11th Annual Golden Trailer Awards (GTA11) Program Book by Trailer Central

WELCOME TO THE EL REY THEATRE

Dean Edwards y o u r

Comedian Dean Edwards has been making his mark in comedy following two successful seasons as a cast member on “Saturday Night Live.” With such memorable impressions as Don Cheadle, Michael Jackson and Denzel Washington, as well as such original characters as “Man in Elevator” and “Cop#2”. Dean has pushed himself to the limits of creativity and exhaustion. Always the multi-tasker, Dean found the momentum to juggle his SNL career, his numerous standup appearances and multiple television appearances on tv. Dean most recently appeared in Showtime’s “Comics Without Borders, the nine-week comedy series which showcased multicultural stand-up comedians. Dean also work-shopped the character of Donkey for nearly 2 years, leading up to Dreamworks’ SHREK THE MUSICAL on Broadway. Dean has made several late night appearances, including “The Late Show with Craig Ferguson” and “Last Call with Carson Daly.” He is also a favorite and frequent guest on Byron Allen’s “Comic Unleashed,” and is frequently providing comedic commentary on various VH1 highlight shows. Director Malcolm Lee also chose Dean to finish Bernie Mac’s voice/ADR work on “Soul Men” after the comedian’s untimely death. Dean also provided the voiceover of Barack Obama’s on the new CNN show “D.L. Hughley Breaks the News”. Born in the Bronx and raised throughout New York, Dean’s travels made it easy for him to communicate with all walks of life. After dividing his college career between classes and a 6-year term in the U.S. Army reserves, Dean ultimately made the choice to devote his career to comedy. Although his fellow soldiers

h o s t

loved his impressions of their drill sergeant, Dean spent many an afternoon doing push-ups to pay for his comedic talent. That talent paid off and Dean found his career after participating a college talent show. Armed with a degree in communications, Dean became an in-demand comic, and landed his first big break on Russell Simmons’ “Def Comedy Jam.” Though the show is renown for it’s blue humor, Dean found a way to break the traditional mold with his mainstream appeal. Subsequently, he was a featured comedian on “Showtime at the Apollo” a few years later. Dean followed his TV appearances by starring in numerous commercials, and also worked with Spike Lee on the hit feature film “The Original Kings of Comedy” Edwards has since earned a reputation as a headlining favorite at comedy clubs and colleges across the country. An international sensation, Dean was chosen to perform at the Jozi and Cape Town Comedy Festival’s in Johannesburg and Cape Town, South Africa as well as Saudi Arabia in late, 2009. And even more recently, Dean completed a tour of the Middle East, performing in front of more than 10,000 fans: beginning in Cairo, Egypt and ending in Kuwait. Next up, Dean’s vocal talents can be heard in Dreamworks soon to be animated Halloween classic, SCARED SHREKLESS and can be seen in the independent feature, APRIL FOOLS. Dean’s first comedy CD, “REAL TALK WITH FAKE PEOPLE, Volume 1” debuted in 2009 and he plans to release an hour long special/DVD with Salient Media in late-2010. Dean was the host of the 10th Annual Golden Trailer Awards.

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Show

Categories

Best Action n o m i n e e s

AVATAR “THEATRICAL TRAILER”

20th Century Fox Wild Card Tony Sella (20th Century Fox)

GAMER “TRAILER 1A”

Lionsgate Seismic Productions Creative Directors – David Schneiderman, Kevin Sewelson, & Erin Wyatt Producers – David Banks, David Schneiderman Editor – Greg Krupka Music Supervisor – Jesse Goodwin

IRON MAN 2 “MR. STARK”

Paramount Pictures Create Advertising Group Editor: Michael Trice (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Associate Creative Director, Motion Graphics: Jake Black (Create Advertising Group) Graphic Designer: Mario Hernandez (Create Advertising Group) Co-President, Marketing: Josh Greenstein (Paramount Pictures) Vice President, Creative Advertising: Peter Giannascoli (Paramount Pictures)

SHERLOCK HOLMES

Warner Bros. Mojo Creative Director/Producer/Writer: Jeff Lamont (Mojo) Creative Director/Producer/Editor: Dave Yocum (Mojo) Editor: Chris St. Pierre (Mojo) Editor: Greg Krupka (Mojo)

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Best A nimation /Family n o m i n e e s

ALICE IN WONDERLAND “RETURN”

Walt Disney Pictures Create Advertising Group & Trailer Park Editor: Adrian Balladares (Create Advertising Group) Editor: Jeff Davis (Create Advertising Group) Creative Director: Tim O’Neil (Create Advertising Group) Producer: Lauren Friedman (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Editor: Tanner Crane (Trailer Park) Producer: Matt Brubaker (Trailer Park) Producer: Lily Trussell (Trailer Park) Associate Creative Director, Motion

Graphics: Jake Black (Create Advertising Group) Graphic Designer: Tres-e Tamondong (Create Advertising Group) Graphic Designer: Picture Mill (Graphic Designer) Sr. Vice President, Creative Film Services: Joe Tamusaitis (Walt Disney Pictures) Executive Vice President/Creative Director, Creative Content and Advertising: David Singh (Walt Disney Pictures) Director, Creative Film Services: Kristina Witczak (Walt Disney Pictures)

HOW TO TRAIN YOUR DRAGON “PREPARE” (TRAILER #3)

Paramount Pictures Aspect Ratio Co-President Marketing: Josh Greenstein (Paramount) EVP Creative Advertising: Amanda Edwards (Paramount) VP Creative Advertising: Scott Fleisher (Paramount)

Creative Advertising: Jeremy Sauter (Paramount) Creative Director: Michael Andolina (Aspect Ratio) Producer: Eric Alan (Aspect Ratio) Editor: Jerry Suh (Aspect Ratio)

THE KARATE KID “TRAILER 2”

Columbia Pictures Vibe Creative, Inc. Senior EVP, Creative Advertising: Josh Goldstine Producer: Ann Mugglebee Creative Director: Paul Holtzhausen Graphics: Create Advertising Creative Director/Editor: Paul Holtzhausen

SHREK FOREVER AFTER “BEST EVER” (TRAILER #2)

Paramount Pictures Aspect Ratio Co-President Marketing: Josh Greenstein (Paramount) SVP Creative Advertising: Amy Mastriona (Paramount) Director Creative Advertising: Abbie Wisdom (Paramount) Creative Director: Michael Andolina (Aspect Ratio) Producer: Eric Alan (Aspect Ratio) Editor: Robert Schulze (Aspect Ratio) Art Director: David Clayton (The Picture Mill) Graphics Producer: Justin Greenlee (The Picture Mill)

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Best Comedy n o m i n e e s

GET HIM TO THE GREEK “TRAILER 4: THE JOB/RED”

Universal Workshop Creative SVP, Creative Advertising: Scott Abraham Creative Director: Rob Myers Editors: Jennifer Barker, Gregg Jachens

HOT TUB TIME MACHINE “GUYS WEEKEND”

MGM/UA Ignition Creative Senior Vice President Creative Advertising: Justin Slobig Creative Director: Martin Kistler Producer: Goktug Sarioz Editors: Chris Daniel and Adam Mays

I CAN DO BAD ALL BY MYSELF “TRAILER 1A”

Lionsgate Seismic Productions Producers: David Schneiderman/David Banks Editor: Greg Krupka Creative Directors: Erin Wyatt/Kevin Sewelson Music Supervisor: Jesse Goodwin

YOUTH IN REVOLT

The Weinstein Company Motive Studio Creative: Jeff Elefterion Studio Creative: Spencer Kaplan Editor: Michele Manning (Motive) Copy: Chris Connors Music Supervisor: Bruce Gilbert

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Best

Documentary n o m i n e e s

ART OF THE STEAL

IFC Films Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Jessica Murray (Mark Woollen & Associates) Editor: Zach Lee (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) VP of Marketing: Shani Ankori (IFC Films) (VP of Marketing) SVP, Marketing & Publicity: Ryan Werner (IFC Films)

THE COVE

Roadside Attractions/Lionsgate AV Squad Editor: Dan Wetherbee Creative Director: Seth Gaven Client: Dennis O’Connor Studio: Roadside Attractions

THE SEPTEMBER ISSUE “ICON TRAILER”

Roadside Attractions Trailer Park Dennis O’Connor (Roadside Attractions) Creative Director: Matt Brubaker (Trailer Park) Editor: Joan LaDuca (Trailer Park) Copywriter: Jason Byers (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park)

THIS IS IT “INSPIRE”

Sony Pictures Entertainment Create Advertising Group Editor: Nick Weiss (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Creative Director, Motion Graphics: Jonathan Gitlin (Create Advertising Group) Associate Creative Director,

THE

Motion Graphics: Jake Black (Create Advertising Group) Graphic Designer: Catherine Brankov (Create Advertising Group) Graphic Designer: Moe Dean (Create Advertising Group) President, Worldwide Creative Advertising: Tommy Gargotta (Sony Pictures Entertainment) Director, Creative Advertising: Trisha Hegeman (Sony Pictures Entertainment)

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Best Drama n o m i n e e s

BROTHERS “TRAILER 1A – MOVING ON/U2”

Lionsgate Seismic Productions Producer: David Schneiderman (Seismic Productions) Editor: Erin Wyatt (Seismic Productions) Creative Director: Kevin Sewelson (Seismic Productions) Music Supervisor: Jesse Goodwin (Seismic Productions) Graphics Supervisor: Soh Myoung Lee (Seismic Productions)

CRAZY HEART

Fox Searchlight Motive Studio Creative: Patrick Starr Studio Creative: Stephanie Allen Studio Creative: Flavia Amon Editor: Michele Manning (Motive) GFX: The Ether

THE MESSENGER

Oscilloscope Pictures Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Sohini Sengupta (Mark Woollen & Associates) Editor: Ben Jackson (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) David Fenkel (Oscilloscope Pictures) Dan Berger (Oscilloscope Pictures)

PRECIOUS “TRAILER 2A”

Lionsgate Mojo Creative Director: Michael Kahane (Mojo) Producer: Markus Wernig (Mojo) Editor: Chris Nesheim (Mojo) Graphic Design: James Huang (Mojo) Music Supervision: Holly Hung (Mojo) Music Supervision: Marc D’Amour (Mojo) Finishing: Douglas Salkin (Mojo)

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Best Horror n o m i n e e s

ANTICHRIST

IFC Films Kinetic Trailers Editor/Creative Director: Stephen Garrett (Kinetic Trailers) Marketing: Ryan Werner (IFC Films) Marketing: Shani Ankori (IFC Films) Graphics: Nate DeYoung Director: Lars Von Trier

THE CRAZIES “CHANGING”

Overture Films/Participant Media Buddha Jones President Domestic Marketing: Peter Adee EVP Creative Advertising: Jackson George Producer: Dan Asma Editor: Bill Neil

THE FOURTH KIND “THE TRUTH”

Universal The Cimarron Group SVP Creative Advertising: Scott Abraham (Universal) SVP Creative Marketing: Terry Curtin (The Cimarron Group) Creative Director: Brian Pianko (The Cimarron Group) Editor: Chris Hawkins (The Cimarron Group)

