Ziisbaakdoke Giizis (Sugar Making Moon)
Aaniin, Niijiiwag (Hello, Friends),
FROM THE DESK
March marks the Ojibwe New Year, a time for celebration as we welcome a new seasonal year that symbolizes a significant period of birth and renewal. All our relatives emerge from winter, and this month is known as Onaabaanigiizis, or the HardCrusted Snow Moon. It is closely associated with the awakening of the maple trees. The arrival of this season signifies the beginning of the year for our community.
March is a special time for the Ojibwe people, marking the beginning of the New Year. This season brings a feeling of celebration as we welcome new growth and renewal after the long winter. Known as Ziisbaakdoke Giizis, or Sugar Making Moon, this month is when we start to see the first signs of life, especially with the maple trees waking up. In our community, this season is a treasured time for family gatherings in the Iskigamizigan, or the sugar bush camps.
During this time, our communities and families build sugarbushes to harvest maple syrup, which holds cultural and medicinal significance. The sugar, a sacred food, from these trees is regarded as a form of medicine, highlighting the deep connection between our communities and Nimaamaa-Aki, or Mother Earth. March is a time when we bring asemaa, or tobacco offerings, asking for permission and presenting an offering to the trees filled with ceremony and feasts. These offerings represent a gathering of this sacred food, Zhiiwaagamizigan, or maple syrup, and signify new beginnings.
As we celebrated our inaugural milestone on October 12, 2024, we reflected on another meaningful year at Giiwedinong (‘in the north’). We are filled with immense gratitude for the strong community we have built together. This report goes beyond just numbers; it is a tribute to the lives we have touched and the positive impact we have made within our Anishinaabe community and beyond.
Sharing the Gift: The Giiwedinong Museum is honored to be the first Native, independently controlled treaty rights museum in the state dedicated to serving our future generations. We extend our heartfelt gratitude to our donors, allies, and relatives from various Indigenous communities. This initiative is made possible through the generous contributions of individuals, water protectors, and organizations, including our first founding member, Betty LaDuke; the Saint Paul & Minnesota Foundation; the Knight Foundation; the Minnesota Humanities Commission; the Mellon Foundation; the Blandin Foundation; and many more.
I am thrilled to share the stories of our impactful work, honor our dedicated team, and envision the future we can build together. I invite you to join us on this journey as we continue to “share history as we make it.” We sincerely appreciate your support and generosity; you are vital to our mission.
Miigwech.
Sarah ‘Miskwaaens Migiziwigwan’ Kalmanson
White Earth Anishinaabe & Lac Orielle Ojibwe descendent Executive Director
Graphics and Photos by Sarah LittleRedfeather
MISSION
To honor, empower, and inspire Anishinaabe and Dakota through immersive exhibitions, dynamic public programs, and transformative education.
We will ignite awareness, foster respect, and drive meaningful change.
VISION
Mino Bimaadiziiwin (to live “the good life”) for all Indigenous peoples as given by the Creator and as carried by generations behind and ahead.
Our cultural knowledge is grounded in our relationship to Akiing, the land to which we belong.
WHO WE ARE
Giiwedinong, in Anishinaabemowin, translates to “in the north” and signifies “homecoming” for the Anishinaabe people. Many are not aware of the rich history tied to this land, particularly concerning the Shell and Crow Wing Rivers. The cultural significance of wild rice and the foundational principles of a land-based Anishinaabe economy. Our mission is to provide opportunities for individuals to explore the world through an Anishinaabe lens, honoring traditional practices and fostering deep connections with the Akiing, or “the land to which the people belong.”
The Giiwedinong Museum is a beacon of hope and a monument that highlights the Anishinaabe’s vibrant cultural heritage and narratives. The museum showcases the profound relationships between the Anishinaabe people, their history, and the cultural landscape through its exhibitions and programs. Visitors are encouraged to engage with storytelling’s vital role in preserving traditions, values, and life lessons passed down through generations.
The museum proudly exhibits traditional art forms and creations, such as beadwork, which reflect the beauty of the Anishinaabe and their intrinsic bond with Mother Earth. By emphasizing environmental stewardship and sustainable practices, Giiwedinong
Museum inspires respect for the ecosystem, promotes harmony with the land, and honors the movement of water protectors.
Through its educational initiatives and community engagement, the museum fosters meaningful discussions about treaty rights, history, and culture, ensuring that the Anishinaabe legacy is celebrated and preserved for future generations. The museum’s programs embody the essence of spirituality, community, and tradition, nurturing a deeper understanding of Anishinaabe culture.
