻳﻨﺔ ا\ﻗﺼﺮ‪.‬‬ ‫أﻋﻤﺪة ﺗﻨﺒﺾ ﻃﺎﻗﺔ ﻏﺎﻣﻀﺔ ﺗﺠﻌﻠﻬﺎ ﻣﺨﺘﻠﻔﺔ ﺗﻤﺎﻣﺎ ﻋﻦ اﻟﺘﻤﺜﻴﻞ‬ ‫اﻟﻤﻌﻤﺎري اﻟﻤﻌﺘﺎد‪ .‬ﻳﺴﺘﺨﺪم أﺳﻠﻮﺑﻪ اﻟﻤﻤﻴﺰ ﻓﻲ ﺗﻜﻮﻳﻨﺎت اﻟﻀﻮء‬ ‫و اﻟﻈﻼل ﺑﻤﻬﺎرة و ﺑﺮاﻋﺔ ﺣﺘﻰ ﻳﺸﻌﺮ اﻟﻤﺘﻠﻘﻲ أن ﻇﻼل ا\ﻋﻤﺪة‬ ‫ﺗﻘﻮده اﻟﻰ ﻣﻮﻗﻊ ﺑﻴﻦ ﻋﺘﺒﺔ ﻋﺎﻟﻤﻴﻦ ‪ :‬إﺣﺪاﻫﻤﺎ ﻓﻲ اﻟﻌﺘﻤﺔ و ا ﺧﺮ‬ ‫ﻓﻲ اﻟﻨﻮر‪ .‬و ﻻ ﺗﻘﺘﺼﺮ ﻣﻬﺎرﺗﻪ ﻋﻠﻰ ذﻟﻚ ‪ ،‬ﺑﻞ ﻳﺠﺴﺪ اﻟﺪﺳﻮﻗﻲ‬ ‫ا\ﻋﻤﺪة ﻛﺄﺑﻨﻴﺔ ﺷﺎﻫﻘﺔ وﺿﺨﻤﺔ ﺗﻮﺣﻲ ﻟﻠﻤﺘﻠﻘﻲ ﺑﻮﺟﻮد ﺧﻠﻂ‬ ‫ﻓﻲ ﻣﻌﺎﻳﻴﺮ اﻟﻘﻴﺎس ﺣﻴﺚ ﻳﺠﺪ ﻧﻔﺴﻪ أﺻﻐﺮ ﺑﻜﺜﻴﺮ ﻣﻦ ا\ﻋﻤﺪة‬ ‫ﺑﺎﻟﺮﻏﻢ ﻣﻦ أن اﻟﻠﻮﺣﺎت ﻓﻲ اﻟﻮاﻗﻊ ﻻ ﺗﺘﻌﺪى ﺣﺠﻢ ا ﻧﺴﺎن‪.‬‬ ‫وأﻳﻀﺎ ﻳﺘﻤﻴﺰ ﻃﺮح ﻣﻮاﺿﻴﻊ اﻟﺒﻴﺌﺔ ﻓﻲ أﻋﻤﺎﻟﻪ‪ ،‬واﻟﺘﻲ ﻳﻤﻜﻦ‬ ‫ﺗﻘﺴﻴﻤﻬﺎ إﻟﻰ ﻗﺴﻤﻴﻦ‪ ،‬ﻣﺸﺎﻫﺪ ﻓﻲ اﻟﻬﻮاء اﻟﻄﻠﻖ )اﻟﺒﻴﺌﺔ‬ ‫اﻟﺨﺎرﺟﻴﺔ( وأﺧﺮى ﻓﻲ ا\ﻣﺎﻛﻦ اﻟﻤﻐﻠﻘﺔ )اﻟﺒﻴﺌﺔ اﻟﺪاﺧﻠﻴﺔ(‪.‬‬ ‫ﻓﺄﻋﻤﺎل اﻟﺒﻴﺌﺔ اﻟﺪاﺧﻠﻴﺔ ﻣﻜﻮﻧﺔ ﻣﻦ أﺷﻴﺎء وأﻏﺮاض ﻳﻮﻣﻴﺔ ﻳﺘﻢ‬ ‫اﺧﺘﻴﺎرﻫﺎ وﺗﺮﺗﻴﺒﻬﺎ ﺑﻌﻨﺎﻳﺔ ﻟﺘﺨﻠﻖ ﻣﺸﻬﺪ ﺗﺼﻮﻳﺮي ﻗﺮﻳﺐ ﻟﻠﻮاﻗﻊ‪،‬‬ ‫أﻣﺎ أﻋﻤﺎل اﻟﺒﻴﺌﺔ اﻟﺨﺎرﺟﻴﺔ‪ ،‬ﻓﻬﻲ رﺳﻮﻣﺎت وأﻋﻤﺎل ﺗﺼﻮﻳﺮﻳﺔ‬ ‫ﻟﻠﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ ﻳﺪاﻋﺐ ﺑﻬﺎ اﻟﻔﻨﺎن ﺣﺲ اﻟﻤﺘﻠﻘﻲ ﻟﺘﺨﻠﻖ‬ ‫ﻣﺸﺎﻫﺪ ﻃﺒﻴﻌﻴﺔ ﺗﻮﺣﻲ ﺑﺎﻧﻄﺒﺎع آﻣﻦ و ﺟﺎﻣﺢ ﻓﻲ آن واﺣﺪ‪.‬‬ ‫ﺗﻜﻮن ﻫﺬه‬ ‫ﻓﺒﻬﺬا ﻳﻜﺸﻒ اﻟﻔﻨﺎن اﻟﻮاﻗﻊ ﺑﻄﺮﻳﻘﺔ ﻣﺨﺘﻠﻔﺔ‪ ،‬ﺣﻴﺚ ّ‬ ‫اﻟﺒﻴﺌﺎت وﺻﻔﺎً ﻟﻠﻤﺸﻬﺪ اﻻﺟﺘﻤﺎﻋﻲ اﻟﻤﺼﺮي ﻣﻦ ﺧﻼل رؤﻳﺘﻪ ﻫﻮ‪.‬‬ ‫ﻋﻨﻮان اﻟﻤﻌﺮض ﺗﺰاﻣﻦ اﻟﻀﻮء واﻟﻈﻞ ﻳﺴﻠﻂ اﻟﻀﻮء ﻋﻠﻰ‬ ‫اﻟﺘﻜﻮﻳﻦ اﻟﺴﺤﺮي ﻟﻠﻈﻼل ﻓﻲ أﻋﻤﺎل اﻟﺪﺳﻮﻗﻲ‪ .‬ﻓﺘﻈﻠﻴﻠﻪ ﻳﺨﻠﻖ‬ ‫اﻧﺴﺠﺎم ﻣﺨﺘﻠﻒ ﺑﻴﻦ اﻟﻨﻮر واﻟﻌﺘﻤﺔ‪ ،‬ﻣﻤﺎ ﻳﺘﻴﺢ ﻓﺮﺻﺔ اﻟﺘﻤﺤﻮر‬ ‫واﻟﻤﺸﺎرﻛﺔ و اﻟﻠﻌﺐ ﺑﻴﻨﻬﻢ ﺑﺪﻳﻼ ﻋﻦ اﻟﺘﺼﺎدم‪ .‬أﻋﻤﺎل اﻟﺪﺳﻮﻗﻲ‬ ‫ﻗﺪ ﺗﺜﻴﺮ اﺣﺴﺎﺳﺎً ﺑﺎﻟﻐﻤﻮض‪ ،‬وﻟﻜﻦ ﺑﺪﻻ ً ﻣﻦ ﺗﻌﻜﻴﺮ ﺻﻔﻮ اﻟﻤﺘﻠﻘﻲ‪،‬‬ ‫ﻓﺈﻧﻬﺎ ﺗﺒﺚ ﺑﺪاﺧﻠﻪ اﻟﻬﺪوء واﻟﺴﻜﻴﻨﺔ‪ .‬ﻓﺄﻋﻤﺎﻟﻪ ﻧﺒﻊ ﻟﻠﺤﻠﻢ ﻻ‬ ‫ﻟﻠﻴﻘﻈﺔ‪ ،‬ﻟﻠﺨﻴﺎل ﻻ ﻟﻠﻌﻘﻼﻧﻴﺔ‪ ،‬وﻟﻠﺮوح ﻗﺒﻞ اﻟﺠﺴﺪ‪.‬‬

