Always observing my surroundings, I have a deep appreciation for the details that carry history and tell a story. Like a chameleon, I can adapt to the unique scope of every project, beginning with a strong concept, making sure that the spaces I envision are a true representation of their occupants, and maintain the integrity of the site. I am always open to experimenting with new ways to design, forever embracing change and versatility.
Eco-Morphosis Corridor
Studio 4 - Adaptive Reuse
04 - 13
The Scramble
Studio 6 - Capstone
Soho’s Rhapsody
Studio 1 - Live / Perform
24 - 31
Bakers in Residence
Studio 2 - Live / Work
32 - 39
Cocoon
Studio 5 - IDEC
40 - 45
Notion at Pier 57
Studio 5 - Office Design
46 - 53
This studio project called for the renovation of a landmarked building on Governer’s Island into a Climate Change Innovation Hub. After considering the context of the building’s occupancy, its landmarked status, and existence on a 100 year floodplain, I decided that small interventions would suffice to revive this abandoned building while maintaining its integrity and carbon footprint.
Spring 23’
Studio 4 taught by Alfred Zollinger
The hallway of this building left a big impression after our site visit. One cannot access the building, or move from room to room, without stepping into the long and narrow corridor. This made it evident to me that it is the core of the building, and should be the driving focus of my design.
Photos from site visit showing existing conditions of the building hallway
Hand drawn ideation sketches studying ceiling and floor elements
By narrowing down the focus of the design to the hallway, I was able to integrate elements that would essentially allow the hallway–the core– to power the entire building.
Hallway wall extends seamlessly into arch
Single slope skylight
Steel grate pannels
Soil and plants French drain
Groin vault
Arched indoor windows on south facing hallway walls
Opening at foot of hallway for water passage
Exploded axonometric showing all components of the corridor
Flood vents on the foot of walls allows for water to flow into the building and drain through the hallway floor grates to avoid it pooling in the interior. The drainage system will then filter and harvest the water.
Rendered image showing how water would flow from south rooms into the hallway
Raised skylights allow for a dance of light in this narrow and previously dim hallway. The light also serves as a means of activation for the opposing wings of the building, with an envisioned occupational schedule that follows the sunrise on the East and sunset on the West.
Long section through hallway showing the path of sun;ight throughout the day
Sketch depicting sun access to hallway through south facade
Rendered image of vaulted ceiling at night
In the center of the hallway, instead of a skylight, is a barrel vaulted ceiling, reminiscent of the original conditions, providing a very different atmospheric experience, with a sudden drop in height, as well as distinctive acoustic qualities.
The hallway ceiling is raised to act like a chimney, allowing hot air to escape the building, maintaining temperature and airflow.
Section diagrams depicting how air travels through the space
Section diagram depicting how sound travels through the space
The Scramble
This project embraces the potential for adaptive reuse of war-torn infrastructure while paying homage to the historical significance of the Egg, an unfinished cinema building in Beirut, Lebanon. Rooted in the building’s war-era narrative, the design proposed herein seeks to breathe new life into its spaces, simultaneously honoring its past and envisioning its future.
Spring 24’
Studio 6: Capstone taught by Gokhan Kodalak
As a part of the research going into our Capstone, we were asked to research and illustrate multiple factors tied to the siteand their transformation over the course of time. By doing that, we could better understand our chosen site, its history, users, materials, and environment, as well as a technological agent that could be tied to it.
Doing this allowed me to make decisions about the approach to my design. Extensive research of the Egg’s evolution made it apparent that its resilient concrete shell must be respected, turning this capstone into an adaptive reuse project. The variety of users and uses throughout the years make this site a true space of community, which it should remain. The presence of stray animal life, specifically cats, was to be taken into consideration. Its original use as a cinema, and eventual use as a canvas for artistic expression, integrated projection technology into the project.
*In depth research can be found in the newspaper edition at the end of this project
Illustrations depicting factors to influence design
Site plan of the Egg with design integrated
Bechara El Khoury Street
West facing section (A-A) through underground and Egg
North facing section (B-B) through underground with elevation of Egg facade, composed of small screens at different depths
“The post-war city must create the new from the damaged old.”
