gabriel yingst PORTFOLIO
ACADEMIC WORKS 001 2021 - 2024
BISON PAVILION
The Bison Pavilion, located outside Winterset, Iowa, in the Holliwell River Valley, is a repurposed structure designed to serve as an observation shelter for a Bison Paddock. The pavilion seamlessly blends with the surrounding landscape by reusing materials from a preexisting corn crib and barn on the site.
Situated above a prairie grass field where bison graze, the pavilion’s roof slope mirrors the hill’s natural grade, allowing it to harmonize with the land. Inside, visitors have two options: a corridor leading to the land or a series of shoots to the observation area. The pavilion’s façade, inspired by the corn crib’s design, promotes ventilation. This design ensured the preservation of corn and prevented mold formation.
The Bison Pavilion’s purpose goes beyond providing an observation experience. It aims to restore balance to the native ecosystem by advocating for the reintroduction of bison. Bison grazing behaviors benefit the land, allowing plants to grow back healthier, while their hooves aerate the soil and distribute seeds.
The project aims to raise awareness about the significance of these animals in restoring the native ecosystem’s health and promoting sustainable land management practices. It serves as a reminder of the intricate interdependencies between wildlife, landscapes, and human communities and highlights the importance of preserving and coexisting with the natural world.
TYPE: LANDSCAPE ARCHITECTURE
SITE: WINTERSET, IOWA
DATE: 12/01/22
PROF: KEVIN LAIR
1 FOUNDATION INTERIOR SLATS INTERIOR DOORS CRIB LADDER FRAMING CRIB DOORS CORN CRIB ROOF 1 2 3 4 5 6 7 8 8 7 6 5 4 3 2 1
MATERIAL CULTURE
The barn and corn crib are utilitarian in nature. These structures are found everywhere throughout the Midwest. Although their construction is not unique, they bear the mark of the time. They carry a sense of tradition and a way of life.
WOOD FRAMING
The wood used to build the barn and corn crib was sourced from Washington. The wood arrived by train to Winterset and was moved to site South East. Wood was a popular building material at the time of construction. Pine was most likely used because of its abundance and workability.
STEEL ROOF
The roof of both structures are made up of galvanized steel. The steel most likely came from a steel mill transported by trains. Galvanized steel is used for most modern-day barns and corn cribs because of its lifespan and durability.
MATERIALS:
To enhance durability and resilience, the exterior of the pavilion undergoes a Shou sugi ban treatment. This ancient Japanese technique involves charring the wood’s surface, imparting it with heightened resistance against fire, weather elements, and insect infestation. The project minimizes environmental impact while maximizing resource efficiency. The charring process requires minimal additional chemicals, compared to conventional wood treatment methods.
6 7 5 4 2 1 3 Decking Corn Crib Facade Ribbed Glass Barn Column Barn Facade Barn Glass Double Sliding Door 1 2 3 4 5 6 7
MUSEUM X
Museum X is located in Chicago, Illnois, along the East shore of the North Pond in Lincoln Park. Spanning 30,000 square feet, this museum features historical and contemporary art galleries, showcasing artifacts that confront uncomfortable truths and examine the influence of violence on our physical environment.
The design emphasizes distinct areas for public and private collections, ensuring a clear front and back of house. With attention to structure and lighting, the museum creates an immersive experience for visitors to engage with the exhibits. Rather than glorifying violence, Museum X provides a space to explore unresolved issues and the forgotten remnants of systemic problems.
Its minimalist exterior, marked by a contrasting monolithic tower, captures attention. Inside, visitors journey through lightfilled galleries with wood accents, gradually descending into deeper levels where controlled lighting and disturbed concrete surfaces convey a sense of unease. The linear museum experience encompasses four main galleries, each presenting a distinct narrative. As visitors progress through the final gallery, they are greeted by a release of light from the tower’s top.
TYPE: MUSEUM
SITE: LINCOLN PARK, CHICAGO
DATE: 12/01/22
PROF: ROB WHITEHEAD / ROD KRUSE
EXHIBIT 1 AUDITORIUM OFFICE LOADING EXHIBIT 2
BASTARDS OF ISTANBUL
This research-focused studio embarks on a journey through the intricate layers of Istanbul’s cosmologies, mythologies, and tangible artifacts. We delve into the city’s cultural and spatial tapestry, exploring its pockets, overlaps, hybridities, disruptions, and regime changes across its history. Cross-referencing histories, fiction, and physical elements, the project uncovers the narratives that shape Istanbul.
Our exploration extends beyond boundaries, examining urban and architectural artifacts alongside the nuanced stories embedded in its literature. We identified the loose threads within the physical and fictional fabric of the city. Through meticulous drawings and intricate models, we aimed to make visible what is often invisible
This project serves as a means to voice to the unheard stories within the city, using architecture as a language to articulate narratives that transcend time. Having immersed ourselves in the bustling markets, hidden alleyways, and majestic palaces of Istanbul, we are driven to capture the ever-evolving spirit of this vibrant city. A moment in time, revealing the dynamic energy that defines Istanbul.
TYPE: CITY EXPLORATION SITE: ISTANBUL, TURKEY DATE: 1/26/23 PROF: FIRAT ERDIUM
In the heart of the world, there’s a city that defies the clock, where two continents meet and history is etched in every brick. Istanbul is not just a city; it’s a tear in time that refuses to heal. It’s a place where empires have risen and fallen, leaving their marks like battle scars on the landscape. Istanbul, a city that’s ever past, ever present, and ever future.
