GFT Brochure January February 2018

JANUARY/FEBRUARY 2018

CINEMASTERS: PAUL THOMAS ANDERSON | DARKEST HOUR A MATTER OF LIFE AND DEATH | THE SHAPE OF WATER THREE BILLBOARDS OUTSIDE EBBING, MISSOURI GLASGOWFILM.ORG

CINECARD Purchase your CineCard for £40 per year and support the work of GFT, a registered charity.

In addition, you will receive: - One year free subscription to online curated film platform MUBI -£1 off every standard GFT screening, Friday matinees and Tuesday Treats.

-4 free cinema tickets.

-Up to £5 off NT Live / RSC / Bolshoi Ballet / live event screenings -Loyalty points earned for every £1 spent on GFT tickets.

-Four days priority access to standard GFF tickets before they go on public sale.

Ask at the Box Office for details or apply online glasgowfilm.org/cinecard

15-25 CARD Aged 15-25? Want to see essential cinema for less?

Join our free 15-25 Card scheme and get standard GFT tickets for just £5.50. You’ll also earn loyalty points for every pound you spend on cinema tickets. Claim back your collected points for free tickets!

Ask at the Box Office for details or apply online glasgowfilm.org/student

GFT GIFT VOUCHERS Looking for inspiration?

Whether you are buying for Christmas, a birthday or just as a special present, GFT Gift Vouchers are the perfect way to treat any film-goer.

Gift vouchers can be spent on tickets, memberships and courses as well as tickets for Glasgow Film Festival.

Available online and at the Box Office, terms and conditions apply.

T&Cs apply.

Glasgow Film Theatre (GFT) is a registered company in Scotland No.SC097369.

GFT is a registered charity in Scotland No.Sc005932.

CONTENTS

7–10 The Unfilmables

26

30 Walk With Me 31 A Woman’s Life

20 12

Darkest Hour

31 Wonder 15 Visible Cinema: RCS Curates Deaf Shorts 22 Visible Cinema: Three Billboards Outside 11 Ebbing, Missouri 16

Dolores

19

DIARY Access Film Club: Good Time Barry Lyndon Blueprint: Scottish Independent Shorts Boy Brad’s Status Chitty Chitty Bang Bang - 35mm

Earth: One Amazing Day

11

Eric Clapton: Life in 12 Bars

16

The Final Year Get Out

23

30 30

CINEMASTERS: PAUL THOMAS ANDERSON Boogie Nights - 35mm

Inherent Vice - 35mm 22 + Daydreaming - 35mm 31 Magnolia - 35mm

17 18 18

The Groove Is Not Trivial + Q&A

23 Punch-Drunk Love - 35mm 25 + Haim: Valentine - 35mm

17

Hostiles

16 There Will Be Blood - 35mm

18

Journeyman

25

Journey’s End

22 Bolshoi Ballet: Romeo and Juliet

Glory

EVENT CINEMA 32

The Jungle Bunch

11 Bolshoi Ballet: The Lady of Camellias

32

Jupiter’s Moon

15 RSC: Twelfth Night

32

Lady Bird

25

Last Flag Flying

21

Loveless

23 Fukushima Mon Amour 21 Marija

28 27

A Matter of Life and Death

12 Phoenix 14 Signs of Life + Herakles 15 Stefan Zweig: Farewell to Europe

The Mercy

24

Mm + Sacred Paws Live Molly’s Game

26 The Pink Panther 14 A Tour Round Scotland

No Stone Unturned

14

The Nothing Factory

24

Paddington 2

12

Phantom Thread

21

The Post

20

Purple Rain

31

Lover for a Day Lu Over the Wall Marjorie Prime

Rey Suggs: My Life Story + Q&A The Shape of Water The Son of Bigfoot Three Billboards Outside Ebbing, Missouri

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FOKUS: FILMS FROM GERMANY 28 27 28

MOVIE MEMORIES 29 29

GFT REGULARS Access Film Club

30

Contemporary Cinema Course

10

Crossing the Line

31

Doc-Open

Glasgore! Horror / Cult Film Discussion 19 Group / Film Discussion Group 20 Sound & Vision 24 Take 2 & Take 2 Access 12 Tuesday Treats 19 Visible Cinema Cover image courtesy of Universal Pictures

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6 6 25 11-13 6 30

c i n e m a

f o r

a l l

GFT is a hub for cultural engagement, education and skills development.

We depend on the generosity of our wonderful audiences to help support our work. Every donation can help make a real difference to the work of GFT. Go to: glasgowfilm.org and click SUPPORT US Text ‘GFTD17’ + £10, £5, £4, £3, £2 OR £1 TO 70070 Donate at the Box Office.

Your support will help us continue our rich variety of programmes and maintain cinema for all.

Glasgow Film Theatre (GFT) is a registered charity in Scotland No. SC005932.

CINEMASTERS

Take 2 FAMILY-FRIENDLY FILMS

SOUND & VISION

TICKETS / LOYALTY CARDS

OPENING HOURS

Full price £9.50 Concession £7.50* 15-25 Card holders £5.50 (ages 15–25) Children £5.50 (ages 14 & under) CineCard holders £1 off every standard priced screening (Unless otherwise stated) CineCard subscription £40 per year

Box Office: Sunday to Friday: from 12noon Saturday: from 11am Building and bar: Open half an hour before the start of the first film.

Box office closes 15 minutes after the start of the final film.

Special features £5.50

HOW TO BUY TICKETS Online: www.glasgowfilm.org (no booking fee) By phone: 0141 332 6535 (£1.50 booking fee per transaction) Please call within Box Office opening hours.

At busy times you will be asked to leave a contact number.

In person: Within Box Office opening hours.

£5.50 tickets

Free but ticketed events Special ticket price Captioned films Audio described 3D films – £1.50 extra

2 for 1 tickets Buy the Sunday Herald for a voucher for one of our Monday night screenings. www.heraldscotland.com With MEERKAT MOVIES, you can get 2 for 1 cinema tickets every Tuesday or Wednesday, in person at the box office. www.meerkatmovies.com

Fridays before 5pm All screenings before 5pm on Fridays cost £5.50 per ticket (unless otherwise stated).

Tuesday Treats

£5.50 tickets for selected Tuesday evening screenings (see p6 for details) *Concessions apply to full-time students, over-60s, Jobseekers Allowance or Income Support recipients, and registered disabled people. Please produce proof of eligibility when purchasing or collecting tickets.

Tickets are non-refundable. Please note that late entry to the cinema for ticket holders is at the discretion of the manager.

Cinema management reserve the right of admission and their decision is final. Please note programme may be subject to change.

HOW TO FIND OUT ABOUT US Enewsletter: Subscribe for weekly listings, news and opportunities at www.glasgowfilm.org/enewsletters Brochure mailing list: For £8.00 per year you can have this brochure delivered to your home. Sign up at the Box Office or by calling 0141 332 6535

Glasgow Film Theatre 12 Rose Street, Glasgow G3 6RB @glasgowfilm facebook.com/glasgowfilm glasgowfilmfest

ACCESSIBLE PROGRAMME GFT offers Audio Description, Captioning, Autism Friendly and Dementia Friendly screenings on selected titles. See p34 for full details.

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TUESDAY TREATS We’d like to offer you £5.50 tickets for selected Tuesday screenings.

A Matter of Life and Death p15 Tuesday 2 January (18.00)

Boogie Nights p17

£5.50 All tickets are £5.50, CineCard discount applies.

Tuesday 9 January (19.50)

Walk With Me p20

Glory p23

Magnolia p18

Loveless p23

Last Flag Flying p21 Tuesday 30 January (17.00)

The Shape of Water p24

Tuesday 16 January (18.10)

Tuesday 23 January (19.20)

Tuesday 6 February (17.00)

Tuesday 13 February (20.10)

Tuesday 20 February (17.30)

DOC-OPEN AT GFT Thursday 1 February, 18.30 GFT Project Room Are you a creative documentary maker wanting to present rough-cuts to others, share ideas, and screen non-fiction films that inspire you? Would you like to discover more about Scotland’s vibrant, internationally successful documentary scene? Or the global art-form it’s a part of? Or the networks that exist for you here? Then come to Doc-Open, every first Thurdsay in the month (except January). Share storytelling ideas, test unfinished edits and enjoy the feedback of your peers, in a monthly event to inspire and support the films you want to make.

To register your interest, or if you have 15-45 minutes worth of sequences / rough-cut you’d like to show, please email: loumcloufilms@icloud.com.

Supported by Women in Film and Television Follow Doc-Open on Twitter: @Doc_Open

Glasgore!

