1 Address: 150 Convent Avenue at West 135 Street, New York, NY 10031 Phone: 212.281.9240 ext. 19 | Website: www.harlemstage.org @harlemstage @myharlemstage Friday, March 29 – Saturday, March 30, 2024, 7:30PM Harlem Stage Gatehouse WATERWORKS ESTABLISHED ARTIST COMMISSION AMBROSE AKINMUSIRE banyan seed
CREATE FEARLESSLY
ABDULLAH IBRAHIM · ADAM W. SADBERRY
ALEXANDER DAVIS · AMBROSE AKINMUSIRE
BERTHA HOPE · BILL T. JONES/ARNIE ZANE COMPANY
BOBBY MORGAN · BORA YOON · CAMILLE A. BROWN
CARL HANCOCK RUX · CHLOE DAVIS · CRAIG HARRIS
DAFNIS PRIETO · DANIEL FETECUA · DAVID VALBUENA
DJ SABINE BLAIZIN (OYASOUND) · FEI-FEI
FLOR DE TOLOACHE · GEORGE EMILIO SANCHEZ
HANNAH LEMMONS AKA LEMMONS · IAN ISIAH
JAMES BLASZKO · JASON MORAN · JOANNE BRACKEEN
JOSÉ JAMES · JOYA POWELL · JUEL D. LANE
KALÍ RODRÍGUEZ-PEÑA · KIMBERLY NICHOLE
LUCIANA SOUZA · MALEEK WASHINGTON
MARY PRESCOTT · MATTHEW WHITAKER
MAYTE NATALIO · MICAH THOMAS · NORA CHIPAUMIRE
PABLO MAYOR’S FOLKLORE URBANO ORCHESTRA
PATTY ORTIZ · RICKEY TRIPP
RONALD K. BROWN/EVIDENCE
SHANTELLE COURVOISIER JACKSON · STEW
SUN HAN GUILD · TAMAR-KALI · URBAN BUSH WOMEN
VIJAY IYER · YASSER TEJEDA · YUNIYA EDI KWON
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ABOUT THE EVENT
Described by NPR Music as “a trumpeter of deep expressive resources and a composer of kaleidoscopic vision,” composer, trumpeter, and bandleader Ambrose Akinmusire has made a home at the crossroads of different musical forms and languages, from post-bop and avant-garde jazz to contemporary chamber music and hip-hop to singer-songwriter aesthetics. Akinmusire returns to Harlem Stage during its 40th Anniversary Season to present banyan seed. He builds on his interest in the intersection of the griot, mentor, and oral historian in social history to develop a multi-part suite. Like the banyan tree, which starts as a plant growing on another plant to become a tree of far-flung roots and interwoven vines, the project incorporates interviews with jazz elders to share ideas, knowledge, history, and community with younger musicians, and to connect audiences to the living stories of jazz — its social innovation and endless creativity.
Joining Akinmusire on stage is Cosmo Lieberman (alto saxophone), Emmanuel Michael (guitar), Esteban Castro (piano), Jeremiah Edwards (bass), and Timothy Angulo (drums).
ARTISTS
Ambrose Akinmusire Trumpet, Composer, Bandleader
Timothy Angulo Drums
Esteban Castro Piano
Jeremiah Edwards Bass
Cosmo Lieberman Alto Sax
Emmanuel Michael Guitar
Commissioned by Harlem Stage through its WaterWorks Established Artists Program and supported by the Mellon Foundation, the Ford Foundation, Stavros Niarchos Foundation, Thompson Family Foundation, and the Leonard & Robert Weintraub Family Fund.
This program is also supported, in part, by Bloomberg Philanthropies and the Diana King Memorial Fund presented by the Charles and Lucille King Family Foundation.
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BIOGRAPHIES
AMBROSE AKINMUSIRE TRUMPET, COMPOSER, BANDLEADER
Described by NPR Music as “one of the most acclaimed jazz artists of his generation, a trumpeter of deep expressive resources and a composer of kaleidoscopic vision,” Ambrose Akinmusire has made a home at the crossroads of different musical forms and languages, from post-bop and avant-garde jazz to contemporary chamber music and hip-hop to singersongwriter aesthetics. His 2018 release Origami Harvest features rapper Kool A.D. with the Mivos String Quartet and was named a top album of the year by The New York Times, The Philadelphia Inquirer, The Los Angeles Times, and more.