SULEYMANIYE MOTHER BOARD
This project centers around the Suleymaniye Complex, exploring its pivotal role as a significant node within Istanbul’s urban fabric. Investigating its influence on the surrounding environment, the project aims to unveil how the complex has shaped the cultural and spatial dynamics of the city. Focusing on the intricate relationship between the Suleymaniye Complex and its urban context. Viewing Suleymaniye as a computer chip helps contextualize how its role in the environment.
BEYOND FACADES
In this project, we dive into the diverse lives within Istanbul, beyond its busy streets. Venturing into private spaces, we unearth the unheard stories and experiences of its inhabitants. This exploration goes beyond public facades, revealing the narratives that define the city. Behind the facade lies a dense network of community and commerce.
THRESHOLD IN TIME
In the final project, our attention shifts to an urban archaeology site beneath the plinth of the Suleymaniye Mosque. Within the 50-foottall plinth are concealed arched stores, prompting a proposal for an archaeological entrance. This excavation serves as a metaphorical threshold, representing the intersection of past and present, where layers of history and contemporary life converge.
The tunnel stands as a temporal node, its essence intertwined with the city’s history. Clad in unassuming scaffolding, it waits for the day it fades into obscurity, only to be rediscovered by chance. Architecture existing as a silent passage of time. Beyond its threshold lies a tunnel carved into the wall, a gateway to a timeless realm untouched by the hands of today, where past and present converge in a silent dialogue.
A STRANGENESS IN MY MIND
The physical spaces that we inhabit are inextricably linked to our memories that were formed there. These spaces possess the capacity to mold us, blending our experiences into an invisible architecture. Within the confines of our domestic space, we discover the power of these physical locales to become portals, transcending temporal boundaries.
The corridors of the mind, where the boundaries between thoughts and space dissolve, hold residues of lost memories. Within the recesses of our consciousness exist these realities that coalesce and evaporate at their own will. Ever close and ever distant, our environment shapes these thoughts, and they reciprocally shape us.
Recollections turn into living entities that inhabit our minds. They exist independent of us, charting their course through the fabric of time irrespective of our conscious influence. Gazing into the mental void, we encounter a reciprocal gaze – a revelation that remembering is a dialogue. As we seek to unearth memories, we, in turn, become subjects of discovery by the memories themselves. As we unravel the enigma, the memory, in turn, unravels aspects of ourselves.
TYPE: PERFORMANCE ART
SITE: BLACK CONTEMORARY
DATE: 12/01/23
PROF: PETER GOCHE
GABRIEL YINGST
EDUCATION
Iowa State University l Ames, IA
Fall 2019 - Spring 2024
+ Bachelor of Architecture Professional Degree
EXPERIENCE
Providence Finish Carpentry | Woodward, IA
Fall 2019 - Spring 2024
+ Skilled in finish carpentry, trim work, door installation, and stair construction.
Mike Hupp Construction | Perry, IA
Spring 2018 - Fall 2018
+ Contributed to home demolition and reconstruction projects, gaining hands-on experience in framing, drywall installation, and roofing
+ Acquired proficiency in various aspects of residential construction through practical application and mentorship.
The Plumbing Company | Urbandale, IA
Spring 2019 - Fall 2020
+ Engaged in both rough-in and finished plumbing tasks, demonstrating versatility in plumbing procedures.
+ Operated skid loaders and other heavy equipment proficiently to support various proects.
Original Appearance Manufacturing | Ames, IA
Spring 2021 - present
+ Specialized in the manufacturing process of rocker panels, performing tasks such as cutting, sanding, and quality inspection.
+ Maintained high standards of craftsmanship and attention to detail throughout the production process.
Gabe’s Lawn & Landscape | Ames, IA
Spring 2022 - present
+Founded and operated successful landscaping business, focusing on client communication, negotiation, and project management.
+ Specialized in landscaping services while managing various tasks including lawn care, painting, weeding, and demolition.
REFERENCES
Pete Goche
Associate Proffesor of Architecture
Iowa State University goche@iastate.edu
Kevin Lair
Associate Proffesor of Architecture
Iowa State University klair@iastate.edu
yingstgabriel@gmail.com (515)-971-9962
RECOGNITIONS
TREND Magazine
Spring 2024
Contributed to the studentled fashion magazine, Trend Magazine, at Iowa State University. Led the set design for Publication #35, RADAR, themed “Runway U.F.O.”, inspired by 1940s pulp alien movies and featuring extraterrestrial beings in search of belonging.
Substance Prize
Competition: Winner
Spring 2024
Awarded the Substance Design Competition prize for the project titled “A Strangeness in My Mind,” chosen by a jury featuring guest judge Wade Scaramucci, Director of AHMM (Allford Hall Monaghan Morris).
Selected from projects submitted by Arch 403 and 603 studios for exemplifying ISU Architecture’s design quality and architectural thinking ambitions.
SKILLS
Digital:
Photoshop Illustrator
Indesign C++ Grasshopper Revit Lumion Rhino
Firat Edrim
Analog:
Sketching Sculpting
Model-Making Collage Woodworking Printmaking
Associate Proffesor of Architecture
Iowa State University firaterdim@gmail.com