7AAICM01 - AF23333 - Script

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An Untitled Musical About Scaffolding

An Untitled Musical About Scaffolding

Music & Story by

V6 - 02/09/2025

For the residents

Thank you to:

Roshani Abbey

Geri Allen

Christian Andrews

Kelly Hampson

& all those who gave their time and words

V6 - 02/09/2025

ABOUT THE SHOW

An Untitled Musical About Scaffolding is a verbatim musical assembled entirely from the words of East London residents, journalists, and public figures. Set to original music and performed by five actors, it tells the story of a block of flats encased in scaffolding, and six years of waiting for someone to care.

These are the residents' own words, as they spoke them. It’s a story of bureaucracy, neglect, and quiet resilience. But it's also a story of gardens, pigeons, relationships, and the sense of community that emerged.

An Untitled Musical About Scaffolding brings to life a story of everyday people caught in a slow-moving fight, holding on, and sometimes breaking down.

It is musical theatre as testimony, protest, and memory.

Why “An Untitled Musical About Scaffolding”?

Incomplete. Provisional. Mundane. Like the scaffolding itself, the title stands in the way, temporarily, permanently. This is a show about lives paused, places devalued, and systems that fail the people they claim to serve. The title is because, in many places, it’s still happening.

A Note on Verbatim Theatre

All dialogue in this piece is taken from real interviews and broadcasts. The names and places have been changed, but the words remain the same. I want to thank those who shared their stories.

Resident’s words: EMMA MARGOT NABEELA PETER WILL

Others’ words: RADIO PRESENTER RUBY COUNCILLOR

Names in brackets denote the original speaker of the words.

Italics denote explicitly sung words. - denotes a short pause / denotes a longer pause

Words in bold denote laughter

All words should be spoken in the original rhythm and intonation.

The names have changed. All words are verbatim.

Five actors take turns to tell the story.

Main Residents

EMMA

MARGOT

NABEELA

PETER WILL

Other Speaking Characters

STEPHEN – Peter’s partner

DAVID – Emma’s partner

BILAL – A young resident

SON – Nabeela’s son

RUBY – Newspaper journalist, Ruby Gregory

RADIO PRESENTER - BBC Radio Breakfast presenter

COUNCILLOR – A representative of the local council

LAWYER – Legal advocate during mediation

SECRETARY – Assistant to a council official

REPORTER – TV journalist

PM – Major works project manager

Other Voices

NEIGHBOUR 1, 2, 3, 4

FRIEND 1, 2, 3, 4, 5

PERSON

CHILDREN

SCAFFOLDERS

RESIDENT

SWEDISH GIRLFRIEND

OLD RESIDENTS

COUNCIL – Multiple council spokespeople

Suggested doubling

MARGOT – REPORTER

NABEELA – RUBY & COUNCILLOR

PETER – LAWYER

WILL – DAVID, STEPHEN, SON, BILAL, PM & RADIO PRESENTER

Other roles to be shared around the company.

AFTER

1. Opening - Talking

EMMA. I had to - prepare a sort of statement, fBecause I was like, I was thinking

MARGOT. So, protest seems to be the kind of the thing of the moment Which is great, I think

EMMA. I'm a stickler for punctuation and grammar

NABEELA. I’m an arty person, myself

PETER. I do have a reputation f- for, um People say, “Oh, you can talk to anybody”

MARGOT. I'll try to be as frank as possible, I just Cause of our seh- security staff, and We’re just being monitored

EMMA. And then when I speak, I- I use the wrong verb or whatever So bad

PETER. Um, and I do really, - um, / because I think it’s a very important And communication is very important really

WILL. I won't answer if I don't want to

MARGOT. It’s sort of like a therapy sesson- session

BEFORE

2. So Bright and So Light

PETER. So, when we were first here

We were the young whippersnappers

EMMA. I officially moved in - the end of twenty-eighteen

PETER. We were always out at night

And out all night, and, you know, doing Up to things you shouldn't be doing

EMMA. I grew up in South Africa, which obviously has a very, um, Unique - security

Y- you learn this, sort of, protective - mechanism

PETER. When we first moved here

There were two people who, who had, uh um Fake led windows and net curtains and it was all very And one day he knocked on the door, and said

NEIGHBOUR 1 (PETER). Right you boys, we're fucking off to Barking We've had enough of this lot around here

All these

All these pakkies

PETER & STEPHEN (PETER). Well, best you go, darling, actually Best you go

EMMA. And then when you move to London It takes a few / months

But you shed that a bit

MARGOT. Really sadly, my ex-husband and I split up And so I was looking for somewhere else, er, to live So I, I was kind of wandering around for ages Trying to find a flat that would fit both my children in it And - be somewhere fun and - within my budget

And then I thought, Burdett Square would be - great Because I, you know I lived in the council flat before It just, everything was great

PETER. Then we had A lesbian who worked for the prison service

With her- her Swedish girlfriend who, um Ended up having appendicitis

And being admitted to the, um, to the Royal London And was so

SWEDISH GIRLFRIEND (PETER). Horrified by the The squalour and the terror

PETER. She left - there And never came back And they split up and off they went

NABEELA. So, we moved from a studio flat within Shoreditch, ahThere was, you know, I had the two children, it was overcrowded Was super, super glad to have been - offered this property

Particularly because - the - previous flat

Was slightly dingy, it was dark

And then when I first viewed this property

The light was shining through, (to the others) It’s lih-, I think it's south facing, isn't it? It just felt like home

PETER. Then we've had another lot And she was very into natural childbirth

Until she was about to give birth

NEIGHBOUR 2 (PETER). Give me the pethidine, Give me the pethidine

PETER. And off they went

MARGOT. One of the reasons why I chose the flat Is ‘cause it's got the amazing view of the city

PETER. It was so bright and so light

PETER & STEPHEN (PETER.) It was so bright and so light

PETER. And the, the sun shone in, and it was, it was lovely

RESIDENTS (PETER). So bright and so light

NABEELA. It was actually really good Because obviously we had access to the balcony

MARGOT. They're built with kind of lots of light coming in

RESIDENTS (PETER). It was so bright and so light It was so bright and so light

PETER. We, um, gradually developed the garden And, of course, living here, the flower market We went and bought - things, little pots and things

NABEELA. Decorated it nicely, put some plah- potted plants

PETER. I’m, sort of, in the business of interiors, things We like colour

PETER & STEPHEN (PETER). Can you tell we like colour?

