Jing Ge_Architectural_Portfolio

Jing Ge

B.Arch Work Volume

The Southern California Institute of Architecture 2019-2024

+1 213-806-0577

geegejing.yi@gmail.com

950 E 3rd Str, Los Anegels, CA,90013, U.S.

_01 Sonic Skeleton

Location: Penny, Brigittenauer Lände 156,Vienna Individual work Instructor: Hani Rashid Site Area: 80,000 sqft Project Time: 2023 Summer

This is an experimental soundscape design, utilizing the building’s structural skeleton as an acoustical transmission media based on “Bone Conduction Technology”.

There are many mediums that can simulate the reverberant effects of indoor soundscapes. However, there is very little experimental data on the direct use of the building structure as a solid medium for the simulation of sound transmission. For such an experimental design, it was attempted to use AI techniques to learn the idiosyncrasies of the sound of bone conduction in different material mediums and forms to simulate the possible sound field effects in the architectural space.

DESIGN WITH ARTIFICIAL INTELLIGENCE PSEUDOCODE Concept discription: An Ai application that can simulate the sound effect of any indoor sound �ield.

The interior space of the building will produce different indoor soundscape reverberation and echo, due to various reasons. Such as the volume of the room space, the shape of the interior structure, and building materials. People can identify their own echoes when the sound re�lected back from the wall exceeds 0.1 second. When the re�lected sound is shorter than 0.1 second, people cannot recognize their own echo, which is called reverberation. Different sound effects will be formed depending on spacial environmental conditions.

The design of reverberation sound effects will be very strictly designed in relation to the architectural occasions where the sound appears. For example, theaters, concert halls, and stadiums. However, in any space, there are special soundscape based on the environmental conditions of the space itself. Therefore, this AI application plans to simulate the sound effect in any occasion by capturing the depth and width information in the indoor space photos.

This AI application is designed to assist in the �ield of architectural design and interior design to better process and study indoor soundscape effect.-Convert all space photos with a uni�ied perspective into readable depth maps through the Photo to Depth website.

Conceptual Steps

a-1. Obtain the Depth map & Spectogram for subsequent analog distribution through network existence. a-2. The depth map of the corresponding space and the sound �ield effect spectrogram are in groups.

-Through mobile phone photography, obtain photos that do not use space, uniform height, and uniform lens depth.

-Convert all space photos with a uni�ied perspective into readable depth maps through the Photo to Depth website.

Space Photography

-Use mobile phone record the hand clap sound in each spatial position to obtain the spatial soundscpae effect.

-Convert the audio �ile into a spectogram �ile through friture software, to obtain readable image data.

Photo to Depth trans tool

Spatial soundscape recording

Depth map

Features software

Depth map & Spectrogram image in groups

Depth map

b. Base on FeatureSpacePlot system logic, obtain the corresponding depth map distribution equation and Spectrogram distribution equation.

Photo

Depth

Spectrogram

Photo

GA 1

GA 6

GA 2

GA 7

GA 3

GA 8

GA 4

GA 9

GA 5

GA 10

Depth

Spectrogram

Depth

Obtain Overlapping Distribution Equations DE-x1 & SE-y1

Spectrogram

Paired group B1 for initial correction

DE-x2 & SE-y2

GA 7

GA 3

GA 8

GA 4

GA 9

GA 5

GA 10

GB1-1

GB2-1

GB1-2

GB2-2

GB1-3

GB2-3

Paired group B1 for initial correction

10 pairs of data for initial training

DE-x1 & SE-y1

Paired group B2 for secondary correction

b. Base on FeatureSpacePlot system logic, obtain the corresponding depth map distribution equation and Spectrogram distribution equation.

Feature Space Plot

A feature space plot is similar to a scattergram. It plots the frequency of occurrance of brightness value pairs in the two-dimensional feature space of de�ined by two images. The input images are usually two bands of multispectral imagery, but any two overlapping images with the same dimensions can be used. The higher the frequency of a value pair, the brighter it is represented in the feature space plot. Note that this tool provides a means of visualizing the relation between two raster images, which is often the necessary step before either correlation analysis or regression analysis. The tool is intended to work with images of an integer data type, or with images with a �loat data type that have a large enough range that they can be rounded to integer values in a meaningful way.（From internet) Plot features extracted from an image:

Change the size of an image used as a label:

Use Callout to place labels:

Extract features from a simple dataset:

c. Use the real photo recording material group B1, to add the corresponding formula of DE-x1 & SE-y1, and perform the �irst iterative correction

Depth map B1 group add in to DE-x1 for iterative correction, out come DE-x2 DE-2.1

DE-2.2

DE-x2

This tool performs a bivariate linear regression analysis on two input raster images. The �irst image is considered to be the independent variable while the second image is considered to be the dependent variable in the analysis. The tool will output a text report summarizing the regression model, an Analysis of Variance (ANOVA), and the signi�icance of the regression coef�icients. The regression residuals can optionally be output as a new raster image and the user can also optionally specify to standardize the residuals.