Horror/Cult Film Discussion Group Tue 2 Jan & Tue 6 Feb (18.30) Free, GFT Project Room

Film Discussion Group Wed 10 Jan & Wed 14 Feb (18.30) Free, GFT Project Room

This group meets on the second Wednesday of each month in the This group meets on the first Tuesday of each month in the GFT Project Room, to discuss GFT Project Room to discuss both blockbusters and arthouse horror and cult cinema. Meet other genre fans in a friendly movies. Led by film writer Eddie Harrison. atmosphere to exchange thoughts and opinions about your favourite flicks.

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DIARY

TUE 2 JAN

SUN 7 JAN

Molly’s Game p14 13.45 / 16.45 / 19.50 No Stone Unturned p14 15.30 / 20.20 Boy p15 16.15 / 20.45 Marjorie Prime p14 14.00 / 18.30 A Matter of Life and Death p15 13.10 / 18.00 £5.50 Glasgore! Horror/Cult Film Discussion Group p6 18.30

Hostiles p16 16.15 / 19.05 Molly’s Game p14 12.45 / 15.50 / 18.50 Jupiter’s Moon p15 13.45 / 16.30 / 19.20 Boogie Nights - 35mm p17 13.00

WED 3 JAN Molly’s Game p14 13.45 / 16.45 / 19.50 No Stone Unturned p14 13.10 / 18.00 Boy p15 13.30 Marjorie Prime p14 16.00 / 20.40 A Matter of Life and Death p15 15.40 / 20.30 Signs of Life + Herakles p27 18.15

THU 4 JAN Molly’s Game p14 13.45 / 16.45 / 19.50 No Stone Unturned p14 15.30 / 20.20 Boy p15 16.15 / 20.45 Marjorie Prime p14 14.00 / 18.30 A Matter of Life and Death p15 13.10 / 18.00

FRI 5 JAN Hostiles p16 14.20 £5.50 / 17.10 / 20.00 Molly’s Game p14 13.45 £5.50 / 16.45 £5.50 / 19.45 Jupiter’s Moon p15 14.45 £5.50 / 17.35 / 20.15

SAT 6 JAN Hostiles p16 14.20 / 17.10 / 20.00 Molly’s Game p14 13.45 / 16.45 / 19.45 Jupiter’s Moon p15 12.10 / 14.10 / 17.35 / 20.15 Take 2: The Jungle Bunch p11 11.30 £5.50 Take 2 Access: The Jungle Bunch p11 12.00 £5.50

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MON 8 JAN Hostiles p16 14.20 / 17.10 / 20.00 Molly’s Game p14 13.45 / 16.45 / 19.45 Jupiter’s Moon p15 14.50 / 17.35 / 20.15

TUE 9 JAN Hostiles p16 14.00 / 17.00 Molly’s Game p14 13.30 / 16.30 / 20.00 Jupiter’s Moon p15 12.30 / 15.15 / 20.20 Boogie Nights - 35mm p17 19.50 £5.50 Access Film Club: Good Time p30 18.00 £5.50

WED 10 JAN Hostiles p16 12.30 / 15.30 / 20.00 Molly’s Game p14 13.45 / 16.45 / 19.45 Jupiter’s Moon p15 12.15 / 15.00 Phoenix p27 17.45 Eric Clapton: Life in 12 Bars + Satellite Q&A p16 18.45 Film Discussion Group p6 18.30

THU 11 JAN Hostiles p16 14.20 / 17.10 / 20.00 Molly’s Game p14 13.45 / 16.45 / 19.45 Jupiter’s Moon p15 12.20 / 15.00 / 17.45 Blueprint: Scottish Independent Shorts p31 20.30 £5.50

FRI 12 JAN Three Billboards Outside Ebbing, Missouri p19 12.40 £5.50 / 15.15 £5.50 / 17.50 / 20.25

Darkest Hour p16 12.00 £5.50 / 14.45 £5.50 / 17.25 / 20.10 Eric Clapton: Life in 12 Bars p16 14.45 £5.50 / 19.55 Dolores p19 12.25 £5.50 / 17.40

SAT 13 JAN Three Billboards Outside Ebbing, Missouri p19 15.00 / 17.50 / 20.25 Darkest Hour p16 12.00 / 14.45 / 17.25 / 20.10 Eric Clapton: Life in 12 Bars p16 12.30 / 17.40 Dolores p19 15.25 / 20.40 Take 2: Chitty Chitty Bang Bang - 35mm p11 11.30 £5.50

SUN 14 JAN Three Billboards Outside Ebbing, Missouri p19 14.00 / 16.45 / 19.25 Darkest Hour p16 16.20 / 19.10 Eric Clapton: Life in 12 Bars p16 13.30 / 18.50 Dolores p19 16.35 Punch-Drunk Love - 35mm p17 13.45

MON 15 JAN Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.50 / 20.25 Darkest Hour p16 14.45 / 17.15 / 20.15 Rey p19 15.00 Walk With Me p20 12.30 Visible Cinema: RCS Curates Deaf Shorts p30 20.00 £5.50

TUE 16 JAN Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.50 / 20.25 Darkest Hour p16 14.45 / 18.00 / 20.15 Rey p19 16.00 Walk With Me p20 13.50 / 18.10 £5.50 Punch-Drunk Love - 35mm p17 20.40

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WED 17 JAN Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.50 / 20.25 Darkest Hour p16 14.00 / 17.30 / 20.00 Rey p19 15.30 Walk With Me p20 13.15 Marija p28 17.40 Suggs: My Life Story + Satellite Q&A p20 20.15

THU 18 JAN Movie Memories: A Tour Round Scotland p29 11.00 Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.50 / 20.25 Darkest Hour p16 14.45 / 17.30 / 20.10 Rey p19 16.00 / 20.40 Walk With Me p20 13.45/ 18.15

FRI 19 JAN The Post p20 14.45 £5.50 / 17.30 / 20.10 Three Billboards Outside Ebbing, Missouri p19 12.30 £5.50 / 15.15 £5.50 / 17.50 / 20.25 Darkest Hour p16 13.30 £5.50 / 18.15 Lover for a Day p21 16.15 £5.50 / 21.00 Get Out p31 23.00

SAT 20 JAN The Post p20 14.45 / 17.30 / 20.10 Three Billboards Outside Ebbing, Missouri p19 12.30 / 15.15 / 17.50 / 20.25 Darkest Hour p16 15.00 / 20.00 Lover for a Day p21 13.00 / 18.05 Take 2: Earth: One Amazing Day p11 11.30 £5.50

SUN 21 JAN The Post p20 13.45 / 16.30 / 19.10

Three Billboards Outside Ebbing, Missouri p19 16.45 / 19.25 Darkest Hour p16 18.45 Lover for a Day p21 12.30 Magnolia - 35mm p18 13.00 The Bolshoi Ballet: Romeo and Juliet p32 14.45

MON 22 JAN The Post p20 14.45 / 17.30 / 20.10 Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.45 / 20.25 Darkest Hour p16 12.20 / 15.00 / 20.15

TUE 23 JAN The Post p20 14.45 / 17.30 / 20.10 Three Billboards Outside Ebbing, Missouri p19 12.30 / 14.10 / 16.45 / 20.25 Darkest Hour p16 15.00 / 17.45 Magnolia - 35mm p18 19.20 £5.50

SAT 27 JAN Last Flag Flying p21 14.30 / 17.15 / 20.00 Brad’s Status p22 13.10 / 18.00 The Post p20 14.50 / 17.35 / 20.15 Three Billboards Outside Ebbing, Missouri p19 15.30 / 20.25 Take 2: Lu Over the Wall p12 11.30 £5.50

SUN 28 JAN Last Flag Flying p21 12.00 / 19.30 Brad’s Status p22 17.10 The Post p20 13.30 / 16.15 / 19.15 Three Billboards Outside Ebbing, Missouri p19 14.40 There Will Be Blood - 35mm p18 13.15 The Groove Is Not Trivial + Q&A p25 16.30 Barry Lyndon p31 18.15

WED 24 JAN

MON 29 JAN

The Post p20 14.45 / 17.30 / 20.10 Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.45 / 20.25 Darkest Hour p16 12.20 / 15.00 / 20.15 Fukushima Mon Amour p28 17.55

Last Flag Flying p21 14.30 / 20.00 Brad’s Status p22 13.10 / 20.30 The Post p20 14.50 / 17.35 / 20.15 Three Billboards Outside Ebbing, Missouri p19 17.20

THU 25 JAN

TUE 30 JAN

The Post p20 14.45 / 17.30 / 20.10 Three Billboards Outside Ebbing, Missouri p19 12.40 / 15.15 / 17.50 / 20.25 Darkest Hour p16 14.30 / 17.15 / 20.00

Last Flag Flying p21 14.15 / 17.00 £5.50 Brad’s Status p22 13.10 / 18.00 The Post p20 14.50 / 17.35 / 20.15 Three Billboards Outside Ebbing, Missouri p19 15.30 / 20.25 There Will Be Blood - 35mm p18 19.45