EMMA. We have a view of the city And the sun sets over the city And - sunlight bounces off the skyscrapers

PETER & STEPHEN (PETER). We made that, sort of, sitting area out there

PETER. And that enormous fern that you see there Was actually bought in a pot like that That sat on the table out there for years And got too big for the pot, so then Well, you can see

RESIDENTS (PETER). You can see

RESIDENTS (PETER). It was so bright and so light

So bright and so light

And the sun shone in, and it was, it was lovely

And so bright and so light

PETER. It had a nice feeling about it, really There was nothing, there was nothing Nasty or threatening about it

Everybody got on with their Got on with each other, really We never felt threatened here

Never felt that it was unsafe Or anything like that

MARGOT. I mean, I think all of us who have moved in Are quite, sort of, house prou-oud

RESIDENTS (PETER). So bright and so light

PETER & STEPHEN (PETER). The estate was a fairly typical council estate

We were the young whippersnappers

PETER. Did what we were expected to do

OLD RESIDENTS (PETER). Make sure you keep that garden tidy

PETER. And now we're the old folk

2019

PETER. So, Tower Hamlets completely fucked the whole thing up as always

3.

Oh, This Is Awful

MARGOT. All of the reasons why I’m here Were just kind of totally - smashed into smithereens

EMMA. The scaffolding went up - in - twenty-nine-, April twentynineteen

MARGOT. The building was covered in scaffolding Like, literally / from the, sort of, second month after I got it

NABEELA. I thought, great

There's, er, there was some obvious structural - damage There was going - to be works done

EMMA. So the main reason for the scaffolding - was that Concrete was spalling out the concrete bands Because it's about sixty years old And concrete - does tend to rot after that time

PETER. And I was really very unwell And so metal valves, er Pacemakers, all that stuff

So - I came back here

After about nine weeks in Barts Hospital

And they had then - put - the big scaffolding up

RESIDENTS (EMMA). Oh, / this is awful

Okay, / it's just six months of works

Oh, / this is awful

RESIDENTS (PETER). Well, okay, / this work's got to be done

PETER. So this was, we were in Um, nineteen, was it eighteen, nineteen?

I was then stuck here

Um - Looking out onto - this dreadful - scaffolding

And the darkness, and the And it was just all together very depressing really But we thought, well

RESIDENTS (EMMA). Oh, / this is awful

Okay, / okay, / it’s just six months of works

Oh, / this is awful

RESIDENTS (PETER). Well, okay / well, okay / this work's got to be done

Got to be done

NABEELA. It kind of brought the mood down So - as you can appreciate, we're a family, - so you know And within, within any family, - there's sometimes, you know

Emotional dysregulation, conflict

And the balcony was a useful

You know, - place to, sort of, just remove yourself

From certain conflicting situations,

But that - was - no longer an option for me, - you know?

RESIDENTS (EMMA). Oh, / this is awful

DAVID (EMMA). I think we need some better bedroom blinds

RESIDENTS (EMMA). It's just six months of works

Oh, / oh, / this is awful

DAVID (EMMA). Because the scaffolding's going up

RESIDENTS (PETER). Well, okay, / This work's got to be done

This work's got to be done

EMMA. And then I can remember going to a meeting

With some project manager / and them saying

PM (EMMA). Oh

RESIDENTS (EMMA). Oh

PM (EMMA). Would anyone who lives in twenty-one to thirty-four stay behind, please

EMMA. And we stayed behind, and everyone else left

PM (EMMA). We've got some updates

EMMA. In splitting the group, he kind of made us feel a bit powerless

PM (EMMA). Your building's been left off

RESIDENTS (EMMA). Oh

PM (EMMA). For an admin error

RESIDENTS (EMMA). Oh, oh, oh, oh, oh, oh, oh

PM (EMMA). It won't be happening this year

EMMA. And that was the beginning of the soon, soon, soon pattern

RESIDENTS (EMMA). Oh, / this is awful

EMMA. At that point, I really wish I'd / fought harder

RESIDENTS (EMMA). Oh, oh, oh, oh, / this is awful

COUNCIL (MARGOT). The scaffolding is temporary It's gonna come down any minute now

PETER. The way it was presented to us was that

COUNCIL (PETER). The scaffolding had to be here to hold the building up

PETER. Which is a complete load of rubbish, of course

MARGOT. We just kept being told

COUNCIL (MARGOT). Three months’ time

MARGOT. Things were all happening in

COUNCIL (MARGOT). Three months’ time

MARGOT. So first of all, it was

COUNCIL (MARGOT). Three months’ time

MARGOT. Then it became COUNCIL (MARGOT). Next week

MARGOT. Then it became

COUNCIL (MARGOT). In a month’s time

MARGOT. So we're always given a date, - like Just out of reach

PETER. It just went on and on and on

EMMA. I got the sense that Something was wrong I thought Something is up

MARGOT. You just panic, - panic I mean, it's a territorial thing, - isn't it? Like, when you feel like your home Is, sort of, under threat

Or, like, changed in some way

By something that you can't control

Panic

Panic

Panic

EMMA. You know I've sort of a tenderness

For my naive self I was also much younger, I Was in my twenties - I'd never Really fought a big organisation Or a corporate or anything

RESIDENTS (EMMA). Oh, / this is awful

EMMA. You still had the belief that - twenty-twenty was - was gonna be the year they were gonna get it done

RESIDENTS (EMMA). Oh, / this is awful

EMMA. And then COVID happened

4. COVID and This

PETER. COVID and this I mean, it's unthinkable Unbearable, isn't it, really?

