Glenda Vania's Architectural Design Portfolio | 2023

2023 | Design

PORTFOLIO

selected works of Glenda Vania

hello!

Volunteering

GLENDA VANIA

Curriculum Vitae

Jakarta, Indonesia

As a seeker of endless possibilities, I love to venture into unexplored realms. Hi! I am a recent Bachelor of Architecture graduate with a passion for conceptualization and design. I am always open to learning and embracing new challenges to expand my skill set. I look forward to future collaboration! ☺ PROLOGUEㅡ

2021

Executive Chairperson General Chairman Election of Ikatan Mahasiswa Arsitektur Tarumanagara (IMARTA)

2021

Mentor of Architecture Program Orientation Majalah SKETSA 35 th Edition: Humancentric

2021

Workshop Committee Member 33 rd Birthday Celebration of IMARTA-SKETSA: Pottery with Dilodelio & DiagramPanelling with Ariella Susilo

Profile NAME D.O.B NATIONALITY EMAIL PHONE

2021

Glenda Vania GENDER March 15, 2002 Indonesian glendavania0315@gmail.com +62 - 838 - 7717 - 5522

Steering Committee of Publication-Documentation Team Gelar Kesenian 2021: Elysium

2022

Female

Steering Committee of Publication-Documentation Team Gelar Kesenian 2022: Cuirass

2022

Steering Commitee of Event Division Rapat Kerja IMARTA/SKETSA 22/23

2022

Event Division Member Majalah SKETSA 34 th Birthday Celebration: SKETSA Galore

2023

Steering Committee of Election Heads General Chairman Election of Ikatan Mahasiswa Arsitektur Tarumanagara (IMARTA)

Language Bahasa Indonesia ㅡ NATIVE

2023

English ㅡ INTERMEDIATE

Korean ㅡ INTERMEDIATE

B2 LEVEL / 587 (TOEFL ITP) May 2018

LEVEL 3A (King Sejong Institute) July 2022 - Online Test

+6283877175522

2023

Main Lecturer of Graphic Design and Photoshop Basic Workshop

INSTAGRAM

@glendavanias

LINKEDIN

in/glendavania

Certification

Education

2023

2014 - 2016

Acceleration Program

Certificate of Competence in Construction Services with Qualification Site Manager for Building Construction Works Issued on August 2023 by Badan Nasional Sertifikasi Profesi (BNSP)

Penabur 4 Junior High School 2016 - 2019

Honors & Awards

Social Science Program Santa Ursula Senior High School

2020

STUPA 3 Public Share Participant Chosen in ‘Re-define, Re-design Our Home’ publication

2019 - 2023 2021

Bachelor of Architecture

Acquired Intellectual Property Rights STUPA 3, Music Box House

Tarumanagara University (Grade: 3,42) 2021

Favorite Category of Lomba Karya Ilmiah XX Lomba Karya Ilmiah XX Research Category: Melestarikan Identitas Kalijodo Jakarta Ramah Anak dan Remaja

Skills 2023

PHOTOSHOP

85%

ILLUSTRATOR

Acquired Intellectual Property Rights STUPA 8.35, HERSPACE: RUANG AMAN UNTUK PEREMPUAN PENYINTAS KEKERASAN SEKSUAL DI JAKARTA TIMUR

70%

INDESIGN

70%

Experiences & Organizations 2019

REVIT

60%

AUTOCAD

60%

V-RAY

50%

Vice Chair of Publication Division Gelar Kesenian 2019: Luminate

65%

SKETCHUP

2019-2020

Junior Graphic Designer Merchandise Design, Architectural Design Week 2019: Soeadiloka

2020 - 2021

Junior Layout Editor of Artistic Design Division Majalah SKETSA 35 th Edition: Humancentric

2021

Senior Graphic Designer Merchandise Design, Architectural Design Week 2022: Ansara

ENSCAPE

55%

2021-2022

Head of Artistic Design Division Majalah SKETSA 36 th Edition: Earthbound

D5 RENDER

40%

Others • Attention to detail • Collaborative work • Problem solving • Communication • Working under pressure

Launching of Majalah SKETSA 37 th Edition “Spacesonic”

Around 30 participants from IMARTA-SKETSA Organization

Contact WHATSAPP

Concept Team Member

• Leadership • Management • Editing

2021

Basic Technical Drawing Workshop Mentor

2022-2023

Art Director of Artistic Design Division Majalah SKETSA 37 th Edition: Spacesonic

2022-2023

Architecture Program Exhibition Committee Concepting and creating 3D representation

Let the story unfolds....

HERSPACE

CONTENTS

YEAR 2023 ARCHITECTURAL DESIGN STUDIO 8 ONE STOP EMERGENCY FACILITY

GILIR YEAR 2022 ARCHITECTURAL DESIGN STUDIO 7 FNB RETAIL, COMMUNAL SPACE

CONNECTED BLOCKVENTURE YEAR 2022 ARCHITECTURAL DESIGN STUDIO 7 BOARDING HOUSE, COMMUNAL SPACE

/06

/22

/32

CINEM(ART)CHITECTURE YEAR 2023 ARCHITECTURAL DESIGN STUDIO 8 MUSEUM, ACADEMY, AND DORMITORY

OTHER PROJECTS ARCHITECTURAL DESIGN STUDIO 3 INDIVIDUAL PROJECT (INTERIOR RENDER & DESIGN) ARCHITECTURAL DESIGN STUDIO 7 REFINEMENT

MAJALAH SKETSA YEAR 2021-2023 ORGANIZATION WORK

/46

/60

/64

01

2023 | Individual Project Revit / Enscape / D5 Render

HERSPACE

Safe Space For Women Sexual Violence Survivors in East Jakarta Architecture Design Studio 8 (Final Year) Emphatic Architecture: To Living The User’s Life

This project serves as a means of support towards women sexual violence survivors who are often lost their hope. It is also an expression of empathy towards the persistent cycle of sexual violence and inadequate system management, which inflicts additional pain on survivors.

HERSPACE Safe Space For Women Sexual Violence Survivors in East Jakarta One Stop Emergency Facility ㅡ Bambu Apus, East Jakarta Glenda Vania

HERSPACEㅡ This project originated from the narratives of women gradually losing a part of themselves, bit by bit.

For some, very little remains, leading them to exist like meaningless, empty shells.

The trauma resulting from sexual violence, an often recurring global issue, profoundly alters women who experience it.

Depending on the severity of the trauma, some survivors struggle to do activities as usual. Some may even withdraw themselves from the external world, descending into an endless darkness.

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Embracing the issue, the objective of this project is to provide hope and assistance by creating a safe space that addresses the needs of survivors during the rehabilitation process. By having women-only safe space, survivors hopefully able to rediscover their place in the world as part of identity search that was once lost and reintegrate into society with a new beginning.

The project’s name itself consists of two words, “Her” (woman) and “Space”, which when combined form the concept of “a space belonging to women.” In line with the project’s objective, the need for a safe space, especially within intimate contexts invaded during the incident, served as the inspiration for the project’s name.

As a form of empathy towards survivors, who often still feel afraid of exposure, camouflage methods are used to blend this building with its surroundings. The inward-curving mass and the roof covering part of the building’s facade symbolize protection for the women who come to this place.

Overall, this project is designed to empower survivors to express themselves freely through its symbolic elements.

“None of us want to admit when we’ve made ourselves vulnerable, when we made a bad choice. And those choices, those mistakes, can be so damaging, and really regrettable. ” ㅡ Connie Britton, Promising Young Woman 8

9

SEXUAL VIOLENCE THE HEINOUS TRUTH Sexual violence is an aggressive and cruel act with various variations and consequences, ranging from unwanted touching to forced sexual relations and rape (United Nations, 2015).

The data on these cases is not comprehensive due to many individuals being reluctant to report, with 663 out of 2,210 respondents citing fear as the main reason (Gender Equality Barometer Survey, 2020). This is often closely related to feelings of shame and the fear of being blamed (victim blaming), which remains a prevalent stigma in society (Mas’udah, 2022).

On the left are list of hospitals which provides Pusat Pelayanan Terpadu (Integrated Service Center) for women in Jakarta.

Description Jakarta Pusat 1: RSUD Koja 2: RSUD Tarakan Jakarta Timur 3: RSUD Duren Sawit 5: RSUD Pasar Rebo 6: RSUD Adhyaksa Jakarta Selatan 4: RSUD Pasar Minggu

There are several services provided to assist survivors, such as psychological counseling and a 24-hour hotline.

Unfortunately, the need for a women-only safe space that empathizes with survivors is still not fully met, particularly in terms of quality.

Sexual Violence Report in Indonesia 2019-2022 (SIMFONI-PPA, 2022)

PROBLEMS IDENTIFICATION

1

The absence of facilities supporting victims.

Quantity

Quality

TIP O F

TH

Supporting healing elements are still not a top priority.

E

B E RG ICE

Survivors are viewed in the same manner as regular ‘patients’

2

Incomplete and unintegrated data

Only a few cases are reported and the information sources are not integrated but stand alone.

3

The law lacks empathy towards the victims.

The priority is solely on apprehending the perpetrators, often times without considering follow-up measures for the victims.”

The haunting stigma of victimblaming

There are still several topics that have not been fully addressed.

Various institutions conduct surveys and research, resulting in partial findings, and there are still aspects that remain undocumented.

Designing a one-stop emergency facility which prioritizes and caters to survivors’ needs. At the same time, creating a program managing the entirety and unity of data.

10

11

USER AND PROGRAMS

LOCATION

SURVIVORS’ NEEDS

SITE CRITERIAS

survivors category

conflicts

childhood survivors (~age 12)

fearful to report due to potential family danger

opportunities

guarantee for protection and privacy

feeling punished and experiencing depression in denial dan trying to forget

psychological assistance and education

experiencing a decline in social life teenage survivors (age 13-19)

skills training

feeling danger and experiencing PTSD community for support

assault by elite people does not have place to express oneself

Area not too far from the location where many cases occur.

Area with a low crime rate

Area with low noise level

Easily accessible area

The site area complies with the RDTR regulations.

Area close to s u p p o r t i n g institutions.

EAST JAKARTA Reason to Choose East Jakarta (Kompas.com, 2016)

At one point, it was an area with the highest rates of violence against children and women compared to other regions.

East Jakarta has the lowest population density at 17,365.59 people/km².

freedom of expression

questioning one’s identity

adult survivors (age 20~)

ignored, stressed, and uncomfortable

law assistance

non-stop assault

healthcare assistance/ referral

stop from working physical pain

PROGRAM IDEAS Opportunities

Most survivors generally prefer not to be exposed, partly for their own safety. Therefore, the adopted design concept for this project is one that is protective in nature. The privacy of the survivors is manifested through the use of a camouflage concept, which disguises the building within its surroundings

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Hea lt

n

DESIGN CONCEPT

ssi on

yL ar

iving

Tra

ini

ng

Other Supporting Programs

12

BAMBU APUS Subdistrict Section

D at a

pre Ex

ss

nce ista

Temp or

a Soci lisize &

&A

Re h

ab

atio ilit

Future Development ㅡ Since 2018, the East Jakarta city government and entrepreneurs have collaborated to transform the creative industry in East Jakarta from an industrial area into a business and commercial hub.

This could lead to additional opportunities for survivors in terms of the economy.

PROTECTION

CAMOUFLAGE

SOCIALIZE

HEALING

The mass is designed for protection. Such as, massing curving inward.

Protection involves plants-covered facade and land contour with a maximum height of 2 meters.

A socialization space and an expression outlet as part of the program for survivors.

In line with the project’s objectives, incorporating healing elements, such as bringing natural elements into the site, is essential.

With an area of 3.17 km², Bambu Apus constitutes 11.14% of the total area of Cipayung District. This area is largely dominated by government buildings (including Adhyaksa Regional General Hospital), ensuring good accessibility. Other supporting facilities are also sufficiently available in this area.

Observing the skyline of Bambu Apus Subdistrict, the average building height ranges from 1-2 floors. Therefore, the design will aim for a similar scale as a strategy to blend the buildings harmoniously with the surroundings.

13

SITE

DESIGN BREAKDOWN CAMOUFLAGE CONCEPT

B

A>

SITE DATA

C

KDB : 55 KLB : 2.4 KTB : 60 KDH : 20

SITE CALCULATION Land Area Base Area Floor Area Building Floors Green Area

-6.310915, 106.894163

: 1,420.77 m 2 : 781.42 m 2 : 3,409.85 m 2 :4 : 284.15 m 2

A roof form that covers a significant portion of the facade to camouflage the building’s front.

EXISTING SURROUNDING CONDITION

The addition of plants and contours up to a maximum height of 2 meters to camouflage the building.

Differentiated entrances for the general public, services, emergency access, and members.

A mixed-use program with a café and exhibitions to attract survivors who are afraid of exposure.

Restriction of views from public zones to more private areas to preserve privacy.

ZONING Zoning within the building is tailored to the survivor’s journey, divided into four phases: experience, trouble, intervention, and acceptance.

EXPERIENCE feelings and experiences when survivors first encountered.

A

C

B

TROUBLE

ACCEPTANCE

Various mixed emotions experienced by survivors with negative connotations, such as trauma and fear.

The emotions experienced when survivors finally find the strength to start anew.

SURROUNDING SUPPORTING FACILITIES INTERVENTION Various ways survivors take to rise again.

• Experience phase: Safety support programs.

• Trouble phase: Seeking help, requiring healing.

• Intervention phase: Efforts to break free from the shadows of wounds, seeking freedom.

• Acceptance phase: Rebirth and a new chapter, focusing more on supporting the needs of the other three phases.

Dining Area

Multifunction Room Data and Communication Room

Room

Management Room

site

Balcony

Member’s Lobby Description Healthcare Law & Security

Users are divided into the general public and members. A separate entrance area for members is designed to respect survivors who do not wish to be exposed.

