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Showstopper Magazine - 14th Issue - The Party Issue

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On my 72nd birthday this year, I was surprised to see a social media post that made me feel incredible. The post said that I was an "icon." I was so flattered, and I really started to think about what an icon is. In my eyes, I don't consider myself an icon. True "icons" are the people behind the scenes, the ones you may never know exist. The icons in my life start with the amazing team at Showstopper's national headquarters who work so hard and care so much to make each show perfect. They are our truck drivers who drive all week through tough situations, driving day and night to bring stages and sparkles to dancers around the country. They are the crew at the shows who work 60-hour weekends celebrating talent and dance and giving it a space to shine. The icons are the dance teachers—without them there would be no Showstopper. They are inspiring young dancers and changing the world for the better every day. These people are the true icons who I love and respect—everyday role models, leaders, and doers who make all the magic happen. They're the people we should celebrate. They're the people who make life, and the dance world, one big party.


 SUMMER 2023 GOSHOWSTOPPER.COM/MAGAZINE

DANCE & LIFESTYLE

6 Road to Showstopper 8 History of Showstopper 26 45 Years of Party Anthems 34 5 Tips for Better Leaps 46 Netflix's Dance 100 50 Everybody Dance 52 Piece of Cake Recipe 54 Party Playlist 60 Tips for Attending College as a Performance Arts Major

62 Showstopper Merch 64 A Dancer's Guide To: Studio Parties

72 Fashion Worth Celebrating

82 Party-Inspired Spaces


IN EVERY ISSUE

22 30 36 42 44 48 56

Michael Le Everleigh Rose The Sorority Girlz Bella Moore Kelsi Davies Reagan To Jordyn Curet

4 Editor's Letter 12 Dancer's Across America 68 Journey to Crystal 93 Crossword 94 Horoscopes


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A few of my favorite Instas from this season! Tag us @goshowstopper for a chance to be featured. FOUNDERS

Debbie & Dave Roberts EDITOR-IN-CHIEF

Holly Childs CREATIVE CONSULTANT: Debbie Roberts • FASHION DIRECTOR: Angel Roberts • ASSOCIATE FASHION STYLISTS: Georgia VanNewkirk, Hazel VanNewkirk LEAD DESIGNER: Holly Childs • ASSOCIATE DESIGNERS: Nikki Cole, Tyler Amaral • LEAD EDITOR: Veronica Good ASSOCIATE EDITORS: Debbie Roberts, Nikki Cole, Abbey Macho, Angel Roberts, Georgia VanNewkirk, Hazel VanNewkirk • PHOTOGRAPHERS: Ana Ochoa, Holly Childs, Eva Nys, Dylan Lujano, Kim Preston, Stefany Blanco, Raul Romo, Katarina Stanic • WRITERS: Holly Childs, Veronica Good, Hayley Mac, Matt Tayao, Gavin Morales DIRECTORS OF PROCUREMENT AND LOCATIONS: Adam Roberts, Greg Kajcienski

SHOWSTOPPER

Photography: (Left) Holly Childs, (Right) Instagram • Design: Holly Childs • Writing: Holly Childs, Veronica Good

NATIONAL DIRECTOR: Debbie Roberts PRESIDENT: Dave Roberts CORPORATE & EVENT PRODUCTION MANAGING EDITOR OF SHOWSTOPPER MAGAZINE ONLINE: Veronica Good • DIRECTOR OF CORPORATE DEVELOPMENT AND LEGAL AFFAIRS: Abbey Macho DIRECTOR OF INFORMATION TECHNOLOGY: Richard Knox • DIRECTOR OF MARKETING AND MEDIA RELATIONS: Nikki Cole • CONTROLLER: Kim Kouba • ASSISTANT CONTROLLER: Craig Goeppinger • SENIOR VIDEOGRAPHER AND MEDIA PRODUCTION SPECIALIST: Earl Tyndall • EXECUTIVE ASSISTANTS: Christin Sandidge, Dana Decker DIRECTOR OF EVENT OPERATIONS: Laura Button TRAVEL DIRECTOR: Patience Cole • PRODUCTION MANAGER: Jon Greene • TECHNICAL DIRECTORS: Jeff Cole, Jamie Holliday, Brad Bowles • SHOW DIRECTORS: Heather Bills, Bailey Rivara ASSOCIATE SHOW DIRECTORS: Katie Akers, Mackenzi Pizana PHOTOGRAPHY COORDINATOR: Jess Cranney • DIRECTOR OF LOGISTICS: James Williams • SPECIAL PROJECTS: Mike Wager