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The Oakland, California native and Blue Note recording artist has made consistently adventurous, enduring music with a committed band of dear friends: pianist Sam Harris, bassist Harish Raghavan, and drummer Justin Brown, whose unforgettable chemistry is captured on the 2017 double album A Rift in Decorum: Live at the Village Vanguard (“amazingly effective” – DownBeat). The quartet reaches new heights with their GRAMMY-nominated 2020 release on the tender spot of every calloused moment, featuring liner notes by the great Archie Shepp. On these and other releases, Akinmusire aspires to create richly textured emotional landscapes that tell the stories of the community, record the time and change the standard. While committed to the lineage of black invention and innovation, he is able to honor tradition without being stifled by it.
Akinmusire has received numerous composer commissions: from the Berlin Jazz Festival for Mae Mae, a suite based on Mattie May Thomas’s 1939 field recordings; from the St. Paul Chamber Orchestra Liquid Music Commission (for Origami Harvest); from The Kennedy Center for Untitled, featuring MacArthur Fellow Cécile McLorin Salvant and others; from the Hyde Park Jazz Festival Commission for Banyan, a work for 12-piece ensemble that builds on Ambrose’s interest in the role of the griot and mentor in social and jazz history; and the Monterey Jazz Festival Commission for The Forgotten Places, featuring Salvant, Theo Bleckmann, and quartet plus clarinet, cello, harp and guitar. More recently, Akinmusire has branched out as a composer and has begun creating music for film and television projects including, most notably, the new Daveed Diggs and Rafael Casal series, Blindspotting.
Following his evocative 2007 debut Prelude... To Cora on the Fresh Sound label, Akinmusire joined Blue Note in 2011 with when the heart emerges glistening, produced by Jason Moran and featuring Raghavan and Brown with Gerald Clayton on piano and Walter Smith III on tenor sax. Akinmusire’s lyricism, distinctive harmonic language, and rich sense of dynamic and timbral contrast set him apart. Highly virtuosic in execution, the music had a pointed social dimension as well: “My Name Is Oscar” initiated what became a theme linking all of Akinmusire’s studio albums, in which the names of murdered African Americans are recited and remembered with dignity. On the imagined savior is far easier to paint (2014), hailed as “a gorgeous, moving album” in JazzTimes, “Roll Call for Those Absent” took up the matter of injustice once again, as did “Free, White and 21” on Origami Harvest and the stark solo Fender Rhodes finale “Hooded Procession (read the names outloud)” on calloused moment.
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BIOGRAPHIES
imagined savior found Akinmusire broadening his sonic and stylistic reach as well by incorporating guitarist Charles Altura, the Osso String Quartet, and singers/cowriters Becca Stevens, Theo Bleckmann and Cold Specks, each with their own widely diverging vocal sound. (Akinmusire reciprocated, playing on Cold Specks’ 2014 release Neuroplasticity.) On calloused moment, vocalist Genevieve Artadi of Knower sings original lyrics on Akinmusire’s “Cynical sideliners,” in an affecting duet with the leader on Rhodes. Percussionist/vocalist Jesus Diaz also contributes Yoruba vocals on the opening “Tide of Hyacinth.”
Akinmusire has performed as a featured soloist with Archie Shepp’s Attica Blues Big Band as well as AACM multireeds innovator Roscoe Mitchell in an intimate quartet setting at San Francisco’s The Lab (a two-night event documented on the live album Come and See What There Is to See). “Mr. Roscoe (consider the simultaneous),” from Famoudou Don Moye and Amina Claudine Myers, as well as calloused moment, finds Akinmusire honoring Mitchell and grappling on his own terms with lessons learned under Mitchell’s wing.
