Glamizine

GLAMIZINE CONTRIBUTORS

Volume 1 Issue #1, September 2023 Edition

PRODUCTION

Leanne Tasher

COVER PHOTOGRAPHY

Akira Joseph

PHOTOGRAPHERS

Shawn S. Fields

Marc Jeffrey

Kemar Holder

Deidre Hinkson

Phillen

STOCK PHOTOGRAPHY

Renaldo Matamo

Mike Von

GRAPHIC DESIGN

Celestine Pani

WRITERS

Femi Mascoll

Charlene Mascoll

Leanne Tasher

Scriber Content Solutions

ADVERTISING DIRECTOR

Ayisha Sandiford

MARKETING AGENCY

Scriber Content Solutions

MAKEUP ARTIST

Leann Edgill

SPECIAL THANKS: The Glamizine team thanks God for His enduring mercies, The Hub, Shopping By The Bay for sponsoring the outfits for the cover story photoshoot, the Academy of Women Entrepreneurs (AWE) program, friends and family for support, and everyone who helped to make this product a reality.

For Further Information on the Glamizine Publication, or to Enquire about How You Can Be Featured, Please Contact us at info@glamizine.com. You can also visit us at www.glamizine.com and follow Glamizine on Facebook and Instagram.

Glamizine is a product of MCG6000 Inc.

EDITOR’S Note

Welcome to Glamizine, a style and entertainment publication that highlights and celebrates those who help shape our world — the entrepreneurs, the craftspeople, musicians, etc. As such, these pages house stories of exceptional people who dared to challenge norms and create something new, to trailblaze and leave an impact that echoes through time.

For this debut issue, we drew inspiration from the 2023 Crop Over festival, specifically with regards to Barbadian music and costume design. In this way, we offer a glimpse of the behind-the-scenes mastery needed to sustain its traditions.

Our cover story features soca sensation Shanta Prince who has achieved phenomenal, far-reaching success as an artist, garnering a reputation as a “musical force”. This story reveals how, by staying true to her unique musical style, Shanta was able to carve out a space for herself to thrive in the industry. Learn why this bajan beauty, with replay-worthy new releases “Follow Me” and “For You”, is poised for world stages and international acclaim.

Calypso’s enchanting melodies meet the determination of a true artist in our article “Ian Webster: The King of Commentary”. The fourtime Calypso Monarch’s story is one of passion, perseverance, and profound humility, and unpacks the genius behind his new song “Brain”, which earned 128.0 points in the 2023 Pic-O-De-Crop competition. Here, we see how commitment to one’s craft can lead to unparalleled artistic accomplishment.

We are also honoured to spotlight innovative entrepreneur Petra Forte, who has made her vision to create concrete decor a reality. Her courage, coupled with what she affectionately called her “superpowers”, helped her redefine the boundaries of possibility.

From fashion to entrepreneurship, and music to selfdiscovery, our stories illuminate the paths of those who have dared to stand out and be game changers. We hope you find this issue to be a page-turner and are inspired to reach great heights in your own endeavours.

I am a creative muse, an ever-curious mind seeking discovery, a living passion for aesthetic, and desire to go beyond the edge of established reality – I am Glamizine

Leanne Tasher, Glamizine Editor

Ian Webster The King of Commentary

By Charlene Mascoll

As the charming Ian “iWeb” Webster settled into our interview, his determined voice alluded to his extraordinary fate. His pronounced passion for calypso music and unyielding commitment to his craft was expressed with fervour — the same fiery intensity the Pic-O-De-Crop audience witnessed on Friday August 4th, when he was named the 2023 Calypso Monarch for his unparalleled, theatrical performance of “Brain”, making him a four-time competition winner. And yet, even on his ever-expanding path of greatness, his humility and openness permeated our conversation, revealing the unexpected twists and turns that have shaped his musical odyssey.

Calypso’s Theatrical Maestro

In 2001, iWeb embarked on his musical journey intending to secure a spot in the Junior Monarch Finals. Though the attempt was unavailing, he remained undaunted and adamantly pursued his dreams. At the inception of his career, he performed with the Synergy band and soon after, joined the Lion’s Den Calypso tent. This valuable experience allowed him to explore the enticing realm of social commentary, not only as a performer but also as a backup singer.

It was in 2002 that iWeb’s artistic brilliance began to emerge. At this time, he worked under the guidance of his then manager Shawn Clarke. That year, the public bore witness to his theatrical prowess as he fearlessly commented on the first illegal same-sex union in Barbados with the song “The Wedding Reply”.

Although “The Wedding Reply” did not make it to the Pic-O-De-Crop semi-finals, it marked a seismic shift in iWeb’s career, propelling him into the spotlight and cementing him in the hearts of Barbadians.

The song’s powerful lyrics, coupled with iWeb’s mesmerising stage presence as he portrayed a character, deeply moved audiences, leaving an impact that still lingers.