A NIGHTMARE ON ELM STREET “WAKE UP/CLASH (TRAILER 4)”

Warner Bros. Aspect Ratio President Worldwide Marketing: Sue Kroll (Warner Bros.) SVP Creative Marketing: Michael Jones (Warner Bros.) Creative Director: Justin King-Hall (Aspect Ratio) Editor: David Ligorner (Aspect Ratio)

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Best

Independent n o m i n e e s

AWAY WE GO “TRAILER 2”

Focus Features Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Editor: Zach Lee (Mark Woollen & Associates) Editor: Dylan O’Neil (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) SVP, Creative Advertising: Myles Bender (Focus Features)

THE GOOD HEART “GREENBAND THEATRICAL”

Magnolia Pictures Kinetic Trailers Editor/Creative Director: Christy Wilson (Kinetic Trailers) Editor/Creative Director: Leeorah Betan-Hartman Marketing: Matt Cowal (Magnolia Pictures) Graphics: Michael Del Rossi Copywriter: Patrice Donnell Director: Dagur Kari

HARRY BROWN

Samuel Goldwyn Films/IDP Alkemi Entertainment VP Marketing: Neil Marks (Samuel Goldwyn Films/IDP) Creative Director: Bryan DeDario (Alkemi Entertainment) Editor: Paul Falcone (Alkemi Entertainment) Graphic Designer: Josh Russell (Alkemi Entertainment) Copywriter: Bryan DeDario (Alkemi Entertainment) Post Production Coordinator: Charlie Hayman (Alkemi Entertainment) Partner: Ed Glass (Alkemi Entertainment) Partner: Barry Schoor (Alkemi Entertainment)

A SERIOUS MAN “TRAILER 3”

Focus Features Mark Woollen & Associates Creative Director: Myles Bender (Focus Features) Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Ben Jackson (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates)

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Best Music n o m i n e e s

CRAZY HEART

Fox Searchlight Motive Studio Creative: Patrick Starr Studio Creative: Stephanie Allen Studio Creative: Flavia Amon Editor: Michele Manning (Motive) GFX: The Ether

GREENBERG “TRAILER 1”

Focus Features Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) SVP, Creative Advertising: Myles Bender (Focus Features)

IT MIGHT GET LOUD “THREE ICONS”

Sony Pictures Classics The Grossmyth Company Editor: Daniel Gross (The Grossmyth Company) Marketing Executive: Allison Mackie (Sony Pictures Classics) Marketing Executive: Michael Barker (Sony Pictures Classics) Marketing Executive: Tom Bernard (Sony Pictures Classics) Motion Graphics: David Goldman (The Grossmyth Company) Film Director: Davis Guggenheim Producer: Daniel Gross (The Grossmyth Company) Producer: Caddie Hastings (The Grossmyth Company)

THIS IS IT “DOMESTIC TRAILER 1”

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Best Romance n o m i n e e s

BRIGHT STAR

Apparition Mojo Creative Director: Michael Kahane (Mojo) Editor: Markus Wernig (Mojo) Writer: Kate Cox Graphic Design: James Huang (Mojo) Music Supervision: Holly Hung (Mojo) Music Supervision: Marc D’Amour (Mojo) Finishing: Douglas Salkin (Mojo)

NEW YORK, I LOVE YOU

Vivendi Entertainment Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Sohini Sengupta (Mark Woollen & Associates) Editor: Jessica Murray (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) EVP, Theatrical Marketing & Distribution: Mark Kristol (Vivendi Entertainment)

THE TIME TRAVELER’S WIFE

New Line Cinema Mojo Creative Director/Producer/Writer: Jeff Lamont (Mojo) Editor: Patrick Stone (Mojo) Finishing: Douglas Salkin (Mojo)

THE YOUNG VICTORIA

Apparition/GK Films Mojo Creative Director: Michael Kahane (Mojo) Editor: Benj Thall Writer: Kate Cox Graphic Design: James Huang (Mojo) Music Supervision: Holly Hung (Mojo) Music Supervision: Marc D’Amour (Mojo) Finishing: Douglas Salkin (Mojo)

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Best Thriller n o m i n e e s

DISTRICT 9 “DOMESTIC TRAILER – WARNING”

(Create Advertising Group) Graphics Producer: Ryan Verseman (Create Advertising Group) Graphic Designer: Ryan DeCarlo (Create Advertising Group) President, Worldwide Creative Advertising: Tommy Gargotta (Sony Pictures Entertainment) Executive Vice President, Creative Advertising: Bill Loper (Sony Pictures Entertainment) Director, Creative Advertising: Trisha Hegeman (Sony Pictures Entertainment)

GAMER “TRAILER 1A”

Lionsgate Seismic Productions Creative Directors: David Schneiderman, Kevin Sewelson, & Erin Wyatt Producers: David Banks, David Schneiderman Editor: Greg Krupka Music Supervisor: Jesse Goodwin

SALT “SALT TRAILER #2”

Sony Pictures Entertainment Vibe Creative, Inc. Senior EVP, Creative Advertising: Josh Goldstine EVP, Creative Advertising: Bill Loper Producer: Ann Mugglebee Creative Director: Paul Holtzhausen Editor: Darrin Finley Graphics: Frameworks, Greenhaus GFX

SHUTTER ISLAND “DOMESTIC TRAILER”

Paramount Pictures Ignition Creative Senior Vice President Creative Advertising: Erik Counter Creative Director: Martin Kistler Editor: Doug Brandt

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Driving trumps dreaming. Seize the opportunity to make every day better than the last. Because with lease and finance offers as legendary as the sports cars they accompany, you wonâ&#x20AC;&#x2122;t just be owning a Porsche, but every incredible moment in it as well.

Video

Best Game n o m i n e e s

BATMAN ARKHAM ASYLUM “VILLAINS”

Eidos and WB Games Hammer Creative Editor: Mike Berenson (Hammer Creative) Creative Director: Brett Hocker (Hammer Creative) Producer: Jim Botko (Hammer Creative) Producer: Scott Hayman (Hammer Creative) Copywriter: Brett Hocker (Hammer Creative) Motion Graphics: Austin Anderson (Hammer Creative) Music Supervisor: Dane Short (Hammer Creative) Creative Executive: Karl Stewart (Eidos) Creative Executive: Trevor Burrows (Eidos) Creative Executive: Philip Ser (Warner Brothers Interactive) Creative Executive: Andrew Meengern (Warner Brothers Interactive)

CLASH OF THE TITANS VIDEO GAME “EPIC BATTLES”

Namco Bandai Games Eyestorm Productions Film Editor/Writer: Michael Martinez (Eyestorm Productions) Writer: Peter Gallagher (Eyestorm Productions) Director/Producer: Michael Klima (Eyestorm Productions) Executive Producer: Kyle Ruddick (Eyestorm Productions) Associate Brand Manager: Brad Stradling (Namco Bandai Games)

RAGE “RAGE ANNOUNCE TRAILER”

Electronic Arts Hammer Creative Editor: Shane Free (Hammer Creative) Creative Director: Scott Hayman (Hammer Creative) Producer: Jim Botko (Hammer Creative) Producer: Brett Hocker (Hammer Creative) Copywriter: Travis Weir (Hammer Creative) Motion Graphics: John Federico (Hammer Creative) Music Supervisor: Dane Short (Hammer Creative) Creative Executive: Tim Willits (Id Software) Creative Executive: Matt Hooper (Id Software) Creative Executive: Jason Kim (Id Software) Creative Executive: Yoko Nakao (Electronic Arts) Creative Executive: Brent Dady (Electronic Arts)

THE SABOTEUR “STORY TRAILER”

Electronic Arts Hammer Creative Editor: Mike Berenson (Hammer Creative) Creative Director: Scott Hayman (Hammer Creative) Producer: Jim Botko (Hammer Creative) Producer: Brett Hocker (Hammer Creative) Copywriter: Brett Hocker (Hammer Creative) Motion Graphics: Austin Anderson (Hammer Creative) Creative Executive: Jim Ferris (Electronic Arts)

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Golden Fleece n o m i n e e s

ALL ABOUT STEVE “TRAILER A”

20th Century Fox The Refinery Editor: Bob Tripp Creative Director: Brett Winn SVP Creative Advertising: Mike Southerly

BAD LIEUTENANT: PORT OF CALL NEW ORLEANS

First Look Studios Mob Scene Client: Brooke Ford (First Look Studios) Client: Brian Tidmore (First Look Studios) Creative Director: Brian Daly (Mob Scene) Editor: Roy McKinnon (Mob Scene) Editor: John Brookins (Mob Scene) Copywriter: Brian Daly (Mob Scene) Graphics: Gina Williamson (Mob Scene)

COP OUT “TRADITION”

Warner Bros. Create Advertising Group Editor: Nick Weiss (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Producer: Ryan Lake (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Creative Director, Motion Graphics: Jonathan Gitlin (Create Advertising Group) Graphics Producer: Ryan Verseman (Create Advertising Group) Graphic Designer: Carl Bogan (Create Advertising Group) Graphic Designer: Tres-e Tamondong (Create Advertising Group) Graphic Designer: Kirin Robinson (Create Advertising Group) Senior Vice President, Creative Advertising: MIchael Jones (Warner Bros.)

THE INVENTION OF LYING

Universal Pictures International Empire Design Marketing Director – Ivan Wormley

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HUNDREDS

VO I C E S A N D

STUNNING FOREIGN V O I C E TA L E N T

THOUSANDS OF

READS

UNLIMITED FREE AUDITIONS

S P E C TA C U L A R SOUND

DESIGN

INCREDIBLE ORIGINAL

MUSIC

PHENOMENAL AUDIO-POST PRODUCTION

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6/3/10 5:07 PM

Just like in film, we know all about big budget productions.

Congratulations to all the nominees and winners. Proud supporters of the Golden Trailer Awards.