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% 2KN CPF 2KN %CTU QP &CPXCU Z EO


% 2KN QP &CPXCU Z EO


$ VTCKNDNC\GT KP VJG YQTNF QH (I[RVKCP EQPVGORQTCT[ RCKPVKPI (N 'GUUQWMK KU TGPQYPGF HQT JKU RGTUQPCN CPF WPKSWG UV[NG WUKPI VJG VKOG JQPQWTGF OGFKWO QH QKN RCKPVKPI C UV[NG VJCV VQIGVJGT YKVJ JKU FKUVKPEVKXG EJQKEG QH UWDeGEV EQPUWOOCVGN[ GPECRUWNCVGU VJG URKTKV QH OQFGTP FC[ (I[RV DWV CNUQ FTCYU HTQO VJG GEJQGU QH KVU TKEJ EWNVWTCN RCUV (N 'GUUQWMK UWEEGUUHWNN[ VTGCFU VJCV RTGECTKQWU VJKP NKPG PGKVJGT EQORNGVGN[ EQPHQTOKPI VQ VTCFKVKQP PQT EQORNGVGN[ TGDGNNKPI CICKPUV KV %[ HCT (N 'GUUQWMK!U HCXQWTKVG CPF OQUV RTQNKHKE UWDeGEV KU VJG HGOCNG HKIWTG +KU RCKPVKPIU UWOOQP VJG CTEJGV[RCN (I[RVKCP YQOCP YKVJ C YGNN TQWPFGF HKIWTG CPF 3JCTQPKE HGCVWTGU :KVJ VJGKT IQUUCOGT NKMG TQDGU VJCV PGKVJGT TGXGCN PQT EQPEGCN VJG[ TGUGODNG FGKVKGU KP VJGKT UVCVWG HQTO HQT VJGKT G[GU TGOCKP KORGPGVTCDN[ DNCPM UVCTKPI URJKPZ NKMG KPVQ VJG WPUGGP CNNWFKPI VQ VJG O[UVGTKGU DG[QPF

