14th Annual Guild of Music Supervisors Awards

EVENT SCHEDULE

4pm-5:30pm

Red Carpet

4:30pm Doors Open 6pm-8pm

Awards Ceremony

8:30pm-10:30pm

After Party, Wiltern Lobby

THANK YOU TO OUR AWARDS

SPONSORS

ABOUT THE GUILD

The Guild of Music Supervisors is a 501(c) non-profit organization with the mission to promote the craft of music supervision for the mutual benefit of all media stakeholders in film, television, games, advertising, documentaries, trailers & emerging media. The Guild is a professional & educational resource for Music Supervisors & those working in related fields across the entertainment & media industry.

guildofmusicsupervisors.com

BOARD OF DIRECTORS

OFFICERS

lindsay wolfington

heather guibert

| PRESIDENT

| vice president

Jonathan Leahy

TODD PORTER

MADONNA WADE-REED

Andrea von Foerster

HOWARD PAAR

JENNIFER SMITH

Robin Urdang

HEATHER GUIBERT

AMINÉ RAMER LINDSAY

THANK YOU TO OUR ANNUAL

PARTNERS

Originally the Warner Brothers Western Theater built in 1931, The Wiltern is one of LA’s hottest venues, & has featured performances by Arctic Monkeys, Ingrid Michaelson, The Eagles, Jim James, Macklemore, and many more.

spotlight performance

d4vd, born David Burke, emerged as a visionary artist only one year after he began writing and recording heart-piercing tracks alone in his sister’s closet in Houston, Texas. d4vd developed his eclectic taste in rap and indie music from internet wormholes and fan-made  Fortnite videos on YouTube, which he also started creating as a homeschooled teenager. As an avid player who has amassed over fifty thousand subscribers on his gaming channel, he noticed that the songs in his game montages were getting copyright strikes, and his mother suggested that he write original music as a solution. This motivated d4vd to start recording his own tracks after discovering an easy-to-use music-making app called BandLab. He’s released a smattering of singles touching everything from indie-alternative to pop to R&B, and the 18-year-old scored a breakout hit in the summer of 2022 with the now RIAA Multi-Platinum certified melancholic indie rock song “Romantic Homicide.” Recorded entirely on an iPhone, the track reached No. 34 on the Billboard Hot 100 chart and led to d4vd signing to  Darkroom/Interscope before graduating high school. His slow-building beachy ballad, “Here With Me” followed, breaking into the Billboard Hot 100 in January 2023 and now RIAA Platinum Certified. d4vd’s debut EP  Petals To Thorns established him as a genre-defying newcomer and one of the best new emerging acts, corroborated by his recent Billboard 21 Under 21 and Variety Young Hollywood honors. His intuitive command of lyricism stems from his years of scribbling raps and poems in his journal since childhood and his versatile interests shine in his music, drawing primarily from manga and anime. Following on the heels of his spring headline ‘The Root of it All’ debut tour, which sold out immediately upon going on sale, and a successful run of sold-out European tour dates, d4vd brought his ‘Petals To Thorns’ tour to larger stages in the US than ever before. Amid his European run, d4vd put on a show-stopping performance at the Valentino Men’s SS24 Fashion Week show in Milan. He recently followed up his debut EP with The Lost Petals EP – a collection of five songs that fit into the world of Petals To Thorns and serve as a continuation of that project before d4vd moves into his next phase of music. d4vd recently joined R&B powerhouse  SZA on the second leg of her North American S.O.S. tour.

performances by

dan wilson

A highly accomplished musician, songwriter, producer and lead member of famed band Semisonic, Dan Wilson is a three-time GRAMMY winner in major categories. Recently, Wilson won Best Country Song for Chris Stapleton’s number one country single “White Horse.” He has also been awarded Grammys for Song of the Year for co-writing The Chicks’ “Not Ready to Make Nice,” and Album of the Year for Adele’s 21, which featured three of his co-writes including “Someone Like You” which he also produced. Earlier this year, he received his first-ever Oscar nomination for Original Song for co-writing and co-producing Jon Batiste’s “It Never Went Away” from the Netflix documentary American Symphony.