Most Original n o m i n e e s

CEMETERY JUNCTION “TEASER”

Sony Pictures Entertainment Empire Design Marketing Director – Stuart Williams

THE LIMITS OF CONTROL

Focus Features Big Science Film Creative Team: Stuart Robertson (Big Science Film) Creative Team: Marti Mattox (Big Science Film) Creative Executive: Myles Bender (Focus Features)

MICMACS “BOOM”

Sony Pictures Classics The Grossmyth Company Editor: Daniel Gross (The Grossmyth Company) Marketing Executive: Allison Mackie (Sony Pictures Classics) Marketing Executive: Michael Barker (Sony Pictures Classics) Marketing Executive: Tom Bernard (Sony Pictures Classics) Motion Graphics: David Goldman (The Grossmyth Company) Producer: Daniel Gross (The Grossmyth Company) Producer: Caddie Hastings (The Grossmyth Company) Film Director: Jean-Pierre Jeunet

A SERIOUS MAN “TRAILER 3”

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Summer 2010 Blockbuster n o m i n e e s

THE A-TEAM “PAYBACK”

20th Century Fox mOcean Co-President of Marketing: Tony Sella (20th Century Fox) Executive VP of Marketing: Mike Southerly (20th Century Fox) Producer: John Ibsen Editor: Adam Rosenblatt

INCEPTION “CITY”

Warner Bros. BLT AV Studio Creative Director: Massey Rafani (Warner Bros.) EVP Creative Advertising: Massey Rafani (Warner Bros.) Creative Manager: Brian Worsley (Warner Bros) Creative Director: Lauri Brown (BLT AV) Editor: David Rosenthal (BLT AV)

KNIGHT AND DAY

20th Century Fox Wild Card

TOY STORY 3 “NEW STORY”

Disney/Pixar CMP Writer: Dave Yerxa (CMP) Art Director: Jon Converse (CMP) Motion Graphics: Lucy Xing (CMP) Motion Graphics: Jaehi Jung (CMP)

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Trashiest Trailer n o m i n e e s

BITCH SLAP “BITCH SLAPPED”

Bombshell Pictures Acme Trailer Company Producer: Brian Peck (Bombshell Pictures) (Producer) Producer: Rick Jacobson (Bombshell Pictures) Producer: Eric Gruendemann (Bombshell Pictures) Producer: Scott Walls Editor: Micah Stuart

HUMAN CENTIPEDE

IFC Films Kinetic Trailers Editor/Creative Director: Stephen Garrett (Kinetic Trailers) Marketing: Ryan Werner (IFC Films) Marketing: Shani Ankori (IFC Films) Graphics: Nate DeYoung Director: Tom Six

THE LAST RESORT

Lionsgate Hungry Monster Entertainment Producer/Editor/Copywriter: Garo Setian (Hungry Monster Entertainment) Graphics: Perry Harovas (ScreenPlay Entertainment LLC) Music: Andy Garfield & Christopher Farrell

TRAIN

Lionsgate Lionsgate Producer/Editor: Garo Setian (Lionsgate) Producer: Susan Myers (Lionsgate) Graphics: Eric Wakida (Wakida Design) Music: Andy Garfield VP Home Video Marketing: Chela Johnson (Lionsgate)

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W W W. S T EINER S T UD I O S .C O M

Non Show Categories

Best Motion / Title Graphics n o m i n e e s

AWAY WE GO “TRAILER 2”

Focus Features Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Editor: Zach Lee (Mark Woollen & Associates) Editor: Dylan O’Neil (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) SVP Creative Advertising: Myles Bender (Focus Features)

BRONSON “REDBAND THEATRICAL”

Magnolia Pictures Kinetic Trailers Stephen Garrett (Kinetic Trailers) (Editor/Creative Director) Matt Cowal (Magnolia Pictures) (Marketing) Nate DeYoung (Graphics) Nicolas Winding Refn (Director)

MICMACS “BOOM”

Sony Pictures Classics The Grossmyth Company Editor: Daniel Gross (The Grossmyth Company) Marketing Executive: Allison Mackie (Sony Pictures Classics) Marketing Executive: Michael Barker (Sony Pictures Classics) Marketing Executive: Tom Bernard (Sony Pictures Classics) Motion Graphics: David Goldman (The Grossmyth Company) Producer: Daniel Gross (The Grossmyth Company) Producer: Caddie Hastings (The Grossmyth Company) Film Director: Jean-Pierre Jeunet

REPO MAN “LET’S GO”

Universal Buddha Jones Executive Vice President Creative Advertising: Frank Chiocchi Manager Creative Advertising: Erika Anaya Art Director: Keith Pang Designer: Jason Liwag

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Best Sound Editing n o m i n e e s

THE DESCENT PART 2 “TRAILER #1”

Lionsgate Lionsgate Editor: Garo Setian (Lionsgate) Producer: Susan Myers (Lionsgate) Graphics: Eric Wakida (Wakida Design) VP Home Video Marketing: Chela Johnson (Lionsgate)

INCEPTION “IDEA”

Warner Bros. BLT AV Studio Creative Director: Massey Rafani (Warner Bros) EVP Creative Advertising: Massey Rafani (Warner Bros.) Creative Manager: Brian Worsley (Warner Bros) Creative Director: Lauri Brown (BLT AV) Editor: David Rosenthal (BLT AV)

ROBIN HOOD “LEGEND”

Universal Skip Film

A SERIOUS MAN “TRAILER 3”

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Best Trailer – No Movie n o m i n e e s

CITY 40

Chastè Films, Inc. The Butcher Shop Creative Director/Editor: Joe E. Botana (The Butcher Shop) Creative Producer: Samira Goetschel (Chastè Films, Inc.) Executive Producer: Susie Arnett (Chastè Films, Inc.)

THE LIFE AND MIND OF MARK DEFRIEST

Found Object Films Mighty Pictures Producer: Charlie Sadoff (Mighty Pictures) Editor: Nick Clark (Mighty Pictures)

RED “OUT OF GAMES”

Summit Entertainment Happy Hour Creative Creative Director: Chris Mollo Producer: Chris Hepburn Editors: Ryan Turner & Phil Carnes Writer: Chris Connors Music Supervisor: Pete Hasty Graphics: Clayton Glenn

SAVING EVE

Ignition Creative Trailer Director: John Schwartz Producer: Jeff Benjenk Editor: Chris Daniel

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Foreign Trailer Nominees

Best

Foreign Action n o m i n e e s

22 BULLETS “GERMAN TEASER”

Wild Bunch Trailerhaus GmbH Copywriter: Wolf Hohl Editor: Rene Hoffmann Creative Director: Norbert Keil Trailerhaus for Wild Bunch

THE GOOD, THE BAD, THE WEIRD

IFC Films Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Daniel Lee (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) VP of Marketing: Shani Ankori (IFC Films) SVP, Marketing & Publicity: Ryan Werner (IFC Films)

MESRINE: KILLER INSTINCT

Momentum Pictures Empire Design Marketing Director – Jamie Schwartz

SOLO QUIERO CAMINAR “FIX CUT”

VideoCine/Canana Fix Comunicacion CEO: Jose Ignacio Soto (Fix Comunicación) Sound Design Director: Karim Gonzalez (Fix Comunicación) Film & Video Director & Editor: Arturo Gonzalez Alonso (Fix Comunicación) Production Manager & Editor: Ivan Morell (Fix Comunicación) Editor: Ricardo Valverde (Fix Comunicación) Sound Designer: Hugo Avila (Fix Comunicación) Sound Designer: Mauricio

THE

Villasenor (Fix Comunicación) Musician: Agustin Moran (Fix Comunicación) Art & Motion Graphics: Juan Martinez (Fix Comunicación) 3D & Motion Graphics: Alejandra Alducin (Fix Comunicación) Finance Manager: Erik Bravo (Fix Comunicación) Finance Executive: Adriana Delabra (Fix Comunicación) Production Assistant: Natalia Cavia (Fix Comunicación) Production Assistant: Erick Avila (Fix Comunicación)

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Best Foreign Comedy n o m i n e e s

FRIENDSHIP: “GERMAN TRAILER”

Columbia Pictures WDA Client/Creative Director: Sal Ladestro Producer: Dean Blagg Editor: Leslie Sloan Writer: Jim Melkonian

IN THE LOOP

IFC Films Mark Woollen & Associates Mark Woollen (Mark Woollen & Associates) (Creative Director) Scott Mitsui (Mark Woollen & Associates) (Producer) Daniel Lee (Mark Woollen & Associates) (Editor) Ralf Leeb (Mark Woollen & Associates) (Motion Graphics Designer) Shani Ankori (IFC Films) (VP of Marketing) Ryan Werner (IFC Films) (SVP, Marketing & Publicity)

PARADAS CONTINUAS: NEGOCITO (LITTLE BUSINESS)

VideoCine Fix Comunicacion CEO: Jose Ignacio Soto (Fix Comunicación) Sound Design Director: Karim Gonzalez (Fix Comunicación) Film & Video Director & Editor: Arturo Gonzalez Alonso (Fix Comunicación) Production Manager & Editor: Ivan Morell (Fix Comunicación) Editor: Ricardo Valverde (Fix Comunicación) Sound Designer: Hugo Avila (Fix Comunicación)

Sound Designer: Mauricio Villasenor (Fix Comunicación) Musician: Agustin Moran (Fix Comunicación) Art & Motion Graphics: Juan Martinez (Fix Comunicación) 3D & Motion Graphics: Alejandra Alducin (Fix Comunicación) Finance Manager: Erik Bravo (Fix Comunicación) Finance Executive: Adriana Delabra (Fix Comunicación) Production Assistant: Natalia Cavia (Fix Comunicación) Production Assistant: Erick Avila (Fix Comunicación)

ST. TRINIAN’S “RISE UP TRAILER”

NeoClassics Films Trailer Park Frederic Demey (NeoClassics Films) Creative Director: Matt Brubaker (Trailer Park) Editor: Brian Fairlee (Trailer Park) Copywriter: Ryan Zaharako (Trailer Park) Associate Producer: Lily Trussell (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best

Foreign Drama n o m i n e e s

BALIBO

Paramount/Transmission/Footprint Films The Solid State

GENERAL NIL

Monolith Films Trailer and More Szymon Lenkowski, Piotr Bujnowicz, and Jurand Wegrzyn

ONDINE

Paramount Pictures The Creative Partnership Creative Director: Steve Hunt (Paramount) Producer: Nic Ost (The Creative Partnership) Editor: Jez Beasley (The Creative Partnership) Motion Graphics: Rob Mills (The Creative Partnership)

UN PROPHETE (A PROPHET)

Sony Pictures Classics Kinetic Trailers Editor/Creative Director: Stephen Garrett (Kinetic Trailers) Marketing: Michael Barker (Sony Pictures Classics) Marketing: Tom Bernard (Sony Pictures Classics) Graphics: Stephen Garrett (Kinetic Trailers) Film Director: Jacques Audiard

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Foreign Horror / Thriller n o m i n e e s

ANTICHRIST

THE ECLIPSE

Magnolia Pictures Big Science Film Creative Team: Stuart Robertson (Big Science Film) Creative Team: Marti Mattox (Big Science Film) Creative Executive: Matt Cowal (Magnolia Pictures) Assistant Editor: Randall Bobbitt (Big Science Film)

THE HORSEMAN “INTERNATIONAL TRAILER”

Media 8 Hammer Creative Editor: Shane Free (Hammer Creative) Producers: Lee Stein and Max Schwartz (Hammer Creative) Creative Director: Mark Pierce (Hammer Creative) Creative Director and Copywriter: Lee Stein (Hammer Creative) Motion Graphics: Austin Anderson (Hammer Creative) Music Supervisor: Dane Short (Hammer Creative)

WIR SIND DIE NACHT “INTERNATIONAL TEASER”

Constantin Film Trailerhaus GmbH Copywriter: Wolf Hohl Editor: Rene Hoffmann Creative Director: Norbert Keil

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Foreign Romance n o m i n e e s

I AM LOVE

Magnolia Pictures Big Science Film Creative Team: Stuart Robertson (Big Science Film) Creative Team: Marti Mattox (Big Science Film) Creative Executive: Matt Cowal (Magnolia Pictures)

ONDINE

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Most Original Foreign n o m i n e e s

THE BAADER MEINHOF COMPLEX

Vitagraph Films Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Sohini Sengupta (Mark Woollen & Associates) Editor: Margareta Schiappa (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) Motion Graphics Designer: Rahel Toenz (Mark Woollen & Associates) President of Distribution: David Schultz (Vitagraph Films) President, Marketing & Publicity: Margot Gerber (Vitagraph Films)

THE IMAGINARIUM OF DOCTOR PARNASSUS

Lionsgate Films UK The Creative Partnership Creative Director: Georgia Kaufman (Lionsgate Films UK) Producer: Mike Devery (The Creative Partnership) Editor: James Branch (The Creative Partnership) Motion Graphics: Rob Mills (The Creative Partnership)

IN THE LOOP

IFC Films Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Daniel Lee (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) VP of Marketing: Shani Ankori (IFC Films) SVP Marketing & Publicity: Ryan Werner (IFC Films)

MICMACS â&#x20AC;&#x153;BOOMâ&#x20AC;?