,DTCJKO (N 'GUUQWMK

%[ $[C $NKTG\C CPF 5CPGGO )CTUK

(N 'GUUQWMK FGNXGU GXGP HWTVJGT KPVQ VJG UCETGF XKUWCN NCPFUECRG QH CPEKGPV (I[RV YKVJ JKU RCKPVKPIU QH VJG EQNWOPU CPF VGORNGU QH VJG CPEKGPV EKV[ QH /WZQT +QYGXGT HCT HTQO DGKPI QTFKPCT[ CTEJKVGEVWTCN TGRTGUGPVCVKQPU (N 'GUUQWMK!U EQNWOPU JWO YKVJ C O[UVKECN GPGTI[ 7JG EQNWOPU ECUV UJCFQYU VJCV RNCEG VJG UKVG HKTON[ CETQUU VJG VJTGUJQNF QH VYQ YQTNFU QPG UGV KP FCTMPGUU VJG QVJGT KP NKIJV 7JG UVTWEVWTGU CRRGCT OQPWOGPVCN CPF CYG KPURKTKPI OCMKPI VJG XKGYGT HGGN VKP[ KP EQORCTKUQP CNVJQWIJ VJG RCKPVKPIU CTG KP TGCNKV[ PQ NCTIGT VJCP JWOCP UK\G $NUQ HGCVWTKPI UVTQPIN[ KP (N 'GUUQWMK!U RTCEVKEG KU VJG GPXKTQPOGPV YJKEJ ECP DG FKXKFGF KPVQ VYQ FQOCKPU VJG QWVFQQT CPF VJG KPFQQT +KU KPFQQT EQORQUKVKQPU CTG OCFG QH C ECTGHWNN[ UGNGEVGF CTTCPIGOGPV QH GXGT[FC[ QDeGEVU 7JG QWVFQQT RKEVWTGU CTG CTTGUVKPI NCPFUECRG RCKPVKPIU CPF FTCYKPIU VJCV CTG CNN CV QPEG RGCEGHWN [GV WPVCOGF 7JG VYQ GPXKTQPOGPVU YQTM VQIGVJGT VQ TGXGCN DQVJ VJG XKUWCN CPF VJG UQEKCN NCPFUECRG QH (I[RV VQFC[ XKC VJG CTVKUV!U WPKSWG RGTURGEVKXG 7JG VKVNG QH VJG GZJKDKVKQP 6[PEJTQPKUKPI NKIJV CPF UJCFQY DTKPIU KPVQ RNC[ (N 'GUUQWMK!U WUG QH UJCFQYKPI VQ ETGCVG VJG RGTHGEV JCTOQP[ DGVYGGP NKIJV CPF FCTMPGUU VJG[ FQ PQV DCVVNG KP JKU RCKPVKPIU VJG[ TGXQNXG GPICIG CPF RNC[ +KU RCKPVKPIU GXQMG CP GGTKG CPF O[UVGTKQWU SWCNKV[ YJKEJ TCVJGT VJCP FKUVWTD VJG XKGYGT UQOGJQY CRRGCT VTCPSWKN CPF UGTGPG (N 'GUUQWMK!U YQTM PWTVWTGU VJG UVCVG QH FTGCO DGHQTG YCMGHWNPGUU VJG KOCIKPCVKQP DGHQTG VJG TCVKQPCN VJG UQWN DGHQTG VJG DQF[


