The Guitar Auction - 11th-14th June 2024

11th, 12th, 13th & 14th June 2024

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Tuesday 11th June 2024 - 9am - 5pm (Day one Guitar sale)

Wednesday 12th June 2024 - 9am - 5pm (Day two Guitar sale)

Thursday 13th June 2024 - 9am - 10am (Day three Guitar sale)

Friday 14th June 2024 - 9am -10am (Day four guitar sale)

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The Bernie Marsden Collection

Tuesday 11th June 2024 at 10am

Bernie Marsden (7th May 1951 – 24th August 2023) - a man who needs little introduction, renowned as one of the greatest rock and blues guitarists of all time. From Buckingham, England, Bernie was a professional musician, his career beginning in 1972. Primarily known for his work with Whitesnake, he wrote or co-wrote many of the group's major hit songs, such as 'Fool for Your Loving', 'Walking in the Shadow of the Blues', 'She's a Woman', 'Lovehunter', 'Trouble', 'Child of Babylon', 'Rough and Ready' and most notably the multi-million selling USA number one 'Here I go Again'.

Other notable work includes being a member and writing contributor with UFO, Cozy Powell’s Hammer, Wild Turkey, Babe Ruth, Paice Ashton Lord, Alaska, as well as having a successful solo career, releasing over 20 LP recordings since 1979. Bernie was one of the most loved and respected guitarists of his generation, and one of the greatest rock and roll story tellers of all time, cementing himself as a true legend within the guitar community and beyond.

On behalf of Bernie’s family, we are delighted to offer the following 248 lots of guitars, amps, effects, and ephemera from Bernie's personal collection. Most of the instruments have been used by Bernie live or in the studio, including a selection from his Whitesnake era. Many examples appear in his guitar collection book ‘Tales of Tone & Volume’

(See page 6)

Bernie Marsden - 1994 Fender 40th Year American Standard Stratocaster electric guitar, made in USA, ser. no. N3100396; Body: Olympic white finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working: Hardware: good; Case: original hard case with tags and papers and with 'Bernie Marsden' stencil to the case lid; Weight: 3.73kg; Overall condition: very good

*Given to Bernie Marsden by Fender to use at a Wimbledon ATP party that he organised. This guitar features on page 175 of Bernie's book 'Tales of Tone and Volume'

£700-1000

2.

Bernie Marsden - 2012 Fender G5 VG Powered by Roland midi Stratocaster electric guitar, made in Mexico, ser. no. MX12021415; Body: black finish, light scratches and other marks but generally good; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.75kg; Overall condition: good

£400-600

3.

Bernie Marsden - 1991 Fender Artist Series Eric Clapton Stratocaster electric guitar, made in USA, ser. no. SE902527; Body: red finish, scratches to top, further dings and scratches throughout; Neck: maple, mild wear to back and a few minor dings; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: non-original Fender light tweed hard case bearing 'Bernie Marsden' stencil to case lid; Weight: 3.59kg; Overall condition: good for age

*Generally used by Bernie Marsden since acquisition, most notably at The National Theatre, March 2001 for The Winter's Tale and in 2003 for a run of Henry V. This guitar features on page 81 of Bernie's book 'Tales of Tone and Volume'

£1000-1500

4.

Bernie Marsden - 1996 Fender Eric Clapton Blackie Stratocaster electric guitar, made in USA, ser. no. SN5932773; Body: black finish, light surface scratches to back, a few minor marks but generally good; Neck: maple, a few minor dings to back; Fretboard: maple; Frets: light tarnishing; Electrics: working; Hardware: generally good, missing trem arm; Case: original hard case enclosing original inspection tag, bearing a 'Bernie Marsden' stencil to the case lid; Weight: 3.80kg; Overall condition: good

£1000-1500

Bernie Marsden and Chick Churchill (Ten Years After) - Fender Stratocaster electric guitar, made in Japan (1984-1987), ser. no. E648289; Body: black finish, buckle scratches to back, further minor dings and surface wear; Neck: maple; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: good; Case: fitted oblong hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 3.54kg; Overall condition: good for age

*Formerly owned by Chick Churchill, keyboard player of Ten Years After, this guitar features on page 195 of Bernie Marsden's book 'Tales of Tone and Volume' where Bernie states 'This is a bit of a curio. The first record my name appeared on was by the previous owner of this very guitar - Chick Churchill and the legendary 'Ten Years After'. I was in a shop in Oxford a few years ago and I saw this hanging on the wall. It's a Mexican (sic) Strat from the 1980s, I think - I played it and enquired about it. When the assistant told me that it belonged to the legendary Ten Years After keyboard player, I just had to have it!, Black with maple neck, it plays great, and I always wonder if the great Alvin Lee played it. I saw Chick in 2016 at The Rory Gallagher Festival in Ireland for the first time in a few years but forgot to ask him about the guitar, which I fully intend to do next time I see him'

£500-800

Bernie Marsden - 2000 Fender Custom Shop John Cruz Masterbuilt Limited Edition 'Pre-Production' Rory Gallagher Stratocaster limited edition electric guitar, made in USA, ser. no. R9880; Body: sunburst heavy relic; Neck: heavy relic; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and accessories, bearing 'Bernie Marsden' stencil to the case lid; Weight: 3.60kg; Overall condition: very good

*This is an original John Cruz Masterbuilt 1 of 40 run from the Fender Custom Shop from 2000, made for the European market. Rory's brother Donal took his original Stratocaster to LAX airport where Mike Eldred from the Fender Custom Shop took possession of it. Mike, along with John Cruz and John English then carefully examined every facet and measured every detail with Cruz then building the original prototypes. From this process, forty were hand-built By John Cruz and sent to Europe. The demand over the following years for this guitar resulted in the Fender Custom Shop producing the Rory Gallagher Stratocaster ever since 2004. A recent acquisition in Bernie's collection, having been a lifelong fan of Rory Gallagher. Sold with a sales invoice for Worcester Guitar Centre dated 16/01/19 with the guitar listed as a 'Fender Rory Gallagher Stratocaster John Cruz one of forty limited run'

£4000-6000

7.

Bernie Marsden - 1997 Fender Custom Shop '60 Stratocaster FMT electric guitar, made in USA, ser. no. CM701808; Body: natural alder body with figured maple top; Neck: highly figured maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, some minor loss to gold plating; Case: original hard case enclosing tags; Weight: 3.62kg; Overall condition: good

*This guitar features on page 125 of Bernie's book 'Tales of Tone and Volume' £2000-3000

8.

Bernie Marsden - 1998 Fender Custom Shop Cunetto Era Custom 1960s

Relic Stratocaster electric guitar, made in USA, ser. no. CC148; Body: sunburst relic finish; Neck: birds eye maple figured neck stamped John Cruz to the neck butt and also pencilled 'Arbiter'; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, green oxidisation to tuners and bridge plate screws; Case: original hard case enclosing certificate of authenticity, tags and accessories, bearing a 'Bernie Marsden' stencil to the case lid; Weight: 3.44kg; Overall condition: very good

*Given to Bernie Marsden when he played a Fender Sales Jamboree in London. Bernie was a little surprised to receive the call as he did not have much association with Fender guitars, however it turned out that the person who called him was a big Whitesnake fan. As they did not have the budget for an entire band, they had a Gentleman's Agreement that they would sort a Fender product for him. This guitar appears on page 277 of Bernie's book 'Tales of Tone and Volume' where he recounts the story £2500-3500

9.

Bernie Marsden - 2006 Fender Custom Shop Limited Edition 1959 Relic Stratocaster and Pro Junior amplifier set, made in USA, ser. no. CZ503424; Body: metallic blue relic; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and papers, bearing a 'Bernie Marsden' stencil to the case lid; Weight: 3.49kg; Overall condition: very good

*The Pro Junior amplifier with matching blue relic finish and original dust cover. This limited edition Fender Custom Shop guitar and matching amp set was given to Bernie Marsden as a thank you for a guitar clinic that he played in the Midlands many years ago. This guitar and amp set feature on page 133 of Bernie's book 'Tales of Tone and Volume' £2000-3000

10.

Bernie Marsden - 1989 Fender Custom Shop Limited Edition HLE gold

Stratocaster electric guitar, made in USA; Body: gold finish, two dings between guard and output jack, a few further minor dings and blemishes to back and edges; Neck: maple; Fretboard: maple; Frets: good; Case: light tweed Fender hard case bearing a 'Bernie Marsden' stencil to the case lid, various tags included; Weight: 3.65kg; Overall condition: good

*This Strat was produced in a limited edition of 500 guitars as a reissue signature model for Homer Haynes. It was based on a '57 Strat, but with a distinctive gold finish and pickguard. This guitar appears on page 219 of Bernie's book 'Tales of Tone and Volume' £1500-2500

11.

Bernie Marsden - 1983 Squier by Fender JV Stratocaster electric guitar, made in Japan, ser. no. JV69817; Body: Fiesta red finish, a few dings and surface scratches; Neck: maple; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: splits to pickguard around lower tone control; Case: PRS SE gig bag; Weight: 3.57kg; Overall condition: good for age

*This guitar features on page 245 of Bernie's book 'Tales of Tone and Volume' £400-600

Bernie Marsden - Squier by Fender Stratocaster electric, made in Korea, circa 1988, ser. no. E1019133; Body: metallic blue finish, a few dings and other surface marks; Neck: maple; Fretboard: rosewood; Frets: wear throughout; Electrics: working; Hardware: some rusting to smaller metal parts, missing upper switch screw, missing back plate; Case: Just in Case fitted hard case bearing 'Bernie Marsden' stencil to the lid; Weight: 3.73kg; Overall condition: good for age

*Used by Bernie Marsden to record 90% of his 'Stacks' album. Bernie took a 'Very serious army of guitars' into the studio, but found himself playing this guitar that he purchased for £125 from a shop in Bicester High Street many years ago. Bernie named the guitar 'Spurz' because Jimmy Copley played drums on the sessions and was a big Spurs fan. Featured on page 157 of Bernie's Book 'Tales of Tone and Volume'

£300-500

13.

Bernie Marsden - studio and stage used 2014 Dwight Clive Brown NSA '54 'Blackguard' Replica electric guitar, made in England; Body: relic blonde finish; Neck: maple, light relic; Fretboard: maple, relic; Frets: good; Electrics: working; Hardware: lightly aged; Case: Fender tweed hard case, bearing a 'Bernie Marsden' stencil to the case lid; Weight: 3.93kg; Overall condition: very good

*Bernie ordered this guitar from renowned vintage restorer Clive Brown having been impressed after taking delivery of his NSA 'ESQ' guitar. NSA is an abbreviation for 'Never Seen America', a term coined by Bernie for high quality replica guitars. This guitar features on page 211 of Bernie's book 'Tales of Tone and Volume'. Please note that to comply with trademark laws, the Fender decal as illustrated in the book has been removed and replaced with one of Clive Brown's 'Dwight' logos

£1000-2000

14.

Bernie Marsden - studio and stage used Dwight by Clive Brown NSA '59 Esquire replica electric guitar, made in England; Body: blonde relic; Neck: maple twenty-one fret relic neck; Frets: good; Electrics: working; Hardware: relic'd; Case: light tweed hard case; Weight: 3.77kg; Overall condition: good

*One of many replica guitars made for Bernie Marsden by renowned UK restorer Clive Brown. This was made before selling his Fran Marsden's original '59 Esquire. NSA is an abbreviation for 'Never Seen America', a term coined by Bernie for high quality replica guitars. This guitar appears on page 141 of Bernie's book 'Tales of Tone and Volume'. Please note that to comply with trademark laws, the Fender decal as illustrated in the book has been removed and replaced with one of Clive Brown's 'Dwight' logos

£1000 £2000

(See page 9)

15.

Bernie Marsden - studio used 1955 Stratocaster replica electric guitar, made in England; Body: two-tone sunburst finished relic ash body; Neck: heavy relic maple; Frets: good; Electrics: working, hand made 50s replica pickups, early 70s USA pots; Hardware: good, relic'd; Weight: 4.01kg; Overall condition: good

*One of many replica guitars made for Bernie Marsden. NSA is an abbreviation for 'Never Seen America', a term coined by Bernie for high quality replica guitars. This guitar was used in the studio for the recording of Bernie Marsden's 2014 album 'Shine' and is inscribed 'BM, Shine 2014, CB' to the pickup cavities. This guitar appears on page 325 of Bernie's book 'Tales of Tone and Volume' where Bernie states that he plays this guitar a lot in the studio and occasionally live

£1000-2000

16.

Bernie Marsden - 1980s Whitesnake era Greco Strat type electric guitar, made in Japan; Body: Clive Brown relic sunburst refinished body; Neck: replacement maple relic neck; Frets: mild wear; Electrics: working; Hardware: relic single-ply guard, missing back cavity control plate, lightly aged neck plate, Kluson style tuners and other miscellaneous hardware, missing trem arm; Case: light tweed Fender hard case bearing a 'Bernie Marsden' stencil to the case lid; Weight: 3.54kg; Overall condition: fair

*One of several guitars given to Bernie by a Greco rep during a Whitesnake tour of Japan. Featured on page 303 of Bernie's book 'Tales of Tone and Volume'. Bernie states that the guitar has a replacement Fender neck and whilst the neck may be a replacement, in our opinion it is not by Fender. Please note: the book shows the guitar with a Fender logo to the head which has since been removed to comply with trademark laws

£400-800

17.

Bernie Marsden - Whitesnake era 1980 Greco Tele-Type electric guitar, made in Japan, ser. no. E805016; Body: natural finish with many dings to back and front and other surface wear throughout; Neck: replacement V profile maple neck; Frets: mild wear; Electrics: neck pickup in need of attention; Hardware: generally good; Case: Hiscox hard case; Weight: 3.71kg; Overall condition: fair

*One of several guitars given to Bernie Marsden by a Greco rep in Japan during a Whitesnake tour. The guitar was used in band rehearsals but Bernie cannot recall ever playing a show with it. The many large marks on the guitar are 'Due to too much alcohol and homesickness on the road when I used it for target practice with a throwing knife I bought in Germany!!' This guitar appears on page 43 of Bernie's book 'Tales of Tone and Volume'. In the write-up for this guitar, Bernie states that he replaced the original neck with a Fender maple neck, however it is our opinion that the neck is not by Fender and appears to have held various different decals in its past. Please note: this guitar appears in the book with a Fender logo present, however this has been removed to comply with trademark laws

£400-800

18.

Bernie Marsden - Whitesnake era 1979 Greco/Roland G-808 guitar synthesizer controller, made in Japan, ser. no. L796419; Body: natural walnut and maple, dings and scratches throughout; Neck: walnut and maple; Fretboard: ebony; Frets: good; Electrics: output from bridge pickup, neck pickup in need of investigation, midi function untested; Hardware: generally good, some tarnishing to metal parts, replacement control knobs, damage to one control knob; Case: original hard case bearing 'Bernie Marsden' stencil to the lid; Weight: 4.08kg; Overall condition: good for age

*Sold with a Roland GR-300 Polyphonic Guitar Synthesizer floor unit, made in Japan, ser. no. 001071 (multi-pin synth cable missing) Presented to Bernie in Japan whilst on tour with Whitesnake in 1980. Used on 'Look At Me Now', his second solo LP, recorded at the Pink Floyd Britannia Row Studios in 1980. Featured on page 315 of Bernie's book 'Tales of Tone and Volume'

£700-1000

19.

Bernie Marsden - 2007 Gibson Firebird VII electric guitar, made in USA, ser. no. 026370523; Body: Cardinal red metallic, a few very light scratches and marks; Neck: good; Fretboard: ebony; Frets: generally good, minor tarnishing to upper frets; Electrics: working; Hardware: good, some light gold plating loss to lyre tailpiece; Case: original hard case enclosing original tags, bearing a 'B. Marsden, 32, LHM Limited' stencil to the case lid; Weight: 4.06kg; Overall condition: very good

£1000-2000 18 19

20.

Bernie Marsden - 1991 Gibson Firebird V electric guitar, made in USA, ser. no. 90241717; Body: white finish, yellowing to back and general finish aging, light lacquer checks around volume and tone control, a few other minor marks but generally acceptable for age; Neck: a few minor marks, lacquer cracking around head area, orange staining around base of banjo type tuners; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.85kg; Overall condition: good

£1000-2000

21.

Bernie Marsden - Gibson ES-335 TD semi-hollow body electric guitar, made in USA, circa 1967; ser. no. 905129; Body: cherry finish, lacquer checking, repaired holes from previously installed vibrato, vacant holes to body end from original trapeze tailpiece, various blemishes and scratches; Neck: repaired and refinished, heavy checking; Fretboard: rosewood; Frets: worn; Electrics: working: Hardware: generally good, later Grover tuners installed, original tailpiece removed and converted to stop bar, ABR-1 Tune-o-Matic installed, missing pickguard; Case: later hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 3.67kg; Overall condition: fair

£5000-7000

22.

Bernie Marsden - studio used 1999 Gibson Custom '59 Reissue ES-335 semi-hollow body electric guitar, made in USA, ser. no. A99130; Body: natural finish, a few light marks; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: minor tarnishing; Case: slightly oversized 1990s Gibson hard case; Weight: 3.89kg; Overall condition: good

*Purchased from York Guitars, Pennsylvania, USA, this guitar was used by Bernie on his 2014 'Shine' album and appears on page 329 of Bernie's book 'Tales of Tone and Volume'

£2500-3500

23.

Bernie Marsden - Gibson L-37 archtop guitar, made in USA, circa 1935; Body: sunburst finish, hairlines to back centre parting, hairline to top running beneath the bridge, lacquer checking and probable overspray to top; Neck: good; Fretboard: rosewood, minor wear; Frets: mild wear, refret; Hardware: later tuners, later pickguard; Case; hard case, bearing 'Bernie Marsden' stencil to the case lid; Weight: 1.95kg; Overall condition: good for age

*This guitar features on page 307 of Bernie Marsden's book 'Tales of Tone and Volume'. Bernie states that he acquired this guitar as it brought him the memory of his friendship with the great bluesman John Jackson £1000-1500

24.

Bernie Marsden - mid 1930s Gibson L-1 acoustic guitar, made in USA; Back and sides: mahogany, checking, dings and scrapes throughout; Top: natural sunburst, heavy checking, minor belly lift to lower bout, various dings, hairline to treble side upper bout, pick wear to treble side of sound hole; Neck: mahogany, wear throughout, ding behind third fret position; Fretboard: rosewood, heavy groove wear to first position; Frets: worn; Hardware: replacement bridge pins, tuner buttons probably replacements; Overall condition: fair

*Purchased by Bernie for finger-style use being a keen blues man and fan of Robert Johnson. This guitar appears on page 281 of Bernie's book 'Tales of Tone and Volume', where it is incorrectly listed as an LG-2, a model that was not introduced until the 1940s

£3000-4000

25.

Bernie Marsden - 1953 Gibson J-45 acoustic guitar, made in USA, factory order no. Y5071 18; Back and sides: mahogany, light checking throughout, further heavier scratches and blemishes; Top: sunburst, lightly checked throughout, heavy play wear around sound hole and pickguard; Neck: heavy wear to first position, further dings and marks further up, light checking; Fretboard: rosewood, repaired groove wear; Frets: refret, worn; Hardware: replacement bridge pins, replacement saddle; Case: semi-rigid period

Gibson Gator case; Overall condition: good for age

*One of many vintage Gibson acoustics owned by Bernie Marsden, who had a particular love for the J45 Model. He would always have them to hand for writing and recording purposes. This guitar features on page 273 of Bernie's book 'Tales of Tone and Volume' Sold with non transferable CITES A10 certificate no. 24GBA10RFOZ40

£4000-6000

26.

Bernie Marsden - stage used 2004 Gibson Historic Collection 'The J-180' acoustic guitar, made in USA, ser. no. 022440007; Back and sides: black finish, surface scratches and dings, Sun Studios sticker added to the front and 'Do Not Bend' sticker to the back; neck; mahogany, good unusual satin finish; Fretboard: rosewood; Frets: good; Electrics: working, Fishman sound hole pickup wired through end pin; Case: original hard case with papers, bearing 'Bernie Marsden' stencil to the lid; Weight: 2.36kg

£1500-2000

27.