Sony Pictures Classics The Grossmyth Company Editor: Daniel Gross (The Grossmyth Company) Marketing Executive: Allison Mackie (Sony Pictures Classics) Marketing Executive: Michael Barker (Sony Pictures Classics) Marketing Executive: Tom Bernard (Sony Pictures Classics) Motion Graphics: David Goldman (The Grossmyth Company) Producer: Daniel Gross (The Grossmyth Company) Producer: Caddie Hastings (The Grossmyth Company) Film Director: Jean-Pierre Jeunet

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

TV Spot Nominees

Best Action T V Spot n o m i n e e s

AVATAR “KANSAS”

20th Century Fox Wild Card 20th Century Fox: Tony Sella

THE BOOK OF ELI: “THE PATH”

Warner Bros. Trailer Park Senior Vice President, Creative Advertising: Christian Davin (Warner Bros. Pictures) President of Worldwide Marketing: Richard Ingber (Alcon Entertainment) Creative Director: Matt Brubaker (Trailer Park) Editor: Wayne Watson (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Associate Producer: Craig Platt (Trailer Park)

CLASH OF THE TITANS: “NEW ERA”

Warner Bros. Seismic Productions Producer: David Schneiderman (Seismic Productions) Producer: Kazadi Katambwa (Seismic Productions) Editor: Adam Mays (Seismic Productions) Creative Director: Kevin Sewelson (Seismic Productions) Creative Director: Erin Wyatt (Seismic Productions) Creative Director and Client: Massey Rafani (Warner Bros.) Creative Manager: Brian Worsley (Warner Bros.) Music Supervisor: Katie Quinlan (Seismic Productions) Graphics Supervisor: Daniel Benson (Seismic Productions)

SHERLOCK HOLMES “ESCAPES”

Warner Bros. Trailer Park SVP Worldwide Creative Advertising: John Stanford (Warner Bros. Pictures) Senior Vice President, Marketing: Keri Moore (Warner Bros. Pictures) Creative Director: Matt Brubaker (Trailer Park) Editor: Tony Kubek (Trailer Park) Associate Producer: Craig Platt (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best A nimation / Family TV Spot n o m i n e e s

ICE AGE 3: DAWN OF THE DINOSAURS: “SMARTER”

20th Century Fox The Cimarron Group SVP Creative Marketing: Arnaldo D’Alfonso (20th Century Fox) Director Creative Marketing: Brian Dieter (20th Century Fox) EVP Worldwide Theatrical AV: Geoff Calnan (The Cimarron Group) Editor: Van Harrell (The Cimarron Group) Editor: Wes Winsor (The Cimarron Group)

TOY STORY & TOY STORY 2 3D DOUBLE FEATURE ”WHAT TOYS DO” Disney/Pixar CMP Writer: Dave Yerxa (CMP) Art Director: Jon Converse (CMP) Motion Graphics: Lucy Xing(CMP) Motion Graphics: Jaehi Jung (CMP)

TRANSFORMERS: REVENGE OF THE FALLEN “SECRET TRANSMISSION CUSTOM SPOT”

Nickelodeon SVP/Creative Director – Movie Promotion: Jay Schmalholz (Nickelodeon) Executive Producer: Anthony Gelsomino (Nickelodeon) Associate Producer: Robyn Brown (Nickelodeon) Senior Manager: Laura Von Iderstein (Nickelodeon) Producer: Cary Sachs (Pongo Productions)

UP: “COURSE IS SET”

Walt Disney Studios Trailer Park Executive Vice President: David Singh (Walt Disney Studios) Senior Vice President: Joe Tamusaitis (Walt Disney Studios) Director: Kristina Witczak (Walt Disney Studios) Creative Director: Matt Brubaker (Trailer Park) Editor: Jeffrey Gritton (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Associate Producer: Lily Trussell (Trailer Park)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Comedy T V Spot n o m i n e e s

THE HANGOVER “4 FRIENDS”

Warner Bros. Pictures mOcean Designer: Bruce Allen (mOcean) Exec. VP, Marketing: Blair Rich (Warner Bros. Pictures)

HOT TUB TIME MACHINE “LOVE MACHINE”

MGM/UA Trailer Park Creative Executive: Justin Slobig (MGM Studios) Creative Director: Matt Brubaker (Trailer Park) Editor: Bee Ngo (Trailer Park) Copywriter: Mark Trux (Trailer Park) Producer: Craig Platt (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park)

IT’S COMPLICATED: JANE’S LIST

Universal Motive Studio Creative: Maria Pekurovskya

THE MEN WHO STARE AT GOATS “PARANORMAL GOATS”

Overture Films mOcean Production Company: Lodger Films President of Marketing: Peter Adee (Overture Films)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Drama TV Spot n o m i n e e s

BROOKLYN’S FINEST “30 TV SERVE”

Overture Films Workshop Creative SVP, Creative Advertising: Jackson George Creative Director: Rob Myers Editor: Brent Buckman Writer: Paul Wales

BROTHERS “RAGE V.15”

Lionsgate Buddha Jones Producers: John Long/Jason Chappelle Editor: Lynn Taylor Copywriter: Jason Chappelle

THE HURT LOCKER “UK TV SPOT 1”

Optimum Releasing The Editpool Marketing Director: Llewellyn Radley

MY SISTER’S KEEPER “LAUGHTER :30”

New Line Cinema Mob Scene Client: John Stanford (Warner Bros.) Creative Director: Brian Daly (Mob Scene) Editor: Michael Thibault (Mob Scene) Editor: Jessica Rosa (Mob Scene) Copywriter: Doug Dezzani Graphics: Gina Williamson (Mob Scene) Narrator: Brian Cooney

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Foreign T V Spot n o m i n e e s

AWAYDAYS “UK DVD SPOT 1”

Optimum Releasing The Editpool Marketing Director: Ellie Davies

COCO BEFORE CHANEL “UK DVD SPOT 1”

Optimum Releasing The Editpool Marketing Director: Ellie Davies

THE LULLABYE “IN COLD BLOOD”

Monolith Films Trailer and More

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Graphics in a TV Spot n o m i n e e s

500 DAYS OF SUMMER “500 REVIEWS”

Fox Searchlight Pictures Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Sohini Sengupta (Mark Woollen & Associates) Editor: Jessica Murray (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates) Graphics: Rahel Toenz (Mark Woollen & Associates) EVP, Creative Advertising & New Media: Stephanie Allen (Fox Searchlight Pictures) VP, Creative Advertising: Patrick Starr (Fox Searchlight Pictures) VP, Creative Advertising: Flavia Amon (Fox Searchlight Pictures)

NINJA ASSASSIN “BLOOD”

Warner Bros. Trailer Park Senior Vice President, Creative Advertising: Christian Davin (Warner Bros. Pictures) Creative Director: Matt Brubaker (Trailer Park) Editor: Chris Mayhew (Trailer Park) Motion Graphics Designer: Pete Bergeron (Trailer Park) Copywriter: Mark Trux (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park)

SHERLOCK HOLMES “GENIUS REVIEW”

Warner Bros. Mojo Creative Director/Producer/Writer: Jeff Lamont (Mojo) Editor: Michael Johnson (Mojo) Graphic Design: James Huang (Mojo)

WOLVERINE “TELEVISION MAIN TITLE”

20th Century Fox Interlace Media Producer: Michael Perman (20th Century Fox) Executive Producer: Alison Rein (20th Century Fox) Executive Producer: Brady Beaubien (Interlace Media) Creative Producer: Brandon Peterson (Interlace Media)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Horror T V Spot n o m i n e e s

DAYBREAKERS “VAMPIRE :60 V4”

Lionsgate Fishbowl Producer: Chet Simoni Editor: Chet Simoni Writers: Chet Simoni/Jim Hale Graphics: Deva Studios

LEGION “ICE CREAM MAN”

Screen Gems Buddha Jones Client: Jim Fredrick Creative Executive: Tiffany Jamison Producer: Dan Asma Producer: Bill Neil

ORPHAN “SCREAM”

Warner Bros. Mojo Creative Director/Producer/Writer: Jeff Lamont Producer: Dave Yocum (Mojo) Editor: Toby Divine (Mojo) Music Supervision: Holly Hung (Mojo) Music Supervision: Marc D’Amour (Mojo) Finishing: Douglas Salkin (Mojo)

SHUTTER ISLAND “PEDIGREE”

Paramount Pictures Buddha Jones Co-President, Marketing: Josh Greenstein SR. V.P., Creative Advertising: Erik Counter Manager, Creative Advertising: Susan L. Bennett Producer: Lee Harry/Steven Robertson

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Independent TV Spot n o m i n e e s

BROTHERS “RAGE V.15”

Lionsgate Buddha Jones Producers: John Long & Jason Chappelle Editor: Lynn Taylor Copywriter: Jason Chappelle

THE HURT LOCKER “UK TV-SPOT 1”

Optimum Releasing The Editpool Marketing Director: Llewellyn Radley

MOON “REVIEW”

Sony Pictures Classics Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Sohini Sengupta (Mark Woollen & Associates) Editor: Daniel Lee (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates)

PRECIOUS “GLORIOUS V.5”

Lionsgate Seismic Productions Producer: David Schneiderman Editor: Scott Storm Creative Directors: Erin Wyatt/Kevin Sewelson Supervisors: Jesse Goodwin (Music) Jon Teschner (Graphics)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Music T V Spot n o m i n e e s

500 DAYS OF SUMMER “500 REVIEWS”

THIS IS IT “DREAM”

Columbia Pictures Create Advertising Group Editor: Alex Sadof (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Creative Director, Motion Graphics: Jonathan Gitlin (Create Advertising Group) Associate Creative Director, Motion Graphics: Jake Black (Create Advertising Group) Graphic Designer: Moe Dean (Create Advertising Group) President, Worldwide Creative Advertising: Tommy Gargotta (Sony Pictures Entertainment) Director, Creative Advertising: Trisha Hegeman (Sony Pictures Entertainment)