Known as the “songwriters’ songwriter,” Wilson has written with a diverse range of artists across genres – living legends, pop stars, country artists, indie rockers and beyond. Among his collaborators: Adele, Taylor Swift, Mitski, Pink, Jon Batiste, Halsey, Dierks Bentley, Laufey, Chris Stapleton, Joy Oladokun, Claud, Leon Bridges, Celine Dion, My Morning Jacket, Carole King, John Legend, Phantogram, and many more.

Rocco DeLuca and Johnny Shepherd

Johnny Shepherd and Rocco DeLuca are an electrifying musical duo who first crossed paths in New York City while playing with The Hallelujah Train. Since then, they have been inseparable musical collaborators, often seen working and creating together. This powerful synergy reached a new height with the release of the self-titled debut album by Mighty Glad. Their performances are known for their uplifting and ethereal energy, captivating audiences wherever they go.

icon honoree robbie robertson

Robbie Robertson was born in Toronto, Ontario in 1943, with roots in both the Mohawk community at the Six Nations Reserve and the Jewish enclave of the city’s downtown. At age 10, he began playing guitar, and in 1960 at the age of 16, he joined drummer Levon Helm in the Hawks, the backing band for rockabilly star Ronnie Hawkins. He received his rock ‘n’ roll education in the Hawks’ line-up, which along with Helm would eventually include future Bandmates Rick Danko, Richard Manuel, and Garth Hudson. Robertson’s unique guitar style on songs such as “Who Do You Love” ushered in an era of classic bluesy rock and influenced numerous musicians.

The Hawks went on to play with Bob Dylan on his legendary “Going Electric” tours in 1965 and 1966. Moving to Woodstock in 1967, Robertson and his bandmates recorded the seminal “basement tapes” with Dylan before changing their name to The Band and releasing the groundbreaking Music from Big Pink album in 1968. The album marked a watershed in rock history, boasting the Robertson-penned classic “The Weight.”

In 1969, The Band performed at the Woodstock Festival before releasing an eponymous album that included the Robertson-composed “Up On Cripple Creek” and “The Night They Drove Old Dixie Down.” The Band became the first North American rock group to appear on the cover of Time magazine.

Stage Fright (1970) with the title track and “The Shape I’m In,” Cahoots (1971) with “Life Is A Carnival,” and the double live set Rock Of Ages (1972) followed. In 1973, The Band performed before the largest rock concert audience in history (an estimated 650,000 people) at the Watkins Glen Festival in New York.

1974 saw the release of the retro collection Moondog Matinee and, after backing Dylan on Planet Waves, The Band co-headlined and backed him on a much-heralded reunion tour which resulted in Before The Flood. The Band’s 1975 album Northern Lights - Southern Cross, which included “Ophelia” and “It Makes No Difference,” followed.

In 1976, The Band bade farewell to live performing with the gala “The Last Waltz” concert on Thanksgiving night. Guests such as Dylan, Eric Clapton, Muddy Waters, Van Morrison, Neil Young and Joni Mitchell joined the group at San Francisco’s Winterland. The concert film, directed by Martin Scorsese, and a three-record box set, were released in 1978 and are considered landmarks in each medium.

Islands (1977) was The Band’s seventh and final studio album with Robertson. He then produced Neil Diamond’s Love At The Greek live album (the previous year he helmed Diamond’s Beautiful Noise).

Long fascinated with film, Robertson co-wrote, produced, appeared in and composed the source music for Carny (1979), starring Gary Busey and Jodie Foster. One of the first rock ‘n’ rollers to seriously engage movie music, he followed up by creating and producing music for Scorsese’s Raging Bull (1980), King Of Comedy (1983), and The Color Of Money (1986), which included “It’s In The Way That You Use It,” co-written with Eric Clapton. For Taylor Hackford’s film saluting Chuck Berry, Hail, Hail Rock & Roll, he was enlisted as creative consultant.

Robertson made his solo album debut in 1987 with his self-titled album, featuring guests Peter Gabriel and U2 and the track “Somewhere Down The Crazy River.” Certified gold and Grammy®nominated, the album swept up several Juno Awards in his native Canada. When The Band was inducted into the Juno Hall Of Fame, he reunited with the group for an awards ceremony performance.

His second solo album, Storyville (1991), featured some of New Orleans’ most respected musicians and earned two more Grammy nominations. Meanwhile, his “Broken Arrow” became a major hit for Rod Stewart.