The following year, iWeb’s undeniable talent earned him a remarkable third place in the finals, where he performed “I Know Dat” and “Nation of Shows”. Despite this taste of success, and bold decision

quest for spiritual growth. Leaving competitions and prospective crowns behind, he ventured into the formal study of music and theology in Trinidad, and the insights he gained during this period are now evident in his songwriting.

The song “Brain” has attracted praise in all its monumental glory, and is also a testament of iWeb’s wisdom and refined eloquence. It addressed real-world problems and highlighted instances of defective reasoning. Issues such as crime, IMF debt, and increasing taxes were skillfully described as

being analogous to poor brain function. An excerpt of the lyrics state:

“The brain is the centre of wisdomcerebral cortex and the cerebellum. If you dare to delve a little deeper, check the medulla oblongata. Yes, in the field of neurology, we must understand how exactly the human brain does be functioning, with the decisions I see people making…

Tell me are the neurons inactive? Is there an issue with the synapses or is the country just going insane? Man, it’s like we don’t use we brain.”

“Brain” scored 128 points in the Pic-O-De-Crop competition, surpassing AC with “Anansi and the Big Bad Ram” in second place, and Quon with “Sing Quon Sing” in third. For iWeb, though, this career is not about achieving fame; rather, it is about creating music that touches souls, challenges beliefs, and inspires positive change.

Mission to Preserve Culture

iWeb’s success exemplifies the immense value of calypso music, as it enables calypsonians and aspirants to embrace their roots while reaching for the stars. The charismatic polymath hopes to guide the next generation of social commentary writers, since their voices are critical in keeping the genre alive and relevant. He, however, expressed concern that few young writers seem poised to carry the torch for this precious aspect of Barbadian culture.

As the Head of Department at Parkinson Memorial Secondary

School, Ian takes on the role of a cultural custodian, imparting his vast musical and cultural knowledge to youth. Keen on preserving traditional art forms, he works to inspire creativity and cultural appreciation in his students, who learn about costume-making, wire bending, Tuk Band, Shaggy Bear and stilt walking, etc. His tutelage also emboldens them to gain modern skills, such as animation, which can blend traditional talents with innovation.

Creative Synergy

Part of Ian’s success stems from The Water Street Boyz, a dynamic songwriting duo consisting of himself and writer and marketing expert, Cheyne

Jones. Together with arranger Roger Gittens, the team has earned several accolades from various competitions and collaborations. For instance, they penned the winning PicO-De-Crop song for Quon in 2022 called “Animal Kingdom” and hit songs for artists in Anguilla and St. Maarten. In this year’s Crop Over season alone, the team penned 10 songs, five of which made it to the Pic-O-De-Crop finals. With Cheyne’s writing prowess and Ian’s musical genius, the duo has phenomenal synergy that produces repeated success.

iWeb expressed gratitude for his exceptional support team. He remarked, “It’s not just me,” underscoring the pivotal role people like Cecily Spencer-Cross, Jennifer Sealy, Keisha Dowridge and many more play in elevating his performances, whether it’s the grand stage of Pic-O-DeCrop or other platforms.

The Vast Skills of iWeb

With roles such as calypso artist, department head, graduate teacher, production manager, owner of iWeb Entertainment, and digital marketer, Ian’s schedule is hectic. While time management isn’t his forte, he strongly believes that work-life balance and getting adequate daily rest amidst the frenzy of a demanding routine is extremely important. Despite his full schedule, he volunteers for charity and contributes to positive societal change.

iWeb hopes to help realise a better Barbados, one in which the crime and tax problems in the island are improved. He also values the institution of family and believes that the nuclear family structure is necessary to help youth develop into contributing members of society.

iWeb’s Growing Legacy

iWeb’s journey as a calypso artist encapsulates passion, resilience, and a steadfast commitment to cultural heritage. From his modest beginnings to his current reign as Calypso Monarch, iWeb has fearlessly embraced challenges, evolved with the times, and stayed true to his moral compass. His work with Cheyne Jones continues to yield outstanding results, and as such, the team is building an enduring legacy.

Even with all his accolades and achievements, the humility iWeb displayed during our interview, his respect for the great musicians that have influenced him, and his goal to uplift the youth made the experience all the more unforgettable. This revealed that true greatness is not merely observed in iWeb’s talent, but can be traced to his very soul as an artist. As the reigning Calypso King, iWeb is truly a remarkable torchbearer of calypso’s rich heritage.

iWeb performing Brain at Golden Square Freedom Park

From left, Kadeem Hinds, model Soowan Bramble (centre), and Shelly Dolabaille

The Secret to ‘Mas Appeal’

Featuring Shenanigans Mas

By Leanne Tasher

What started as an impulse to embrace a new carnival experience, has become an inspiring entrepreneurial venture and a testimony of faith for owners of Shenanigans Mas, a private section within the Kontact band. The whimsical nature of the undertaking had inspired the lighthearted name, Shenanigans, but when it comes to production, the team is uncompromising, and no quality control element is overlooked. According to Chief Shenanigans Officer, Shelly Dolabaille, who has a Trinidadian and Vincentian lineage, their dedicated team and partnership with Kontact band evolved by happenstance.