Bernie Marsden - Gibson Gold Top conversion Les Paul model electric guitar, made in USA, later stamped ser. no. 43508; Body: mahogany, possibly a converted 1950s wraparound or later reissue, original stop bar holes filled and painted gold, pickup cavities enlarged to house the now installed humbuckers, blemishes, checking and scratches throughout, pickguard fade to treble side of top; Neck: replacement neck, lacquer checking and dings, impressed serial number 43508, 'Les Paul Model' decal to face of head; Fretboard: Indian rosewood; Frets: generally good, refret; Electrics: working, fitted with Area 59 Bernie Marsden Signature humbucker pickups, replacement potentiometers and wiring; Hardware: missing pickguard, tuners, stop bar and Tune-o-Matic later replacements, replacement control knobs, later jack plate and control plates; Case: vintage Gretsch hard case bearing a 'Bernie Marsden' stencil to the lid; Weight: 3.96kg; Overall condition: good for age

*Acquired by Bernie during the recording of his 'Big Boy Blue' album after seeing the guitar advertised on eBay. Bernie replaced the then fitted T top Gibson humbucker pickups with his own Signature Beast Buckers. When Bernie bought the guitar, he was told by the seller that it was a 1954-1955 Gold Top conversion that had the neck replaced at the Gibson factory, however, these are not facts that can be verified. This is a guitar that has been used in the studio ever since and appears on page 151 of Bernie's book 'Tales of Tone and Volume'

£3000-5000

28.

Bernie Marsden - Whitesnake era 1980 Gibson Firebrand 335-S Custom electric guitar, made in USA, ser. no. 81610614; Body: natural mahogany, light scratches and dings; Neck: good; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: minor tarnishing; Case: PRS SE gig bag; Weight: 3.31kg; Overall condition: good for age

*Given to Bernie by Gibson in 1980 as part of his artist endorsement with the brand £1000-2000

29.

Bernie Marsden- stage used Whitesnake era 1977 Gibson RD Artist electric guitar, made in USA, ser. no. 7287169; Body: natural finish, light wear to body including light finish loss to back contour edge, further minor dings; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: minor tarnishing to gold plating including gold plate loss to pickup covers; Case: original hard case bearing 'Bernie Whitesnake' stencil to the case lid; Weight: 4.12kg; Overall condition: good

*Received from Gibson when Bernie had his first endorsement agreement, this model model was top of the RD range in 1977. The guitar can be seen sat on the stage behind Bernie Marsden with Whitesnake on the Old Grey Whistle Test. Featured on page 71 of Bernie Marsden's book 'Tales of Tone and Volume'

£2000-3000

30.

Bernie Marsden - stage used Whitesnake era 1980 Gibson Flying V2 electric guitar, made in USA, ser. no. 80440008; Body: natural walnut and maple, minor dings and marks throughout; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: minor tarnishing and oxidisation; Case: original hard case bearing 'Bernie Marsden Whitesnake' stencil to the case lid; Weight: 3.52kg; Overall condition: good

*Given to Bernie by a Gibson rep whilst on tour in Japan in 1980, this guitar features on page 247 of Bernie's book 'Tales of Tone and Volume' where he recounts the story: 'I had never played the guitar until that night's gig in Tokyo. Barry (Bernie's tech) set it up, restrung the shiny V II and promised the rep I would use it that night. I used it that night for an instrumental song. Barry passed the guitar to me - three thousand people watching and he forgot to switch my Marshall back on, or so I thought - I was gesturing and shouting for him to turn the bloody amp on, but it was on - the stylish boomerang shaped V pickups had almost zero output compared with The Beast'

£2000-4000

31.

Bernie Marsden - stage used Whitesnake era 1980 Gibson Explorer E2 electric guitar, made in USA, ser. no. 82610021; Body; walnut and maple, dings, scratches, general wear throughout; Neck: various dings; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: generally good, minor loss to gold plating; Case: original hard case bearing 'Bernie Marsden Whitesnake' stencil to the case lid; Weight: 4.12kg; Overall condition: good

*Stage used by Bernie Marsden with Whitesnake during the 1980 tour. Later used by Andy Taylor of Duran Duran when they recorded together in the late 1980s and again during one of Bernie's charity gigs. This guitar features on page 289 of Bernie's book 'Tales of Tone and Volume' £2000-4000

32.

Bernie Marsden and others - autographed 2007 Dean MLX electric guitar, made in China, ser. no. O07021940, with original compressed foam case

*A guitar autographed by various artists that appeared at Bernie Marsden's Party in the Paddock event in 2008. Signatures include Bernie Marsden, Roger Daltrey, Don Airey, Zak Starkey, Jimmy Copley, Nikki Murray, Fergus Gerrard, members of Marillion and others. Party in the Paddock was an event organised by Bernie Marsden and friends near his home in Buckingham. The purpose of the event was to raise money for The Florence Nightingale Hospice, Macmillan Cancer Support and The Oxford Kidney Unit £500-1000

33.

Bernie Marsden - Clive Brown NSA G Explorer, a modified 1970s Ibanez Destroyer electric guitar, ser. no. 81407; Body: gold relic finish; Neck: good, light relic; Fretboard: rosewood: Frets: good; Electrics: working; Hardware: good, tarnishing and relic'ing; Case: generic oblong hard case: Weight: 3.69kg; Overall condition: good

*Having a fascination for futuristic guitars, Bernie had this guitar customised by the highly regarded vintage guitar restorer Clive Brown. Based on a Gibson Explorer, Bernie wanted to create a 'prototype', circa 1958, complete with serial number, gold finish and fitted with parts from his spares box. This guitar features on page 203 of Bernie's book 'Tales of Tone and Volume'. 'NSA' is an abbreviation that Bernie uses for custom made American inspired guitars that have 'Never Seen America' £2000-3000

34.

Bernie Marsden - 1976 Ibanez 2459 Destroyer electric guitar, made in Japan; Body: natural finish, dings and scratches mainly located to the back but generally in good clean condition for the age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, replacement control knobs, replacement jack plate; Case: original hard case; Weight: 4.09kg; Overall condition: very good for age

*Having heavily modified his original Destroyer during the Whitesnake era, Bernie was always on the search for an original example. When this came up for sale in the 2010s he had to have it. This guitar features on page 111 of Bernie's book 'Tales of Tone and Volume' £3000-5000

35.

Bernie Marsden - Tokai Explorer electric guitar, made in Korea; Body: metallic gold finish, a few light surface scratches; Neck: generally good, a few paint chips to side of neck; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, minor gold plating loss; Weight: 4.04kg; Overall condition: good

£300-500

36.

Bernie Marsden and Peter Green interest - Whitesnake era Gretsch Streamliner hollow body electric guitar, made in USA, ser. no. 5834, circa 1968; Body: red finish, slight fading to front, scratches and minor dings; Neck: good; Fretboard: rosewood; Frets: generally good; Electrics: working; Hardware: good; Case: later hard case with 'Bernie Marsden' stencil to the case lid; Weight: 3.10kg; Overall condition: good

*Bought by Bernie Marsden in New York at the end of the ill-fated Whitesnake, Judas Priest and Iron Maiden USA tour in 1981. Bernie loaned the guitar to his friend and guitar hero Peter Green in the 1990s as he enjoyed playing it. This guitar features on page 337 of Bernie's book 'Tales of Tone and Volume'. The guitar case bearing an Air India luggage tag and the case pockets including another Air India tag bearing Bernie's name £1000-2000

37.

Bernie Marsden - 2013 Gretsch Electromatic G5620T semi-hollow electric guitar, made in Korea, ser. no. KS13122661; Body: metallic teal; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 4.5kg; Overall condition: very good

£300-500

38.

Bernie Marsden - stage used 1993 Washburn EA45N electro-acoustic guitar, ser. no. 9301022; Back and sides: laminated rosewood, general surface scratches and play marks; Top: a few dings; Neck: mahogany; Fretboard: ebony; Frets: light wear and oxidisation; Electrics: require attention (battery tab oxidised); Hardware: upper E Washburn tuner original with other five tuners replacement Grover Kidney Button tuners; Case: fitted hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 2.42kg; Overall condition: good for age

*Stage used by Bernie Marsden in the early 1990s with The Moody Marsden Band. A Moody Marsden Band ticket stub, dated 12.02.95 remains in the case pocket

£200-400

39.

Bernie Marsden - stage used 1997 Washburn J28SCE/BK electro-acoustic guitar, ser. no. 98070001; Body: black finish, surface scratches and minor dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working although battery holder slightly loose and requires adjustment; Hardware: good; Case: original hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 2.43kg; Overall condition: good for age

*Stage used by Bernie Marsden from the late 1990s through to 2000s. Signed in black marker pen 'Bernie Marsden 1997' to the inner back at time of acquisition. The case enclosing a set list for Gloucester Blues Festival, dated 10th August 2002. The case lid bearing a sticker for the Notodden Blues Festival, also inscribed in white pen 'Dalry 21-06-07'

£200-400

40 (See page 15)

40.

Bernie Marsden - stage used 1992 Washburn Festival Series EA20-12TS twelve string electro-acoustic guitar, ser. no. 9208015; Body: vintage cherry sunburst finish mahogany, buckle scratching and other light scratches and marks throughout; Neck: mahogany, neck/ head repair; Fretboard: rosewood; Frets: mild oxidisation throughout; Electrics: working, replacement electronics, battery compartment cover missing; Case: original hard case bearing various tags and labels; Overall condition: fair

*One of several Washburn acoustic guitars that Bernie Marsden used live during the early 90s through to the early 2000s including a stint at the National Theatre, the case inscribed 'National Theatre, 2003, Henry V' £200-400

41.

Bernie Marsden - stage used 1992 Washburn Festival Series electroacoustic guitar; Back and sides: natural birds eye maple; Top: natural spruce, various scratches and dings; Neck: mahogany, various minor dings; Fretboard: rosewood; Frets: mild wear and tarnishing; Electrics: in need of attention, missing battery compartment cover; Case: Washburn hard case; Overall condition: fair £200-400

42.

Bernie Marsden - 2006 Yamaha Compass Series CPX700-12 NT electro-acoustic twelve string guitar, made in Taiwan, ser. no. QMN057048; Back and sides: Nato; Top: natural spruce; Neck: Nato; Fretboard: rosewood; Frets: minor tarnishing; Electrics: working; Hardware: good; Case: Hiscox hard case bearing a 'Bernie Marsden' stencil to the case lid; Weight: 2.45kg; Overall condition: good £200-400

43.

Bernie Marsden - 2006 Yamaha Compass Series CPX700 BL electroacoustic guitar, made in Taiwan, ser. no. QMN207205; Body: black finish, surface marks from general use; Fretboard: rosewood; Frets: minor tarnishing; Electrics: working; Hardware: good; Case: Hiscox hard case bearing a 'Bernie Marsden' stencil to the case lid; Weight: 2.32kg; Overall condition: good

£200-400

44.

Bernie Marsden - stage played Alaska era 1982 Yamaha BB2000 bass guitar, made in Japan; Body: cherry sunburst finish three piece body, significant buckle scratching to treble side of back, further dings and marks; Neck: five piece through-neck; Fretboard: Madagascan ebony; Frets: mild wear; Electrics: working; Hardware: generally good, some rusting and tarnishing to smaller metal parts; Case: original hard case bearing 'Alaska' tour stickers; Weight: 4.75kg; Overall condition: fair

*One of only a few bass guitars within the collection, this one being kept at his home studio for some writing and recording purposes. This guitar was given to Bernie during his Yamaha artist endorsement in the 1980s and labels on the case suggest that this guitar was used live with Alaska, whose bassist can be seen using Yamaha BB basses in various performances

£500-1000

45.

Bernie Marsden - Yamaha Compass Series CPX700-12 NT electroacoustic guitar, made in Taiwan, ser. no. QMP067030; Back and sides: natural mahogany; Top: natural spruce, slight lift; Neck: hairline crack to neck heel; Fretboard: rosewood; Frets: light oxidisation and tarnishing; Electrics: working; Overall condition: fair

£100-200

46.

Bernie Marsden - 2003 Taylor 355-CE-LTD 12 string electro-acoustic guitar, made in USA, ser. no. 20030609073; Back and sides: mahogany, small hairline to lower back, a few scratches and dings to edges; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: oversized acoustic bass guitar hard case inscribed 'Marsden (37), Taylor twelve string' to the case lid; Overall condition: good for age

£500-1000

47.

Bernie Marsden - 2007 Taylor 314ce electro-acoustic guitar, made in USA, ser. no. 20070531020; Back and sides: mahogany, lacquer clouding to binding in places, a few minor dings; Top: natural spruce, a few minor scratches and marks; Neck: mahogany; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: good, one replaced bridge pin; Case: original hard case enclosing various papers; Overall condition: good

£600-1000

48.

Bernie Marsden - early 1950s Martin Coletti small bodied acoustic guitar in need of some attention

*One of many old small bodied guitars that Bernie used for wall decoration at home

£100-200

49.

Bernie Marsden - 1970s Hofner twelve string acoustic guitar in need of some restoration; Back and sides: mahogany, bearing a 'Shine' album cover sticker; Top: natural spruce, rippling and depressed between sound hole and bridge; Neck: head repair; Fretboard: rosewood; Frets: good; Hardware: replacement tuners, trapeze tailpiece installed to relieve pressure from the top, original bridge pins missing; Overall condition: fair

£100-200

50.

Bernie Marsden - 1989 Nagoya Suzuki SD312 twelve string acoustic guitar in need of restoration

£50-100

51.

Bernie Marsden - 2019 Alvarez AD60-12CE SHB twelve string electro-acoustic guitar, made in China, ser. no. E19031507; Back and sides: mahogany; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags; Overall condition: very good

£150-250

52.

Bernie Marsden - stage used 2019 Alvarez by Kazuo Yairi DYM60HD electro-acoustic guitar, made in Japan, ser. no. 72612; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good

*A stage used guitar acquired through an artist endorsement deal with Alvarez Guitars in 2019. Signed 'Bernie Marsden, August 2019' to the back of the head. The case handle bears a backstage pass wrist band for 'Lordag, 3rd August' and also encloses a leather strap and handwritten lyrics to 'V Day'

£1000-2000

53.

Bernie Marsden - 1960s Silvertone 604 acoustic parlour guitar, made in USA; Body: two-tone sunburst finish with heavy finish flaking, Fender sticker applied to back, vacant pickguard placement holes; Neck: similar condition to body, neck bowed; Fretboard: rosewood, groove wear to first position; Frets: good; Hardware: generally good; Overall condition: fair

*One of various small bodied blues guitars that Bernie had hanging as decoration in his home

£100-200

page 17)

54.

Bernie Marsden - 1962 Silvertone 1446 'Chris Isaak Model' hollow body electric guitar, made in USA; Body: black finish, surface scratches and dings throughout as to be expected for age; Neck: a few minor dings; Fretboard: ebony, heavy wear to first position; Frets: mild wear; Electrics: working; Hardware: good; Case: period semi-rigid fibreboard case bearing 'Bernie M' stencil to the case lid; Weight: 3.14kg; Overall condition: good for age

£700-1000

55.

Bernie Marsden - mid 1960s Hofner President Thin E2 hollow body electric guitar, made in Germany; Body: brunette finish, various dings, blemishes and light surface scratches: Neck: a few blemishes but appears good; Fretboard: dings and wear throughout; Frets: mild wear; Electrics: in need of attention; Hardware: missing pickguard, otherwise good, original vintage Bigsby installed; Case: later hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 2.44kg; Overall condition: fair

£400-600

56.

Bernie Marsden - custom made S type electric guitar; Body: blue relic finished S type body; Neck: Fender maple board relic neck; Frets: good; Electrics: working, Wilkinson pickups; Hardware: good, Wilkinson and other hardware, missing trem arm; Case: light tweed hard case bearing 'Bernie Marsden' stencil to the case lid; Weight: 3.39kg; Overall condition: good

£150-250

57.

Bernie Marsden - 1976 Ibanez Howard Roberts hollow body electric guitar, made in Japan, ser. no. J765054; Body: sunburst finish flame maple, repaired blemish to top, lightly over-lacquered, further dings and marks; Neck: good; Fretboard: rosewood; Frets: worn; Electrics: working; Hardware: replaced tuners, some loss to gold plating, replaced strap buttons; Case: semi-rigid fibreboard case bearing 'Bernie Marsden' stencil to the lid; Weight: 3.22kg; Overall condition: good for age

£800-1200

58.

Bernie Marsden - JHS Vintage VRS electric guitar; Body: figured cherry top with blemishes to edges, black finish back with dings and marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 3.13kg; Overall condition: fair

£100-200

59.

Bernie Marsden - 1960s Meazzi Dynelectron longhorn electric guitar in need of restoration

*This guitar is featured on page 349 of Bernie Marsden's book 'Tales of Tone and Volume'

£200-400

60.

Bernie Marsden - 1960s Stella Harmony H929 tenor guitar, made in USA; Body: two-tone sunburst finish, scuffs and marks throughout but generally in very acceptable condition for age; Neck: minor bow; Fretboard: rosewood; Frets: mild wear; Hardware: good; Case: fitted semi-rigid fibreboard case

*Inscribed '9.28.2001, Clarksdale Mississippi' to the upper back and bearing a sticker inscribed Marsden, Bernard (Mr)

£100-200

61.

Bernie Marsden and Ricky Tomlinson - five string resonator banjo, within a Brandoni Custom soft bag

*Given to Bernie by actor and comedian Ricky Tomlinson. This banjo appears on page 357 of Bernie's book 'Tales of Tone and Volume'

£100-200

62.

Bernie Marsden - Finnish Guitar Works Matti Nevalainen designed Custom Made 'Flying Finn' twelve string electric guitar, ser. no. 040202; Body: Finnish flag designed semi-hollow body, a few light marks and dings; Neck: maple with Bernie Marsden inscription to the maple fretboard; Frets: heavy tarnishing; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.70kg; Overall condition: good

*Designed by Matti Nevalainen and made by the Finnish Guitar Works for Bernie Marsden. Familiar artists who have played FGW handmade guitars include Micky Moody, Gary Moore, and the American blues guitarist Chris Duarte

£400-800

63.

Bernie Marsden - studio used 2003 De Bargos single cone resonator guitar

*Custom made for Bernie Marsden. Used on the track 'NW8', a dedication to Abbey Road Studios that featured on his 'Shine' album. Bernie also used it when he was commissioned to make three Swampy Blues tunes for a beer advertising campaign. This guitar features on page 155 of Bernie's book 'Tales of Tone and Volume'

£400-800

64.

Bernie Marsden - Paul Reed Smith (PRS) SE 277 baritone guitar, made in Korea, ser. no. Q08103; Body: vintage sunburst finished veneer maple top upon brown mahogany back, surface scratches and dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Weight: 3.37kg; Overall condition: good

*One of many PRS guitars acquired by Bernie as part of his association with the brand

£300-500

65.

Bernie Marsden - 2013 Paul Reed Smith (PRS) Paul's Guitar electric guitar, made in USA, ser. no. 13 200314; Body: faded blue jean finished highly figured maple top upon blue mahogany back, lacquer clouding around base of neck; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original deluxe paisley pattern hard case enclosing original tags; Weight: 3.58kg; Overall condition: very good

*One of many PRS guitars acquired by Bernie through his association as a brand artist

£2000-3000

66.

Bernie Marsden - 2011 Paul Reed Smith (PRS) SE Santana Model electric guitar, made in Korea, ser. no. L01673; Body: orange veneer maple top upon mahogany back; Neck: mahogany, good; Fretboard: rosewood; Frets: good, one tarnishing spot to fourth fret; Electrics: working; Hardware: generally good, missing trem arm; Case: original gig bag; Weight: 3.37kg; Overall condition: very good

*One of many PRS guitars acquired by Bernie through his association as a brand artist

£400-600

(See page 19)

68 (See page 19)

67.

Bernie Marsden - 2012 Paul Reed Smith (PRS) DGT David Grissom Signature electric guitar, made in USA, ser. no. 12 191490; Body: sunburst highly figured maple ten top upon cherry finish mahogany back; Neck: mahogany; Fretboard: rosewood with birds in flight inlay; Electrics: working; Hardware: good; Case: original hard case with tags and accessories; Weight: 3.58kg; Overall condition: very good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. The guitar spec hang tag states that this guitar has special order features:- 'Ten Top/Bernie Marsden'. The case encloses a David Grissom 'Experience PRS' 2012 Access All Areas pass

£1500-2500

68.