FRI 26 JAN Last Flag Flying p21 14.30 £5.50 / 17.15 / 20.00 Brad’s Status p22 15.40 £5.50 / 20.30 The Post p20 14.50 £5.50 / 17.35 / 20.15 Three Billboards Outside Ebbing, Missouri p19 13.10 £5.50 / 18.00

WED 31 JAN Last Flag Flying p21 14.30 / 17.15 / 20.00 Brad’s Status p22 15.40 / 20.30

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The Post p20 14.50 / 17.35 / 20.15 Three Billboards Outside Ebbing, Missouri p19 13.10 Stefan Zweig: Farewell to Europe p28 18.00

THU 1 FEB Last Flag Flying p21 14.30 / 17.15 / 20.00 Brad’s Status p22 13.10 / 18.00 The Post p20 14.50 / 17.35 / 20.15 Three Billboards Outside Ebbing, Missouri p19 15.30 / 20.25

FRI 2 FEB Phantom Thread p21 15.15 £5.50 / 17.25 / 20.10 Journey’s End p22 12.40 £5.50 / 18.05 / 20.30 A Woman’s Life p23 15.00 £5.50 / 20.00 The Final Year p22 12.55 £5.50 / 17.50

SAT 3 FEB Phantom Thread p21 14.30 / 17.25 / 20.10 Journey’s End p22 15.00 / 17.50 / 20.25 A Woman’s Life p23 13.15 / 18.05 The Final Year p22 16.00 / 20.45 Take 2: Paddington 2 p12 11.30 £5.50 Take 2 Access: Paddington 2 p12 12.00 £5.50

SUN 4 FEB Phantom Thread p21 13.20 / 16.15 / 19.10 Journey’s End p22 14.30 / 17.10 / 19.35 A Woman’s Life p23 19.20 The Final Year p22 12.20 The Bolshoi Ballet Encore: The Lady of the Camellias p32 14.45

MON 5 FEB Phantom Thread p21 15.15 / 17.25 / 20.10 Journey’s End p22 12.45 / 18.00 / 20.25

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Glory p23 16.00 / 20.35 The Final Year p22 13.45 / 18.20

TUE 6 FEB Phantom Thread p21 15.15 / 17.25 / 20.10 Journey’s End p22 12.45 / 18.00 / 20.25 Glory p23 17.00 £5.50 The Nothing Factory p24 13.20 / 19.20 Glasgore! Horror / Cult Film Discussion Group p6 18.30

WED 7 FEB Phantom Thread p21 15.15 / 17.25 / 20.10 Journey’s End p22 12.45 / 18.00 / 20.25 Glory p23 20.35 The Nothing Factory p24 14.00 Visible Cinema: Three Billboards Outside Ebbing, Missouri p30 £5.50 17.45

THU 8 FEB Phantom Thread p21 15.15 / 17.25 / 20.10 Journey’s End p22 12.45 / 18.00 / 20.25 Glory p23 17.00 The Nothing Factory p24 13.20 / 19.20

FRI 9 FEB Loveless p23 14.15 £5.50 / 17.15 / 20.00 Phantom Thread p21 14.30 £5.50 / 17.25 / 20.10 The Mercy p24 13.15 £5.50 / 15.40 £5.50 / 18.00 / 20.25 Purple Rain p31 23.00

SAT 10 FEB Loveless p23 14.00 / 17.00 / 19.50 Phantom Thread p21 14.30 / 17.25 / 20.10 The Mercy p24 13.15 / 15.40 / 18.00 / 20.25 Take 2: The Son of Bigfoot p12 11.30 £5.50

SUN 11 FEB Loveless p23 16.15 / 19.00 Phantom Thread p21 13.30 / 16.25 / 19.10 The Mercy p24 12.30 / 15.00 / 17.20 / 19.40 Inherent Vice - 35mm p18 13.00

MON 12 FEB Loveless p23 14.15 / 17.15 / 20.00 Phantom Thread p21 14.30 / 17.25 / 20.10 The Mercy p24 13.15 / 15.40 / 18.00 / 20.25

TUE 13 FEB Loveless p23 14.15 / 17.10 / 20.10 £5.50 Phantom Thread p21 14.30 / 17.25 The Mercy p24 13.15 / 15.40 / 18.00 / 20.25 Inherent Vice - 35mm p18 19.55

WED 14 FEB The Shape of Water p24 12.10 / 14.50 / 17.30 / 20.15 Loveless p23 15.15 Phantom Thread p21 12.25 / 20.25 The Mercy p24 13.15 / 15.40 / 18.00 RSC: Twelfth Night p32 18.45 Film Discussion Group p6 18.30

THU 15 FEB The Shape of Water p24 12.10 / 14.50 / 17.30 / 20.15 Loveless p23 12.50 / 17.15 Phantom Thread p21 14.30 / 20.00 Movie Memories: The Pink Panther p29 11.00 The Mercy p24 15.40 / 18.00 / 20.25

FRI 16 FEB The Shape of Water p24 12.10 £5.50 / 14.50 £5.50 / 17.30 / 20.15

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Journeyman p25 14.00 £5.50 / 16.15 £5.50 / 18.30 / 20.40 Phantom Thread p21 17.15 Loveless p23 14.30 £5.50 / 20.00

SAT 17 FEB The Shape of Water p24 11.50 / 14.50 / 17.30 / 20.15 Journeyman p25 14.00 / 16.15 / 18.30 / 20.40 Phantom Thread p21 14.30 / 20.00 Loveless p23 17.15 Take 2: Wonder p12 11.30 £5.50

SUN 18 FEB The Shape of Water p24 13.40 / 16.30 / 19.15 Journeyman p25 13.00 / 15.15 / 17.30 / 19.40 Phantom Thread p21 16.15 Loveless p23 13.20 / 19.00

MON 19 FEB The Shape of Water p24 12.10 / 14.50 / 17.30 / 20.15 Journeyman p25 14.00 / 16.15 / 18.30 / 20.40 Phantom Thread p21 14.30 / 20.00 Loveless p23 17.15

TUE 20 FEB The Shape of Water p24 12.10 / 14.50 / 17.30 £5.50 / 20.15 Journeyman p25 14.00 / 16.15 / 18.30 / 20.40 Phantom Thread p21 17.15 Loveless p23 14.30 / 20.00

WED 21 FEB The Shape of Water p24 15.00 Journeyman p25 12.30 Phantom Thread p21 12.15 Loveless p23 14.45

21 FEBRUARY - 4 MARCH

PROGRAMME LAUNCH

WED 24 JAN PICK UP A BROCHURE OR GO TO GLASGOWFILM.ORG/FESTIVAL

Contemporary Cinema Course Monday 5 March – Monday 23 April

An ideal beginner’s course for those wishing to broaden their critical understanding of contemporary cinema. Current releases are complemented by engaging discussion around a range of topics.

The course takes place over eight consecutive Monday evenings, and is comprised of four film screenings and four seminars. Films will be in early evenings but exact times may vary, seminars will take place at 18.30 in GFT Project Room.

This course is led by Alistair Harkness, Film Critic and Feature Writer with The Scotsman, and regular contributor to BBC Radio Scotland’s The Janice Forsyth Show.

Films likely to be studied include: A Fantastic Woman and The Square (pictured).* *all titles subject to release changes.

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TAKE 2: FAMILY-FRIENDLY FILMS

Take 2 FAMILY-FRIENDLY FILMS

The Jungle Bunch

U - mild threat, slapstick violence, very mild bad language Saturday 6 January 11.30 (1h37m) Raised by tigers, a penguin and his friends take on an evil koala and his army of silly baboons who are set on destroying the jungle. It’s The Jungle Bunch to the rescue in this anarchic animated adventure!

Glasgow Young Scot or Kidz Card holders and an accompanying adult get in FREE to these shows when tickets are purchased at the box office on the day. All other tickets are £5.50 (plus £1.50 for 3D screenings).

Each £5.50 child’s ticket also admits one adult free of charge. Children under the age of eight must be accompanied. Free tickets are only issued on the day of the screening.

Chitty Chitty Bang Bang – 35mm U - contains very mild comic violence Saturday 13 January 11.30 (2h25m) A down-on-his-luck inventor turns a broken down Grand Prix car into a fancy vehicle for his children, and then they go off on a magical fantasy adventure to save their grandfather in this classic family film, screening on 35mm.

Earth: One Amazing Day U - scenes of animals hunting and fighting Saturday 20 January 11.30 (1h34m) Told with humour, intimacy and a jaw-dropping sense of cinematic splendour, this breathtaking nature documentary highlights how planet earth is filled with more wonders than you can possibly imagine.