EMMA. The weather this week is - very Early - early covid-esque And it is bringing back a lot of memories It was, it was horrific I was on my own In the flat

And I just felt so trapped - in this In this cage It was horrific

My mental health took a serious dive

PETER. But - because I have a business away I was told that I could actually, every few weeks I could get the train there So there was

The driver, - the guard, - me, - and about Ten county lines drug dealers On those trains, - ha, ha, ha

EMMA. I was struggling to breathe Gulping for air And people kept saying

FRIEND 1 (EMMA). Oh, you've maybe got long covid

EMMA. But I hadn't been sick

FRIEND 2 (EMMA). Sounds like a kind of deep-set anxiety, like

EMMA. I was like struggling to get air from time to time I felt trapped

And you can't escape it

You can't walk another way

Ih- It is your life

You have no control

And they’re now saying

COUNCIL (EMMA). ‘Cause of the pandemic

EMMA. The pandemic?

COUNCIL (EMMA). It will stretch out, and out, and out

EMMA. Yeah

5. This is Not Cool

PETER. I’m on - more warfarin than would kill

A hundred rats, probably Ha ha ha, um

That it was - thought that - the reason that I didn't - die Was because - I didn't get all the blood clots

MARGOT. I started Getting worried and talking to Emma about it And then, - we were both, - like

MARGOT & EMMA (MARGOT). This is not cool

EMMA (MARGOT). I’ve seen scaffolding going up On next door's building And then being taken down again

MARGOT & EMMA (MARGOT). This is not cool

MARGOT. Because obviously, they used lockdown as an excuse

RESIDENTS (MARGOT). This is not cool

MARGOT. They’ve done stuff on other buildings You know, why was ours so different?

NABEELA. Every six months or four months They would write back and saying

COUNCIL (NABEELA). We’re negotiating

We’re talking to contractors

You know

NABEELA. And you know the story

NABEELA & COUNCIL (NABEELA). Blah, blah, blah

RESIDENTS (MARGOT). This is not cool

This is not cool

MARGOT. There was this guy

This fucking awful guy

All of his letters that we got

Were just a complete pack of lies

I started

Writing to councillors

Writing to the council

Writing

And they just kept Fobbing us off

RESIDENTS (MARGOT). This is not cool

MARGOT. They have a, sort of, standard - format

For, for doing cases

COUNCIL (MARGOT). No, computer says no

Something about damp or whatever

- 02/09/2025

MARGOT. No, no, no

This is a This is a repairs issue

COUNCIL (MARGOT). No, no, no No, computer says no

MARGOT. But there was one message From our local Mayor Which forwarded some correspondence Between thi- this fucking awful guy Which I just realised was a total bunch of lies

RESIDENTS (MARGOT). This is not cool

MARGOT. The whole Chain of emails

Was just him fobbing off the local Mayor And just, kind of, thinking Everyone involved is just Lying, or incompetent, or both

RESIDENTS (MARGOT). This is not cool

MARGOT. And I hate this country And I want to leave

RESIDENTS (MARGOT). This is not cool

6. Poles, Boards, Mesh, Netting

PETER. And - after a while, what happens is - that you begin

To actually not enjoy living where you’ve been living

EMMA. The scaffolding had a big blue netting all around it

So, on top of the, sort of, boards covering your windows

You also had blue netting

Sort of, - casting a blue shadow into your flat

And they put - a kind of chicken mesh

Wire thing on all the balconies

So on, when you were on your balcony

You felt literally like you were behind bars

You could put your fingers in them

And grab on, and sort of shake it, - um

EMMA & KEVIN (EMMA). We cut ours off - because I didn’t want to live like that

NABEELA. The vines, and the palm tree, the scaffolding

The scaffolding actually also reduced the sunlight

So we were in perpetual darkness

Even if the sun was shining

EMMA. The blue mesh was quite horrific

Because it would cast a / sort of

Checkered shadow - along the walls, em

Kind of the way you get mottled tree in sunlight except it’s

EMMA & KEVIN (EMMA). Blue mesh

EMMA. Industrial pattern on your walls

Rain would fall on the boards

And then splatter up against the windows

There was this dusty, droplety haze

NABEELA. Dark, dirty windows

And let us not forget the birds

So we had bird

Excuse my French

Pooing

EMMA. You'd get pigeon crap

On the windows

PETER. And the squirrels loved it

And all sorts of other animals

Because why wouldn’t they?