Bernie Marsden - 2010 Paul Reed Smith Custom 22 Semi Hollow electric guitar, made in USA, ser. no. 10 163771; Body: amber finished maple ten top semi-hollow body upon mahogany back; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags and papers; Weight: 3.08kg; Overall condition: very good

£1000-2000

69.

Bernie Marsden - 2008 Paul Reed Smith (PRS) 1957/2008 Limited Edition SC245 electric guitar, made in USA, ser. no. 08 142901; Body: amber burst quilted maple ten top upon cherry mahogany back, a few light marks but generally very good; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case inscribed #48, 1957/2008 to the case lid and also 'BM 245' to the case side; Weight: 3.62kg; Overall condition: very good

* One of many PRS guitars acquired by Bernie through his association as a brand artist. This is guitar number 46 from a limited run of 250 produced

£2000-3000

70.

Bernie Marsden - stage used 2007 Paul Reed Smith (PRS) SE One electric guitar, made in Korea, ser. no. H13075; Body: cherry finished mahogany, finish blemishes and scratches; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.02kg; Overall condition: good

One of many PRS guitars acquired by Bernie through his association as brand artist. Used by Bernie to play slide. This guitar is still set up with bridge raised to allow for higher action and in open tuning

£200-400

71.

Bernie Marsden - 2007 Paul Reed Smith (PRS) SE One electric guitar, made in Korea, ser. no. H10635; Body: sunburst finish, a few minor surface marks and dings including light buckle scratching to back; Neck: generally good, a few minor dings; Fretboard: rosewood; Frets: minor tarnishing; Electrics: working; Hardware: good; Case: PRS gig bag; Weight: 3.31kg; Overall condition: good

£200-400

69

72 (See page 20)

73 (See page 20)

72.

Bernie Marsden - 1998 Paul Reed Smith (PRS) McCarty Hollowbody electric guitar, made in USA, ser. no. 8 36578; Body: satin vintage natural spruce top upon mahogany back, one scratch to back, otherwise in good clean condition; Neck; mahogany; Fretboard: rosewood; Frets: generally good, light tarnishing to upper frets; Electrics: working; Hardware: good; Case: original hard case enclosing tags and papers, bearing 'Bernie Marsden' stencil to the lid; Weight: 2.31kg; Overall condition: very good

*Gifted to Bernie Marsden by Paul Reed Smith and inscribed 'To Bernie, Paul Reed Smith' to the back of the head

£1500-2500

73.

Bernie Marsden - stage used 2013 Paul Reed Smith (PRS) SE Angelus electro-acoustic guitar, made in Korea, ser. no. C03453; Back and sides: Indian rosewood, light buckle and other marks; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case bearing various tour stickers and a 'Bernie Marsden, 23' stencil to the back

*One of two PRS Angelus acoustic guitars used live by Bernie Marsden during his artist endorsement. The case is inscribed in gold pen 'BM Stage #1' and also bears stickers inscribed '#2' See videos of Bernie using one of his two stage PRS SE Angelus acoustics: https://www.youtube.com/watch?

v=9yJ2didr3DI&t=1293s https://www.youtube.com/watch?v=5As5obhKRFE

£300-600

74.

Bernie Marsden - stage used 2012 Paul Reed Smith (SE) Angelus Custom electro-acoustic guitar, made in Korea, ser. no. 204151; Back and sides: rosewood, light buckle scratches and other marks; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case bearing a 'Bernie Marsden, A2 PRS' stencil to the lid and inscribed BM Stage #2 to the side; Overall condition: good

*One of two PRS Angelus acoustic guitars used live by Bernie Marsden during his artist endorsement. See videos of Bernie using one of his two stage PRS SE Angelus acoustics: https://www.youtube.com/watch?

v=9yJ2didr3DI&t=1293s https://www.youtube.com/watch?

v=5As5obhKRFE

£300-600

75.

Bernie Marsden - stage used 2006 Paul Reed Smith (PRS) Singlecut electric guitar, made in USA, ser. no. 6 110695; Body: cherry sunburst figured maple top upon cherry finish mahogany back, light marks and dings; Neck: mahogany; Fretboard: rosewood; Frets: light wear; Electrics: working, Cream T Bernie buckers; Hardware: generally good; Case: original hard case bearing an Ed Baker Touring Party tag; Weight: 3.65kg; Overall condition: good

*One of many PRS guitars used by Bernie Marsden in live situations. The control cavity back plate inscribed 'Cream T Bernie buckers, fitted by T. Nilson, March 2021' and the switch plate inscribed 'BM, 2018'

£1000-2000

76 (See page 21)

(See page 21)

(See page 21)

page 21)

80

82 (See page 22)

76.

Bernie Marsden - stage used 2011 Paul Reed Smith (PRS) SE Bernie Marsden Signature electric guitar, made in Korea, ser. no. L17771; Body: amber figured maple veneer top upon brown finish mahogany back, light buckle scratching to back; Neck: satin finish mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag inscribed 'BM S/Neck 2 SE 2013' and bearing Emirates luggage tags dating to 2013; Weight: 3.90kg; Overall condition: good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. This example was one of Bernie's stage used guitars See video of Bernie using this guitar live with Whitesnake here: https:// www.youtube.com/watch?v=cfWQ-cSrvDs

£500-1000

77.

Bernie Marsden - stage used 2012 Paul Reed Smith (PRS) SE Bernie Marsden Signature electric guitar, made in Korea, ser. no. M19837; Body: vintage sunburst figured maple top upon brown finish mahogany back, impact dings to back, other light marks; Neck: mahogany; Fretboard: rosewood; Frets: minor tarnishing throughout; Electrics: working; Hardware: good; Case: original gig bag inscribed 'BM PRS SE, 2018'; Weight: 3.60kg; Overall condition: good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. This example would have been used in various live situations

£500-1000

78.

Bernie Marsden - stage and clinic used 2012 Paul Reed Smith (PRS) SE Bernie Marsden Signature Limited Edition electric guitar, made in Korea, ser. no. M22598; Body: vintage sunburst finished figured maple top upon orange mahogany back, light surface scratches and marks; Neck: gloss finish mahogany; Fretboard: rosewood; Frets: mild tarnishing throughout; Electrics: working, 53/10 PRS humbucker pickups and with push-pull tone switch; Case: PRS hard case bearing various inscriptions and flight labels; Weight: 3.69; Overall condition: good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. In 2012, a limited edition run of fifty Bernie Marsden model guitars were released with the upgraded 53/10 pickups, push-pull coil pot and upgraded PRS hard case. Used by Bernie at various clinics and in other live situations. Within the case is a 'Jam with Bernie' CD, the Bernie Marsden Jam Track released in collaboration with Paul Reed Smith Guitars for his guitar clinics

£500-1000

79.

Bernie Marsden - stage played 2014 Paul Reed Smith (PRS) SE Bernie Marsden Signature electric guitar, made in Korea, ser. no. O17700; Body: vintage sunburst veneer maple top upon mahogany body, light buckle scratching to back; Neck: a few light marks; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag inscribed 'BM Sunburst #2017' to the top; Weight: 3.68kg; Overall condition: good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. This example is inscribed 'BM Guitar '16, Drop D' to the control back plate, confirming that this was one that he used live for songs in drop D tuning

£500-1000

80.

Bernie Marsden - 2014 Paul Reed Smith (PRS) SE Bernie Marsden

Signature Limited Edition electric guitar, made in Korea, ser. no. 014108; Body: metallic gold finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag inscribed 'BM 2015 Gold Top'; Weight: 4.02kg; Overall condition: very good

*One of many PRS guitars acquired by Bernie through his association as a brand artist

£500-1000

81.

Bernie Marsden - 2016 Paul Reed Smith (PRS) SE Bernie Marsden

Signature electric guitar, made in Korea, ser. no. Q03544; Body: black cherry finished maple veneer top upon mahogany back; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.98kg; Overall condition: as new

*One of many PRS guitars acquired by Bernie through his association as a brand artist

£500-1000

82.

Bernie Marsden - stage used 2017 Paul Reed Smith (PRS) SE Limited Edition

Bernie Marsden electric guitar, made in Korea, ser. no. R15847; Body: cherry sunburst maple veneer top upon cherry finish mahogany back, buckle and other scratching to back; Neck: satin finish mahogany; Fretboard: rosewood; Frets: good; Electrics: working, lower tone pot replaced with a push-pull (original retained); Hardware: good; Case: original gig bag inscribed '2017 Sunburst BM Limited Edition'; Weight: 4.00kg; Overall condition: good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. This is one of the limited edition run of three hundred guitars that were released by PRS to commemorate thirty years since Bernie's iconic hit 'Here I Go Again' reaching number one in the USA. The limited edition run featured a satin neck upgrade

£500-1000

83.

Bernie Marsden - stage used 2018 Paul Reed Smith (PRS) SE Limited Edition

Bernie Marsden Signature electric guitar, made in Korea, ser. no. S07751; Body: vintage sunburst finish maple veneer top upon mahogany back, a few light scratches to back; Neck: mahogany, satin finish; Fretboard: rosewood; Frets: generally good, light tarnishing; Electrics: working; Hardware: generally good, light tarnishing to bridge; Case: original gig bag inscribed 'Prague September 2018' and bearing a British Airways luggage label; Weight: 4.14kg; Overall condition: good

*One of many PRS guitars acquired by Bernie through his association as a brand artist. This guitar is one of many of his Signature model, used in live situations. The inscription on the case would indicate that it was used live in Prague, September 2018.

£500-1000

84.

Bernie Marsden - stage used and autographed 2013 Paul Reed Smith (PRS) SE Bernie Marsden Signature electric guitar, black finish, signed by various performing artists at Joe Bonamassa's 'Keeping the Blues Alive at Sea' cruise in 2015, within original PRS gig bag

*This guitar was used by Bernie and later signed at the first 'Keeping the Blues Alive at Sea' cruise organised by Joe Bonamassa in 2015. It is featured on page 376 of Bernie's book 'Tales of Tone and Volume' This guitar bears the signatures of various artists that performed at the festival including Joe Bonamassa, Robben Ford, Joanne Shaw Taylor, Bernie Marsden and His Band, Brandon Santini, Katy Guillen, Robert Randolph and others. The Keeping the Blues Alive Foundation is a non-profit organisation founded by three-time GRAMMY nominated blues-rock artist Joe Bonamassa. Their mission is to fuel a passion for music in younger generations by funding projects and scholarships to provide students and teachers the resources and tools needed to further music education

£1000-2000

85.

NO LOT

86.

Bernie Marsden - early 1980s Marshall Lead 12 3005 mini stack guitar amplifier comprising head and two 1 x 10" speaker cabinets, each inscribed 'SSS, Trident Studios, London' to the back

*Thought to have come from the Legendary Trident recording studios in London

£100-200

87.

Bernie Marsden - Marshall Origin 50 guitar amplifier, made in Vietnam, ser. no. V010A6352H, with dust cover

£200-400

88.

Bernie Marsden - 1997 Marshall Valvestate VS65R Limited Edition guitar amplifier, made in England, ser. no. M-1997-39-0560-A, blue tolex

£150-250

89.

Bernie Marsden - 2013 Marshall Custom Offset CSJTMOSH Limited Edition guitar amplifier head with matching CSC110OS speaker cabinet

*A limited edition model with only 1100 units shipped worldwide

£500-800

90.

Bernie Marsden - 2012 Marshall 50th Anniversary JMP1C guitar amplifier, made in England, ser. no. M-2012-03-0672-1

£400-600

91.

Bernie Marsden - 2004 Marshall Lead & Bass 20 2061X guitar amplifier head, made in England, ser. no. M-2004-27-0771-A; together with matching 2061CX speaker cabinet, ser. no. M-2004-35-1039-Z

£600-1000

92.

Bernie Marsden - 2003 Marshall MG Series 10CD guitar amplifier, made in India, ser. no. I-2003-30-2426-H

£30-50

93.

Bernie Marsden - 2012 Marshall 50th Anniversary JCM 2000 Dual Super Lead

DSL1C limited edition guitar amplifier, made in England, red tolex with limited grille cloth, ser. no. M-2012-28-0172-2

*An extremely rare amplifier with Jim Marshall grille cloth

£200-400

94.

Bernie Marsden - 2011 Marshall 50th Anniversary JTM1C Limited Edition guitar amplifier, made in England, ser. no. M-2011-48-0735-1

£400-600

95.

Bernie Marsden - Marshall Master Lead Combo guitar amplifier in need of restoration

£50-100

96.

Bernie Marsden - custom made guitar amplifier speaker cabinet, made with an unused Marshall 75 Reverb control plate, Marshall front grille and fitted with a Sidewinder S12-150 speaker

£40-80

97.

Bernie Marsden - stage used 1997 Marshall JCM 2000 Dual Super Lead guitar amplifier head, made in England, ser. no. 973698229, within a fitted flight case with various markings, also with dust cover

£300-600

103.

Bernie Marsden - stage used 1970 Fender Champ-Amp guitar amplifier, made in USA, ser. no. A19283 (UK voltage conversion)

98.

Bernie Marsden - Marshall Mercury 2060 guitar amplifier, made in England, circa 1973

£300-500

99.

Bernie Marsden - Late 1960s Marshall Capri guitar amplifier, made in England

*A very rare Marshall amp, with only around 100 thought to have been produced. These were 'catalogue' only amplifiers available by mail order.

£1000-2000

100.

Bernie Marsden - 1980s Marshall Reverb 12 5205 guitar amplifier, made in England

£80-120

101.

Bernie Marsden - 1994 Marshall 1960BX 4 x 12 guitar amplifier speaker cabinet, made in England, ser. no. 942830916

£200-400

102.

Bernie Marsden - 2019 Marshall Limited Edition Bernie Marsden Signature JMP 1959HW Super Lead 100 watt guitar amplifier head, made in England, limited edition 5/120, ser. no. M-2019-36-0057-1, with original shipping box; together with matching 1936VMB 2 x 12 guitar amplifier speaker cabinet, ser. no. M-2019-38-0269-0, boxed

*A Bernie Marsden Signature amplifier made by Marshall in 2019 and released in limited numbers with only one hundred and twenty shipped

£1000-2000

*Bernie bought this amplifier from Glen Cornick, circa 1973, when he was with Wild Turkey. Bernie later used this amp with Whitesnake to run his tubed voice box, which was then fed through the band's PA system. This amp features on page 365 of Bernie's book 'Tales of Tone and Volume', where he tells a story about the time that Jeff Beck played 'The Beast' through this amp backstage in the Orchid Ballroom dressing room in Purley. Bernie was then playing for his close Friend Cozy Powell, in his new band 'Hammer'

£500-1000

104.

Bernie Marsden - 1965 Fender Vibro Champ-Amp guitar amplifier, made in USA, ser. no. A07866

£800-1200

105.

Bernie Marsden - 1964 Fender Bassman-Amp 6G6 guitar amplifier head, made in USA, ser. no. BP09436, with re-covered blonde tolex; together with matching twin speaker cabinet, also re-covered

£800-1200

106.

Bernie Marsden - stage and studio used Gibson GA-6 Lancer guitar amplifier, made in USA, circa 1960, ser. no. 28464

*This amp is featured on page 367 of Bernie's book 'Tales of Tone and Volume', where he states that he used it quite often, sometimes in stereo with his Gibson Ranger

£500-800

107.

Bernie Marsden - studio used Gibson GA-20T Ranger guitar amplifier, made in USA, circa 1960, ser. no. 38649

*This amp features on page 373 of Bernie's book 'Tales of Tone and Volume', where he states that he used it regularly in the studio, occasionally running this and the Lancer in stereo

£800-1200

108.

Bernie Marsden - Selmer Little Giant guitar amplifier, made in England, circa 1964, ser. no. 14748

*This amp appears on page 361 Bernie's book 'Tales of Tone and Volume'. He states that it was given to him by the brother of Eric Jeffs, who was the bass player in Bernie's first band. Eric's brother Snowy insisted that Bernie used it in some early gigs, much to Bernie's amazement due to its small size and output

£400-600

109.

Bernie Marsden - 1964 WEM Watkins Hesseys Mersey Super 15 guitar amplifier, made in England

*In 1964 Watkins were commissioned to make fifty of these amplifiers for the famous Liverpool based shop Hesseys Music Shop (see 'H' logo to the front panel). Charlie Watkins was later quoted that they ended up making much less. This amp appears on page 371 of Bernie's book 'Tales of Tone and Volume'

£200-400

104 (See page 24)

105 (See page 24)

110.

Bernie Marsden - 1970s Vox FWW30 guitar amplifier, made in England, ser. no. 16082

£100-200

111.

Bernie Marsden - Victory Amplification V40 The Duchess guitar amplifier head, made in England, ser. no. 00098-0515; together with matching V212VC speaker cabinet, ser. no. 00014-0515

£600-1000

112.

Bernie Marsden - Squier Champ 15 guitar amplifier, made in Korea, ser. no. 9928349

£20-40

113.

Bernie Marsden - 1980s Gelf Valve + Mosfet 1020 guitar amplifier

£40-80

114.

Bernie Marsden - 1980s Gelf Blues Twin 50 guitar amplifier, fitted with a pair of Celestion G12 Century Vintage speakers, foot pedal

£50-100

115.

Bernie Marsden - Peavey Classic 30 guitar amplifier, made in USA, ser. no. 07000639

£150-250

108 (See page 25) 111

116.

Bernie Marsden - stage used Orange Amplification Rockerverb 50 MKII guitar amplifier, made in England, ser. no. 00501-0913

£400-600

117.

Bernie Marsden - 1980s Yamaha G100-112 III guitar amplifier, made in Japan, ser. no. 1266

*Given to Bernie Marsden by Yamaha in the 1980s as part of his artist endorsement deal

£50-100

118.

Bernie Marsden - Wienbrock Amplifiers ME-5 Barracuda Bernie Marsden guitar amplifier head, made in England, ser. no. BM001

*The first Bernie Marsden ME-5 Barracuda guitar amplifier head made for him by Wienbrock Amplifiers

£400-800

123 (See page 27)

119.

Bernie Marsden - Roland Cube 20XL guitar amplifier, made in China, ser. no. A3C7608

£30-50

120.

Bernie Marsden - seven various Marshall Amplification footswitches

£80-120

121.

Bernie Marsden - five various Marshall Amplification footswitches; together with two Carvin Legacy footswitches and a Samson S Direct box

£80-120

122.

Bernie Marsden - Boss RC-500 loop station guitar pedal, boxed

£80-120

123.

Bernie Marsden - stage used Boss BCB-60 guitar effects pedal board fitted with a Boss RT-20 rotary sound processor, an RE-20 Roland Space Echo, a Boss CH-1 Super Chorus and a Boss SD-1 Super Overdrive, with associated cables

*Inscriptions to this board suggest it was loaned to Gov't Mule for UK shows, via John Henry. Bernie's was a good friend of Warren Haynes and had also lent him a Marshall head for these dates.

£200-400

124.

Bernie Marsden - Boss BCB-60 guitar effects pedal board (latch slides missing)

£50-80

125.

Bernie Marsden - Boss RC-1 Loop Station guitar pedal, boxed, with PSA-240 power adaptor

£50-80

126.

Bernie Marsden - Boss VE-2 Vocal Harmonist guitar pedal, boxed

£40-80

127.

Bernie Marsden - Boss VE-2 Vocal Harmonist guitar pedal, boxed

£40-80

128.

Bernie Marsden - Boss BD-2 Blues Driver guitar pedal

£60-100

129.

Bernie Marsden - Korg Stage Echo SE-500 tape delay, made in Japan, ser. no. 120904 (USA voltage)

£500-800

130.

Bernie Marsden - 1970s Vox Tone Bender Mark III guitar pedal

£500-1000

131.

Bernie Marsden - 1970s Sola Sound Limited Colorsound wah-wah guitar pedal

£80-120

132.

Bernie Marsden - 1970s Ibanez Phase Tone guitar pedal, made in Japan

£40-80

134 (See page 28)

135 (See page 28)

133.