WHERE THE WILD THINGS ARE “ONCE”

Warner Bros. Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Editor: Daniel Lee (Mark Woollen & Associates) EVP, Worldwide Marketing & Creative Advertising: Blair Rich (Warner Bros. Pictures) SVP, Worldwide Marketing & Creative Advertising: John Stanford (Warner Bros. Pictures)

WHERE THE WILD THINGS ARE “RUN”

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Romance TV Spot n o m i n e e s

500 DAYS OF SUMMER “BOY MEETS GIRL”

Fox Searchlight Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Sohini Sengupta (Mark Woollen & Associates) Editor: Jessica Murray (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Motion Graphics Designer: Ralf Leeb (Mark Woollen & Associates)

Graphics: Rahel Toenz (Mark Woollen & Associates) EVP, Creative Advertising & New Media: Stephanie Allen (Fox Searchlight Pictures) VP, Creative Advertising: Patrick Starr (Fox Searchlight Pictures) VP, Creative Advertising: Flavia Amon (Fox Searchlight Pictures)

IT’S COMPLICATED “JANE’S LIST”

Universal Motive Studio Creative: Maria Pekurovskya

THE TIME TRAVELER’S WIFE “TEAR THEM APART”

Warner Bros. Trailer Park Senior Vice President, International Marketing: Samantha Bird (Warner Bros. Pictures) Creative Director: Matt Brubaker (Trailer Park) Editor: Jack Koffman (Trailer Park) Copywriter: Mark Trux (Trailer Park) Associate Producer: Lily Trussell (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park)

VALENTINE’S DAY “NO PRESSURE”:45

New Line Cinema Mob Scene Client: Keri Moore (Warner Bros.) Creative Director: Brian Daly (Mob Scene) Editor: Alan Toomayan (Mob Scene) Copywriter: Brian Daly (Mob Scene) Narrator: Tony Rodgers

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Summer 2010 T V Spot n o m i n e e s

IRONMAN 2 “RAZOR’S EDGE”

Paramount Pictures AV Squad Editor: Kevin Childress Creative Director/Producer: Chad Miller Copywriter: Christophe Farber Client: Peter Gianniscoli (Paramount Pictures)

IRON MAN 2 “ONE”

Paramount Pictures Create Advertising Group Editor: Alex Sadof (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Associate Creative Director, Motion Graphics: Jake Black (Create Advertising Group) Graphic Designer: Mario Hernandez (Create Advertising Group) Co-President, Marketing: Josh Greenstein (Paramount Pictures) Vice President, Creative Advertising: Peter Giannascoli (Paramount Pictures)

THE LAST AIRBENDER “CHOSEN”

Paramount Pictures mOcean Co-President, Marketing: Josh Greenstein (Paramount Pictures) Exec. VP, Creative Advertising: Amanda Edwards (Paramount Pictures) Sr. VP, Creative Advertising: Jordan Peed (Paramount Pictures)

PRINCE OF PERSIA “30 TV BEYOND IMAGINATION”

Walt Disney Pictures SVP, Creative Film Services: Joe Tamusaitis Director, Creative Film Services: Kristina Witczak Creative Director: Rob Myers Editor: Brent Buckman

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Thriller TV Spot n o m i n e e s

THE BOOK OF ELI “THE PATH”

DISTRICT 9 “WARNING”

Sony Pictures Entertainment Create Advertising Group Editor: Ben Slease (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Creative Director, Motion Graphics: Jonathan Gitlin (Create Advertising Group) Associate Creative Director, Motion Graphics: Jake Black (Create Advertising Group) Graphic Designer: Kirin Robinson

(Create Advertising Group) Graphic Designer: Ryan Verseman (Create Advertising Group) Graphic Designer: Ryan DeCarlo (Create Advertising Group) President, Worldwide Creative Advertising: Tommy Gargotta (Sony Pictures Entertainment) Executive Vice President, Creative Advertising: Bill Loper (Sony Pictures Entertainment) Director, Creative Advertising: Trisha Hegeman (Sony Pictures Entertainment)

THE LOVELY BONES “TRUTH”

Paramount Pictures Create Advertising Group Editor: Dina McCrary (Create Advertising Group) Producer: Carrie Gormley (Create Advertising Group) Creative Director: Shawn Ferjanec (Create Advertising Group) Co-President, Marketing: Josh Greenstein (Paramount Pictures) Sr. Vice President, Creative Advertising: Amy Mastriona (Paramount Pictures) Director, Creative Advertising: Abbie Wisdom (Paramount Pictures)

SHUTTER ISLAND “VISION”

Paramount Pictures Buddha Jones Co-President, Marketing: Josh Greenstein SR. V.P. Creative Advertising: Erik Counter Manager, Creative Advertising: Susan L. Bennett Producer: Lee Harry

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Video Game T V Spot n o m i n e e s

BATMAN ARKHAM ASYLUM “BOOM!”

Eidos and WB Games Hammer Creative Editor: Mike Berenson (Hammer Creative) Creative Director: Brett Hocker (Hammer Creative) Producer: Jim Botko (Hammer Creative) Producer: Scott Hayman (Hammer Creative) Copywriter: Brett Hocker (Hammer Creative) Motion Graphics: Austin Anderson (Hammer Creative) Creative Executive: Karl Stewart (Eidos) Creative Executive: Trevor Burrows (Eidos) Creative Executive: Philip Ser (Warner Brothers Interactive) Creative Executive: Andrew Meengern (Warner Brothers Interactive)

WORLD OF WARCRAFT “MOWHAWK GRENADE”

Blizzard Entertainment Mojo Creative Director, Executive Producer: Neal Hubbard (Blizzard Entertainment) Producer: Susan Adams (Mojo) Producer: Ryan Davis (Mojo) Editor: Chris Conroy (Mojo) Graphic Design: Lorraine Starr (Mojo)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Voice O ver TV Spot n o m i n e e s

DAYBREAKERS “PSA V.4 REV”

Lionsgate Fishbowl Producers: Chet Simoni/Jim Hale Editor: Charlie Austin Writers: Chet Simoni/Jim Hale/Charlie Austin Graphics: Jim Hale Narration: Anna Graves/Ashton Smith/Phil Terrance

HOT TUB TIME MACHINE “TWEET REVIEW”

MGM Trailer Park Creative Executive: Justin Slobig (MGM Studios) Creative Director: Matt Brubaker (Trailer Park) Editor: Bee Ngo (Trailer Park) Producer: Craig Platt (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Voice-over Artist: David Kaye

IN THE LOOP “UK DVD SPOT 1”

Optimum Releasing The Editpool Marketing Director: Helen Mullane

SHELTER “UK TV SPOT 1”

Icon Film Distribution The Editpool Markting Director: Anna Butler

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Most Original T V Spot n o m i n e e s

2012 “IHC” :30

Sony Pictures Mob Scene Client: Josh Goldstine (Sony) Creative Director: Brian Daly (Mob Scene) Editor: Christian Masini (Mob Scene) Copywriter: Doug Dezzani Graphics: Blaise Hossain (Mob Scene) Narrator: Sally Winters

DAYBREAKERS “PSA V.4 REV”

Lionsgate Fishbowl Producers: Chet Simoni/Jim Hale Editor: Charlie Austin Writers: Chet Simoni/Jim Hale/Charlie Austin Graphics: Jim Hale

DISTRICT 9 “IMPORTANT MESSAGE”

Sony Pictures mOcean President, Worldwide Marketing: Marc Weinstock (Sony Pictures) President, Worldwide Creative Advertising: Tommy Gargotta (Sony Pictures) Exec. VP Creative Marketing: Bill Loper (Sony Pictures)

UP “COURSE IS SET”

Disney/Pixar Trailer Park Executive Vice President: David Singh (Walt Disney Studios) Senior Vice President: Joe Tamusaitis (Walt Disney Studios) Director: Kristina Witczak (Walt Disney Studios) Creative Director: Matt Brubaker (Trailer Park) Editor: Jeffrey Gritton (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Associate Producer: Lily Trussell (Trailer Park)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Movie Poster and A dvertising Nominees

Best Action Poster n o m i n e e s

District 9: “ One Sheet Spaceship” Sony Ignition Studio/Client: Sony/Bill Loper Account Executives: Abbi Russal, Nicole Zuchelli Art Director: Ken Choi Creative Director: Jason Lindeman Copywriter: Billy Casper Finisher: John Soltis The Expendables “Skull Poster” Lionsgate Ignition From Paris With Love “Gun Poster” Lionsgate Ignition Kick-Ass “Lenticular Poster” Lionsgate Ignition/Virtual Images

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best A nimation /Family Poster n o m i n e e s

Ice Age: Dawn of the Dinosaurs: Scrat in Footprint 20th Century Fox The Refinery Christi Mykles/ 20th Century Fox Adam Waldman Brad Hochberg Sean Dunkerley Marmaduke “Teaser Poster” 20th Century Fox The Refinery Christi Mykles/ 20th Century Fox Adam Waldman Brad Hochberg Devon Gibbs Percy Jackson & The Olympians: The Lightning Thief: Boy w/Bolt 20th Century Fox Ignition Studio/Client: Fox/ Mike Southerly, Peter Stougaard Account Executives: Jay Werner, Jacky Shu Art Director: Darrin Hong Creative Director: Jason Lindeman Finisher: John Soltis Where the Wild Things Are: One Sheet Warner Bros. Mojo Creative Director: Andrew Percival (Mojo) Art Director: Corey Holms (Mojo) Finisher: Chris Mastalir Copywriter: Rebecca Markham Digital Illustrator: Sonny Gerasimowicz Client: John Stanford (Warner Brothers) Client: Blair Rich (Warner Brothers)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Comedy Poster n o m i n e e s

Greenberg “One Sheet” Focus Features Mojo Creative Director: Andrew Percival (Mojo) Art Director: Evan Wright (Mojo) Finisher: Myles Robinson (Mojo) Finisher: Nick Potter Client: Blair Green (Focus Features) Kick-Ass “Lenticular Poster” Lionsgate Ignition/Virtual Images The Men Who Stare at Goats: One Sheet Overture Films Ignition Studio/Client: Overture Films/Jackson George AEs: Jennifer Green, Jacky Shu Art Director: Oleg Zatler Creative Director: Jason Lindeman Copy: Patrick Musker Finishers: Todd Reublin, Matt Faulkner, David Williams Saint John of Las Vegas “One Sheet” IndieVest Mojo Creative Director: Andrew Percival (Mojo) Art Director: Corey Holms (Mojo) Finisher: Myles Robinson (Mojo) Client: Dennis O’Connor (IndieVest)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Documentary Poster n o m i n e e s

Casino Jack and the United States of Money Magnolia Pictures The Refinery Matt Cowal/Magnolia Pictures Brad Hochberg Adam Waldman Devon Gibbs Countdown to Zero Participant Media bpg The Cove: One Sheet Roadside Attractions/ Lionsgate Ignition Roadside Attractions/ Dennis O’Connor Lionsgate/Amanda Kozlowski Account Executives: Courtney Mill Doré, Adam Fox Art Director: Yujin Ono Creative Director: Emmett James Finisher: Bruce Ventanilla Food Inc.: One Sheet Participant Media The Ant Farm Art Director: Daniel Bieber, Art Director: Amy Botello, Buffy Shutt, (Participant Media)