“I spoke with a friend on carnival Monday in Trinidad about the idea and on carnival Tuesday, we booked the flight to Barbados without securing a band, accommodation or anything else, just faith that it would work out,” she recalled.

The team’s search for a band with compatible values ended after a meeting with managing director Anthony Layne, who welcomed them to the Kontact band family. This year, the Shenanigans Mas costumes, entitled Rhythm and Rhyme, were among other offerings from the band such as Bassa Bassa, Pompasetty, and Dooflicky – all designed under the theme Opulence.

Since their 2018 debut, Shenanigans Mas has always aimed to stand out, while aligning with the overall vision and standards outlined by Kontact. During their first year, they were even brave enough to put feathers onto their costumes, giving it a “couture look”. It is customary for costumes to have feathers on the shoulders, neck and arms, which is easier for mass production, Shelly explained. This year, their chosen colour palette was teal and pink, but in true Shenanigans style, they added a unique twist.

“This year, that option is the nude illusion, which has been receiving a lot of attention and is the favourite among our Shenanigans masqueraders,” she said, noting that she wanted to expand the definition of nude, such that women of all skin tones can confidently flaunt the style, which is traditionally thought of as a paler, beige shade.

Shelly adjusting model Marissa Williams’ neck accessory

Shelly said that creative chemistry with designer Kadeem Hinds, who has been designing for the past eight years, made the execution of the vision seamless, and called him “a genius”.

“I give him my thoughts and then let him get to work with his creative process. This year, I asked him to make the costume for the Premium Elite option wickedly tantalising. Kadeem delivered like the mailman,” she said. She added that “all of our production is sourced in Barbados. The designer, the seamstress and the mass production team are all Bajans, deliberately so.”

This year, Kadeem said his inspiration for Rhythm and Rhyme was “blingy and sexy, but I also wanted to design options that complement each body type.” It’s no wonder that revellers have been irresistibly drawn to their unique designs, but Shelly revealed that their customercentric service is also a pull factor.

“The first year I was on the road, I had a sewing kit in my hand in the event that my masqueraders needed anything. Once you are a seasoned masquerader, you know what the issues can be on the road. So, I had my sewing kit, with my safety pins and so on to really give that personal experience,” she explained.

A young Shelly festively dressed and ready to play Mas

Shelly Dolabaille fixing a reveller’s costume in 2018

Since age six, Shelly has been playing Mas. Additionally, her mother worked as a seamstress for Trinidad and Tobago Carnival (such as Legends Carnival Band), Miami Carnival and Caribana (now the Toronto Caribbean Carnival) bands. She knows that it takes courage and self-love to express oneself as a woman, especially in the face of sexism and societal pressures around body image. That’s why she described herself as the “biggest hype woman” for revellers of the allfemale section.

“We want women who put on our costumes to feel sexy, and love and embrace the body that the costume is on. We have options for the risqué woman or those who want to opt for a more conservative option. We want everybody to feel that self-love no matter where they are in their journey. Either way, all the costumes are sexy,” she said.

So whether revellers were jumping in their Premium Elite or Curvy costumes, which were both offered from sizes small to 3XL, Shelly and her team encouraged every woman to feel beautiful and to “be up to shenanigans”.

*The Secret to ‘Mas Appeal’ is a series of the Glamizine Publication which explores the creative work and journey of Crop Over and Carnival bands.

Shanta Prince From Backup Singer to Soca Royalty

By Femi Mascoll

“Music has always been a part of me... But officially with soca, I started as a background vocalist in the Bacchanal Time calypso tent when I was 17 years old.”

Wherever her vibrant vocals are heard, impassioned praises for Shanta Prince resound. Ever since the soca star made her debut, her unique sound and “posh” style has transfixed audiences, inspiring a ceaseless longing for more. British-based publication

Complex UK described Shanta as “one to watch” and a “musical force” – powerful words that epitomise the far-reaching impact of this beloved singing sensation.

While preparing for this year’s Crop Over festival, the singer busily, but happily, juggled the demands of an ever-growing soca career and the realities of her ‘9 to 5’ as a property

manager. But, for Shanta, regardless of how hectic her schedule may become, music remains a priority.

“Music has always been a part of me,” she noted. “But officially with soca, I started as a background vocalist in the Bacchanal Time calypso tent when I was 17 years old. Then, I was a background vocalist for Rupee and Biggie Irie.”

Shanta described her music career as “a journey of love”, with each phase shaping her into the critically acclaimed, stand-out artiste that she is today. At one point of her recording career, the songstress found herself drawn to genres such as R&B and pop. But, although her love of music is broad and diverse, ultimately, all roads led her to soca.