Bernie Marsden and Gary Moore interest - Marshall The Guv'nor guitar pedal, made in Korea, ser. no. GK17077, boxed

*The box side inscribed 'From Gary Moore', however no further information regarding this provenance is known

£100-200

134.

Bernie Marsden - Rodenberg Electronic GAS 808 drive guitar pedal, boxed

*Gifted to Bernie Marsden by the maker on the 14th June 2014 at a 'Joe Bonamassa / Joe Satriani gig'

£100-200

135.

Bernie Marsden - Rotosound 1960s Limited Edition Fuzz Pedal Reissue guitar pedal, boxed with certificate of provenance and papers

£200-400

136.

Bernie Marsden - Baroni Lab Germanium Drive guitar pedal

£80-120

137.

Bernie Marsden - stage used Jam Pedals Wahcko guitar pedal

£100-200

138.

Bernie Marsden - Jim Dunlop GCB-95 Cry Baby guitar pedal, boxed

£30-50

139.

Bernie Marsden - TC Electronic Polytune Mini guitar tuner pedal, boxed

£30-50

140.

Bernie Marsden - TC Electronic Polytune polychromatic tuner guitar pedal, boxed

£30-50

141.

Bernie Marsden - DigiTech Freqout natural feedback creator guitar pedal, boxed

£70-100

142.

Bernie Marsden - Chord DS-50 distortion guitar pedal, boxed

£20-30

143.

Bernie Marsden - Mooer Green Mile overdrive guitar pedal

£20-40

144.

Bernie Marsden - Mooer Blues Crab guitar pedal

£20-40

145.

Bernie Marsden - Gokko GK-27 Repeater Looper guitar pedal, boxed

£20-40

146.

Bernie Marsden - Gokko GK-33 Vintage Box guitar pedal, boxed

£20-40

147.

Bernie Marsden - Gokko GK-35 AC Box UK Sound Drive guitar pedal, boxed

£20-40

148.

Bernie Marsden - Gokko GK-24 Silver Flame overdrive guitar pedal, boxed

£20-40

149.

Bernie Marsden - Gokko GK-36 Plexibox British Sound Drive guitar pedal, boxed

£20-40

150.

Bernie Marsden - Gurus Sexy Drive Mark II guitar pedal, with pouch

£100-150

151.

Bernie Marsden - One Control Distro Tiny Power distribution guitar pedal power unit, boxed; together with a Revox A77 remote control box and two JRC100 footswitches

£50-100

152.

Bernie Marsden - acoustic guitar hard case with space for a 14" lower bout

£30-60

153.

Bernie Marsden - Gibson Firebird electric guitar hard case

£40-80

154.

Bernie Marsden - 1990s Gibson Les Paul electric guitar hard case

£40-80

155.

Bernie Marsden - 1960s Gibson Lifton electric guitar hard case suitable for a Thinline electric guitar, with space for 16" lower bout

£80-120

156.

Bernie Marsden - 1960s Gibson SG electric guitar hard case, bearing 'Bernie Marsden' stencil to the lid (four latches incomplete)

£50-100

157.

Bernie Marsden - circa 1959 Fender Stratocaster electric guitar hard case, bearing a 'Bernie Marsden' stencil to the lid (damages)

£200-400

158.

Bernie Marsden - Fender G & G Cases Stratocaster/Telecaster electric guitar hard case, with 'Bernie Marsden' stencil to the lid

£40-80

159.

Bernie Marsden - 1960s C. Taphouse & Son electric guitar hard case

£40-80

160.

Bernie Marsden - Guild 2520 acoustic guitar hard case with space for a 16" lower bout (one latch damaged)

£30-60

161.

Bernie Marsden - Hiscox Liteflite electric guitar hard case, bearing various flight and other labels (damage to lower end outer)

£20-40

162.

Bernie Marsden - Hiscox Liteflite electric guitar hard case suitable for a Les Paul or similar guitar, inscribed 'October 28 2019, Sid Poole #5'

£30-60

163.

Bernie Marsden - Hiscox Liteflite Pro-GSA acoustic guitar hard case with space for a 15" lower bout

£30-50

164.

Bernie Marsden - Hiscox Liteflite electric guitar hard case suitable for a Les Paul or similar, bearing many flight and other labels, along with a 'B. Marsden, PRS, Fly 1' stencil to the lid, also inscribed 'Poole #3' to the top (damage to outer shell)

£40-80

165.

Bernie Marsden - Yamaha compressed foam acoustic guitar case with space for a 15" lower bout guitar

£20-40

166.

Bernie Marsden - Yamaha A20 acoustic guitar hard case with space for a 16" lower bout, with tape to the side inscribed 'Bernie...Alaska' and bearing a 'Bernie Marsden LHM LTD' stencil to the lid

£40-80

167.

Bernie Marsden - 1980s possibly Yamaha electric guitar hard case for a Thinline type electric guitar (in need of repair); together with a PRS SE electric guitar gig bag; also a semi-rigid fibreboard case (3)

£40-80

168.

Bernie Marsden - Martin TKL acoustic guitar hard case with space for a 15" lower bout, bearing a 'B. Marsden' stencil to the side

£50-80

169.

Bernie Marsden - 1960/70s Baldwin guitar hard case

£30-60

170.

Bernie Marsden - SKB Flying V electric guitar hard case

£30-60

171.

Bernie Marsden - Washburn acoustic guitar hard case, inscribed 'Washburn Blonde (thin) six string' to the side

£20-40

172.

Bernie Marsden - Harvest Fine Leather Gibson ES335 guitar gig bag

£80-120

173.

Bernie Marsden - Fusion Urban Series double guitar gig bag; together with an ESH German Basses gig bag bearing a Gov't Mule guest pass wristband (2)

£80-120

174.

Bernie Marsden - 1960s guitar hard case, possibly for archtop or similar, with 17" lower bout, with 'Bernie Marsden' stencil to the side

£40-80

175.

Bernie Marsden - Westbury bass guitar hard case

£20-40

176.

Bernie Marsden - acoustic guitar hard case suitable for a J200 type acoustic guitar, with space for 18" lower bout, bearing 'Marsden' stencil to the side and labelled 'J200 1985 CEL'

£40-80

177.

Bernie Marsden - acoustic guitar hard case with space for a 16" lower bout, with 'B. Marsden LHM LTD 2010' stencil to the lid

£20-40

178.

Bernie Marsden - acoustic guitar hard case, possibly Yamaha, with space for 16" lower bout, bearing a 'B. Marsden' stencil to the side

£30-60

179.

Bernie Marsden - Guardian Cases SG guitar hard case bearing a 'B. Marsden, LHM' stencil to the lid

£20-40

180.

Bernie Marsden - acoustic guitar hard case with space for 16" lower bout

£20-40

181.

Bernie Marsden - Stagg acoustic guitar hard case with space for a 16" lower bout guitar, inscribed 'Yamaha Twelve String #2' to the side

£20-40

182.

Bernie Marsden - heavy duty electric guitar flight case suitable for a Les Paul or similar electric guitar, in well used condition and bearing many flight labels and tags

£80-120

183.

Bernie Marsden - contemporary electric guitar hard case with space for a 16" lower bout, with 'Bernie Marsden' stencil to the lid

£30-60

184.

Bernie Marsden - Bird Brothers EDS-1275 (or double neck SG Type) electric guitar flight case

£80-120

185.

Bernie Marsden - touring flight case, probably for a keyboard or similar, 9" high, 51" wide, 15.5" deep

£30-60

186.

Bernie Marsden - flight case chest bearing a 'Bernie Marsden, 32' stencil to the exterior, 29" high, 29" wide, 17" deep

*Used in the Selfridges, London shop window display for the 2018 'Tales of Tone and Volume' book launch event

£100-200

187.

Bernie Marsden - selection of guitar accessories to include guitar stands, two good quality Elixir instrument cables, a JHS Vintage V6 Icon Series guitar neck and a selection of further instrument cables

£40-80

188.

Bernie Marsden - two homemade wooden guitar wall hangers; together with a Hercules hanger and four others

*Used in Bernie's music room to display guitars on the wall

£30-60

189.

Bernie Marsden - eight Ernie Ball and Boss premium guitar cables, a set of three Ernie Ball patch cables and six packs of Ernie Ball Wonder Wipes

£30-60

190.

Bernie Marsden - twelve various new and used guitar straps to include Fender, Magrabo etc; together with a Marshall amplifier cover

£50-100

191.

Bernie Marsden - ten various used and unused guitar straps to include Levy's, Paul Reed Smith, Gibson, Wildwire etc

£50-100

192.

Bernie Marsden - selection of used and unused leather and fabric guitar straps to include Washburn, Paul Reed Smith, Fender, a novelty Beatles strap, Boss etc

£50-100

193.

Bernie Marsden - selection of ten used leather and fabric guitar straps to include a leather 'Where's My Guitar' strap, Gibson USA, Paul Reed Smith, Fender etc

£50-100

194.

Bernie Marsden - eleven various used and unused guitar straps to include Levy's, Ernie Ball Joe Bonamassa, Fender, Minotaur etc

£50-100

195.

Bernie Marsden - twelve various used and unused guitar straps to include Ernie Ball Joe Bonamassa, Wabash, Basso, Levy's, Paul Reed Smith, Minotaur etc

£50-100

196.

Bernie Marsden - selection of guitar spares to include Gibson bonnet type knobs, two old Gibson case/amp tags, switch tips, small springs and washers etc; together with a selection of 50s, 60s and later guitar strings to include Black Diamond, Fender, Gibson etc

£80-120

197.

Bernie Marsden - four guitar pickups to include a Schaller blade humbucker, a Dog Ear P90 and two others

£40-80

198.

Bernie Marsden - DiMarzio humbucker guitar pickup, with two DiMarzio USA humbucker pickup surrounds

£30-60

199.

Bernie Marsden - pair of Bill Lawrence L500 humbucker guitar pickups

£80-120

200.

Bernie Marsden - selection of guitar and other plastics to include an Ibanez Destroyer head face, various pickup surrounds, two Marshall logos (one damaged), a Les Paul pickguard etc

£40-80

201.

Bernie Marsden - seven Grover gold plate kidney button guitar tuners

£20-40

202.

Bernie Marsden - eight Grover chrome plated kidney button guitar tuners

£20-40

203.

Bernie Marsden - set of six Kluson Deluxe three-a-side guitar tuners; together with an older Kluson Deluxe double ring Patent number guitar tuner and a part set of five 'six-on-a-side' Kluson style guitar tuners

£40-80

204.

Bernie Marsden - six rare Ibanez Star Motif 'six-in-a-line' guitar tuners

£80-120

205.

Bernie Marsden - set of twelve guitar tuners

£20-40

206.

Bernie Marsden - various guitar tuners to include a part set of Washburn gold plated tuners, a set of six Yamaha black tuners, two Washburn chrome tuners and a Schaller tuner

£20-40

207.

Bernie Marsden - two sets of Yamaha bridge/stop bar, probably from SG Series guitars; together with a German made Tune-o-Matic type bridge, further bridges and bridge posts

£40-80

208.

Bernie Marsden - Gibson Deluxe double line strip tuners with plastic buttons

£30-60

209.

Bernie Marsden - vintage Gibson no line Kluson strip guitar tuner (shrunken/damaged buttons); together with a pair of later Kluson Deluxe three-a-side strip tuners

£30-60

210.

Bernie Marsden - two Kluson Deluxe Patent number guitar tuners with aging plastic buttons; together with a set of six Japanese reproduction Kluson type tuners and a set of six saddles

£30-50

211.

Bernie Marsden - selection of old Gibson and Fender guitar picks

£30-60

212.

Bernie Marsden - Callahan Guitars ABR-1 bridge with Nashville conversion studs and stop bar

£20-40

213.

Bernie Marsden - Elixir Strings guitar tool set enclosing a selection of tools used by Bernie Marsden whilst on tour, also enclosing three harmonicas: a Hohner, Marine Band in E, a Suzuki Easy Rider in D and an AXL Folk Blues in A

£40-80

214.

Bernie Marsden - selection of various guitar spares to include bridge posts, screws, bridge pins, washers etc

£40-80

215.

Bernie Marsden - pair of unused Mojo PAF replica guitar pickups, multimeter measurements: Bridge: 8.3k, Neck: 7.7k

£60-100

216.

Bernie Marsden - Mojo Pickups Bernie Marsden Prototype humbucker guitar pickups, boxed, Multimeter reading: Bridge: 8.3k, Neck: 7.3k

*An original prototype set for Bernie's Beastbucker pickups. The Beastbucker pickups were a collaboration between Bernie Marsden, Crazy Parts Germany and Marc Ramsley of Mojo Pickups UK

£200-400

217.

Bernie Marsden - pair of unused Bernie Marsden Signature Beastbucker humbucker guitar pickups, multimeter readings: Bridge: 8.26k, Neck: 7.28k boxed, ser. no. 00815

*The Beastbucker pickups were a collaboration between Bernie Marsden, Crazy Parts Germany and Marc Ramsley of Mojo Pickups UK. This set comes boxed with the certificate hand signed twice by Bernie Marsden

£100-200

218.

Bernie Marsden - pair of PRS 57/O8 humbucker guitar pickups, multimeter readings: Bridge: 8.9k, Neck: 8.8k

£80-120

219.

Bernie Marsden - The Guitar Collection: Stories 'Double-Neck '05 edition', no. 234/1500, with Paul Reed Smith dragon double neck Peden print insert, autographed 'To my friend Bernie, Paul Reed Smith'

£200-300

220.

Bernie Marsden - Yamaha PA system comprising an EMX512SC powered mixer and a pair of MSR400 speakers, speaker stands and microphone stands

£100-200

221.

Bernie Marsden - LD Systems Curv 500SE bass PA speaker

£100-200

222.

Bernie Marsden - Roland Juno-G 128 voice expandable synthesizer keyboard, made in Japan, ser. no. ZU93045

£200-400

223.

Bernie Marsden - TEAC LP-R400 turntable CD recorder unit, boxed

£40-80

224.

Bernie Marsden - used Shure SM58 vocal microphone; together with a DAP Audio PL-08 dynamic microphone (2)

£30-60

225.

Bernie Marsden - Shure SM58 vocal microphone; together with a DAP Audio PL-08 dynamic microphone (2)

£30-60

226.

Bernie Marsden - Shure SM58 dynamic vocal microphone, with pouch £30-60

227.

Bernie Marsden - two Wharfdale Pro DM2-0S vocal microphones; together with a Shure microphone base for spares and a selection of various microphone cables, within a flight case £30-60

228.

Bernie Marsden - Kawai R-50E Digital Drum Machine, made in Japan, ser. no. 174318, with original box and owners manual

£80-120

229.

Bernie Marsden - Alesis Midiverb, ser. no. 14194

£50-80

230.

Bernie Marsden - three pairs of Yamaha Cozy Powell Model Special Hickory drumsticks;together with two used Remo drum heads, an Evans Genera G2 drum head and a Hohner 16" crash cymba

£40-80

231.

Bernie Marsden - Marshall holdall enclosing a Marshall amplifier single footswitch; together with a framed Jimi Hendrix Marshall poster, 21" x 17.5"

£80-120

232.

Bernie Marsden - autographed Studio Limited Editions signed print from 'The Whitesnake Collection' by Alan Perry, no. 102/2500, the photograph showing Bernie Marsden and The Beast live with Whitesnake, 4th November 1979 at The Liverpool Empire Theatre, hand signed in blue pen to the mount, 20.5" x 16.5", still sealed

£50-100

233.

Bernie Marsden - autographed Studio Limited Editions 'The Whitesnake Collection' by Alan Perry signed print, no. 105/2500, the photograph showing Bernie Marsden with Whitesnake live on the 4th November 1979 at The Liverpool Empire Theatre, hand signed in blue pen by Bernie Marsden, Neil Murray and Micky Moody, 17" x 20.5", sealed

£50-100

234.

Bernie Marsden - 1981 Monster of Rock presentation plaque, featuring AC/DC, Whitesnake, Blue Oyster Cult, Slade, Blackfoot, More and Tommy Vance, Donington Park, Saturday 22nd August 1981, mounted and framed, 23.5" x 17.5"; together with a small canvas print showing Whitesnake on stage at the same festival, 8" x 12" (2)

£100-200

235.

Bernie Marsden - Penny Golledge, original snake artwork on board, framed, 26" x 26"

*Penny G designed many artworks for Bernie Marsden and Micky Moody's promotional material. This is one of her hand painted originals

£100-200

236.

Bernie Marsden - Penny Golledge, original snake artwork on board, framed, 20.5" x 28.5"

*Penny G designed many artworks for Bernie Marsden and Micky Moody's promotional material. This is one of her hand painted originals

£100-200

237.

Bernie Marsden - autographed Penny Golledge snakes print, mounted and framed, signed by Bernie Marsden, Micky Moody and Penny G, 17" x 21.5"

£80-120

238.

Bernie Marsden - autographed Bernie Marsden and Micky Moody 'Live in Europe' print, designed by Penny Golledge, signed by Bernie Marsden, Micky Moody and Penny G, mounted and framed, 17" x 17"

£80-120

239.

Bernie Marsden - autographed Penny Golledge hand signed print with snake design, signed by Bernie Marsden, Micky Moody and Penny G, within mount, 15.5" x 20.5"

£80-120

240.

Bernie Marsden - autographed Penny Golledge hand signed print, with snake design, signed by Bernie Marsden, Micky Moody and Penny G, within mount, 16" x 19.5"

£80-120

241.

Bernie Marsden - autographed Bernie Marsden and Micky Moody 'Live in Europe' print, designed by Penny Golledge, signed by Bernie Marsden, Micky Moody and Penny G, mounted and framed, 17" x 17"

£80-120

242.

Bernie Marsden - presentation disc awarded to 'Technotronic' in recognition for 300,000 sales of the Swan Yard Records album 'Pump Up the Jam', 1990, framed, 20.5" x 16"

£80-120

243.

Bernie Marsden - autographed Johnny Winter tour poster, with support from Joanne Shaw Taylor, hand signed by Johnny Winter and his band, 23" x 18"

£80-120

244.

Bernie Marsden - autographed Jimi Hendrix Marshall Amplification poster, signed with tribute 'To Bernie, with best wishes, Sir Jim Marshall OBE, 2004', 23" x 17"; together with a Marshall Amplification fabric banner

£30-50

245.

Bernie Marsden - autographed Marshall Amplification The Darkness Permission to Rock poster, signed 'Sir Jim Marshall OBE, 2004', 16" x 23"; together with a Marshall Amplification fabric banner

£20-40

246.

Bernie Marsden - autographed Marshall Amplification Nicko McBrain poster, signed 'Sir Jim Marshall OBE, 2004', 16" x 23"; together with a Marshall Amplification 1962-2002 40 Years of Rock in the World poster, also hand signed by Jim Marshall and a Marshall Amplification fabric banner (3)

£30-60

247.

Bernie Marsden - three Perspex promotional signs for Bernie Marsden gigs at The Radcliffe Centre, Buckingham

£80-120

248.

Bernie Marsden - very large Bernie Plays Rory 2009 tour fabric stage backdrop, approx. 126 x 94"; together with a Bernie Marsden canvas banner, 23" x 48", an M3 (Bernie Marsden, Micky Moody, Neil Murray) 'Rough an' Ready' canvas stage backdrop, 73" x 50" and a large selection of original associated posters

£200-400

249.

Bernie Marsden - original Whitesnake Saints & Sinners tour scarf

£30-50

Other Bernie Marsden Associated Lots

250.