SPECIAL THANKS TO: (IN ORDER OF APPEARANCE): Brooklynne Webb, Sharar Ali-Speakes, Rosie Mclleland, Jade Chynoweth, Fuego Shoes, Tatum Brady, Gavin Morales, Kennedy Paige, Michael Le, Everleigh Rose, Sydney Bourne, Samantha Bailey, Marielle Caldwell, Brooklyn Juvé, Bella Moore, Kelsi Davies, Reagan To, Jordyn Curet, Hayley Mac, Peace Love Hip Hop, Bronlyn Ward, Marlee Thomas, Rachel McNaughton, Braelyn Schaffer, Rylee Wall, McKenzie Bouhadie, Annie Slemp, Rachel Ross Bunch, Lizzo, Matt Tayao

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Design: Nikki Herr • Writing: Veronica Good


You know Showstopper has been dancing with you since 1978, but you might not know how all of the pink and glitter got here. As we celebrate Showstopper’s 45th anniversary of dance, competition, and talent, we have to look back on where it all began and the steps it took to continue to make dance something to celebrate. In 1967, at just 16 years old, our founder, Debbie Roberts, was in Battle Creek, Michigan working with Civic Recreation to create extra programs for underserved communities. She wanted to start a dance program—she ended up creating dance programs for seven elementary schools in her area. At the end of that first year, the kids in the programs wanted to do something big, so Debbie worked with W.K. Kellogg II (of Kellogg’s Foods) to create a prize pool for a talent competition. She also thrifted and painted a trophy for the first place award and gathered a panel of judges. This was Debbie’s first dance competition, but it was far from her last. In 1978, Showstopper would follow in the footsteps of that first Design: Holly Childs, Nikki Herr • Writing: Veronica Good

dance competition. After years of watching her son, Adam, play competitive sports and knowing the excitement that getting to show their skills brings children, Debbie wanted to give the dance world the same experience. That first year, Showstopper—named by Debbie’s then 8-year-old daughter Angel—held six competitions, with a Finals in New York City, funded by Debbie’s savings and driven by her determination. She wrote letters and knocked on


the doors of local dance

Dance is an all-around

studios to pitch her idea.

experience. It’s studio

Not everyone said yes, but

hours, lifelong friendships,

that first competition had

travel, competition, and

around 400 attendees, and

so much more. Dance is

by the fourth show, people

a passion. It’s a lifestyle.

were excited for what

Debbie would release

was to come. That first

three dance-related books

season Debbie kick started

and continue to explore

this dream, and after the

different ways to bring

first two competitions,

dance to dancers with the

her husband, Dave

addition of Showstopper

Roberts, would start fitting

Dance Conventions in the

Showstopper into his work

late ‘90s. Showstopper’s

schedule. He joined the

National Tour grew to

team full time in 1985.

match the enthusiasm and excitement of dancers

Showstopper was bringing

across the country who

competition to dancers, but

worked hard to bring their

it was also bringing dancers

passion to life on stage—

to people’s attention. Local

and still is.