The museum has received significant attention from diverse visitors, including school groups, the general public, social justice advocates, and elected officials. Park Rapids has become a highly sought-after destination for tourists. The museum weaves together the stories of its people and their land, facilitating the exchange of both historical and contemporary Indigenous art and cultural knowledge.
The narratives of our land, treaties, and the challenges we face in protecting our resources are expressed through various avenues, including art, events, historical exhibits, and street murals.
We aim to create an environment conducive to dialogue, exchange, and meaningful learning. By using art and informative exhibit panel storytelling as tools for social change, we can nurture a more inclusive, empathetic, and balanced community that values diversity.
REASONS FOR THE WORK
The programs developed by Giiwedinong share Indigenous history, culture, and social justice in the Northern region. We are proud to be Minnesota’s only independent Indigenous, native-led museum. Along with training a new generation of museum curators and docents, the museum also organizes promotional and educational forums and art in public spaces and enhances multimedia access to cultural history. This project acknowledges the profound historical background and cultural practices of the Anishinaabe and Dakota communities, originating from our ancestral homeland, Indakiingimin. The museum aims to rectify historical narratives surrounding ‘discovery,’ ‘vacant lands,’ Paul Bunyan, and manifest destiny.
We recognize the significance of treaties between Indigenous Nations, Indigenous civil society, and the pursuit of justice with America. In addition to addressing complex social and political issues, the museum shares the heroic stories of the Anishinaabe protecting land, wild rice, and water and the evolving recognition of their rights.
The museum is housed in the historic Carnegie Library, which Andrew Carnegie funded after he amassed a considerable fortune from the Iron Range. While the library was meant to provide access to knowledge for the people of northern Minnesota, mining activities in the Iron Range have severely damaged the land and waterways in the region and violated treaties.
This continued when the library was relocated. Enbridge, the Canadian
multinational pipeline company, purchased the building to serve as its headquarters for expansion in the 1855 Treaty Territory. Many people in the north opposed that pipeline and stood outside the Enbridge office as Water Protectors.
On October 12th, 2023, Giiwedinong opened its doors to provide a space that honors, empowers, inspires, transforms, ignites, and drives meaningful change.
We couldn’t be prouder of our accomplishments since opening our doors.
In its inaugural year, the museum welcomed 1,670 visitors, 600 of whom attended during the peak season from June to mid-August. Among our visitors were numerous tribal members and school students who explored our exhibits alongside the general public.
Additionally, individuals and new friends traveled from all over the United States and as far away as Manitoba, Winnipeg, Ecuador, Russia, and England to experience what we have to share. We made many friendships over our first year.
The remarkable feedback we received from our guests—highlighting our engaging programs and unique exhibits—coupled with several prestigious community awards, has transformed this year into an exceptional milestone for the museum.
OUR IMPACT
Community Testimonials
“A rich cultural experience. Features contemporary issues related to the First Nations and native people. Very well put together and beautiful art and displays.” - Joel Moon
“We are so grateful for this in our community! Thank you!” - Emily & Chris Boedigheimer
“This historic museum is a very important asset to Native history for the whole US.” - Jynx Houston
“We are excited to see this effort come to life and know it will be a blessing to us many.” - James Loken.
“This museum’s existence will have an enormous impact on cultural revitalization. This is a place where I can bring my daughter to learn about our people.” -Rachel Banks-Kupcho, Leech Lake Anishinaabe.
“Informative exhibits, beautiful artwork, nice gift shop. A rare opportunity in northern Minnesota to experience Indigenous culture and resistance.” - Bruce Nestor.
“Thank you for opening this museum. We so appreciate your time and knowledge. So much information we really only knew half of.” - Jeess and James Johnson
“Iamhonoredbeyondwordstohavethisvisioncontinue,” Recountre said.“Especiallynow,whenall humankindshould‘NotbeAfraidtoLook’atthechangeswehavetomaketoinsurethehealthofour mothertheearth,forthenextsevengenerationsofallourrelatives.”
Community Awards
Historic Preservation Recognition Award
On July 11th, 2024, in Fergus Falls, Minnesota, the National Society of the Daughters of the American Revolution (DAR) presented the Giiwedinong Museum with the Historic Preservation Recognition Award. Missy Hermes, Regent of the Fergus Falls Chapter of DAR, stated:
“Our chapter was honored to present this award recognizing the staff and volunteers of the Giiwedinong Treaty Rights Museum, not only for their hard work preserving this landmark building but also for their tremendous efforts as culture bearers, preserving and presenting the art, history, and traditions of the Indigenous people of Minnesota.”