1GYURCRGTU 2KN QP &CPXCU Z EO


6 CTVUCYC 2KN QP &CPXCU 0QWPVGF QP 0') Z EO


'GUGTV EJCTEQCN CPF 3CUVGN QP 3CRGT Z EO



0 KN CPF 3KIOGPVU QP /KPGP Z EO

0 2KN QP /KPGP Z EO


6VCPFKPI &JCTEQCN CPF $TFGUC 3KIOGPV QP 3CRGT Z EO

6VCPFKPI HCEG

&JCTEQCN CPF 3CUVGN QP 3CRGT Z EO


(VWFG 1WOGTQ CXCPV RTQeGV

&JCTEQCN 3CP 3CUVGN CPF 6KNXGT QP 3CRGT Z EO


(VWFG 1WOGTQ CXCPV RTQeGV

&JCTEQCN 3CP 3CUVGN CPF 6KNXGT QP 3CRGT Z EO


2KN CPF 2KNDCTF QP &CPXCU Z EO



&QNWOPU 2KN QP /KPGP Z EO

&QNWOPU 2KN QP /KPGP Z EO


&QNWOPU 2KN QP /KPGP Z EO



)CNN RCTV

2KN QP &CPXCU Z EO


2KN QP &CPXCU Z EO


2KN QP &CPXCU Z EO


2O .JCNVJQWO

2KN QP &CPXCU OQWPVGF QP DQCTF

Z EO


2O .JCNVJQWO

2KN QP &CPXCU OQWPVGF QP DQCTF

Z EO


6KYC &JCTEQCN 3CUVGN CPF 3CP 3CUVGN QP 3CRGT Z EO



$NCDCUVGT 2KN QP &CPXCU 0QWPVGF QP %QCTF Z EO


% 2KN QP &CPXCU Z EO


6CNVGTKG &JCTEQCN QP 3CRGT Z EO


6CNVGTKG &JCTEQCN QP 3CRGT Z EO


тАл╪зя╗Яя║┤я╗┤я║о╪й ╪зя╗Яя║м╪зя║Чя╗┤я║ФтАм тАл я╗зя║╕я║Д ╪зя╗Яя║кя║│я╗оя╗Чя╗▓ я║┐я╗дя╗ж я╗Ля║Оя║Ля╗ая║ФтАм╪МтАл┘ЕтАм┘б┘й┘ж┘й тАл я╗Уя╗▓ я╗Ля║О┘ЕтАм╪МтАл я╗гя║╝я║отАм╪МтАл┘Ия╗Яя║к я╗Уя╗▓ ╪зя╗Яя╗Шя║Оя╗ля║о╪йтАм тАл┘Е я╗Ля╗Дя╗┤я║О╪к я║│я╗┤я║к я╗Уя╗ия║Оя╗зя╗┤я╗жтАмGтАл ┘И╪зтАм╪М тАл я╗Ыя╗Ю я╗гя╗ж ┘И╪зя╗Яя║к┘З ╪зя╗Яя║кя║│я╗оя╗Чя╗▓ я╗Уя╗мя╗дя╗▓тАм.тАля╗Уя╗ия║Оя╗зя╗┤я╗жтАм тАля╗Ля║оя╗│я╗Шя╗┤я╗ж ╪░┘И┘К я║зя║Тя║о╪й я╗Ля║Оя╗Яя╗┤я║Ф я╗Уя╗▓ ╪зя╗Яя║┤я║Оя║гя║Ф ╪зя╗Яя╗Фя╗ия╗┤я║Ф я╗Уя╗▓ я╗гя║╝я║о ┘И я╗│я╗Мя║к┘И╪зтАм тАля╗Ыя╗╝я╗ля╗дя║О я╗гя╗Фя╗Ья║оя╗│я╗ж ┘И я╗гя║Ья╗Шя╗Фя╗┤я╗ж я╗гя╗дя║О я║Яя╗Мя╗Ю я║Чя║Дя║Ыя╗┤я║оя╗ля╗в я╗Чя╗о┘К ┘И┘И╪зя║┐я║в я╗Уя╗▓тАм .тАля║Чя╗Ья╗оя╗│я╗ж ╪ея║Ся║о╪зя╗ля╗┤я╗в ╪зя╗Яя║кя║│я╗оя╗Чя╗▓ я╗Ыя╗Фя╗ия║О┘ЖтАм

%,2*5$3+< %QTP KP &CKTQ (I[RV KP (N 'GUUQWMK FGUEGPFU HTQO C HCOKN[ QH CTVKUVU %QVJ JKU HCVJGT (N 'GUUQWMK )CJOK CPF OQVJGT $V[CV 6C[GF YGTG YGNN MPQYP CPF GUVCDNKUJGF (I[RVKCP GZRTGUUKQPKUV RCKPVGTU CPF HTGG VJKPMKPI KPVGNNGEVWCNU DQVJ QH YJQO ITGCVN[ KPHNWGPEGF VJG CTVKUV VJCV (N 'GUUQWMK YQWNF DGEQOG