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Lu Over the Wall

Paddington 2

PG - mild bad language, threat Saturday 27 January 11.30 (1h52m) Masaaki Yuasa’s Annecy Cristal award-winning film. When some classmates invite musicloving Kai to join their band, he goes with them to Merfolk Island. As the band play, their music attracts Lu, a magical mermaid girl, and the adventure begins.

PG - mild threat Saturday 3 February 11.30 (1h44m) With Auntie Lucy’s 100th birthday coming up, Paddington sets himself up with odd jobs so he can buy her a birthday gift. Just as he is about to buy it he witnesses it being stolen by a dastardly thief!

Japanese dubbed in English.

The Son of Bigfoot

Wonder

PG - mild bad language, comic violence, threat Sat 10 February 11.30 (1h32m) After discovering his father is the legendary Bigfoot, who has been in hiding in order to protect him, Adam joins forces with his dad.

Together they must stand up against evil corporation HairCo. which is set on hunting them down.

PG - mild bad language, violence, scenes of emotional upset Saturday 17 February 11.30 (1h53m) In this inspiring family drama Auggie, a boy born with facial differences, together with family, classmates and the wider community, find themselves on an extraordinary journey of acceptance that brings them all together. You can’t blend in when you were born to stand out.

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Take 2: Access AUTISM-FRIENDLY FILMS

Access Screenings are for children with Autism Spectrum Disorders (ASD) and their families, and are also suitable for any child with a disability who would enjoy seeing a film in a ‘low sensory’ environment. The films have no subtitles, the volume is turned down, the house lights left on low and audiences can make noise and move around. Take 2 ticketing conditions apply.

The Jungle Bunch

U - mild threat, slapstick violence, very mild bad language Saturday 6 January 12noon (1h37m) Raised by tigers, a penguin and his friends take on an evil koala and his army of silly baboons who are set on destroying the jungle. It’s The Jungle Bunch to the rescue in this anarchic animated adventure!

Paddington 2

PG - mild threat Saturday 3 February 12noon (1h44m) With Auntie Lucy’s 100th birthday coming up, Paddington sets himself up with odd jobs so he can buy her a birthday gift. Just as he is about to buy it he witnesses it being stolen by a dastardly thief!

MODERN FAMILIES

Glasgow Film Festival is coming soon, bringing a treasure trove of new and classic family films as part of the Modern Families strand.

Find out more when the full programme is announced on 24th January at glasgowfilm.org/festival.

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The Princess Bride Treasure Hunt screening at GFF17

Molly’s Game

Tuesday 2 - Thursday 11 January Oscar-winning writer Aaron Sorkin (A Few Good Men, The Social Network) steps into the director’s chair to tell the incredible true story of Molly Bloom (Jessica Chastain), an Olympicclass skier whose title hopes were dashed in a freak accident. Down but not out, Bloom changed career and ended up running the world’s most exclusive high-stakes poker game. Her players included Hollywood royalty, sports stars, business titans and, unbeknownst to her, the Russian mob. Beginning with her arrest by the FBI in 2013, this highly entertaining film gives Chastain her meatiest role in years, with great support from Idris Elba as her lawyer, and Michael Cera as a sleazy and powerful movie star.

Director Aaron Sorkin Cast Jessica Chastain, Idris Elba, Kevin Costner, USA 2017, 2h20m, 15

No Stone Unturned

Marjorie Prime

Tuesday 2 - Thursday 4 January On 18 June 1994 in the village of Loughinisland, County Down, three gunmen burst into a pub, killing six civilians and wounding five. No one has ever spent a day in prison for this. From the producers of Bobby Sands: 66 Days and award-winning director Alex Gibney (Going Clear: Scientology & the Prison of Belief), this new documentary goes in search of the truth.

Featuring interviews with victims’ families, former terrorists and officers of the Royal Ulster Constabulary, the film explores the incongruities of the case, and connects the dots between mass murder and malfeasance.

Tuesday 2 - Thursday 4 January In the near future, a time of artificial intelligence, 86-year-old Marjorie’s mind is a jumble of disparate, fading memories. But she has a handsome new companion who looks like her deceased husband, and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? Marjorie Prime is based on Jordan Harrison’s Pulitzer-nominated play, exploring memory and identity, love and loss and features a stunning score by Mica Levi (Under the Skin, Jackie). See p26 for the Mica Levi GFF18 event The Unfilmables.

Director Alex Gibney, UK/USA 2017, 1h51m, 15 Guidance: contains images of dead bodies

Director Michael Almereyda Cast Jon Hamm, Lois Smith, Geena Davis, USA 2017, 1h39m, 12A: infrequent strong language, suicide references

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A Matter of Life and Death

Tuesday 2 - Thursday 4 January Fantastical and romantic, A Matter of Life and Death stars David Niven as an RAF pilot who must appeal to a celestial court after accidentally being allowed to evade death. Celebrated filmmaking duo Powell and Pressburger cross boundaries of narrative, metaphysics and technology in pursuit of one of their finest tales; an experimental and expressive voyage through love and life. The film playfully juxtaposes a Technicolor world of living, breathing passion and a monochrome afterlife governed by rigid rules. New Digital Restoration Directors Michael Powell, Emeric Pressburger Cast David Niven, Kim Hunter, Robert Coote, UK 1946, 1h44m, U

Jupiter’s Moon

Boy

Tuesday 2 - Thursday 4 January 1984, New Zealand: 11-year-old Boy’s hero, his father Alamein, is the subject of Boy’s daydreams. He imagines him as a deep-sea diver, war hero and a close relation of Michael Jackson (he can even dance like him), while in reality he’s in prison. When Alamein returns home, Boy has to confront the reality of the man he thought he remembered. Boy is a hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson, written and directed by Taika Waititi (Hunt for the Wilderpeople).

Director Taika Waititi Cast James Rolleston, Taika Waititi, Moerangi Tihore, New Zealand 2010, 1h27m, 15

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Jupiter holdja

Friday 5 - Thursday 11 January Critically acclaimed White God director Kornél Mundruczó returns with this Palme d’Or nominated supernatural thriller, following a young refugee called Aryan. When Aryan is shot while illegally trying to escape his war-torn home, a doctor at a refugee camp discovers that Aryan has gained an extraordinary talent – he can levitate at will. The doctor offers to smuggle Aryan out of the camp if, in return, he can use his new miraculous gift. With Jupiter’s Moon, Mundruczó marks himself as one of his generation’s most visionary directors.

Director Kornél Mundruczó Cast Merab Ninidze, Zsombor Jéger, György Cserhalmi Hungary/Germany/France 2017, 2h9m, subtitles, 15

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Hostiles

Friday 5 - Thursday 11 January In 1892, legendary Army captain Joseph J. Blocker (Christian Bale) reluctantly agrees to escort a dying Cheyenne war chief (Wes Studi) and his family back to tribal lands. The harrowing and perilous journey from Fort Berringer, an isolated Army outpost in New Mexico, to the grasslands of Montana, is further complicated when the former rivals encounter a suicidal young widow (Rosamund Pike). The unlikely group band together to overcome the punishing landscape, hostile Comanche and vicious outliers that they encounter along the way.

Director Scott Cooper Cast Christian Bale, Rosamund Pike, Wes Studi, USA 2017, 2h14m, 15

Darkest Hour

Friday 12 - Thursday 25 January Within days of becoming Prime Minister, Winston Churchill (Gary Oldman) must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation. As the Nazi forces roll across Western Europe and the threat of invasion is imminent, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history.

A thrilling and inspiring drama based on a true story.

Director Joe Wright Cast Gary Oldman, Lily James, Kristin Scott Thomas, UK 2017, 2h5m, PG

Eric Clapton: Life in 12 Bars

Satellite Q&A: Wed 10 Jan (18.45) Friday 12 - Sunday 14 January Eric Clapton has long been considered the ultimate guitar hero, but behind the scenes lay restlessness and tragedy. As he constantly quit bands, from the ground-breaking Yardbirds to super-group Cream, Clapton’s pursuit of perfection and fear of selling out has left fans surprised and disappointed. Stretching from his traumatic childhood living in a ‘house of secrets’ to his long struggle with drugs and the tragic loss of his son, this new documentary shows how Clapton has always found an inner strength and healing in music.

The Wed 10 Jan screening will be followed by a satellite Q&A with Eric Clapton and director Lili Fini Zanuck, live from BFI Southbank.​ Directors Lili Fini Zanuck, UK 2017, 2h8m, 15

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CINEMASTERS: PAUL THOMAS ANDERSON

Celebrating the release of his latest film Phantom Thread (showing 2 – 21 February, p21), GFT is delighted to bring the majority of Paul Thomas Anderson’s films back to the big screen – all on 35mm. A filmmaker who refuses to be pigeonholed, Anderson’s films traverse the sprawling and the intimate with tales of hope and despair, loss and love, comedy and severity, with the only familiar element their ability to captivate and evoke.

Specially commissioned programme notes will be available.