2015 Paul Reed Smith (PRS) Private Stock Bernie Marsden Number One electric guitar, made in USA, ser. no. 15-221764; Body: sage smoke burst finished east coast curly maple top upon African ribbon mahogany back; Neck: Brazilian rosewood; Fretboard: Brazilian rosewood with curly maple binding; Electrics: working, 58/15 humbucker pickups, two push-pull volume controls and tone with three-way toggle; Hardware: aluminium PRS stop tail with brass inserts, gold nickel Kluson tuning pegs and African ribbon mahogany back plate; Case: Private Stock 'Bernie Marsden' paisley custom covering

*This guitar is number one of a limited run of only six PRS Private Stock Bernie Marsden Signature guitars produced in 2015. This guitar is in as new condition and has been personally hand signed 'Bernie Marsden'#1' to the back control plate and also by Paul Reed Smith to the back switch plate as well as to the back of the head. Supplied with its original spec sheet and a hand signed Bernie Marsden PRS promotional photograph, along with all original tags and papers. Purchased new by the vendor from Peter Oakley Music in 2015. The PRS Private Stock programme showcases their highest end guitars made by the firm's top craftsmen with all materials personally hand selected from the PRS Private Stock vault

*Sold with non transferable CITES A10 certificate no.24GBA10MJAAUW

£15,000-20,000

2015 Paul Reed Smith (PRS) Private Stock Bernie Marsden

Number Two electric guitar, made in USA, ser. no. 15-221767;

Body: McCarty glow high gloss nitro finished east coast curly maple top upon African ribbon mahogany back; Neck: Brazilian rosewood; Fretboard: Brazilian rosewood with curly maple binding; Electrics: PRS 58/15 humbucker pickups, with two push-pull volume controls and tone with three-way toggle; Hardware: aluminium PRS stop tail with brass inserts, gold nickel Kluson tuning pegs and African ribbon mahogany back plate; Case: Private Stock 'Bernie Marsden' paisley with custom covering; Overall condition: as new

*This guitar is number two of a limited run of only six PRS Private Stock Bernie Marsden Signature guitars produced in 2015. This guitar is in as new condition and has been personally hand signed 'Bernie Marsden'#2' to the back control plate and also by Paul Reed Smith to the back switch plate as well as to the back of the head

Supplied with its original spec sheet and a hand signed Bernie Marsden PRS promotional photograph, along with all original tags and papers. Purchased new by the vendor from Peter Oakley Music in 2015. The PRS Private Stock programme showcases their highest end guitars made by the firm's top craftsmen with all materials personally hand selected from the PRS Private Stock vault

*Sold with non transferable CITES A10 certificate no. 24GBA1047V8ZJ

£14,000-18,000

252.

Bernie Marsden - stage and studio used Soldano Hot Rod 50 guitar amplifier head, made in USA, ser. no. 500520

*Acquired in Germany during the recording of 'Green and Blues' and other sessions. Ex lot 538, The Bernie Marsden Collection, Gardiner Houlgate, 10th December 2020

£1000-1500

253.

Bernie Marsden - 1987 Marshall JCM 800 100 watt Super Bass guitar amplifier, ser. no. V38641

*Modified by Marshall to have the same circuit as Bernie's Whitesnake era Super Lead amplifiers. Ex lot 521, The Bernie Marsden Collection, Gardiner Houlgate, 10th December 2020

£1000-1500

254.

Bernie Marsden - 2007 Marshall 1936 2x12 guitar amplifier speaker cabinet, ser. no. M-2007-14-1042-0

*Ex lot 514, The Bernie Marsden Collection, Gardiner Houlgate, 10th December 2020

£250-350

255.

Bernie Marsden - Marshall 1936 2x12 guitar amplifier speaker cabinet, made in England, circa 2006, fitted with Celestion Prototype speakers

*Ex lot 515, The Bernie Marsden Collection, Gardiner Houlgate, 10th December 2020

£300-500

256.

Bernie Marsden - 2004 Marshall 1974CX 1x12 guitar amplifier speaker cabinet, made in England, ser. no. M-2004-12-0642-Z

*Ex lot 507, The Bernie Marsden Collection, Gardiner Houlgate, 10th December 2020

£200-300

257.

Bernie Marsden - stage used Jim Dunlop Model GCB-9 original Cry Baby wah wah guitar pedal

*Often used by Bernie Marsden in live scenarios over the years. Ex lot 561, The Bernie Marsden Collection, Gardiner Houlgate, 10 December 2020

£80-120

253

The Ian Barrison Collection

John "Ian" Bairnson (3rd August 1953 – 7th April 2023) was a Scottish musician, best known as a member of Pilot and the Alan Parsons Project. He was a multi-instrumentalist, who played saxophone and keyboards, although he was best known as a guitarist. He started his career as a session guitarist, before joining up with former Bay City Rollers' David Paton and Billy Lyall to form the band Pilot in 1973. His time with Pilot saw the release of the two hit singles, ‘Magic’ and ‘January’, the latter reaching number one in the UK and other global charts. Both of these singles have since become grounded as classic tracks from the era. Whilst with Pilot, he started his collaboration with the record producer Alan Parsons on their debut self-titled album. It was this relationship that helped incorporate most of the members into band. One distinctive guitar solo of note was on the track 'I Wouldn't Want to be Like You' that featured in the 1977 film 'I Robot' From 1978, Bairnson started sessions with Kate Bush, recording guitars on her first four albums, 'The Kick Inside', 'Lion Heart', 'Never for Ever' and 'The Dreaming'. The most notable track featuring Ian’s work was her chart topping debut single 'Wuthering Heights', where he can be heard playing his 1974 Gibson Les Paul Custom on the solo towards the end of the song. Wuthering heights stayed at the top of the UK charts for four weeks. The success of this track and the debut album (‘The Kick Inside’) on which it features, firmly launched her to international stardom. Bairnson also played with Bucks Fizz, for whom he co-wrote their top twenty hits 'If You Can't Stand the Heat' and 'Run For Your Life'. During his session career, he played on more than one hundred albums within different genres for artists such as Yvonne Keeley, Joe Cocker, John Anderson, Chris de Burgh, Mick Fleetwood and Neil Diamond, as well as playing live with Sting, Eric Clapton, Beverley Craven and many more. On behalf of Ian’s family, we are delighted to offer the following 31 lots of guitars, amps and effects, all of which have featured during his successful career.

258.

Ian Bairnson - 1983 Aria Pro II RS Esprit electric guitar, made in Japan, ser. no. 3090021; Body: candy apple red finish, minor marks; Neck: bolt-on, good; Fretboard: rosewood; Frets: good; Electrics: Roland GK-2 midi pickup installed; Hardware: generally good, Kahler trem installed, some tarnishing and gold plating loss; Case: fitted hard case; Weight: 3.86kg; Overall condition: good

£300-500

259.

Ian Bairnson - 2006 Line 6 Variax 700 electric guitar, made in Japan, ser. no. 06040022,with original gig bag

£300-500

260.

Ian Bairnson - Yamaha BBN5 five string bass guitar, made in Taiwan, ser. no. MX24258; Body: natural finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Guvnor gig bag; Overall condition: good £100-200

261.

Ian Bairnson - Hofner 182 E2 bass guitar, made in Germany, circa 1961, ser. no. 349; Body: red finish, checking throughout, various dings and other marks, vacant holes to bass side horn; Neck: maple, checking throughout; Fretboard: rosewood; Frets: worn, de-fretted above twelfth fret; Electrics: working; Hardware: split to pickguard at treble horn, further splits, missing bridge cover; Case: period hard case; Overall condition: fair £300-500

262.

Ian Bairnson - 1983 Squier by Fender JV Stratocaster electric guitar, made in 258 Japan, ser. no. JV45635; Body: three-tone sunburst finish, cavity altered to fit pickups, minor dings and surface scratches; Neck: maple; Fretboard: rosewood; Frets: light wear; Electrics: replacement EMG active HSS pickup set (body routed beneath guard to fit); Hardware: generally good, pickguard adapted to fit pickups, replacement nut, replacement string tree; Case: EMG gig bag; Weight: 3.79kg; Overall condition: good

£500-800

263.

Ian Bainrson - Fender Stratocaster '57 Reissue electric guitar, made in Japan (1996-1997), ser. no. V024769; Body: black finish, minor dings and surface marks; Neck; maple; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: generally good, missing trem arm; Weight: 3.26kg; Overall condition: good for age £500-800

264.

Ian Bairnson - stage and studio played 1991 Paul Reed Smith (PRS) CE24 electric guitar, made in USA, ser. no. 175137; Body: Lake Placid blue finish, surface blemish between pickups, further minor dings, light buckle scratching to back; Neck: maple; Fretboard: maple, surface blemish to second fret position; Frets: mild wear; Electrics: working, although some jack intermittence, Bairnson installed dragon pickups; Hardware: generally good, some green oxidisation to metal hardware, trem arm missing; Case: original hard case; Weight: 3.53kg; Overall condition: good for age

*Used by Ian for all the Alan Parsons Project tours from 1993 to 1995. He also used it to play the solo on Beverley Craven's track "Look No Further". Ian referred to this guitar fondly as "Blue Boy" because of the intensity of the blue finish and personally fitted "Dragon" pickups to give it "a little more kick." See video of Ian using this guitar here: https:// youtu.be/FvEBXGMrZuI?si=U5UcQYZ3TFSI2htF £1000-1500

265.

Ian Bairnson - 1998 Paul Reed Smith (PRS) McCarty Soapbar electric guitar, made in USA, ser. no. 8 37967; Body: burgundy metallic; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.39kg; Overall condition: very good

*See a video featuring Ian with this guitar here: https:// www.youtube.com/watch?v=0Fj9ZTKCzIg

£1400-1800

266.

Ian Bairnson - stage used 1991 Paul Reed Smith (PRS) CE24 electric guitar with later fitted piezo saddles, made in USA, ser. no. 174520; Body: dark cherry sunburst finish veneer maple top upon cherry finish mahogany back, surface lacquer blemish to bass hand side of bridge pickup, buckle scratches and other marks throughout; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working, fitted with piezo saddles for acoustic sounds, some jack intermittence requiring adjustment; Case: original hard case enclosing Ian Bairnson plectrums and set lists

*Used live with Beverley Craven. The case bearing tape inscribed 'Beverley Craven PRS 2 pickup' and the case enclosing three Beverley Craven set lists. See Ian using this guitar here: https://youtu.be/1g1mDuFtNs0? si=XPScl0cgY9m2XswE

£1000-1500

262 (See page 37) 263 (See page 37) 264 265

267.

Ian Bairnson - stage used 1996 Paul Reed Smith (PRS) McCarty Custom Build HSH Custom 24 electric guitar made for Ian Bairnson by former production manager Joe Knaggs; Body: McCarty sunburst finished maple ten top upon cherry mahogany back, light surface buckle marks and other minor dings; Neck: mahogany, a few light dings; Fretboard: rosewood; Frets: mild tarnishing and oxidisation; Electrics: working, McCarty bridge and neck pickups, single rail middle pickup; Hardware: good, custom tuners, minor tarnishing to metal parts; Case: original hard case enclosing strap and Ian Bairnson custom plectrums; Weight: 3.96kg; Overall condition: good

*Used by Ian as his main live guitar from 1996 onwards. Ian's website states "I first met Paul Reed Smith when I was giving a show for Mesa Boogie amplifiers. During the course of the show the importer of PRS guitars came up to me and said, "Hey, I told Paul you play "Birdland" by Weather Report - he doesn't think it can be done on one guitar". So that was my first meeting with Paul - having to play the most difficult piece right there and then! Then we got to talk about guitars, I told him I had been looking for a really good vintage Les Paul for several years. He instantly said, "I'll build you a guitar that will sound just as good". I was a little sceptical, since the sound of the Les Paul has a lot to do with the design and construction. After some thought and a few faxes between us, I decided the best thing was to see if Paul could build me an instrument which would be the ultimate touring guitar. The result was this custom built McCarty model. It basically sets out to get pretty close to the Les Paul. Then with the inclusion of a centre single coil pickup and a trem, it moves into Strat territory. For the APP sets this is just perfect. I can get a great selection of "real" and natural guitar sounds without having to stop and change guitars. This is a big warm sounding guitar - just how I like 'em!I really believe it to be the "Ultimate Touring Guitar"."

£2500-3500

268.

Ian Bairnson - 2009 Gibson '59 Reissue Les Paul Standard electric guitar, made in USA, ser. no. 9 9212; Body: sunburst finished maple veneer top upon cherry finished mahogany back, a few dings and blemishes to edges, light aging/checking throughout; Neck: good, mahogany, minor dings and checking; Fretboard: rosewood; Frets: good; Electrics: working, replacement Seymour Duncan Antiquity humbucker pickups; Hardware: some green oxidisation and minor rusting to metal parts including pickup covers; Case: Gibson Custom Art Historic hard case; Weight: 4.06kg; Overall condition: good

*Purchased by Ian from Vintage & Modern Guitars, Thame. Ian's website states "A friend told me of a guitar in a tiny shop that I should have a look at. I brought my own Les Paul to pitch it against, and finally the search was over! The sound was spot on! Much money changed hands and I drove it home like an excited sixteen year old. After a mild panic attack when the bridge pickup seemed faulty... I am completely delighted with this new "brother" to my Custom. I can't put it down. I keep thinking, "if only I could have had a '59 Standard at sixteen!" but we can't change the past. The important thing is that now I have the blues sound I always wanted!"

£3000-4000

266 (See page 38)

268

Ian Bairnson & Kate Bush - studio and stage used 1974 Gibson Les Paul Custom 20th Anniversary electric guitar, made in USA, ser. no. 396135; Body: cherry sunburst finished maple veneer upon mahogany pancake body, buckle rash patch to back, further dings and marks but generally good for a guitar of this vintage; Neck: good, some finish wear to edges and light finish wear throughout; Fretboard: ebony; Frets: good, refret; Electrics: working, coil switches installed to control area; Hardware: replacement Schaller tuners, replacement control knobs, replacement nut, replacement pickguard (original retained), replacement pickup surround; Case: original hard case bearing

Pilot stencil to the case lid, enclosing guitar strap, one original 1974 potentiometer, two original Ian Bairnson plectrums, the original pickguard, a spare truss rod cover, Gibson tag and original Pilot bumper sticker; Overall condition: good for age

*Sold with five sales award discs presented to Ian Bairnson for Pilot's hit

singles 'Magic' and 'January', both of which this guitar features on. Including an RIAA gold disc to commemorate the sale of more than one million copies of the EMI record single 'Magic'; a disc to recognise the sale in the United Kingdom of more than two hundred and fifty thousand copies of the EMI single 'January', 1975; a gold disc to commemorate the sale of more than a million of the Capitol Records single 'Magic'; a gold disc to commemorate the sale of over seventy-five thousand units of the Capitol single 'Magic' from the Canadian Recording Industry Association; a gold disc presented to Ian Bairnson by EMI (Australia) Limited, August 1975

This guitar was purchased by Ian in 1974 from Take Five, Shaftesbury Avenue, London and was his main guitar from the beginning. The guitar features on work with Pilot, the Alan Parsons Project and Kate Bush, including her first four studio albums, most significantly used the solo of her debut chart topping single 'Wuthering Heights'.An excerpt from Ian's website states "Guitar players broadly fall into two main groups - those who consider themselves as "Strat" players and those who are "Les Paul" type players. I have always loved Les Pauls. Ever since I was about fourteen years old I wanted to play one. I prefer the sheer power and kick of a Gibson Les Paul. I bought mine as soon as I could afford one. It came from a shop called Take Five in Shaftesbury Avenue in London and cost me 315 pounds in 1974. It is a Custom model but over the years I have changed bits and pieces and now it looks more like a Standard. I suppose it is true to say that I built a career using only a Les Paul and a Marshall fifty watt amplifier. I never plugged anything between the guitar and the amp. If we wanted effects on the sound, we used the studio effects. They are far better quality and besides ... I couldn't afford that kind of equipment. This guitar has been with me through everything from the early recordings - Pilot, Parsons Project, Kate Bush etc right up to "Time Machine" and Pilot's "Blue Yonder" CD."

£5000-10,000

270.

Ian Bairnson - Fender Super Champ guitar amplifier, made in USA, circa 1982, ser. no. F211047

£1000-1500

271.

Ian Bairnson - Fender Blues-Junior guitar amplifier, made in USA, ser. no. B-266080

£200-400

272.

Ian Bairnson - Blackstar Amplification Studio 10 EL34 guitar amplifier, ser. no. (21) HCG180802147

£200-400

273.

Ian Bairnson - Boss FV-500H expression pedal, made in Japan, ser. no. ZV28170

£30-60

274.

Ian Bairnson - Boss BCB-60 guitar effects pedal board, enclosing PSU and associated cables, inscribed Ian Bairnson in gold pen to the exterior

£30-60

275.

Ian Bairnson - Palmer speaker simulator rack unit, made in Germany, ser. no. 12082

£40-80

276.

Ian Bairnson - Boss SD-1 Super Overdrive guitar pedal, made in Taiwan, ser. no. FZ69492

£40-80

277.

Ian Bairnson - Boss GE-7 Equalizer guitar pedal, made in Japan, black label, ser. no. C970362

£30-60

278.

Ian Bairnson - 1998 Marshall Blues Breaker guitar pedal, made in England, ser. no. M-1998-22-0802-Z

£100-200

279.

Ian Bairnson - Line 6 POD XT Live Pro guitar Tone on the Floor guitar pedal, ser. no. (21) FPD2P5637003476

£40-60

280.

Ian Bairnson - Ibanez TS9 Tube Screamer guitar pedal, made in Japan, ser. no. 040796

£80-120

281.

Ian Bairnson - Ibanez CF7 Chorus/Flanger guitar pedal

£30-60

282.

Ian Bairnson - heavy duty CP Cases keyboard flight case, suitable for a DX7 or similar

£40-80

283.

Ian Bairnson - Gibson Custom Les Paul electric guitar hard case

£80-120

284.

Ian Bairnson - 1980s Gibson Les Paul protector hard case

£80-120

285.

Ian Bairnson - 1980s Gibson Les Paul protector hard case

£80-120

286.

Ian Bairnson - Paul Reed Smith electric guitar hard case

£50-100

287.

Ian Bairnson - Focusrite ISA430 Producer Pack rack unit, ser. no.

NP01725

£500-700

288.

Ian Bairnson - Akai Professional MB76 programmable mix bay rack unit, made in Japan, ser. no. 20955-00209, within a rack flight case

£30-60

290.

Gary Moore - stage played 2009 Gibson Custom Shop 'Frankfurt' 1959 Reissue Les Paul standard electric guitar, made in USA, serial number 9 91540; Body: figured sunburst maple veneered top upon cherry finished mahogany back, dings to back edges, light buckle marks and other minor dings throughout; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gibson custom hard case enclosing certificate of authenticity, papers, tags and stage used strap

*Used by Gary Moore live from 2009 onwards and considered to be an important guitar from the latter stages of his career, being the one chosen to play many renditions of what is considered his signature song, 'Parisienne Walkways'. The guitar was bought by Gary in Frankfurt, 2009 whilst on tour in Germany, hence it's nickname. It was used on many UK tours, specifically on Japanese dates in April 2010 for the encore tracks 'The Blues is Alright' and 'Parisian Walkways.' The guitar was featured in 'Young Guitar' magazine as part of an overview of the equipment used by Gary for the Japanese tour in early 2010. This guitar can be seen during an appearance at St. David's Hall, Cardiff 26 October 2009 for an rendition of Parisian Walkways - https:// www.youtube.com/watch?v=878xl1-Ee3A. Further footage from the Vibes from the Vines open air music festival on 08 August 2009 can be seen herehttps://www.youtube.com/watch? v=qis1y9tO9jI https://www.youtube.com/ watch?v=TO7ioijWXIM

Ex lot 280, Rock, Pop & Film online including the Gary Moore collection III, Bonhams, London, 4th May 2022.

£20,000-30,000

291.

Gary Moore - stage used 2007 Gibson Custom Shop 1957 Reissue Gold

Top Les Paul electric guitar, made in the USA, serial number 7 7701; Body: gold top finish upon natural mahogany back, a few minor dings; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case enclosing tags and strap; Weight: 4.32kg; Overall Condition: good.

*Used by Gary Moore on the 2007/2008 'Close as You Get' tour. An image of Gary Moore with this guitar currently features as the header photograph on his Wikipedia page. Ex lot 273, Rock, Pop & Film online including the Gary Moore collection III, Bonhams, London, 4 May 2022

£20,000-30,000

292.

Peter Green - stage used 1987 G&L SC3 electric guitar, made in the USA, ser. no. G020598; Body: yellow finish with dings and surface scratches; Neck: good, bolt-on; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case enclosing matching yellow strap; Weight: 3.62kg; Overall condition: good

*Used by Peter Green on stage for various performances. The guitar can be seen in numerous images by photographer Steve Cook, published in an August 1999 edition of 'The Guitar Magazine' which is included in the sale. Ex lot 114, Man of the World The Peter Green collection, Bonhams, 28th June 2023

£5000-8000

293.