$VV[CV 2KN QP %QCTF


‫ﺣﺼﻞ اﻟﺪﺳﻮﻗﻲ ﻋﻠﻰ درﺟﺔ اﻟﺒﻜﺎﻟﻮرﻳﻮس ﻓﻲ اﻟﻔﻨﻮن اﻟﺠﻤﻴﻠﺔ ﻣﻦ‬ ‫ﺟﺎﻣﻌﺔ ﺣﻠﻮان ﻓﻲ اﻟﻘﺎﻫﺮة ‪ ،١٩٩٢‬ودرﺟﺔ اﻟﻤﺎﺟﺴﺘﻴﺮ ﻓﻲ ﻣﻮﺿﻮع‬ ‫» ﻣﺪرﺳﺔ ﻟﻨﺪن واﻟﺘﺼﻮﻳﺮ اﻟﺒﺮﻳﻄﺎﻧﻲ ﻣﻨﺬ ﻋﺎم ‪ » ١٩٤٥‬ﻓﻲ ﻋﺎم ‪١٩٩٧‬‬ ‫‪ ،‬ﻛﻤﺎ ﺣﺼﻞ ﻋﻠﻲ اﻟﺪﻛﺘﻮراه ﻋﻦ » دﻳﻨﺎﻣﻴﻜﻴﺔ اﻟﺘﺼﻮﻳﺮ » ﻋﺎم ‪.٢٠٠٣‬‬ ‫وﻗﺪ ﻋﺮﺿﺖ أﻋﻤﺎﻟﻪ وﻋﻠﻰ ﻧﻄﺎق واﺳﻊ ﻓﻲ ﻛﻞ ﻣﻦ اﻟﺸﺮق ا‪G‬وﺳﻂ‬ ‫وأوروﺑﺎ ﺑﻤﺎ ﻓﻲ ذﻟﻚ ﻣﻌﺮض ﺑﻮﺷﻴﻬﺮي ﻓﻲ اﻟﻜﻮﻳﺖ ‪ ،٢٠١٢‬وﻣﻌﺮض‬ ‫»أم ﻛﻠﺜﻮم“ ﻓﻲ ﻣﻌﻬﺪ اﻟﻌﺎﻟﻢ اﻟﻌﺮﺑﻲ ﻓﻲ ﺑﺎرﻳﺲ ‪ ٢٠٠٨‬و ﻓﻲ ﻛﺎزا‬ ‫ﻋﺮﺑﻲ ﻓﻲ ﻣﺪرﻳﺪ ‪ .٢٠١٤‬و ﺗﻮﺟﺪ أﻋﻤﺎﻟﻪ ﺿﻤﻦ ﻣﻘﺘﻨﻴﺎت ﻣﺠﻤﻮﻋﺎت‬ ‫ﻋﺪة ﻣﻨﻬﺎ اﻟﻤﺘﺤﻒ اﻟﻤﺼﺮي ﻟﻠﻔﻦ اﻟﺤﺪﻳﺚ واﻟﻤﺘﺤﻒ اﻟﻌﺮﺑﻲ ﻟﻠﻔﻦ‬ ‫اﻟﻤﻌﺎﺻﺮ ﻓﻲ ﻗﻄﺮ‪.‬‬ ‫ ‪(N 'GUUQWMK QDVCKPGF C %$ KP )KPG $TVU HTQO +GNYCP 8PK‬‬ ‫ ‪XGTUKV[ KP &CKTQ C 0$ QP VJG UWDeGEV QH 7JG /QPFQP‬‬ ‫ ‪6EJQQN CPF %TKVKUJ 3CKPVKPI UKPEG KP CPF C‬‬ ‫ ‪3J' QP '[PCOKEU KP RCKPVKPI KP +G JCU GZJKDKVGF‬‬ ‫ ‪YKFGN[ KP DQVJ VJG 0KFFNG (CUV CPF (WTQRG KPENWFKPI CP‬‬ ‫ ‪CCV %QWUJGTK *CNNGT[ KP .WYCKV VJG 2O .WNUQWO‬‬ ‫ ‪GZJKDKVKQP CV 3CTKU!U ,PUVKVWV FW 0QPFG $TCDG CPF CV‬‬ ‫ ‪&CUC $TCDK KP 0CFTKF +KU YQTM KU KPENWFGF KP VJG‬‬ ‫ ‪EQNNGEVKQPU QH VJG (I[RVKCP 0WUGWO QH 0QFGTP $TV CPF VJG‬‬ ‫ ‪$TCD 0WUGWO QH &QPVGORQTCT[ $TV KP 4CVCT‬‬ ‫وﻳﻌﺮف أﺳﻠﻮب أﻋﻤﺎل اﻟﺪﺳﻮﻗﻲ اﻟﻔﻨﻲ ﻣﻦ ﺧﻼل ﺗﻌﺎﻣﻠﻪ اﻟﻔﺮﻳﺪ‬ ‫ُ‬ ‫ﻣﻊ ا‪G‬ﻟﻮان و ﺗﺤﻜﻤﻪ اﻟﻤﻘﺘﺪر ﺑﺘﺮﻛﻴﺒﺎﺗﻬﺎ‪ ،‬واﻟﺘﻲ ﺗﺮﺗﻜﺰ ﻋﻠﻰ ﻗﺪرﺗﻪ‬ ‫ﻋﻠﻰ ﺧﻠﻖ اﻟﺘﻐﻴﻴﺮات ﻓﻲ ﻧﺴﻴﺠﻪ‪ ،‬وﺑﻨﺎءه ﻟﻠﻄﺒﻘﺎت ﺑﻬﺎ ﺣﺘﻰ ﻳﺨﻠﻖ‬ ‫اﻳﺤﺎء ﺑﻐﻼف ﺷﻔﺎف ﻋﻠﻰ ﺻﻮرة ﻓﻮﺗﻮﻏﺮاﻓﻴﺔ ﺳﺮﺑﻬﺎ اﻟﺰﻣﺎن‪ .‬وﻣﻦ‬ ‫ﻣﻬﺎراﺗﻪ اﺳﺘﺨﺪاﻣﻪ اﻟﺤﺮﻓﻲ ﻓﻲ ﺧﻠﻖ ﻣﻨﺎﻃﻖ ﺳﻠﺒﻴﺔ ﻓﻲ اﻟﻠﻮﺣﺔ‬ ‫ﺑﻄﺮﻳﻘﺔ ﻏﻴﺮ ﻣﻌﺘﺎدة‪ .‬وﻟﻪ اﻟﻤﻘﺪرة ﻋﻠﻰ اﻟﺘﻼﻋﺐ اﻟﻤﺎﻫﺮ ﺑﻴﻦ اﻟﻈﻞ‬ ‫واﻟﻀﻮء‪ .‬ﻓﻲ ﺣﻴﻦ ﺗﺸﻤﻞ ﻣﻮﺿﻮﻋﺎت أﻋﻤﺎﻟﻪ وأﺳﺎﻟﻴﺒﻬﺎ ﻋﻠﻰ أﻋﻤﺎل‬ ‫اﻟﺒﻮرﺗﺮﻳﺔ واﻟﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ‪ .‬أﻣﺎ اﻟﻤﻔﻬﻮم و ﻣﻮاﺿﻴﻊ ا‪G‬ﻋﻤﺎل‪،‬‬ ‫ﻓﺒﺎﻟﺮﻏﻢ ﻣﻦ اﺧﺘﻼﻓﺎﺗﻬﺎ ﻓﺠﻤﻴﻌﻬﺎ ﺗﻘﻊ ﺗﺤﺖ ﻣﻈﻠﺔ ﺑﻼده ‪ :‬ﻣﺼﺮ‪.‬‬ ‫ﻓﺄﻋﻤﺎﻟﻪ ﺗﺠﺴﺪ روح و ﺧﻼﺻﺔ ﻣﺼﺮ ﻣﻦ ﺧﻼل وﺟﻬﺔ ﻧﻈﺮه اﻟﻔﺮﻳﺪة‪.‬‬ ‫ ‪(N 'GUUQWMK!U RCKPVKPI UV[NG KU FGHKPGF D[ JKU WPKSWG VTGCV‬‬ ‫ ‪OGPV QH RCKPV YJKEJ EQPEGPVTCVGU QP JKU CDKNKV[ VQ ETGCVG‬‬ ‫ ‪UWDVNG EJCPIGU KP KVU VGZVWTG JKU WPWUWCN WUG QH PGICVKXG‬‬ ‫ ‪URCEG CPF JKU FGHV OCPKRWNCVKQP QH UJCFQY CPF NKIJV :JKNG‬‬ ‫ ‪VJG CTVKUV!U RCKPVKPI IGPTGU GPEQORCUU RQTVTCKVWTG NCPFUECRG‬‬ ‫ ‪CPF UVKNN NKHG JKU UWDeGEV OCVVGT KU XGT[ OWEJ (I[RV EGPVTKE‬‬ ‫ ‪(N 'GUUQWMK!U RCKPVKPIU ECRVWTG JKU QYP WPKSWG CPF J[RPQVKE‬‬ ‫ ‪RGTURGEVKXG QH VJG UQWN CPF GUUGPEG QH (I[RV‬‬