Boogie Nights

Sunday 7 (13.00) & Tuesday 9 January (19.50) Set during disco’s 1970s heyday, PT Anderson’s breakthrough sophomore feature follows Eddie Adams, a 17-year-old busboy who is spotted by veteran porn director Jack Horner. Horner rechristens Eddie ‘Dirk Diggler’ and makes him a star of adult cinema. Enjoying his new-found fame and a hedonistic lifestyle to match, Eddie is little prepared for the changes in the porn industry that are to come with the arrival of the 1980s and the rise of video tape.

Director Paul Thomas Anderson Cast Mark Wahlberg, Julianne Moore, Burt Reynolds, USA 1997, 2h35m, 18

Punch-Drunk Love

Sunday 14 (13.45) & Tuesday 16 January (20.40) Shifting gears from his more sprawling works, PT Anderson’s 2002 character drama drew Punch-Drunk Love an unlikely career-best performance from Adam Sandler as beleaguered small business-owner Barry Egan. Barry’s lonely life is shaken up when he falls for one of his sister’s co-workers (Emily Watson), but the romance is threatened when he falls victim to extortion from a crooked mattress salesman running a phone sex line. Touching and genuinely funny, this is a wholly unique addition to the careers of both Anderson and Sandler.

Preceded by PT Anderson’s recent short Haim: Valentine (2017, 14m), screening on 35mm.

Director Paul Thomas Anderson Cast Adam Sandler, Emily Watson, Philip Seymour Hoffman, USA 2002, 1h31m, 15

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Magnolia

Sunday 21 (13.00) & Tuesday 23 January (19.20) An ambitious urban mosaic set within 24 hours in contemporary LA, Magnolia presents a formidable cast of characters who find themselves in a dazzling multiplicity of plots that nonetheless all take place within the one story. Alternating between a dying father, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter, Paul Thomas Anderson weaves an epic sprawl into an impressively focused tale of happiness, forgiveness and meaning.

Director Paul Thomas Anderson Cast Tom Cruise, Julianne Moore, Philip Seymour Hoffman, USA 1999, 3h8m, 18

There Will Be Blood

Sun 28 (13.15) & Tue 30 Jan (19.45) Silver miner Daniel Plainview (Daniel DayLewis) leads a hardscrabble life with his son, H.W. When he hears about oil oozing from the ground near the Western town of Little Boston, Daniel takes his son on a mission to find their fortune. Daniel makes his lucky strike and becomes a self-made tycoon but, as his fortune grows, he deviates into moral bankruptcy.

Oscar-winning cinematography from Robert Elswitt, Johnny Greenwood’s searing score and a towering performance from Day-Lewis make this an unforgettable cinema experience.

Director Paul Thomas Anderson Cast Daniel Day-Lewis, Paul Dano, Ciaran Hinds, USA 2007, 2h38m, 15

Inherent Vice

Sun 11 (13.00) & Tue 13 February (19.55) Paul Thomas Anderson’s adaptation of Thomas Pynchon’s noir novel cast Joaquin Phoenix as Larry ‘Doc’ Sportello, a laid-back Los Angeles private detective who exists comfortably in the ‘70s hippy culture of the time. When an ex-flame turns up on his doorstep one day looking for his help, Doc is drawn into a confounding web of lies, violence and dentistry. Something of a departure for Anderson, Inherent Vice showcases the director’s more comedic side whilst retaining his powerful characterisation and ability to authentically evoke a time and place.

Preceded by PT Anderson’s short Radiohead: Daydreaming (2016, 7m), screening on 35mm.

Director Paul Thomas Anderson Cast Joaquin Phoenix, Reese Witherspoon, Josh Brolin, USA 2014, 2h28m, 15

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Three Billboards Outside Ebbing, Missouri

Friday 12 January - Thursday 1 February A darkly comic drama with hidden depths, Three Billboards is the third film by Oscar-winning director Martin McDonagh (In Bruges). Months have passed without an arrest for the brutal murder of Mildred Hayes’ (Frances McDormand) daughter. Mildred makes a bold move, buying three signs leading into her town with a controversial message directed at William Willoughby (Woody Harrelson), the town’s revered chief of police. When Officer Dixon (Sam Rockwell) gets involved, the battle between Mildred and Ebbing’s law enforcement intensifies.

Specially commissioned programme notes will be available.

Director Martin McDonagh Cast Frances McDormand, Woody Harrelson, Sam Rockwell, UK/USA 2017, 1h55m, 15

Rey

Monday 15 - Thursday 18 January A bold combination of film formats are brought together in this enjoyable avant-garde feature.

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating. Rey is both an intricately designed adventure film as well as powerful textural experiment.

Director Niles Atallah Cast Rodrigo Lisboa, Claudio Riveros, Chile/France 2017, 1h31m, subtitles, 12A: moderate grisly images

Dolores

Friday 12 - Sunday 14 January Dolores Huerta is among the most important, yet least known, activists in American history.

An equal partner in co-founding the first farm workers unions with Cesar Chavez, her enormous contributions have gone largely unrecognized. Dolores tirelessly led the fight for racial and labour justice alongside Chavez, becoming one of the most defiant feminists of the twentieth century—and she continues the fight to this day, at 87. With intimate and unprecedented access to this intensely private mother of eleven, the film reveals the raw, personal stakes involved in committing one’s life to social change.

Director Peter Bratt, USA 2017, 1h35m, N/C 15+

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The Post

Friday 19 January - Thursday 1 February Based on an explosive true story, Steven Spielberg’s timely new film stars Tom Hanks and Meryl Streep. When The Washington Post published The Pentagon Papers in 1971, the newspaper reported the massive cover-up of government secrets that spanned four decades and four US presidents. The Post’s first female publisher Katharine Graham (Streep) and editor Ben Bradlee (Hanks) were forced make the bold decision to fight the Nixon Administration’s unprecedented attempt to restrict the first amendment. This thrilling drama considers the importance of transparency, whistleblowing and holding government to account.

Director Steven Spielberg Cast Meryl Streep, Tom Hanks, Sarah Paulson, USA 2017, 1h56m, 12A: strong language, brief battle violence

Suggs: My Life Story + Satellite Q&A

Wednesday 17 January (20.15) Director Julien Temple (The Great Rock n Roll Swindle, The Filth and the Fury) has crafted an intimate and funny documentary charting the life and career of Madness frontman, Suggs.

Embarking upon a quest to discover his heritage, Suggs explores his childhood on the streets of Soho, featuring music written by The Kinks, Prince Buster, Ian Dury and, of course, his beloved Madness.

This UK Premiere will be broadcast live from Koko Club in London, followed by an exclusive musical Q&A hosted by Keith Allen with Julien Temple, Suggs and pianist Deano.

Director Julien Temple, Owen Lewis, UK 2017, 1h35m, 15

Walk With Me

Monday 15 - Thursday 18 January Narrated by Benedict Cumberbatch, Walk With Me explores the world-famous monastery of Zen Buddhist master Thích Nhât Hanh, and captures the life of a community who have given up all their possessions to practice the art of mindfulness. Filmed over three years, this is a meditation on a community determined to develop a deep sense of presence, for themselves and for all those they love. As the seasons come and go, the monastics’ inner journey is amplified by insights from Thích Nhât Hanh’s early journals.

The screening on Thu 18 Jan (18.15) will be followed by a Q&A with director Max Pugh.

Directors Marc J Francis, Max Pugh, UK 2017, 1h34m, PG

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Phantom Thread

Friday 2 - Wednesday 21 February Master filmmaker Paul Thomas Anderson ( There Will Be Blood) reteams with Oscar-winning leading man Daniel Day-Lewis, for what is reportedly the actor’s final film. In 1950’s post-war London, renowned dressmaker Reynolds Woodcock (Day-Lewis) and his sister Cyril (Lesley Manville) are dressing royalty, movie stars, and more with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the bachelor with inspiration and companionship, until he meets a young, strong-willed woman named Alma (Vicky Krieps). Anderson paints an illuminating portrait both of an obsessive artist on a creative journey, and the disruptive power of love. CineMasters: Paul Thomas Anderson, see p17-18.

Specially commissioned programme notes will be available.

A 70mm print will be coming to GFT in March.

Director Paul Thomas Anderson Cast Daniel Day-Lewis, Vicky Krieps, Lesley Manville, USA 2017, 2h10m, 15

Last Flag Flying

Friday 26 - Thursday 1 February Richard Linklater (Boyhood) ventures into new territory with this adaptation of Darryl Ponicsan’s affecting novel. The film follows former Navy Corps medic “Doc” (Steve Carell) and ex-Marines Sal (Bryan Cranston) and Mueller (Laurence Fishburne) on a different type of mission: to bury Doc’s son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast.