Exhibition and Cafe Garden Toilet

Kitchen

Religion Accessibility

• • • • • 14

Adhyaksa General Hospital(600 m) Ceger Community Health Center (760 m) Bregas Pharmacy (700 m) K24 Pharmacy (1.2 km) Cipayung Hospital (2.6 km)

• • •

Attorney General’s Training and Education Agency (500 m) Military Police Housing Complex (850 m) Cipayung Police Station(850 m)

The garden area serves as a communal space for socializing.

Views from the garden area to the public zone are restricted to protect privacy.

Expression Room Area for Ambulance and Fire Extinguisher

• •

Yeollin Church (550 m) Al-Falah Mosque (650 m)

• •

Bambu Apus 1 Toll Road(800 m) Bus Stop

First Aid Room Waiting Area

Linen Room Personal-Group Consultation Room 15

A

KETERANGAN

U

A

5.00

3.50

A

KETERANGAN

U

JUDUL PROYEK

JUDUL PROYEK

CONNECTED BLOCKVENTURE

CONNECTED BLOCKVENTURE

5.00

NAMA GAMBAR

8.50

U

DENAH KUNCI

B

D

C

DENAH KUNCI

KETERANGAN Tampak A

U

3.50

NAMA GAMBAR

8.50

KETERANGAN

A

NORTH

DOSEN KELAS

B

Tampak A

D

C

DOSEN KELAS

Ir. Himaladin

TAMPAK AFLOOR GROUND

Ir. Himaladin

TAMPAK A SECOND FLOOR

DOSEN PEMBIMBING Maria Veronica Gandha, S.T., M.Arch

S K A L 1:100 A 1 : 100 scale

DOSEN PEMBIMBING Maria Veronica Gandha, S.T., M.Arch

S K A L 1:100 A 1 : 100 scale

NAMA MAHASISWA

NAMA MAHASISWA

Michelle Rusli (315190054)

Michelle Rusli (315190054)

Glenda Vania (315190055)

05

10

20

30

40

50

60

Glenda Vania (315190055)

05

Sutiana (315190103)

A

U

5.00

DENAH KUNCI

3.50

U

JUDUL PROYEK

1 : 100 7 CONNECTED KETERANGAN BLOCKVENTURE

CONNECTED KETERANGAN U BLOCKVENTURE

5.00

NAMA GAMBAR B

DENAH KUNCI

3.50

B

10

20

30

DOSEN PEMBIMBING

Maria Veronica Gandha, S.T., M.Arch

Maria Veronica Gandha, S.T., M.Arch

NAMA MAHASISWA

NAMA MAHASISWA

Michelle Rusli (315190054)

Michelle Rusli (315190054)

S K A L 1:100 A 1 : 100 scale

40

5.00

50

60

3.50

A

B

D

C

05

JUDUL PROYEK

10

Sutiana (315190103)

CONNECTED BLOCKVENTURE SKALA HALAMAN

30

40

5.00

50

60

3.50

B

D

C

10

20

30

50

60

5.00

CONNECTED BLOCKVENTURE

3.50

NAMA GAMBAR

8.50

A

B

Tampak A

D

C

DOSEN KELAS

Ir. Himaladin

TAMPAK A WEST ELEVATION

Ir. Himaladin

TAMPAK A SECTION ISOMETRIC

DOSEN PEMBIMBING

Maria Veronica Gandha, S.T., M.Arch

Maria Veronica Gandha, S.T., M.Arch

NAMA MAHASISWA

NAMA MAHASISWA

NAMA MAHASISWA

Michelle Rusli (315190054)

Michelle Rusli (315190054)

Michelle Rusli (315190054)

Glenda Vania (315190055)

Glenda Vania (315190055)

S K A L 1:100 A 1 : 100 scale

40

JUDUL PROYEK

Sutiana (315190103)

CONNECTED BLOCKVENTURE SKALA HALAMAN

DOSEN PEMBIMBING

16 05

JUDUL PROYEK

DOSEN KELAS

Ir. Himaladin

S K A L 1:100 A 1 : 100 scale

HALAMAN

1 : 100 7 KETERANGAN

NAMA GAMBAR 1 : 100 7 Tampak A

8.50

DOSEN KELAS

TAMPAKELEVATION A SOUTH

Sutiana (315190103)

SKALA

Glenda Vania (315190055)

20

NAMA GAMBAR 1 : 100 7 Tampak A A

8.50

60

Ir. Himaladin

TAMPAK A EAST ELEVATION

DOSEN PEMBIMBING

Glenda Vania (315190055)

05

50

DOSEN KELAS

Ir. Himaladin

S K A L 1:100 A 1 : 100 scale

40

Tampak A

D

C

DOSEN KELAS

TAMPAKELEVATION A NORTH

30

NAMA GAMBAR

8.50

Tampak A A

D

C

20

A

SKALA HALAMAN JUDUL PROYEK

8.50

A

10

05

10

Sutiana (315190103)

20

30

40

50

60

Sutiana (315190103)

DOSEN PEMBIMBING Maria Veronica Gandha, S.T., M.Arch

S K A L 1:100 A 1 : 100 scale

Glenda Vania (315190055)

05

10

20

30

40

50

60

Sutiana (315190103)

17

TAMPAK DEPAN

DETAIL SAMBUNGAN

AKSONOMETRI FASAD

SKALA 1 : 25

SKALA 1 : 20

SKALA PROPORSIONAL

-

-

---

0.25

---

0.1

2

0.28

TAMPAK ATAS FASAD BATA 2 TOP ELEVATION 2 scale 1:251 : 25 SKALA HOLLOW BAJA RINGAN 150X50MM

0.05

BAJA ROL ⌀10MM

BATU BATA 25X13X6MM

0.06

0.03

scale 1:1000

KETERANGAN

U

0.26

0.80 0.20

0.20

0.20

0.06

0.15

0.06

0.20

0.80

CONNECTION DETAIL DETAIL SAMBUNGAN 22 TAMPAK ATAS ROSTER scale 1:5 1 : 5 SKALA SKALA 1 : 10

0.20

0.15

0.20

TAMPAK ATAS ROSTER

DOSEN MATA KULIAH: NINA CARINA, S.T., M.T.

GAMBAR:

DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI.

Detail Fasad Bata

TAMPAK ATAS ROSTER

Tampak A

D

C

0.20

0.80

Ir. Himaladin

0.20

60

0.20

0.20

0.20

0.20

0.20

0.20

TAM

0.20

0.20

SKAL

TAMPAK DEPAN ROSTER SKALA 1 : 10

TAMPAK ATAS ROSTER ROSTER TOP ELEVATION

TAMPAKELEVATION DEPAN ROSTER FRONT

scale 1:101 : 10 SKALA

scale 1:101 : 10 SKALA

Sutiana (315190103)

0.20

SKALA

HALAMAN

1 : 100

7

0.20

0.20

0.20

AKSONOMETRI ROSTER

0.20

0.20

50

0.20

40

0.20

SKALA 1 : 10

scale 1:1000

Glenda Vania (315190055)

30

SKALA 1 : 10

0.80

0.20

TAMPAK ATAS ROSTER

Michelle Rusli (315190054)

20

0.20

0.15

Maria Veronica Gandha, S.T., M.Arch NAMA MAHASISWA

10

0.20

0.15

DOSEN PEMBIMBING

S K A L 1:100 A 1 : 100 scale

05

0.20

0.20

TAMPAK AA-A SECTION

0.20

TAMPAK DEPAN ROSTER

DOSEN KELAS

0.20

B

NO. LEMBAR: 13

SKALA 1 : 10

0.20

NAMA GAMBAR

8.50

A

DIPERIKSA & DISAHKAN PENGELOLA

0.20 0.20 0.20 0.20 PROGRAM STUDI SARJANA ARSITEKTUR - UNIVERSITAS TARUMANAGARA

STUPA 8.35

CONNECTED BLOCKVENTURE

proportional scale SKALA PROPORSIONAL

NOMOR MAHASISWA: 315190055

0.15

NAMA MAHASISWA: GLENDA VANIA

SKALA 1 : 10

3.50

FACADE AXONOMETRY AKSONOMETRI FASAD 2 2

0.80 0.20 0.20 0.20 RUANG AMAN UNTUK PEREMPUAN PENYINTAS KEKERASAN SEKSUAL DI JAKARTA TIMUR

scale 1:251 : 25 SKALA

5.00

0.20

0.20 JUDUL PROYEK: HERSPACE

TAMPAKELEVATION DEPAN FASAD BATA 2 FRONT JUDUL PROYEK

0.20

0.20

0.20

0.20

SKALA PROPORSIONAL

0.20

0.20

0.20

TAMPAK DEPAN ROSTER

AKSONOMETRI MODUL ROSTER ROSTER MODULE AXONOMETRY

SKALA 1 : 10

proportional scale SKALA PROPORSIONAL

proportional scale SKALA PROPORSIONAL

0.20

TAMPAK ATAS VERTICAL GARDEN

AKSONOMETRI ROSTER TAMPAK DEPAN V.G.

Motif roster berbentuk bunga digunakan untuk memberikan SKA SKALA 1 : 25 SKALA PROPORSIONAL kesan feminine yang sesuai dengan user pengguna proyek ini, yaitu wanita. Roster bunga ini juga memiliki arti Vertical Garden merupakan salah TANAMAN RAMBAT simbolik, yaitu harapan bagi para penyintas agar dapat satu wujud dari penciptaan space 1 : 10 untuk SKALA MEDIA TANAM kembali menemukan kecantikannya yang sempat bagi para penyintas JUDUL PROYEK: HERSPACE RUANG AMAN UNTUK PEREMPUAN PENYINTAS melakukan kegiatan berkebun. terlupakan oleh mereka.

AKSONOMETRI MODUL ROSTER

TAMPAK ATAS VERTICAL GARDEN

Roster serves as ventilation and privacy to specific areas. In addition, it also can Pemanfaatan material roster sebagai bahan mix-match enhances the aesthetic appeal of the facade.

AKSONOMETRI MODUL Kembali mengacu pada program dengan material lainnya Pemakaian juga dapat menambah kecantikan petalROSTER menjadi lambang dariberbentuk keempat fase roster menjadi salah satu opsiKeempat yang digunakan, Motif roster bunga digunakan untuk memberikan 0.80

0.20

0.80 0.80

0.20 0.20 0.20 0.20 0.80

0.20 0.20 0.20 0.80

0.20 0.20

KABEL STAINLESS STEEL

0.20 0.20

TA

SKALA 1 : 10

0.20

TAMPAK DEPAN ROSTER Pemakaian roster menjadi 1 : 10salah satu opsi yang digunakan, SKALA selain sebagai ventilasi, roster memiliki bukaan yang relatif kecil sehingga dapat menghalau pandangan; menambah privasi pada beberapa area tanpa menghilangkan SKALA PROPORSIONAL pertukaran aliran udara.

AKSONOMETRI ROSTER ROSTER AXONOMETRY

0.20

KETERANGAN

U

TAMPAK DEPAN V.G

NAMA MAHASISWA: GLENDA VANIA

NOMOR MA

WATERPROOF LAYER

0.15

0.15 0.15 0.15

kegiatan berkebun yang dapat 1 : 25 SKALA DOSEN MATA KULIAH: NINAmerupakan CARINA, S.T., M.T. GAMBAR: pada fasad. Material roster ini sendiri menjadi lambang perjalanan oleh penyintas.

Vertical Garden salah TANAMAN selain sebagai ventilasi, roster memiliki bukaan yang yang relatifharus dilalui kesan feminine yang sesuai dengan user pengguna proyek dilakukan paraRAMBAT penyintas di taman, SKALA harapan dengan permainan dandapat solid-PROPORSIONAL void yang pandangan; menambah satu wujud dari penciptaan space 0.20 kecilcahaya sehingga menghalau ini, yaitu wanita. Roster bunga ini juga memiliki arti proses perawatan dilakukan secara DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI. DINDING BATA MEDIA TANAM membentuk sebuah motif, yaitu pada bunga.

Detail bagi para penyintas untuk menggunakan sistem privasi beberapa area tanpa menghilangkan simbolik, yaitu harapan bagi para penyintas agarmanual dapat tanpa melakukan kegiatan berkebun. perairan otomatis. pertukaran aliran udara. kembali menemukan kecantikannya yang sempat HERSPAC KABEL STAINLESS STEEL AKSONOMETRI ROSTER JUDUL PROYEK: - UNIVERSITAS TARUMANAGARA Pemakaian roster menjadi salah satu opsi yang digunakan, Motif roster berbentuk bunga digunakan untuk memberikan STUPA 8.35 PROGRAM STUDI SARJANA ARSITEKTUR RUANG AMAN terlupakan oleh mereka.

1 : 25 SKALA Selain itu, hal ini menjadi bentuk Kembali mengacu pada program selain sebagai ventilasi, roster memiliki bukaan yang relatif kesan feminine yang sesuai dengan user pengguna proyek NAMA MAHASISWA: GLENDA VANIA WATERPROOF LAYER SKALA PROPORSIONAL Pemanfaatan material roster sebagai bahan mix-match penggunaan mix-match pada fasad kegiatan berkebun yang dapat kecil sehingga dapat menghalau pandangan; menambah ini, yaitu wanita.

Roster bunga ini juga dengan material lainnya juga dapat menambah kecantikan Keempat petal menjadi lambang dari memiliki keempat arti fase untuk menghasilkan keberagaman dilakukan para penyintas taman, DOSENdi MATA KULIAH: NINA CARINA, S.T., M.T. privasi pada beberapa area tanpa menghilangkan simbolik, yaitu harapan para penyintas agar dapat pada fasad.