‫ ‬


7JG 3CKPVGT!U 0QVJGT 2KN QP &CPXCU

)NQYGTU 2KN QP %QCTF


7JG 3TQeGEV 2KN QP &CPXCU



‫ﻣﻮاﻟﻴﺪ اﻟﻘﺎﻫﺮة ‪١٩٦٩‬‬ ‫ﺑﻜﺎﻟﻮرﻳﻮس ﻓﻨﻮن ﺟﻤﻴﻠﺔ اﻟﻘﺎﻫﺮة ‪١٩٩٢‬‬ ‫ﻣﺪرس ﺑﻘﺴﻢ اﻟﺘﺼﻮﻳﺮ ﻓﻲ ﻛﻠﻴﺔ اﻟﻔﻨﻮن اﻟﺠﻤﻴﻠﺔ ﺑﺎﻟﻘﺎﻫﺮة‬ ‫ﻣﻌﺎرض ﻣﺨﺘﺎرة‬

‫ ‬

‫‪٢٠١٤‬‬

‫ﺗﻘﺎﻃﻊ )ﺟﺎﻟﻴﺮي ﻣﺼﺮ – اﻟﻘﺎﻫﺮة(‬ ‫ﻛﺬا ﻋﺮﺑﻲ )ﻣﺪرﻳﺪ(‬

‫‪٢٠١٣‬‬

‫اﻟﺘﺼﻮﻳﺮ اﻟﻤﺼﺮي اﻟﻤﻌﺎﺻﺮ )ﺟﺎﻟﻴﺮي اﻟﻔﻦ واﻟﺘﺼﻤﻴﻢ‪ -‬ﻓﻴﻨﺴﻴﺎ(‬ ‫ُ‬ ‫وﻗﻮﻓﺎ )ﻛﻠﻴﺔ اﻟﻔﻨﻮن اﻟﺠﻤﻴﻠﺔ ‪ -‬اﻟﻘﺎﻫﺮة(‬

‫‪٢٠١٢‬‬

‫ﻗﺎﻋﺔ ﺑﻮﺷﻬﺮي )اﻟﻜﻮﻳﺖ(‬ ‫ﺣﻜﺎﻳﺎت ﻣﺼﺮﻳﺔ )ﺟﺎﻟﻴﺮي آرت ﺳﺒﻴﺲ– دﺑﻲ‬ ‫إﻛﺘﺸﺎف اﻟﺠﺴﺪ )ﻣﻌﻬﺪ اﻟﻌﺎﻟﻢ اﻟﻌﺮﺑﻲ – ﺑﺎرﻳﺲ(‬ ‫آرت دﺑﻲ )ﺟﺎﻟﻴﺮي آرت ﺳﺒﻴﺲ – دﺑﻲ(‬

‫‪٢٠١١‬‬

‫وﺟﻮه )ﻗﺎﻋﺔ أﻓﻖ – اﻟﻘﺎﻫﺮة(‬

‫‪٢٠١٠‬‬

‫أﻋﻤﺪة )ﺟﺎﻟﻴﺮي اﻟﻤﺮﺧﻴﺔ – اﻟﺪوﺣﺔ(‬


‫‪٢٠٠٩‬‬

‫اﻟﺠﺴﺪ ا‪g‬ﻧﺴﺎﻧﻲ )ﺟﺎﻟﻴﺮي اﻟﻤﺴﺎر – اﻟﻘﺎﻫﺮة(‬ ‫ﻣﺴﺎرات ﺧﻔﻴﺔ ‪ :‬اﻟﻔﻦ اﻟﻤﺼﺮي اﻟﻤﻌﺎﺻﺮ )ﺟﺎﻟﻴﺮي آرت ﺳﻮا – دﺑﻲ(‬