Note that the analysis performs a linear regression; two variables may be strongly related by a non-linear association (e.g. a power function curve) which will lead to an apparently weak �itting regression model. In fact, non-linear relations are very common among spatial variables, e.g. terrain indices such as slope and contributing area. In such cases, it is advisable that the input images are transformed prior to the analysis.(From internet)

This tool can be used to estimate the Pearson product-moment correlation coef�icient (r) between two images. The r-value is a measure of the linear association in the variation of the input variables (images, in this case). The coef�icient ranges from -1, indicated a perfect negative linear association, to 1, indicated a perfect positive linear association. An r-value of 0 indicates no correlation between the test variables.

Note that this index is a measure of the linear association; two variables may be strongly related by a non-linear association (e.g. a power function curve) which will lead to an apparent weak association based on the Pearson coef�icient. In fact, non-linear associations are very common among spatial variables, e.g. terrain indices such as slope and contributing area. In such cases, it is advisable that the input images are transformed prior to the estimation of the Pearson coef�icient, or that an alternative, non-parametric statistic be used, e.g. the Spearman rank correlation coef�icient.

The user must specify the names of two or more input images. All input images must share the same grid, as the coef�icient requires a comparison of a pair of images on a grid-cell-by-grid-cell basis. If more than two image names are selected, the correlation coef�icient will be calculated for each pair of images and reported in the text output as a correlation matrix. Caution must be exercised when attempted to estimate the signi�icance of a correlation coef�icient derived from image data. The remarkably high N-value (essentially the number of pixels in the image pair) means that even small correlation coef�icients can be found to be statistically signi�icant, despite being practically insigni�icant.

NoData values in either of the two input images are ignored during the calculation of the correlation between images.(From internet)

Depth Map 2D distribution equations:

d. According to the comparison method, the secondary correction is carried out through the real photo recording data.

GB2-1

GA 2

D Equation - x has highest overlap with S Equation - y Thus the corresponding equations : DE-x1 & SE-y1

-Inspired by applying the FeatureSpacePlot system, the 2-dimensional coordinates are divided into four intervals, and the "Depth picture distribution equation" and "Spectogram picture distribution equation" series are obtained through Ai iteration.

GB1-3

Depth

GA 6

S Equation - y

SpectrogramB1 group add in to SE-y1 for iterative correction, out come SE-y2

SE-2.1

SE-2.2

SE-y2

DE-x2 & SE-y2

Image correlation

GB1-2

Photo

GA 1

D Equation - x

Image regression

c. Use the real photo recording material group B1, to add the corresponding formula of DE-x1 & SE-y1, and perform the �irst iterative correction Photo

-Combined with the image regression logic, two sets of distribution equations are compared to obtain a distribution equation control group (DE-x1 & SE-y1) with similar distribution.

a-1. Obtain the Depth map & Spectogram for subsequent analog distribution through network existence. a-2. The depth map of the corresponding space and the sound �ield effect spectrogram are in groups.

Draw the features of the alphabet shape:

10 pairs of data for initial training

GB1-1

Detailed Steps

D Equation - 1.1

Spectrogram

D Equation - 1.2

D Equation - x2 has highest overlap with S Equation - y2 Thus the corresponding equations : DE-x2 & SE-y2

d. According to the comparison method, the secondary correction is carried out through the real photo recording data.

DE-x3

SE-x3

D Equation - x

If work well

GB2-2 GB2-3

Paired group B2 for secondary correction

DE-x3 & SE-x3

e-1. Input any space photo, after Depth map processing, enter it into DE-x3 & SE-x3 and get the Spectrogram output result. e-2. Obtain the spatial soundscape effect by InverseSpectrogram. e-3. Attach sound effects to any audio, including but not limited to: human voice, scene sound, music.