NABEELA. Squirrels fighting

And waking me up

PETER. And it just got threatening

PETER & KEVIN (PETER). The whole thing got threatening

RESIDENTS (PETER). And it just got threatening

The whole thing got threatening

NABEELA. I wanted to get a gun and shoot them

MARGOT. It was very, sort of, oppressive, having my view blocked

And my flat had become much darker

You know, I couldn't use my balcony

And, to my shame, I still occasionally

Smoke a rollie

PETER & STEPHEN (PETER). Gradually they

PETER. Tower Hamlets then gave up on inspecting it anyway, - um

And - didn't really care, - um

So, ih- it just got worse, and worse, and worse

7. The Haunted Block

NABEELA. So, everything was fine up until the scaffolding went up

Suddenly, I'm hearing scuffling sounds

I couldn't see them / but I could hear them

My son woke up - to a mice

Sitting on the footstool

Looking at him

Looking at him

They would wake me up - in the morning

They were having babies

They were having babies

I ended up getting a cat

PETER. What's happened is just awful

We weren't allowed to

To get access into the garden - because

We were told

And in no uncertain terms, and in writing

And a personalised letter

COUNCIL (PETER). Absolutely mustn't go out - in there, - in the garden

PETER. We couldn't have the - normal tree / surgeons Come and do the trees

And so the whole thing just went from bad to worse

EMMA. It wasn't this I- I’ve been using the word crack den a lot

And I don’t think that’s quite the right description But it does feel like this, kind of, enclosed thing

RESIDENTS (EMMA). I've been using the word crack den a lot

EMMA. Some kids who play - in this, sort of, - area in front of the flat

And they were like

CHILDREN (EMMA). (Gasp) You’re going into the haunted

The haunted block

You’re going into the haunted

The haunted block

EMMA. Cos it had just like this - dank, dark, - you know Haunted feel that - seven-year-old girls would be

CHILDREN (EMMA). Too scared to walk into

EMMA. We had people on the scaffolding at night, often Climbing onto the roof

Then you'd have people's legs - dangling over your bedroom windows

As they sat on the roof

CHILDREN (EMMA). The haunted

The haunted block

You’re going into the haunted RESIDENTS (EMMA). I've been using the word crack den a lot

NABEELA. Probably I can’t - count the number of times I've almost jumped out of my skin

Because I can hear thumps - on the boards

So I know someone's climbing around

And I've seen - feet - go past

And they're young, you know, young legs

Rushing - back and forth

Erm, but yeah, so I've had to open the window and say

NABEELA & RESIDENTS (NABEELA). I'm going to report you

NABEELA. Couple of times

Never seen their faces, but yeah

CHILDREN (EMMA). The haunted

The haunted block

You’re going into the haunted

RESIDENTS (EMMA). Been using the word crack den a lot

MARGOT. It just doesn't feel safe

So, in summer months - you couldn't open your windows

Because - it’d just be - incredibly easy for people to break in

EMMA. You know, David got punched, - um

So, basically

Some guys were on the scaffolding

And he said

DAVID (EMMA). Hey guys, get off the scaffolding

EMMA. And he went outside, and I think they were doing balloons

DAVID (EMMA). Please can you leave, - you shouldn't be doing balloons here

EMMA. And, rightly or wrongly, - he filmed them doing balloons

And that really incensed them, and - they punched him

PETER. Our neighbors next door, - who - were going to relocate

NEIGHBOUR 3 (PETER). Okay, well, we can't bear it

We're gonna have to move out, we'll get people in to rent it

NEIGHBOUR 4 (PETER). But who the hell's gonna rent it

Living in, - what effectively was becoming a crack den?

RESIDENTS (EMMA). I've been using the word Been using the word I've been using the word crack den a lot

PETER. Because - anti-social behavior thrives on - dark - corners

And / places where you think people don't really care, um So anything goes, and it doesn't matter And that’s, - I think

The anti-social - behavior and the - drug taking stuff

Was the thing that - got me down - the most, - really

Well, what the hell are we coming home to Every day?

RESIDENTS (PETER). Well, what the hell are we coming home to Every day?

Well, what the hell are we coming home to Every day? Every day?

EMMA. You know

You arrived home and it was there

You woke up and it was there

You're looking out the window and it's there It's this constant symbolic reminder of

Like, your disappointment in - a- a public service

RESIDENTS (PETER). Well, what the hell are we coming home to Every day?

MARGOT. If I was ever there on my own I would just be really scared

CHILDREN (EMMA). (Gasp) You’re going into the haunted The haunted block

PETER. We’re dealing with major rat infestation, here And they dance up the tree

The reason for that, of course

It was left so squalid in that end bit (to the others) Wasn’t it?

RESIDENTS (PETER). Well, what the hell are we coming home to Every day?

Well, what the hell are we coming home to Every day?

Well, what the hell are we coming home to Every day? Every day?

2022

EMMA. If- if you live in a council, erm, freehold property and you are a leaseholder

If the council wants to do works your property which is more than two thousand pounds

They're legally required to issue you with a section twenty

You - then have thirty days to review this cost, and query it, and suh- p- pass on any feedback

At which point, they will take on the feedback, see if there's anything that can be done before they can start the works

So, it's like a legally binding document

8. Expert In The Council

EMMA. So, in twenty-twenty-two we received, um, word - of Section twenties coming out - the next week

And they were - astronomical, - they were, sort of

COUNCIL (EMMA). Ninety-thousand pounds a flat

EMMA. And - full of errors - and a mess

Had a phone call to say What's going on, guys, these are ridiculous

COUNCIL (EMMA). Oh, yeah, thank you for pointing this out

EMMA. Almost eighteen months later

And we were issued with the same section twenties

COUNCIL (EMMA). The exact same

EMMA. They were charging us things for like

COUNCIL (EMMA). Lifts

EMMA. We don't have lifts They wanted

COUNCIL (EMMA). Thirty thousand pounds for a no-smoking sign

RESIDENT (EMMA). How on earth am I going to pay this?

EMMA. It's a heart attack-inducing figure

For someone who doesn't have the full context

Of their incompetence and ineptitude, and

RESIDENTS (EMMA). How on earth

How on earth

How on earth am I going to pay this?

EMMA. I've become an expert - in council hierarchy

RESIDENTS (EMMA). I've become an expert - in council hierarchy

EMMA. I would go through a pattern of getting - more and more irate, Lashing out something about this being unacceptable

And then, kind of, becoming defeatist

Not doing anything for two months

And then suddenly getting really cross saying

What's the update?