Material roster ini sendiri menjadi lambang perjalanan yang harus bagi dilalui oleh penyintas. fasad yang tidak membosankan dan 0.20 proses perawatan dilakukan secara pertukaran aliran udara. kembali menemukan kecantikannya yang sempat produktif.DINDING BATA harapan dengan permainan cahaya dan solid- void yang SKALA 1 : 10 SKALA HERSPACE 10 SKALA 11: :10 PLAT PENYAMBUNG DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI. JUDUL PROYEK: manual tanpa menggunakan sistem RUANG AMAN U terlupakan oleh mereka. membentuk sebuah motif, yaitu bunga. perairan otomatis. NAMA MAHASISWA: GLENDA VANIA SKALA 1 : 10 Pemanfaatan material roster sebagai bahan mix-match SKALA 1 : 10 AKSONOMETRI MODUL ROSTER dengan material lainnya juga dapat menambah kecantikan Keempat petal menjadi lambang dari keempat fase PROGRAM STUDI SARJANA ARSITEKTUR - UNIVE STUPA 8.35 DOSEN MATA KULIAH: NINA CARINA, S.T., M.T. Selain itu, hal ini menjadi bentuk pada fasad. Material roster ini sendiri menjadi lambang perjalanan yang harus dilalui oleh penyintas.

SKALA PROPORSIONAL SKALA PROPORSIONAL penggunaan mix-match pada fasad harapan dengan permainan cahaya dan solid- void yang DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI. untuk menghasilkan keberagaman membentuk sebuah motif, yaitu bunga. TAMPAK DEPAN V.G. TAMPAK SAMPING fasad yang tidak membosankan dan Pemakaian roster menjadi salah satu opsi yang digunakan, Motif roster berbentuk bunga digunakan untuk memberikan produktif. 8.35 PROGRAM STUDI SARJANA ARSITEKTUR - UNIVER SKALA 1 : 25 SKALA 1 : 25 STUPA PLAT PENYAMBUNG 0.20

0.20

0.20 0.20

0.20 0.20

0.20

0.20

TAMPAK DEPAN V.G.

0.20

0.15

A symbolic meaning “hope”. When the light comes through the small openings to the enclosed space, playing with solid-void of it, adds more depth and liven up TAMPAK TAMPAK ATAS ROSTER ATAS TAMPAK ATAS ROSTER ROSTER the space. Floral pattern with feminine touch, representing hope to rediscover TAMPAK ATAS ROSTER TAMPAK ATAS ROSTER the beauty that was once forgotten.

JUDUL PROYEK

A

NAMA GAMBAR B

Tampak A

D

C

selain sebagai ventilasi, roster memiliki bukaan yang relatif 0.20 0.20 0.20 0.20 0.20 kecil sehingga dapat menghalau pandangan; menambah privasi pada beberapa area tanpa menghilangkan 0.20 0.20 0.20 0.20 pertukaran aliran udara.

DOSEN KELAS

0.20

0.20

Maria Veronica Gandha, S.T., M.Arch

selain sebagai ventilasi, roster memiliki bukaan yang relatif kecil sehingga dapat menghalau pandangan; menambah privasi pada beberapa area tanpa menghilangkan pertukaran aliran udara. SKALA 1 : 10 SKALA 10 SKALA 11: :10

Michelle Rusli (315190054) Glenda Vania 0.80 (315190055)

-

10

20

30

40

50

60

---

0.20

0.20

(315190103)

SKALA

1 : 10 Pemanfaatan material roster sebagai bahan SKALA mix-match 1 : 10 SKALA dengan material lainnya juga dapat menambah kecantikan pada fasad. Material roster ini sendiri menjadi lambang harapan dengan permainan cahaya dan solid- void yang membentuk sebuah motif, yaitu bunga.

-

0.20Sutiana

0.20

0.20

kesan feminine yang sesuai dengan user pengguna proyek STUPA 8.35 ini, yaitu wanita. Roster bunga ini juga memiliki arti simbolik, yaitu harapan bagi para penyintas agar dapat kembali menemukan kecantikannya yang sempat terlupakan oleh mereka.

TAMPAKTAMPAK DEPAN ROSTER DEPAN TAMPAK DEPAN ROSTER ROSTER TAMPAK DEPAN ROSTER TAMPAK DEPAN ROSTER

NAMA MAHASISWA

05

0.20 0.20

terlupakan oleh mereka.

PROPORSIONAL PemanfaatanSKALA material roster sebagai bahan mix-match dengan material lainnya juga dapat menambah kecantikan Keempat petal menjadi lambang dari keempat fase pada fasad. Material roster ini sendiri menjadi lambang perjalanan yang harus dilalui oleh penyintas. harapan dengan permainan cahaya dan solid- void yang Pemakaian salah satu opsi yang digunakan, Motif roster berbentuk bunga digunakan untuk memberikan membentuk roster sebuahmenjadi motif, yaitu bunga.

DOSEN PEMBIMBING

S K A L 1:100 A 1 : 100 scale

kesan feminine yang sesuai dengan user pengguna proyek 0.20 0.20 0.20 ini, yaitu wanita.

Roster0.20 bunga ini juga memiliki arti

0.20 0.20 0.20

simbolik, yaitu harapan bagi para penyintas agar dapat AKSONOMETRI MODUL ROSTER kembali menemukan kecantikannya yang sempat

Ir. Himaladin

TAMPAK AB-B SECTION

AKSONOMETRI ROSTER

0.20

3.50 8.50

0.20 0.20 0.20

5.00

CONNECTED BLOCKVENTURE

0.20

--3.95

Keempat petal menjadi lambang dari keempat fase perjalanan yang harus dilalui oleh penyintas. scale 1:1000

HALAMAN

0.15

7

TOP ELEVATION TAMPAK ATAS

0.16 0.36

BAJA SIKU 120x120x12MM

0.07

0.20 0.20

BAUT

1.19

0.13

0.12

STRIP PLAT BESI 30X3X6MM

0.36

DETAIL SAMBUNGAN CONNECTION DETAIL 0.20

scale 1:201 : 20 SKALA

-

2

0.25

0.1

0.20

0.20

-

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DIPERIKSA & DISAHKAN PENGELOLA

TAMPAK SAMPING SKALA 1 : 25 NO. LEMBAR: 14

PROGRAM STUDI SARJANA ARSITEKTUR - UNIVERSITAS TARUMANAGARA

JUDUL PROYEK: HERSPACE RUANG AMAN UNTUK PEREMPUAN PENYINTAS KEKERASAN SEKSUAL DI JAKARTA TIMUR

TAMPAKTAMPAK ATAS VERTICAL ATAS VERTICAL GARDEN TAMPAK ATAS VERTICAL GARDEN VERTICAL GARDEN TOP GARDEN ELEVATION TAMPAK 11: :10 scale 1:10 SKALA 1 : 10ATAS SKALA 10 ATAS VERTICAL SKALA TAMPAK VERTICAL GARDEN GARDEN NAMA MAHASISWA: GLENDA VANIA

NOMOR MAHASISWA: 315190055

DOSEN MATA KULIAH: NINA CARINA, S.T., M.T.

GAMBAR:

DOSEN FASILITATOR: : 10ANGGRAINI, M.SI. SKALA IR.1DIAH

Detail Fasad

SKALA 1 : 10

0.28

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18 TAMPAK ATAS FASAD BATA 2

DINDING BATA

AKSONOMETRI AKSONOMETRI ROSTER ROSTER AKSONOMETRI ROSTER AKSONOMETRI ROSTER SKALA PROPORSIONAL SKALA PROPORSIONAL SKALA PROPORSIONAL AKSONOMETRI ROSTER

DINDING BATA

SKALA PROPORSIONAL SKALA PROPORSIONAL PLAT PENYAMBUNG

AKSONOMETRI AKSONOMETRI MODUL ROSTER MODUL AKSONOMETRI MODUL ROSTER ROSTER AKSONOMETRI MODUL ROSTER PROPORSIONAL SKALA PROPORSIONAL SKALA PROPORSIONAL SKALA AKSONOMETRI MODUL ROSTER

PLAT PENYAMBUNG

satu wujud dari penciptaan satu space satuwujud wujuddari daripenciptaan penciptaanspace space Vertical Garden merupakan bagi para penyintas bagi para penyintas untuk bagiuntuk para penyintas untuk salah Vertical Garden merupakan salah satu wujud dari penciptaan space melakukan kegiatan melakukan berkebun. kegiatan berkebun. melakukan kegiatan berkebun. satu wujud dari penciptaan space KABEL KABELSTAINLESS STAINLESSSTEEL STEEL MEDIA TANAM para penyintas untuk bagi para penyintasbagi untuk melakukan kegiatan berkebun.

Kembali mengacu Kembali pada program mengacu pada program mengacu pada program melakukan berkebun.

KABEL STAINLESS STEEL kegiatanKembali WATERPROOF WATERPROOFLAYER LAYER kegiatan berkebun kegiatan yang dapat berkebun kegiatan berkebunyang yangdapat dapat Kembali mengacu pada program dilakukan para penyintas dilakukan di para taman, penyintas diditaman, dilakukan para penyintas taman, Kembali program WATERPROOF LAYERmengacu pada kegiatan berkebun yang dapat prosesberkebun perawatan proses dilakukan perawatan secaradilakukan secara proses perawatan dilakukan secara kegiatan yang dapat DINDING DINDINGBATA BATA dilakukan para penyintas di taman, manual tanpapenyintas menggunakan manual sistem menggunakan sistem manual tanpa menggunakan sistem dilakukan para ditanpa taman, proses perawatan dilakukan secara perairan otomatis. perairan otomatis. perairan otomatis. proses perawatan dilakukan secara DINDING BATA manual tanpa menggunakan sistem manual tanpa menggunakan sistem perairan otomatis.

Selain itu, hal ini Selain menjadi itu, bentuk hal ini menjadi bentuk perairan otomatis. Selain itu, hal ini menjadi bentuk penggunaan mix-match penggunaan pada mix-match fasad penggunaan mix-matchpada padafasad fasad Selain itu, hal ini menjadi bentuk untukitu, menghasilkan untuk keberagaman menghasilkan keberagaman untuk menghasilkan keberagaman Selain hal ini menjadi bentuk penggunaan mix-match pada fasad fasad yangmix-match tidakfasad membosankan yang tidak dan membosankan dan fasad yangfasad tidak membosankan dan penggunaan pada untuk menghasilkan keberagaman produktif. produktif. produktif. untuk menghasilkan keberagaman PLAT PLATPENYAMBUNG PENYAMBUNG fasad yang tidak fasad yang tidak membosankan dan membosankan dan produktif.

PLATproduktif.

PENYAMBUNG

DIPERIKSA & DISAHKAN PENGELOLA

NO. LEMBAR: 14

The vertical garden is a manifestation of creating space for survivors to engage in gardening activities, in which the care process is done manually without the use of automatic irrigation.

MEDIA MEDIATANAM TANAM TANAMAN RAMBAT

TAMPAK TAMPAK DEPAN V.G. DEPAN TAMPAK SAMPING SAMPING FRONT ELEVATION ELEVATION TAMPAK DEPAN V.G. V.G. TAMPAKSIDE TAMPAK SAMPING TAMPAK DEPAN V.G.TAMPAK SAMPING TAMPAK SAMPING TAMPAK DEPAN V.G.

SKALA SKALA PROPORSIONAL Pemakaian roster Pemakaian menjadi salah roster satu menjadi opsi yang salah digunakan, satu Motif roster berbentuk Motif bungaberbentuk digunakan bunga untukdigunakan memberikan untuk Pemakaian roster menjadi salah satuopsi opsiyang yangdigunakan, digunakan, Motifroster roster berbentuk bunga digunakan untukmemberikan memberikan scale 1:251 : 25 SKALA 1:2511: :25 SKALA SKALA 1 : 25 scale SKALA 25 25 SKALA SKALA 11: :25 selain sebagai ventilasi, selain roster memiliki ventilasi, bukaan roster yang relatif bukaan relatif kesan feminine yang kesan sesuai feminine dengan yang sesuai pengguna dengan user selainsebagai sebagai ventilasi, rostermemiliki memiliki bukaanyang yang relatif kesan feminine yanguser sesuai denganproyek userpengguna penggunaproyek proyek Pemakaian menjadi satu opsi yang digunakan, Motif roster berbentuk bunga digunakan untuk arti memberikan kecil sehingga kecil sehingga dapat pandangan; menghalau menambah pandangan; menambah ini, roster yaitu wanita. ini, Roster bunga wanita. iniRoster juga untuk memiliki bunga ini arti kecilmenghalau sehingga dapat menghalau pandangan; menambah ini,yaitu yaitu wanita.

Roster bunga inijuga jugamemiliki memiliki arti SKALA 1 : 25 SKALA 1 : 25 Pemakaian rosterdapat menjadi salahroster satu opsi yangsalah digunakan, Motif berbentuk bunga digunakan memberikan 1 : 25 1 : 25 SKALA SKALA selain sebagai ventilasi, roster memiliki bukaan yang relatif kesan feminine yang sesuai dengan user pengguna proyek privasi pada ventilasi, beberapa privasi area pada beberapa menghilangkan area simbolik, yaituyang harapan simbolik, bagi yaitu para harapan penyintas bagi para penyintas privasi padatanpa beberapa areatanpa tanpa menghilangkan simbolik, yaitu harapan bagiagar paradapat penyintasagar agardapat dapat selain sebagai roster memiliki bukaan yang menghilangkan relatif kesan feminine sesuai dengan user pengguna proyek kecil sehingga dapat menghalau pandangan; menambah ini, yaitu wanita.

Roster bunga memiliki arti pertukaran pertukaran udara. aliran udara. menemukan kembali kecantikannya menemukan yang kecantikannya sempat yang sempat pertukaran aliran udara.