Director Richard Linklater Cast Steve Carell, Bryan Cranston, Laurence Fishburne USA 2017, 2h4m, 15

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Lover for a Day L’amant d’un jour

Friday 19 - Sunday 21 January French New Wave veteran Philippe Garrel’s breathtaking black-and-white drama Lover for a Day is a bittersweet and intoxicating study of relationships in flux. Completing a trilogy of sorts alongside Jealousy and In The Shadow of Women, the narrative tells of a father whose 23-year-old daughter returns home heartbroken, and of the father’s new girlfriend who is also 23 and lives with him. The scene is set for a platonic ménage à trois as the characters dance around their foibles and dysfunctions.

Director Philippe Garrel Cast Éric Caravaca, Esther Garrel, Louise Chevillotte, France 2016, 1h16m, subtitles, N/C 15+

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Journey’s End

Friday 2 - Thursday 8 February Northern France, 1918: C Company, led by the war-weary alcoholic Captain Stanhope (Sam Claflin), attempt to distract themselves as they wait in the front-line trenches. Naive young officer Raleigh (Asa Butterfield) arrives, full of adulation for Stanhope and excitement for his first real posting, before reality slowly chips away at his innocence. Based on true events, Journey’s End is a moving British ensemble drama adapted from the celebrated novel and play by R.C. Sherriff. Claflin gives a standout performance, with all-star support from Toby Jones, Paul Bettany and Stephen Graham.

Director Saul Dibb Cast Sam Claflin, Paul Bettany, Asa Butterfield, UK 2016, 1h47m, 12A: moderate violence, infrequent strong language

Brad’s Status

The Final Year

Friday 26 - Thursday 1 February In this bittersweet comedy, Brad Sloan (Ben Stiller) has a comfortable life in suburban California, but can’t stop comparing his life with those of his former college friends, wondering what it would be like to have their well-paying and glamorous jobs. A trip to universities up the East Coast with his son (Austin Abrams) forces Brad to reconnect with his buddies, and reassess his life choices. A sympathetic and profound tale of an identity crisis, with a well-cast Stiller echoing his performance in While We’re Young (GFF15).

Friday 2 - Monday 5 February The Final Year follows the Obama Administration in 2016, as they attempt to solidify policies they believe will define their legacy, promote diplomacy, and fundamentally alter how the US government confronts questions of war and peace. President Barack Obama, Secretary of State John Kerry, UN Ambassador Samantha Power and others tackle the crisis in Syria, the Boko Haram kidnapping, the Iran nuclear deal, the resurgence of nationalism, and the results of the US election that challenge their legacy in unexpected ways.

Director Mike White Cast Ben Stiller, Austin Abrams, Michael Sheen, USA 2017, 1h42m, CTBC

Director Greg Barker, USA 2017, 1h29m, CTBC

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Loveless Nelyubov

Friday 9 - Wednesday 21 February Leviathan director Andrey Zvyagintsev won the Jury Prize at Cannes 2017 with this tense, hypnotic thriller. Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears. A complex portrait of a selfish society obsessed with status, Zvyagintsev’s film is a scathing critique of modern Russia. Specially commissioned programme notes will be available.

Director Andrey Zvyagintsev Cast Maryana Spivak, Alexei Rozin, Varvara Shymykova, Russia/France 2017, 2h7m, subtitles, 15

A Woman’s Life Une vie

Friday 2 - Sunday 4 February Adapting the novel by Guy de Maupassant, director Stéphane Brizé (The Measure of a Man) tells the story of Jeanne du Perthuis des Vauds.

Following her life between the ages of 18 and 45 in the early 19th century, A Woman’s Life illustrates a hypersensitive woman, overly sheltered and struggling to face the harsh reality of the world. In this haunting, carefully constructed story, Brizé uses stunning cinematography to portray Jeanne’s tormented existence.

Director Stéphane Brizé Cast Judith Chemla, Jean-Pierre Darroussin, Yolande Moreau, France/Belgium 2017, 1h59m, 12A: moderate sex, brief gory images

Glory Slava

Monday 5 - Thursday 8 February Kristina Grozeva and Petar Valchanov’s follow-up to The Lesson is a social parable about a humble man who gets unwillingly promoted. Railway linesman Tsanko Petrov (Stefan Denolyubov) discovers a huge amount of money on the train tracks. When he reports the find rather than pocketing it, his co-workers label him the “fool of the nation,” but the Ministry of Transport—currently embroiled in a scandal—takes the opportunity to parade their new hero. Winner of Best International Feature Film at Edinburgh International Film Festival 2017, Glory is a sharply executed drama with just the right amount of dark humour.

Directors Kristina Grozeva, Peter Valchanov Cast Margita Gosheva, Milko Lazarov, Kitodar Todorov Bulgaria/Greece 2016, 1h41m, subtitles, CTBC

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The Shape of Water

Wednesday 14 - Wednesday 21 February | From Monday 5 March From master storyteller Guillermo del Toro (Pan’s Labyrinth) comes a stylish other-worldly fairy tale, set in 1960s America at the height of the Cold War. Lonely mute Elisa (Sally Hawkins) lives an isolated life, working in a hidden high-security government laboratory. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. The Shape of Water is a heartfelt, emotional tale with hints of B-movie horror.

Director Guillermo del Toro Cast Sally Hawkins, Octavia Spencer, Michael Shannon, USA 2017, 2h3m, 15

The Mercy

The Nothing Factory A Fábrica de Nada

Friday 9 - Thursday 15 February Based on a remarkable true story, The Mercy centres on amateur yachtsman and failing inventor Donald Crowhurst (Colin Firth). In 1968 Crowhurst entered the Golden Globe round the world race, in a boat of his own design. He wagered everything upon success, including his family’s security and his reputation. What happened next is an incredible story of a man alone at sea, battling the elements and his own demons. Director James Marsh (Man on Wire, The Theory of Everything) has crafted an intense and moving film, featuring superb performances and a savage beauty.

Tuesday 6 - Thursday 8 February Portuguese director Pedro Pinho and a largely non-professional cast face up to the economic crisis with guts, humour and even the occasional song. In a Lisbon lift factory, the workforce is embroiled in a bitter labour dispute. The workers confront impending unemployment with a determination to stay put. Drawing comparisons with Miguel Gomes’ Arabian Nights trilogy, The Nothing Factory is a lively, impassioned call to question "what next?", with impromptu musical interludes from a punk band headed up by worker Zé (José Smith Vargas).

Director James Marsh Cast Rachel Weisz, Colin Firth, David Thewlis, UK 2017, 1h41m, 12A: infrequent strong language

Director Pedro Pinho Cast José Smith Vargas, Carla Galvão, Njamy Sebastião, Portugal 2017, 2h57m, subtitles, N/C 12+

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Lady Bird

Journeyman

Fri 16 - Wed 21 Feb | From Mon 5 Mar Paddy Considine returns to writing and directing following his 2011 debut Tyrannosaur, with this intelligent and heartfelt story of middleweight boxing champion Matty Burton (Considine). After winning a punishing title defence on points, Matty collapses at home. The true battle then begins, as he fights to regain his speech, movement, personality and memory. With strong central performances from Considine and Jodie Whittaker as his devoted wife, Journeyman is an evocative dramatisation of a life being reclaimed inch by gruelling inch.

Director Paddy Considine Cast Paddy Considine, Jodie Whittaker, Paul Popplewell, UK 2017, 1h32m, CTBC

From Monday 5 March Greta Gerwig’s critically acclaimed directorial debut announces her as a bold new cinematic voice, telling a story filled with humour and pathos, of a turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against - but is exactly like - her wildly loving, deeply opinionated and strong-willed mother (Laurie Metcalf), a nurse working tirelessly to keep her family afloat. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at relationships, beliefs, and the beauty of a place called home.

Director Greta Gerwig Cast Saoirse Ronan, Laurie Metcalf, Tracy Letts, USA 2017, 1h33m, 15

SOUND & VISION

The Groove Is Not Trivial + Q&A

Sunday 28 January (16.30) The Groove Is Not Trivial follows expert fiddler Alasdair Fraser’s personal journey in search of self-expression, a quest that has led him to dig deep into his Scottish musical roots. There he finds a universal pulse — a groove — that runs through his virtuosic performances with cellist Natalie Haas, and his dynamic teaching at his wildly popular, freewheeling fiddle camps in California, Scotland, and Spain. At his gatherings around the world for musicians of all ages and abilities, ‘the groove’ is a through-line from the past that sparks hopeful possibilities for the future. Followed by a Q&A with Alasdair Fraser.

