THE April 8, 2013
Gilman School
NEWS www.GilmanNews.com
Volume CXII No. 5
Ron Charles Delivers 43rd Annual Citron Film Festival Wows Audience Mountcastle Lecture T P “You could tell distinct styles from each by
by
Brian Choo
“My typical print readership is a 56 year-old woman from Rockville, Maryland,” noted Ron Charles as he spoke to a group of Writing Consultants during a fifth period question and answer session. Mr. Charles, Deputy Editor and Fiction Critic at The Washington Post, came to Gilman on Thursday, March 21, as Gilman’s 43rd annual George E.P. Mountcastle Lecturer and spoke with students on the quickly evolving landscape in the publishing industry brought on by new technology and changing literary habits. In addition to delivering the evening lecture, Charles was present in classes throughout the day. Although Charles is known for his weekly book reviews, his job comprises mainly of performing editorial duties at The Post. The newsroom at The Post is an expansive, cubicle-filled space; editors work on specific tasks, whether it be writing, copy-editing, or layout. Charles’ main job as an editor for The Post centers around editing colleagues’ articles and producing content; in essence, much of his time is spent writing not his own reviews but those of others. Thursdays are when Mr. Charles spends the day writing his weekly review, which he will then put aside for a week before further changes are made. Of the nearly 6,000 books published through traditional means each week, around 1,000 make it to The Washington Post. Yet, only twenty of them, or two percent, are ultimately reviewed, which leaves “better chances of getting into Harvard than having your book reviewed,” quipped Charles. “It’s just a staggering flood of books,” said Charles. “There really are no more aspiring writers. They are only writers aspiring for your attention.” During the lecture, Charles also discussed the way literature is changing today. Minority writers are emerging to make their mark in a field dominated by white men. Today is the golden age of young adult literature, a genre which is accessible beyond the target demographic. The more f luid structure of the genre has given writers additional creative freedom. Indeed, the book is far from moribund. Mr. Charles provides a unique perspective on book reviewing in his satirical video series entitled The Totally Hip Book Review. “Three minutes of video brought me more fame than fifteen years of book reviewing,” he joked, noting the sheer power of new technology. The advent of new media, however, has not only swallowed print papers and book critics alive but also forced those that are left to sell themselves and fight for the attention of consumers that have
OPINION
Photo courtesy of Ron Charles. ever-decreasing attention spans. Keeping the attention of readers has become increasingly difficult. Charles offered some pertinent examples, including 50 Shades of Grey and Lil Wayne Seizure to name a few. Today, the typical online reader is worth around $15 per year. In contrast, a typical print reader is worth roughly $800 over the same time period. The quick introduction of new technology precipitated a bust in the newspaper market. In the olden days of the paper, 40% of revenue came from classified ads. In fact, a third of Sunday paper “readers” only got it for the ads. The rise of Craigslist quickly dried up this market. The question of how one, in this day and age, can possibly filter the barrage of content which has a value quickly approaching zero is hard if not impossible to answer. Emerging competition from amateur critics on sites such as Goodreads and Amazon severely cannibalize readership. Overall, The Post is one of the last major newspapers to go behind a paywall, a subscription-based service for their online content; it plans to make the transition this summer in order to stay afloat. Although the inevitable progress of technology may spell disaster for many old ways of life and noble professions, Charles’ closing message will forever ring true. The shortening attention spans of people who demand content that is increasingly instantaneous and nothing but free will be held in check only by one constant: books. Amid the transformation of media, books have held their ground. Books remain one of the few things that a person can focus on for long periods of time, offering, in Charles’ words, a “unique and powerful source of intellectual stimulation.” Whether they be in the virtual or physical form, books will continue to be an integral piece of a human’s educational puzzle.