DIPERIKSA & DISAHKAN DIPERIKSA kembali menemukan kecantikannya yang sempat kecil sehinggaaliran dapat menghalau pandangan; menambah HERSPACE ini,kembali yaitu wanita.

Roster bunga ini juga memiliki artiini juga DIPERIKSA&&DISAHKAN DISAHKAN HERSPACE JUDUL PROYEK: JUDUL PROYEK: JUDULHERSPACE PROYEK: PENGELOLA PENGELOLA privasi beberapa area tanpa menghilangkan simbolik, yaitu harapan penyintas agar dapat PENGELOLA RUANG AMAN UNTUK RUANG PEREMPUAN PENYINTAS UNTUK KEKERASAN PENYINTAS SEKSUALKEKERASAN DI JAKARTA SEKSUAL TIMUR terlupakan mereka. terlupakan oleh mereka.

RUANGAMAN AMAN UNTUKPEREMPUAN PEREMPUAN PENYINTAS KEKERASAN SEKSUALDIDIJAKARTA JAKARTATIMUR TIMUR terlupakan oleh mereka.bagi privasi pada beberapa areapada tanpa menghilangkan simbolik, yaituoleh harapan bagi para penyintas agarpara dapat pertukaran udara. kembali menemukan yang sempat DIPERIKSA & DISAHKAN Pemanfaatan Pemanfaatan rosteraliran sebagai material bahan roster sebagai HERSPACE Pemanfaatan material rostermix-match sebagaibahan bahan mix-match mix-match pertukaran aliranmaterial udara. kembali menemukan kecantikannya yangkecantikannya sempat NAMA MAHASISWA: GLENDA NAMA VANIA GLENDA NOMOR MAHASISWA: NOMOR 315190055 DIPERIKSA & DISAHKAN NAMAMAHASISWA: MAHASISWA: GLENDAVANIA VANIA NOMORMAHASISWA: MAHASISWA:315190055 315190055 HERSPACE JUDUL PROYEK: PENGELOLA RUANG AMAN UNTUK PEREMPUAN PENYINTAS KEKERASAN SEKSUAL DI JAKARTA TIMUR PENGELOLA terlupakan oleh mereka.

JUDUL PROYEK: proporsional scale SKALA PROPORSIONAL dengan materialdengan lainnya juga dapat lainnya menambah juga kecantikan menambah kecantikan Keempatoleh petalmereka. menjadi Keempat lambang petal menjadi dari keempat lambang fase dari denganmaterial material lainnya jugadapat dapat menambahterlupakan kecantikan Keempat petal menjadi lambang darikeempat keempatfase fase RUANG AMAN UNTUK PEREMPUAN PENYINTAS KEKERASAN SEKSUAL DI JAKARTA TIMUR Pemanfaatan material roster bahan mix-match DOSEN MATA KULIAH:DOSEN NINA MATA S.T., M.T. NINA GAMBAR: GAMBAR: DOSEN MATAKULIAH: KULIAH: NINACARINA, CARINA, S.T.,M.T. M.T. GAMBAR: pada fasad.material Material pada roster fasad. ini Material sendiri roster menjadi ini lambang sendiri lambang perjalanan yang perjalanan harus dilalui yang olehharus penyintas. dilalui NAMACARINA, MAHASISWA: GLENDA VANIA S.T., NOMOR MAHASISWA: 315190055 pada fasad.

Material roster inisebagai sendirimenjadi menjadi lambang perjalanan yang harus dilaluioleh olehpenyintas. penyintas.

Pemanfaatan roster sebagai bahan mix-match NAMA MAHASISWA: GLENDA VANIA NOMOR MAHASISWA: 315190055 dengan material lainnya juga dapatyang menambah kecantikan Keempat petaldari menjadi lambang harapan dengan harapan permainan dengan cahaya permainan dan solidcahaya void dan yang harapan dengan permainan cahaya dansolidsolid-void void yang petal menjadi dengan material lainnya juga dapat menambah kecantikan Keempat lambang keempat fase dari keempat fase DOSEN FASILITATOR: DOSEN IR. DIAHFASILITATOR: ANGGRAINI, M.SI. IR. DIAH ANGGRAINI, M.SI. DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI. DOSEN MATA KULIAH: NINA CARINA, S.T., M.T. GAMBAR: pada fasad.

Material roster ini sendiri menjadi lambang perjalanan yang harus dilalui oleh penyintas. membentuk sebuah membentuk motif, sebuah bunga. motif, yaitu bunga.

DOSEN MATA KULIAH: NINA CARINA, S.T., M.T. GAMBAR: Detail Fasad Detail membentuk sebuah motif, yaitu bunga.

DetailFasad Fasad pada fasad. Material roster iniyaitu sendiri menjadi lambang perjalanan yang harus dilalui oleh penyintas. harapan cahaya dengan dan permainan cahaya DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI. harapan dengan permainan solid- void yangdan solid- void yang DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI. Detail Fasad PROGRAM STUDI SARJANA PROGRAM ARSITEKTUR STUDI - UNIVERSITAS ARSITEKTUR TARUMANAGARA - -UNIVERSITAS NO. LEMBAR: 14 NO. 14 PROGRAM STUDISARJANA SARJANA ARSITEKTUR UNIVERSITASTARUMANAGARA TARUMANAGARA NO.LEMBAR: LEMBAR:14 STUPA 8.35STUPA 8.35 membentuk sebuahmembentuk motif, yaitu sebuah bunga. motif, yaitu bunga.

PROPORSIONAL

KACA 2MM

0.20

Detail Fasad

TAMPAK DEPAN V.G.

SKALA 1 : 25

WATERPROOF LAYER

0.20

0.20

LAPISAN BETON LANTAI

BATU BATA 20X12X6MM BAJA ROL ⌀10MM

0.20 0.20

0.20 0.20 0.20

TAMPAK ATAS ROSTER

0.20

GAMBAR:

DOSEN FASILITATOR: IR. DIAH ANGGRAINI, M.SI.

WATERPROOF LAYER KABEL STAINLESS STEEL

scale 1:1000

scale 1:25 1 : 25 SKALA

DOSEN MATA KULIAH: NINA CARINA, S.T., M.T.

KABEL STAINLESS STEEL MEDIA TANAM

0.20

TAMPAK DEPAN FRONT ELEVATION

NOMOR MAHASISWA: 315190055

MEDIA TANAM TANAMAN RAMBAT

scale 1:251 : 25 SKALA

SKALA 1 : 10

NAMA MAHASISWA: GLENDA VANIA

Vertical Garden Vertical merupakan Garden salah merupakan PROGRAM SARJANA ARSITEKTUR - UNIVERSITAS VerticalTARUMANAGARA Garden merupakansalah salah RAMBAT STUDI TANAMAN STUPA 8.35 TANAMAN TANAMANRAMBAT RAMBAT

0.20

1 : 100

JUDUL PROYEK: HERSPACE RUANG AMAN UNTUK PEREMPUAN PENYINTAS KEKERASAN SEKSUAL DI JAKARTA TIMUR

AKSONOMETRI FASAD FACADE AXONOMETRY

Detail Fasad STUPA 8.35 PROGRAM STUDI SARJANA ARSITEKTUR - UNIVERSITAS TARUMANAGARA 8.35 PROGRAM STUDI SARJANA ARSITEKTUR - UNIVERSITAS TARUMANAGARA STUPA 8.35 STUPA

NO. LEMBAR: 14

NO. LEMBAR: 14

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02

2022 | Individual Project Sketchup / AutoCAD / V-Ray

GILIR

Developing Local Businesses With The Implementation of Rotating Places Architecture Design Studio 7 Dwelling Typologies

A local unique trait comes with a price which impacted the locals. Locals have to take turns to sell because of the limited space. By referencing to Plug-in City concept by Archigram, an attempt to combine the time and place as the answer was made.

GILIR Developing Local Businesses With The Implementation of Rotating Places FnB Retail, Communal Space ㅡ Glodok, West Jakarta Glenda Vania GILIRㅡ The surveyed area is located in the Glodok district, known as one of the largest and oldest Chinatowns in Indonesia. In here, many are seen making a living by trading or selling.

“Strive together for

for the best of our community....

One interesting phenomenon found is how residents on Blandongan Street take turns in trading over time due to limited space, at the same time, using this moment to maintain the exclusivity of their environment.

Unfortunately, this creates income strikes for those who don’t get the chance to sell at that time.

So, is it possible to advance the local businesses simultaneously without compromising their unique trait? To address this, a design vision is formulated: the sellers continue to take turns, not in terms of time, but in terms of location.

Adapting the concept of Plug-In City by Archigram, an attempt was made to construct not a building but a system of upward structures that allows the locals to sell silmutaneously in a rotating space. This, along with the addition residents CCTV, aids the local economy and preserves the communal characteristics of the environment.

for the time and place now combined.

“

With this unique approach, hopefully it will have a positive impact on the local businesses and also the area in a larger scale.

GLODOK

One of the oldest and biggest chinatowns in Indonesia

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WALK IN THE CITY: GLODOK offices/services

SURROUNDING Bakmie Ahong, a local noodle business which has been here for three generations.

Description

residence

survey area 24/09/22 survey area 29/09/22 01/10/22 survey path

mixed use public services

Roti Kin On, a local bread business which has been here for two generations.

Survey time: • 24/09/2022 (14.01-16.20 WIB) Asemka Street until Kemenangan III Street.

• 29/09/2022 (13.1618.08 WIB) Asemka Street until Blandongan Street.

• 01/10/2022 (10.05-17.35 WIB) Asemka Street until Blandongan Street.

La nd

Us e

Pl an ni ng

20 21

green area

Spot for rotational selling

Several locals who combine their shop with their living spaces in front of the alley.

Description

survey path Transjakarta path

Kemenangan III Street 24/09/2022

Kemenangan VIII Street 29/09 - 01/10 ‘22

Blandongan Street 29/09 - 01/10 ‘22

BLANDONGAN STREET INTERESTING PHENOMENON IN BLANDONGAN STREET: SELLING ROTATION

DESIGN VISION Changing the rotational time selling system into selling with place rotation system using Plug-in City concept combined with the concept of making it as a journey.

THEME: PLUG-IN CITY

Fast changing urban scene

“How to advance the local businesses simultaneously without compromising their unique trait?”

26

The same spot is being used by locals to sell their foods, one at a time. Unfortunately, that only spot can only contain one cart. With this, the locals try to compromise with each other by taking turns selling in terms of time.

Making of gigantic structural “machine”

Moving every service needs with a giant cranes

Design flexibility

DESIGN SCENARIO

Lack of space to sell

Selling with time rotation system

Local economy moves really slowly

Flexible selling system

Plug-in City concept

Morning, a local will sell their food (ex. chicken), then at evening, it will change to another local selling their food (ex. noodle).

27

DESIGN STRATEGY

Front alley is usually used as a place to get together and rotational selling.

This area will be used for the project to keep the privacy and exclusivity of the environment within.

The narrow environment with no extra space does not allow for adding new footprint structures.

An upward structure which only gives a little intervention towards the existing.

Realization of the characteristic of rotational selling transformed from time to place. It can include residents CCTV and preserve local communal aspects.

USER STRATEGY DESIGN STRATEGY

separated programs market, selling prep area

The residents are starting their activities (bathing, eating, cleaning up).

People working as traders begin to buy ingredients at the nearby market or at Petak Sembilan.

bedroom, bathroom, dining area

COMMUNAL SPACE

Residents with other activities begin to prepare then leave for their activities. selling prep area

interactions

Residents who have their turn to trade prepare their ingredients. business area, dining area

Residents who have traded in the morning hand over to those who have the afternoon-evening shift.

Afternoon traders prepare their goods to start their business.

business area, dining area

Residents who work as traders start opening their businesses, with many of them setting up in front of the alley. rotational trading interactions

Residents who have finished their activities return, and some residents hang out in front. privacy

business area, dining area

Afternoon traders open their businesses, usually until their goods are sold out in the evening.

The

community resumes their individual activities indoors. bedroom

DESCRIPTION Outside the alley In front of the alley Residence

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Based on the daily activities of the residents, the program of this project is focused on things related to selling activities. Everything merged into one area due to their interrelated activities and can be overlapped.

EATING AREA

Residents from other alleys begin to return to their homes, while the original residents are still hanging out.

ROTATIONAL SELLING

One or two residents return home late at night and go straight to rest.

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2022 | 3 People Project Sketchup / AutoCAD / D5 Render / Enscape

CONNECTED BLOCKVENTURE Architecture Design Studio 7 The Prietzker’s House

This project was made by utilizing Tadao Ando’s philosophy in designing space to find the solution to surrounding problems which later be the main focus of the design.

CONNECTED BLOCKVENTURE Boarding house, communal space ㅡ Pademangan, North Jakarta Glenda Vania, Michelle Rusli, Sutiana

Connected Blockventure (Connected Block Adventure) ㅡ Budi Mulia street in North Jakarta is one high-density place which is filled with many city migrants, if compared to locals who still live there. From elderly to little kids, the demographic in this location varies. Elementary age kids, in particular, are often seen wandering and playing on the road.

Its location is ±1,4km walking distance to Kampung Bandan Train Station which could potentially cause noise distraction to the people. Other than that, this location also has one unique typology and living condition setting which has been there from long ago.

From the survey done by interviewing one of the city migrants and observing the location real time, several problems are found. Amongst all, the one chosen as the main problem and the center of this project is circulating around the biggest demographic subject, which is the children. This inspired the name also the concept of this project.

Referencing the original intention of the question, the design will bring a new combination of Tadao Ando’s Japanese design philosophy and the answer to surrounding problems.