Lebbeus Woods
Plan of lower level of underground nightclub
Central to the design approach is the transformation of the Egg into a community space where not only is its original function as a cinema reinstated, but its prior utilization as a space for clandestine nightlife is legitimized. Both of these programs are carried out through a versatile three-dimensional grid system, akin to scaffolding. The grid’s adaptability allows for fluid reconfiguration, respecting the authenticity and architectural integrity of the structure while accommodating diverse functions and serving as a testament to the building’s resilience amidst societal and political turbulence.
Drawing showing use of scaffold system
By day, the underground space caters to the diverse needs of the community, while by night, it transforms into a nightlife spot that deviates from the growing trend of VIP rooms, bottle service, and guest-list-only venues in the city. Within the Egg’s walls, partygoers share an experience of cultural and sonic exploration that knows no hierarchy or special treatment, a significant occurrence in a country where “wasta” (the closest English translation of which is “nepotism”) runs rampant.
Rendered view from inside the undeground nightclub
The materials for the project are consciously selected, reflecting Lebanon’s resourcefulness and resilience. Recycled glass, salvaged from the debris of the 2020 explosion, adorns the nightclub’s roof, symbolizing renewal amidst devastation, while the labyrinthine nature of the grid system invites visitors to lose themselves in the structure, fostering a sense of discovery. Symbolically, the labyrinth also embodies the project’s ethos — a testament to the intricate layers of history and culture waiting to be unearthed within the Egg’s enigmatic shell.
Rendered view from inside the Egg cinema
Beirut’s
Iconic ‘Egg’ Cracks Open!
in Martyr Square’s Place Des Etoiles, a cobblestoned space where children rode their bicycles and market vendors sold Lebanese souvenirs and delicacies. As time went on, watched its perimeter turn into a construction zone, with buildings being demolished and built anew, much like the memory of
Photo by Anthony Saroufim showing
and
DAILY HOROSCOPE
The journey of the Egg allows us to grasp the differences between preservation and adaptive reuse in navigating Lebanon’s complex historical narrative. While the preservation of war-era landmarks holds significance in honoring memory and fostering reconciliation, the Egg’s evolution demonstrates the potential of adaptive reuse to bridge the gap between past and present.
Towards an Architecture of Memories
As we continue to grapple with Beirut’s layered history and the challenges of post-war reconstruction, the Egg serves as a compelling reminder of the need for creative approaches to heritage preservation. Its transformation into a space of activism and contemplation underscores the power of architecture to facilitate dialogue and community engagement.
From
the Designer What to expect
Looking ahead, the Egg invites us to explore new possibilities for commemorating the past while embracing the dynamism of the present.
As Beirut continues to evolve, the Egg stands as a beacon of resilience, sparking conversations about memory, identity, and the transformative potential of architecture in shaping our shared future. This essay is an invitation for people to see war-torn buildings not solely as a reminder of destruction but as an opportunity for progress and the comingtogether of communities for a collective remembrance of the past.
An obsession grounded on discovery.
the potential for adaptive reuse of war-torn infrastructure while paying homage to the historical significance of the Egg, an unfinished cinema building in Beirut, Lebanon. Rooted in the building’s war-era narrative, the design proposed herein seeks to breathe new life into its spaces, simultaneously honoring its past and envisioning its future. Central to the design approach is the transformation of the Egg into a community space where not only is its original function as a cinema reinstated, but its prior utilization as a space for clandestine nightlife is also legitimized. Both of these programs are carried out through a versatile three-dimensional grid system, akin to scaffolding. The grid’s adaptability allows for fluid reconfiguration, respecting the authenticity and architectural integrity of the structure while accommodating diverse functions and serving as a testament to the building’s resilience amidst societal and political turbulence.
occurrence in a country where “wasta” (the closest English translation of which is “nepotism”) runs rampant.
By day, the space caters to the diverse needs of the community, while by night, it transforms into a nightlife spot that deviates from the growing trend of VIP rooms, bottle service, and guest-list-only venues in the city. Within the Egg’s walls, partygoers share an experience of cultural and sonic exploration that knows no hierarchy or special treatment, a significant
The materials for the project are consciously selected, reflecting Lebanon’s resourcefulness and resilience. Recycled glass, salvaged from the debris of the 2020 explosion, adorns the nightclub’s roof, symbolizing renewal amidst devastation, while the labyrinthine nature of the grid system invites visitors to lose themselves in the structure, fostering a sense of discovery. Symbolically, the labyrinth also embodies the project’s ethos — a testament to the intricate layers of history and culture waiting to be unearthed within the Egg’s enigmatic shell.
