The Elocutionist Vol. 1

Page 77

T  E           

by the government or exists through ineffectiveness. Next, that there is a general readiness of the educated class to take part in political affairs, as well as confidence from the writer that they can actually create an impact; and lastly, an audience that enjoys the “graces of literature.” All these criteria are filled throughout the essay, which contributes to its effectiveness. First and foremost, the simple fact that he makes the rhetorical decision to devise a plan consisting of eating children to serve as his medium for conveying his true proposal blatantly lays out his confidence in his writing. While this demonstrates Hodgart’s third criteria, it also leaves the reader at a loss for words. Immediately, you realize that this is not a normal essay. The pure confidence shown through his style builds his credibility as a satirical author, and his syntax and diction throughout the essay serve to construct his fake ethos as a rich Irishman. His underlying arrogant tone exists to demonstrate how the rich treat the poor: That they all pretend to display some sort of urgency to aid them, but in reality, are only benefiting themselves and putting in the most minimal and useless effort in actually helping. The barbaric proposal stirred controversy for many reasons- the elites that saw through the metaphor were provoked by his witty criticisms, some people were fueled by the emerging enlightenment ideas and were inspired to create change by his essay, and some people thought Johnathan Swift actually wanted to commit mass genocide on babies and eat them. He predicted this, and initially published the pamphlet anonymously, further displaying his confidence in the strength of his writing. Moreover, in numerous parts of the essay Hodgart’s second criteria is fulfilled by the creation of the idea that his proposal is not the first and that the “wise men” have been tirelessly trying to devise a strategy of this caliber. Swift explains that he has been “wearied out for many years with offering vain, idle” and “visionary thoughts,” which is humorous to the reader that recognizes this is from head to toe a concoction of bologna (761). The Einstein discovering the theory of relativity-esque image he creates with 


Articles inside

About the Authors

6min
pages 225-236

“Consider the Lobster”

7min
pages 219-224

V Responses to Tim Kreider’s “ e ‘Busy’ Trap V Responses to David Foster Wallace’s

7min
pages 213-218

C F On e Overrated Nature of Superhero Films

2min
pages 211-212

K R On e Overrated Nature of Alone Time

2min
pages 209-210

Your Ideal Society: Utopia S T e Misleading Moniker of America’s

4min
pages 199-202

L K Gremlins: Mischief, Mayhem, and Meaning L R e Etymology of “Ostracize” and Ancient

5min
pages 189-192

Greek Discources

8min
pages 193-198

Nincompoop: e Strange Case of A Con icted Word

3min
pages 185-188

e Rise and Fall of e “Vibe”

4min
pages 181-184

History of A Horrible Word

5min
pages 177-180

M B e Etymological Journey of e Word “Tadpole”

4min
pages 173-176

No Cap: History of “Cap”

4min
pages 169-172

Nightmare? e Etymology of e Sleep Deprived

5min
pages 165-168

K R, A F Under Quarantine

5min
pages 157-160

K R Deciding the Rest of Your Life at 18

9min
pages 141-146

L R Intimate Modi cations: Eighner, Morrison, and Staples

20min
pages 129-140

B C LOVE: e Most Powerful Word of em All

5min
pages 161-164

Franklin, Eighner, and Rose

12min
pages 121-128

C F Bermuda Triangle A P Practical Brilliance in e Works of

9min
pages 115-120

A F Alienation in the Public Setting: Strangers at Home

11min
pages 107-114

Franklin, and Newman on Judgement

10min
pages 101-106

M B Marginalization in Modern Society T C Diving Into New Perspectives: Eighner,

9min
pages 95-100

B C Modest, Immodest, or Both?

5min
pages 85-88

C F A Swift Essay on Satire

6min
pages 73-76

S C A “Not So Modest” Proposal

5min
pages 81-84

M B Flip’N Style or Flip’N O ensive?

5min
pages 57-60

A F A Modest Analysis

6min
pages 77-80

T C What’s For Dinner Baby? Credibility Games in Swift’s “Modest Proposal”

7min
pages 67-72

M R e Cruel World of Advertising: Pepsi Versus Coke rowdown

4min
pages 53-56

and Ends with Money

4min
pages 49-52

B C What De nes “Crazy”? J R Every Kiss Begins with Kay

4min
pages 45-48

A P Diversity and Inspiration

4min
pages 41-44

A F Money, Happiness, and Instant Grati cation

4min
pages 29-32

S C Find the “Joy” in Advertising

5min
pages 21-24

L R Scientology on e Big Screen

5min
pages 25-28

L K Razor’s Edge

4min
pages 37-40

C F Puppy Monkey Crazy

5min
pages 33-36

K R Advertisement of the Gods

4min
pages 17-20
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