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JUNE 2, 2025

Our mission matters... to ignite the artistic freedom of performing artists of the Global Majority (85% of the global population) who dare to create new artistic works, new ideas, and a new world in which ALL people can flourish.

Due to persistent and longstanding inequitable systems and structures, artists and institutions of the Global Majority remain the underinvested communities of the 21st century and yet...

Harlem Stage is forged in a crucible of a creative fire whose flames and embers may waver, still — undeterred by overwhelming odds — we will continue to be a conduit for freedom, a lens to focus the issues of our time, and a light to illuminate any darkness.

Harlem Stage is proud to present an evening co-curated by Calvin Royal III and Ronald K. Alexander. This reflection by Black male artists in the field of dance looks back at what has been, celebrates the present, and imagines what lies ahead.

The evening includes a special tribute by Gay McDougall honoring the late Joanne Robinson-Hill, a former dancer, esteemed member of the arts education community, and champion of the arts.

There will be a cocktail reception following the discussion.

RONALD K. ALEXANDER

Ronald K. Alexander is a distinguished dance educator, arts administrator, and artist. He has danced with prominent ballet companies, including The National Ballet of Canada in Toronto, the Frankfurt Ballet and Hamburg Ballet in Germany, and the Metropolitan Opera Ballet in New York City. As a choreographer, Ronald has created works for a variety of institutions, including the Hamburg Ballet, Clark Center for the Performing Arts, the Ailey School and the Ailey Extension, Harlem School of the Arts, Dance Theatre of Harlem, Warner Theatre in Torrington, CT, and RestorationART, among others. In recognition of his lifelong contributions to the arts, Ronald was honored with a Legacy Award by Morehouse College in 2024 at the Dr. Martin Luther King, Jr. Chapel. He has also dedicated many years to serving on the Bessie Awards Nominating Committee for Dance.

From 1994 to 2002, Mr. Alexander was a certified dance instructor with the New York City Department of Education. He has held numerous administrative and artistic roles, including Chairman of the Dance Department at the Harlem School of the Arts under the leadership of Betty Allen, School Supervisor at the Dance Theatre of Harlem School under Arthur Mitchell, Principal of Contemporary Arts, and Director of Education at the Bedford-Stuyvesant Restoration Corporation Youth Arts Academy under Dr. Indira Etwaroo. Mr. Alexander holds a Master of Fine Arts Degree in Dance from the Tisch School of the Arts at New York University, as well as a certificate in School Supervision and Administration from the City College of New York. He was featured in the 2011 Dance Teacher Magazine article “Five Teachers, Five Venues”. Most recently, he received the 2022 Dance Magazine Teacher of the Year Award and is currently a faculty member at the Ailey School in New York.

Mr. Alexander has dedicated his life to making dance accessible to communities across NYC and the world. He is now a proud member of the Harlem Stage Board of Directors.

CALVIN ROYAL III

Calvin Royal III, Principal Dancer with American Ballet Theatre, through sheer determination and artistic excellence has risen to the top of the ballet world. After starting ballet at age 14 in his freshman year at his local performing arts high school, he competed and gained recognition as a finalist at the Youth America Grand Prix, which led to a scholarship at ABT’s Jacqueline Kennedy Onassis School. Within two years, he was promoted to ABT II, and his subsequent growth earned him a position with ABT Main Company, nominations for the Clive Barnes Award and the Leonore Annenberg Fellowship. In 2017, he was promoted to Soloist, and his performances in Swan Lake and Manon and other notable productions garnered glowing reviews. In 2019, Calvin made his acclaimed debut as Apollo in George Balanchine’s Apollo and in 2020, he made history as the third African-American Principal Dancer in ABT’s history. Calvin has performed worldwide, collaborating with renowned choreographers, named the Artist-in-Residence at the Vail Dance Festival in 2020/21 and in 2024, he curated and co-produced the Joyce Theater’s Ballet Festival program UNITE. His journey reflects resilience, mentorship, and the transformative power of dance. For more visit calvinroyaliii.com and follow Calvin on Instagram @calvinroyaliii