In 1994, The Band was inducted into the Rock and Roll Hall of Fame and performed live at the ceremony. On the film front, Robertson scored Barry Levinson’s Jimmy Hollywood and acted in The Crossing Guard, starring Jack Nicholson and directed by Sean Penn. On record, Music For “The Native Americans” from Robbie Robertson & The Red Road Ensemble contained songs from the soundtrack to the highly regarded television miniseries.

Robertson continued his multimedia activities in 1995 by producing the soundtrack album for Scorsese’s Casino and being the subject of Going Home, a Disney Channel documentary highlighting his revisiting the moments, people and places of his musical past.

In 1997, executive soundtrack producer Robertson heard a demo of “Change The World” and sent it to Clapton as a suggestion for Phenomenon, starring John Travolta. He enlisted Babyface to produce and “Change The World” won Grammys for Song of the Year and Record of the Year. Robertson also received a prestigious Lifetime Achievement Award from the National Academy of Songwriters.

Released in 1998, his fourth solo album, the Grammy-nominated Contact From The Underworld Of Redboy, inspired the onehour PBS documentary Robbie Robertson: Making A Noise. The documentary took viewers along on his journey back to the Six Nations Reservation, where his mother was born and raised and where Robertson spent his summers first learning to play guitar.

Robertson has since scored, consulted for, produced or supervised music for numerous films, including American Beauty (1999), Any Given Sunday (1999) Gangs Of New York (2002), The Departed (2006), Shutter Island (2009), The Wolf of Wall Street (2013), and Silence (2016).

In 2008, The Band was honored with the Recording Academy’s Lifetime Achievement Grammy Award. In Canada, Robertson has won several Juno Awards, been honored twice by Canada’s Walk of Fame, been inducted into the Canadian Songwriters’ Hall of Fame, made an Officer of the Order of Canada, and received the Governor General’s Performing Arts Award.

For his fifth solo album, 2011’s How To Become Clairvoyant, Robertson again collaborated extensively with Eric Clapton, as well as keyboards great Steve Winwood and a new generation of guitar heroes, from Tom Morello (Rage Against The Machine, Audioslave) and Robert Randolph to Nine Inch Nails innovator Trent Reznor. Robertson also enlisted an array of unique vocalists to accompany him, including Clapton, Angela McCluskey, Dana Glover, Rocco DeLuca, and Taylor Goldsmith.

In 2016, Robertson penned the New York Times bestselling memoir, Testimony. A documentary feature film based on the book and titled Once Were Brothers: Robbie Robertson And The Band, premiered at 2019’s Toronto International Film Festival and is streaming on Hulu. The film blends rare archival footage, animation, and the participation of many of Robertson’s friends and collaborators, including Bruce Springsteen, Eric Clapton, Van Morrison, Martin Scorsese, Taj Mahal, Peter Gabriel,David Geffen, and Ronnie Hawkins, among others.

In 2019, Robertson released his sixth solo studio album Sinematic. His work with Scorsese continued with his original score for The Irishman.

Before his death on August 9th, 2023, Robertson had written his follow-up memoir to Testimony that will be released in Fall 2024, and he had composed the score for Scorsese’s Killers of The Flower Moon starring Leonardo DiCaprio, Lily Gladstone, and Robert DeNiro. He has received a posthumous Oscar Nomination for his score.

CONGRATULATIONS

to our 14th annual GMS AWARDS NOMINEES

BEST MUSIC SUPERVISION –TELEVISION DRAMA

Zoë Ellen Bryant, Pete Saville Music Supervisors

BEST MUSIC SUPERVISION IN A TRAILER – SERIES OFFICIAL TEASER TRAILER

Maggie Baron Music Supervisor

BEST MUSIC SUPERVISION FOR A DOCUMENTARY

Allison Wood Music Supervisor

BEST MUSIC SUPERVISION –TELEVISION COMEDY OR MUSICAL

Mike Moreno Music Supervisor

BEST MUSIC SUPERVISION FOR A DOCUMENTARY

Jonathan Finegold Music Supervisor

BEST MUSIC SUPERVISION –TELEVISION DRAMA

Gabe Hilfer Music Supervisor

Thank you, GUILD OF MUSIC SUPERVISORS , for your recognition.

legacy honoree allan mason

“Ask Allan Mason anything about popular music,” says director Barry Levinson, “and if he can’t tell you the answer immediately, he’ll have it for you in 30 minutes.” Allan’s groundbreaking work on Levinson’s 1987 film, Good Morning, Vietnam, reinvented the role of the modern Music Supervisor. The film’s soundtrack was certified platinum in the United States. It included Louis Armstrong’s “What a Wonderful World.” The song then charted at #32 in the US Top 40, twenty years after its original release.