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Drama Poster n o m i n e e s

Brothers “Final Poster” Lionsgate Ignition Creation d Films bpg Precious: Based on the Novel ‘Push’ by Sapphire “Broken Hand” Poster Lionsgate Ignition Tyler Perry’s Why Did I Get Married Too? “Ring” Poster Lionsgate Ignition

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Horror Poster n o m i n e e s

The Cabin in the Woods “Comic Con Posters” MGM Ignition Studio/Client: MGM/Justin Slobig Account Executives: Jay Werner, Jacky Shu Art Director: David Krtikashyan Creative Director: Jason Lindeman Finisher: David Krtikashyan

The Crazies “One Sheet” Overture Films The Ant Farm Art Director: Alex Bowring Katrina Love (Overture Films) Jackson George (Overture Films) Daybreakers “Final Posters” Lionsgate Ignition Final Destination 4 “One Sheet” Warner Bros. Ignition Studio/Client: Warner Bros/Michael Jones Account Executive: Jacky Shu Art Director: Keu Cha Creative Director: David Ikeda Copywriter: Client, Finisher: Todd Reublin

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Independent Poster n o m i n e e s

Precious: Based on the Novel ‘Push’ by Sapphire “Broken Hand” Poster Lionsgate Ignition Precious: Based on the Novel ‘Push’ by Sapphire “Painting” Poster Lionsgate Ignition Saw VI “Needles” Blood Drive Poster Lionsgate Ignition Photo by Tim Palen Tyler Perry’s Why Did I Get Married Too? “Ring” Poster Lionsgate Ignition

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best International Poster n o m i n e e s

Inglorious Basterds “Intl One Sheet” Empire Design Law Abiding Citizen Film Department bpg

THE

11 T H A N N U A L G O L D E N T R A I L E R A W A R D S

Best Romance Poster n o m i n e e s

Bright Star “One Sheet” Apparition The Refinery Molly Albright/ Apparition Adam Waldman Brad Hochberg Valinda Ricker/ Eddie Nunez Brothers “Final Poster” Lionsgate Ignition Killers “Katherine Poster” Lionsgate Ignition Photo by Tim Palen I am Love “One Sheet” Magnolia Pictures The Refinery Matt Cowal/Magnolia Pictures Creative Director: Brad Hochberg Adam Waldman Michael Valle

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Best Summer 2010 Blockbuster Poster n o m i n e e s Despicable Me “Teaser One Sheet” Universal Ignition Studio: Universal/ Tracy Pollard Account Executives: Abbi Russal, Jacqueline Gonzalez Art Director: David Ikeda Creative Director: David Ikeda Inception “Maze” Warner Bros. Ignition Studio/Client: Warner Bros/Massey Rafani AEs: Jay Werner, Jacky Shu Art Director: David Ikeda Creative Directors: Massey Rafani, Jason Lindeman Creative Manager: Brian Worsley Finisher: John Soltis Inception ”Water” Warner Bros. Ignition Studio/Client: Warner Bros/Massey Rafani AEs: Jay Werner, Jacky Shu Art Director: Chad Robertson Creative Directors: Massey Rafani, Jason Lindeman Creative Manager: Brian Worsley Finisher: John Soltis Salt “Teaser One Sheet” Sony Ignition Studio/Client: Sony/ Bill Loper Account Executives: Abbi Russal, Nicole Zuchelli Art Director: David Krtikashyan Creative Director: Jason Lindeman Copywriter: Client Finisher: David Krtikashyan

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Best Teaser Poster n o m i n e e s

The Crazies “Crazies Teaser” Overture Films The Ant Farm Art Director: Lonnie Silberling Katrina Love (Overture Films) Jackson George (Overture Films) The Crazies “The Crazies” Overture Films The Refinery Jackson George & Katrina Love/ Overture Films Adam Waldman Brad Hochberg Sean Dunkerley District 9 “For Humans Only Phone # Artwork” Sony Pictures Ignition Studio/Client: Sony/ Bill Loper Account Executives: Abbi Russal, Nicole Zuchelli Art Director: Oleg Zatler Creative Director: Jason Lindeman Copy: A. Russal, N. Zuchelli, P. Musker Finisher: Ignition District 9 “Target Practice Bus Shelter” Sony Pictures Ignition Studio/Client: Sony/ Bill Loper Account Executives: Abbi Russal, Nicole Zuchelli Art Directors: Oleg Zatler, David Ikeda Creative Director: Jason Lindeman Finisher: John Soltis

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Best Thriller Poster n o m i n e e s

Daybreakers “Final Poster” Lionsgate Ignition Gamer “Final Poster” Lionsgate BLT & Associates Red Riding Trilogy “One Sheet” IFC Films Mojo Creative Director: Andrew Percival (Mojo) Art Director: Reagan Marshall (Mojo) Finisher: Myles Robinson (Mojo) Client: Ryan Werner (IFC) Client: Shani Ankori (IFC) RepoMen “One Sheet” Universal Ignition Studio: Universal/ Frank Chiocchi, EVP, Erika Anaya, Manager Account Executives: Abbi Russal, Jacky Shu Art Director: Keu Cha Creative Director: Jason Lindeman Copy: Patrick Musker Finisher: Universal In-House

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Best Video Game Poster n o m i n e e s

Dementium 2 “One Sheet” SouthPeak Interactive Ignition Account Executive: Shelley Kent Art Director: David Ikeda Creative Director: Brian Christensen Finisher: David Ikeda Medal of Honor “One Sheet” Electronic Arts Ignition Account Executive: Shelley Kent Art Director: David Ikeda Creative Director: Brian Chriistensen Finisher: Todd Reublin Photographer: Kevin Lynch Scribblenauts “One Sheet” Warner Bros. Interactive Entertainment Ignition Account Executive: Shelley Kent Art Director: David Ikeda Creative Director: Brian Christensen Finisher: Ravi Rochanayon Skate 3 “One Sheet” Electronic Arts Ignition Studio/Client: Electronic Arts/Lauren Siegel Account Executive: Shelley Kent Creative Director: Brian Christensen Finisher: Matt Faulkner/ XL Studios

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Best Wild Posts n o m i n e e s

The Crazies “Character Banners” Overture Films The Refinery Jackson George & Katrina Love/Overture Films Adam Waldman Brad Hochberg Valinda Ricker

Kick-Ass “Character Posters” Lionsgate Ignition

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The Men Who Stare at Goats “Wildposts” Overture Films Ignition Studio/Client: Overture Films/Jackson George Account Executives: Jennifer Green, Jacky Shu Art Director: Giovanni Noisy Creative Director: Jason Lindeman Finisher: Ismet Kockaya

The Fantastic Mr. Fox “Character Banners” 20th Century Fox The Refinery Christi Mykles/20th Century Fox Adam Waldman Brad Hochberg Jeff Birch/Eddie Nunez

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Most Original Poster n o m i n e e s

Inception “Maze” Warner Bros. Ignition Studio/Client: Warner Bros/Massey Rafani AEs: Jay Werner, Jacky Shu Art Director: David Ikeda Creative Directors: Massey Rafani, Jason Lindeman Creative Manager: Brian Worsley Finisher: John Soltis Kick-Ass “Lenticular Poster” Lionsgate Ignition/Virtual Images Repo Men “Organs For Sale” Universal Ignition Studio: Universal/Frank Chiocchi, EVP, Erika Anaya, Manager AEs: Abbi Russal, Jacky Shu Art Director: Darrin Hong Creative Director: Jason Lindeman Copy: Abbi Russal, Patrick Musker Finisher: Universal In-House Saw VI “Needles Blood Drive Poster” Lionsgate Ignition Photo by Tim Palen

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Trashiest Poster n o m i n e e

Trailer Park Boys: Countdown to Liquor Day Alliance Films The Ant Farm Frank Mendicino & Jeff Pestell, Alliance Films

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Best Film Fest Poster n o m i n e e s

Israel Film Festival: 24th Israel Film Festival The Ant Farm The Ant Farm Israel Film Festival Executive Director & Founder: Meir Fenigstein Las Vegas: 2010 Las Vegas Intl Film Festival The Refinery Brad Hochberg Adam Waldman Valinda Ricker

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Best Standee

for a

Feature Film n o m i n e e s

Kick-Ass: Standee Lionsgate Ignition/Drissi Creative Studios

500 Days of Summer: Giant T-shirt Empire Design

From Paris with Love: Standee Lionsgate Ignition/Drissi Creative Studios

Gamer: Standee Lionsgate BLT & Associates/Drissi Creative Studios

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Best Pre -Show Theatrical A dvertising n o m i n e e s

CLASH OF THE TITANS VIDEO GAME “MAN VS. GOD”

Namco Bandai Games Eyestorm Productions Film Editor/Writer: Michael Martinez (Eyestorm Productions) Director/Producer: Michael Klima (Eyestorm Productions) Executive Producer: Kyle Ruddick (Eyestorm Productions) Associate Brand Manager: Brad Stradling (Namco Bandai Games)

CLOUDY WITH A CHANCE OF MEATBALLS “FOOD FOR THOUGHT” NCM

Sony Pictures Mob Scene Client: Nancy Tate (Sony) Client: Michelle Miner (Sony) Creative Director: Chris Miller (Mob Scene) Producer: Tom Grane (Mob Scene) Editor: Garrett Lambert (Mob Scene) Graphics: Gina Williamson (Mob Scene) Graphics: Blaise Hossain (Mob Scene) Graphics: Dean Martin (Mob Scene) Narrator: Anna Faris

METROPOLITAN OPERA “MET OPERA LIVE IN HD”

The Metropolitan Opera Kinetic Trailers Editor/Creative Director: Stephen Garrett (Kinetic Trailers) Marketing: Elena Park (Metropolitan Opera)

MOVIETICKETS.COM “THE RACE”

bpg Movietickets.com

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Most Innovative Out -of - the -Box A dvertising for a Feature Film n o m i n e e s

AVATAR “PLANET PANDORA”

20th Century Fox Mob Scene Client: Martin Gaiss (20th Century Fox) Creative Director: Tom Grane (Mob Scene) Producer: Jason Groff (Mob Scene) Editor: Christian Masini (Mob Scene) Copywriter: Stephanie Groff Graphics: Blaise Hossain (Mob Scene) Narrator: Sigourney Weaver

DISTRICT 9 “ENTIRE PRINT CAMPAIGN”

Sony Ignition Studio/Client: Sony/Bill Loper Creative Director: Jason Lindeman Art Directors: Oleg Zatler, David Ikeda, Ken Choi Copy: Billy Casper, Abbi Russal, Nicole Zuchelli, Patrick Musker AEs: Abbi Russal, Nicole Zuchelli Finishers: John Soltis, Ignition

PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE “OFFICIAL SITE”

Lionsgate Ignition Interactive

UP “OFFICIAL SITE”

Disney/Pixar Ignition Interactive VP of Digital Marketing – Justin Pertschuk Director of Digital Marketing – Maris Allen

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Most Innovative Out -of - the -Box In Theatre A dvertising for a Video Game or Brand n o m i n e e

WORLD OF WARCRAFT: MOHAWK SCAN

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Most Innovative Out -of - the -Box In Theatre A dvertising for a Brand or Product n o m i n e e s

ANTI-PIRACY: JERRY MAGUIRE

Industry Trust The Creative Partnership Director General: Liz Bales (Industry Trust) Producer: Sarah Fforde (The Creative Partnership) Editor: James Branch (The Creative Partnership) Graphic Designer: James Branch (The Creative Partnership)

ANTI-PIRACY: RESERVOIR DOGS

THE SOUND OF MUSIC: ENTERTAINMENT TRAILER

Flyer Entertainment Creative Director: Tom Merchant Producer: Vincent Dâ&#x20AC;&#x2122;Angelo Editors: Trever Jones and Ted Herrmann Director, Broadcast Production: Virginia Cheung

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Judges

AKIVA SCHAFFER A gifted writer and innovative force behind the camera, Schaffer is poised to lead a new generation of directors with his fresh vision of true comedy. Schaffer is currently a writer/director for “Saturday Night Live” and has received an Emmy and two Writers Guild Awards for his work on the show. Along with his writing partners Andy Samberg and Jorma Taccone, he is responsible for creating the popular SNL Digital Shorts, which have re-invigorated the series and spurred many water-cooler moments over the past four seasons. Some of the most notable shorts include Emmy Award winning “D**k In A Box” and its sequel “Motherlover” (featuring Justin Timberlake), “Lazy Sunday,” “J**z In My Pants,” “Peyton Manning’s United Way,” “I’m On A Boat” (featuring T-Pain), and many others, all of which Schaffer co-wrote and directed. Many of the videos have garnered unprecedented online interest and acclaim. Taccone, Samberg and Schaffer, collectively known as “The Lonely Island,” have been friends since junior high school in Berkeley, CA. In 2000, the trio began writing, directing and producing its own brand of comedy and showcasing it on their website www.thelonelyisland.com. The Lonely Island’s debut album, Incredibad, was released by Universal Republic in February 2009 and became the #1 comedy album of the

year, featuring the Grammy nominated platinum single “I’m On A Boat” which has sold over a million copies in the U.S. Schaffer made his feature length directorial debut with “Hot Rod” for Paramount Pictures, starring Andy Samberg, Jorma Taccone, Ian McShane, Sissy Spacek, Isla Fisher, Bill Hader and Danny McBride. Schaffer is a graduate of the film department of UC Santa Cruz.

ANDY SAMBERG With a diverse range of comedic talents, Andy Samberg is a captivating and hilarious leading man on screens both big and small. Samberg will next lend his voice to Sony Pictures Animation’s “Cloudy with a Chance of Meatballs”, starring along side Anna Faris, James Caan, and Bill Hader. He recently starred in the Dreamworks feature “I Love You, Man”, with Jason Segel and Paul Rudd. In the summer of 2008, Samberg was heard on the big screen in Vanguard Animation’s “Space Chimps”, as the voice of main character “Ham III” alongside Jeff Daniels, Cheryl Hines, and Stanley Tucci. His feature debut came in August 2007 in Paramount’s “Hot Rod” opposite Ian McShane, Sissy Spacek, Isla Fisher and Bill Hader. Currently, Samberg stars in his fourth season as a cast member on “Saturday Night Live.” Samberg is best

known for his innovative SNL Digital Shorts which have re-invigorated the series and spurred many water-cooler moments over the past two seasons. The first significant breakthrough for him was the music video “Lazy Sunday,” a performance collaboration with SNL alum Chris Parnell. “Lazy Sunday” was an undeniable online phenomenon that amassed over five million hits on YouTube.com within a few days and sparked its own legion of Internet imitations. The controversy surrounding the legal ramifications of online video content thrust the story into the media spotlight, highlighting Samberg as the poster-child for a new generation of DIY filmmakers and comics. The following season, Samberg, again made waves with the short video “D**k in a Box,” starring himself and Justin Timberlake in a spoof on early-nineties R&B. The song reached unprecedented levels of popularity both online and in print, culminating in Samberg joining Timberlake on-stage at Madison Square Garden in February 2007 and performing the song live for more than 18,000 fans. In September 2007, “D**k in a Box” was honored with a Creative Emmy for “Outstanding Original Music and Lyrics.” Samberg, along with his Lonely Island partners Akiva Schaffer and Jorma Taccone, have recently completed their first full length album “Incredibad” which was released by Universal Republic Records on Tuesday, February 10th. “Incredibad” features old favorites such as ““D**k in a Box” and “Natalie’s Rap” (featuring actress Natalie Portman and Chris Parnell), as well as new musical creations featuring a diverse arsenal of guest-artists including hip hop impresario T-Pain, Grammy winning superstar

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Norah Jones, The Strokes’ Julian Casablancas, Bay area rapper and The Click founder E-40, and comedy hellion and Tenacious D-veteran Jack Black. Prior to joining “Saturday Night Live,” Samberg performed stand-up comedy in both New York and Los Angeles for seven years and was featured on Comedy Central’s “Premium Blend” in 2005. In addition, he started “The Lonely Island” with his childhood friends Akiva Schaffer and Jorma Taccone, who are current writers on “Saturday Night Live.” Thanks to their innovative contributions to “Saturday Night Live” and their previous work as “The Lonely Island,” WIRED Magazine honored Samberg, Schaffer and Taccone with a WIRED Rave award for Television in 2006, alongside geneticists and fellow online pioneers. Samberg attended college at UC Santa Cruz and graduated from NYU’s Tisch School for the Arts with a film degree in 2000. He currently resides in New York City.

JENNIFER MERIN Jennifer Merin has written about film for 20 years. She currently covers documentary film for About.com, is the Film Critic for Women’s eNews, and edits Women On Film, the online journal of the Alliance of Women Film Journalists, a nonprofit professional organization of which she is the President. Merin also reports on film and cultural

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matters for Westwood One Radio Network‘s morning drive news magazine, “America In the Morning,” and for Around The World Radio. She has been a regular reviewer and interviewer for New York Press, and has contributed to TheReeler. com. She has worked as newswriter/editor for ABC and CNN, and reporter for NBC. Her longstanding weekly column about culture and travel has resided at the Los Angeles Times and the Associated Press, and is currently distributed by ArcaMax Publishing. Merin served as a juror at Amsterdam’s prestigious IDFA Documentaries Festival in 2009. She holds an M.F.A. from New York University’s Tisch School of the Arts, and has taught at the University of Wisconsin and University of Rhode Island, lectured worldwide for the U.S. State Department and conducted workshops in New York City correctional institutions.

JORMA TACCONE A versatile and creative literary talent, Taccone is also an engaging and appealing performer who made his feature acting debut in Paramount’s 2007 summer feature release Hot Rod; he appeared opposite Andy Samberg, Ian McShane, Sissy Spacek, Isla Fisher, and Bill Hader as Andy’s geeky and lovable half-brother “Kevin”. This summer, he starred in

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Universal Pictures’ feature film Land of the Lost, starring along side Will Ferrell, Danny McBride, and Anna Friel as “Chaka”. Most recently, Taccone directed the feature film version of MacGruber, based on the well-known SNL sketch and starring Will Forte. In the fall, Taccone will return to “Saturday Night Live” as a writer/composer and director. Along with his writing partners Andy Samberg and Akiva Schaffer, he is responsible for creating the popular SNL Digital Shorts, which have re-invigorated the series and spurred many water-cooler moments over the past two seasons. Some of the most notable shorts include “D**k In A Box” (with Justin Timberlake), “Lazy Sunday” (a rap about “The Chronicles of Narnia”) and “The Natalie Portman Rap” – all of which Taccone co-wrote and composed music for with the help of his brother, Asa. Taccone has also directed several digital shorts including “MacGruber” (with Will Forte), “Business Meeting” (with Rainn Wilson and Arcade Fire), “Roy Rules”, and “Sloths”, and he was honored with a Writers Guild Award for his work on the 2005/2006 season of the show. Taccone, Samberg and Schaffer, collectively known as “The Lonely Island,” have been friends since junior high school in Berkeley, CA. In 2000, the trio began writing, directing and producing their own brand of comedy and showcasing it on their website www.thelonelyisland. com. Some highlights include one of Channel101.com’s longest running primetime shows, “The ‘BU,” a parody of “The O.C.” in which Taccone starred alongside Sarah Chalke (“Scrubs”) as a misunderstood teenage ninja and a sketch comedy pilot created for Fox titled “Awesometown.”

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Thanks to their innovative contributions to “Saturday Night Live” and their previous work as “The Lonely Island,” WIRED Magazine honored Taccone, Samberg and Schaffer with a WIRED Rave Award for Television in 2006. Taccone is the son of accomplished theatre director Anthony Taccone and a graduate of the UCLA Theater department where he studied acting. He currently resides in New York City.

RUTH VITALE Ruth Vitale has been at the forefront of independent film production and distribution for almost twenty years. She has built and managed several independent companies from their inception, in addition to launching the careers of many successful filmmakers. Most recently, Vitale was Managing Director, Business Development for OurHistree. com. She developed the business strategies for the Internet startup and worked with the CEO to secure corporate clients. Prior to that, Vitale was President of First Look Pictures, the newly formed theatrical distribution entity of First Look Studios. Releases included John Hillcoat’s The Proposition and Paris, Je T’aime. Vitale founded and served as Co-President of Paramount Classics from 1998-2005, an autonomous division of Paramount Pictures that

specialized in bringing daring, offbeat, and unconventional films from the US and around the world to contemporary audiences. Working in partnership with Co-President David Dinerstein, Vitale demonstrated a commitment to independent filmmaking and the development of promising new talent, in addition to running a financially profitable independent standalone. When Vitale formed Paramount Classics, she quickly acquired films that drew widespread critical acclaim. These films included The Virgin Suicides, The Girl on the Bridge, Sunshine, and You Can Count On Me. In the five years to follow, Ruth continued to champion independent and iconoclastic filmmakers. Acquisition credits include Edward Burns’ Sidewalks of New York, Neal Slavin’s Focus, and Barbet Schroeder’s Our Lady of the Assassins. Following on that success, in 2002 Paramount Classics released some of its most highprofile truly independent films that included Bloody Sunday and Mostly Martha. In 2003, under Vitale, Paramount Classics had tremendous success with Man on the Train and The Singing Detective. In 2004, Paramount Classics championed Jacob Estes’ directorial debut Mean Creek, Roger Michell’s Enduring Love, and Brad Anderson’s psychological thriller The Machinist. In 2005, Paramount Classics released a wide array of films – from world festival favorite Schultze Gets the Blues to Slamdance’s crowd pleaser Mad Hot Ballroom to the most talkedabout film of Sundance, Hustle & Flow, Before joining Paramount Classics, Ruth Vitale was President of Fine Line Features from January 1995 to January 1998. Under her aegis, Fine Line released such highlights as the Academy Award-winning

Judges Shine; The Sweet Hereafter; Love! Valour! Compassion!; Twelfth Night; Gummo; and The Winter Guest. Prior to her appointment as President of Fine Line, Vitale served as Executive Vice President of Acquisitions for three years, overseeing such New Line and Fine Line productions as Don Juan DeMarco, Mortal Kombat, and Mi Familia. Vitale formerly served as President of Gary Goldberg’s UBU Productions’ feature film division from 1988 to 1991. Prior to her film career, Vitale spent several years in the advertising and television businesses. She received her Bachelor’s Degree in Literature from Tufts University in 1974 and her Master’s Degree in Journalism from Boston University in 1975. She is a member of the Academy of Motion Picture Arts & Sciences.