“I always knew I would get to soca because I was inspired by the ladies at the time — TC, Destra (from Trinidad and Tobago), and Alison Hinds. They are all tremendous vocalists and after seeing Alison Hinds perform, I was like ‘ok, she looks like me, I can do this,’” she said, noting that in her younger years she was impressed by the way these ladies commanded their stages and connected with their audience, especially in a field which was male-dominated. As such, these Caribbean calypso queens have laid the foundation for Shanta, and since releasing “Stush” in 2014, she’s certainly cemented her spot as an outstanding performer. The hit song bumped her all the way to the semi-finals of that year’s Sweet Soca competition and got her recognised as a Female Breakthrough Artist at the Barbados Music Awards. Additionally,

the uptempo song has since amassed over 272,000 views on YouTube! In 2015, Shanta was endorsed by the FLOW telecommunications company, which used the hit song “Hello” in promotional campaigns throughout the Caribbean.

Describing her personal sound as “different”, Shanta noted that her musical offerings can be quite diverse; She said, “I have a tendency to go high or low. My personal sound is just including a lot of my own preferences.” Producers such as Barbados’ Dwain Antrobus (BassInk Productions), Kurtis “London Future” Wells from Trinidad, and Canadian James DePinho of Beta One Music had all understood the singer’s personality and distinctive style, resulting in a catalogue of wellmastered work that set her up for the world stage.

When the Glamizine team caught up with Shanta Prince, who released “Follow Me” and “For You” this year, we sought to learn more about her motivations and plans for the future.

Q: What sets your music apart from other soca songs?

A: A lot of my music has fusions, such as a little bit of dancehall, a little bit of pop. But that has a lot to do with my producers and my home studio, BassInk productions — huge shout out to Dwain Antrobus, he’s been there from day one. So, we kind of curated what makes me ‘me’. The more we put ‘me’ into it, the more it developed and blossomed into what it is.

Q: What is a main factor that has contributed to your success?

A: Having a lot of pointers because soca is different from singing R&B. It has its own language. For instance, how you phrase things often differs from conventional sentences. It’s not always about perfect English, and putting your own twang to it helps a lot.

Q: What do you love most about Crop Over?

A: Crop Over is just unity, it is love, it is excitement. You wait all year, it’s almost like having Christmas twice because it is the one time of year when people who don’t know one another come together… but a song, a song is going to make people join together in harmony and sing together and party together. It is a beautiful thing. It is such a unification and I love that!

As a little girl, my mother had taken me to tents and to see the parade of the bands. It’s something I just love.

Q: What musical icons do you admire?

A: Definitely Ali! I have to big up the queen of soca, Alison Hinds! I also think Lil Rick is a treasure and he has a special place in my heart because he was there from the time I started, even making ‘kicks’ at me, saying, ‘Shanta you sound good but you could sing a li’l more brawling.’

While working with Lil Rick and watching his process, you notice that he is very meticulous. It’s never right

the first time. He’s going to go at it again, come back and go at it again.

Q: What is it that you admire about these artists specifically?

A: The longevity of these artists that I have mentioned, that is what we’re looking for. Consistency, longevity, making sure that what you do touches the public in a way that brings back a memory when they hear it. That is what I want when people hear my music. I don’t care if it is ten people or 10,000; I want that when they hear that song, they hear that it is mine and it brings back a good memory, a wave of emotion and a smile on their faces!

Q: Thus far, you’ve worked with Jamaican dancehall star Macka Diamond, Lil Rick and Peter Ram. What other artist(s) would you like to collaborate with?

A: I’m really into Problem Child (a St. Vincent native). He’s been doing a lot of writing with Patrice Roberts and I find that he has a way with words and developing characters and going into a different view and style, so I want to push myself to go there. Skinny Fabulous also. It is funny that I’m mentioning two Vincys; My mother is Vincentian. Doing that would be pushing myself, going out of the box, and I think it would be something crazy whenever we do it.

Q: How do you psych yourself up before a performance?

A: I get sort of anxious. I want everything to go right. So, I am

repeatedly going over every lyric. A lot of people when they see me before I go on stage realise that I’m very quiet. I like to be in my own little world. I’m just trying to centre myself and get in that zone, feel the music, feel the crowd and what is going on out there. It’s just about repetition and knowing what you want to do and also remembering to have fun and be playful with it. I do a thing, too, where I look in the crowd to see who’s having the most fun and try to connect with them. When I spot that person, I’m thinking ‘alright, it will be me and you!’

Q: What musical feats do you hope to achieve?

A: For sure I would love to perform on Machel’s Melé and those kinds of stages. Honestly, I would love the opportunity to take my catalogue of work [abroad], even if it’s just being an opening act at huge music festivals like Afro Nation because soca and Afrobeats are so close. They’re the best marriage you can ever have. I’m hoping it gets there one day. But, anywhere large enough that I can let people know about my music, Barbados, and who Shanta Prince is.

Shanta Prince is known to deliver powerful, tantalising vocals both in the studio and live on stage. She has even commanded stages as far away as Germany, but Shanta is only just getting started. With years of experience and tremendous talent, she is bound to do credit to the Republic of Barbados wherever she may go.