MATTHEW RUSHING

Matthew Rushing was born in Los Angeles, California. He was a scholarship student at The Ailey School and later became a member of Ailey II. During his career he has performed for Presidents George H. W. Bush, Bill Clinton, George W. Bush, and Barack Obama. During his time with the Company, he has choreographed four ballets: Acceptance In Surrender (2005), a collaboration with Hope Boykin and Abdur-Rahim Jackson; Uptown (2009), a tribute to the Harlem Renaissance; ODETTA (2014), a celebration of “the queen of American folk music”; and Testament (2020), a tribute to Alvin Ailey’s Revelations created in collaboration with Clifton Brown and Yusha-Marie Sorzano. His latest creation is Sacred Songs, a ballet choreographed to the songs that were omitted from the original version of Ailey’s masterpiece Revelations. Mr. Rushing joined the Company in 1992, became Rehearsal Director 2010, and was appointed Associate Artistic Director in January 2020 and currently during the 65th anniversary season, Alvin Ailey American Dance Theater is being led by Interim Artistic Director Matthew Rushing.

DESMOND RICHARDSON

An iconic American Dance Professional, Singer, Actor. SDC, AEA, SAG/Aftra member. A Broadway Tony Award Nominee, Founder and Co-Artistic Director Complexions Contemporary Ballet celebrating its 30th year anniversary, TedTalk Guest artist & speaker and So You Think You Can Dance, AMICI (Italy) Guest Choreographer. Richardson is a Presidential Scholar in the Arts and has graced the covers of various publications. He was the first African American Principal dancer of American Ballet Theater, a principal dancer with The Alvin Ailey American Dance Theater, Frankfurt Ballet, and a featured guest performer nationally and internationally. He has received the Capezio, Rosey Roosevelt Thompson, Bessie, Dance Magazine awards and is a recent honorary Doctorate Recipient from the University of the Arts in North Carolina. Richardson’s character Ted appeared on the HBO Max hit series “The Other Two” Season 3.

IG: @desmondrich7

ROBERT GARLAND

Mr. Garland is currently the Dance Theatre of Harlem Artistic Director.

Robert Garland was a member of the Dance Theatre of Harlem Company, achieving the rank of principal dancer. After creating a work for the DTH School Ensemble, Arthur Mitchell invited Robert Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization’s first Resident Choreographer. He was also Director of the Professional Training Program of the DTH school, and the organization’s webmaster. In addition to choreographing several ballets for DTH, Mr. Garland has also created works for New York City Ballet, Britain’s Royal Ballet, Oakland Ballet and many others. His commercial work has included music videos, commercials and short films, including the children’s television show Sesame Street, a Nike commercial featuring New York Yankee Derek Jeter, the NAACP Image Awards, a short film for designer Donna Karan, and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.

RONALD K. BROWN

Ronald K. Brown is the Founder and Artistic Director of EVIDENCE, A Dance Company. Raised in Brooklyn, NY, he founded EVIDENCE in 1985. He has worked with Mary Anthony Dance Theater, Jennifer Muller/The Works, as well as other choreographers and artists. Brown has set works on Alvin Ailey American Dance Theater, Ailey II, Cleo Parker Robinson Dance Ensemble, Dayton Contemporary Dance Company, Jennifer Muller/The Works, Jeune Ballet d’Afrique Noire, Ko-Thi Dance Company, Philadanco, Muntu Dance Theater of Chicago, Ballet Hispánico, TU Dance, and Malpaso Dance Company.

He has collaborated with such artists as composer/designer Omotayo Wunmi Olaiya, the late writer Craig G. Harris, director Ernie McClintock’s Jazz Actors Theater, choreographers Patricia Hoffbauer and Rokiya Kone, composers Robert Een, Oliver Lake, Bernadette Speech, David Simons, and Don Meissner, and musicians Jason Moran, Arturo O’Farrill and Meshell Ndegeocello.