LOCATION

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LOCATION

CONCEPT IDEAS Taking the issues into account, the conceptual ideas are a combination of local problems and 1995 Prietzker Architecture Prize winner, Tadao Ando’s design philosophy.

NEIGHBORHOOD CONTEXT

Approximately 1,7km away from the site, there is the Ancol River, which poses a potential flood risk.

TYPOLOGY

NEIGHBORHOOD CONTEXT

LIVING

TADAO ANDO’S DESIGN PHILOSOPHY

The area is populated with buildings with modest appearance, primarily emphasizing practicality over aesthetics. It is common to see single or two-story structures, with workspaces typically located on the ground floor and living spaces (usually rented) on the upper floor.

Beauty comes from simplicity. The ability to adapt to the site by using the configuration of simple modular shapes to create its own aesthetic.

Materials are used the way it is to create an atmosphere that allows for a profound experience and contemplation.

The two are inseperable to create a moral experience for the user. Mostly used by combining different materials and light.

Emptiness is used to describe simplicity and inner peace.

Different impressions in each space is controlled by the circulation plot.

KEN

HAIKU

MAN-MADE & NATURE

ZEN

ENGAWA

DESIGN VISION

PROGRAM

WORK

1 Kitchen

Constructing a two-story building, with private areas located upstairs and workspace areas situated on the ground floor.

E 2 IT m S ,18 4

20

Ancol River

Toilet

Boarding House

2

(housing function)

Kampung Bandan Station

3

Communal Space

Parking

Library

(for children)

4

Garden

MASSING Children are frequently observed engaging in activities along the bustling street, where vehicular traffic poses a potential risk of accidents. The scarcity of child-friendly facilities in the area is a prevalent contributing factor to this situation.

ISSUES

Child-friendly facilities scarcity

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Theft occurs periodically

Minimal privacy

Flood comes at times

Near Quite near Far

Modified stilt house and unconventional plan to create a fun place for children.

Materials such as concrete will be used in their raw form to showcase simplicity and capture the ‘as it is’ nature of kids.

The use of skylight to let sunlight in to the building.

5

Elevated ground level to evade flood.

The plan is designed as a mini-complex, allowing for children to explore various activities while maintaining privacy for each program. Despite the simple massing, the internal circulation introduces layers of complexity. Inspired by the game ‘Tetris,’ the three separated modules were strategically placed for an optimal fit.

Simplicity, openness, and a connection with nature will be maximized within the available spaces.

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DENAH KUNCI

A

DENAH KUNCI

GREEN ROOF, t = 5 cm

U

ATAP BETON, t = 10 cm

A

KOLOM BETON

A

LAPISAN KAYU BENGKIRAI

+7.51

DENAH KUNCI

DENAH KUNCI

U

KETERANGAN

U

KETERANGAN

RAILING PLAT LANTAI BETON, t = 12 cm

+6.22

PINTU WPC JENDELA KACA +4.02

+3.12

+1.50

B

JUDUL PROYEK

±0.00

-0.30

5.00

3.50

1.28

5.00

B

3.50

D

C

A

3.50

2.47

2.40

CONNECTED BLOCKVENTUR

CONNECTEDNAMA GAMBA BLOCKVENTURE

0.61

8.12

Tampak A

B

ADOSEN KELAS

Tampak A

D

C

B'

3

A'

DOSEN KELAS NAMA GAMBAR

D

Ir. Himaladin

U

TAMPAK A A ELEVATION

B

Ir. Himaladin

Tampak ADOSEN PEMBIMB

TAMPAK AA-A SECTION

D

C

DOSEN PEMBIMBING

Maria Veronica Gandha, S.T., M.Arch

S K A L 1:100 A 1 : 100 scale A

8.50

A

8.50

DENAH KUNCI

1.35

NAMA GAMBAR

8.50

A

JUDUL PROYE JUDUL PROYEK

CONNECTED BLOCKVENTURE5.00

Maria Veronica Gan S.T., M.Arch

S K A L A1:1001 : 100 scale

A

DOSEN KELAS NAMA MAHASIS

NAMA MAHASISWA

POTONGAN A-A Michelle Rusli (315190054)

DENAH KUNCI DENAH KUNCI U

KETERANGAN Glenda Vania

S10K A L A 20

U

05

10

20

30

40

TAMPAK A SKALA

50

05

60

Sutiana (315190103)

1 :40100 50

1 : 100 05

SKALA

HALAMAN

1 : 100

7

10

30

Michelle Rusli (315190054)

Ir. Himaladin

KETERANGAN

(315190055)

60

Glenda Vania (315190055) Sutiana (315190103)

DOSEN PEMBIMBING SKALA

HALA

Maria Veronica Gandha, 1 : 100 S.T., M.Arch

20

30

40

50

7

NAMA MAHASISWA

60

Michelle Rusli (315190054)

05

10

20

5.00

3.50 5.00

30

8.50

A

A

40

50

3.50

60

D

C

B

S K A L 1:100 A 1 S: 100 KALA scale

11

GROUND FLOOR PLAN

SECOND FLOOR PLAN

scale 1:100

scale 1:100

16.50

1 : 100

29.00

CONNECTED BLOCKVENTURE

NAMA GAMBAR

NAMA GAMBAR

05

020 5

10

30 10

40 20

50 30

60 40

50

Tampak A DOSEN KELAS

Ir. Himaladin

Ir. Himaladin DOSEN PEMBIMBING

Maria Veronica Gandha, S.T., M.Arch

Maria Veronica Gandha, S.T., M.Arch

NAMA MAHASISWA

NAMA MAHASISWA

Michelle Rusli (315190054)

Michelle Rusli (315190054)

Glenda Vania (315190055)

Glenda Vania (315190055)

Sutiana (315190103)

Sutiana (315190103)

60

B

Tampak A DOSEN KELAS

DOSEN PEMBIMBING

9

B

NORTH

CONNECTED BLOCKVENTURE

D

C

TAMPAK ATAMPAK A ELEVATION B 5.00

B

JUDUL PROYEK

8.50

B

Glenda Vania (315190055)

JUDUL PROYEK

Sutiana (315190103)

U

key DENAH planKUNCI

U

SKALA

HALAMAN

1 : 100

7

7.50

2

1

GREEN ROOF, t = 5 cm DINDING BETON, t = 15 cm

SKALA

HALAMAN

SKALA

HALAMAN

1 : 100

7

1 : 100

7

GREEN ROOF, t = 5 cm ATAP BETON, t = 10 cm DINDING BETON, t = 15 cm

TAMPAK B

DENAH KUNCI

SKALA

B

KETER

KOLOM BETON ATAP BETON, t = 10 cm KACA DOUBLE GLAZED

KETER

KOLOM BETON LAPISAN KAYU BENGKIRAI

1 : 100

KACA DOUBLE GLAZED RAILING LAPISAN KAYU BENGKIRAI PINTU WPC

A

RAILING LANTAI RUMPUT, t = 5 cm

+7.51 +4.18

DENAH KUNCI

PINTU WPC JENDELA KACA

KETERANGAN

+6.57

U

+7.51 +6.22

LANTAI RUMPUT, t = 5 cm

+3.00

+3.00

+4.18

DINDING JENDELAROSTER KACA

+6.57

05

10

+6.22

+3.00

20

30

40

50

60

PLAT LANTAI BETON, t = 12 cm

+3.00

DINDING ROSTER

+4.02 detail lantai 2 HUNIAN +3.12

+3.12 +4.02

+3.00

+3.12

HUNIAN +3.12

AREA KOMUNAL +3.12

+3.00

+3.00

+3.00

+3.12

HUNIAN +3.12

AREA KOMUNAL +3.12

+3.00

+3.00

+3.00

PLAT LANTAI BETON, t = 12 cm

detail lantai 2 HUNIAN +3.12

+3.12 +1.50

+3.00

+1.50

AREA BERMAIN ANAK ±0.00

±0.00

HUNIAN ±0.00

±0.00

5.00

-0.30

2.40

2.63

AREA BERMAIN ANAK ±0.00

1.62

3.50

2.40

HUNIAN 2.96 ±0.00

2.08

2.50

2.96

2.08

1.16 CONNECTED 2.65

BLOCKVENTURE

KOLAM -0.30

C

2.63

D

1.62

9

7

6

1.16 28.58 5

28.58 A"

9

7

POTONGAN B-B

SKALA scale 1:1001 : 100

38

1.00

2.76

PARKIR 1.17AREA±0.00

3.65

NAMA CONN BLOCK Poton NAMA

2.76

1.17

3.65

2.00

DOSE Poton

NAMA GAMBAR B

A"

TAMPAK AB SECTION

2.00

JUDUL PROYEK

2.50

8.50

A

CONN BLOCK JUDUL

AREA PARKIR ±0.00

KOLAM -0.30

-0.30

JUDUL

SKALA 1 : 100 POTONGAN B-B SKALA

1 : 100

6

5

2.65

Tampak A

DOSEN KELAS

1.00 2

1

Ir. Himaladin DOSEN PEMBIMBING Maria Veronica Gandha, S.T., M.Arch NAMA MAHASISWA

2

1

Ir. Hi DOSE

DOSEN P Ir. Hi Maria Vero S.T., DOSEN P

Michelle Rusli (315190054)

NAMA M Vero 39 Maria S.T.,

Glenda Vania (315190055)

NAMA M

Mich (315

DESIGN BREAK DOWN SEPARATED MASSING Each program is designed as a separate massing, connected only by gardens or walking corridors. This encourages users to fully immerse themselves in the unique atmosphere of each space, complemented by a maze-like circulation.

MATERIALS GREEN ROOF One way to incorporate nature into the project is by using green roof. This will also help in reducing heat captured by concrete.

GLASS-CONCRETE ROOF The choice of glass and concrete as roofing materials aligns with the overarching design philosophy inspired by Tadao Ando, emphasizing the balance between man-made structures and nature, as well as drawing from Haiku principles. The incorporation of glass allows natural light to illuminate the interior, adding a deeper significance to the space.

To fight the heat, low-heat concrete is used and additionally for the roof, there will also be application of coating.

INTERGRATING NATURE

3

Integrating nature in the project is a way to bring nature closer to humans and also a way to compensate the lack of vegetation in the area. This also contributes to the creation of certain atmosphere into the site, becoming a barrier between outside and inside.

3 3

9

7 8

ROSTER Incorporating a touch of roster brick aims to exhibit a modest openness while still providing a sense of privacy in the communal room. Additionally, it serves the purpose of enhancing air circulation.

BINDING CONNECTOR Users are directed to follow the designated circulation to access specific areas, fostering communal spaces within the design and providing visual connections with the surroundings. This evokes a sense of openness and reduce the project’s overall massiveness.

6

WOOD T he use of wood flooring in the open space on the

second floor is intended to provide users with a sensation of walking in nature. This design choice serves as an attempt to seamlessly integrate nature into the project, creating a distinct atmosphere both inside and outside.

CONCRETE The unfinished concrete appearance defines an enduring flexibility, with its raw surface taking on new meanings, especially when light comes into the room and dances around. This design choice aligns with Tadao Ando’s philosophy, aiming to create a space for contemplation. The usesage of this material is also intentional to filter outside noise.

3 4 3

5

3

MAZE-LIKE CIRCULATION

1

The combination of a mazelike circulation and Tetris-like arrangement fosters a sense of privacy, as certain spaces can only be accessed through exploration.

This circulation design ensures a distinct spatial experience, offering a unique encounter for each user.

2

KIDS INTEREST AT MIND The absence of child-friendly facilities in the area lead the big picture of the concept. A fun, mazelike circulation complemented by a library, reading area, and playground are designed to discourage kids from playing on the road, reducing the potential risks to their safety.

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3

FIRM BOUNDARIES The boundaries between the exterior and interior of the project are defined by a contrasting design, including the surrounding gates. Beyond safety considerations, this approach is intentional, creating a distinct atmosphere that allows users to fully immerse themselves in a unique experience, away from their usual busy surroundings.

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43

MODEL MAKING

44

model progress

model study

model progress

final model

got featured on internal exhibition

45

04

2022 | 3 People Project Sketchup / AutoCAD / Lumion / D5 Render

CINEM(ART)CHITECTURE Architecture Design Studio 6 Mixed-Use Program in Transit Oriented Development

What once was famous as the root of nation’s film industry is now almost becoming another old district.

This project takes on the challenge to elevate its status once again as a district with great historical value.

current condition Studio PPFN Located around 700 metres from site

CINEM(ART)CHITECTURE Museum, Academy, and Dormitory ㅡ Bidara Cina, East Jakarta Glenda Vania, Jessica Juan, Sutiana

Cinem(Art)Chitectureㅡ Located in Bidara Cina, one of the areas in Jatinegara known for its famous historical building, Studio PPFN (Perum Produksi Film Negara). As a way to preserve its historical value, this project follows the theme of CinemARTchitecture, combining three elements: cinematic, art, and architecture.

As time goes by, the status of Studio PPFN has decreased to almost nonexistent for the younger generations. This might led to making Bidara Cina as another old district that people might have

48

forgotten. With this project, the aim is to elevate the Studio PPFN with the hope of making it an iconic area that propels Bidara Cina towards a more positive development as an old district.

The concept is implemented by transforming the site into an area that serves as an expression of art, particularly in connection with film, providing landscape-building functions to support film needs and creating an ambiance of modern traditional buildings by incorporating elements of art and the area’s history.

site

53,794 m2

Wisma Indomobil 11 floors

area section

Indomobil Tower 20 floors

Waskita Rajawali Tower 15 floors

MTH Square 19 floors

Cawang Area, which is located near site, is currently under construction by government to become a transit oriented development area. This will highly affect the site positively, such as making high rise has become optionally available.