Shanta Prince performing at the 2023 Dis is Rick show

Soca Sunset’s Grand Debut

By Leanne Tasher

Four music giants headlined the first ever Soca Sunset event, which was held at the Barbados Yacht Club on Saturday July 15th, 2023. Hundreds came out to the Bay Street, St Michael venue to enjoy live performances by Red Plastic Bag, Edwin Yearwoord, Biggie Irie, and King Bubba — who were all backed by the Red Boyz Band. Organisers promised that patrons would be swept away by “vibrant soca sounds” at the “unforgettable event”, and the seasoned entertainers certainly delivered.

Lively patrons filled every corner of the expansive venue, with some opting to socialise, and enjoy purchased food and drinks in the seated areas. By 6pm, a crowd was already on the dance floor, energetically twisting, jumping and ‘wining’ to music played by the DJ Big Red from Hot 95.3fm. The live

performances began shortly after.

At the very utterance of “Biggie Biggie”, an increasingly larger crowd was magnetised to the stage. That melodic chant came from none other than Biggie Irie, who opened the show, donning a red cap, matching shirt and white pants. Theatrical bubbles floated in the air as he had the energetic audience jamming to soca. Hits like “Pankatang”, “Nah Going Home”, “Cyaan Be Ova” and the 2023 release “Send Somebody” captivated patrons from his electric entrance and his closing “Thank You!!” remark.

The next performer came to ‘mash up de place’ and succeeded; When King Bubba touched down, patrons went into a dizzying frenzy, with hands raised, fists pumping and feet stomping. The exceptional high energy was sustained throughout each song, which included “Who Drinking Rum”, “Calling in Sick”, “Whole Night”, and “She Always Bend Over”. The MC Caroline “CiCi” Reid

playfully dubbed King Bubba, who recently released a song called “Don’t Get Sick” (Rum Drinkers), ‘the Doctor’.

Before announcing that ‘the General’, Edwin Yearwood was up next, Cici teased that the entertainers’ names were getting “heavier” as the night progressed. Fans were instantly mesmerised by the nostalgic phrase “Ah wah meh seh!!”, which Edwin belted out during his opening performance “Wet Me”. From then onward, he rocked the place nonstop with hits like “Good Time” (Feel So Alive), “Nah Missing Me”, “Sweatin’” (She Body in Control), and his new song “Please Yuhself”. The once grooving crowd livened up during the “Chrissening” performance, as they did the ‘mad man dance’ under Edwin’s direction; When he pointed to the left and then to the right, they bounced joyfully from one side of the dance floor to the next. A similar dance was done during “Sak Pase”, which had everyone doing the signature lean back and forward dance move.

BIGGIE IRIE

Closing the show was Dr. The Most Honorable Stedson Wiltshire, whose appearance was highly anticipated based on the rousing cheers and screams — even toddlers and young children flocked to the front of the stage for a closer view. “We know him and love him because he is our very own Red Plastic Bag,” Cici enthused, moments before RPB made his grand entrance. From the onset, he commanded the stage with a tune called “I Am Alive”, which set a warm and positive tone. As he danced and moved across the stage, he held the hands of fans who reached out to him – while never missing a single note and maintaining a bright smile. “Can you imagine a fete without soca?” he rhetorically asked the vivacious crowd throughout his set, which included beloved hits such as “Spontaneous”, “Boat Ride’’ and “Ragga Ragga”.

Whether the headliners performed hits old or new, the audience sang and swayed along all evening. Although the live performances concluded around quarter to 10, patrons were invited to stay and enjoy the after party.

Deejays Scott Le Rock, Daddy Bubbles and Evolution also kept the attendees on their feet during the event, which started at 4pm.

The patrons, who were left longing for more, screamed “yes” when the MC asked whether the organisers should start planning for Soca Sunset 2024. The unanimous response merely confirmed what was evident; event goers had a spectacular time.

Scott Galt, an organiser of the Soca Sunset event, said the immense support received was astonishing, and expressed gratitude for those who contributed to its success.

“We as the organisers of the event were surprised by the outpouring of support from friends, friends of friends, and patrons who made this show a success. An idea that came to fruition, and most certainly as a pilot project to be a successful event doesn’t walk around.

“We would like to thank everyone who worked tirelessly to make this event what it was. The marketing team, the band, the technical team, security, the DJs, the management and staff of the Barbados Yacht Club, the sponsors and anyone else who we forgot.”

Scott said that the only question organisers got from the patrons was “I hope you have this event next year.”

KING BUBBA

EDWIN YEARDWOOD

RED PLASTIC BAG

Petra-Perfect Décor

By Leanne Tasher

ife has shaped entrepreneur Petra Forte into a fiercely strong and unstoppable force. For this Caribbean trailblazer, there is no dream nor endeavour beyond her grasp – literally! Thanks to what she calls her superpowers, she has turned a vision to make handcrafted concrete décor into an actualized success:

Becoming the owner of Coazline Décor was a bold step along Petra’s complex business journey. She said the experience gained from establishing different businesses throughout the years (e.g. landscaping, and crafting cakelike structures with baby products such as diapers and baby bottles) has poised her for success in her current venture. Since Petra’s faith in God pervades every facet of her life, Coazline Décor was, naturally, birthed with divine orchestration.