Allan has worked with many filmmakers on over two dozen films, including Donnie Brasco, This Boy’s Life, and Benny & Joon. His long association with Barry Levinson produced standouts such as Rain Main, Sleepers and many more. Allan’s obsession with music inspired the character of Shrevie, played by Daniel Stern, in Levinson’s 1982 breakout film, Diner, set in Baltimore.

The choice of songs has had a lasting impact. Allan featured “At Last” by Etta James in Rain Man, and the song has gone on to become a standard, appearing over 60 times in film and television. The Belle Stars had their only US hit after their cover of “ lko lko” also appeared in Rain Man. The Proclaimers’ “I’m Gonna Be (500 Miles)” became a hit in the US after it was included in Benny & Joon. A cover of the song recently appeared in a 2021 Super Bowl Commercial.

“I think I was put on planet earth to share the music,” Allan says of his life’s work. The obsession with music began in his father’s jukebox business in Baltimore. Around the age of eight, he began collecting 78s and 45s from his father’s jukeboxes. “As soon as each one came off the machine it would go directly into my collection,” a collection that would eventually exceed 100,000 LPs and 45s. He had a knack for picking hits from an early age. He left Baltimore for Berkeley in 1969, and his desire and ability to share his knowledge established him in the local music scene, which quickly led to A&R positions at Janus Records and A&M Records, and a move to Los Angeles. He was instrumental in the careers of Cat Stevens and Al Stewart and championed Sandy Denny and Fairport Convention, among many other artists and bands. After leaving the music industry, Allan pioneered the role of the modern Music Supervisor in the 1980s. He continues to share the music with the same enthusiasm he had as a kid in Baltimore. His most recent film project is Levinson’s feature The Survivor, to be released in 2021.

Best Music Supervision for a Film Budgeted Over $25 Million

MATT ABERLE

The Holdovers

DEVA ANDERSON, RACHEL LAUTZENHEISER

My Big Fat Greek Wedding 3

STEPHANIE DIAZ-MATOS, PHILIPPE PIERRE

THEY CLONED TYRONE

GEORGE DRAKOULIAS

Barbie

STEVEN GIZICKI

Maestro

KIRSTEN LANE

Saltburn

KIER LEHMAN

Spider-Man: Across the Spider-Verse

FRANKIE PINE

Are You There God? It’s Me, Margaret.

JAMES A. TAYLOR

Wonka

ANDREA VON FOERSTER

Air

Best Music Supervision for a Film Budgeted $25 Million And Under

LUCY BRIGHT

The Iron Claw

KEVIN EDELMAN

Jesus Revolution

CONNIE FARR

All of Us Strangers

CARLY HILDEBRAND, NATALIE HAYDEN

Polite Society

VANESSA JORGE PERRY

Flamin’ Hot

TOKO NAGATA

Joy Ride

Best Music Supervision for a Film Budgeted $10 Million And Under

ADAM BENNATI

Aristotle and Dante Discover the Secrets of the Universe

JODY COLERO Brother

MEGHAN CURRIER

Past Lives

TRACY MCKNIGHT

Somewhere in Queens

HOWARD PAAR

Eileen ANDY ROSS, BEN SOKOLER

War Pony

MICHAEL TURNER Paint

LINDSAY WOLFINGTON Theater Camp

Best Music Supervision for a Non-Theatrically Released Film

ANGELA ASISTIO

Chang Can Dunk

LINDA COHEN

Please Don’t Destroy: The Treasure of Foggy Mountain

DAVID FISH Rye Lane

LIZ GALLACHER

Sitting in Bars with Cake

ROB LOWRY

TRACY MCKNIGHT

Family Switch

TOKO NAGATA

Totally Killer

JAVIER NUÑO, JOE RODRÍGUEZ A Million Miles Away

WYLER SANCA

Heist 88

DERRYCK “BIG TANK”