People’s Choice Award
On October 12, 2024, the City of Park Rapids and the Park Rapids Arts and Culture Commission presented Giiwedinong with the People’s Choice Award for our “Not Afraid to Look” sculpture exhibit by artist Charles Rencountre.
Renowned sculptor and commission member Paul Albright aptly described the sculpture as “a powerful sculpture that remains firmly grounded in its message and physical beauty.”
PROGRAMS & SERVICES
Giiwedinong is truly one of a kind. There is no other place in Minnesota—or perhaps anywhere else—that compares to it. We share a voice and a history that has often been overlooked and primarily omitted from educational teachings. This learning experience connects participants with the history of this land and our collective narratives.
We tailor our programs to meet the needs of diverse audiences. Engaging with school groups, families, and seniors from different backgrounds can have the greatest impact. Our interactive workshops, hands-on activities, and guided tours will expand as we continue to grow, engaging more visitors and providing a richer experience.
Community Events
Giiwedinong hosted several community events this year that had a profound positive impact on our community. These gatherings promoted connection and cultural exchange and offered a platform for educating and celebrating Anishinaabe and Indigenous culture.
On Tuesday, January 16, 2024 Giiwedinong hosted the First Annual National Day of Racial Healing event. The event celebrated a teaching of the One Dish One Spoon Treaty and shared a traditional meal based on the One Dish One Spoon Treaty: hominy beaver tail soup.
Our visitors that attended were from the Park Rapids Arts & Culture Commission: Laura Grisamore, LuAnn Hurd-Lof, Liz Stone, Paul Albright, Carolynne White, Paul Dove, and Pat Dove, and Derek Ricke, President of Park Rapids Chamber of Commerce; Don Wedll, Giiwedning Board Chair; Mary Crystal Goggleye, Leech Lake Band of Ojibwe; Sarah LittleRedfeather, Museum marketing and creative co-curator; and Winona LaDuke, Museum research and co-curator.
Our community teaching circle from this event focused on social justice issues, enabling open discussions about the challenges faced by Indigenous peoples today. These dialogues nurtured unity and empowered attendees with knowledge.
See More: www.giiwedinong.org/news/onedishonespoon2024
During the weekend of August 18, 2024, the Water Protectors organized the Shell River Reunion, while Giiwedinong hosted a welcoming reception.
PROGRAMS & SERVICES
Community Events Continued
On September 21, 2024, we proudly hosted our inaugural Dagwaagin (Fall) Wiikwandiwin (Feast) a celebration of seasonal abundance and culinary artistry. The event featured the exceptional talents of Chef Ethan Denny-Broker, our Chef de Cuisine, who skillfully crafted dishes inspired by indigenous flavors. Tess Bouska and Rocket Flahaven from Owamni, the Sioux Chef’s acclaimed restaurant, joined him. Together, they created a memorable feast that honored the rich heritage foods and traditions of the fall season.
We were thrilled to welcome a diverse group of incredible individuals from all parts of our community to enjoy a joyful feast together. Our dedicated team at Giiwedinong worked tirelessly to create a memorable dining experience filled with delicious flavors and warm food that brought us closer together. We are truly grateful for this!
We look forward to hosting our 2nd Annual Feast in September 2025 with OWAMNI and Chef Ethan Denny-Broker again.
One of the highlights of our year was the Annual Días de los Muertos (Day of the Dead) Block Party celebration on November 1, 2024. This event brought community members together to participate in traditional activities that showcased the cultural significance of the Day of the Dead and educated attendees about its customs and practices. The gathering allowed families to bond over shared experiences, and many expressed their gratitude for the chance to reconnect with Indigenous heritage, celebrating and honoring their loved ones who have sadly passed on.
We are especially thankful to Vallartas Mexican Grill for providing us with delicious Mexican food, Ana and Guillermo for graciously sharing their vibrant culture and artistic talents, and the Armory Arts & Events Center for opening their space for our celebration. Additionally, we appreciate the Horse Nation Academy and its beautiful ponies and horses for adding an extra element of joy to the event.
Most importantly, we extend our heartfelt gratitude to all the volunteers who worked tirelessly to make this celebration possible.
See More: www.giiwedinong.org/news/celebratingdayofthedead-2024
This summer, we are excited to welcome the Memengwaag, (Monarch) butterflies, to honor and celebrate their remarkable return from the Indigenous Americas in the South.
This event will commemorate their incredible migration journey and acknowledge the cultural significance of their presence in our ecosystems. We are organizing a vibrant celebration filled with educational activities, storytelling, and cultural highlights to inspire appreciation for these beautiful butterflies and their vital connection to nature, which brings us all together.