Inspired by an artisan from the Maldives, Petra was able to mix, mold, and polish her way to creative mastery. After two years of research and practice, she launched her business Coazline Décor in April 2022. While her decision to work with concrete was shocking to many, her artistic prowess, however, came as no surprise.

“People were more shocked at what I was doing as opposed to my creative skills and ability,” she said, explaining that the use of concrete as household décor is novel in the region, “Using the medium of concrete was an experiment all on its own because what we’re accustomed to seeing from concrete is industrial – it is always a building material.

“Very few people see concrete and think ‘I could see this as a tray in my dining setting’ or see it as a nice functional jewellery holder. So, I wanted to showcase how concrete could be used in a functional situation.”

Courage and inventiveness are, unsurprisingly, two of Petra’s long-standing traits. As the eldest of her five siblings, Petra recalled occupying lonesome years with reading, singing, and dancing – and when she was not picking dunks, flying kites, and roasting breadfruit with friends in the Mapp Hill community where she grew up, she immersed herself in her creative gifts. She remembered being bold enough to entertain scores of people with her talents, too. But, although she eyed big stages like Richard Stoute Teen Talent Contest, only audiences of her parents’ Adventist church and school choir had witnessed her perform; her devout Christian mother had cautioned against and disallowed secular performances. “At age 12 or 13, I did not want to hear that,” she said, after sharing that her upbringing was characterised by “church, church and more church.” However, over time, Petra said she became deeply grateful for her values that were instilled by the church, such as compassion and empathy.

“I have a plan and God has His own plan,” she noted, “It wasn’t something that I could say I knew I was going to be – a concrete creator. But I knew I was going to be a creator because I have always enjoyed seeing that finished piece.”

Progressing from an idea to holding a tangible product excites Petra, who can seldom contain her overwhelming jubilance. The mother of one revealed that she still gets awestruck every time she unmolds one of her concrete creations. “I would show my daughter Nu-Biah, ‘Look at this! Look at this one!’” she said, with eyes lit up. As Creative Director, 18-year-old Nu-Biah is instrumental to Coazline Décor, as crucial design decisions begin and end with her trusted input. Petra’s Coazline Décor team also includes her boyfriend and his best friend, for whom she expressed immense gratitude. She praised her “awesome team” for being ever-supportive and readily available to share much welcomed feedback.

While reflecting on humble beginnings, she spoke about having a lone hexagon-shaped mold, which was a gift from her brother-in-law. As soon as she discovered it one evening, she started working her magic.

“I did not waste any time. I went and I made some concrete. I was very excited, but when I unmolded it, it crumbled,” she revealed, after initially erupting in laughter at the thought of the unexpected mishap, “When it crumbled, I tell you, my heart sank. I told myself ‘I am not going to lose any sleep over this. I’m going to go back to the drawing board.’”

It took roughly six months for Petra to perfect her craft, which involved ditching resin as a medium due to the “plasticky feel” of the finished products. A search for alternatives led to her history-making creation of concrete decor in Barbados, which attracts hundreds to coazline_ decor on Instagram.

“I have quite a few superpowers,” the 43-year-old Barbadian enthused, “I call them superpowers, and I believe that everyone has them. It’s just then knowing how you will use it. One of my superpowers is that once I can see and understand something, I can do it.”

The appeal of and demand for Petra’s pieces had prompted her to acquire more molds, enabling her to make a wide array of items such as coasters, candle holders, ashtrays, and vanity trays. She recalled the challenges of initially working with a single mold, which limited her to making up to two pieces a day. During this time, she had shown a Mount Gay Distillery colleague her handiwork and, through word-of-mouth, received praise and best of all, orders.

“I would have shown a few people my work after I really perfected that one piece. Bear in mind, I only had that one single mold. I ended up, in a two-week span, having 27 orders of this piece and only had this one mold. So, that was a very exciting time,” she recounted, noting that she can now make up to 44 pieces daily. To this day, she is still deeply grateful for the support from her “Mount Gay family”.

Each Coazline Décor piece is handcrafted with great care, attention to detail, and heart. The selfconfessed perfectionist said she takes tremendous pride in her work, which entails mixing, molding, curing, sanding, sealing, polishing, and branding. For Petra, crafting décor is an intentionally intimate activity, so when she gears up in her mask, gloves, and apron, she is mindful of the feel of her products, which she inspects with bare hands during the sanding phase. She would determine colour choices with Nu-Biah, diligently lay out items like containers and utensils, and then including colourants. After molding, the concrete is

Although she is meticulous and detailed, Petra has an open mind when it comes to the function of her pieces. She encourages her customers to use their Coazline Décor without any “labels” or limitations. For instance, a ‘toothbrush holder’ may be used to fulfil another, suitable function such as storing makeup brushes or housing a small plant. As such, she describes her pieces as versatile, multifunctional décor. In fact, hearing about customers’ creative ideas for the décor is one of her most satisfying experiences as an entrepreneur.

