The Empty Closet number 431
Section B
Arts, Entertainment & Community
a publication of the gay alliance of the genesee valley
february 2010
Detail from artwork by Alicia Ross.
Art show marks V-Day; March 13 is Vagina Monologues V-Day Rochester 2010 presents new work by Alicia Ross, opening at Rochester Contemporary Art Center, 137 East Ave., on Feb. 12. The opening reception is 7-9 p.m. and will feature an auction. Admission is $1. The show will run until March 21. Ross’s work will benefit education about and prevention of violence against women and girls. V-Day 2010 is sponsored by Rape Crisis and Planned Parenthood.
Eve Ensler’s The Vagina Monologues will be performed on March 13 at Hochstein School of Music at 7 p.m. Tickets will be $20 general admission and $10 student/seniors and will go on sale by the first week of February at Equal=Grounds, Parkleigh, Aaron’s Alley, at select Planned Parenthood locations and online at www.pprsr.org. The show will also be ASL interpreted. Proceeds will benefit Rape Crisis Services in Monroe County and Women and Girls of the Democratic Republic of Congo. See the March Empty Closet for full details. ■
Seated L-R: Jason Mincer, J. R. Teeter, Judy Molner, Jamal Abdunnasir, Ralph Meranto, Marcy Savastano, Michael O’Connor, Colista Turner, Beth Winslow, Marc D’Amico, Jonathan Ntheketha. (In front, silhouetted: David Henderson, director.) Photos: Laura McSpadden
Geva presents reading of “The Laramie Project: 10 Years Later” By Laura McSpadden On Jan. 18, the Geva Theatre presented a reading of “The Laramie Project: 10 Years Later” as part of their Hornets’ Nest series. There wasn’t an empty seat in the house. The Hornets’ Nest performances consist of a script-inhand reading of a play that confronts and examines an issue of contemporary significance, followed by a discussion among audience members regarding their responses to the ideas presented by the play. The play was performed by members of Method Machine; Kevin Indovino narrated. The acting was engaging from beginning to end. Particularly noteworthy were the readings done by Marc D’Amico, Judy Molner, Colista Turner and Beth Winslow, all of whom brought incredible authenticity and emo-
Marc D’Amico.
tion to their roles. “The Laramie Project: 10 Years Later” is an epilogue to “The Laramie Project.” Both of these plays were written by Moisés Kaufman and the Tectonic Theatre Project, and both plays examine community responses to the 1998 murder of Matthew Shepard in Laramie, Wyoming: the scripts for the plays are largely derived from interviews with residents of Laramie and the (Geva continues page 2)
By Michael Steck www.michaelsteck.com You’ve seen her on stage thinking she’s Madonna. You’ve seen her wearing a four-foot Afro while doing something she calls “angry tap-dancing.” You’ve seen her running amuck with a lipstick wielding serial killer on the loose. Now, you will see her “racing” with 12 fabulous drag queens vying for the title of drag supremacy on Season 2 of RuPaul’s Drag Race. If you haven’t figured it out already, I am talking about a seasoned veteran of drag performance here in Rochester: Pandora Boxx. Recently, I was able to get a one-on-one interview with Pandora and discuss her many ventures, including her latest stint on reality television. Michael Steck: Incessant Facebook posts, Twitter after twitter, e-mails, MySpace, blogs and so on. Some would say that you have reached the point of no return with your vanity. What’s next? Interviewing yourself? Pandora Boxx: I like to call myself the Queen of Self-Promotion. It’s not really about vanity. If you are an entertainer, you need to keep yourself in everyone’s consciousness, otherwise you can quickly be forgotten. So I’m going to keep on Twatting! MS: I don’t think people could forget about you. Try as hard as they may. I mean that in the nicest way possible, of course. As if all of that wasn’t enough, now you seem to want to become a reality television star. What’s up with that? PB: I don’t know if I ever sought to be a reality television star. RuPaul’s Drag Race is a groundbreaking hit show. RuPaul changed the mainstream’s view on drag when he burst onto the scene in the mid ‘90s and is changing it again with this amazing show. I wanted to be a part of something that helps bring drag queens into the consciousness of the world. I thought if I got on this show it would be an amazing way to get my brand of drag and humor out to an international audience. MS: Do you really think you are that funny? I’ve seen some of those YouTube skits and I think I’ve seen funnier work on “She’s the Sheriff” starring Suzanne Somers. PB: Humor is subjective. There are so many different brands of humor. What I think is funny someone else might not. I think there are some things I do that are funny across the board and then there are those things that are really out there. Not everyone will get it but who cares. You can’t please everyone. MS: Which is certainly evident from your stage act. So, I see on RuPaulsDragRace.com that you are indeed listed as the oldest contestant in the race. How does that make you feel? Will you be able to work a walker into your act? I’d say it couldn’t hurt. Do you avoid well-lit rooms at all costs now? PB: Karma is certainly a bitch sometimes. You poke
See Pandora Boxx on “RuPaul’s Drag Race” on Feb. 1.
fun at someone for being old and then when you are that age it comes back tenfold. Age is one of those things you cannot change about yourself. Why let it bother you? Now, looking old is something you can change about yourself. That’s why I sleep in a Tupperware bed and drink as many forms of alcohol as I can, to help with preservation. I think I may switch to formaldehyde. MS: I hope they use a lot of that “Vaseline lens” on you for the show. PB: As far as I know the “Vaseline lens” is gone! I’m sure they heard enough about it from last season. Also, RuPaul does not need it! He looks stunning! They definitely have revved things up for this season’s race. The set is about four times as big, the challenges are bigger and better. This whole season kicks it up a notch. Thank God for a big hit first season! MS: RuPaul does the do as both his debonair male persona and his glamazon alter ego. How do you feel you balance your yin and yang? Do you
Photo: Mathu Andersen
Michael vs. Pandora: Round 1
often feel schizophrenic, like you are talking to yourself? PB: I think it is great that RuPaul’s Drag Race shows both sides of drag performers. I think it adds to the whole experience of the show. It shows how much work goes into these amazing transformations. We are boys and we dress like girls, well, fabulously frocked girls. It’s all about the illusion. It’s definitely easy to lose yourself in your drag persona and I did at one time. Now, there is a definite balance and that’s because I think my life is more balanced. It’s like RuPaul says, “If you can’t love yourself, how in the hell are you going to love somebody else?” MS: Speaking of love, were there any hookups on RuPaul’s Drag Race? A little kai kai, perhaps? (Kai Kai is a term that is used to talk about two drag queens having sexual relations.) PB: Oh just because it’s a reality show means someone has to hook up? I see how you think. I’ll just say there are a lot of things that happen on Season 2 of RuPaul’s Drag Race. More drama, more tears, more laughs (Pandora continues page 2)