Giiwedinong has emerged as a vibrant cultural center throughout these events, encouraging people to understand, respect, and celebrate Anishinaabe and Indigenous cultural heritage. We are excited to continue these efforts and expand our events in the upcoming year. The Blandin and Mellon Foundations support these community events within our programming.
Archives and Collections
We have received the beginnings of a unique archival collection, with more donations on the way. These include historical materials on the White Earth reservation, archival journals, and tribal publications spanning decades. This collection will be further enriched through collaboration with scholars who have studied historical newspapers such as the Tomahawk and the Progress, published on the White Earth reservation at the turn of the last century.
These early journalists shared some of the first Native newspapers in the country, striving to amplify the Anishinaabe voice in an increasingly complex world. Historical researchers have contacted us, expressing interest in collaborating on this invaluable collection
We have a unique collection of treaty materials from 1867, 1855, 1854, 1847, 1863, the 1889 Nelson Act land theft, and the 1837 treaties.
Our collection also includes the stories of our tribal members who devoted their lives to protecting our people and upholding these treaties. The collection features various written materials, such as court cases, tribal harvesting permits, and more. Additionally,
we plan to integrate numerous digital materials into the museum, making it a valuable resource for online scholars and providing direct access for our tribal communities and the public.
The archiving of programming is in the planning stages, and we have submitted an application through the National Endowment for the Humanities (NEH) for an archiving training program in collaboration with Leech Lake Tribal College. We will seek funding to support these ongoing efforts requiring further development and growth.
Our goal for 2025 is for Giiwedinong to advance in our docent programming and digital platforms, offering online webinar programs and extending our reach beyond the physical museum space to provide educational resources to a broader, diverse audience.
New technologies have the potential to digitize collections, improve inventory management, and facilitate online access to archival materials.
This is essential to our mission and will require dedicated digital staff and continued community archival coordination.
PROGRAMS & SERVICES
Exhibit Updates
In July, we unveiled what we refer to as “the original draft of the Constitution,” known as the Hiawatha Belt. This wampum belt serves as a historical record of the Haudenosaunee Confederacy’s formation and includes authentic historical annotations. Additionally, it features recent enhancements aimed at preserving and promoting a deeper understanding of this vital aspect of American history and its connection to drafting the United States Constitution and the treaties made with sovereign nations.
In November, we installed the Anishinaabe migration of the Red Sky birchbark scroll. The Red Sky Scroll map is a 2.6-meter-long representation of birch bark, or wiigwaasabak, sewn with cedar roots. It was created by Eshkwaykeeshik (James Red Sky) and
Coming Soon! Painting to Floor Decal installation of the Nayaano-nibiimaang Gichigamiin (the Great Lakes).
chronicles the historical journey of the Anishinaabe people from their homeland along the Zhiiwitaagani-gichigami (Atlantic Ocean) to the Nayaano-nibiimaang Gichigamiin (Great Lakes) during the 14th and 15th centuries.
We expanded our Hostory & Treaties for online reading and sharing. These are stories of our past, present, and future. www.giiwedinong.org/treatystories
In 2025, our upcoming exhibition aims to inspire through the Ancestor’s Wall, a captivating installation that celebrates individual family histories and cultural heritage. Alongside this, several other intriguing displays will invite visitors to explore and deepen their understanding of ancestral connections.
Artists
We embarked on our journey in May and continued through the summer, commissioning talented native artists to create vibrant murals at Giiwedinong and within the village of Pine Point on the White Earth Reservation.
On September 28th Terri LaDuke finished her “Sweet Corn” mural on our building. This mural showcases the artistic and cultural heritage of the Dakota and Ojibwe peoples. The spiritual significance of the animals depicted in the artwork is evident throughout the piece. Many visitors were excited to observe the live painting as it unfolded.
We are thrilled that Giiwedinong has connected with the vibrant community of Pine Point. Our art mural project featured a beautifully painted mural of a medicine Mikinaak (turtle) wheel, created by the talented artist Wesley May from the Red Lake Band of Ojibwe. This remarkable piece not only highlights his artistic skills but also includes the creative contributions of local youth. Their insights and perspectives are thoughtfully woven into the mural’s design, making it a true reflection of the community’s cultural teachings.
On May 17th, we initiated a captivating sculpture installation project, Not Afraid to Look, by renowned artist Charles Rencountre and his wife, Alicia. They journeyed from Santa Fe, NM, to Giiwedinong to install this monumental sculpture, which aims to enhance the cultural landscape of the Water Protector movement at Standing Rock. This sculpture installation partnered with the City of Park Rapids and the Park Rapids Arts and Culture Commission. We thank the individual donors whose contributions totaled $4,050.00 to procure this sculpture project.