The patriotic businesswoman revealed that her business name was inspired by the vibrant beauty and richness of Barbados’ blue coasts. She said, “I’m very biased when it comes to my little rock Barbados… We have some of the most beautiful coasts in the world, so the name Coazline was initially based on that, but then I spelt it differently because of the vision I have. I want to carry items from A to Z in concrete décor, that’s why it is spelt ‘COAZ.’”

In addition to her “awesome team,” Petra is also grateful for another, life-changing resource, namely the Academy of Women Entrepreneurs (AWE) program, a course organised by the U.S. Embassy in Barbados and the Barbados Youth Business Trust (BYBT). She was part of the 2022 cohort, which was trained for six months before graduating in May. She said AWE’s participants, courses and support were phenomenal.

On the surface, Petra’s entrepreneurial pursuit looks glamorous, but in reality, she is driven by a deeper, substantial purpose. She values quality time with family, and owes much of her determination to their presence, love, and support. That’s why making time to do “family stuff” is an essential, non-negotiable item on her busy schedule.

While Petra’s superpowers embolden her to strive and achieve, the adoring eyes of daughter Nu-Biah makes every sacrifice and gruelling effort all the more worthwhile and meaningful:

“She keeps me strong. She keeps me focused. She keeps me grounded. She’s very expressive and I have no doubt that she’s proud of me. She says, ‘I’m proud of you, you know?’ One time, I asked ‘Why… what did I do?’ She said, ‘nothing and everything.’”

The Tasteful Styles of Pink Lemonade by RP

By Scriber Content Solutions

“Oh, I love your dress!”

“Whoa, that’s really nice!!”

These sentiments flow from stunned admirers while gushing over Pink Lemonade apparel; Owner of the fashion line, Rotchelle Parris, effortlessly attracts such compliments when sporting one of her ‘throw-on fabulous’ looks, even from “people who don’t even know that I’m a designer”. Since starting the business in 2010, her customers have revelled in the compelling appeal of the custom-made designs, which Rotchelle describes as “easy” and “chic”.

“It’s not fussy. It’s not over the top, but it’s still very chic. I would say that it is simple in terms of having a very clean design and it just makes for easy wear. You don’t have to think about it, you put it on and it does what it’s supposed to do.

“[For example] you have a kaftan and it’s nice and easy. It’s just a pretty straight forward design but then because of the print that you use, it makes something that is considered very simple stand out,” she told Glamizine.

The Pink Lemonade by Rotchelle Parris brand is known for vibrant, tropical designs, both on the runway and off. But, as with any entrepreneurial venture, its glamorous reputation and critical acclaim was preceded by tremendous work and resilience. Rotchelle recalled the sleepless weeks she experienced ahead of her first fashion show at Barbados Fashion Week (now International Fashion Festival) in 2010. The planning and preparation for the show was done with then business partner Daisy.

“We did that in a short window - three weeks, to a month… We did jumpers, dresses and those days, we actually did tie-dye. So we hand-dyed the pieces but I moved away from that because that’s a great undertaking. If you’re dying fabric, you have to wait for it to dry before you can sew it. At that point in time, we wanted to be original and not have any fabric from somewhere else,” she noted.

Rotchelle has always been creative – expressing acute interest in dance from age seven, learning to crochet, and studying pottery as an elective at Barry University in Miami, Florida. The Psychology graduate said she is open to learning new things, and unsurprisingly, her desire to sew and design evolved from an irresistible impulse.

“I just decided one day that I wanted to learn how to sew. I got a sewing machine and I kind of just figured it out,’ she said, adding that she invested in books and learned from Youtube.

Designing has opened a world of unique opportunities for Rotchelle, who juggles her fashion career with a full-time profession as a branding specialist. For instance, she has done fashion shows in Trinidad and Tobago, Washington DC and Atlanta. She has been the resort-wear sponsor for contestants and winners of Miss Universe Barbados, and her designs were featured in ads like the Bajan 1966 rum. A highlight for Rotchelle was having one of her designs featured in OK Magazine — a UK based publication — in 2012, in which Kerry Katona (an original member of the girl group The Atomic Kitten) was styled in a drape-detail, purple dress. Rotchelle had also launched a “From Barbados with Love” campaign in 2018, which featured iconic landmarks as backdrops to her tropical collection.

Creative Process

Pink Lemonade by RP creations are made with natural fibres, often with prints that are reminiscent of vibrant Caribbean landscapes. To bring her ideas to life, Rotchelle is drawn to materials such as cotton, rayon, crape, linen and satin – fabrics that offer comfort and ease.