Brown is the recipient of the 2020 Jacob’s Pillow Dance Award. His other awards and recognitions include the AUDELCO Award for his choreography in Regina Taylor’s award-winning play Crowns, two Black Theater Alliance Awards, and a Fred & Adele Astaire Award for Outstanding Choreography in the Tony Award winning Broadway and national touring production of The Gershwin’s Porgy and Bess, adapted by Suzan Lori Parks, arranged by Diedre Murray, and directed by Diane Paulus.

Brown was named Def Dance Jam Workshop 2000 Mentor of the Year and has received a Doris Duke Artist Award, New York City Center Fellowship, Joyce Theater Artist Residency Center Fellowship, Scripps/ADF Award, John Simon Guggenheim Memorial Fellowship, National Endowment for the Arts Choreographers Fellowship, New York Foundation for the Arts Fellowship, United States Artists Fellowship, a New York Dance and Performance “Bessie” Award, Dance Magazine Award, and The Ailey Apex Award. Ronald K. Brown was a Creative Administration Research artist at NCCAkron and along with Arcell Cabuag is a 2024 Dance Teacher Magazine Awardee of Distinction recipient.

Brown is Co-Artistic Director of the Restoration Dance Youth Ensemble and a member of Stage Directors & Choreographers Society.

A Special Tribute to Joanne Robinson-Hill

GAY MCDOUGALL

JOANNE ROBINSON-HILL

Joanne Robinson-Hill was a founding board member of the NYC Arts in Education Roundtable and a revered member of the arts education community. She began her career as a dancer, before serving as The Joyce Theater’s Director of Education from 1995-2014 and she enjoyed a long career as a dance consultant. She was involved in multiple arts education organizations locally and nationally, including Dance/USA, Portland State University, Oregon’s Regional Arts & Culture Commission, Nashville Institute for the Arts, and served on the Editorial Board of the Teaching Artist Journal. A true trailblazer and visionary, Joanne was a founding member of the Lincoln Center Institute for the Arts in Education and described herself as a “lifelong teaching artist”.

Gay McDougall has spent her life addressing international human rights and racial discrimination. She is currently a Distinguished Scholar-in-Residence at the Leitner Center on International Law andJustice of Fordham University Law School. In August2005,shewasnamedthefirst United Nations Independent Expert on Minority Issues and was named a MacArthur “Genius” Fellow.

In the fall of 2025, Harlem Stage will launch Freedom Riders: A Journey With No End in Sight. Activating our North Star — Harlem is our home. The world is our Stage. — this national tour will retrace the historic path of the Great Migration, honor the Freedom Riders of the Civil Rights Movement who risked their lives to challenge the status quo, and carry forward the voices of justice sparked by the Black Lives Matter Movement of 2020.

COMING FALL 2025

Land Acknowledgement

The Harlem Stage Gatehouse sits on land that was stewarded by the Lenape Tribes and was violently overtaken, leading to the death and displacement of countless original inhabitants and stewards of this land. The colonial initiative of the United States of America not only invaded the land stewarded by Indigenous tribes, it also enslaved and exploited millions of Africans stolen from their land to build a free labor force under barbaric conditions that included the separation of families, brutal beatings, rape, and lynching. Harlem Stage seeks to partner with all communities, artists, and institutions of the Global Majority in the struggle for true equity and freedom.

Harlem Stage encourages all people to see this acknowledgment as a call to action to join our efforts and our mission to ignite the artistic freedom of performing artists of the Global Majority who are poised to build new artistic works, new ideas, and a new world in which ALL people can flourish.

Our Commitment to the Planet

Harlem Stage’s values are rooted in ensuring a sustainable planet. Because we see climate change as one of the most pressing issues of our time—an issue that disproportionately impacts Black and Brown communities across the globe—we will continue to honor environmental initiatives both in our operations and programming. Our efforts in using less paper, transitioning to LEDs in our tech and operational spaces, and leaning into digital communications, we have reduced our carbon footprint by 2.5 tons this 2024 – 2025 season alone. Finally, we are proud to work with artists, such as Bebe Miller, who will explore the dynamic and thriving ecology of forests, as necessary to a sustainable planet, as part of our Spring 2025 E-Moves Festival.