THORNTON

Praise This

Best Song Written and/or Recorded for a Film

“IT NEVER WENT AWAY” from AMERICAN SYMPHONY

“AM I DREAMING” from SPIDER-MAN: ACROSS THE SPIDER-VERSE

Songwriters: Mike Dean, Peter Lee Johnson, Rakim Mayers, Roisee, Leland Wayne, Landon Wayne

Performers: Metro Boomin, A$AP Rocky, Roisee

Music Supervisor: Kier Lehman

“CAMP ISN’T HOME” from THEATER CAMP

Songwriters: Noah Galvin, Molly Gordon, Nick Lieberman, Ben Platt, Mark Sonnenblick

Performers: Alexander Bello, Bailee Bonick, Donovan Colan, Noah Galvin, Molly Gordon, Luke Islam, Madisen Lora, Kyndra Sanchez, Jack Sobolewski, Quinn Titcomb

Music Supervisor: Lindsay Wolfington

“CAN’T CATCH ME NOW” from THE HUNGER

GAMES: THE BALLAD OF SONGBIRDS & SNAKES

Songwriters: Dan Nigro, Olivia Rodrigo

Performer: Olivia Rodrigo

Music Supervisor: Hillary Holmes

“I’M JUST KEN” from BARBIE

Songwriters: Mark Ronson, Andrew Wyatt

Performer: Ryan Gosling

Music Supervisor: George Drakoulias

Songwriters: Jon Batiste, Dan Wilson

Performer: Jon Batiste

Music Supervisor: Priya Autrey

“JUICY” from JOY RIDE

Songwriters: Isak Alvedahl, Kirubel Swedin, Sandra Wikstrom

Performer: Ramengvrl

Music Supervisor: Toko Nagata

“LITTLE BIT ‘O SOUL” from TOTALLY KILLER

Songwriters: John Carter, Kenneth Hawker

Performer: The Linda Lindas

Music Supervisor: Toko Nagata

“QUIET EYES” from PAST LIVES

Songwriters: Zachary Dawes, Sharon Van Etten

Performer: Sharon Van Etten

Music Supervisor: Meghan Currier

“ROAD TO FREEDOM” from RUSTIN

Songwriter: Lenny Kravitz

Performer: Lenny Kravitz

Music Supervisor: Barry Cole

“WHAT WAS I MADE FOR?” from BARBIE

Songwriters: Billie Eilish O’Connell, Finneas O’Connell

Performer: Billie Eilish

Music Supervisor: George Drakoulias

CONCORD MUSIC PUBLISHING

Congratulates the GUILD OF MUSIC SUPERVISORS and ALL 2024 AWARD NOMINEES

Best Music Supervision in a Television Drama

ED BAILIE, ABI LELAND,

TOBY WILLIAMS

Top Boy — Season 3

ZOË ELLEN BRYANT, PETE SAVILLE

I Hate Suzie Too — Season 2

RICK CLARK

Dark Winds — Season 2

NORA FELDER

Yellowjackets — Season 2

GABE HILFER

The White Lotus — Season 2

JONATHAN LEAHY, MANISH RAVAL, TOM WOLFE

Welcome to Chippendales — Season 1

JANINE SCALISE

The L Word: Generation Q — Season 3

Best Music Supervision in a Television Comedy or Musical

MATT BIFFA

Sex Education — Season 4

LEAH HARRISON

I’m a Virgo — Season 1

MIKE MORENO

Mariachis — Season 1

JAVIER NUÑO, ONE SIX, JOE RODRÍGUEZ

Neon — Season 1

FRANKIE PINE

Daisy Jones & The Six — Season 1

ROBIN URDANG

The Marvelous Mrs. Maisel — Season 5

JUSTINE VON WINTERFELDT

Pitch Perfect: Bumper in Berlin — Season 1

LAURA WEBB, LINDSAY WOLFINGTON

XO, Kitty — Season 1

Best Music Supervision in Reality Television

GREG DANYLYSHYN

Teen Mom: The Next Chapter — Season 1

PETER DAVIS

Are You The One? — Season 9

JON ERNST Love Is Blind Season 5