‫‪٢٠٠٨‬‬

‫ﺛﻼﺛﻴﺔ اﻟﻤﺘﻮﺳﻂ ) اﻟﻴﻮﻧﺎن – ﻓﺮﻧﺴﺎ – ﻣﺼﺮ ( ‪ -‬ﻣﺮﺳﻴﻠﻴﺎ‬ ‫أم ﻛﻠﺜﻮم )ﻣﻌﻬﺪ اﻟﻌﺎﻟﻢ اﻟﻌﺮﺑﻲ – ﺑﺎرﻳﺲ(‬ ‫اﻓﺘﺘﺎح ﺟﺎﻟﻴﺮي آرت ﺳﻮا )دﺑﻲ(‬ ‫آرت ﺑﺎرﻳﺲ )أﺑﻮﻇﺒﻲ(‬

‫‪٢٠٠٧‬‬

‫ﻣﻌﻬﺪ اﻟﺪراﺳﺎت ا‪g‬ﺳﻼﻣﻴﺔ )ﻣﺪرﻳﺪ(‬ ‫اﻟﻔﻦ اﻟﻤﺼﺮي اﻟﻤﻌﺎﺻﺮ )أﻟﻴﻜﺎﻧﺘﻲ – أﺳﺒﺎﻧﻴﺎ(‬

‫‪٢٠٠٦‬‬

‫ﺑﻴﻨﺎﻟﻲ اﻟﻘﺎﻫﺮة اﻟﻌﺎﺷﺮ‬ ‫اﻟﻌﺎري )ﺟﺎﻟﻴﺮي اﺑﺪاع ‪ -‬اﻟﻘﺎﻫﺮة(‬ ‫ﻧﺠﻮم اﻟﻴﻮم )ﻗﺎﻋﺔ أﻓﻖ – اﻟﻘﺎﻫﺮة(‬

‫‪٢٠٠٥‬‬

‫اﻟﻔﻦ واﻟﺮوح )ﻗﺼﺮ اﻟﻔﻨﻮن – اﻟﻘﺎﻫﺮة(‬ ‫ﻧﺠﻮم اﻟﺼﺎﻟﻮن )اﻻﻛﺎدﻳﻤﻴﺔ اﻟﻤﺼﺮﻳﺔ – روﻣﺎ(‬ ‫اﻟﻔﻦ اﻟﻤﺼﺮي اﻟﻤﻌﺎﺻﺮ )ﻃﻠﻴﻄﻠﺔ – اﺳﺒﺎﻧﻴﺎ(‬

‫‪٢٠٠٣‬‬

‫ﺑﺎﻧﻮراﻣﺎ اﻟﻔﻦ اﻟﻤﺼﺮي اﻟﻤﻌﺎﺻﺮ‬ ‫)ﻣﻜﺘﺒﺔ اﻻﺳﻜﻨﺪرﻳﺔ(‬

‫‪٢٠٠٢‬‬

‫ﺛﻼﺛﻴﺔ اﻟﺸﻤﺲ واﻟﻘﻤﺮ )ﺧﺎن اﻟﻤﻐﺮﺑﻲ – اﻟﻘﺎﻫﺮة(‬

‫‪٢٠٠١‬‬

‫ﻣﻌﻬﺪ اﻟﺪراﺳﺎت اﻻﺳﻼﻣﻴﺔ )ﻣﺪرﻳﺪ(‬ ‫ﺟﺎﺋﺰة اﻟﺘﺼﻮﻳﺮ اﻟﺸﺮﻓﻴﺔ )ﺻﺎﻟﻮن اﻟﻘﻄﻊ اﻟﺼﻐﻴﺮة اﻟﺨﺎﻣﺲ(‬

‫‪٢٠٠٠‬‬

‫أرﺑﻌﺔ وﺟﻬﺎت ﻟﻠﻬﺮم )ﺧﺎن اﻟﻤﻐﺮﺑﻲ – اﻟﻘﺎﻫﺮة(‬ ‫ﺟﺎﺋﺰة أوﻟﻲ ﺗﺼﻮﻳﺮ ﺑﺼﺎﻟﻮن اﻟﺸﺒﺎب اﻟﺜﺎﻧﻲ ﻋﺸﺮ‬

‫‪١٩٩٨‬‬

‫ﺟﺎﺋﺰة ﺛﺎﻟﺜﺔ ﺗﺼﻮﻳﺮ ﺑﺼﺎﻟﻮن اﻟﺸﺒﺎب اﻟﻌﺎﺷﺮ‬ ‫ﺟﺎﺋﺰة اﻟﺘﺼﻮﻳﺮ ﺑﺼﺎﻟﻮن اﻟﻘﻄﻊ اﻟﺼﻐﻴﺮة اﻟﺜﺎﻧﻲ‬