49

y m

50

m

n

o gH

u se

Boa rd i

Mus eu

A ca

de

PROGRAMS

51

OUTDOOR AREAS &

u mn Col

Eme rg

Floo rP

Stairs cy n e

Co re

Bea

m

STRUCTURE

e lat

Wide-span structure is used for auditorium.

Beam size: 25x50 cm and 20x40 cm.

Communal space for events or outdoor gatherings. Can also be used as sales location.

A total of 7 emergency stairs across the buildings with minimal distance of 9 meters.

Supporting columns and beams, the floor plate has 15cm thickness.

52

Amphitheatre to perform outside, serving performance for outsider.

53

20

RETA ±0.00 IL

SHAFT SHAFT

Tr

BER NYA ± 0.00

BREAK ROOM PEMAIN

NYI

±0.00

HIRE

7

6

TOILET PRIA -0.02

5

GUDANG ±0.00 R. GANTI ±0.00

RAG

A

AREA

TOILET -0.02

SHAFT

I'

J'

K'

L'

RUANG

RAPAT ±0.00

KANTOR FAKULTAS AKTING ±0.00

LOBBY

KANTOR FAKULTAS MENARI ±0.00

KANTOR FAKULTAS MENYANYI ±0.00

KANTOR FAKULTAS PRODUKSI FILM ±0.00

KANTOR FAKULTAS PROPERTI ±0.00

M'

L

E THEA R. GANTI ± 0.00 ±0.00 TRE

±0.00

SHAFT

±0.00

TOILET -0.02

TOILET -0.02

P'

Tr

R. KONTROL

KEBAKARAN LIFT

R. GANTI ±0.00

SHAFT

±0.00

SHAFT

BOX

Nk

VESTIBULES

SHAFT

SAMPAH

Tr

±0.00 -0.20 -0.40 -0.60 -0.80

WAITING

Q'

Nk

AREA +0.20

STORAGE

R'

SHAFT

PANGGUNG

SHAFT

+0.20

S'

14 seats 10 rows, (1 row); 140 seats

WAITING

AREA +0.20

FITNESS CENTRE ±0.00

BOARD

STUDY

GAMES

±0.00 CAFE

R. NARI ± 0.00

±0.00

R.

BERNYANYI ± 0.00

LAPANGAN

±0.00OLAHRAGA

HOME

THEATRE ± 0.00

±0.00

SHAFT

RUANG STAFF ±0.00

0.

0.

0.

09 73 176.

0002.3 4.43 600.

0.1 0.4 0.

0.3 0.30 06.3 .4 23 30 0.3 5.1 0.3 39292 +0.32

+0.48

+0.64

+0.80

+0.96

+1.12

+1.28

+1.44

+1.76

2

BACKSTAGE +0.50

PANGGUNG +0.50

RUANG

+1.92

+2.08

+2.24

+2.40

+2.56

+2.72

+2.88

+0.32

+0.48

+0.64

+0.80

+0.96

+1.12

+1.28

TOKO SOUVENIR

TOILET PRIA +3.18

+1.60

+1.44

+1.76

+1.92

+2.08

+2.24

+2.40

+2.56

+2.72

±0.00

SHAFT

+2.88

SHAFT

+3.04

WAITING AREA +0.50

+0.32

+0.48

+0.64

+0.80

+1.12

+1.28

TOILET PRIA -0.02

ATM CENTRE ±0.00

+1.44

+1.76

+1.92

+2.08

+2.24

+2.56

+2.72

+2.88

TOILET WANITA -0.02

+3.04

30 seats 20 rows, (1 row); 600 seats

C

D

TANGGA DARURAT ±0.00

RUANG JANITOR ±0.00

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SHAFT

F

G

H

M

I

J

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K

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27

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L

29

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LIFT KEBAKARAN

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RETAIL ±0.00

RETAIL ±0.00

KOMUNAL R. DUDUK ± 0.00

-0.20

-0.40 -0.60

-0.80

E

B

JUDUL PROYEK

JUDUL PR

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CONNE BLOCKVE

28

LIFT KEBAKARAN

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25

SHAFT

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RETAIL ±0.00

R. MANAJEMEN ± 0.00

RUANG PANEL ±0.00

TOILET WANITA +3.18

+0.96

Nk

A

B

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24

WC DIFABEL -0.02

+3.20

TANGGA DARURAT ±0.00

±0.00 -0.20 -0.40 -0.60 -0.80

23

WC DIFABEL -0.02

+3.04

PEMUSIK -2.50

+0.16

TUNGGU ±0.00

SHAFT

1

R. OB ± 0.00

STORAGE

TICKET BOX

+0.16

RUANG RIAS ±0.00

±0.00

A

VESTIBULES

±0.00

±0.00

MAKANAN AREA AMBIL ±0.00

KANTIN ±0.00

MINIMARKET ±0.00

R

Q

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U

T

S

5.00

3.50

NAMA GAMBAR

8.50

NAMA GA

8.50

Nk

SHAFT

VESTIBULES

SHAFT

BOX

SHAFT SAMPAH

+2.56

+2.72

+2.88

+0.64

+0.80

+0.96

+1.12

+1.28

+0.80

+1.92

+2.08

+2.24

+1.12

+1.28

+2.56

+2.72

SHAFT

+2.88

SHAFT

+3.04

+1.76

+1.92

+2.08

+2.24

+2.40

+2.72

+2.88

RUANG JANITOR ±0.00

7

MEKANIKAL ±0.00

RUANG MANAJEMEN & STAFF ±0.00

±0.00 -0.20 -0.40 -0.60 -0.80

RETA ±0.00 IL

RETA ±0.00 IL

RETA ±0.00 IL

RETA ±0.00 IL

KEBAKARAN LIFT

STUD GAM

±0.00 R.

BER NYA ± 0.00

NYI

RETAIL ±0.00

KOMUNAL R. DUDUK ± 0.00

LAPA

NGA

N ±0.00OLAH

-0.20

A

E THEA ± 0.00 TRE

A

MAKANAN AREA AMBIL ±0.00

-0.80 SHAFT

PRIA -0.02

+1.44

+2.88

WC DIFABEL -0.02

+3.04

+2.08

+2.24

+2.40

+2.56

+2.72

SHAFT

+2.88

SHAFT

+3.04

+0.32

+0.48

+0.64

+0.80

+0.96

+1.12

+1.28

RETAIL ±0.00

WC DIFABEL -0.02

R. MANAJEMEN ± 0.00

25

RETAIL ±0.00

RUANG PANEL ±0.00

TOILET PRIA -0.02

LIFT KEBAKARAN

ATM CENTRE ±0.00

+1.44 +1.76

+1.92

+2.08

+2.24

+2.40

RETAIL ±0.00

SHAFT

+2.56

+2.72

+2.88

TOILET WANITA -0.02

+3.04

TANGGA DARURAT ±0.00

KOMUNAL R. DUDUK ± 0.00

Nk

30 seats 20 rows, (1 row); 600 seats

DENAH KUNCI

RUANG JANITOR ±0.00

C

Z

X

Y

22

A'

B'

E'

C'

D'

R. MEKANIKAL ±0.00

R. CCTV ±0.00

F'

SHAFT

I'

R. STAFF ±0.00

LIFT KEBAKARAN

J'

SHAFT

Nk

VESTIBULES

K'

TANGGA DARURAT ±0.00

L'

SHAFT

LOADING

DOCK ±0.00

RUANG

RAPAT ±0.00

TANGGA DARURAT ±0.00

SHAFT

VESTIBULES ±0.00

LAPANGAN

±0.00

GUDANG ±0.00

±0.00

ATA

SHAFT

Tr

+0.96

+0.96

+1.12

+1.12

+1.28

+1.28

+1.92

+2.08

+2.24

+2.40

+2.56

+2.72

+2.88

+2.08

+1.92

+2.40

+2.08

+2.24

+2.40

+2.56

+2.72

+2.72

+2.88

SHAFT

+3.04

WC DIFABEL -0.02

ITE PLAN

BERNYANYI ± 0.00

HOME

THEATRE ± 0.00

+0.40 +0.20

R. OB ± 0.00

ATM CENTRE ±0.00

TANGGA DARURAT ±0.00

±0.00 -0.20 -0.40 -0.60 -0.80

Nk

RUANG JANITOR ±0.00

B

10

LIFT KEBAKARAN

30

RETAIL ±0.00

RETAIL ±0.00

KOMUNAL R. DUDUK ± 0.00

27

O

MAKANAN AREA AMBIL ±0.00

KANTIN ±0.00

MINIMARKET ±0.00

31

U

T

S

R

Q

20

28

29

RETAIL ±0.00

1.60 3.20 1.60

26

N

RETAIL ±0.00

R. MANAJEMEN ± 0.00

25

-0.20

-0.40 -0.60

-0.80

M

LIFT KEBAKARAN

±0.00 -0.20 -0.40 -0.60 -0.80

24

RUANG PANEL ±0.00

TOILET PRIA -0.02

TOILET WANITA -0.02

+3.04

30

40

50

RDIN

ATA

SKALA

HALAMAN

1 : 100

7

INATA

5.00

DENAH KUNCI NORTH

A

U

0 10 20 30 40 50 60

U

KETERANGAN NAMA MAHASISWA Michelle Rusli (315190054)

60 100

SKALA

KETERANGAN

: GLENDA VANIA/315190055 JESSICA JUAN/315190063 SUTIANA/315190103 STUPA VI/GENAP 2021/2022 KELAS: C KELOMPOK: C4 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. GAMBAR/SKALA NO. HALAMAN

SITE PLAN 1:200

Michelle Rusli (315190054)

SITE PLAN 1:200

7

NAMA/NIM

: GLENDA VANIA/315190055 JESSICA JUAN/315190063 SUTIANA/315190103

05

10

20

30

5

Y

A'

B'

E'

C'

D'

F'

SHAFT

SHAFT

G'

H'

I'

Tr

J'

SHAFT

Nk

LIFT KEBAKARAN

20

DOCK ±0.00

GYM ±0.00

RUANG

RAPAT ±0.00

TANGGA DARURAT ±0.00

VESTIBULES

SHAFT

±0.00

±0.00

SHAFT

Tr

LAPANGAN

±0.00

RETAIL ±0.00

SHAFT

10

TOILET PRIA -0.02

-1.00 OFF

Nk

VESTIBULES

SHAFT

+0.40 +0.20

+1.28

+1.44

+1.92

+2.08

+2.24

+2.40

+2.56

+2.72

+2.88

+0.32

+0.48

+0.64

+0.80

+0.96

+1.12

+1.28

RETAIL ±0.00

TOKO SOUVENIR

TOILET PRIA +3.18

+1.60

+1.44

+1.92

+2.08

+2.24

+2.40

+2.56

+2.72

±0.00

SHAFT

+2.88

SHAFT

+3.04

+0.16

+0.40 +0.20

WAITING AREA +0.50

+0.32

+0.48

+0.64

+0.80

+1.12

+1.28

TOILET PRIA -0.02

ATM CENTRE ±0.00

+1.44

+1.76

+1.92

+2.08

+2.24

+2.40

SHAFT

+2.56

+2.72

+2.88

TOILET WANITA -0.02

+3.04

DENAH KUNCI

S K A L 1:200 A 1 : 100 scale

U

NAMA MAHASISWA KETERANGAN

STUPA VI/GENAP 2021/2022

Michelle Rusli (315190054) Glenda Vania (315190055)

20

30

40

50

60

E

±0.00 -0.20 -0.40 -0.60 -0.80

30 seats 20 rows, (1 row); 600 seats

D

RUANG JANITOR ±0.00

G

H

20

30

9.44

26

M

I

N

RETAIL ±0.00

DENAH KUNCI

RETAIL ±0.00

27

O

P

Q

9.44

R

8.04

DOSEN KELAS

120.96

MAKANAN AREA AMBIL ±0.00

40

50

60

8.04

8.04

8.04

8.04

KANTIN ±0.00

MINIMARKET ±0.00

T

S

31

U

Ir. Himaladin

TAMPAK AB-B SECTION

DOSEN PEMBIMBING Maria Veronica Gandha, S.T., M.Arch

S K A L 1:200 A 1 : 100 scale

NAMA MAHASISWA Michelle Rusli (315190054)

Maria Veronica Gandha, S.T., M.Arch

Glenda Vania (315190055)

05

NAMA MAHASISWA KETERANGAN

U

-4.00

LIFT KEBAKARAN

30

RETAIL ±0.00

0 00 1.6 3.2 1.6 KOMUNAL R. DUDUK ± 0.00

-0.20

-0.40 -0.60

-0.80

SHAFT

F

C

10

20

30

40

50

60

U

+36.00

Sutiana

KETERANGAN (315190103)

Michelle Rusli (315190054)

+32.00

SKALA HALAMAN GAMBAR/SKALA NO. HALAMAN STUPA VI/GENAP 2021/2022 KELAS: C KELOMPOK: C4 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. +28.00

Glenda Vania (315190055)

0(315190103) 5Sutiana 10

25

TANGGA DARURAT ±0.00 Nk

C

29

RETAIL ±0.00

R. MANAJEMEN ± 0.00

9.44

RUANG PANEL ±0.00

TOILET WANITA +3.18

+0.96

±0.00

24

WC DIFABEL -0.02

+3.20

B

28

LIFT KEBAKARAN

±0.00 -0.20 -0.40 -0.60 -0.80

23

DOSEN PEMBIMBING A

Maria Veronica Gandha, S.T., M.Arch

STUPA VI/GENAP 2021/2022

SHAFT

WC DIFABEL -0.02

+3.04

Tampak A

D

R. OB ± 0.00

SHAFT

TAMPAK A THIRD FLOOR

DOSEN PEMBIMBING A

THEATRE ± 0.00

SHAFT

Ir. Himaladin

HOME

VESTIBULES

Ir. Himaladin

BERNYANYI ± 0.00

Tr

DOSEN KELAS

R.