TV stations and newspapers

10

were filled with pictures of

Competitions,

dancers leaping across the

conventions—and even

Showstopper stage. Debbie

a virtual tour during

Roberts graced the cover of

2020—if there is a way

Dance Teacher in 1984—and

to make dance an event,

later topped Glamour’s list of

Showstopper is up for the

Outstanding Young Working

challenge. In its 45th year,

Women. Showstopper

Showstopper is hitting

also made it to the screen.

the road to take its stages

Before So You Think You Can

on a 51-competition tour

Dance and Dancing with

taking place over 40

The Stars, was the American

locations. The tour also

Dance Championships,

includes four conventions,

Showstopper’s National Finals

two issues of Showstopper

Competition. Showstopper’s

Magazine—now in its sixth

hit TV Show filled televisions

year with its online sister

across the nation for 20

Showstopper Magazine

years and received five

Online—and more glitter

Emmy Nominations.

and confetti than ever.

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Photography: Provided by Dancers • Design: Nikki Herr • Photo Editing: Tyler Amaral


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(Brooklynne Webb) Photographer: Dylan Lujano, Hair: Mika Fowler, Makeup: Anton Khachaturian, Stylist: Sophia Rahimi • (Sharar Ali-Speakes) Photography: Kim Preston • (Jade Chynoweth) Photography: Stefany Blanco • (Kennedy Paige and Gavin Morales) Photography: Holly Childs • (Rosie Mclleland) Photography: Provided by Rosie • (Tatum Brady) Photography: Eva Nys • Design: Holly Childs


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Michael Le is not your

support he received from his

Michael's life. “It put me

average dancer. In a world

friends, family, and fans, he

in the mindset of not just

where social media is

kept pushing forward.

being a dancer, but a

king, Michael has taken One of Michael's most famous

into other aspects of

incredible dance moves,

videos is an escalator dancing

content creation that I

earning him millions of

video which is one of the

wanted to explore, like

followers and making

most-liked TikToks of all time.

VFX, acting, anime, or

him a viral sensation. But

The video was created while

even just skit making with

Michael is more than just

Michael was experimenting

my family,” he told us.

a dancer; he's also an

with different ways to

innovator and a creative

showcase dancing in public.

genius who is pushing

“This was just one of those

the boundaries of what is

ideas that we wanted to push

Now, Michael has

possible on social media.

the boundary on and expand,”

collaborated with artists

he shared, “so we worked

like Jason Derulo and

to brainstorm ways to add

has performed in music

BLOWING UP

Photography: Raul Romo • Design/Writing: Holly Childs

creator that could expand

TikTok by storm with his

COLLABORATIONS

reactions. We experimented

videos for Daddy Yankee,

Michael's journey started in

with screaming outside of

Fabolous, and Nicky

2012 when he took a dance

the video and capturing the

Jam. One of his favorite

class at a studio in Florida.

reaction by making sure that

collaborations is with

From the very first class, he

if people saw us dancing,

Jason Derulo, who he’s

knew that he had found his

they would also hear us as

created content with many

passion. He started training

well. We waited for the right

times. Another favorite

three to five days a week

people to react as we went

moment for Michael was

and soon decided to pursue

down the escalator. We had the

when his choreography

dance and social media

cameraman hide, set it up, and

was featured in the

as a career. He began

the rest is history.”

Fabolous music video for

posting his dance classes, choreography, dance

“Flipmode.” “It was such a DANCER + CREATOR

challenges, and tutorials.

special moment because it was my first time coming

Soon, one of his dance

Social media, and specifically

to LA to perform,” he

challenge videos started

TikTok, has completely changed

shared with us.

to blow up. Inspired by the


INTRODUCING: CREA8 Michael hopes that his current project, a hip hop focused dance convention called CREA8, will help shape the dance world. “I want to bridge the gap between social media and dance and show that we can all enjoy dancing together,” he explained. “I hope this event allows other dancers to be able to connect with industry professionals and empowers them to continue to follow their dreams and pursue their passions.” While CREA8 will have incredible teachers–including the Kinjaz, the Future Kingz, Meet the Rods, a few choreographers from the Chaos faculty, and Michael himself–helping dancers to develop their craft is not his only goal. “I want to show [dancers] the ropes and how they can start their own dance career,” he explained. "I want to bring all the social media [hip hop] dance leaders together for the very first time [and] give everyone the opportunity to grow and learn."

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Photography: Shutterstock, Alamy • Design/Writing: Holly Childs


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