Starting a design project means starting an obsession.
Becoming so enthralled by those discoveries that they may become more interesting than the project itself.
believe that any ‘good’ design must bloom from a seed planted during the ‘obsession phase.’ Whatever form that obsession may take.
A meticulous study of the all-encompassing whole provides an opportunity for a part to stand out. That part is the seed, and it is rarely a given.
Every built entity has many layers beneath what the eye can see, and it is our job as designers to unearth those layers and amplify them.
An obsession creates intention.
Intentionality is the basis of design.
A designer must make choices.
A choice without intention is not a choice, it becomes convention.
We are not the drivers. We are the vessel. When a
From all that I’ve learned, the most elemental thing is that learned how to see.
We are not just designers. We are researchers, explorers, and adventurers. We must wear all our hats.
To accompany my capstone, I produced a newspaper edition of ‘The Scramble’. It is a composition of different texts written by me, as well as sections of a research paper. Getting to know this building, to me, was falling in love with this building.
Martyr’s Square during an Independence Day paravde revolution, 2019 via Atlas Obsucra
Opinion How should we design?
Zodiac illustrations by Spiros Halaris
DAILY CROSSWORD
Soho’s Rhapsody
An ode to the artist’s of Soho, we were tasked with converting a compact Soho storefront into a temporary live and work for the artist of our choice. My client was Freddie Mercury, considered to be one of the Greatest Frontmen ever, and so this space had to embody that greatness and grandeur.
Fall 21’
Studio 1 taught by Cass Nakashima
The brass, organ-like stage backdrop is a metaphor for Freddie’s grandeur, and how he connects with his audience through his voice.
Having a partition element was part of the project brief. One of two is a partition with a built-in bar that connects both the private living space and public perfomarnce space.
The contrast between the divided spaces is stark yet creates harmony by continuing certain motifs, colors, or elements. The performance space is more subdued in comparison to the living space because he himself is so loud and colorful, whereas the living space continues the color, but allows him to connect to his cultural identity through textiles and flooring. This space is purely about expression!
The second partition provides privacy for the bedroom on the mezzanine floor, and is inspired by one of Freddie’s many iconic stage outfits.
drawn floorplan
Hand
The model was entirely hand made, using only chipboard, fabric scraps, paper, wooden sticks, and wire.
This project brief was to transform the top two floors of a Parsons building, accounting for 7 columns and a double height space, into a working and dwelling space for 8 masters students in the major of our choice. I chose to design for Pastry Arts students, making the space uniquely theirs with a large mosaic oven as the focal point of the project.
Spring 22’’ Studio 2 taught by Wid Chapman
Inspired by the curves of a section cut of a croissant, I wanted the space to mimic its airiness and fluidity. Moving away from a conventional rectilinear plan, the space is built with thick curved walls with built-in elements, as well as rounded edges in all openings and thresholds.
Demonstrative Lecture Space
Elevator Entrance
Fire Oven
Storage
Work Stations
Appliances
Kitchen and Dining
Staircase
Bathrooms
Lounging Area
Bedrooms
eleventh floor
twelfth floor
Images of physical model in progress
Shots taken from physical model
The floors are divided to create a clear distinction between students’ work life and personal life.
Sleeping, Lounging, Eating, Bathrooms
Teaching, Baking, Storage, DIsplay
Exploded Axonometric
A large mosaic bread oven spans the entire double height space, with its chimney diverging into a sculptural skylight. This oven is the first thing one sees when entering the space at the eleventh floor, and is visible from all open spaces across both floors. It being the focal point of the space allows one to feel truly immersed in the world of baking.
Long section through double height space
Cocoon
The project brief was to design a spatial solution to a mental health issue of our choice. Through research and survey data collection, I found that loneliness is a widespread issue among young adults, contributing to heightened levels of anxiety, a surge in depressive symptoms, and a notable decline in overall emotional well-being, underscoring the importance of recognizing and addressing it as a critical aspect of mental health. I have created an immersive installation that aims to distinguish loneliness from alone time.
