GEORGIA BRUNTON
CONTENTS
pages 3-4
INTrOduCTiON
a peak into my personality, background and work experience
pages 6-15
viSUalIsaTION
examples of my 3d modelling and visual work using a range of programmes (3DS Max and Corona, Sketchup and Virtual Worlds, Solidworks)
pages 16-23
pages 24-29
graphics EN giNEErIN
g
examples of design engineering from my 2 years at Aivaf Ltd creating interactive exhibits
print work
h E llO!
I’m Georgia and i’m a creative designer with a varied background in point of sale, packaging, graphic and print, industrial, home interiors and heritage!
Botany, crafts, wildlife and photography are passions of mine and I indulge in film and music in my spare time. The cinema is my second home and I am frequently shuffling between blues, folk, jungle, footwork, indie and soul music. Sheffield is my current area of residence and has been on & off for 3 years now - originally coming from Mansfield, this impressionable city has grabbed a hold of my tiny-town heart with both hands and given me a big ol’ hug.
I have been working in design-related positions and businesses for 5 years now and would describe myself as an open-minded, multi-disciplinary, experienced creative designer with a desire to help, learn and question.
viSUalIsa
point-of-sale / gifting / interiors
My most recent design role used 3DS Max with Corona plug-in to create real istic and life-size exhibition stands, packaging, beauty installations/takeovers and display units across multiple industries such as beauty, healthcare, food and fitness. Prior to this I used Virtual Worlds (bathroom specific 3D software) and Sketchup for interiors - all of which are familiar to me now having spent un-thinkable amounts of time tweaking lighting, adjusting material reflec tions/textures and attempting to model to perfection in these programs.
ENGINEERi NG
product design / mechanical engineering
2021 - 2023 were the years of my journey into Solidworks and management as Head of Design at interactive specialists Aivaf Ltd. Here I learnt the ropes of the software and taking models from concept to production; breaking down models into part/assembly models and exporting layouts and files for production e.g. machining/CNC/lasercut/scenic work
GRApHICS
I volunteered for in-house artwork on the Showtown Museum project (Blackpool) and applied my Photoshop & Illustrator skills aswell as my mechanical and project knowledge to the task! I worked on the project as a lead so had built strong relationships with the clients and external contractors who were also on the project, so I enjoyed cracking on with the work and experimenting with different materials and styles.
print work
AIVAF SAMPLES - BLACKPOOL SHOWTOWN ROLL UP ROLL UP CLOWN PADDLES - INT_A3_001 - BS19
SIZE: 160w x 290h
SAMPLES - BLACKPOOL SHOWTOWN ROLL UP PADDLES - INT_A3_001 - BS19 CODE: 3.1.1.2 x 290h
MAIN PADDLE REVERSE PRINT 2/3MM ACRYLIC
AIVAF SAMPLES - BLACKPOOL SHOWTOWN ROLL UP ROLL UP
CLOWN PADDLES - INT_A3_001 - BS19
EXT. GRA CODE: 3.1.1.2
SIZE: 160w x 290h
MATERIAL: MAIN PADDLE REVERSE PRINT 2/3MM ACRYLIC HANDLE CUT-OUTS REVERSE PRINT TO 2MM ACRYLIC, SANDWICHED EITHER SIDE OF THE
MATERIAL: MAIN PADDLE REVERSE PRINT 2/3MM ACRYLIC HANDLE CUT-OUTS REVERSE PRINT TO 2MM ACRYLIC, SANDWICHED EITHER SIDE OF THE PADDLE LASERCUT/FLAME-POLISHED EDGES.
NOTES: EYES CUT THROUGH NO BACKGROUND COLOUR
MAGENTA LINES DO NOT PRINT, CUT ONLY
HANDLE CUT-OUTS REVERSE PRINT TO 2MM ACRYLIC, SANDWICHED EITHER SIDE OF THE PADDLE LASERCUT/FLAME-POLISHED EDGES.
EYES CUT THROUGH LOW OPACITY ON BACKGROUND COLOUR OF FRONT FACE (PINK) MAGENTA LINES DO NOT PRINT, CUT ONLY
NOTES: EYES CUT THROUGH - OPACITY ON BACKGROUND COLOUR (WHITE) LASERCUT/FLAME-POLISHED EDGES
MAGENTA LINES DO NOT PRINT, CUT ONLY
*Beatles exhibit, artwork & background by me, door artwork and setworks by others