“I hardly use stretch fabric. I do use stretch pique like if I do a bodycon. I have a couple bodycon dresses but the majority of the clothes that I do are definitely loose-fitting like kaftans and that kind of thing,” she said.

Since its launch, Pink Lemonade by RP has developed a loyal customer base of women, typically in the 20 to 40 demographic. The brand remains consistent, delivering unique, chic styles, all carefully measured to the proportions of the customer. A few things, however, have changed for the better; The line still offers tie dye options, but this is now outsourced to Tyde Barbados. Additionally, greater emphasis has been placed on the customer experience:

“I think I do a better selection of prints and fabrics than I did in the beginning. I definitely think more in terms of the customer because I’m a person who likes bold colours and prints, but I realised that sometimes people are not very fond of that.

“So I guess in my process now, I think about what people would like and not just what I would like. I always tell people that I don’t pick fabric that I won’t wear, but I also think about things that the customer would like,” she said.

Pink Lemonade by RP pieces are already available at boutiques such as Local & Co, Suga Apple Swim and Martindale’s. Rotchelle said she aspires to continually expand the brand, and as such, hopes to have her fashion line in boutiques abroad:

“My ultimate vision is to have boutiques. Mass production was never my vision just because I like to have things tailor-made to people.

“Obviously in a boutique, it can’t be custommade but I would try to have items that could fit a wide variety of bodies. A lot of my pieces have elastic in them, they are loose fitting, so at worst, you may just have to get something tailored if you’re too short… I would like to have my pieces in boutiques outside of Barbados as well.”

Pink Lemonade by RP has proven to be a tasteful, chic fashion line, and if the tenacity of the self-taught owner is any indication, it will surely meet and exceed its greatest vision for success!

Fearless Fashion

How to Confidently Rock Bold Styles

By Scriber Content Solutions

Have you ever held yourself back from wearing a bold, exuberant look?

It is tempting to think, “No, I can’t wear this; I’ll stand out too much,” even if it’s an outfit you fancy and looks amazing on you. Many people may feel this way due to a fear of being judged, and would rather shy away from ‘daring’ pieces to evade the burning eyes of critics, who scan you from head to toe with a raised eyebrow and pouty lips. But, being boxed in by others’ opinions, whether real or imagined, stifles creativity and your true self-expression. It’s time to break free from perceived limitations and doubts with these three reasons why you should be fearless with fashion. Bold fashion enables you to:

Express Your Authenticity

Looking your best is not about receiving compliments or being an attention-seeker, it’s about being self-assured in your personal style. Since you know yourself better than anyone else, you know if you are being true to yourself or need to jazz up your wardrobe. If there is a style icon inside of you, it is up to you to let it out.

It is empowering and confidence-boosting to know and accept ourselves, quirks and all. Fashion allows us to express those qualities that make us who we truly are without saying a single word; Choices in colours, patterns and prints, for

instance, speak to your individuality and creativity. In turn, your authentic presentation can attract the people and opportunities that best complement your values and mindset.

Live Fully & Unapologetically

When you embrace and express who you are, you will feel most alive. Bold fashion injects fun and excitement into what can otherwise be a mundane daily routine. Adding dramatic flair to your outfit can enhance your mood and can help you to show up ready to rule the day.

If you are not used to being audacious, you may opt to start small, and gradually build the courage to ‘dress to the nines’. Try incorporating daring pieces such as bold accessories, statement shoes or an artsy bag to conventional attire. This phased approach allows you to experiment with new, more daring styling options without feeling overdressed or overwhelmed.

Own Your Uniqueness

Owning your style begins with an intention to be, look and feel your best, while having the courage to stand out from the crowd. This decision might be most easily made when you are alone with the mirror. Take an honest look at yourself — resisting the urge to anxiously ask for a friend or relative’s opinion — and accept what has or has not been working, then re-evaluate how you want to show up in the world.

Oftentimes, people are indecisive, going back and forth in their minds about what to wear, only to grab their first choice at the end of deliberation – all because they do not trust their ability to style themselves. However, fashion is fun and limitless, so there is no need to put undue pressure on yourself. Look for sources of inspiration, if necessary, to make styling easier. Ultimately, an approving smile from the fashionable person in your reflection is all the validation you need.

If you want to achieve an extraordinary and classy appearance, be mindful that there is a difference between being ‘loud’ and being lewd. Our style of dress can communicate our values, which means the desire to transcend fashion norms should be tempered with good reasoning and discernment to avoid sending the wrong message.

Lastly, it is important to note that clothing and accessories, no matter how glamorous, will not substitute for confidence and self-love. Without these attributes, it is impossible to feel comfortable with anything that you wear.

With bold fashion, you are able to express yourself, feel enlivened and own your unique style. When you give yourself permission to wear out-of-the-norm looks, the world becomes your runway, and your effervescence and unapologetic confidence shows. Besides, it won’t hurt to be ‘fussy with yourself,’ as Bajans call it, at times.

Are you ready to embrace your inner fashion maverick? Visit Glamizine on Facebook and Instagram for more style inspiration.