In addition to his five Blue Note outings, Akinmusire has made signal contributions to groundbreaking albums across a wide stylistic and genre-defying spectrum, including Mary Halvorson’s Code Girl and Brad Mehldau’s Finding Gabriel. He has collaborated with acclaimed pianist Kris Davis in duo and trio settings at the Vision Festival, the North Sea Jazz Festival and elsewhere. He appears on Kendrick Lamar’s 2015 landmark To Pimp a Butterfly, on the closing track “Mortal Man.” In 2016 he was a featured soloist and composer with the WDR Big Band in Cologne, performing alongside pianist/arranger/conductor Orrin Evans. He played on Joni Mitchell’s 2014 release Love Has Many Faces, and in 2018 accompanied Chaka Khan, James Taylor and other luminaries honoring Mitchell in a gala concert documented on Joni 75: A Birthday Celebration. Other sideman highlights include recordings by Jack DeJohnette, Marcus Miller, Steve Coleman, and Terri Lyne Carrington. Akinmusire received his 2nd GRAMMY nomination —for “Best Improvised Solo”— on Carrington’s 2022 release, New Standards Vol 1.
In addition to winning the prestigious Thelonious Monk International Jazz Competition in 2007 and the Carmine Caruso International Jazz Trumpet Solo Competition the same year, Akinmusire has frequently topped the JazzTimes and DownBeat annual critics polls. He has received the Doris Duke Performing Artist Award (2014); Le Grand Prix de l’Académie du Jazz (2014); Germany’s ECHO Jazz Award (Instrumentalist of the Year/Brass);
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and The Netherlands’ Paul Acket Award. A sought-after educator as well, Akinmusire has taught at the Dave Brubeck Institute, Stanford Jazz Workshop, Musik-Akademie Basel, Banff Centre, Berklee College of Music (as Artist-in-Residence), Princeton University, McGill University, Indiana University, University of Massachusetts Amherst, University of Southern California, Conservatorium van Amsterdam, New Zealand School of Music, Vriednden Antwerpen. and more.
A graduate of Manhattan School of Music, Akinmusire lived for several years in New York before returning to the West Coast to attend the Thelonious Monk Institute of Jazz in Los Angeles while also pursuing a master’s degree at USC’s Thornton School of Music. During another five-year stint in New York he performed with the likes of Vijay Iyer, Aaron Parks, and Esperanza Spalding. He then returned to LA and joined the faculty at Thornton for two years before coming full circle: back to Berkeley, where he now resides with his family.
In 2023, Akinmusire released his first recording for Nonesuch, the critically-acclaimed, Owl Song, featuring Bill Frisell (guitar) and Herlin Riley (drums), as well as Beauty is Enough, a solo trumpet record on his own Origami Harvest label. In 2023, Akinmusire was also named the artistic director of the Herbie Hancock Institute.
TIMOTHY ANGULO
DRUMS
Timothy Angulo is a drummer and composer whose music follows the lineage of Black musical innovators. Originally from Berkeley, California, Angulo now calls two coasts home and is currently based in New York City. His teachers include Milford Graves, Michael Carvin, Ndugu Chancler, and Darcy James Argue. Pitchfork has lauded his “deep pocket drums’’ in his collaborative endeavors. By synthesizing sounds from his wideranging experiences, Angulo has opened doors for himself to work with renowned artists such as Ambrose Akinmusire, Reggie Workman, Wallace Roney, Kamasi Washington, Jeff Parker, Miguel Atwood-Ferguson, and Marlena Shaw. He is also a current member of the experimental music group L’Rain.