Peter Green - stage used 1965 Epiphone E444T Granada hollow-body electric guitar, made in the USA, ser. no. 288246; Body: sunburst finish top upon brown finish back, light checking, light buckle scratches to back but generally very good for age; Neck: generally good, a few minor marks; Fretboard: rosewood; Frets: good, refret; Electrics: working; Hardware: replacement tuners (originals included); Case: fitted hard case; Weight: 2.44kg; Overall condition: good for age

*Used with Peter Green and Friends, mainly for slide playing

Ex lot 8, Man of the World The Peter Green Collection, Bonhams, London, 28th June 2023

Sold with non-transferable CITES A10 certificate no. 24GBA10M0RV4T £2500-3500

294.

Eric Clapton - artist owned and played prototype 1995 Martin 000-28EC Eric Clapton Signature acoustic guitar, built and delivered for artist’s approval, made in USA, ser. no. 563664; Body: hand selected East Indian rosewood back and sides with central back stripe, 1935 sunburst finished sitka spruce top with herringbone banding and rosette, heavy buckle scratches to back, pick wear to top and other dings; Neck: mahogany with vintage style volute; Fretboard: ebony fingerboard with abalone cut diamonds and squares, abalone Eric Clapton signature is set into the penultimate fret, signs of play; Hardware: Martin branded Grover Sta-tite tuners, internal prototype label with facsimile Eric Clapton signature also signed C.F. Martin IV; Case: original hard case with plush green velvet interior, enclosing two 1998 Eric Clapton Lexus US tour picks; Overall condition: good

"This new 000-28EC model is the best-sounding acoustic guitar I’ve ever played.’ Eric Clapton, 1995"

One of four 000-28EC prototypes made, one of two sent directly to Eric Clapton himself, this unique guitar, thought to be the only prototype with shade top, was approved by Eric Clapton and is significantly the genesis of Martin’s best selling signature model of all time, with over 20,000 units shipped to date.

This guitar is documented in Martin Guitars’ records as one of the prototypes built by them in 1995, to follow through the instant success of their earlier and very limited edition 000-42EC with a more affordable model. According to their records only four prototypes were produced, of which this guitar is the fourth of consecutive serial numbers. Two, including this one, are marked as ‘A/R Write-off’, indicating they were sent for Eric’s approval.

There is no further detail to hand from Martin’s records, other than Dick Boak’s personal recall in the 2003 Martin Guitar Masterpieces Book: “The fact that there was tremendous leftover demand for more Eric Clapton signature model acoustic guitars caused us to consider adding an Eric Clapton stock model to the line, but our policy required that any such offering be significantly different from the previous edition model. Eric responded well to our suggestion of a more affordable model, the results of which yielded some exceptional prototypes of the proposed 000-28EC guitar. This was in effect identical tonally to the 000-42EC model, but without all the pearl and glitz. Simple, classic herringbone rosette and body trim were blended with ivoroid bindings and vintage Style-28 appointments. We sent one of the prototypes to Eric in England and he sent me these exact words back through Lee [Lee Dickson, Eric’s guitar tech] : ‘Don’t get me wrong. I love my 000-42EC Martins. The craftsmanship and detail are superb. But this new 000-28EC model is the best sounding acoustic guitar I’ve ever played.’ … We took the 000-28EC to the Nashville NAMM Show in July of 1996 and returned home with a slew of orders. Eric had added the 000-28EC to his cache of performance guitars and he continued to be surprised at how a lower-cost instrument could stand up to the top-of-the-line guitars.”

The above extract suggests that only one prototype was sent to Eric; in which case his very vocal enthusiasm would have been directed at this particular guitar, #563664, and if not, then at the only pair of prototypes allocated to him – this one, and its companion, #563663.

Martin’s records do indicate that two prototypes were allocated to Eric; certainly, contractual obligations required two to be delivered. In recent emailed conversation between the vendor and Dick Boak (early 2024) he felt that two might have been sent – certainly Eric requested and received several production 000-28EC guitars over the years – but at this point the whereabouts of the second prototype is unknown, as indeed are the whereabouts of the other two (#563661 and #563662) listed in Martin’s records. So right now, until the other three make themselves known, this shade top is seemingly the only acknowledged prototype of Martin’s most successful limited-edition guitar, launched at NAMM a year later in 1996 and since selling upwards of 20,000 guitars.

Since Eric’s ownership, the guitar has remained virtually untouched and is in good condition – other than for the very distinctive belt buckle scratches on the back and obvious signs of use to the top. Sent to Eric for approval, he went on to do precisely that, as quoted above, and very vociferously via Lee Dickson: “… but this new 000-28EC model is the best-sounding acoustic guitar I’ve ever played.” The substantial scratch marks amply testify to that; this is clearly a guitar Eric played and enjoyed greatly, and over a considerable period. Nor is it possible to discount the likelihood, owing to the extent and positioning of this marking on an otherwise perfect guitar, that as Dick Boak also wrote in Martin Guitar Masterpieces, Eric went on to add this to his roster of his performance guitars.

Regarding the belt buckle scratches, again, this from Martin Guitar Masterpieces: “…. We took the 000-28EC to the Nashville NAMM Show in July of 1996 and returned home with a slew of orders. Eric had added the 000-28EC to his cache of performance guitars…” The prototype on offer, as delivered to and formerly owned by Eric, has not only been played by him for his personal approval, at least, but also clearly played hard; it’s been put through its paces, and over a considerable amount of playing time. The resulting scratch damage on the back is by no means insubstantial. Despite having no photographic evidence, nor any further documentation other than that intimated in Dick Boak’s text as quoted above, it would not be beyond the bounds of possibility to reach the conclusion that this guitar had also been played live on stage – the nature and position of the buckle scratches point to the distinct likelihood of that being the case. Sitting in the comfort of living room or studio with any guitar, new or ageing, would never create marking to this extent.

Since the launch of the 000-28EC model, two significant examples from the production run have hit the auction block: Number #1 of the production edition, natural top, serial number #576553 (1996) was sold at Christie’s in New York on October 10th, 2008 for $11,250. Christie’s note on the lot reads: ‘The relationship between C.F. Martin and Company and Eric Clapton extends back to 1995 with the introduction of Martin’s 000-42EC. This was the first Signature Edition guitar to follow on the heels of the Gene Autry D-45. Since that date Clapton and Martin have collaborated on no fewer than 7 different signature models. The most enduring of these is the 000-28EC. Built to Clapton’s exacting specifications these guitars have been in production since 1996. Inscribed on the label #1, this is the first guitar of the edition.’A further production model of the edition, owned and played by Eric during 1996-1997, serial number #589132 (1996) was sold at Bonham’s in London on December 15th, 2011 for £27,500

Provenance: The vendor, an artist who worked closely on various projects with Eric Clapton, Eric’s former manager Roger Forrester and later with Dick Boak, took ownership of this guitar on 27th November 2003. Purchased directly from Roger Forrester, it had been kept at his offices in Harley House, London, between then and Eric parting with the guitar. A copy of a document is provided as evidence of transaction. (Originals retained by the seller to protect personal details). Emails between the vendor and Dick Boak confirming facts regarding this guitar are available.

£20000-40000

295.

Bob McNett (Hank Williams and the Drifting Cowboys) - 1938 C.F. Martin D-28 acoustic guitar, made in USA, ser. no. 69676; Back and sides: Brazilian rosewood, cleated hairline repairs, refinished; Top: replacement spruce top with herringbone banding; Neck: mahogany, reset and refinished; Fretboard: replacement ebony board; Frets: good; Hardware: good, replacement bridge. Case: 1980s Martin hard case; Overall condition: good

*Formerly owned by Bob McNett, guitarist of choice for Hank Williams' backing band 'The Drifting Cowboys'

Purchased by the vendor on the 16th February 1989 from Keith Sellers, founder of Hanks Guitars, Denmark Street London. Keith had previously purchased the guitar from Curtis McPeake, one-time banjoist for Bill Monroe and the Bluegrass Boys. An email exchange between the vendor and Curtis confirms that he remembers selling a guitar for Bob McNett and although he cannot remember the exact details, suggests that it must have been this one.

A 1989 Melody Maker advert shows a listing for a Martin D28 '1938 Ex Hank Williams' band', for the sum of £2250. This caught the vendor's eye and with the help of a loan looked affordable, especially considering a D28 of this vintage, in top condition would have cost around £8000 at the time, which would have been unobtainable. The vendor quickly headed to London by train to visit Keith Sellers at the back of a ladies fashion shop run by his daughter on Tottenham Court Road, where he was allowed plenty of time to sit and try out a rather beaten up but original D28. Major issues were obvious with repairs that were not to a professional standard, including a non-original bridge, many cracks to the top, heavy spruce plates glued underneath to support the top, along with cracks to the back and sides. Despite this, at the end of the viewing, the vendor thought that he was never ever again going to have the chance to buy a D28 of this era at this price, so he left a deposit on 11th February 1989, returning to pay the full balance on 16th February. Later that year, the vendor bought a 1970s Martin case from Andy's Guitars on Denmark Street, London, which the guitar now sits in. The original Melody Maker advert, along with the receipts for both the guitar and case, are included in the sale.

The guitar came with a handwritten letter from Bob McNett responding to a question as to whether Hank Williams ever played this guitar. The letter states that he could not remember seeing Hank play it 'however he could have, and it's entirely possible he did... on stage shows with Hank, I played a Gibson electric, and Hank had his own Martin, so if Hank played this guitar it would have been offstage'. This provenance resulted in the vendor carrying out extensive research relating to the history of this guitar, especially with its links to Bob McNett and Hank Williams. To his delight, he found Bob's nephew Tim on the internet, who is a member of the McNett family band and recalled that Bob had once owned a 1938 D28. Later, he found a photograph for sale of Bob holding the guitar with the McClintock Sisters, which showed the D28 with a split in the lower bass side of the top, in exactly the same position as this very guitar.

Conclusive proof that this guitar was Bob's came when the vendor contacted renowned historian Dick Boak of Martin Guitars with a query about a modern Custom Shop D28 that he owned. In passing, the vendor mentioned the old guitar which immediately interested Dick. Investigating the Martin company records he found a Martin repair document showing job number 8542, 17th October 1984, with serial number 69676 and the owner's name being Bob McNett. A scan of this ledger is included in the sale. Dick also informed the vendor that this guitar's serial number was stamped on the 8th March 1938 and cleared for final inspection on the 17th August the same year.

As time went on, the vendor found the playability of the guitar started to become an issue. He had to make a decision as to whether he would sell the guitar or get it repaired. On the basis that the guitar had already had many repairs, some not so good, he decided on the latter. Two first class luthiers carried out the extensive work that was needed. Well known UK guitar builder and official Martin repairer Dave King examined the guitar and concluded that a replacement top would be the best way to go. All the body cracks could be dealt with properly on removal of the old top. His workmanship on the new top is impeccable and tonally matches. The cracks in the back and ribs are neatly repaired using carefully shaped small rosewood cleats and the hide glue which had at some time been liberally pasted over the inside has also been removed, resulting in a much improved look. A friend of the vendor, expert luthier and professional guitarist Steven Hicks reset the neck, mindful of the vendors requirement for a low action and light gauge strings. He also refinished the guitar body and neck using nitrocellulose lacquer. The face of the head was left alone in order to leave the original Martin Company decal untouched. As much as possible of the guitar from the time the vendor purchased it has been refitted, including the original tuners, and the non factory pickguard. The bridge pins and saddle have also been reused. The binding to the body top is new as is the herringbone trim. The original binding to the back has been left in place as there was no need to remove it. The original damaged top of the guitar was sent to Dick Boak for the Martin Company to keep in their archives. Emails between Dick and the vendor, along with a receipt from Dave King Acoustics, are included in the sale.

Two insurance appraisals are included with the instrument. The first dated 29th November 2008 by Mandolin Brothers, along with another from George Gruhn dated 18th February 2020.

n summary, documentation sold with this guitar includes: the original cutting from Melody Maker magazine advertising this guitar for sale, along with receipts relating to the sale; a handwritten letter from Bob McNett; an email exchange between the vendor and Curtis McPeake, who sold the guitar to Keith Sellers on behalf of Bob McNett; an email between the vendor and Tim McNett (Bob's nephew), discussing the guitar, along with a photograph showing Bob with the D28; a Dave King Acoustics receipt for the replacement top and fretboard; correspondence between Dick Boak and the vendor discussing the guitar including a scan from the Martin repair ledgers listing the guitar and matching serial number against Bob's name; various photographs of the guitar as it came from Keith before any restoration took place including photographs of the original top that was later sent to Dick Boak for the Martin company archives; an insurance appraisal from Mandolin Brothers dated 29th November 2008; an insurance valuation from Gruhn Guitars dated 18th February 2020; a copy of 'Acoustic Guitarist' that features an article on Hank's at its Tottenham Court Road address; an autumn 2023 issue number 103 copy of British Bluegrass News where the guitar and its story features on page 18; a vinyl record of Hank Williams and The Drifting Cowboys, the album cover showing Bob McNett alongside Hank Williams - the latter holding his iconic 1941 Martin D28.

Pre-war Martin Dreadnoughts are some of the most sought-after and valuable acoustics on the vintage market, commanding six figure (US) sums when in good original condition.

Hank Williams was an American singersongwriter. He is regarded as one of the most significant and influential American singers and songwriters of the 20th century. His iconic 1941 Martin D-28 now resides in the collection of Neil Young.

£10,000-20,000

C.F. Martin guitar interest - rare violin made by John H. Deichman, Nazareth PA, 15th July 1914, numbered 2 to the inside label, within fitted hard case

*A rare violin made by former Martin Guitar factory foreman John Henry Deichman in 1914

This violin was part of a collection of instruments belonging to John Pearse, presenter of the popular 1960s BBC2 television Guitar Tuition series.

During the time Pearse briefly worked for Martin, he befriended Deichman, later acquiring the violin from the Deichman estate

Following Pearse's death the vendor, who had business relations with John Pearse dating back to the early 70s, acquired this violin at an auction of his estate in Germany, where he settled in 2002

John Henry Deichman was a significant figure in Martin's history and is credited for being a major influence behind all major designs at Martin from the 1920s to the mid 1940s. During this period, Deichman drafted the Dreadnought guitar, a design that would become the most copied acoustic in the world

Sold with this lot is a copy of 'Frets' magazine from May 1988, 'The Guitar Collectors Issue' covering the 'Martin Dreadnought Story'. Among the many in-depth articles is one written by John Pearse, entitled 'Dawn of the Dreadnought', starting on page 48. This article and many others mention John Deichman's influence and significance in Martin Guitars' extensive history

£2000-4000

Jaco Pastorius - 1974 Anthony Zemaitis Custom four string fretless bass guitar, made in England; Body: mahogany body with Danny O'Brien engraved alloy metal front, alloy metal back panels, various dings and scratches as to be expected for age; Neck: mahogany with unusual gothic style nomenclature shape, some dings; Fingerboard: ebony with pearl dot position markers and boxwood fret markers; Electrics: working, fitted with Fender pickups and with three-way pickup selector switch; Hardware: good, hand tooled bridge and engraved stop bar, Schaller tuners; Weight: 5.20kg; Overall condition: good

*Made by Tony Zemaitis for Melvyn Whittaker in 1974. Returned to Tony circa 1978 to be converted to a fretless bass. Played by Jaco Pastorius in Oxford, England, circa 1979. In a spring 2000, issue 14 of The Z Gazette, an interview between Keith Smart and Melvyn Whittaker discusses the history of this bass guitar. The article includes photos of Mel's collection and images of legendary bassist Jaco Pastorius playing it. When Jaco's band were playing in Oxford, England, circa 1979, Mel had a guest list pass via the band's guitar tech. As Jaco predominantly used a fretless bass, Melvyn took it along assuming that it may interest him. Following a soundcheck, the pair met and Jaco played it for nearly an hour, commenting 'What an instrument, this is the most incredible instrument that I've ever played in my life'. Further comments in the feature discuss the pickups, where Mel recalls that they were from an original Fender Telecaster bass that had been given to Tony by Ian McClagan (Faces/Small Faces). Sold with a certificate of authenticity from Keith Smart, confirming hat this is a genuine Anthony Zemaitis guitar, made for Mel Whittaker in 1974. See lots 500 and 501 for further similar Zemaitis guitars from the same collection

£15,000-25,000

298 299 300 301 (See page 53) 298.

Graham Nash - Eko J56 twelve string acoustic guitar, made in Italy, circa 1965, in need of some restoration

*Thought to be a guitar owned and used by Graham Nash with the Hollies in the mid 1960s. The guitar was sold to the vendor by Francis Clarke, brother of The Hollies founding member Harold Allan Clarke, on 22nd August 2017. A hand signed receipt is provided with the guitar, with a statement of provenance. Francis Clarke was personally involved with The Hollies himself, carrying out many different roles. An email exchange between the vendor and Mark Spector from the Mark Spector Company dated 30th August 2023 states that 'Graham confirms that the guitar would seem to be what has been stated by Frank Clarke'. Graham Nash OBE is an English-American musician, singer and songwriter, best known for his contributions as a member of The Hollies and Crosby, Stills and Nash £1500-2500

299.

Noel Redding - 1997 Fender Noel Redding Signature Limited Edition Jazz bass guitar, crafted in Japan; Body: three-tone sunburst, minor dings and marks but generally acceptable for age; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender Red Label hard case; Weight: 4.39kg; Overall condition: good

*The Noel Redding Signature bass guitar was released in 1997 as a limited run of one thousand only. Each was hand signed by Noel Redding to the pickguard. The strength of this autograph has faded over time, however is still visible.

£1000-1500

300.

John Entwistle (The Who) - 2001 Paul Reed Smith (PRS) Custom 24 Artist Package electric guitar, made in USA, ser. no. 1 58528; Body: highly figured aquamarine finished quilted maple; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags; Weight: 3.73kg; Overall condition: very good

*A guitar that was personally owned by John Entwistle and sold in the John Entwistle estate sale, Sotheby's, 13th May 2003, lot number 63. The guitar is sold with a copy of the auction catalogue, the auction tags and the bidder's paddle disc £3500-4500

301.

Kelly Jones (Stereophonics) interest - 1960s Wurlitzer Wildcat electric guitar, made in USA; Body: candy apple red finish, large blemishes to edges, lacquer checking, dings and marks throughout; Neck: maple, large blemish to centre, further dings; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, oxidisation and pitting to tailpiece; Case: Ritter gig bag; Weight: 3.86kg; Overall condition: fair

*Purchased by the vendor from Chandler's, Kew, London and told at the time that the guitar was previously owned by Kelly Jones of Stereophonics

£300-500

302.

Bruce Watson (Big Country) - stage used Smiggs Guitars Custom Made SG2000 style electric guitar, made in Scotland; Body: sunburst finished quilted maple veneer top upon black finished mahogany back, checking, dings, marks and general wear throughout; Neck: through-neck with volute, exposed old tuner holes, chips to edges of head; Fretboard: rosewood with maple binding; Frets: good; Electrics: working; Hardware: good, replacement locking Sperzel tuners; Case: fitted hard case; Weight: 4.70kg; Overall condition: fair

*Made for Bruce Watson of Big Country by Ryan Smith from Smiggs Guitars, Kirkcaldy, Fife. This guitar featured on Bruce Watson's online blog, where he stated that the guitar was made in the style of a Yamaha SG2000, but with a similar construction to a Gibson Les Paul. See images showing Bruce playing the guitar live.

£1000-2000

303.

Manny Charlton (Nazareth) - 1997 Bob Laidlaw Custom electric guitar, made in Scotland for Manny Charlton; Body: natural finished S-Type body with Florentine cutaway, scratches and minor dings; Neck: figured maple, lacquer checking; Fretboard: rosewood; Frets: good; Electrics: working, single Seymour Duncan Pearly Gates humbucker with coil split; Hardware: good; Case: Tourtech gig bag; Overall condition: good

*Formerly owned by Manny Charlton of Nazareth. Made for him by Bob Laidlaw in 1997, as per the brass plaque inlaid to the back. The Vendor acquired the guitar via a friend who had purchased the guitar from Manny's daughter, Vicky.