Process box

2D Image Input

Spectrogram 2D distribution equations: S Equation - 1.1

S Equation - 1.2

D Equation - x has highest overlap with S Equation - y S Equation - y

DE-x3 & SE-x3

Repeat step c

Sound Output InverseSpectrogram

DE-x3 & SE-x3

If doesn’t work well

Sound effect

Bibliography and Web Link: S Equation - y has highest overlap with D Equation - x

-https://jblindsay.github.io/ghrg/Whitebox/Help/FeatureSpacePlot.html https://jblindsay.github.io/ghrg/Whitebox/Help/ImageRegression https://jblindsay.github.io/ghrg/Whitebox/Help/ImageCorrelation https://reference.wolfram.com/language/ref/FeatureSpacePlot.html

Obtain the Final Corresponding Equation DE-x3 & SE-x3

Site Environment& Form Influence

Ambient Daytime Noise Map

Ambient NIghttime Noise Map

Structure Forms Interior Cavity

With design concepts as soundscape research, the main position and shape of the building are affected by the environmental noise around the site. The main body of the building is designed in a low-noise area.

Joint Units Simplify Analysis

Joint Unit Morphological Difference Analysis

Indoor Spacial Area Color Diagram

Joint Units Length Affects Conduction Analysis

Building Shell and Structure Relation(Top)

Buildings Structure Length Different Color Bar Diagram.

Joint Units Angle Difference Analysis

Joint Unit Inside Sound Conduction Simulation

Site, Structure Units & Building Shell Relationship

By iterating the shape and length design of joint units, the overall building structure is determined to be a triangular structure with a protruding middle. In order to avoid the environmental noise of the site and achieve the best indoor sound field effect, the combination of the overall building and the Building Shell forms a single building unit for the cavity indoor area and the conductive linear area.

Building Shell and Structure Relation(Section) Noise Map From Website: https://maps.laerminfo.at/?g_card=strasse_22_24h#

Arched main structure

Spatial Relationship With Room

Indoor Structure Vocal Joints

Room Wall Algorithm Iteration Process

Room Floor Algorithm Iteration Process

Graphical Statics and Arch Structures Relation

Graphical statics structure and arch structures are combined but bear their own gravity

Arched Structure Forms Atrium Reflection Wall

Graphical Statics and Arch Structures Relation The arched structure Graphical statics structure is independent of each other and can withstand the structural gravity at different locations. The arched space not only serves as a load-bearing structure, but also serves as the largest open court area to reflect sound, forming a special reverberant soundscape.

Indoor Space Wall & Floor Iteration

After determining the sound location in each room, the Ai iterative algorithm, the walls for reflection and the ground positions for sound collection are designed to receive the most sound wave information in special forms. Then refer to the special form for redesign.

Graphical Statics Evolution and Analysis - Perform operations on different numbers of fulcrums to obtain structural geometric models with numbers of 3, 4, 5, and 8 -Change the parameters of the 3-corner model to obtain triangular models with different degrees of solidity. The final model has multiple chambers and branches.

Trianuar Pyeamid Basics

Pyramid basics

Pentagonal Pyramid Base

Octagon Base

Basic Shape of Triangular Pyramid

Multi-beam structure

Spacial Structure

Final Form

Structural Deformation and Design As a basic unit, the triangular multi-chamber structure deforms due to pressure changes while maintaining a strong load-bearing capacity.

Single Building Structure (Skeleton Form)

Various Joint Units The final structural design allows the overall building frame to produce multiple joint forms. These joint forms are also where bone conduction technology occurs.

Bone Conduction Elements (Perspective Explode)

Skeleton Structure and Sound Transmission System

The structure of the building uses steel as the sound transmission medium to connect the indoor sound structure of the entire building. Because of the specific shape of the structure, the building has cavities of different sizes. The spacing between the walls of the chamber reflects sound so that each room has a different reverberation effect.

Building Layer Axon Explode

Floor Plans

Building Shell Structure

Building Facade

Campus Plan

Soundscape room

Bone Conduction Solid Media

Skeleton Form

Building Structure

Building Facade Form Design and Function

The entire building complex is connected by three building units of different sizes, spanning the river, serving as a building and also as a bridge connecting the two banks. According to the conduction characteristics of sound waves, the linear connection between the three buildings can transmit sound waves, so that the sound information at both ends of the entire building can be transmitted to each other.

Structure and Shell Top & Elevation

Building Interior Design

Building Perspective Render

Indoor walls will use smooth and rough GPR materials for reflection needs and noise reduction needs.

The symmetrical structure of the wall is designed to create a balanced indoor reverberation effect.