HARLEM STAGE BOARD OF DIRECTORS

Ronald K. Alexander

JoAnn K. Chase

Hugh Dancy and Claire Danes

Dr. Indira Etwaroo

Angela Glover Blackwell

Alisha Johnson Wilder and Todd Wilder

LaChanze

Courtney F. Lee Mitchell – President

Channing Martin

Larry McRae

Jamila Ponton Bragg

Rebecca Robertson

Mark Thomas – Vice President

Tamara Tunie

Heather Wagoner

Blair Washington

Michael Young – Secretary

HARLEM STAGE TEAM

Dr. Indira Etwaroo, CEO & Artistic Director

CENTERS OF EXCELLENCE

COMMUNICATIONS TEAM

Deirdre May, Chief Marketing Officer

Theodora Kuslan, Senior Director of Marketing

Katie Burk, Graphic Designer

Deniz Kofteci, Digital Media Manager

Hollis King, Photography

Nina Flowers, Public Relations

Squire Media & Management, Public Relations

Walker International Communications Group

PROGRAMMING & PRODUCTION TEAM

Miriam Sierra, Director of Programming & Production

Saúl Ulerio, Technical Director

Bethany Cintron, Community, Education, & Social Initiatives Manager

Devin Cameron, Light & Projections Designer

Denzel Fields, Programming & Administrative Associate

Zenzele Daniels, Institutional Volunteer

DEVELOPMENT TEAM

Karlvy Smith, Director of Institutional Development

Julianna Friedman, Associate Director of Institutional Development

Danielle Reydon, Development Associate

Margaret Hunt, Development Consultant

Dwight Johnson Design, Gala Consultant

OPERATIONS & FINANCE TEAM

Jelani Buckner, Innovations Business Management Director

Martha Samuel, Director of Finance

Acey Anderson, Facilities & Maintenance Manager

Lamont Askins, Operations Manager

Jordan Morales, Facilities & Maintenance Associate

Das, IT

Lutz & Carr/Chris Bellando, Accountants

Aon/Albert G. Ruben Company (NY)/Claudia Kaufman, Insurance

G&A Partners, Human Resources

Madison Consulting Group, Matt Lawrence

Ncheng, LLP

HARLEM STAGE FAMILY OF SUPPORTERS

Endowment

The Fan Fox & Leslie R. Samuels Foundation

The Leonard and Sophie Davis Fund

Rockefeller Brothers Fund

Public Support

New York State Council on the Arts—Chair, Katherine Nicholls

The New York City Department of Cultural Affairs— Mayor Eric Adams and Commissioner Laurie Cumbo

The New York City Council—Councilmember Shaun Abreu and Councilmember Yusef Salaam

Manhattan Borough President Mark Levine

Upper Manhattan Empowerment Zone

Foundations

Altman Foundation

Black Theatre United

Bloomberg Philanthropies

Broadway Cares/Equity Fights AIDS

Columbia Community Service

Doris Duke Foundation

The Diana King Memorial Fund Presented by the Charles and Lucille King Family

The Fan Fox & Leslie R. Samuels Foundation

Francena T. Harrison Foundation Trust

Ford Foundation

The Hearst Foundations

Howard Gilman Foundation

The Hyde and Watson Foundation

The Jerome Foundation

Jewish Communal Fund

Joseph and Joan Cullman Foundation for the Arts Foundation

Lambent Foundation/Tides Foundation

The Leonard and Robert Weintraub Family Foundation

The Leonard and Sophie Davis Fund

Louis Armstrong Educational Foundation, Inc.

Lucille Lortel Foundation

(Foundations

continued)

MacMillan Family Foundation

Mertz Gilmore Foundation

Metzger-Price Fund

Miranda Family Fund

The Pierre and Tana Matisse Charitable Foundation

Pilot House

Rockefeller Brothers Fund

Ruth Foundation for the Arts

The Scherman Foundation, Inc.