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BIOGRAPHIES
ESTEBAN CASTRO
PIANO
Esteban Castro is a pianist and composer from New York who captivates audiences and critics with performances that are intimate and sophisticated beyond his years. He attends the Juilliard School on a full-tuition Thomas Dubois Hormel Memorial Scholarship, studying with Ted Rosenthal, and he also studies privately with Fred Hersch. Esteban is a Young Steinway Artist. At age thirteen, Esteban was the First Prize Winner in the Montreux Jazz Piano Solo Competition in 2016, making him the youngest ever to receive this prestigious award. At fourteen, he was the youngest First Prize recipient at the 2017 Jacksonville Jazz Piano Competition. With over forty compositions to his name, Esteban has garnered three ASCAP Foundation Young Jazz Composer Awards and has won fifteen Downbeat Student Music Awards. He was selected as a pianist for the Grammy Band in 2017 and 2018, as a 2019 YoungArts Finalist, and as a member of the 2019 Next Generation Jazz Orchestra. He has won a variety of classical piano competitions, including the 2019 MSM Precollege Philharmonic Concerto Competition, playing Prokofiev’s First Piano Concerto. Esteban was commissioned for a big band arrangement by the Jazz at Lincoln Center Orchestra for the Thelonious Monk 100th Birthday Celebration in 2018. Esteban has played to sold-out audiences in venues such as The Blue Note, The Montreux Jazz Club, The New Jersey Performing Arts Center, and Dizzy’s Club. He’s also performed in Switzerland, Italy, France, Peru, Canada, and Puerto Rico. Esteban routinely donates his time and performances to charitable causes such as the Jazz Ambassadors, the American Cancer Society, Haiti Disaster Relief, Aid to Victims of Hurricane Maria, and to provide musical instruments for needs-based students.
JEREMIAH EDWARDS
BASS
Jeremiah Edwards is a 19 year old bassist born in Detroit Michigan, but raised in the DMV area. He has been playing music all his life, starting on African drums as a baby and started playing bass when he was 8 years old. He has shared the stage and been mentored by music legends such as Antoine Roney, Rodney Whitaker, John Clayton, Rufus Reid, Buster Willams, Lenny White, Kenny Garret, Donald Harrison, Gerald Cannon, Cecil Mcbee, Ralphe Armstrong, Billy Drummond and many others. He currently resides in Harlem NYC. On the scene playing and learning from the greats!
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COSMO LIEBERMAN
ALTO SAX
At only 17 years old, Cosmo Lieberman has established himself as a rising artist in the improvised music scene. Based in Los Angeles, California, Cosmo attends public high school while also studying music at The Colburn School, where he has been under the guidance of saxophonist/educator Lee Secard for the past 6 years. Cosmo has been heavily influenced by the jazz and improvised music scene in Los Angeles, as well as artists from all different sectors of creative music, such as Henry Threadgill, Bjork, Andrew Hill, Julien Loquet, Anthony Braxton, and more. Having performed with the Next Generation Jazz Orchestra (Monterey Jazz Festival), the National Youth Orchestra Jazz (Carnegie Hall), as well as other student groups, Ambrose Akinmusire’s banyan seed is the first professional project Cosmo has been a part of. As a current senior in high school, Cosmo plans on moving to New York this fall to continue his musical studies and career.
EMMANUEL MICHAEL GUITAR
Born and raised in South Dakota as a first-generation Ugandan and Southern Sudanese, Emmanuel Michael is a New York City based artist who believes that without self-reflection and empathy towards himself and others, the foundation of what makes a truthful artist/human would crumble. Recent artistic endeavors have included leading their own double guitar quartet (The Emmanuel Michael Group) throughout a tour of Switzerland (Musig Im Pflegidach) performing and teaching masterclasses, playing as a member of the Aaron Parks: Archetypes Sextet at The Jazz Gallery, playing as a member of the Ambrose Akinmusire Quintet for the Doris Duke Foundation, and recording two albums as a member of the The Dayna Stephens Now Quartet (2024 Spring release through Cellar Live).
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OUR SUPPORTERS
This program is supported, in part, by public funds from The New York City Department of Cultural Affairs in Partnership with the City Council.
Harlem Stage’s Programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
This project is supported in part by an award from the National Endowment for the Arts.