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On March 23, 2013, few seats were available in the Alumni Auditorium as the audience eagerly awaited the start of the Daniel A. Citron Film Festival. As part of its third year, the Film Festival received over four hours of submissions and drew in a crowd of over 350 students. The films, entered from several categories, included animations, documentaries, comedies, music videos, and narratives. Judges awarded films on criteria of originality, general quality, and plot. “Halls,” a film about a paranoid teacher, won the category of best narrative, with “iFail” coming second. On the grounds of cinematography, “Death Perception” prevailed, featuring impressive stunt work. Though the films primarily highlight students’ filmmaking abilities, many of the stories behind the movies were also noteworthy as well. The quality of films has risen greatly since last year, perhaps as a result of the increased collaboration among other schools. John Chirikjian (‘13) explained,
school. When you watched the Gilman films, they had a unique style.” He added, “It is interesting how the school really impacts the works.” With greatly contrasting films like “Hang Me Up To Dry,” the Grand Jury Prize winner, and “Death Perception,” his idea rings true. A few films left viewers with serious messages. Chirikjian describes “Self-Addressed” as representing “the kinds of films that should be awarded to ensure that [the filmmaker] should continue his work.” Overall, the Film Festival was wellreceived by attendees. Cameron Riegel (‘15) describes his favorite film, “Death Perception,” as a “very funny, well-done” film where the “acting was not horrible.” Ben Mendelson (‘15) describes his experience acting in “Castigo” as “really exciting and fun, especially in the high action scenes.” With such great student reception, the Citron Film Festival has undoubtedly become a new Gilman tradition.
Steinway Piano Makes Gilman Debut by
Basil A postolo
As you walk by the Alumni Auditorium on your way towards the Athletic Building or Middle School, you may hear piano music flowing from the windows above. This beautiful sound is probably coming from the brand new Steinway concert grand piano the school has just acquired. It all began when Mr. Ariel Dechosa, the school’s music department chair, had a dream to bring a world-class instrument to the community in order to provide a world-class piano where Gilman students, faculty, and alumni could perform and showcase their talent. With the support of Mr. Schmick, Mr. Dechosa and The Gilman Development Office were able to raise the funds required to purchase the piano. The piano is an 1897 Steinway model, from the same year Gilman was founded. “I wanted a model from 1897 because that year was significant in our school’s history,” said Dechosa. In the middle of May 2012, the piano was disassembled in London, England, shipped to Piano Craft in Gaithersburg Maryland, and reassembled. Then, it was restored with Steinway’s exact specifications using genuine parts, and delivered to the Gilman School on December 19, 2012. On Sunday, February 24, 2013 at 5:00 the Steinway Inaugural Concert was held in Gilman’s Alumni Auditorium. Seven Gilman students performed in the concert joined by one student from Bryn Mawr and two Gilman faculty
members. Highlights from the concert included Rachmaninoff’s Prelude in G Minor performed by Tyler Wakefield ’14, and a Liszt Ballade performed by Richard Shin ’14, who is a Young Steinway Artist. Andrew Park (Violin, ‘14), Andrew Shim (Violoncello, ‘16) and Shin (Piano) also performed Beethoven Ghost Piano Trio. In addition to more traditional music, Mrs. Elizabeth Sesler-Beckman, the middle school music director, performed a jazz piece entitled Night and Day by Cole Porter. Frédéric Chopin’s Polonaise in A Major, performed by Mr. Dechosa was another highlight of the concert. Also included was the brother/sister duet of Diabelli’s Two Melodious Pieces performed by Meredith and Thomas Broadus. (Class of 2021 at Bryn Mawr, and Class of 2020 at Gilman, respectively.) “It was tremendous,” commented Peter McIntyre ’15 of the concert. “It is always great to see the talents of your classmates beyond the classroom.” “This Steinway in our community enables each one of us to present and pursue our best work as musicians… I think that it is really our ultimate goal,” said Mr. Dechosa. “I would love every boy at Gilman to explore his musical and artistic passions. This world class instrument is a true inspiration. I feel the school always supports the music department’s endeavors, and this piano is a great display of the school’s commitment to the arts.”
Kuzcynski & Locke weigh in on North Korea (page 2); Williams’ Voter ID (page 3)
EXCLUSIVES
A look into Student Government (page 3); A profile of Coach Sheets (page 7)