£1000-2000

304.

Deirdre Cartwright - TV used 1964 Fender Stratocaster electric guitar, made in USA, ser. no. L21909; Body: Olympic white refinish, previously finished in red, blemishes and dings throughout, lacquer checking; Neck: maple, refinished, lacquer checking, original tuner hole screws dowelled, March 64 date stamp, decal possibly later; Fretboard: rosewood; Frets: good, refret; Electrics: working, original pickups, original switch, 1964 tone potentiometers, volume potentiometer replaced; Hardware: generally good, replacement Schaller tuners, damage to one corner of back cavity plate, non-original string trees; Case: original hard case; Weight: 3.81kg; Overall condition: good for age *Sold with non-transferable CITES A10 certificate

**Purchased by Deirdre Cartwright from Chandler's, Kew, London in 1980 and was the main guitar that she used on the first BBC TV Rockschool series broadcast in 1983. The guitar features on the cover and inside the Rockschool book Deirdre Cartwright is an accomplished British guitarist and composer. She was a member of 'Painted Lady', which later became known as 'Girlschool', which she left to form her next band 'Tour De Force' Deirdre became well known presenting the BBC TV’s ground-breaking series 'Rockschool'. At this time she was also playing with Afro-Latin jazz group The Guest Stars, who recorded three albums and toured in seventeen countries.

In 1991, she formed the Deirdre Cartwright Group and played international festivals from Mexico to Warsaw and recorded five albums. She has also written and recorded albums with the groups Emily Remembered and LUND. She has played with legendary jazz guitarist Tal Farlow, studied in America with Mick Goodrick, founded Blow the Fuse with Alison Rayner in 1989 and presented on Radio 3. She has also written seven books on guitar playing and was head of the guitar syllabus for the Rockschool exam series. More recently she has toured and recorded three albums with ARQ who won Best UK jazz group in the Parliamentary Jazz Awards and British Jazz Awards in 2018 She currently leads the group PICNIC with Annie Whitehead, and plays with ARQ, Sea Change, Carol Grimes, Electric Landladies and regularly at Ronnie Scott's in Soho £8000-10,000

305.

Davey Johnstone (Elton John) - Yamaha Model T50C Soldano designed guitar amplifier, made in USA, ser. no. 10079, fitted with Eminence Delta Pro-12A speaker, with later footswitch and transformer (USA voltage)

*Formerly owned and used by Davey Johnstone, guitarist with

Elton John's touring band. During the 1980s, Elton John moved from Steinway to Yamaha, which led to pressure for the rest of the band to use Yamaha equipment. The vendor, who worked for Elton John's Rocket Records, purchased this amplifier from Davey Johnstone's tech Tony Hill in the late 1990s. £600-1000

306.

Robbie McIntosh - studio and rehearsal used Fender Band-Master VM212 guitar amplifier speaker cabinet, made in Mexico, ser. no. M1517071, with dust cover

*Robbie McIntosh s an English guitarist, best known as a session guitarist and member of The Pretenders from 1982 until 1987. In 1988 he began doing session guitar work for Paul McCartney joining his band full-time until early 1994. He continues to play sessions and has performed both with his own band and as a sideman with John Mayer. £100-200

307.

Nevil Kiddier (Glyder & The Pinkees) - stage and studio used 1976 Fender Precision Bass guitar, made in USA, ser. no. 645615; Body: sunburst finish, finish rubbing to arm contours, further dings and marks but generally good for a used bass of this age; Neck: maple, minor dings; Fretboard: rosewood; Frets: good; Electrics: working, pickups rewound; Hardware: generally good, replacement chrome scratchplate, replacement brass nut; Case: Hiscox hard case; Weight: 4.73kg; Overall condition: good for age

*Sold on behalf of Nevil Kiddier, a working musician since 1970, currently recording and performing live shows with 'The Ugly Guys'.This bass has been owned by Nevil since new and used in many live and studio situations including appearing on Top of the Pops in 1976 with Glyder and in the early 1980s with The Pinkees. See this bass being used on Top of the Pops here: https://www.youtube.com/watch?v=iX7PHXFv6Jk&t=146s Sold with an autographed copy of The Pinkees, 'Holding Me Tight '45 RPM single £3000-4000

312

308.

Nevil Kiddier - studio used 1975 Chris Eccleshall solid mahogany electric mandolin, within wooden case

*Sold on behalf of Nevil Kiddier, having been owned since new after purchasing it from a music store in Charing Cross Road, London. Used in the studio with the band Glyder

£700-1000

309.

Conn Strobo ST12 strobe tuner, ser. no. 62842, fitted within a suitcase bearing an Alan Rogan sticker and business card

*Alan Rogan was a renowned guitar tech having worked for high profile artists such as The Rolling Stones, The Who, George Harrison, AC/DC etc

£100-200

310.

Artists various - autographed Elevation acoustic guitar, signed by members of The Subways, The Hives, Spector and one other band *Acquired by the vendor through an Oxfam charity giveaway

£100-200

311.

Beatles interest - 1950s Gallotone Champion small body acoustic guitar bearing a John Lennon decal to the top, the pickguard autographed by Len Garry

*The same model guitar that John Lennon used at his first public performance at the Garden Fete, St Peter's Church Field, 6th July 1957. The pickguard is signed by Len Garry, one of the original members of The Quarrymen, with whom John played with at the time.

£200-400

312.

The Beatles - 'Beatles For Sale' 1st pressing vinyl record, PCS3062, stereo, matrix numbers YEX142-1 and YEX143-1, with original paper slip insert (crease to front cover, vinyl appears in good condition)

£100-150

318

313.

The Beatles - roll of original Beatles wallpaper, 132" x 20.5" (some foxing and creasing); together with a Washington Pottery Beatles plate, 7" diameter (2)

£40-80

314.

Neil Peart (Rush) - 'Far and Away, A Prize Every Time' 2011 Limited Author's Edition hardback book, signed by Neil Peart to the inside front page, limited edition number 30/75, within original slip case

£20-40

315.

Neil Peart (Rush) - Neil Peart and Kevin J Anderson's 'Clockwork Angels', autographed Limited Edition hardback book, signed by both to the inner front page, within original slip case, limited VIP edition 63/150

£20-40

316.

Neil Peart (Rush) - autographed copy of Neil Peart's 'Travelling Music', hardback book, signed with tribute 'To Bobby, with good memories of our travelling music back in '72 (see page 218), all the best, Neil Peart', dated February 15/2011, page 218 enclosing a photograph of Neil with Bobby Ward, who played with Neil in a band pre-Rush

£30-50

311

319 (See page 57)

(See page 57)

317.

Original 1966 Rolling Stones souvenir tour programme, featuring Ike and Tina Turner, The Yardbirds, Peter Jay & The New Jaywalkers and Long John Baldry

£50-80

318.

Original 1967 concert programme for The Jimi Hendrix Experience, The Pink Floyd, The Move, The Amen Corner, The Nice, The Eire Apparent and The Outer Limits

£80-120

319.

Pink Floyd - original 1969 souvenir tour programme for Pink Floyd in Concert, including original ticket stub for 15th June at The Guildhall, Portsmouth

£100-200

320.

1969 Bath Festival of Blues original tour programme featuring Peter Green's Fleetwood Mac, Led Zeppelin, John Mayall, Chicken Shack and The Nice; featuring back page advert for The Bath Pavilion showcasing Thunderclap Newman, Bonzo Dog and The Who

£50-80

321.

Led Zeppelin - original 1969 souvenir tour programme for Led Zeppelin featuring Liverpool Scene and Blodwyn Pig, with original ticket stub for Led Zeppelin at Guildhall Portsmouth on 26th June 1969

£150-250

322.

Original 1969 souvenir tour programme for Jethro Tull and Ten Years After including original ticket stubs for 13th May 1969 at the Guildhall, Portsmouth

£30-60

323.

Original 1969 Stevie Wonder souvenir tour programme featuring The Foundations, The Flirtations, The Coloured Raisin, Big Movement and Emperor Roscoe; together with an original 1969 souvenir tour programme for John Mayall, with original ticket stub for the Guildhall, Portsmouth, 15th May 1969; also an Elvis Presley 25th Anniversary 1956-1981 souvenir book, no. 2

£50-80

324.

Grateful Dead - original 1972 Grateful Dead UK tour concert programme

£20-40

325.

Original 1967 concert programme for Jimi Hendrix Experience, The Pink Floyd, The Move, The Amen Corner, The Nice, The Eire Apparent and The Outer Limits

£80-120

326.

Original concert poster for Blodwyn Pigg with The Climax Chicago Blues Band and Smiley, London College of Printing, Elephant and Castle, London, Saturday 19th April 1969, 24" x 19.5" (fold lines, pin holes, some small rips and tape marks)

£20-40

327.

Original concert poster for the 1969 Isle of Wight Festival of Music, with design by Dave Roe, featuring The Who, Moody Blues, Fat Mattress, Joe Cocker, Family, Free, Marsha Hunt and White Trash, Pretty Things, Gypsy, Battered Ornaments, Blodwyn Pig, Blonde on Blonde, Ainsley Dunbar Retaliation, Edgar Broughton Band, King Crimson, Bonzo Dog Band, Bob Dylan and The Band, Richie Havens, Tom Paxton, Pentangle, Julie Felix, Indo Jazz Fusions, Liverpool Scene etc, 24.5" x 17.75"

£200-300

328.

Approximately one hundred DVDs relating to blues and pop music including iconic bands and artists such as BB King, Eric Clapton, Dr Feelgood, Simply Red, Chuck Berry, Pink Floyd, Rolling Stones, Gary Moore etc (mostly unopened/unused)

£50-100

329.

Approximately one hundred and ten CDs relating to pop and blues music, featuring various iconic artists including Eric Clapton, Gary Moore, The Waterboys, Simply Red, Madness, Joanne Short Taylor, Paul Weller, Peter Green, Dave Edmunds, Adele, UB40 etc

£50-100

330.

Over one hundred music books to include paperbacks and hardbacks including biographies, record industry and popular artists, many rare and import editions

£100-200

331.

BB King - autographed autobiography 'Blues All Around Me', signed by BB King to the title page

*Signed by BB King at a Tower Records Meet and Greet event

£40-80

332.

Two signed biographies to include Helen Shapiro 'Walking Back to Happiness', signed to the title page and Port Isaac's 'Fisherman's Friend' 'Sailing at Eight Bells', signed by group members to the title page (2)

£30-50

333.

Little Feat - autographed Little Feat and Friends 'Join the Band' CD, with associated postcard size insert signed by various members of the band

*Acquired by the vendor at a Little Feat concert

£20-40

334.

Artists various - collection of Record Store Day exclusive and other limited edition vinyl records to include Fleetwood Mac, Wilko Johnson, Wishbone Ash, Santana, Georgie Fame, Sting, Ian Siegal, Bert Jansch, Levellers, Eric Clapton, Ocean Colour Scene, Roger Taylor, Steve Miller Band, Madness, The Knack and Rory Gallagher

£50-100

335.

Four various vinyl record carry-cases (4)

£20-40

336.

Paul Rodgers - autographed 'Alright Now' sheet music; together with Pink Floyd - Hugh Fielder 'Pink Floyd Behind the Wall' hardback book, a presentation Pink Floyd display and a miniature Pink Floyd The Wall guitar (3)

*From the estate of Bobby Ward (Robert Alex Ward), who played with Neil Peart in bands during the 1970s supporting bands such as Free.

£30-60

337.

Donovan - autograph upon yellow paper, mounted and framed below a picture of the artist

*Personally sent by Donavan to the vendor who had been writing various articles for magazines

£20-40

338.

Jimi Hendrix - black and white sketch print of Jimi Hendrix, mounted and framed, 21" x 17"; together with a large copy poster print of Frans Hals 1624 'The Lute Player', 42" x 30" (2)

£10-20

339.

Selection of posters to include a Marshall Amplification James Marshall Hendrix poster, a Marshall Kerry King poster, a selection of original Wishbone Ash concert posters (one autographed) and another Saw Doctors concert poster

£50-100

LOTS 340-350 NO LOT

End of sale Day One

Wednesday 12th June 2024 at 10am

Guitars

351.

2004 Fender Light Ash Telecaster electric guitar, made in Korea; Body: vintage white finish, minor marks, buckle scratching to back; Neck: birds eye maple with non-original scalloped fretboard; Electrics: no output from bridge pickup, neck pickup working as expected; Hardware: good; Overall condition: fair

£200-300

352.

2016 Fender Player Duo Sonic HS electric guitar, made in Mexico; Body: black finish, a few minor surface scratches but generally very good; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 3.30kg; Overall condition: very good

£300-500

353.

2021 Fender Noventa Telecaster electric guitar, made in Mexico; Body: sunburst finish; Neck: maple; Fretboard: pau ferro; Frets: good; Electrics: working; Case: original gig bag; Weight: 3.59kg; Overall condition: very good

£400-600

354.

Fender Jazzmaster Champ 3/4 electric guitar, crafted in Japan (1993-1994); Body: sunburst finish, minor lacquer lines, dings and other minor marks; Neck: maple, slight raising to skunk stripe; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 2.86kg; Overall condition: good

£200-300

355.

2014 Fender Modern Player Short Scale Telecaster electric guitar, crafted in China; Body: see-through butterscotch finish; Neck: maple; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.04kg; Overall condition: very good

£400-600

352 353 355

356 (See page 61)

356.

2006 Fender 60th Diamond Anniversary Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, a few light surface marks, a few heavier dings to the bass side edge; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing tags, papers and accessories, case with scuffed and marked tolex; Weight: 3.45kg; Overall condition: good

£700-1000

357.

2004 Fender Lite Ash Telecaster electric guitar, made in Korea; Body: natural ash; Neck: maple; Fretboard: birds eye maple; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 3.69kg; Overall condition: very good

£300-400

358.

2016 Fender Classic Player 50s Baja Telecaster electric guitar, made in Mexico; Body: butterscotch finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: original bridge plate replaced with Bigsby trem setup, angled shim added to neck pocket to allow for better Bigsby angle; Case: CNB gig bag; Weight: 3.97kg; Overall condition: good

£400-600

359.

1968 Fender Telecaster Bigsby electric guitar, made in USA; Body: natural, original finish stripped and body lacquered, various dings and scratches and finish rubbing to edges; Neck: maple, heavy play wear to back; Fretboard: rosewood; Frets: worn; Electrics: working, bridge pickup replaced, potentiometers dating to 1966; Hardware: general age tarnishing, damage to lower corner of pickguard, replacement nut, missing switch tip, replacement neck plate; Case: generic oblong case; Weight: 3.58kg; Overall condition: fair

£4000-4500

360.

2012 Fender Mark Knopfler Stratocaster electric guitar, made in USA; Body: Hot Rod red, patch of small dings between control cavity and neck plate, a few further minor marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags and papers; Weight: 3.17kg; Overall condition: good

£1800-2200

361.

2017 Fender American Professional Telecaster electric guitar, made in USA; Body: see-through butterscotch; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags and papers; Weight: 3.89kg; Overall condition: very good

£700-900

362.

1973 Fender Precision Bass fretless bass guitar, made in USA; Body: threetone sunburst finish, finish rubbing to arm contour, thumb wear to bass side of thumb rest, further dings and blemishes; Neck: maple fretless, light wear to board, minor dings to back; Electrics: working and appear original with 1973 dated potentiometers; Hardware: missing one pickguard screw, pickguard damaged to point below jack surround, 50s style cover included; Case: original hard case; Weight: 3.79kg; Overall condition: fair

£1000-2000

363.

2016 Fender Classic Series 60s Jazzmaster electric guitar, made in Mexico; Body: surf green finish, a few minor dings but generally good for age; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: replacement pickguard (original discoloured white three-ply guard included), upgraded Mustang bridge (original bridge included); Case: Fender hard case; Weight: 3.69kg; Overall condition: good

£300-500

364.

2008 Fender Highway One Precision Bass guitar, made in USA; Body: black finish, heavy buckle marks and scratches to back, rubbing and blemishes to edges with some forced relicing; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working, upgraded Seymour Duncan Quarter Pounder pickups (originals retained); Hardware: good; Case: fitted hard case; Weight: 4.11kg; Overall condition: fair

£400-600

365.

1983 Fender Dan Smith two knob Stratocaster electric guitar, made in USA; Body: blonde finish, surface scratches, dings and other minor blemishes; Neck: maple, dowelled string retaining holes to head face; Fretboard: rosewood; Frets: mild wear; Electrics: working, Lace Sensor pickups installed; Hardware: good; Case: original hard case enclosing tag and purchase receipts; Overall condition: good for age

£600-900

366.

1963 Fender Stratocaster electric guitar, made in USA; Body: Olympic white refinish, checking, dings and some staining throughout, cavity routing beneath the guard to house later installed switches, additional cavity to back, possibly to house a previously installed battery compartment; Neck: maple, refinished, heavy wear and blemishing to back, incorrect decal; Fretboard: mild wear; Frets: refret, tarnishing and oxidisation throughout, 2FEB63B stamp to neck end; Electrics: in need of attention (signal coming from pickups, however there appears to be an earthing issue) original pickups, original 1963 potentiometers, original three-way switch, additional switches installed; Hardware: replacement bridge, replacement Schaller tuners, replacement nut, otherwise original, damages to original green guard caused by switch installation, damaged corners to back plate, incorrect trem arm; Case: generic oblong case; Weight: 3.37kg; Overall condition: poor

*Sold with non transferable CITES A10 certificate no. 24GBA10M4U90B

£3000-6000

367.

Fender Hank Marvin Stratocaster electric guitar, made in Japan (1997-1998); Body: Fiesta red finish, a few minor dings but generally very good; Neck: maple, a few very minor dings; Fretboard: maple; Frets: mild wear; Electrics: working, although minor jack intermittence; Hardware: good; Case: Fender Red Label hard case; Weight: 3.67kg; Overall condition: good

£400-600

368.

2003 Fender American Telecaster electric guitar, made in USA; Body: blonde finish, heavy blemishes and dings, lacquer crack to front of body, further scuffs; Neck: maple, minor dings throughout; Fretboard: maple, lacquer clouding around position markers; Frets: mild wear; Electrics: working, minor jack intermittence; Case: Fender gig bag; Weight: 3.84kg; Overall condition: fair

£500-700

369.

1975 Fender Precision Bass guitar, made in USA; Body: natural finish, light surface scratches and dings but generally very good for age; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good, original bridge and pickup cover included; Case: original hard case; Weight: 5.00kg; Overall condition: very good

£2000-3000

370.

1983 Fender Elite II Precision Bass guitar, made in USA; Body: blonde finished premium ash, buckle scratching/scuffs to back, further dings and scratches but generally acceptable for age; Neck: maple, minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, replacement control knobs (originals included); Case: later Fender Red Label hard case; Weight: 4.10kg; Overall condition: good for age

£1500-2000

371.

1977 Fender Jazz Bass guitar, made in USA; Body: three-tone sunburst finish, dings throughout mainly located to edges, minor scratches and other marks, finish blemish around corner of neck plate; Neck: maple, finish buffed; Fretboard: rosewood; Frets: good; electrics: working, original volume potentiometer, 80s replacement tone potentiometer; Hardware: good, bridge and pickup covers included; Case: Gator hard case; Weight: 4.75kg; Overall condition: good for age

£2000-3000

372.

2000 Fender Custom Shop Jerry Donahue Telecaster electric guitar, made in USA; Body: three-tone sunburst finish upon birds eye maple veneer, a few minor dings but generally good for age; Neck: birds eye maple; Fretboard: birds eye maple; Frets: minor wear; Electrics: working; Hardware: generally good, minor tarnishing to metal hardware; Case: original hard case with certificate of authenticity and accessories; Weight: 3.34kg; Overall condition: good

£2000-2500

378 (See page 65)

373.

1999 Fender American Traditional Jazz Bass guitar, made in USA; Body: Olympic white finish, a few dings and blemishes to edges and back, surface scuffs, some discolouration within cutaways; Neck: maple, a few minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: compressed foam case; Weight: 4.07kg; Overall condition: good for age

£500-600

374.