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On the occasion of Harlem Stage’s 40th Anniversary milestone season, we are pleased to offer a series of livestream performances this Winter/Spring 2024, available to our donors. As part of our $40 for 40 campaign, your donation of at least $40 to Harlem Stage will give you access to livestream these amazing performances. Learn more at harlemstage.org/40for40
E-Moves
Bill T. Jones/Arnie Zane Company Saturday, April 20 | 7:30PM
WaterWorks Established Artist Commission
Tamar-kali—The Swann Carl Hancock Rux, Libretto Saturday, May 4 | 7:30PM
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Friday, May 3 – Saturday, May 4 | 7:30PM
WaterWorks Established Artist Commission
Tamar-kali—The Swann
Carl Hancock Rux, Libretto
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Composer, vocalist, and performing and recording artist Tamar-kali presents performance excerpts from The Swann — an opera she is developing about the life and times of William Dorsey Swann, the first known person to identify as a “queen of drag.”
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CALENDAR
SEPTEMBER 14, 2023
ON & ON: JOSÉ JAMES SINGS BADU
SEPTEMBER 22, 2023
UPTOWN NIGHTS
LATIN MUSIC SERIES
PABLO MAYOR’S FOLKLORE URBANO ORCHESTRA
OCTOBER 13 – 14, 2023 E-MOVES
RONALD K. BROWN/ EVIDENCE
OCTOBER 20 – 21, 2023
CRAIG HARRIS
TONGUES OF FIRE (in a harlem state of mind)
OCTOBER 27, 2023
UPTOWN NIGHTS
LATIN MUSIC SERIES
DAFNIS PRIETO
FEATURING LUCIANA SOUZA CANTAR
NOVEMBER 3, 2023
IN THE COURT OF THE CONQUEROR BY GEORGE EMILIO
SANCHEZ IN
COLLABORATION WITH VISUAL ARTIST PATTY ORTIZ
NOVEMBER 10, 2023
UPTOWN NIGHTS
LATIN MUSIC SERIES +
CARNEGIE HALL CITYWIDE FLOR DE TOLOACHE
DECEMBER 1, 2023
UPTOWN NIGHTS
LATIN MUSIC SERIES
YASSER TEJEDA & DJ SABINE BLAIZIN (OYASOUND)
DECEMBER 9, 2023
WATERWORKS EMERGING ARTISTS SHOWCASE
FEATURING SHANTELLE COURVOISIER JACKSON, HANNAH LEMMONS AKA
LEMMONS, BOBBY MORGAN, MARY PRESCOTT & KALÍ RODRÍGUEZ-PEÑA
JANUARY 11–13, 2024
E-MOVES
URBAN BUSH WOMEN’S HAINT BLU
JANUARY 26, 2024
UPTOWN NIGHTS
IAN ISIAH + KIMBERLY NICHOLE
FEBRUARY 16, 2024
UPTOWN NIGHTS: CONVENT TO WYTHE yuniya edi kwon + SUN HAN GUILD
All presentations subject to change as COVID-19 conditions evolve.
*Note:
MARCH 1 – 2, 2024
ETERNAL SPIRIT: VIJAY IYER & FRIENDS
CELEBRATE THE MUSIC OF ANDREW HILL
MARCH 8, 2024
UPTOWN NIGHTS AN EVENING OF CHAMBER
MUSIC PRESENTED WITH SUGAR HILL SALON & CONCERT ARTISTS GUILD
MARCH 9, 2024
UPTOWN NIGHTS: CONVENT TO WYTHE
BORA YOON & R. LUKE DUBOIS AT NATIONAL SAWDUST
MARCH 22 – 23, 2024
STEW
HIGH SUBSTITUTE FOR THE DREAD LECTURER: BARAKA JONES IN DUB
MARCH 29 – 30, 2024
WATERWORKS ESTABLISHED ARTIST COMMISSION
AMBROSE AKINMUSIRE banyan seed
APRIL 19 – 20, 2024
E-MOVES
BILL T. JONES/ ARNIE ZANE COMPANY
APRIL 26, 2024
PIANOS FOR DUKE REIMAGINED: FEATURING
JASON MORAN, ABDULLAH IBRAHIM & FRIENDS
APRIL 27, 2024
PIANOS FOR DUKE REIMAGINED: FEATURING
JASON MORAN, ABDULLAH
IBRAHIM & FRIENDS BENEFIT CONCERT
MAY 3 – 4, 2024
WATERWORKS ESTABLISHED ARTIST COMMISSION
TAMAR-KALI THE SWANN
MAY 17 – 18, 2024
E-MOVES
nora chipaumire ShebeenDUB
JUNE 3, 2024
HARLEM STAGE
40TH ANNIVERSARY GALA
JUNE 14 – 15, 2024
E-MOVES
CAMILLE A. BROWN & GUESTS: BLACK JOY
FEATURING WORKS BY CAMILLE A. BROWN, CHLOE DAVIS, JUEL D. LANE, MAYTE NATALIO, RICKEY TRIPP & MALEEK WASHINGTON
Lead support for Harlem Stage’s 40th Anniversary Season is provided by the Mellon Foundation.