Directors Bob Elfstrom, Michael Anderson, Michael Lutman, USA/UK/Spain 2016, 1h2m, N/C 8+

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21 FEBRUARY - 4 MARCH GLASGOWFILM.ORG/FESTIVAL

THE UNFILMABLES

Wed 28 Feb, 19.00 | Saint Luke's | £18/£15 conc Mica Levi (Under the Skin OST, Jackie OST), Francesca Levi and electronic pioneers Wrangler (featuring Stephen Mallinder ex-Cabaret Voltaire) perform live in this stunning celebration of film, music and imagination, responding to the greatest films never made. Collaborating with her sister Francesca, Mica Levi will perform a remarkable re-imagining of Armenian filmmaker Sergei Parajanov’s most famous work, The Colour of Pomegranates, entitled The Colour of Chips.

For their performance, Wrangler tackle Claire Noto’s script The Tourist – regularly cited as the greatest sci-fi film never made (despite efforts from Francis Ford Coppola and Franc Roddam).

Working with filmmaker Tash Tung and live visual manipulator Daniel Conway, Wrangler present a staggeringly provocative and inventive imagining of the film to the screen for the very first time.

Commissioned by Creative Producer Colm McAuliffe, Live Cinema UK and CineCity Brighton.

Supported by This Way Up Exhibition Innovation Fund, a partner of the BFI Film Audience Network, and Arts Council England.

Directors Francesca Levi, Tash Tung and Daniel Conway, UK 2016, event approx. 2h, N/C 15+

Mm + SACRED PAWS LIVE

Sat 24 Feb, 19.30 | Tramway | £10.50/£8.50 conc This special screening of Scottish filmmaker Margaret Salmon's 2017 film Mm, will feature a oneoff live performance by the Scottish post-punk band Sacred Paws, winners of the 2017 Scottish Album of the Year award. Commissioned for Berwick Film and Media Arts Festival in 2017, Mm is a film about language, masculinity and speedway racing. Shot on location on 35mm film in collaboration with the all-male motorcycle team, the Berwick Bandits, Mm incorporates the explosive sounds of speedway alongside voice and music by Sacred Paws.

This event is co-produced by Tramway and LUX Scotland in partnership with Glasgow Film Festival 2018.

A survey exhibition of works by acclaimed Glasgow-based artist and filmmaker Margaret Salmon runs in Tramway’s main gallery from 16 February to 18 March 2018.

Director Margaret Salmon, UK 2017, event approx. 1h30m (film 30m), N/C 18+

Glasgow Film Festival is an operating name of Glasgow Film Theatre, a charity registered in Scotland No SC005932

FOKUS: FILMS FROM GERMANY

The Fokus Film Festival, now in its third year, is a partnership between Goethe-Institut and Filmhouse. The festival aims to present a diverse and engaging selection of recent German cinema, covering a range of themes and genres. This year's festival introduces debates and discourses from Germany's past and present to modern-day audiences across Scotland, with documentaries, features and rare screenings of Werner Herzog's very first films.

Signs of Life + Herakles Lebenszeichen + Herakles

Wednesday 3 January (18.15) Werner Herzog’s rarely-seen debut feature, made when he was just 26, follows Stroszek, a wounded German paratrooper in WWII who is sent to recuperate on the quiet island of Kos with his wife Nora and two other soldiers.

Billeted in a decaying fortress, there’s little to do, and slowly, in the heat and torpor, Stroszek goes mad.

Preceded by 12-minute Herzog short Herakles, which connects archival footage of the Le Mans racing accident with images of German bodybuilders.

Signs of Life / Director Werner Herzog Cast Peter Brogle, Wolfgang Reichmann, Athina Zacharopoulou, West Germany 1968, 1h31m, subtitles, N/C 15+

Phoenix

Wednesday 10 January (17.45) Emerging from a concentration camp at the end of World War II, Nelly Lenz (Nina Hoss) undergoes significant reconstructive surgery to repair a serious facial injury. Presumed dead by her friends and relatives, fixated on the memories of her former life and unable to accept the reality before her, Nelly returns to Berlin to fulfill the dream that sustained her throughout her imprisonment: reuniting with her husband, Johnny (Ronald Zehrfeld). But will Johnny recognise her? And what of the terrible rumours that it was Johnny himself who betrayed her to the Nazis?

Director Christian Petzold Cast Nina Hoss, Ronald Zehrfeld, Nina Kunzendorf, Germany/Poland 2014, 1h38m, subtitles, 12A: infrequent moderate bad language

Herakles / Director Werner Herzog Cast Reinhard Lichtenberg, West Germany 1962, 12m, subtitles, N/C 15+

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Marija

Wednesday 17 January (17.40) Swiss director Michael Koch’s striking debut couldn’t be more urgent or relevant to the mood of modern Europe. Marija (Margarita Breitkreiz) is a vulnerable Ukrainian migrant worker in Dortmund. She projects an aura of strength, determination and resolve. She knows what she wants but first she has to make money, steer clear of the law and avoid exploitation. Breitkreiz will win your heart with her steely, implacable performance as an outsider struggling to claim her place in Europe’s promised land. GFF17 Director Michael Koch Cast Margarita Breitkreiz, Georg Friedrich, Sahin Eryilmaz, Germany/Switzerland 2016, 1h40m, subtitles, N/C 15+

Fukushima Mon Amour Grüße aus Fukushima

Stefan Zweig: Farewell to Europe Vor der Morgenröte

Wednesday 24 January (17.55) Marie escapes to Fukushima in a bid to change her life. Volunteering, she strives to bring joy to survivors of the 2011 earthquake, tsunami and nuclear disaster that devastated the region.

Marie stays with Satomi, the last geisha of Fukushima, who has decided to travel back to her destroyed house in the former radioactive exclusion zone. The two women couldn't be more different, but each is trapped in the past, and must learn to find liberation from guilt and the burden of memory.

Wednesday 31 January (18.00) Stefan Zweig: Farewell to Europe dramatises the life of the Austrian-Jewish writer Zweig, one the most translated German-speaking writers of his era, during his exile from 1936 to 1942.

Driven to emigrate at the peak of his fame, Zweig’s exile takes him to Rio de Janeiro, Buenos Aires, New York, and Petrópolis, but none of his stopping places help him to find peace or to replace his true home. A visually stunning historical film about the story of a refugee searching for a new home.

Director Doris Dörrie Cast Rosalie Thomass, Kaori Momoi, Mosche Cohen, Germany 2016, 1h44m, subtitles, N/C 15+

Director Maria Schrader Cast Josef Hader, Barbara Sukowa, Aenne Schwarz, Austria/Germany/France 2016, 1h46m, subtitles, N/C 15+

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DEMENTIA FRIENDLY EVENTS FEATURING FILMS PAST AND PRESENT Movie Memories is GFT’s dementia friendly film programme. It is designed to enable people experiencing early-to-mid-stage dementia, their carers and/or families to socialise in a safe and welcoming environment.

FAQS: glasgowfilm.org/moviememories

A Tour Round Scotland Thursday 18 January (film starts: 11.00, event ends: 13.00) Join guest curator Shona Thomson on a journey round Scotland using archive films from the National Library of Scotland. From Glasgow’s trams to herring lassies in Wick, travel the country from the comfort of GFT! There’s also a chance to blether about the films as we go along. All tickets £3.00.

Directors Various, UK 1901-1980, N/C 5+, film duration: 1h

The Pink Panther Thursday 15 February (film starts: 11.00, event ends: 13.30) The first film of the beloved comic series, The Pink Panther, stars the suave David Niven and beautiful actresses Capucine and Claudia Cardinale. This hilarious comedy also introduced Peter Sellers in his most famous role as the bumbling French detective, Inspector Jacques Clouseau.

All tickets £3.00.

The screening is in collaboration with University College London’s research project, Remembering 1960s British Cinema-going, the event includes a discussion with Professor Melvyn Stokes and Dr Patrick Glen.

Director Blake Edwards Cast David Niven, Peter Sellers, Claudia Cardinale, USA 1963, PG, film duration: 1h41m

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GFT, together with The National Autistic Society Scotland is delighted to provide Access Film Club: screenings and post-film discussions in a friendly and welcoming environment. GFT is the first cinema in the UK to receive the Autism Friendly Award 2017.

Access Film Club: Good Time Tuesday 9 January (film starts at 18.00) After a botched bank robbery lands his younger brother Nick (Benny Sadie) in prison, Constantine “Connie” Nikas (Robert Pattinson) embarks on an increasingly dangerous journey to get him out. All tickets £5.50.

Certificate 15: this film contains strong language, violence, drug misuse and scenes of a sexual nature.

Director Josh Safdie, Benny Safdie Cast Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, USA 2017, 1h142m, 15

If you require a wheelchair space please request this on booking, or call GFT Box Office on 0141 332 6535

Visible Cinema is a D/deaf and Hard of Hearing friendly film programme: a captioned or subtitled screening is followed by a post-film discussion with integrated BSL and Speech To Text Service. FAQs: glasgowfilm.org/visiblecinema

RCS Curates: Departure Lounge & Deaf Funny Monday 15 January (20.00) Departure Lounge Two Deaf men meet in hospital. Can they help each other as their lives reach crisis point?