See More: www.giiwedinong.org/artists/notafraidtolook
This summer, we are thrilled to present an engaging sculpture installation and two lively mural projects. Each artwork aims to captivate and inspire, contributing a vibrant artistic and cultural heritage atmosphere to our communities. These initiatives are supported by the Blandin and Mellon Foundations.
We are committed to promoting our initiatives centered on tribal art which includes establishing a dedicated marketplace for Native artists and artist murals that extend from our museum to the villages of White Earth and beyond. This marketplace will be accessible online, ensuring a broader reach and engagement with a global audience. It will also be available at our physical location, making it convenient for locals and visitors.
This initiative seeks to provide economic stability for tribal artists by offering them a platform to showcase and sell their work, especially during the vibrant tourism season when foot traffic is at its highest. By emphasizing our local artists’ unique talents and cultural heritage, we aim to enhance their visibility and sales opportunities, ensuring they receive fair compensation for their craftsmanship while enriching the cultural experience for our visitors. This dual approach will empower artists financially and cultivate a deeper appreciation and understanding of Tribal art within the community.
To extend our program’s reach from the museum to the community, we plan to expand our team by adding tribal administrative support. This role will evolve into a mentoring program focused on marketing and exhibit design.
Additionally, we aim to recruit a tribal co-director. These strategic moves will significantly enhance our program outreach efforts.
Terri LaDuke painting the Sweet Corn mural.
Pine Point youth painting the medicine Mikinaak (turtle) wheel mural. Photo by Waseyabin Kapashesit. Charles Rencountre with Not Afraid to Look sculpture at installation.
OUR STRATEGY
Our strategic vision is rooted in collaboration and a steadfast commitment to excellence. At Giiwedinong, we have joined forces with our dedicated board and team members to craft comprehensive and well-defined policies. These policies provide a strong foundation for decision-making, ensuring compliance with regulatory standards while upholding rigorous principles of accountability and transparency.
To enhance our operations, we’ve implemented detailed procedures that clearly outline specific steps and responsibilities related to our core museum activities. These areas include workforce management, exhibition curation, educational program development, and public engagement initiatives. By standardizing these processes, we have significantly improved our operational efficiency, paving the way for impactful contributions in art, education, culture, and community engagement.
Our organization has also developed and implemented robust financial policies reflecting our commitment to fiscal responsibility. These include comprehensive procedures for managing cash flow in our gift shops and reception areas, streamlined reimbursement processes, and governance around board-approved expenditures. Our diligent system of checks and balances is designed to protect our financial integrity and promote responsible management. Additionally, we have created a thorough employee handbook that is a vital resource for our team. This handbook offers essential guidance, sets clear expectations, and embodies Anishinaabe values and teachings. Through this holistic approach, we strive to nurture a culture of excellence that aligns with our mission and strengthens our connections to the community.
A key strategy for enhancing community engagement and expanding our network involves building strong partnerships with regional arts organizations, cultural museums, and community centers. By collaborating with these vibrant entities, we can leverage their rich resources and dedicated audiences to create synergistic programs that celebrate and elevate local culture and the arts.
This strategy will include organizing a diverse array of joint events, immersive workshops, and exciting exhibitions that highlight the exceptional talents of local artists, fostering a deep sense of belonging among community members.
Moreover, actively seeking input from these organizations will provide invaluable insights into community needs and interests. This engagement will ensure our initiatives resonate more deeply, attracting a wide range of participants and promoting inclusivity. By weaving together a vibrant tapestry of cultural collaborations, we can enhance the community’s cultural landscape and inspire broad participation in the arts, transforming our shared spaces into dynamic hubs of creativity and connection.
Community Outreach
A recent funding opportunity has emerged, enabling us to enhance our museum’s engagement with the community by introducing exhibits centered on land, culture, history, and treaties in rural areas. Our initiative aims to partner with Tribal communities, particularly Pine Point and White Earth, which currently lack formal museum facilities. Through this collaboration, we strive to develop community narratives and create exhibits that showcase these villages’ rich heritage and stories. Additionally, we plan to expand our programming with Niijii Radio-KKWE, focusing on treaties and Tribal history. This initiative will involve engaging Tribal historians in discussions about the 1855 treaty and its implications and exploring local land and cultural history.
Historians
We are delighted to announce the launch of our Tribal Docent Program, a pivotal step forward in our ongoing commitment to honoring our rich heritage. This exciting initiative will welcome the profound wisdom of our Tribal elders and historians into our museum, allowing them to share their deep-rooted expertise with our visitors. Through their narratives and insights, we will bring to life the vibrant stories and unique perspectives that illuminate the people, events, and traditions that have shaped our past.