CARRIE HUGHES

Love & Hip Hop: Miami — Season 5

MERYL GINSBERG, SARA TORRES, JORDAN YOUNG

Love Island USA — Season 5

Best Song Written and/or Recorded for television

“A BEAUTIFUL GAME” from TED LASSO

Songwriters: Max Martin, Ed Sheeran, Foy Vance

Performer: Ed Sheeran

Music Supervisors: Christa Miller, Tony Von Pervieux

“CITY ON FIRE” from CITY ON FIRE

Songwriter: Zach Ellis

Performer: Ex Post Facto

Music Supervisor: Jonathan Leahy

“ESPERANDO PELITOS” from BIG MOUTH

Songwriter: Lin-Manuel Miranda

Performers: Robin De Jesús, PJ Sin Suela

Music Supervisor: Amanda Krieg Thomas

“I FOUND YOU” from THE L WORD: GENERATION Q

Songwriters: Annalia Marie Mallory, Viv Parker, Lexxi Taylor Saal

Performer: India Carney

Music Supervisor: Janine Scalise

“LOOK AT US NOW (HONEYCOMB)” from DAISY JONES & THE SIX

Songwriters: Jason Boesel, Blake Mills, Marcus Mumford, Johnathan Rice, Stephony Smith

Performer: Daisy Jones & The Six

Music Supervisor: Frankie Pine

“THE MANSTER (DR. HUNKENSTEIN’S THEME)” from WELCOME TO CHIPPENDALES

Songwriters: Dan Bern, Siddhartha Khosla, Robert Siegel, Mike Viola

Performer: Welcome to Chippendales cast

Music Supervisors: Jonathan Leahy, Manish Raval, Tom Wolfe

“PUSSY DON’T LIE” from BIG MOUTH

Songwriters: Megan Pete, Mark Rivers

Performer: Megan Thee Stallion

Music Supervisor: Amanda Krieg Thomas

“STAPLEHEAD” from POKER FACE

Songwriters: John Darnielle, Jamey Jasta

Performer: Doxxxology

Music Supervisor: Thomas Golubić

Best Music Supervision for a Documentary

JUSTIN FELDMAN

All Up in the Biz

JONATHAN FINEGOLD

Little Richard: I Am Everything

JOEL C. HIGH

Maxine’s Baby: The Tyler Perry Story

SUSAN JACOBS

Wild Life

AMINÉ RAMER, ANDREA VON FOERSTER

Peter Case: A Million Miles Away

AMANI “BURT BLACKARACH” SMITH

Stamped from the Beginning

ALLISON WOOD

Last Stop Larrimah

Best Music Supervision in a Docuseries

JANET BILLIG RICH, LISA MOBERLY

Dear Mama — Season 1

JAMES CARTWRIGHT

Muscles & Mayhem: An Unauthorized Story of American Gladiators — Season 1

KYLE MCKEVENY, JOE RUDGE

The Super Models — Season 1

ANDREA VON FOERSTER

Welcome to Wrexham — Season 2

WILLA YUDELL

Arnold — Season 1

Best Music Supervision in Advertising (Synch)

JEREMY DAW, JT GRIFFITH

Nike: A Feel for Every You

ANDREW KAHN, MORGAN THORYK

Check ‘Em Out

SUNNY KAPOOR, MIKE LADMAN, MARA TECHAM

Going Out in Style in the Greatest Story Ever Worn

SUNNY KAPOOR, MIKE LADMAN, BRANDY RICKER, MARA TECHAM

One Fair Exchange in the Greatest Story Ever Worn

MIKE LADMAN, MARA TECHAM Rumble

SARA MATARAZZO, STEPHANIE PIGOTT, DANIELLE SOURY American Gothic

SCOTT MCDANIEL “Run This Town” —

The Road to Halftime Starts on Rihanna Drive

LILAH OBREGONWILSON

“Wear Your Shine” — The Coach Shine Collection

JONATHAN WELLBELOVE iPhone 14 — Action Mode

Best Music Supervision in Advertising (Original Music)