Nk

S K A L 1:200 A 1 : 100 scale

DOSEN KELAS

±0.00CAFE

R. NARI ± 0.00

±0.00

±0.00OLAHRAGA

Nk

+1.12

+1.76

TANGGA DARURAT ±0.00

A

Tampak A

D

C

STUDY

GAMES

LAPANGAN

PEMUSIK -2.50

+0.16

TUNGGU ±0.00

SHAFT

1

NAMA GAMBAR B

B

BOARD

Tr

TAMPAK A SECOND FLOOR

A

FITNESS CENTRE ±0.00

SHAFT SAMPAH

+0.96

-4.00

S'

VESTIBULES

+0.80

±0.00

A

R'

SHAFT

SHAFT

+0.64

+4.00

Q'

SHAFT

0.8 0 1.0 00 1.0 2.8

+0.48

+12.00

Tr

Nk

VESTIBULES

SHAFT

Tampak A

D

C

SAMPAH

±0.00

±0.00 -0.20 -0.40 -0.60 -0.80

+0.48 +0.32 +0.16 ±0.00

RUANG

PANGGUNG +0.50

L

B

VESTIBULES

SHAFT

±0.00

STORAGE

RUANG STAFF ±0.00

0.

0.

0.

09 73 17 4.43 002.3 10.91 5.100 9.44 6.

600.

0.1 0 .4 0.

0.3 0.30 06.3 .4 23 30 0.3 5.1 0.3 39292 +0.32

+1.76

BACKSTAGE +0.50

K

A

P'

Nk

SHAFT

STORAGE

LIFT KEBAKARAN

AUDITORIUM +1.60

TICKET BOX

+0.16

RUANG RIAS ±0.00

±0.00

2

J

8.50

SHAFT

BOX

AREA +0.20

BASKET

DROP

LOBBY

±0.00

GANTI PRIA ±0.00

WANITA -0.02

RUANG GANTI WANITA

3

Nk

±0.00

AREA +0.20

SHAFT

RUANG AHU ±0.00

R. KONTROL

WAITING

RETAIL ±0.00

RETAIL ±0.00

RETAIL ±0.00

RETAIL ±0.00

RETAIL ±0.00

SHAFT

Tr

Nk

SHAFT

LIFT KEBAKARAN

O'

Tr

R. GANTI ±0.00

PANGGUNG +0.20

INFORMASI

RUANG

TEMU DAN INFORMASI ±0.00

+1.44 +1.28 +1.12 +0.96 +0.80 +0.64 +0.48 +0.32 +0.16 ±0.00

CONNECTED BLOCKVENTURE

3.50

RUANG MANAJEMEN & STAFF ±0.00

WAITING AREA +0.50

RUANG

TOILET

4

MEKANIKAL ±0.00

TOILET -0.02

WAITING

HALL ±0.00

±0.00

RUANG

SAMPAH

N'

SHAFT

TOILET -0.02

14 seats 10 rows, (1 row); 140 seats

SUPERMARKET

&

WC DIFABEL -0.02

HALL TANGGA DARURAT

PRIA -0.02

+16.00

+8.00

NAMA GAMBAR

M'

±0.00

±0.00 -0.20 -0.40 -0.60 -0.80

TROLLEY

TOILET WANITA -0.02

±0.00

DOCK

TOILET

5

SHAFT

TANGGA DARURAT

PENGOLAHAN ±0.00

-1.00

KANTOR FAKULTAS PROPERTI ±0.00

AUDITORIUM

STORAGE ±0.00

±0.00

RUANG JANITOR ±0.00

9

TEMPAT

LOADING

6

GUDANG ±0.00

R. GANTI ±0.00

DAPUR ±0.00

RETAIL ±0.00

05223 0.6 0 3.1 0.5 3 0.5 4.2 4.2 0.6 A 8

7

+1.44 +1.28 +1.12 +0.96 +0.80 +0.64 +0.48 +0.32 +0.16 ±0.00

B

0.0.30 3.

0.

0.

81 12 0.

50 0.

0.

40 40 21 49

JUDUL PROYEK

KANTOR FAKULTAS PRODUKSI FILM ±0.00

5993 0.7 03 50.2 4.7 10.7 10.6 0.3 0.6 0.4 0.9

JUDUL PROYEK

KANTOR FAKULTAS MENYANYI ±0.00

±0.00

TICKET

KOMUNAL

±0.00

RUANG STAFF ±0.00

KANTOR FAKULTAS MENARI ±0.00

BREAK ROOM PEMAIN

INDOOR

AREA

STORAGE ±0.00

KAFE ±0.00

KANTOR FAKULTAS SINEMA TOGRAFI ±0.00

STUDIO LATIHAN ±0.00

VESTIBULES

TANGGA DARURAT

Nk

14

11

KANTOR FAKULTAS AKTING ±0.00

Tr

Nk

16

15

13

12

A

: GLENDA VANIA/315190055 JESSICA JUAN/315190063 SUTIANA/315190103

+20.00

POTONGAN 1:100

L'

SHAFT

LOADING

19

+24.00

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

K'

TANGGA DARURAT ±0.00

17

CONNECTED BLOCKVENTURE

Z

X

SHAFT

R. STAFF ±0.00

VESTIBULES

18

1 : 100 7 JUDUL PROYEK NAMA/NIM

C

W

R. CCTV ±0.00

+32.00

HALAMAN KELAS: C KELOMPOK: C4 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. GAMBAR/SKALA NO. +28.00

JUDUL PROYEK/TEMA:

V

±0.00

NAMA GAMBAR

Sutiana

STUPA VI/GENAP 2021/2022 (315190103)

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

R. MEKANIKAL

8.50

60

FUNGSI PROYEK

25 20 30 000 .4 0.4 0.3 00 .2 2.2 0 .2 .2 008.7 55.2 88.3 62 .8009 3.2 0.5 5.00 3.50 0.4 07.4 04.4 00 .4 0 .4 0 .4 0020 0.06.30.

8.50 5600.756.

29.2091 0.3 .

26 9 .0 01.4 4.8 020 .4300.7.4 2 392.29. B 000.3 20 C .1 .2 798 .4 .5 0 .3 151.8 5393

15

10

22

5.00

50

1 : 200

21

CONNECTED BLOCKVENTURE

+36.00

LOKASI PROYEK SKALA HALAMAN

00.3 .6 .2 16.373 900.28 03.007.6 21.3 0.

0.

80105.1 1.28.2 0.

1.09 73 71 53 3.

0 4.3 5009 .2 6.2 22.1.9 352 .3.0 00523.7 379.2 4 003.9 0.4 0 .5 .2 10.2 16.7 588

0

3.50

40

POTONGAN A-A SKALA

5.00

NAMA MAHASISWA

Glenda Vania (315190055)

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

1 : 100

Maria Veronica Gandha, S.T., M.Arch

JUDUL PROYEK/TEMA: LOKASI PROYEK FUNGSI PROYEK

-4.00

DOSEN PEMBIMBING

S K A L 1:200 A 1 : 100 Uscale

NAMA/NIM

HALAMAN

-4.00

Ir. Himaladin

TAMPAK AA-A SECTION

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

Sutiana (315190103)

±0.00

Tampak A

D

C

KETERANGAN DOSEN KELAS

LOKASI PROYEK FUNGSI PROYEK

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

Glenda Vania (315190055)

B

U

JUDUL PROYEK/TEMA:

+4.00

KEBAKARAN LIFT

50

1 : 100

+8.00

NAMA GAMBAR

8.50

KEBAKARAN LIFT

40

SKALA

+24.00

CONNECTED BLOCKVENTURE

3.50

A

±0.00 -0.20 -0.40 -0.60 -0.80

30

+28.00

+12.00

0 11.306.2 30.5 090.3 0.4 .3 5 0009 3.3 0.0.0106..2 .1.92.02298 705

20

Sutia (315190

+32.00

JUDUL PROYEK

Maria Veronica Gandha, STUPA VI/GENAP 2021/2022 KELAS: C KELOMPOK: C4 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. GAMBAR/SKALA NO. HALAMAN S.T., M.Arch

1:200

60

+16.00

JL. OTTO ISKANDARD

DOSEN PEMBIMBING

A

S K A L 1:200 A 1 : 100 scale

SKALA

50

INATA

Ir. Himaladin

DENAH KUNCI

40

JL. OTTO ISKANDARD

DOSEN KELAS

100

30

+20.00

Tampak A

D

SITE PLAN

20

IN

CONNECTED BLOCKVENTURE

1 :PLAN 2 0A0 TAMPAK SITE

Glenda V (315190

+36.00

0(315190103) 5Sutiana 10

60

JL. OTTO ISKANDARD

NDA

NAMA GAMBAR C

R.

Nk

±0.00

SHAFT

+2.88

SHAFT

+2.56

23

TOKO SOUVENIR

TOILET PRIA +3.18

+2.24

C

8.50

B

±0.00CAFE

R. NARI ± 0.00

±0.00

±0.00OLAHRAGA

SHAFT

RUANG STAFF ±0.00

WC DIFABEL -0.02

+3.04

+1.60

+1.92

INATA

ISKA

3.50

A

-1.00 OFF

+1.44

+1.44

+1.44

I

C

JUDUL PROYEK

5.00

VESTIBULES

SHAFT

DROP

+1.28

SHAFT

RDIN

STUDY

GAMES

LAPANGAN

05 STORAGE ±0.00

+1.44 +1.28 +1.12 +0.96 +0.80 +0.64 +0.48 +0.32 +0.16 ±0.00

+0.80

+0.80

SHAFT

+1.12

VESTIBULES

TTO

BOARD

BASKET

LIFT KEBAKARAN

AUDITORIUM +1.60

+0.40 +0.20

+0.64

+0.64

TOILET WANITA +3.18

+0.96

Tr

+0.80

Nk

+0.64

SHAFT

H

Nk

+0.48

30 seats 20 rows, (1 row); 600 seats

G

Tr

+0.32

+1.76

F

P

INATA

JL. O

S'

VESTIBULES

+0.16

±0.00

E

JL. OTTO ISKANDARD NDA

SHAFT

SHAFT SAMPAH

+0.48

+3.20

AREA +0.50

D

A

R'

SHAFT

SHAFT

+0.32

+1.76

WAITING

C

L

ISKA

Q'

Nk

VESTIBULES

FITNESS CENTRE ±0.00

0.80 1.00 1.00 2.80

+0.48

PEMUSIK -2.50

+0.16

TANGGA DARURAT ±0.00

K

TTO

SAMPAH

±0.00

AREA +0.20

SHAFT

+0.48 +0.32 +0.16 ±0.00

PANGGUNG +0.50

TUNGGU ±0.00

J

JL. O

P'

VESTIBULES

SHAFT

STORAGE

+0.20

WAITING

SHAFT

RUANG AHU ±0.00

O'

Nk

SHAFT

AREA +0.20

PANGGUNG

14 seats 10 rows, (1 row); 140 seats

HALL ±0.00

LIFT KEBAKARAN

LOBBY

TICKET BOX

+0.32

+1.76

BACKSTAGE +0.50

RUANG

A

B

SHAFT

BOX

WAITING

±0.00

INFORMASI

-0.02

RUANG

TEMU DAN INFORMASI ±0.00

±0.00

RUANG RIAS ±0.00

±0.00

SHAFT

1

Nk

N'

Tr

R. KONTROL

RETAIL ±0.00

RETAIL ±0.00

&

WC DIFABEL

Nk

RUANG MANAJEMEN & STAFF ±0.00

SHAFT

MEKANIKAL ±0.00

+0.16

RUANG GANTI WANITA

3

Glenda Vania (315190055)

M'

TOILET -0.02

AUDITORIUM

TROLLEY

TOILET WANITA -0.02

±0.00

RUANG

SAMPAH

WAITING AREA +0.50

GANTI PRIA ±0.00

WANITA -0.02

0.0 0.7 0.1 9376.4 4.6300.3 0.

0.

0.

30 0.

2.

36 0.

0.2 15 0.

0.30300.

40 0.

39 43 32 19 32 2

KANTOR FAKULTAS PROPERTI ±0.00

TOILET -0.02

R. GANTI ±0.00

RETAIL ±0.00

RETAIL ±0.00

RETAIL ±0.00

SHAFT

HALL TANGGA DARURAT

±0.00

RUANG

TOILET

4

±0.00 -0.20 -0.40 -0.60 -0.80

5

RETAIL ±0.00

RETAIL ±0.00

TOILET PRIA -0.02

±0.00

PENGOLAHAN

DOCK -1.00

TOILET PRIA -0.02

U

T

S

R

±0.00

TANGGA DARURAT

TEMPAT

LOADING

6

Q

KANTOR FAKULTAS PRODUKSI FILM ±0.00

SHAFT

R. GANTI ±0.00

KOMUNAL

±0.00

±0.00 -0.20 -0.40 -0.60 -0.80

±0.00

9

8

7

IN

P

KANTOR FAKULTAS MENYANYI ±0.00

±0.00

TICKET

AREA

STORAGE ±0.00

RETAIL ±0.00

0.63 3.15 0.52 0.52 4.20 4.20 0.63

0.3 0.8 3.1 0.5 0.4 00.4 0.2 10.4 020019

O

ATA

KANTOR FAKULTAS MENARI ±0.00

BREAK ROOM PEMAIN

INDOOR

DAPUR ±0.00

SUPERMARKET

0.73 0.29 4.73 0.79 0.65 0.30 0.65 0.41 0.91

B

L

RDIN

KAFE ±0.00

RUANG JANITOR

Tr

K

NDA

RUANG STAFF ±0.00

11

10

+1.44 +1.28 +1.12 +0.96 +0.80 +0.64 +0.48 +0.32 +0.16 ±0.00

ISKA

±0.00

12

A

KANTOR FAKULTAS SINEMA TOGRAFI ±0.00

STUDIO LATIHAN ±0.00

±0.00

SHAFT

14

STORAGE

MINIMARKET ±0.00

N

KANTOR FAKULTAS AKTING ±0.00

Tr

Nk

17

16

15

13

J

Michelle (315190

H'

GYM ±0.00

18

26

M

I

NAMA MAH

G'

SHAFT

21

19

KANTIN ±0.00

H

Maria Veronic S.T., M

STUPA VI/GENAP 2021/2022

Michelle Rusli (315190054)

0.4 0.4 0.3 0.2 0.2 0.2 0.2 20.7 000.2 85562.3 8.8 880.2 30.4 0.5 9 0.4 0.4 70.4 40.4 00.4 00002 00.6 0.30.6 500.756.2 9.0 29.9 10 0.3 2.0 64.8 02.4 1.4 0 300.7.4 2 392.9 0.