This program will enhance our storytelling and help us better appreciate and understand the cultural tapestry that influences our present and guides us into a promising future.
Artist Cultural Economic Empowerment
At the Giiwedinong Museum, we recognize the vital role that artists play in the cultural and economic fabric of our community. Our commitment to artists’ cultural economic empowerment is grounded in the belief that art is not only a form of expression but also a means of fostering economic independence and cultural resilience. By creating opportunities for artists to sell their work, we aim to empower them economically. The museum facilitates artist residencies, provides grants for projects, and organizes art markets where community members can purchase pieces directly from the artists. This financial support is crucial in helping artists sustain their practices and continue to create work that reflects their heritage and experiences.
Education Outreach
Our initiative seeks to support Minnesota educators in the upcoming year by establishing comprehensive professional development programs to facilitate their certification per new state laws focused on Indigenous education. These programs will serve as a roadmap for teachers navigating the certification process and provide valuable resources and training on effectively integrating Anishinaabe history and culture into their lesson plans.
In addition, we plan to create collaborative opportunities for educators to engage with Anishinaabe community leaders and historians. This collaboration aims to enrich the educational experience, promoting a shared exchange of knowledge that will
enhance classroom learning and deepen students’ understanding of Minnesota’s Anishinaabe heritage.
Accessibility and Capital Improvements
This 1910 building, once the Carnegie Library and the Enbridge Line 3 occupation site, was constructed. After years of neglect, we are revitalizing it into a community monument that stands as a testament to resilience and a powerful symbol of empowerment for the Anishinaabe and Dakota peoples, whose history has shaped these lands. We aspire to enhance this building through capital improvements while ensuring it remains accessible.
During our winter inspection, we found the roof in poor condition, which required its replacement to guarantee the building’s safety and integrity.
Thanks to the generous support of the Mellon Foundation and the Blandin Foundation, we are confident that these enhancements will significantly improve the experience for all our visitors and encourage the community to connect more deeply with the museum.
This spring, we are excited to announce the start of construction on a new accessible ramp and entrance vestibule at our museum. This initiative underscores our commitment to inclusivity, ensuring everyone can enjoy our exhibits and programs without barriers. The ramp will provide a smooth and safe entry for visitors with mobility challenges, while the vestibule will improve the overall accessibility and functionality of our entrance.
As we prepare for the ramp installation, we are thrilled to reveal that we’ve transformed our outdoor area over the summer by adding a cozy seating space complete with a gazebo. This addition creates a welcoming atmosphere where everyone can relax and enjoy the outdoors.
Looking ahead to summer 2025, we’re excited to take the ramp project further by featuring a vibrant collection of artist murals. These creative artworks will beautify the space and showcase the talent of local artists, turning the ramp into a dynamic canvas that inspires and engages our community.
OUR TEAM
DANETTE LARSON DAVID MACARTHUR
GINA PELTIER
ZIMMERMAN
Historian who also serves on the board of Crow Wing Historical Society, 34 years of experience with Tribal Governments focusing on treaty rights and environmental programs. Enrolled
Park Rapids School Indian Educator is a mother and grandmother to White Earth Band of Mississippi Anishinaabe family.
Enrolled in the White Earth Band of Mississippi Anishinaabe.
Enrolled in the Turtle Mountain Band Anishinaabe as a Water Protector, advocating for the Rights of Manoomin.
Photo by Nedahness Rose Greene
Enrolled in the Grand Portage Anishinaabe, and Site Manager at Mille Lacs Indian Museum & Trading Post.
WINONA LADUKE
GOGGLEYE
White Earth Band of Mississippi Anishinaabe and Lac Courte Oreilles Band Anishinaabe, descendent.
Also, is the Creative Co-Curator, Marketing Director and Graphic Designer for Giiwedinong.
and descendent of White Earth Band of Mississippi Anishinaabe.
Support, and Events Coordinator.
White Earth Band of Mississippi Anishinaabe Co-Curator of Programs and Exhibit Development.
in the Leech Lake Band of Ojibwe and Hopi Tribe of Arizona.
Currator
DON WEDLL
Chair
SARAH LITTLEREDFEATHER
JACKSON
RHONDA CONN
VOLUNTEERS & INTERNS LOOKING AHEAD
Ross Karvonen & Family
We are immensely grateful for our dedicated maintenance and remodeling volunteer, Ross Karvonen, a Marine and 100% disabled war veteran. Ross has devoted countless hours to renovating our building with exceptional care and commitment. The Karvonen family has demonstrated remarkable dedication by volunteering their time to remove old carpets and relocate rocks to enhance our outdoor landscaping, among other tasks. Their hard work has made a significant difference, and we couldn’t be more appreciative.