And then them sending

COUNCIL (EMMA). Something very dismissive

EMMA. And me going

This is unacceptable

RESIDENTS (EMMA). This is unacceptable

This is unacceptable

PETER. You realise how ridiculous and how powerless you are

Because nothing can be done

And of course, the people that were in charge of these projects

Got more and more - kicked by everybody

And then just kept getting - either sacked or leaving

And everything, everything that you were told

One day was completely contradicted another day

PETER & STEPHEN (PETER). What the hell are we gonna do about it? Um

RESIDENTS (PETER). What the hell are we going to do about it? Um

What the hell are we going to do about it? Um

What the hell are we going to do about it? Um

What the hell are we going to do about it?

PETER. And then you get another piece of paper

And another - set of, / um, completely contradictory plans

Nothing ever went anywhere

EMMA. Every time you thought you were making headway

That person would leave

And then you'd go back to square one

I was shouting into the void for about five years

And I just felt the - sheer injustice of it

MARGOT. There was so many lies about it

Um, and the, kind of, fobbing off for as long as possible

And the fact that there was no way

They were gonna change it

It was just the blatant lies - that made me feel like

There was, sort of, something fishy going on

PETER. Well, there's lots of conspiracy theories that it was all about, um

The, the backhanders of- I mean, we know how much - money

EMMA. The scaffolding had cost the council

COUNCIL (EMMA). Over a million pounds

EMMA. Over a million pounds

RESIDENTS (EMMA). Over a million pounds

WILL. Yeah, there's a lot of things that one-point-two million could doaround the community

Would be far, far better than

Th- than having scaffolding on a block for six years

PETER. But I don’t think it was that I don't really I don't like conspiracy theories, particularly And I think that it's perfectly Explainable, - in sheer incompetence terms

And lack of - anybody taking control of that project

Yes, I'm sure the scaffolding people were rubbing their hands, saying SCAFFOLDERS (PETER). Thank you very much indeed

Thank you very much indeed

Thank you very much indeed Thank you very much indeed

PETER. But I don't really think there was any Corruption, particularly, just total incompetence

NABEELA. I don't think that they had the right management

The budget, - the contractors

Everything ridiculously mismanaged

PETER. And then, the, this inability to ever admit that anything waswrong

And try and save face is what Which is what they kept doing

EMMA. There’s fourteen flats in this block

There’s three hundred thousand people in Tower Hamlets

- 02/09/2025

So, are you telling me

That you’re spending a million pounds on fourteen flats?

MARGOT. There's the scaffolding, this fucking awful guy, the council

Powerless

What can I do?

All- always going to be like this Etcetera, etcetera, etcetera

PETER. It's just like rubbing away

Like a, like a, like a sore, - um

Which then actually just reduced your mood

Gradually, and

PETER & STEPHEN (PETER). Gradually, and gradually I can't remember when we were really happy here

9. The Forgotten People

NABEELA. We were the forgotten people Of Baroness Road

RESIDENTS (NABEELA). We were the forgotten people Of Baroness Road

NABEELA. There were times when I would stand across the road On the opposite side of the pavement Look across at the front of my, our building anFeel really depressed

So, home was no longer home It was, you know, - somewhere to lay your head down

RESIDENTS (NABEELA). We were the forgotten people Of Baroness Road

NABEELA. It’s like, where's the humanity?

RESIDENTS (NABEELA). It’s like, where’s the humanity?

PETER. And we actually then began to Spend more time in Suffolk and actually enjoy it more Because / this place was so Depressing, I mean, that's all you can say

EMMA. People - didn’t quite believe me

When, I said ‘Oh, the scaffolding's still up’

They’d sort of look at me like

As if I hadn't been trying or I don’t know

There was somehow disbelief in my friends when When I said “Guys - you have no idea

Do you want me to show you my emails?

Yeah, I’m trying”

Yeah, yeah

RESIDENTS (NABEELA). We were the forgotten people Of Baroness Road

PETER. As the years went on and, you know (to the others) We’re talking many years, aren’t we? - Um

We were not allowed to do any - garden maintenance

We weren’t supposed to go outside

The poor people upstairs - were

Not only were they living in - restricted light from the scaffolding

But they were also having to deal with, what was originally A most gorgeous tropical fern

That was covering their windows

Covering their windows

MARGOT. There was a sense of shame that I was living in this building

My friends used to go

FRIEND 3 (MARGOT). Bloody Hell, Margot

You're scaffolding's not still up?

So like, what the fuck?

What the fuck?

FRIEND 4 (MARGOT). Scaffolding’s not still up?

FRIEND 3 & 4 (MARGOT). So like, what the fuck?

MARGOT. Every time I looked at the scaffolding It, sort of, set off this chain of - feeling - sort of Totally - powerless

So like, what the fuck?

I just can't live there anymore

RESIDENTS (NABEELA). We were the forgotten people Of Baroness Road

We were the forgotten people Of Baroness Road

NABEELA. The constant - justification

That they couldn't find the contractors

An- the need to negotiate

The right costs and the right prices

Er- Okay, the first year, maybe

But the second and the third

And the fourth and the fifth year

There's no justification for that

And there was no justification offered

MARGOT. I just can’t

I just can't live there anymore

NABEELA. The message that I kept receiving Again and again every year, was that

COUNCIL (NABEELA). You don't matter

You don't matter

You don't matter

NABEELA. You know, your sense of You know, feeling / safe

Feeling good about being at home was You know, completely disregarded

COUNCIL (NABEELA). You don't matter

NABEELA. It was just so negligent of them It’s like, where’s the humanity?