2.79 0.

0.

2.

0.

31 15 21 0.

55 43 39 8 83 W

MAKANAN AREA AMBIL ±0.00

20

G

S K A L 1:200 A 1 : 100 scale

NAMA MAHASISWA

SHAFT

F

DOSEN PEM

Maria Veronica Gandha, S.T., M.Arch

STUPA VI/GENAP 2021/2022

V

-0.20 -0.40 -0.60

-0.80

Ir. Hima

TAMPAK A NINTH FLOOR KETERANGAN

S K A L 1:200 A 1 : 100 scale

U

TANGGA DARURAT

E

24

RETAIL ±0.00

VESTIBULES

D

±0.00 -0.20 -0.40 -0.60 -0.80

U

T

SHAFT

C

S

±0.00 -0.20 -0.40 -0.60 -0.80

+0.16

+0.40 +0.20

WAITING AREA +0.50

C B

R

TOKO SOUVE ±0.00 NIR

SHAFT

TANGGA DARURAT ±0.00

A

AW

ANGJL . ST OTI OTT A O

+2.72

SHAFT

ATA

+2.56

TOILET WANITA +3.18

±0.00

RDIN

+2.40

TOILET PRIA +3.18 +1.92

+3.20

Nk

NDA

OUT

+2.24

+1.60

+1.44

KEBAKARAN LIFT

+1.28

DOSEN K

DOSEN PEMBIMBING

KEBAKARAN LIFT

+1.12

SHAFT

+0.96

Tr

+0.80

VESTIBULES

+0.64

SHAFT

1

ISKA

+2.08

Tr

+0.48

+1.76

TTO

+1.92

Nk

+0.32

±0.00 -0.20 -0.40 -0.60 -0.80

+1.76

JL. MESJID 1

+0.48 +0.32 +0.16 ±0.00

+0.16

11.2 0.3 3.2 0.4 90.3 0.3 300.5 5 .6 30009 0.1 0.6 00.1 .2 9.2 .0 .2 098705

+1.28

PEMUSIK -2.50

TUNGGU ±0.00

0.36 0.

63 127 .9300.8 2.30.7 00.2 6.28.18 0.0 0.7 2.1 1.3 0.7 1.5 93331.3 10.2 0.3 50.2 465009 5.5 2.2.12 32 93 0.

0.73 09 7.2 4 0.0.

0.

3.

91 0.

41 0.

55 26 28 78

+1.12

Nk

+0.96

Tr

+0.80

23 LIFT KEBAKARAN

SHAFT SAMPAH

+0.64

VESTIBULES

+0.48

Q

PANGGUNG +0.50

RUANG

JL. O

MINIMARKET ±0.00 SHAFT

RUANG STAFF ±0.00

TICKET BOX +0.32

P BACKSTAGE +0.50

SHAFT

+0.16

RUANG RIAS ±0.00

±0.00

-1.00 OFF

±0.00

±0.00

O RUANG GANTI WANITA

2

R. OB ± 0.00

26 STORAGE SHAFT

GANTI PRIA ±0.00

WANITA -0.02

L

3

KANTIN ±0.00

LIFT KEBAKARAN

AUDITORIUM +1.60 ±0.00 -0.20 -0.40 -0.60 -0.80

N

RUANG

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TAMPAK A FLOOR 6,7,8

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30 seats 20 rows, (1 row); 600 seats

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Michelle Rusli (315190054)

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DOSEN PEMBIMBING

DOSEN PEMBIMBING

Maria Veronica Gandha, S.T., M.Arch

Maria Veronica Gandha, S.T., M.Arch

SKALA 1 : 100 proportional scale

A

NAMA MAHASISWA

: GLENDA VANIA/315190055 JESSICA JUAN/315190063 SUTIANA/315190103

CONNECTED BLOCKVENTURE

3.50

B

Tampak A

D

C

DOSEN KELAS

Ir. Himaladin

TAMPAK A GYM

A

NAMA/NIM

DOSEN KELAS

Ir. Himaladin

SKALA 1 : 100 proportional scale

5.00

Tampak A

D

C

DOSEN KELAS

TAMPAK AROOM MEETING

JUDUL PROYEK

NAMA GAMBAR

8.50

A

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

3.00

CONNECTED BLOCKVENTURE

8.00

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

CONNECTED BLOCKVENTURE

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

8.00

Ir. Himaladin

AKANG

Ir. Himaladin

TAMPAK A 1 ROOM TYPE

STUPA VI/GENAP 2021/2022 KELAS: C KELOMPOK:C10 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. GAMBAR/SKALA NO. HALAMAN

DOSEN PEMBIMBING

JUDUL PROYEK/TEMA:

DENAH SPESIFIK SKALA

LOKASI PROYEK FUNGSI PROYEK

1:100 C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

SKALA 1 : 100 proportional scale

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

DENAH SPESIFIK 1:100

Maria Veronica Gandha, : GLENDA VANIA/315190055 JUAN/315190063 S.T., JESSICA M.Arch

NAMA/NIM

0

5

2.5

7.5

SUTIANA/315190103

A

NAMA MAHASISWA

NAMA MAHASISWA

0

20

30

40

50

DENAH KUNCI

U

60

Michelle Rusli (315190054)

KETERANGAN

DENAH KUNCI

Glenda Vania (315190055)

05

Sutiana (315190103)

10

20

30

40

12.5

PANGGUNG +0.50

WAITING AREA +0.50

HALAMAN

SKALA

HALAMAN

1 : 100

7

1 : 100

7

5.00

PEMUSIK -2.50 +0.16

+0.16

+0.32 +0.48 +0.96 +1.12

LOBBY AUDITORIUM +1.60

+0.80

8.00

+0.64

+1.28

+1.44

+1.12

+1.28

+0.96 +1.44

+1.44 +1.28 +1.12 +0.96 +0.80 +0.64 +0.48 +0.32 +0.16 ±0.00

+1.76

+1.60

+1.92

JUDUL PROYEK

JUDUL PROYEK

CONNECTED BLOCKVENTURE

CONNECTED BLOCKVENTURE

+2.88

+2.56 +2.72

3.00

+2.40

+2.56 +2.72

+2.24

+2.40

+2.08 +2.88

+3.04

5.00

3.50

+3.04

NAMA GAMBAR Tampak A

TOILET PRIA +3.18

TOILET WANITA +3.18

8.00

8.00

8.00

30

40

50

60

CONN BLOCK

3.50

NAMA

8.50

+3.20

20

5.00

NAMA GAMBAR

8.50

A

B

Tampak A

D

C

DOSEN KELAS Ir. Himaladin

B

Tam

D

C

DOSE

Ir. Himaladin

TAMPAK A 2 ROOM TYPE

DOSEN PEMBIMBING Maria Veronica Gandha, S.T., M.Arch

SKALA

JUDUL PROYEK/TEMA: LOKASI PROYEK FUNGSI PROYEK

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

NAMA/NIM

: GLENDA VANIA/315190055 JESSICA JUAN/315190063 SUTIANA/315190103

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

5

2.5

DOSEN PEMBIMBING

DOSEN P

Maria Veronica Gandha, S.T., M.Arch

Maria Vero S.T.,

NAMA MAHASISWA

NAMA M

STUPA VI/GENAP 2021/2022 KELAS: C KELOMPOK:C10 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. GAMBAR/SKALA NO. HALAMAN

1:100

0

Ir. Hi

TAMPAKDETAILS A FACADE

SKALA 1 : 100 proportional scale

DENAH SPESIFIK

NAMA MAHASISWA Michelle Rusli (315190054)

A

DOSEN KELAS

7.5

Glenda Vania (315190055)

0(315190103) 5Sutiana 10

JUDUL

+2.24

+1.92

+2.08

+1.76

60

+0.80

50

32 seats (1 row); 20 rows, 680 seats

40

+3.04

30

+2.88

20

+2.56 +2.72

56

10

+2.40

05

+2.24

Glenda Vania (315190055)

+2.08

Michelle Rusli (315190054)

+1.92

NAMA MAHASISWA

+1.76

DENAH SPESIFIK 1:100

SKALA 1 : 100 proportional scale

+1.44

TAMPAK A AUDITORIUM

Maria Veronica Gandha, S.T., M.Arch

SKALA 1 : 100 proportional scale

+1.28

TAMPAK A CAFE

+1.12

Ir. Himaladin DOSEN PEMBIMBING

+0.96

DOSEN KELAS

46.00

D

C

+0.64

+0.80

+0.48

+0.64

+0.32

+0.48

+0.16

+0.32

B

4.00

SKALA

±0.00

±0.00

Tampak A A

D

C

: GLENDA VANIA/315190055 JESSICA JUAN/315190063 SUTIANA/315190103

B

3.50 8.50

: BIDARA CINA : MUSEUM, AKADEMI, ASRAMA

A

5.00

NAMA GAMBAR

JUDUL PROYEK/TEMA:

NAMA/NIM

3.50 8.50

LOKASI PROYEK FUNGSI PROYEK

5.00

CONNECTED BLOCKVENTURE

STUPA VI/GENAP 2021/2022 KELAS: C KELOMPOK: C4 DOSEN PEMBIMBING: DIANSIDDYA BUDIMAN, ST., MT. GAMBAR/SKALA NO. HALAMAN

C:\Users\glend\Downloads\templete_branding_final_humas_acc\Logo Untar Vertikal .png

JUDUL PROYEK

Sutiana (315190103)

5.00

7

BACKSTAGE +0.50

1 : 100

WAITING AREA +0.50

HALAMAN

KETER

Glenda Vania (315190055)

60

6.00

24.00

SKALA

50

KETERANGAN

U

8.00

0(315190103) 5Sutiana 10

Michelle Rusli (315190054)

3.00

60

10

50

7.5

40

Glenda Vania (315190055)

1:100

30

KETERANGAN

5

20

2.5

10

SKALA

DENAH KUNCI 05

U

DENAH SPESIFIK

Michelle Rusli (315190054)

+1.44 +1.28 +1.12 +0.96 +0.80 +0.64 +0.48 +0.32 +0.16 ±0.00

40

DOSEN KELAS

3.00

5.00

JUDUL PROYEK CONNECTED BLOCKVENTURE

SKALA 1 : 100 proportional scale

DENAH SPESIFIK 1:100

Michelle Rusli (315190054)

Miche (315

Glenda Vania (315190055)

05

Sutiana (315190103)

10

20

30

40

50

60

Glen (315

0Sutiana 5 (315190103)

10

SKALA

HALAMAN

SKALA

HALAMAN

SKALA

HALAMAN

1 : 100

7

1 : 100

7

1 : 100

7

20

30

40

50

60

Su (315

SKALA

57

1 : 100

58

59

05

2020 | Individual Project Handrawn

HYGGE Architecture Design Studio 3 Re-design, Re-define Our Home Chosen to be included in public share 3 book publication Out of 100+ students

SCAN HERE

to see the publication

60

61

06

2023 | Individual Project (Interior Design & Render) Revit

62

07

2023 | Individual Project (Refinement from Studio Design 7) Sketchup / Enscape

63

HUMANCENTRIC 35 th Edition (2021) as Junior Layout Editor Team: Joshua Keefe Hansen Lieandra Wendy Wennas Claresta Gemma T.

Lisa Natalia Michael Sebastian Joe Glenda Vania

About: SKETSA magazine’s 35th edition explores how humans can achieve a holistic life, emphasizing individual needs and interactions as a guide for human-centered design. This perspective extends from urban to the smallest spaces, focusing on individuals in architectural design.

08

EARTHBOUND 36 th Edition (2022) as Head of Artistic Design Division Team: Claresta Gemma T. Glenda Vania Felix Jonathan Teresa Carmelia W.

Other Projects Photoshop / Illustrator / Indesign

MAJALAH SKETSA

Fatiyah Azzarah Cellina Wong Raden Audy Ronaldo

About: A good design result begins from the concept to the selection of materials used.

The 36th edition of SKETSA magazine aims to showcase living materials and other unique materials that can be new alternatives in architecture. We need to be aware that one of the biggest contributors to a building’s carbon footprint lies in its materials.

It is the oldest and a well-known architecture magazine in Indonesia, managed by architecture students of Tarumanagara University (established in 1988).

SPACESONIC 37 th Edition (2023) as Art Director of Artistic Design Division Team: Glenda Vania Ronaldo Fatiyah Azzarah Hildegardis Nadya T. Cellina Wong Vennesia Andani S. Sesilia Revalina H. Kelvin Lukardi

SCAN HERE

About: The 37th edition of SKETSA magazine will showcase various applications of acoustic principles in architecture and how noise can be utilized, examining its impact on building design to create comfort for users.

to be directed

65

reach me here! email whatsapp instagram linked.in

: glendavania1503@gmail.com : +62-838-7717-5522 : glendavanias : Glenda Vania