Worm Eye View Render

Building Material Ideas

Building Perspective Render

Building Perspective Render

The entire building serves as a physical medium and acoustic cavity condition for sound propagation. The design uses a variety of different materials to help conduct or hinder the transmission for different structures. For the facade structure connecting three individual buildings, steel can assist in achieving high-quality sound transmission over the longest distance. Steel will also be used to conduct sound within the building.

_02 New CTA West Station Location: Los Angeles Airport (LAX) Partner with: Terrence Xu Instructor: Dwayne Oyler Site Area: 108,000 sqft

In response to LAX’s ongoing LINXS construction project, we transformed and redesigned the CTA West station space, located at the Automated People Mover (APM) terminal end. Try to create more interesting walking experiences for tourists taking the metro.

_01 VOLUME PIECES

-02 FRAME PIECE

_03 INTERPOLATION DETAIL

_04 VOLUME TO TRACK

Volume pieces support and interlock each other, there are track communication channels between the volumes.

I. MARBLE TRACK MODEL

The marble falls freely, the design of different devices changes the direction and speed of the marble movement.

The detail groups design as the interpolation structure, with the purpose of emphasizing the track protruding from the volume pieces.

Use the frame structure to connect the subspace of the volume piece

Different volume and detail components are affected by specific track devices. Spatial interaction with devices through means of connectivity, coverage, interleaving.

Linear movement and Spatial playability

Breaking the conventional architectural design idea of “designing space first and processing paths later”, we explore the possibility of defining paths first and then attaching spaces.

II. VOLUME MODEL

Volume geometry design to create a marble movement glimpse moment by partially covering track. Frame structure and Interpolation details emphasizing the track protruding from the volumes.

Tom Bradley International Terminal

LINXS scope includes five stations that will connect the future Consolidated Rent-A-Car facility, two intermodal transportation facilities, expanded airport parking and regional transit to the LAX Central Terminal Area (CTA).

Tom Bradley International Terminal

G

F

H

D B

A

C

T2

E

Tom Bradley International Terminal

Original Airport Terminals

LAX Integrated Express Solutions (LINXS)(finish by 2027)

C. CTA East A. Central Terminal Area (CTA) West B. CTA Center E. New Terminal 9 F. Intermodal Transportation Facility G. Airport Metro Connector T2

Airport Metro Connector

D. New Terminal 0 H. Consolidated Rent-A-Car

Tom Bradley International Terminal

T3

T4

T3

T4

T5

T2

Tom Bradley International Terminal

T4

T5

As the terminus of APM line, CTA West will handle a large number of visitors. From West CTA, APM system riders can access Terminal 3, Tom Bradley International Terminal, Terminal 4 and Terminal 5 via elevated pedestrian bridges.

Tom Bradley International Terminal

T3

The LINXS project planned Terminus station and pedestrian paths. Two side building function as parking lot.

In utilizing surface area and new parking buildings, New CTA West aims to expand pedestrian walking space

Spatial Reform of Central Terminal Area West

As the first pedestrian space for first-time arriving LA passengers, NEW CTA West transform the public pedestrian space wish could create more possibilities in utilizing the convenient APM system.

Express way and interesting walking spaces are both designed for all Terminals.

The pedestrian passage design has a targeted interactive relationship between indoors and outdoors. Allowing visitors to feel the different light and shadow environments interspersed in the architectural space while walking.

Channel design for more walking possibilities

Combine and optimize the channels designed for each Terminal into a continuous whole. The pedestrian space is a continuous space that combines multiple exhibition halls and passages, allowing visitors to enjoy the space while walking and visiting.

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Ph ysi c

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Station Section model & Explode details

In order to reflect the spatial relationship between the interior space of the building and the original existing airport terminal, we used two sections to display the interior space as completely as possible.

Station Section Render

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M cal

Station Top Render During the material selection process, we used a large number of translucent materials to access the design. The purpose is to allow continuous architectural spaces to capture different levels of natural light in the indoor light environment. At the same time, the special textured blind design also creates more playability for the light environment.

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St

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Complete model & Architectural details

During the design and learning process of the three models, we tried to create as many unexpected relationships between the track design and space as possible. More often than not, it is not pursued to completely wrap the track, but to deliberately expose the track or passage in the gaps between the buildings during specific periods, allowing people walking in it to think about the spatial relationship between themselves and the entire building.