RESIDENTS (NABEELA). It’s like It’s like, where’s the humanity?

RESIDENTS (NABEELA). We were the forgotten people Of Baroness Road

PETER. We used to take pride In people coming ‘round here We'd sit out there in the garden And the neighbors used to come round, and it was lovely

RESIDENTS (PETER). Everybody loved the garden

PETER. Where all the plants are dead

You know, we used to have creepers

Up all of these / things here

RESIDENTS (PETER). The most beautiful clematis

PETER. And things like that, um

And it just ended up - looking like A scrap yard or something

RESIDENTS (NABEELA). We were the forgotten people Of Baroness Road

We were the forgotten people

PETER. What is the fucking point?

They're not going to do anything

You can't trust them

They have no moral fiber

They don't care

NABEELA. We're not commodities, we're humans

Y’know, we have families, we have children

PETER. We got used to the fact that Nothing was ever going to be done

PETER & STEPHEN (PETER). And what the hell could we do?

RESIDENTS (NABEELA). We were the forgotten people

PETER. What is the fucking point?

NABEELA. We were the forgotten people Of Baroness Road

EMMA. My neighbour, Nabeela, who lives across the way

She's got three kids - and one of them He was, I think, - five when it went up

As you become conscious really of your existence

That's all he's known

He's now eleven

And that's all he's known

10. An Optimist

WILL. My, um, great great grandparents, - um

Moved to - the UK from, um, Eastern Europe

In, sort of, nineteen-oh-five

And - basically lived just down the road

It's somewhere that’s always been a place that You know kind of, people move to I suppose And becomes a safe home

It feels like a block that I think everyone Gives a shit

We moved in in April twenty-eighteen

So we're here for about - two or three months

Before the scaffolding went up

Um, so not long

Fundamentally, I'm a bit of an optimist, huh-huh-hum

I'm a bit of an optimist

Straight forward bit of concrete work

Shouldn't take long to do It didn't feel massive to me

Yeah, I don't think i've ever felt - unsafe Or any of those things because of it

I know other people have, - um

It’s- It’s definitely caused probably less immediate suffering to me Than to some people, but But also But also But also

My relationship with my ex-wife was, sort of Starting to fall apart at that point

I think Covid kind of precipitated, - uh, a bunch of things, um, that That, sort of, / eventually, - you know, in about 2022 Led to us eventually - separating, um

Everything has an impact on people's relationships right yeah Every kind of / hardship and, and It's something that you either, sort of work through together Or becomes Or becomes a challenge for you

Yeah the scaffolding made it - very, very hard to Actually move on from - quite a difficult - phase of life

How do you value - a flat that, that, that you just can't sell?

That you just can't sell?

Very, very hard to - actually move on from Quite a difficult phase of life

Very difficult to - move on from a, from a hard point of life

So, I moved out in April 2022, um, and I couldn’t afford not to live here and But really didn't want to be here, um

Quite happy to give people the benefit of the doubt

But there's a point where you, sort of, yuh-yuh, you reach this

Kind of

Having sort of absolutely no engagement from - the council

No engagement

You know, what, what the fuck are you actually play-ay-ying at?

Um

No one has any idea what to do, at least About a thing that is having quite a major impact on your life, um

When I did end up moving back in here, um

After she'd left It becomes more of a thing where

There’s a, sort of physical manifestation of that, which is, - um

Which was the hardest part of / the, The last couple of years, Have been the hardest part of that

I think it’s had a pretty major impact on My ability to, sort of, get on with life

An-huh-huh- and do things that are

Important to me, an- um

You know

I suppose look after myself in - in many ways, - um

You know, what, what the fuck are you actually play-ay-ying at?

No one has any idea what to do, at least About a thing that is having quite a major impact on your life, - um

No one actually gave a shit, - um, / um, No one actually gave a shit, / um

11. Top Story

RADIO PRESENTER. But let’s return to our top story this morning

EMMA. I was actually leaving for work And I was running late A reporter knocked on my door / and - she said

RUBY (EMMA). I’d love to chat to you about scaffolding

RUBY. I’ve covered housing for a few years now And - I've mainly - it’s mainly to do with Mould, damp, - er, rodents

Other issues like - overcrowding

EMMA. She, sort of, asked me if I would

RUBY (EMMA). Be okay with having a photo in front of the scaffolding?

EMMA. And I - didn't really want to Then it got picked up by the BBC

RADIO PRESENTER. Some leaseholders in a block of flats in East London

Have been hit with a bill of up to nintey-nine thousand pounds - per flat

RUBY. And this, - this just, - I don't know you sometimes It's hard to describe as a journalist when you

When - there’s a really good story

It feels sometimes like - a piece of gold

Because you just, it just goes off in your head

You’re like

That is a great story

RESIDENTS (RUBY). That is a great story

That is a great story

That is a great

RADIO PRESENTER. Now the cost is to carry out

Exterior building - refurbishments to those flats

On Burdett Square in Bethnal Green

For the residents, - this is the additional catch

The scaffolding was put up

To fix these issues with the building's concrete in twenty-nineteen

And has been lingering, languishing outside their windows

For five years

And it's still not come down

Due to - what’s been described as an admin error

At Tower Hamlets Council

RUBY. Surely it's easy to take down

Like, - what is the, - what’s stopping, you know?

EMMA. I had people coming out the woodwork, being like

FRIENDS (EMMA). Saw you in the newspaper

RADIO PRESENTER. Now, earlier, I spoke to Ruby Gregory

Our local democracy reporter

Who's been speaking to residents in the building About that scaffolding

RUBY. They can't see outside their windows They haven't been able to - in five years

EMMA. And then the BBC wanted to interview me

RUBY. Didn't really expect to see that much scaffolding like That was something that shocked me It was, it was like, almost like a paradise for all these animals

EMMA. And then the BBC Wanted to do

A television interview

REPORTER (RUBY). How many complaints Have been made over the five years? Why has it taken this long? Why?