JEROEN BOURS Jeroen Bours. Founder and Ceo of the Darling Agency in New York. Jeroen is well known for introducing the world to the timeless “Priceless” campaign for MasterCard running in over 170 countries. His company is a pioneer in social media and helps organizations and companies launch products, new brands or revives old brands and products. Jeroen’s work shows up in schoolbooks as well as numerous business and creative publications. He founded “darling” out of the notion that people have

forgotten how to ‘kill their darlings’ in order to achieve a lasting idea; believing that when an idea lasts and is the right idea for the brand and the company behind it, the client’s investment pays off much better. Jeroen is on the board of the Gold Coast International Film Festival in New York which will be launched next year.

EDGAR WRIGHT

MARC WEBB Marc Webb started his career directing commercial and music videos for artists such as Green Day, Fergie and My Chemical Romance. He has several MTV VMAs™ including 2009’s Best Director award for Green Day’s “21 Guns,” 2006 Best Rock Video for AFI’s “Miss Murder,” and Best Group Video for The All-American Rejects’ “Move Along.” The Music Video Production Association honored him in 2006 as the Director of the Year for his work with Weezer, AAR, and My Chemical Romance. His Feature film debut was the acclaimed “500 days of Summer” starring Joseph Gordon-Levitt and Zooey Deschanel. The film was nominated to two Golden Globe Awards including Best Picture (musical or comedy) and won an independent Spirit Award for best original screenplay. Webb was also awarded the Spotlight Award, which honors outstanding directorial debuts, by the National Board of Review.

Although he’s only in his mid-thirties, award winning filmmaker Edgar Wright’s list of credits reads like that of a seasoned veteran. With projects like the UK series turned international cult phenomenon “Spaced”, the rom-zom-com “Shaun of the Dead”, and action/comedy opus “Hot Fuzz”, he’s evolved from a young film geek wanting to prove himself into one of the most sought after geeks working in film today. This summer Wright is set to release his first U.S. production of the comic book movie “Scott Pilgrim Versus The World” for Universal Pictures, which he co-wrote with Michael Bacall and stars an ensemble cast including Michael Cera, Jason Schwartzman, Anna Kendrick, Chris Evans, Kieren Culkin, and more. Raised in Somerset, England, Wright embarked on his first epic at age14 with a Super 8 short entitled, “Rolf Harris Saves the World”. He continued to make many more shorts after he won a Video 8 camera in a Comic Relief contest for his film “I Want to Get into the Movies”, an animated allegory about wheelchair access. At age 20 he made “A Fistful of Fingers”, a no budget feature film starring local teen actors and shot on 16mm.

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The unlikely British western was put on limited theatrical release and paved the way for his foray into television with the Paramount Comedy Channel. There he would direct the fledgling sketch show “Mash & Peas” for future “Little Britain” stars Matt Lucas and David Walliams and “Asylum” where he would join forces with future collaborators Simon Pegg and Jessica Stevenson. Still in his early twenties, Wright also directed several comedy shows for the BBC including, “Alexei Sayle’s Merry Go Round”, “Is It Bill Bailey?”, “Murder Most Horrid”, and “Sir Bernard’s Stately Homes”, as well as “French and Saunders Christmas Special”. Wright gained notice in the UK when he directed two seasons of “Spaced” for Channel 4. The series, which starred Simon Pegg and Jessica Stevenson, won two British Comedy Awards, was twice nominated at the BAFTA awards and once at the International Emmys. Over the years the show built an international cult following and in 2008 Wright, along with the Pegg and Stevenson, embarked on a four city tour of the U.S. in honor of the DVD release. The series served as a launching pad for Wright’s first feature film as well as his continued collaboration with Simon Pegg with “Shaun of the Dead”, which he directed and co-wrote with Pegg. The film gained attention and critical praise internationally and was nominated for two BAFTA awards. Named by TIME magazine as one of the top 25 horror films of all time, it earned an Empire Award for Best British Film and a British Independent Film Award for Best Screenplay as well as a Saturn Award for Best Horror Film. Original zombie master George Romero went as far as to proclaim it as his “favorite zombie film.”

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Credits Executive Director: Evelyn Brady-Watters Executive Producer: Monica Brady Stage Manager: PRG Lighting Designer: PRG Senior Editor: John Pale Production Manager: Alexandria Hunter-Whalen Writers: Gabe Abelson, Peter Charkalis, Ian Edwards, Hugh Moore, Frank Santopadre Show Graphics: Nominee Package Editor: John Pale Announcer/Voice-Over: Jennifer Phillips Intro/Outro Music provided by: Position Music Show Music Edited by: Tyler Bacon, Jerome Spence, Scott Warren Show Music Selections: Position Music Man on the Street Editor: Michael Aguila Show Equipment: PRG, Brian Edwards Clothing Designer: Dawn Dunning Models Provided By: Victory Models, Brenda Versoza Key Makeup: Colleen Runne design Program Book Design: Carolyn Casey ckcdesign@me.com Program Book Cover Art: Printer: Bryan Schulyer (Americas Printers) Picture Selection: Jason Oh Invitation Design: and

Declan Kelly, Robert Testa, Ellen McGirt, Kit Lokey, Tina Flaherty, David Sable, Jerry Shereshwsky, Mark Cuban, Stephen Sacks, Leo Redgate, and James J. Brady Venue: El Rey Theatre, Dalyn Matsumuraw, Ramsey Faucet, Jane Yoo Floral Design: Erlinda delMundo Insurance: Arts & Entertainment: Matt and Andrew McDonough

GTA STAFF

Executive Director: Evelyn Brady-Watters Executive Producers: Monica Brady, David Steiner, Stephen Sacks CFO: Stephen Sacks Creative Director: Tom DelMundo Associate Producers: John Pale, Matthew Brady PR: Sharon Kahn, Kahn Media Strategies Advertising Director: Gerry Brahney Sponsorship: Erika Nitz Office Manager: Jason Oh Travel: Mark Rogers, Jet Blue Airlines Website Design: Mike Skelly IT: Mike Skelly, Steiner Studios Award Design: Jim Bachor Awards: David Moritz, Society Awards Pre-Show Slide Show: Michael Aguila Talent Advisors: Dean Edwards, Diana Miller Legal Council: Wilder Knight II, Esq., Pryor, Cashman, Sherman & Flynn Online Voting: Mediagility, Dean Wheeler, Scott Lazarus Advisors: David Steiner, Wilder Knight II, Esq., Michael Jesselson, Tom DelMundo, Rick Kloiber, Ken Ryan,

Special Thanks to the following for their continued support: James J. Brady, Craig Watters, Matthew Brady, Marie Stella, Pleasant Craigie, Giselle DelMundo, Graham and Kerry Relf, Debbie Vandermeulen, Tore Claesson, Kelly Zuk, Alex Koo, Michael and Anna Byrne, Erlinda DelMundo, Stephen Viola (Greenhaus GFX), Helen Greene (Greenhaus GFX), David Alan Basche, Alysia Reiner, Declan Kelly, Ken Ryan, Mark Rogers (Jet Blue), Mikal Reich (DAWKI), Ella Wilson, Ron Carlson, Karen Sperling, Chris Bailey, Ron Kusumi, Mica and Robert Fischer, Robyn and Joe D’Onofrio, Alan and Ellen Brody, Nathan Czubaj, Jane Ubell, Jane Kaplan, Rick Bonti, Hayley Brant, Janine Barnshaw, Dawn Stanton, David Miller, Tyler Bacon, Jerome Spence, Brian Edwards (PRG), Dave Rath, Kara Welker, John and Wende Reynolds, Zack Miller, Arthur Fried, Mem Bernstein, Bill Sweeney, Major William Rice, Cathy Hasenzahl, Esq., Susie Miller, Diana Miller, Chrissie Miller, Herman Papageorge, Lew and Bobbi Alpert, Susan Steiger, Matt Dentler, Charlie Sotelo (SxSW), Bernadette McCabe, Terri Rosenthal, Cassandra Rosenthal, Cliff, Doug Werner, Darren Graham, Janine DeVito, Sylvia Rhone (Universal Records), Joseph Delaney, Joe Ramos, Charles Byrnes, Jim and Debra Brady, Margaret and Eric Moore, Rick and Jill Kloiber, Tyler Brodie, Carol McCarthy, Jason Smith, Jeff Johnson, the DelMundo family, Jens Lucking, Alistair Baker, Jeffro Johnson, Kristi Prenn, Mike Richards, Evan Brady, Emily delCastillo, Zalman C. Bernstein, Michael Jesselson, David and Sylvia Steiner, Tony Cacciotti, Valerie Harper, Richardo Lopes (Lopes Picture Company), XXL Media, John Hillman (AAA Communications), Kit and Caroline Lokey, Laura Hanifin, Al Barallaro, Andrew and Matt McDonough, Ann Cooper, Mike Redfern, Stephanie Rabinowitz, Steve Van Wormer, Mark Cuban, Bob Testa, David Silver, Teresa Aguilar, PJ Casey, Rob Samardic, NYWIFT, Gabe Abelson, Dan Kendall, Scott Sonneborn, Peter Charkalis, Rick Bonti (USA Today), Ed Cassidy (USA Today), Penny Ford (USA Today), Natalie McDonald (USA Today), Alexandra Nicholson (USA Today), Rebecca Eldridge (NCM), Mike Eaton (NCM), Doug Gellerman (NCM), Laurie Trombley (NCM), Cliff Marks (NCM), Ellen McGirt (Fast Company), the Mirrorball Family, Christine Osekoski, Mark Border, Anne Lee, Noah Robischon, Tom Peckerham, Alyse Kobin, Jeremy Parsons, Jill Simoniar, and McCarty Baker, Trevor Watters, Donald Smith, Peter Schiff, Kevin and Tonya Bean, Emma and Dagney

IN LOVING MEMORY OF BRIDGETTE COATNEY She was an effervescent, beautiful soul whose smile and laughter was infectious. You are one of Gods greatest accomplishments, and you will be forever missed. “Write on your heart that every day is the best day of the year.” —Ralph Waldo Emerson

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M A K E - U P

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