SHS Foundation

The Shubert Foundation

Stavros Niarchos Foundation

Theatre Development Fund

The Thompson Family Foundation

Corporations

Apple

JoAnn Chase Company

Consolidated Edison Company

The Interpublic Group of Companies

Manhattan Beer Distributors

SESAC

West Harlem Development Corporation

William Morris Endeavor

Ziffren Brittenham LLP

INDIVIDUAL SUPPORT

Randy Adams

Ashley Adjaye

Ronald Alexander*

Lisa Arrindell

Stephany and Simon Bergson

Angela Glover Blackwell*

Randy Bryant

Richard Buery

Giselle Byrd

Gayle Capozzalo

Geoffrey Canada

JoAnn Chase*

Christine Choi

Robyn Coles

Vicky Corman

Hugh Dancy* and Claire Danes*

Sally and John Draper

Indira Etwaroo, PhD*

Susan Frost

Lisa Garcia

Stuart and Karen Gelwarg

Thelma Golden

Jessica Golden and Scott Lippstreu

Laura Greer

Agnes Gund

Monique Hanson

Drew Hawkins

Kinshasha Holman Conwill

Russell Hornsby

Margaret Hunt

Lisa Jackson

Justice Debra James

Dwight Johnson

Terria Joseph

John Josephson and Carolina Zapf

Jenette Kahn

Michael Kenny

Steven Kirkpatrick

Brad Learmonth and Jon Gilman

Courtney F. Lee-Mitchell*

Kenny Leon

Channing Martin*

Frank H. McCourt, Jr.

Gay McDougall

Lawrence McRae*

Sherman and Chris Meloni

Lynn Nottage

Noreen O’Loughlin

Stan Ponte

Terri Prettyman Bowles

Toby Rappaport

LaTanya Richardson Jackson

Rebecca Robertson*

Rick Rosen

Calvin Royal III and Jacek Mysinksi

Mary Schmidt Campbell

Elizabeth Smith and Richard Cotton

Shadawn Smith

Mark Thomas*

Tamara Tunie*

Erwin Underwood

Courtney B. Vance

Reginald Van Lee

Laura Walker and Bert Wells

Donna Walker Kuhne

Blair Washington*

Carrie Mae Weems

Alisha Johnson Wilder*and Todd Wilder*

Greg Williamson

Carol Wood Moore

Michael Young*

Alfred and Patricia Zollar

*Board Members

The above list reflects gifts received between July 1, 2024 and May 29, 2025. Donations under $1,000 are greatly appreciated but not acknowledged publicly. If your name has been omitted or misprinted, please accept our apologies and contact Associate Director of Institutional Development, Julianna Friedman at jfriedman@harlemstage.org

VENDORS

Aon/Albert G. Ruben Company (NY)/Claudia Kaufman, Insurance

Das, IT Consultant

Dwight Johnson Design, Gala G&A Partners, Human Resources

Lutz & Carr/Chris Bellando, Accountants

Madison Consulting Group, Matt Lawrence

Manchester Benefits, Greg Martin

Marc Millman, Photography

Ncheng, LLP

Squire Media and Management for Public Relations

MAJOR GIFTS

Altman Foundation

Bloomberg Philanthropies

Ford Foundation

The Hearst Foundations

Howard Gilman Foundation

Jewish Communal Fund

The Diana King Memorial Fund Presented by the Charles and Lucille King Family Foundation

Lambent Foundation/Tides Foundation

Mellon Foundation

The Pierre and Tana Matisse Charitable Foundation

Pilot House

The Thompson Family Foundation

The Leonard and Robert Weintraub Family Foundation

The above list reflects gifts of $100,000 and above. Donations under $99,999 are greatly appreciated but not classified as a Major Gift at Harlem Stage. If your name has been omitted or misprinted, please accept our apologies and contact, Associate Director of Institutional Development, Julianna Friedman at jfriedman@harlemstage.org

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