ABOUT HARLEM STAGE
Harlem Stage is the performing arts center that bridges Harlem’s cultural legacy to contemporary artists of color and dares to provide the artistic freedom that gives birth to new ideas.
For 40 years our singular mission has been to perpetuate and celebrate the unique and diverse artistic legacy of Harlem and the indelible impression it has made on American culture. We provide opportunity, commissioning, and support for artists of color, make performances easily accessible to all audiences, and introduce children to the rich diversity, excitement, and inspiration of the performing arts.
We fulfill our mission through commissioning, incubating, and presenting innovative and vital work that responds to the historical and contemporary conditions that shape our lives and the communities we serve.
Board of Directors
Courtney F. Lee-Mitchell, President
Jamie Cannon, Vice President
Michael Young, Secretary
Mark Thomas, Treasurer
Angela Glover Blackwell
Jenna Bond
Jamila Ponton Bragg
JoAnn K. Chase
Staff
Patricia Cruz, Artistic Director & CEO
MANAGEMENT
Eric Oberstein, Managing Director
DEVELOPMENT
Shamar Hill, Director of Development
Shanté Skyers, Associate Director of Development
Julianna Friedman, Development Manager
PROGRAMMING
Carl Hancock Rux, Associate Artistic Director/ Curator-in-Residence
Sarah McCaffery, Programming Manager and Associate Curator
Maurice Ivy, Programming Associate
MARKETING
Deirdre May, Senior Director of Digital Content and Marketing
Andre Padayhag, Marketing Manager and Graphic Designer
Adrienne Gomez, Box Office Manager
EDUCATION
Jordan Carter, Education & Community Engagement Manager
Bethany Cintron, Education & Community Engagement Associate
PRODUCTION
Amanda K. Ringger, Director of Production
Jeff Davolt, Stage Coordinator
Clarence Taylor, Lighting Operator
Julio Collado, Audio Crew
David Barrett, Deck Crew
LaChanze
Patricia Cruz
Hugh Dancy and Claire Danes
Jenette Kahn
Channing Martin
Rebecca Robertson
Tamara Tunie
Blair Washington
OPERATIONS
Rodney Bissessar, Director of Operations
Lamont Askins, Operations Associate
Acey Anderson Sr., Maintenance
FINANCE & ADMINISTRATION
NCheng LLC, Accountants/Advisors
Jake Lee, Partner
Aaron Lam, Supervising Senior Accountant
CONSULTANTS
Aon/Albert G. Ruben Company (NY)/
Claudia Kaufman, Insurance
Arts Education Consultants:
Sobha Kavanakudiyil, Sierra Ray & Wendy Rojas
Blake Zidell & Associates, Public Relations
Briguel, Digital Video Services
DAS, IT Consultant
Derrick Saint Pierre/Snugg Studios, Digital Video Services
Intrepid Digital, SEO Services
JCA, Inc.: Database Consulting
Jess Medenbach, Digital Video Services
LCM/247, Digital Video Services
Lutz & Carr/Chris Bellando, Accountants
Madison Consulting Group, Matthew Laurence
Manchester Benefits, Greg Martin
Marc Millman, Photography
Robyn L. Stein, Rl Stein Group, Development Consultant
Charles Whelan, The Whelan Group Incorporated
USHERS
Toma Carthens, Andy Garcia, Julian Norales, Zarif Shabazz, Nobar De leon, Miriam
Hernandez, Maelon Moncrieffe