Fall 23’
Studio 5 taught by Cotter Christian Project prompt by IDEC
AromatherapyAn array of essential oils psychological benefits. Sandalwood Patchouli instills grounding warmth, Lavender induces and refreshes. This variety journey toward mental and
Ideation sketches imagining an occupiable version of a cocoon
“Cocoon” derives its design inspiration from the profound symbolism of a cocoon, where transformation and growth are nurtured. The project recognizes that well-being encompasses more than just the absence of negative emotions; it is about the presence of positive experiences. In the cocoon-like space, designed for college students grappling with loneliness, a multi-sensory experience unfolds. It combines tactile comfort, aromatherapy, and soothing audio elements to create an immersive refuge. Here, solitude is redefined as an opportunity for self-reflection, relaxation, and personal growth, challenging societal stigmas. “Cocoon” aspires to cocoon its users in a nurturing environment, fostering a more positive perspective on alone time and promoting holistic well-being.
Soothing Music is emotional calming through
A multi-sensory experience
is provided, each with distinct Sandalwood enhances mental clarity, grounding and tranquility, Vanilla offers comfort and induces relaxation, and Peppermint invigorates variety allows the option for a personalized and emotional well-being.
Soothing Soundsis an integral part of the Cocoon. It fosters emotional resonance and further amplifies the and comforting eects of the Cocoon, a soothing sountrack provided.
Soft to Touch-
Cocoon is made of wool felt, with acoustic properties, wear and tear resistant, thermal insulation, moisture-wicking.
A Mothers’ Hug-
Back rest can bend to envelop user, providing a hugging sensation which embodies comfort and security, thereby alleviating feelings of loneliness.
Privacy-
Cocoon swivels 180 degrees when in use, insuring a full immersion into the experience.
Rendered
birds eye view of installation
Inspired by their natural formation within branches, the Cocoons are thoughtfully placed close to the center of the floor to ceiling wool cylinders, with a spiral-like walkway leading to it. Small point lights are distributed along the walkways, in between the pillars, to create a soft glow that leads to the Cocoon.
The discreet nature of the entrance makes it less daunting for someone to engage with this space, as well as obscures the Cocoon, maintaining a sense or privacy. Cocoon swivels 180 degrees when in use, ensuring a full immersion into the experience.
Rendered view from walkway when rotated
Rendered view from walkway
Rendered view from inside Cocoon when in use
Notion at Pier 57
Presented with around 12,000 sqft spread across two levels at the edge of Pier 57, we were tasked to design an office space for a client of our choice, whilst adhering to NYC life safety rules. My client was Notion, a tech startup. An in-depth research on company operations, office culture, the design of their app’s interface, as well as the surroundings of our site, led me to design an office that felt warm, collaborative, and appropriate to the site. The freedom within the space is meant to incentivise employees to come into work more often, despite a hybrid system.
All-in-one workspace
Composed of ‘blocks’
Strictly 10 colors
Screen captures from Notion App
The Notion office at Pier 57 captures the essence of Notion’s user experience within the physical workspace. Reflecting the app’s simplicity, a clean and intuitive layout is implemented, loosely guided by tatami 2:1 ratio.
San Fransisco HQ office photos taken from Business Insider
Shoes Off Policy Collaborative Agile Workflow Free Meals Pet Friendly Open Plan
In the downstairs of a rented two-story house so small that only a traditional Shoji screen separated their bedrooms, Zhao says they spent 18 hours a day at their laptops, not bothering to dress, clean or cook. “We were just, code, code, code,” Zhao remembers.
Modular Bleachers
Modular furniture is incorporated to mimic the app’s customizable elements, further encouraging fluidity and adaptability.
Expandable Work Tables
Built-in Focus Rooms
Nested Stool Conference Chair
Rendered view of focus room
Rendered view from communal dining
Rendered view from communal kitchen
Rendered view of office area
West facing rendered perspective section through double height space
Ropes, which complement the nautical nature of the site, are used to delineate space while still maintaining openness throughout the office.
The open plan nature of this office fosters a sense of community and a willingness to go into the office.
East facing rendered perspective section through double height space
South facing rendered perspective section through double height space