‫‪١٩٩٧‬‬

‫ﺟﺎﺋﺰة ﺛﺎﻟﺜﺔ ﺗﺼﻮﻳﺮ ﺑﺼﺎﻟﻮن اﻟﺸﺒﺎب اﻟﺘﺎﺳﻊ‬

‫‪١٩٩٣‬‬

‫ﺟﺎﺋﺰة ﻟﺠﻨﺔ اﻟﺘﺤﻜﻴﻢ ﺑﺼﺎﻟﻮن اﻟﺸﺒﺎب اﻟﺨﺎﻣﺲ‬

‫‪١٩٩٢‬‬

‫ﻣﻌﺮض اﻟﺮﺑﻴﻊ )ﻗﺎﻋﺔ اﻟﻨﻴﻞ ‪ -‬اﻟﻘﺎﻫﺮة(‬

‫ﻣﺸﺎرﻛﺎت و ﻣﻘﺘﻨﻴﺎت‬ ‫‪٢٠٠٩‬‬

‫ﻓﻨﺎن ﻣﻘﻴﻢ ﺑﺄﻛﺎدﻳﻤﻴﺔ اﻟﻔﻨﻮن )ﻫﺎﻧﺞ زو – اﻟﺼﻴﻦ(‬ ‫ﺳﻤﺒﻮزﻳﻮم اﻟﺘﺼﻮﻳﺮ ا~ول )ا~ردن(‬

‫‪٢٠٠٨‬‬

‫ﺳﻤﺒﻮزﻳﻮم اﻟﺘﺼﻮﻳﺮ ا~ول )ا~ﻗﺼﺮ(‬

‫ﻣﻘﺘﻨﻴﺎت ﺑﻤﺘﺤﻒ اﻟﻔﻦ اﻟﻤﺼﺮي اﻟﺤﺪﻳﺚ ‪ -‬ﻣﺆﺳﺴﻪ ا~ﻫﺮام ‪ -‬ﻣﻜﺘﺒﺔ ا~ﺳﻜﻨﺪرﻳﺔ ‪ -‬اﻟﻤﺘﺤﻒ اﻟﻌﺮﺑﻲ ﺑﻘﻄﺮ‬

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Panorama of 20th Century Egyptian Art, %KDNKQVJGEC $NGZCPFTKPC Triad of Sun and Moon, .JCP (N 0CIJTCD[ *CNNGT[ &CKTQ Exhibition at the Egyptian Institute for Islamic studies 0CFTKF The Honoring prize of Painting, 7JG )KHVJ 6CNQP QH 6OCNN $TV YQTMU Four Aspects For The Pyramid .JCP (N0CIJTCD[ *CNNGT[ &CKTQ First Painting Prize at the Tenth Salon of Youth 3CNCEG QH $TVU &CKTQ Third prize 7JG 7GPVJ 6CNQP QH <QWVJ The Painting Prize 7JG 6GEQPF 6CNQP QH 6OCNN $TV YQTMU Third prize, 7JG 1KPVJ 6CNQP QH <QWVJ The Arbiters Prize, 7JG )KHVJ 6CNQP QH <QWVJ Spring Exhibition, 1KNG *CNNGT[ &CKTQ

5GUKFGPEKGU CPF $ESWKUKVKQPU 7JG )KTUV 3CKPVKPI 6[ORQUKWO /WZQT 5GUKFGPV $TVKUV KP &JKPC $ECFGO[ QH $TV +CPI =JQW &JKPC 7JG )KTUV 3CKPVKPI 6[ORQUKWO QH -QTFCP )GUVKXCN -QTFCP

$ESWKUKVKQPU CV 7JG (I[RVKCP 0WUGWO QH 0QFGTP $TV $N$JTCO 3TGUU 2TICPK\CVKQP %KDNKQVJGEC $NGZCPFTKPC $TCD 0WUGWO QH &QPVGORQTCT[ $TV 4CVCT


%QTP KP &CKTQ %CEJGNQT QH VJG )CEWNV[ QH )KPG $TVU KP &CKTQ 3CKPVKPI 'GRCTVOGPV /GEVWTGT KP 3CKPVKPI 'GRCTVOGPV CV VJG )CEWNV[ QH )KPG $TVU KP &CKTQ 6GNGEVGF (ZJKDKVKQPU Intersection *CNNGT[ 0KUT &CKTQ Casa Arabi 0CFKF Egyptian Contemporary Art $TV CPF 'GUKIP *CNNGT[ 9GPKEG Standing )CEWNV[ QH )KPG $TVU &CKTQ

Solo Exhibition %QWUJGJTK $TV *CNNGT[ .WYCKV Egyptian Tales $TV 6RCEG *CNNGT[ 'WDCK Le Corps Decouvert ,PUVKVWV 'W 0QPFG $TCDG 3CTKU Art Dubai $TV 6RCEG *CNNGT[ 'WDCK

Faces +QTK\QP 2PG *CNNGT[ &CKTQ Columns $N 0CTMJK[C *CNNGT[ 4CVCT El Corpus Humanos (N 0CUUCT *CNNGT[ &CKTQ Undercurrent: Egyptian Contemporary Art $TV 6CYC ICNNGT[ 'WDCK

Trilogy of the Mediterranean 3CNCEG QH $TVU 0CTUGKNNG Om Khalthoum ,PUVKVWV 'W 0QPFG $TCDG 3CTKU Art Sawa Inaugural Exposition 'WDCK Art Paris, $DW 'JCDK

Exhibition at The Egyptian Institute for Islamic Studies 0CFTKF Egyptian Contemporary Art $NKECPVG 6RCKP 10th Cairo International Biennale &CKTQ The Nude (DFCC *CNNGT[ &CKTQ Stars of the Day +QTK\QP 2PG *CNNGT[ &CKTQ Art & Soul 3CNCEG QH $TVU &CKTQ Stars in Youth Salon 7JG (I[RVKCP $ECFGO[ QH $TVU 5QOG Egyptian Contemporary Art 7QNGFQ