Julia Nerbonne, Minnesota Interfaith Power & Light
We are genuinely thankful for Julia Nerbonne’s comprehensive research and creative writing, which significantly contributed to the development of the water protector exhibit. Her work highlights the crucial role of environmental activists in safeguarding our water resources. We sincerely appreciate her dedication and expertise; her contributions have been invaluable!
We are excited to announce our plans to welcome a group of motivated interns in 2025. This program will provide participants with structured, hands-on experiences across various departments, including project management, data analysis, and technical development. Interns can work on real-world projects, receive mentorship from industry experts, and engage in workshops focused on skill development and professional growth. We aim to cultivate a dynamic learning environment that enhances their technical skills and prepares them for successful careers in their chosen fields.
The Giiwedinong Museum is a beacon of inspiration in a world where history and culture intersect. Imagine a place where stories of resilience and creativity come to life, inviting us to connect with our roots and one another. This museum is not just a collection of artifacts but a vibrant space that sparks change and grows a sense of belonging.
As you walk through the gallery, both inside and outside, each exhibit tells a story of triumph and innovation, offering a glimpse into the past while inspiring visions for the future. We have a history but are not history; we are still here. The Giiwedinong Museum encourages us to honor and empower our cultural heritage while boldly dreaming about what lies ahead.
Let it serve as a reminder that our history shapes us, but our collective imagination will pave the way for future generations. Together, we can ensure that the legacy of our ancestors continues to inspire, challenge, and uplift, creating a brighter world where culture flourishes and all voices are celebrated.
The Giiwedinong Museum’s future holds promising growth and community engagement potential. As we look ahead, several key areas will shape its development:
1. Cultural Preservation Giiwedinong Museum can be crucial in preserving and showcasing Indigenous culture and history. Expanding the collection to include more vibrant exhibits, artifacts, and oral histories can attract a wider audience and foster appreciation for local heritage.
2. Cultural Art: We want to create more chances for artists to work with local businesses and organizations. This will help them become more visible and reach more people. Our plan includes setting up a summer marketplace. We also want to improve our online presence to promote artists’ work and connect with a wider audience beyond our local community.
Our goal is to build a supportive environment where artists can succeed and where their art inspires and connects us all.
3. Community Involvement: Encouraging community participation in the museum’s activities, such as workshops, events, and volunteer opportunities, can enhance local investment in the museum. Collaborative projects with schools and local artists could create a dynamic, interactive environment that appeals to visitors of all ages.
4. Technology Integration: Incorporating modern technology into exhibits, such as augmented reality displays or virtual tours, can enhance visitor engagement and offer new ways to experience the museum’s offerings. Developing an online presence through virtual exhibitions can also reach a broader audience.
5. Sustainability Practices: The museum can adopt sustainable practices, from eco-friendly building and maintenance to incorporating local materials and resources in exhibits. This commitment to sustainability aligns with contemporary values and serves as a model for other organizations.
6. Educational Programs Expanding educational programs to include workshops, lectures, and interactive experiences can help foster a more profound understanding of Indigenous culture and history. Partnering with local schools can enhance educational outreach and bring students into the museum.
7. Expanded Outreach: Partnerships with other museums, cultural institutions, and community organizations can facilitate shared programming and resources. This collaborative approach can attract more visitors and create a support network for mutual goals.
By focusing on these areas, Giiwedinong Museum can create a vibrant future that honors its mission while embracing its community’s evolving needs and passions.
Julia Nerbonne
FINANCIAL REPORT
In Fiscal Year 2024, contributions are the primary source of our revenue, and we want to share how your donations support our mission. Most of our expenses are allocated to our important programs, and we aim to clarify how your contributions are used. A significant portion of our budget is allocated to salaries for our talented team. This funding ensures we have qualified individuals who deliver our services effectively and enhance the quality of our programs. We also allocate funds for materials needed for our programs and museum exhibits. These supplies are essential for engaging the community and enhancing our experiences.
Audited financials are available upon request in late 2025.