EMMA. And I was on the Six O'Clock News

RESIDENT (RUBY). The uncertainty

RUBY. That people were feeling They just want

RESIDENT (RUBY). The works to be done

RESIDENT (RUBY). The scaffolding to be removed

EMMA. I can remember being terrified

RADIO PRESENTER. Um, we’ll bring you any developments on this as soon as we can, Err, but obviously, that is an ongoing story

RUBY. When it came out, it generated like So much interest

Spoke about it on the radio I've only done that a few times But I knew that this story Resonated with a lot of people

FRIEND 5 (EMMA). You really went out your comfort zone there

FRIENDS (EMMA). You really went out your comfort zone there

RUBY. It's just insane, like The resilience you guys have had

EMMA. And - it’s - it's had a really positive impact Because again I think this was feeding into The council - finally hearing me

And taking me seriously, and - yeah, I did feel proud

Proud

Proud about that

RUBY. Honestly, it's quite inspiring ‘cause I don't know what I'd do It was half a decade

12. Up Shit Creek

PETER. Stephen rang me very excitedly

STEPHEN (PETER). Oh, my goodness You know, we've got exposure

PETER. And this that and the other and You know, how fantastic that was And it absolutely was, - um So that was the key to it It wasn't the only thing, but it was a key to it

Really powerful Really powerful

EMMA. I went to a - meeting - like a community meeting And someone had invited the local councillor She said

COUNCILLOR (EMMA). Send this email To this person

EMMA. And I did, and their secretary replied

SECRETARY (EMMA). Sorry, I can't help

EMMA. And then she phoned me

COUNCILLOR (EMMA). Say this, this, this And I'm going to speak to her again

EMMA. And suddenly I was having meetings with The deputy mayor of Tower Hamlets

And th- I was on the news

And I had a lawyer

LAWYER (MARGOT). I've had cases where scaffolding has been left up quite negligently, you know, over, sort of, a couple of years

But I've never, ever seen something like this Like for six years

EMMA. We had a mediation And all of a sudden

Finally, it felt like there was

There was change

LAWYER (EMMA). You need to do something You're being investigated for fraud and embezzlement Do something

EMMA. I was really spurred on to Attack it

And I really went at it, I I put it all into a spreadsheet

And I highlighted all the inaccuracies

And I ran maths on the - concrete calculations

And realised they've been doing double counting

And I - really went at it

PETER. Uh- they’re frightened to death

Um, they knew that they were Up shit creek without a paddle

RESIDENTS (PETER). They're frightened to death

PETER. Thank God for Emma She's a cool cookie

MARGOT. Winning our case was so gratifying And just such a relief

RESIDENTS (PETER). Um, they knew that they were Up shit creek without a paddle Um, um, um

They knew that they were They knew that they were Up shit creek without a paddle

MARGOT. And such a relief that That not just that it was coming down for the building But such a relief that something A part of the system, did Actually work

PETER. What was so interesting was all of a sudden - how, Um, / we went from

We know it’s going to be, you know Years before this works done To actually doing it in five weeks

13. Light Soon

EMMA. Today was, you know, the van drove out with allThe last poles and boards, anIt feels, / it feels, / it feels great

MARGOT. Emma and I were talking to each other We were like

MARGOT & EMMA (MARGOT.) Oh, my God

We're tearful We actually did it

EMMA. It- it just, - it doesn't feel like you're living in a construction site anymore, it feels like you're living in a home, and You can look out the window An- the sky feels bluer

WILL. It's just now about two years since I moved back here And I'm feeling much more comfortable being here I think has obviously made it possible for me

To think actually, again about Moving on with my life and, um

Possibilities now that, that weren't there before Perhaps

EMMA. And - I keep waiting for, - the sort of, - the novelty to go away But it is unbelievable

WILL. I - sort of have a, have a vague plan

To - move in with my girlfriend at some point, um This year

PETER. We’ve had, um, the tree surgeons out

Who are now - agreeing - to do all of the work that we want

The first thing I did was - to - speak to them upstairs

And Bilal, his, his parents don't speak any English at all

But he does

And I thought he was going to cry

BILAL (PETER). Oh, my god, oh, my god, oh, my god

PETER. Well, you know You're gonna have light soon

RESIDENTS (PETER). Gonna have light soon

Gonna have light soon

Gonna have light soon

EMMA. And I cannot stop looking out the window

RESIDENTS (EMMA). I keep waiting for the novelty to go away, but I cannot stop looking out the window

RESIDENTS (PETER). Gonna have light soon

NABEELA. Once it came down, it was like, it was instant

My- we stood out there in the balcony

My s- my son, and he's nineteen years old

He stood there and he said, because we've got a giant palm tree

In front of us, Which has grown, - um, / and he was like

SON (NABEELA). Mum, I feel like I'm on holiday, like abroad, hah

An- I just feel like I can finally breathe, like, you know

RESIDENTS (NABEELA). I feel like I'm on holiday, like abroad

An- I just feel like I can finally breathe, like, you know

NABEELA. And he was grinning from ear to ear

And we all lined up in the balcony

And just appreciated the view And appreciated - that, you know, and it did feel like, We didn't feel like we needed to go-a Go abroad for the next couple of months

EMMA. We have a view of the city

And the sun sets over the city

And sunlight bounces off the skyscrapers And it was blinding

EMMA (NABEELA). I can finally breathe

NABEELA. You know, straight away

We started, plah-, making plans of how to You know - redo the balcony, not redo, but just tidy it up

Give it a fresh lick of paint and ecetera

And we, sor- of, started sitting out there more frequently

Having chats, having cups of tea

- 02/09/2025

Honestly, it just breathed life back into the home

RESIDENTS (NABEELA). I feel like I'm on holiday, like abroad

An- I just feel like I can finally breathe, like

PETER. People say

PERSON (PETER). Oh, you live in London, it must be so impersonal

PETER. I know all the people on the gate

Like at Liverpool Street Station I know the cleaners on the trains I know all the people I walk up the road, - y- you know We know loads of uh- people - everywhere (to the others) And I’m sure you do, too

It's a lovely place to live

Where else can you hear all the dih- all those Different languages? (to the others) You do, don’t you?