Director Louis Neethling Cast Hal Draper, David Sands, Abigail Gorman, UK 2009, 27m

Deaf Funny The first episode of the world’s first BSL TV comedy sketch show, based on Deaf life!

Director Charlie Swinbourne Cast John Smith, Jean St Clair, Adam Bassett, UK 2017, 27m

Charlie Swinbourne will introduce the films and host the discussion.

All tickets £5.50.

Visible Cinema: Three Billboards Outside Ebbing, Missouri Wednesday 7 February (17.45) Three Billboards Outside Ebbing, Missouri is a darkly comic drama from Academy Awardwinning director Martin McDonagh (In Bruges). Mildred Hayes (Frances McDormand) paints three signs leading into her town with a controversial message directed at chief of police William Willoughby (Woody Harrelson), soon the battle between Mildred and Ebbing’s law enforcement intensifies. All tickets £5.50 Director Martin McDonagh Cast Frances McDormand, Woody Harrelson, Sam Rockwell, USA 2017, 1h55m, 15

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Get Out

Friday 19 January (23.00) Topping multiple ‘Best Film of 2017’ lists including Empire and Sight and Sound - the critically acclaimed Get Out is equal parts gripping thriller and provocative commentary.

When young African-American Chris visits his white girlfriend Rose’s family estate, he becomes ensnared in a more sinister real reason for the invitation. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.

Director Jordan Peele Cast Daniel Kaluuya, Allison Williams, Bradley Whitford, USA 2017, 1h44m, 15

Crossing the Line: Barry Lyndon Presented by The Common Guild / The Hunterian

Sunday 28 January (18.15) Acclaimed Dublin-based artist Gerard Byrne introduces Stanley Kubrick's classic Barry Lyndon. Recounting the rise and fall of a roguish Irishman as he makes his way into aristocratic society, Kubrick's film is now acknowledged as one of his greatest achievements. With superb cinematography, this magnificent, painterly costume drama cries out to be seen on the big screen. Byrne’s work features in the exhibition 'A Synchronology’ at Hunterian Art Gallery, a collaboration with The Common Guild, which continues until 28th January 2018.

Director Stanley Kubrick Cast Ryan O’Neal, Marisa Berenson, Patrick Magee, UK/USA 1975, 3h4m, 12A: moderate violence, sex, nudity

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Purple Rain

Friday 9 February (23.00) Pay tribute to one of the most important musical icons of all time with this special screening of the 1984 cult classic Purple Rain, which catches a youthful Prince Rogers Nelson at the top of his game. The Kid (Prince) is the arrogant young frontman for The Revolution, who are locked in battle with another band (The Time, fronted by Morris Day) for a regular gig at their local nightclub. Adding to The Kid’s torments are troubles at home and a burgeoning romance with an aspiring singer. A timeless classic with what has to be one of the greatest soundtracks in movie history.

Director Albert Magnoli Cast Prince, Apollonia Kotero, Morris Day, USA 1984, 1h47m, 15

Blueprint: Scottish Independent Shorts

Thursday 11 January (20.30) Celebrating the ingenuity and hard work of local indie filmmaking talent, Blueprint shines a bright light on the fringes of Scottish film culture.

Blueprint returns to GFT with a new programme of shorts – several of which appear for the first time on the big screen. Featuring films by three debut filmmakers, a new film by no-budget horror-meister Bryan M Ferguson and a documentary by Blueprint regular Charlie Francis about the recording of Francis Macdonald’s Hamilton Mausoleum Suite. Early booking is recommended. All tickets £5.50 Blueprint programmer Hans Lucas will conduct a short Q&A with some of the filmmakers after the screening.

Director Various, UK 2017, 1h30m, N/C 15+

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Bolshoi Ballet: Romeo & Juliet

Bolshoi Ballet Encore: The Lady of Camellias

Sunday 21 January (14.45) £20 full price / £17.50 conc / £15 CineCard Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heartwrenching tragedy…

2h30m, 12A

Sunday 4 February (14.45) £17.50 full price / £15 conc / £12.50 CineCard Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.

3h05m approx, N/C 12+

RSC: Twelfth Night Wednesday 14 February (18.45) £20 full price / £17.50 conc / £15 CineCard Director Christopher Luscombe returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, Twelfth Night. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...

3h30m, N/C 12+

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USEFUL INFORMATION

How to Get Here

It’s easy to find us. We’re right in the city centre just off Sauchiehall Street.

By Subway www.spt.co.uk Nearest subway is Cowcaddens. Leave the station and turn right, then right again turning left onto Rose Street. The GFT is a short walk from here. www.spt.co.uk/ subway

By Bus Local bus services stop close to the cinema. www.spt.co.uk

By Train Glasgow city centre is served by both Central and Queen Street Stations. www.nationalrail.co.uk

Car Parking Closest public parking is the supervised 24 hour multi-storey car park in Cambridge Street. Parking after 6pm costs £3.

Glasgow Film Theatre 12 Rose Street, Glasgow G3 6RB Glasgow Film Theatre (known as GFT) a company registered in Scotland, No. SC097369. GFT is a charity registered in Scotland, No. SC005932.

Our screens are fully licensed so drinks purchased from our bars can be enjoyed while you watch your film. As well as alcoholic drinks, we also offer a selection of soft drinks and hot drinks.

Snacks include luxury ice cream, chocolate, biscuits and cakes.

Gift Vouchers

Available from Box Office and online and are valid for one year. The perfect gift for film lovers.

Certification

Films awaiting BBFC (British Board of Film Classification) certification are marked ‘CTBC’ (check the website or call the box office for upto-date information). Films not being certified by the BBFC are marked N/C and accompanied by an age recommendation i.e. N/C 15+ (suitable for ages 15 and older, no-one under 15 will be admitted).

GFT is part of the Green Arts Initiative and is committed to carrying out sustainable practices. Please use our recycling facilities when visiting and recycle this brochure when you’re finished with it. Thank You!

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If you are looking to hire please contact: dutymanager@glasgowfilm.org Find out more at www.glasgowfilm.org/hire

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Accessible Screenings Molly’s Game Tue 2 - Thu 11 Jan – all screenings Thu 4 Jan (19.50) Sun 7 Jan (15.50) Tue 9 Jan (16.30) Take 2: Access: The Jungle Bunch Sat 6 Jan (12noon) Access Film Club: Good Time Tue 9 Jan (18.00) Darkest Hour Sat 13 Jan (14.45) Wed 17 Jan (20.00) Tue 23 Jan (17.45)

GFT offers both Audio Description and captioning on selected titles and selected screenings. Audio Description is a service for partially sighted or blind people (AD headphones are available to collect from Box Office when you pick up your tickets prior to the film screening).

Captioning is a service for deaf and hard of hearing audience members who rely on subtitling to enable them to follow the film’s dialogue.

Access Information GFT accepts the CEA Card. (www.ceacard.co.uk)

Three Billboards Outside Ebbing, Missouri Fri 12 Jan - Thu 18 Jan – all screenings Sun 14 Jan (14.00) Sat 20 Jan (15.15) Wed 24 Jan (20.25) Mon 29 Jan (17.20) Visible Cinema: RCS Curates: Departure Lounge + Deaf Funny Mon 15 Jan (20.00) Phantom Thread Fri 2 - Thu 15 Feb – all screenings Sat 3 Feb (14.30) Thu 8 Feb (17.25) Mon 12 Feb (20.10)

GFT Accessible Programme

We can offer an infrared sound facility for the hearing-impaired (please ask at Box Office for a head set). There is disabled badge holders’ parking to the rear of the building in Cambridge Street. If you are a wheelchair user, please inform Box Office when booking. Guide dogs are welcome at GFT. Please contact our Manager (0141) 352 8603 or email dutymanager@glasgowfilm.org with your specific access enquiries.

Take 2: Paddington 2 Sat 3 Feb (11.30) Take 2 Access: Paddington 2 Sat 3 Feb (12noon) Visible Cinema: Three Billboards Outside Ebbing, Missouri Wed 7 Feb (17.45) Take 2: Wonder Sat 17 Feb (11.30)

Due to circumstances beyond our control, occasionally we are unable to provide these accessible screenings. You are advised to check with Box Office.

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21 FEBRUARY - 4 MARCH GLASGOWFILM.ORG/FESTIVAL @GLASGOWFILMFEST #GFF18

THE PERFECT MOVIE MIX PROGRAMME LAUNCH WED 24 JAN GFF MEMBERSHIP AVAILABLE NOW Glasgow Film Festival is an operating name of Glasgow Film Theatre (GFT), a company limited by guarantee, registered in Scotland No. 97369, and registered as a charity (No SC005932).