$500,000+
• Mellon Foundation FY25
$200,000+
• MN Humanities Commission
$90,000+ FY25
• Blandin Foundation
$20,000+
• Knight Foundation
$10,000
• Betty LaDuke
• Saint Paul & Minnesota Foundation
$2,000+
• Thorson Steffes Trust Company
• FNDTN of 1st Unitarian Society Pearson Social Concerns
• Angela Mandle
$1,000+
• Brisbin Innes
• Deb Wallwork
• Debra Hansen
• Kathleen A. Behrens
• Martha Easter-Wells
• Steve and Christine Clemens
• Adrienne Matros
• Kia Mistilis
• Lea Goode-Harris
• Shirley Hilzinger
$500+
• Alaina Szostkowski
• Brian Lavendel
• Brian levendel
• Brisbin Innes
• Kaye Berman
Great Old Broads for Wilderness
• James Loken
• Jane Berg
• Joanna Wallenberg
• Nora Lester Murad
• Sarah Martins
• Steve and Christine Clemens
• Thomas Small
• Tom and Ruth Small
• Adrienne Matros
• Karen Miller
• Margaret Kertess
• Rebecca Schueller
• Michelle Thelen
$200+
• Alliance for Tribal Clean Energy
• Laura Schmidt-Dockter
• Barbara Clark
• Carrie Thomas
• Catherine Lawrence
• Charleen Touchette
• Colleen Carpenter
• Dawn Day
• Dean Cycon
• Dennis Haskin
• Erika Leaf
• Edward Spevak
• Julia Nerbonne
• Katrina Heinze
• Kathy Hollander
• Linda Kriel
• Lynn Waldeland
• Marilyn McNabb
• Nancy Morgan
• Peter Pierson
• Portia Coyne
• Ralph Jacobson
• Rebecca Fletcher
• Reenah Rickman
• Regina Windham
• Susan Kurtas
MIIGWECH DONORS
• Jeanne Landkamer
• Susan Shoemaker
• Tru Dunham
$100+
• Adrienne Wiseman
• Agnes Gillespie MD
• Alan Weisman
• Alex & Marc Liverman
• Alice Kidd
• Andrea Troolin
• Angela Heimburger
• Angelee Dion
• Ann Siqveland
• Anna Reid
• Anne Peek
• BarbarA Ryman
• Barbara Tilsen
• Brenda Clark
• Brian Forney
• Bruce Russell-Jayne
• Chris and Emily Boedigheimer
• Claire Anne Thoen
• Clara Halfin
• Climate Justice Committee
• Cynthia Glynn
• Cynthia Stahler
• David Egloff
• Deb Wallwork
• Donna Bowen
• Donna Krebsbach
• Elaine Gunter
• Elizabeth Pruszynski
• Eric Hedstrom
• Erin Thompson
• Erin Wilaby
• Suzan & Lou Goodman & Pollack
• Florence Hedeen
• Gilbert Williams
• Greg Johnson
• Gwen Graybeal
• Hallie Larsen
• Helene Haapala
• Janis Alcorn
• Jayanthi Reddy
• Jennifer Bailey
• Jeremy Kelley
• Jessie Groeschen
• Jill Pfeiffer
• JoAnn Alger
• Johanna Holman
• John O’Rorke
• John Szostek
• Judy Wicks
• Katherine Doyle
• Kathryn Gilje
• Kendra Wolfe
• Kristin Sziarto
• L. D. Mitchell
• Lena Greenberg
• Lisa Helstein
• Lori Benson
• Mary Middleton
• Mary Patricia Johnson
• Mary Paulson
• Mary Underwood
• Michelle Laurino
• Micky McGilligan
• Nancy Roberts
• Nina Simons
• Pamela Ludwig
• Pennie Opal Plant
• Petros Voutsanesis
• Richard Stuckey
• Roberta Haskin
• Sally Hagman
• Sarah Conley
• Sarah Sampedro
• Sharon Fodness
• Sheryl Mousley
• Siobhan Marks
• Steven Naganashe Perry
• Thomas Dickinson
• Tim Mathern
• Travis Zimmerman
• TyAnne Guida Rezac
• Winifred De Palma
• Zbs Johnson
MIIGWECH
PARTNERS
We would like to express our heartfelt appreciation for the outstanding media productions executed by PBS Public Prairie, the Kellogg Foundation, and the Park Rapids Enterprise, as well as for their news coverage.
ANNUAL REPORT 2024
On October 12, 2023, Giiwedinong opened in the heart of the 1855 treaty territorydowntown Park Rapids, Minnesota with a labor of love and commitment.
We opened on a shoestring budget and need to raise the funds to grow, team up the museum, and share the stories, art, and maps more widely. We invite you to support us through your generous donations. Through thousands of volunteer hours, fortuitous donations, and a lot of dedicated work, we will monument Akiing - Minnesota’s first independent Indigenous treaty rights Museum in Minnesota.
Donate or become a Foundaing Member: www.giiwedinong.org/donate
Mailing: PO Box 148, Park Rapids, MN 56470
We are Located: 101 2nd Street W., Park Rapids, MN 56470
(218) 203-0481 | info@giiwedinong.org