ABBEY HENDRIX, MIKA

SHEERIN, JONATHAN WELLBELOVE

iPhone 15 Pro —

On with the Show

MIKE LADMAN, MARA TECHAM

Unshattered

MIKE LADMAN, MARA TECHAM

More of Life Brought to Life — Sneakers

SARA MATARAZZO, STEPHANIE PIGOTT, DANIELLE SOURY

Xbox Series X|S — Wake Up and Dream

NICOLE PALKO, JONATHAN WELLBELOVE

iPhone 15 Plus — Miss You

Best Music Supervision in a Trailer – Film

MAGGIE BARON

Problemista — Official Trailer

DERIC BERBERABE, JORDAN SILVERBERG

Killers of the Flower Moon — Official Trailer 2

CALUM BRICE-STEVENS

All of Us Strangers — Official Trailer

DANNY EXUM, DEREK LINER

Sisu — Official Trailer

BOBBY GUMM

Damsel — Official Trailer

ANGEL MENDOZA

Killers of the Flower Moon — Official Teaser Trailer

SCENERY SAMUNDRA, GREGORY SWEENEY

Priscilla — Official Trailer

Best Music Supervision in a Trailer – Series

ISAAC ALLAWAY, EDUARDO FONTES

WILLIAMS

The Crown — Season 6 —

Part 2 Trailer

MAGGIE BARON

The Idol — Official Teaser Trailer

DERIC BERBERABE, JORDAN SILVERBERG

Monarch: Legacy of Monsters

Official Trailer

DERIC BERBERABE, JORDAN SILVERBERG

Swarm – Official Trailer

BOBBY GUMM

The Witcher — Season 3 — Official Trailer

ROCHELLE HOLGUIN

CAPPELLO, KATIE POOL

Yellowjackets — Season 2 — Official Trailer

SANAZ LAVAEDIAN, MARINA POLITES

Griselda — Official Trailer

Best

Music Supervision in a Trailer –

Video Game & Interactive

JONNY ALTEPETER, PETER LI Valorant

Iso Agent Trailer — Myths

REBECCA BERGMAN, BRIAN MURPHY

Suicide Squad: Kill the Justice League

Official Justice League Trailer — No More Heroes

CHRIS FOX, KYLE HOPKINS

South of Midnight Announce Trailer

LINDSEY KOHON, NAAMAN SNELL, RYAN

TOMLIN, BRANDON

YOUNG

Call of Duty: Modern Warfare III

Gameplay Reveal Trailer

RAPHAELLA LIMA

MICHAEL SHERWOOD

Apex Legends: Ignite Launch Trailer

NICK MAKER

Marathon

Official Announce Trailer

RYAN TOMLIN, BRANDON YOUNG

Call of Duty: Modern Warfare III

Makarov Reveal Trailer

Best Music Supervision in a Video Game (Synch)

ALEX HACKFORD Marvel’s Spider-Man 2

ALEX HACKFORD, SOPHIE LEVINE, MONTY MUDD MLB ’23: The Show

MAYA HALFON CORDOVA

Forza Horizon 5: Rally Adventure RAPHAELLA LIMA, CYBELE PETTUS, STEVE SCHNUR

EA SPORTS FC 24

RAPHAELLA LIMA, CYBELE PETTUS, STEVE SCHNUR

F1 23

RAPHAELLA LIMA, CYBELE PETTUS, STEVE SCHNUR

Madden NFL 24

RYAN TOMLIN, BRANDON YOUNG Call of Duty: Modern Warfare II, Season 2-6

Best Music Supervision in a Video Game (Original Music)

ALEX HACKFORD, SCOTT HANAU, KEITH LEARY

Marvel’s Spider-man 2

Composer: John Paesano

SIMON LANDRY, ALEX RIVIERE

Avatar: Frontiers of Pandora

Composer: Pinar Toprak

STEVE SCHNUR

Star Wars Jedi: Survivor

Composers: Stephen Barton, Gordy Haab

JAREN TOLMAN

Hogwarts Legacy

Composers: Peter Murray, Chuck E. Myers, J. Scott Rakozy

AUSTIN WINTORY

Stray Gods: The Roleplaying Musical

Composers: Montaigne, Tripod, Austin Wintory

BRANDON YOUNG

Call of Duty: Modern Warfare III

Composer: Walter Mair