Architectural Detail Render

Architectural Detail Render

Architectural Detail Render

a

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de

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_03 Toxitech Center

Location: Taylor Yard, Los Angeles Partner with: Jimmy Xu Instructor: Dwayne Oyler Site Area: 112,000 sqft Project Time: 2022 Fall

Taylar Yard, as a sedimentary land in the middle of the Los Angeles River, suffers from land contamination. This project will develop this unused land as a biological laboratory to study the toxic native organisms and chemical poisoning of Los Angeles.

Morphological Deconstruction Logic

Regarding form structure and design, we first studied several photography works of Bernd & Hilla Becher, and conducted linguistic deconstruction of large factories such as boilers and tripods.

Basic units and Morphological Evolution

The basic unit structure is obtained by the deconstruction process of the factory language. According to different spatial requirements, spatial deformation of cantilevers, slits, and extensions is carried out to obtain the main volume block.

Close Fit

Connecting Bridge system

Components Expend

One Direction Burst

Scale Variaty

Central Pipe

In order to create interstitial spaces between blocks, the spatial relationship and distance between units are adjusted in different ways to achieve different overall spatial states.

Dynamic Relationship of units Forms the Whole

Structure Open status in 10%

Morphological Evolution and Volume Formation

The overall expression language of the building borrows industrial elements to form a removable basic unit. There is a chimeric relationship between the units. Through the displacement, deformation and rotation of the units, multiple units can be combined to form a closed and complete spatial whole.

Structure Open status in 80%

Incomplete Opening Process of Structure

To reform spatial relationships between the volumes, the different structural states and emotions will be produced when the overall structure undergoes different degrees of open deformation. We wanted to consider the gaps between the volumes as an architectural function by studying the openness of the structure. For the final building we chose to keep 20% of the overall form open.

Building Section Line Drawing

0’ 5’

15’

Section model Render

35’

9

OPEN TO BELOW

10

12 6

6

OPEN TO BELOW

6

7

A

Building model Render

Building Internal Communication System

In the main body of the building, connecting passages are designed between different blocks that are diametrically opposed to the overall exterior heroic style. Focus on softness, curves, and light transmission. This design is inspired by the extension of parasitic fungi in the parasitic body and the connection characteristics of various parts. The design purpose of the super-long curve is to achieve the connection of the super-long space and add different light-sensing spaces to the interior of the building space.

8

2 6

5

4

4

10 3

3

5

1 4

1 Reception 2 Cafeteria 3 Meeting Room 4 Office 5 Louge 6 Classroom 7 Men’s Restroom 8 Women’s Restroom 9 Exhibition Tunnel 10 Research Lab 11 Storage 12 Public Lobby

10

11

10

0’ 5’ 15’

25’

Building Plan Line Drawing

Physical Site Model

The main body of the building function and the sunken surface design adopt the same design unit and language, trying to capture the “footprint” of the building block to form a special surface design that can be used.

Site model Render

Linear Space Design

Physical Section Model

Section model Render

In the internal structure of the building, soft curved spaces serve as connecting channels for each building. The sunroom space used for breeding in the site is also connected by linear corridors. Except for the independent Sunroom in the center of the square, all main spaces can be walked through the indoor connecting passages.

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier MEP CONSULTANT: Jamey Lyzun

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

GHETTO FILM SCHOOL

DRAWING TITLE:

COVER PAGE

Site Location: 1453 W 5th St, los Angeles CA 90017 Site Scale: 4500sqft

Design Development Integrated Design Project TEAM MEMBERS:

David Aizenman / Dogukan Altun / Hanen Abdullah / Jing Ge / Onurcan Kusken / Sherefah Alhmdan Solbok Yi / Toe, Shin Khart / Tsunghan Lee / Vicente Johannpeter Nabuco / Yuan Cao

SCALE

01

4 BUILDING CONSTRUCTUION

A 3.02 STEEL PRIMARY STRUCTURE

02 A 3.02

4 BUILDING CONSTRUCTUION STEEL TIMBER FRAMING

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil

03 A 3.02

4 BUILDING CONSTRUCTUION STEEL TIMBER FRAMING AND SLABS

04 A 3.02

4 BUILDING CONSTRUCTUION EXTERIOR ENCLOSURE

STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier MEP CONSULTANT: Jamey Lyzun

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

DRAWING TITLE:

4 BUILDING CONSTRUCTION STEPS

SCALE

A 3.02

A.1

A.2

A.3

N A.4

B.1

B.3

B.2

B.4 B.A The Southern California Institute of Architecture

A.A

CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013

B.B

TEL: 213.613.2200

A.B

AS 3040

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

Ave

B.C

B.D A.D

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken

Hartford

Witmer St

A.C

FALL 2022

INSTRUCTORS: William Virgil

C.1

C.2

C.3

STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier

C.4

MEP CONSULTANT: Jamey Lyzun

C.A D.1

D.2

D.3

GHETTO Film School

D.4

Site adress: 1453 W 5th st, Los Angeles CA 90017

D.A

C.B

Site Scale: 45,000 SQFT

D.B DRAWING TITLE:

C.C

PLAN A (GROUND FLOOR)

D.C

C.D D.D

SCALE

W 5th St

10¡¦

20¡¦

30¡¦

A 2.11

The Southern California Institute of Architecture

1’x3’ PRIMARY VERTIAL I TRUSS COLUMN

CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

1’x1’6” SECONDARY I BEAM

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

WELDED STEEL CORNER BRACKET 1’x2’ PRIMARY I BEAM

DOUBLE INSULATED GLAZING ALUMIUM WEATHER CAP STEEL RHS MULLION INTERFACE SILICONE WEATHER SEAL STEEL WINDOW MULLION

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil

20MM OAD FLOOR BOARD ACOUSTIC INSULATION 12MM POLYESTER

STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier

12MM POLYESTER; FELT MAT PU FILM 12MM PLYWOOD 50MM LEVELLING SCREED

MEP CONSULTANT: Jamey Lyzun

10 GAUGE GALVANIZED STEEL MESH 150MM STEEL-CONCRETE COMPOSITE SLAB 8MM PROFILED GALVANIZED STEEL DECKING

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017

01 B 1.31

Site Scale: 45,000 SQFT

CHUNK 1 RENDER STEEL JOINTS FAN STACK 1‘x2’ HVAC SUPPLY DUCT 20MM CEILING PANEL CEILING HANGER WIRE

GRP PANEL/SOLAR PANEL

DRAWING TITLE:

CHUNK 1 RENDER & SECTION DRTAWING

WATERPROOF MEMBRANE GYPSUM INSULATION RIG INSULATION TIMBER SPACE FRAME FINISH BOARD SCALE

02 B 1.31

CHUNK 1 SECTION DRAWING

B 1.31

TIMBER STRUCTURE The Southern California The Southern California Institute of Architecture Institute of Architecture

Ghosted for clarity

CONTANT: CONTANT: 960 E 3RD STREET, 960 E 3RD STREET, LOS ANGELES, CA 90013 LOS ANGELES, CA 90013

PLATE CONNECTOR TIMBER & STEEL

TEL: 213.613.2200 TEL: 213.613.2200

PLATE CONNECTOR TIMBER & STEEL

AS 3040 AS 3040

DESIGN DEVELOPMENT DESIGN DEVELOPMENT INTEGRATED DESIGN INTEGRATED DESIGN PROJECT PROJECT

C - BEAM

TEAM: TEAM: Jing Ge Jing Ge Yuan Cao Yuan Cao Solbok Yi Solbok Yi Tsunghan Lee Tsunghan Lee David Aizenman David Aizenman Hanen Abdullah Hanen Abdullah Toe, Shin Khant Toe, Shin Khant Sherefah AlHamdan Sherefah AlHamdan Vicente Johannpeter Nabuco Vicente Johannpeter Nabuco Dogukan Altun Dogukan Altun Onurcan Kusken Onurcan Kusken

I - BEAM

02

DETAIL CHUNK

B1.13

STEEL & TIMBER CONNECTION

I - TRUSS

I - BEAM C - BEAM TIMBER STRUCTURE COLUMN BASE & NON-SHRINKING GROUT FOOTING

FALL 2022 FALL 2022

03

DETAIL CHUNK

B1.13

STEEL & TIMBER CONNECTION

INSTRUCTORS: INSTRUCTORS: William Virgil William Virgil STRUCTURAL CONSULTANT: STRUCTURAL CONSULTANT: Scott Uriu Scott Uriu Pavel Getov Pavel Getov Sophie Pennetier Sophie Pennetier MEP CONSULTANT: MEP CONSULTANT: Jamey Lyzun Jamey Lyzun

GHETTO Film School GHETTO Film School Site adress: Site adress: 1453 W 5th st, 1453 W 5th st, Los Angeles CA 90017 Los Angeles CA 90017 Site Scale: Site Scale: 45,000 SQFT 45,000 SQFT