Um, / it’s, - it's properly mul- multicultural and very, very tolerant

You know, we've never had any homophobia

We don't really hide the fact we’re homos

Never have done

PETER & STEPHEN (PETER). And refuse to

PETER. But nobody cares

Nobody cares at all / really, /um

And that’s actually

A similarity with Suffolk, they don't really there either

We used to think

PETER & STEPHEN (PETER). Oh, they’re too stupid to notice

RESIDENTS (EMMA). I keep waiting for the novelty to go away, but I cannot stop looking out the window

RESIDENTS (PETER). Gonna have light soon

PETER. Light soon

WILL. I both love this flat but also And you know, and the area and things like that, but also I think It would be - very good to be somewhere diffIt would be very healthy to be somewhere Somewhere different um, - yeah, - fuh- for me, right now

NABEELA. Home is warmth now, for me Home is Home is a safe place

Yeah, that’s all I can say, yeah

AFTER

14. Epilogue - Lucky

COUNCILLOR. I can't speak on behalf of the council

But, as a councillor, I can say They should be fully aware of this situation

Scaffoldings are there to serve a purpose

When it's served its purpose

It needs to come down, - you know?

I'm very clear about that

Companies that, you know, would put those scaffolding up

They've got to take it back and store it

I think it might be a case of - leaving it there

Because - it's just cheaper for them

And eh- ih- if I was to take er, sort of, a little bit of an informed guess

That's what it would be

That's what I'd say

Regardless, even if, the s-, even if it was a scam, Then it's still incompetence of the council, isn't it?

You can’t run awa- you can't shy away from that at all

Like, we fail as a council

We fail the best duty, um, part of, of, of running the council

And - things like this just shouldn't happen

This scaffolding story isn't the only one

What you’ll see - is a lot of - poor service

And inadequate attention to social housing and estates

It's no secret

It's not like residents aren't speaking up It's not like, you know, we don't get it at the doorstep I'd be lying if I said that

It did happen because Neglect of the council

And I think I'll be humble I- I definitely will be humble enough, um, and And have enough humilities to say - that They need an apology from this council For what they've had to endure for the last six years I think they also, - urm, - deserve, this Not just the residents on, - on, on Burdett Square

But just generally, um, people, er, residents of Tower Hamlets should

There should be a review of why it happened How it led to the timeframe that it did And, you know, - seriously put in processes that You know, means it will never happen again

WILL. Do councils work? Clearly not, ha-hum

Does local government work effectively? No

Does that mean there’s a-, you know, sort of- fundamental corruption there?

Probably

not

Are- Are people going to, you know, necessarily make an effort to- to avoid wasting money?

Also probably not

NABEELA. There’s no excuses

You've got brain power, you’ve got brawn power

You've got money, don't deny it

You know, - taking people's taxes, - use it fuh- effectively

MARGOT. There's a really, really direct form of

Public acc- accountability through your MP in Parliament

And they always have to explain themselves

And explaining yourself in front of - Parliament

It's like quite a big deal - because, you know

You're under quite inte- intense scrutiny

So, there's nothing like that for councils

Thes- juh- just like a black hole

PETER. Some of the tenants

Especially if they don't speak English, um

I mean, how awful for them - how could they be expected

To - put up a - reasonable defense, - um

To try and mitigate some of the horror of it?

They're just sitting ducks

EMMA. I think - we’re quite lucky - in a way in our block

Is that we have, you know, Margot, who found the lawyer

We, - there are few people in the block who are Kind of, able t-, have the resources

And the, sort of, wherewithal to fight the council

PETER. Emma, - you know, is, er, ruthlessly efficient, ruthlessly

EMMA. But Tower Hamlets is th- one of the poorest boroughs - in the country

And I just wonder if it's happening elsewhere

If those, if not everyone has the same resources as - we do - to fight

It's funny I'd actually been, sort of Feeling very unconfident at work

Ih- It helped me - kind of become - confident back at work

Because I was so - revved up about it, that I And I was here sort of challenging the deputy mayor

And - it just gave me this kind of confidence in life

Which then trickled into all other parts of my- my life

Because, I was like This is, - this is wrong

PETER. But not seen a rat for four days now We have a friendly fox here

And - the friendly fox bites the rats in half They live on takeaways, don’t they?

Um, they have terrible heart disease

Um, urban foxes

The only place we ever saw rats Were - when we used to go - to the

The gay club of The London Apprentice on Old Street

EMMA. The good thing that has come out of it is that I know all my neighbours now

And I know them quite well

And we have a WhatsApp group

And I do feel a sense of community

An- we’re doing up the communal stairwell now Collectively, - um, - which is really nice, - and

I, you know, I was making a mess there yesterday

Cleaning the window

And I, - I didn't feel guilty - that I was making a mess

In someone else's space

Because it's our space

And we all know it

We have a, a sense of community

Which is quite rare in London sometimes I can’t imagine how I would have met my neighbours otherwise ‘Cause you just don’t really reach out in that way.

Yeah.

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