DRAWING TITLE: DR AWING TITLE:

STRUCTURE DIAGRAM TIMBER AND STEEL CONNECTION DIAGRAM

PILES SCALE SCALE

01 B1.13

DETAIL CHUNK STRUCTURE DIAGRAM

B1.13

01 A 1.01

FLOOR SLAB LAYER RENDER 1’x3’ PRIMARY VERTICAL COLUMN

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil

FAN STACK

STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier

1‘x2’ HVAC SUPPLY DUCT 1’x2’ PRIMARY I BEAM 1’x1’6” SECONDARY I BEAM

MEP CONSULTANT: Jamey Lyzun

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

20MM OAK FLOOR BOARD ACOUSTIC INSULATION 12MM POLYSTER 12MM POLYSTER; FELT MAT PU FILM 12MM PLYWOOD 50MM LEVELING SCREEN

CEILING HANGER WIRE 20MM CEILING PANEL

DRAWING TITLE:

FLOOR SLAB LAYER RENDER

150MM STEEL-CONCRETE COMPOSITE SLAB 10 GAUGE GALVANIZED STEEL MESH 8MM PROFILED GALVANIZED STEEL DECKING

SCALE

B 1.37

GRP PANEL/SOLAR PANEL STEEL JOINTS WATERPROOF MEMBRANE GYPSUM INSULATION RIG INSULATION TIMBER SPACE FRAME FINISH BOARD

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

01 B 1.33

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken

BUILDING ENVELOP SECTION RENDER

GRP PANEL/SOLAR PANEL STEEL JOINTS WATERPROOF MEMBRANE GYPSUM INSULATION RIG INSULATION

INSTRUCTORS: William Virgil STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier MEP CONSULTANT: Jamey Lyzun

TIMBER SPACE FRAME FINISH BOARD

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017

02 B 1.33

Site Scale: 45,000 SQFT

BUILDING ENVELOP SECTION DRAWING

DRAWING TITLE:

BUILDING ENVELOP DETIALS GRP PANEL/SOLAR PANEL STEEL JOINTS WATERPROOF MEMBRANE GYPSUM INSULATION RIG INSULATION TIMBER SPACE FRAME

SCALE

FINISH BOARD

03 B 1.33

BUILDING ENVELOP EXPLODE RENDER

04 B 1.33

TIMBER FRAME RENDER

B 1.33

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

01 B 1.

UNIT OF SPACE FRAME STRUCTURE

2”x2” TIMBER SPACE FRAME

02 B 1.34

ENGINEERED BOLT

SPACE FRAME JOINT DETAIL

STEEL BEAM CONNECTION PLATE

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier MEP CONSULTANT: Jamey Lyzun

2”x2” TIMBER SPACE FRAME ENGINEERED BOLT STEEL BEAM CONNECTION PLATE

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

DRAWING TITLE:

TIMBER SPACE FRAME JOINT DETAIL

SCALE

03 B 1.34

SPACE FRAME DETAIL DRAWING

B 1.34

GRP PANEL ADHESIVE

The Southern California Institute of Architecture

ALUMINUM HONEYCOMB

CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013

ADHESIVE WHITE INTERLAYER

TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

02 B 1.36

GRP PANEL

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken

EXPLODED AXONOMETRIC VIEW

INSTRUCTORS: William Virgil

CUSTOMIZABLE WHITE SHEET BLACK SHEET

ALUMINUM FRAME

SOLAR CELL

STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier MEP CONSULTANT: Jamey Lyzun

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

DRAWING TITLE:

BUIDLING SURFACE MATERIAL DETAIL

SCALE

01 B 1.36

ENVELOPE CHUNK UNPEELED RENDER

03 B 1.36

CUSTOMIZABLE SOLAR PANEL EXPLODED AXONOMETRIC VIEW

ALUMINUM HONEYCOMB

B 1.36

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

WELDED STEEL CORNER BRACKET 1’x2’ PRIMARY I BEAM 1’x1’6” SECONDARY I BEAM

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier

STEEL RHS MULLION INTERFACE

MEP CONSULTANT: Jamey Lyzun

ALUMIUM WEATHER CAP SILICONE WEATHER SEAL

STEEL WINDOW MULLION DOUBLE INSULATED GLAZING

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

DRAWING TITLE:

GLASS MULLION RENDER & SECTION DRAWING 1’x1’6” SECONDARY I BEAM 1’x2’ PRIMARY I BEAM WELDED STEEL CORNER BRACKET

SCALE

01 B 1.32

GLASS MULLION SYSTEM RENDER

02 B 1.32

GLASS MULLION SECTION DRAWING

B 1.32

01 B 1.35

ANCHOR CONCEALED SYSTEM

The Southern California Institute of Architecture CONTANT: 960 E 3RD STREET, LOS ANGELES, CA 90013 TEL: 213.613.2200

AS 3040

FALL 2022

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

CONNECTION ADAPTOR BOLTS ANCHOR

SOLAR PANEL/ GRP PANEL ANCHOR BOLTS

CONNECTION ADAPTOR

STEEL PANEL CROSS STEEL JOINT STEEL SECOND FRAME

ANCHOR

TEAM: Jing Ge Yuan Cao Solbok Yi Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun Onurcan Kusken INSTRUCTORS: William Virgil STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier MEP CONSULTANT: Jamey Lyzun

BOLTS

GHETTO Film School Site adress: 1453 W 5th st, Los Angeles CA 90017 Site Scale: 45,000 SQFT

SOLAR PANEL ALUMINUM HONEYCOMB STEEL PANEL

DRAWING TITLE:

CLADDING STSTEM JOINT DETAIL

CROSS STEEL JOINT SOLID COLD FORMED STEEL SECONDARY STRUCTURE

02 B 1.35

CLAPPING JOINT DETAIL RENDERS

SCALE

B 1.35

OCCUPANCY CLASSIFICATION 303.1 Assembly Group A Assembly Group A occupancy includes, among others, the use of a building or structure, or a portion thereof, for the (Level 4) 50’ gathering of persons for purposes such as civic, social or religious functions; recreation, food or drink consumption or awaiting transportation; motion picture and television production studio sound stages, approved production facilities and production locations; or for the showing of motion pictures when an admission fee is charged and when such building(Levelor 3) 36’ structure is open to the public and has a capacity of 10 or more persons.

-Theater Section (Level B 2) 23’ -Sound Stage

36’ (Level 3)

(Level 2) The 23’ Southern California Institute of Architecture

CONTANT: 960 E0’ 3RD STREET, (Level 1) LOS ANGELES, CA 90013

(Level 1.2) 13’ 304.1 Business Group B Business Group B occupancy includes, among others, the use of a building or structure, or a portion thereof, for office, professional or service-type transactions, including storage of records and accounts.

(Level 1) 0’ -Lobby -Meeting rooms

TEL: 213.613.2200

AS 3040

DESIGN DEVELOPMENT INTEGRATED DESIGN PROJECT

305.1 Educational Group E Educational Group E occupancy includes, among others, the use of a building or structure, or a portion thereof, by more than six persons at any one time for educational purposes through the 12th grade.

-Classrooms -Library

Legend

0`

A.1

A.2

A.3

A.4

B.1

B.4

B.3

B.2

TEAM: Jing Ge Yuan Cao Solbok Yi (Level 2) 26’ Tsunghan Lee David Aizenman Hanen Abdullah Toe, Shin Khant Sherefah AlHamdan Vicente Johannpeter Nabuco Dogukan Altun (Level 1) 0’ Onurcan Kusken

B.5

10`

(Level 2) 23’

Group A

Theater, Sound Stage

Group B

FALL 2022

(Level 1) 0’

Lobby, Meeting room

INSTRUCTORS: William Virgil

Group E

Classroom Library

01 C 1.31 A.1

0`

10`

C.1

C.2

C.3

A.2

A.3

STRUCTURAL CONSULTANT: Scott Uriu Pavel Getov Sophie Pennetier

FIRE SEPERATION SECTIONS

MEP CONSULTANT: N Jamey Lyzun

A.4

C.4

B.1

D.1

B.3

B.2

D.2

B.4

D.3

D.4

B.A

GHETTO Film School

A.A

Site adress: 1453 W 5th st, Los Angeles CA 90017

B.B A.B

Witmer St

A.C B.D A.D

Hartford

Ave

B.C

Site Scale: 45,000 SQFT

DRAWING TITLE:

FIRE SEPERATION & LIFE SAFETY C.1

C.2

C.3

C.4

C.A D.1

D.2

D.3

D.4 D.A

C.B

D.B C.C D.C

SCALE

C.D D.D

02 C 1.31

FIRE SEPERATION AXON

03 C 1.31

FIRE SPRINKLER PLAN

W 5th St

C 1.31

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20¡¦

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