2019 Fender American Acoustasonic Telecaster Cocobolo electric guitar, made in USA; Body: natural cocobolo top with white limba body; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Fender hard case with papers; Weight: 2.37kg; Overall condition: very good

£1000-1200

375.

2020 Fender American Professional II Telecaster electric guitar, made in USA; Body: Dark Night finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers and tags; Weight: 3.60kg; Overall condition: very good

£800-1000

376.

1981 Fender Precision Bass guitar, made in USA; Body: black finish, some dings and blemishes - some with black drop fill, other light scratches; Neck: maple, a few minor dings; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: generally good, some tarnishing, replacement bridge plate screws; Case: Aria Pro II hard case; Weight: 4.72kg; Overall condition: good for age

£1000-1500

377.

1981 Fender Bullet Deluxe electric guitar, made in USA; Body: red finish, surface scratches and dings throughout; Neck: maple, light wear and dings; Fretboard: rosewood, light wear to first position; Frets: mild wear; Electrics: working, replacement ceramic neck pickup; Hardware: generally good, replacement scratchplate screws; Case: Gibson soft bag; Weight: 3.37kg; Overall condition: good for age

£400-600

378.

1974 Fender Stratocaster Hardtail electric guitar, made in USA; Body: three-tone sunburst finish, large buckle blemish to back with amateur drop filling, further blemishes and dings, large impact ding to the treble side; Neck: maple, heavily re-lacquered - significantly so to the head face; Fretboard: maple, heavy re-lacquering; Frets: worn; Electrics: working, 1973 potentiometers, 1974 pickups, replacement earth and output hookup wire with crude soldering to volume potentiometer; Hardware: good, replacement nut, replacement lower strap button; Case: later hard case: Weight: 3.22kg

£1500-2000

379.

2006 Fender TC-90 Thinline Telecaster electric guitar, made in Korea; Body: red burst finished ash; Neck: good, neck through; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case with tags and Fender strap; Weight: 3.69kg; Overall condition: very good

£400-500

380.

2006 Fender 60th Diamond Anniversary Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, very light buckle marks to back otherwise very good; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags and accessories; Weight: 3.58kg; Overall condition: very good

£900-1000

381.

2008 Fender Lite Ash Stratocaster electric guitar, made in Korea; Body: natural finished ash; Neck: birds eye maple; Fretboard: birds eye maple; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 3.71kg; Overall condition: very good

£300-400

382.

2013 Fender Classic Series 60s Stratocaster with upgraded electrics; Body: Lake Placid blue finish alder body; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working, active noiseless pickups with battery compartment to back; Hardware: good; Case: gig bag; Weight: 3.57kg; Overall condition: very good

£400-500

383.

2008 Fender American Standard Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers and accessories; Weight: 3.40kg; Overall condition: very good

£650-750

384.

2006 Fender American Deluxe HSS Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: Fender hard case and original papers; Weight: 3.56kg; Overall condition: very good

£800-900

385.

1993 Fender Stratocaster Plus Deluxe electric guitar, made in USA; Body: ebony frost finish, a few light surface marks but generally very good for age; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case and papers; Weight: 4.04kg; Overall condition: very good £700-900

386.

1996 Fender 50th Anniversary Limited Edition Stratocaster electric guitar, made in USA; Body: sunburst finish figured maple veneer top and back, light buckle scratches to back; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender hard case; Weight: 3.74kg; Overall condition: good

*Part of a limited run of two thousand five hundred limited edition Fender Stratocasters made to celebrate Fender's fiftieth anniversary £1000-1200

387.

1996 Fender 50th Anniversary Limited Edition Stratocaster electric guitar, made in USA; Body: sunburst finished figured maple veneer top and back, a few light marks but generally very good for age; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, replacement barrel control knobs (originals retained); Case: non-original hard case enclosing accessories, papers and tags; Weight: 3.64kg; Overall condition: very good

*Part of a limited run of two thousand five hundred limited edition Fender Stratocasters made to celebrate Fender's fiftieth anniversary

£1000-1200

388.

2020 Fender Acoustasonic Stratocaster electro-acoustic guitar, made in USA; Body: black finish inset top on mahogany body; Neck: mahogany, good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 2.51kg; Overall condition: very good

£800-1000

389.

2008 Fender Classic Player 50s Baja Telecaster electric guitar, made in Mexico; Body: butterscotch finish, a few minor dings, minor buckle scratching to back, large blemish to back corner on body horn; Neck: maple, vacant holes visible to back of head from previously installed tuners; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: good; Case: Fender USA hard case; Weight: 3.67kg; Overall condition: good for age

£400-500

390.

2008 Fender American Vintage 62 Reissue Stratocaster electric guitar, made in USA; Body: three-tone sunburst, light scratches and dings, minor scuffs to edges; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags; Overall condition: good

£800-1000

391 392

391.

2016 Fender Eric Clapton Stratocaster electric guitar, made in USA; Body: metallic pewter in excellent unmarked condition; Neck: maple with twenty-two fret maple fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing tags and accessories; Weight: 3.41kg; Overall condition: excellent £1000-1500

392.

2010 Fender Custom Shop David Gilmour Stratocaster electric guitar, made in USA; Body: black NOS finish; Neck: twenty-one fret maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing Phil Taylor's Black Strat Book, certificate of authenticity, papers, tags and accessories; Weight: 3.50kg; Overall condition: very good

£4000-5000

393.

2008 Fender Custom Shop Eric Clapton Stratocaster Limited

Edition electric guitar; Body: Antigua finish; Neck: twenty-two fret maple board V profile neck; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags, papers and accessories; Weight: 3.90kg; Overall condition: excellent

*This guitar is from a Sam Ash limited edition run of only one hundred in this finish. Please note The CoA is dated 2012 as the original one was lost in transit from the US (having been bought by the vendor direct from the Sam Ash store in NYC). £1500-2000

393

396 (See page 68)

394.

2007 Fender Deluxe Series Player Stratocaster electric guitar, made in Mexico; Body: three-tone sunburst finish, light marks; Neck: twentyone fret maple board neck; Frets: good; Electrics: working; Hardware: generally good, very minor tarnishing in places; Case: Fender gig bag; Weight: 3.60kg; Overall condition: good £300-400

395.

2010 Fender Classic 50s Stratocaster electric guitar, made in Mexico; Body: Fiesta red finish in good clean condition with only a few very minor scratches; Neck: V profile twenty-one fret maple board neck; Frets: good; Electrics: working, upgraded Bare Knuckle single coil pickups and CTS pots; Hardware: good, gold plate, replacement locking strap buttons; Case: light tweed fitted hard case enclosing Fender guitar stand, Levy's strap and other accessories; Weight: 3.65kg; Overall condition: good £300-400

396.

1962 Fender Stratocaster electric guitar, made in USA; Body: threetone sunburst poly refinish, many lacquer cracks, rubbing to edges, further dings and marks, both gold and Fiesta red paint remnants within cavities indicating that this could have originally been a custom colour Strat; Neck: twenty-one fret rosewood slab board neck, back refinished with lacquer cracks and other blemishes present, head face also refinished, decals appear original, '2MAR62B' date stamp to neck end, fretboard worn particularly to the first and second positions with grooves present; Frets: very worn; Electrics: working, bridge and neck pickup original, middle pickup original but rewound, original three-way switch, original potentiometers and disc capacitor, electrics appear to be working; Hardware: original single line Kluson Deluxe tuners with lacquer present to surface, replacement strap button to body horn, pickguard appears to be original although painted black and bearing 'MM' monogram, original tin shield present, replacement control knobs, other hardware appears original including 1962 five digit serial neck plate; Case: later shaped hard case; Weight: 3.56kg; Overall condition: fair

*Sold with non-transferrable CITES A10 certificate no. 24GBA10IDMP2P

£5000-7000

397.

2011 Fender Custom Shop Eric Clapton Blackie Stratocaster electric guitar, made in USA; Body: black finish, a few light marks but generally very good; Neck: maple V profile neck with twenty-two fret maple board; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing certificate of authenticity, papers and accessories; Weight: 3.61kg; Overall condition: very good

£1500-2000

398.

1998 Fender American Standard Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, various dings to edges, surface scratches throughout; Neck: maple with twenty-two fret rosewood board, minor dings to back of neck; Frets: visible indents throughout; Electrics: working; Hardware: good; Case: non-original hard case; Weight: 3.60kg; Overall condition: fair

£650-750

399.

1977 Fender Telecaster electric guitar, made in USA; Body: black finish, finish rubbing to back edge, a few touched-up blemishes to top edges, further minor marks; Neck: maple, minor dings; Fretboard: maple; Frets: light wear; Electrics: working, replacement volume pot, bridge pickup repotted, rewound neck pickup; Hardware: good; Case: later Fender hard case; Weight: 4.35kg; Overall condition: good for age

£1200-1800

400.

1966 Fender Mustang electric guitar, made in USA; Body: white refinish, enlarged pickup cavity rout from previously installed pickup, minor dings and marks; Neck: light checking and wear; Fretboard: rosewood; Frets: worn; Electrics: bridge pickup working, no output from neck pickup, replacement volume pot, 66 dated tone pot; Hardware: good, replacement bridge (original bridge included in the sale), replacement pickup height screws, replacement control plate screws, two replacement switch screws; Case: 1960s Fender hard case; Weight: 3.44kg; Overall condition: fair

£1000-1500

401.

1980 Fender Precision Bass left-handed bass guitar, made in USA; Body: trans red finish, large blemishes, dings and scratches throughout; Neck: various dings, lacquer wear to treble edge of fretboard; Frets: mild wear; Electrics: working; Hardware: generally good, damage to end of pickguard; Case: RockBag by Warwick gig bag; Weight: 4.91kg; Overall condition: fair

£1200-1800

402.

1979 Fender 25th Silver Anniversary Stratocaster electric guitar, made in USA; Body: metallic silver finish (typically discoloured to a green/ yellow hue), a few minor marks but generally good for age; Neck: maple; Fretboard: maple; Frets: minor wear; Electrics: working; Hardware: good, replacement tuners; Case: original hard case and original certificate of merit; Weight: 4.50kg; Overall condition: good for age

£1500-2000

403.

1985 Fender Performer electric guitar, made in Japan; Body: Gun Metal

Blue finish, heavy blemishes with larger blemishes located to back edges, scuffs and dings ; Neck: maple, mild wear and minor dings; Fretboard: rosewood; Frets: good, minor indents; Electrics: working; Hardware: good; Case: non-original light tweed hard case; Weight: 3.66kg; Overall condition: fair

£1000-1500

404.

2005 Fender Lite Ash Stratocaster electric guitar, made in Korea; Body: black finish, scratches and scuffs mainly to the back edges, a few dings to the sides; Neck: birds eye maple V profile with birds eye maple twentytwo fret fingerboard; Frets: good; Electrics: working; Hardware: generally good, missing trem arm; Case: generic oblong hard case; Weight: 3.76kg; Overall condition: good

£300-400

405.

2019 Fender Player Telecaster electric guitar, made in Mexico; Body: three-tone sunburst, a few light scratches but generally very good; Neck; maple with twenty-two fret maple fingerboard; Frets: good; Electrics: working; Hardware: generally good, replacement pearloid three-ply guard; Case: generic oblong hard case; Weight: 3.61kg; Overall condition: very good

£300-400

406.

2022 Fender Vintera 60s Stratocaster Modified electric guitar; Body: Olympic white finish; Neck: maple with twenty-one fret pau ferro fingerboard; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Weight: 3.78kg; Overall condition: very good

£300-500

402

403

407 (See page 70)

(See page 70)

407.

Heavily modified 1966 Fender Mustang electric guitar, made in USA; Body: stripped to natural, lacquered, large untidy rout beneath guard, repair to treble side of neck pocket within cutaway, control cavity slightly enlarged to allow for extra potentiometer, Dougal (The Magic Roundabout) print applied to back and 'As seen on TV' sticker added to front; Neck: original neck with 1966 date stamp; Fretboard: rosewood, wear to first position; Frets: worn; Electrics: working, 1980 Gibson T Top humbucker bridge pickup, Maxon humbucker neck pickup, threeway switch added to treble horn, original 1966 volume potentiometer, replacement tone potentiometer and extra potentiometer in place of original input jack, input jack added to top beside the control plate, coil switch also added; Hardware: replacement guard, replacement bridge plate and saddles, 1970s Ibanez Star tuners, strap buttons appear original, original serial plate, missing one guard screw and other screws ill-fitting; Weight: 3.37kg; Overall condition: poor

£500-1000

408.

1974 Fender Precision Bass fretless bass guitar, made in USA; Body: three-tone sunburst finish, light checking, minor dings and marks; Neck: maple; Fingerboard: rosewood; Electrics: working, some noise/crackle to volume pot, potentiometers dating to 1973; Hardware: generally good, some tarnishing, pickup cover removed but included in sale; Case: generic oblong hard case enclosing original tags; Weight: 3.99kg; Overall condition: good for age

£1000-2000

409.

1983 Fender Telecaster Elite electric guitar, made in USA; Body: black finish, a few very minor surface dings but generally very good, finish imperfection to edge back - bass hand side of lower bout; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.72kg; Overall condition: good

£1000-1500

410.

2012 Fender American Vintage '69 Reissue Telecaster Thinline electric guitar, made in USA; Body: Olympic white refinish (originally two-tone sunburst), minor scuffs and marks; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: replacement pickguard; Case: Mono M80 Series gig bag; Weight: 2.90kg; Overall condition: good

£400-600

411.

2009 Fender Custom Shop Custom Deluxe Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, light lacquer imperfection around jack plate, a few other very minor marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and tags; Weight: 3.76kg; Overall condition: very good

£1800-2200

409 411

412.

1970 Fender Hardtail Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, lacquer checking, dings, blemishes and scratches throughout, some routing to edges of pickup cavities; Neck: maple, lacquer wear to treble side, light lacquer wear to bass hand side, various minor dings and marks; Fretboard: rosewood, worn; Frets: worn; Electrics: working, 1970 pickups, 1970 tone potentiometers, volume potentiometer replaced, replacement switch; Hardware: replacement bridge saddles, some pickguard screws missing, pickguard screws heavily rusted, neck plate heavily rusted to top half; Case: original Selmer hard case; Weight: 3.08kg; Overall condition: fair

£4000-5000

413.

Fender Stratocaster electric guitar, made in USA, circa 1973; Body: blonde finish, lacquer checking to back, many dings and marks around, finish wear to edges, yellowing to finish, rout to humbucker position to house DiMarzio humbucker, other two routs slightly enlarged to house later pickups; Neck: maple with centre skunk stripe, various minor dings, original tuner holes dowelled; Fretboard: rosewood; Frets: mild wear, refret; Electrics: working, replacement pickups including DiMarzio humbucker to the bridge, black bobbin staggered neck and middle pickups; Hardware: generally good, replacement Schaller tuners; Case: original hard case; Weight: 3.50kg; Overall condition: fair £1800-2200

414.

2011 Fender American Standard Jazz Bass guitar, made in USA; Body: sunburst finish; Neck: maple; Fretboard: rosewood; Frets: minor wear; Electrics: working, upgraded Seymour Duncan pickups; Hardware: generally good, replacement control knobs, drop tuner to lower E; Case: Fender hard case; Weight: 4.04kg; Overall condition: good

£600-800

415.

2012 Fender American Standard Jazz Bass Fretless bass guitar, made in USA; Body: mystic blue, a few minor dings and minor surface marks; Neck: maple; Fingerboard: rosewood; Electrics: working, upgraded Seymour Duncan pickups; Hardware: replacement control knobs otherwise good; Case: fitted Fender hard case; Weight: 3.95kg; Overall condition: good £600-800

416.

2015 Fender American Standard Jazz Bass guitar, made in USA; Body: Olympic white finish, dings to edges, further minor dings and surface scratches to back; Neck: maple; Fretboard: rosewood; Frets: minor wear; Electrics: upgraded EMG active pickups with battery compartment installed to back; Hardware: replacement control knobs, drop tuner added to lower E and replacement scratchplate; Case: original hard case; Weight: 4.05kg; Overall condition: good £600-800

417.

2008 Fender American Deluxe Telecaster electric guitar, made in USA; Body: Olympic Pearl finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers and accessories; Weight: 3.69kg; Overall condition: very good £800-1200

418.

Squier by Fender Telecaster electric guitar, made in Japan (1993-1994); Body: sky blue refinish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working, upgraded Bare Knuckle pickups; Hardware: replacement scratchplate; Case: TGI gig bag; Weight: 3.63kg; Overall condition: good

£200-300

419.

Squier by Fender Silver Series Telecaster electric guitar, made in Japan (1993-1994); Body: black finish, scratches, dings and blemishes throughout including buckle rash to back; Neck: maple; Fretboard: surface wear up to seventh fret; Frets: mild wear; Electrics: working, upgraded Fender Lace Sensor bridge pickup (original pickup retained); Hardware: good; Case: shaped hard case; Weight: 3.54kg; Overall condition: fair

£200-300

420.

2010 Squier by Fender Classic Vibe Custom Telecaster electric guitar, made in China; Body: three-tone sunburst finish, modified to fit humbucker pickups, various light surface scratches and a few minor dings; Neck: maple, removed decal; Fretboard: rosewood; Frets: good; Electrics: working, Gibson humbucker pickups installed; Hardware: good, replacement bridge plate; Weight: 3.81kg; Overall condition: good

£200-300

416

417

421.

2012 Squier by Fender Classic Vibe Bass VI electric guitar, made in Indonesia; Body: three-tone sunburst finish; Neck: maple; Fretboard: pau ferro; Frets: good; Electrics: working; Hardware: good; Case: Stagg gig bag; Weight: 4.01kg; Overall condition: very good

£250-350

422.

2011 Squier by Fender Vintage Modified Telecaster Custom II electric guitar, made in Indonesia; Body: black finish, light surface marks and very minor dings but generally acceptable for age; Neck: maple with twenty-two fret fingerboard, light wear to upper frets; Frets: good; Electrics: working; Hardware: good; Weight: 3.53kg; Overall condition: good

£150-250

423.

2013 Squier by Fender Classic Vibe Telecaster Custom with matching headstock; Body: black finish, minor dings to back; Neck: maple with twenty-one fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: compressed foam case; Weight: 3.56kg; Overall condition: good

£150-250

424.

2019 Squier by Fender Telecaster Custom electric guitar, made in Indonesia; Body: black finish, scratches and other minor marks throughout; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Weight: 3.48kg; Overall condition: fair

£150-250

425.

Squier by Fender Silver Series Stratocaster electric guitar, made in Japan (1991-1992); Body: sunburst finish with heavy blemishes, scratches and dings throughout; Neck: maple, dings and scratches; Fretboard: maple, light wear; Frets: mild wear; Electrics: working; Hardware: generally good, missing trem arm; Weight: 3.59kg; Overall condition: fair

£200-300

426.

2012 Gibson Grabber III 70s Tribute bass guitar, made in USA; Body: black finish, a few dings to back edges, other light surface marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, (alternative mirrored scratchplate with lower pickup cover supplied); Case: original gig bag; Weight: 4.23kg; Overall condition: good

£500-700

427.

2008 Gibson Les Paul Studio electric guitar, made in USA; Body: ebony finished mahogany; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, minor tarnishing to gold plate; Case: original hard case with papers; Weight: 3.56kg; Overall condition: very good

£500-800

427

428 (See page 73)

429 (See page 73)

430 (See page 73)

428.

1990 Gibson Les Paul Custom electric guitar, made in USA; Body: white finish, yellow ageing, large buckle blemish and other smaller buckle blemishes to back, further buckle scratches to back, further scratches and dings throughout; Neck: generally good, a few minor dings and surface scratches, minor chips to head points; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: generally good, some loss to gold plating, replacement strap locks; Case: earlier Gibson protector case (repairs); Weight: 4.73kg; Overall condition: good for age

*Extensively toured by a former guitarist of the band Burn UK

£2000-3000

429.

1971 Gibson Les Paul Deluxe electric guitar, made in USA; Body: cherry sunburst finish, buckle rash to back, further buckle scratches, other dings and blemishes throughout; Neck: minor checking and light dings, filled tuner holes to back of head; Fretboard: rosewood, light wear to first position; Frets: mild wear; Electrics: working, potentiometers with 1971 date codes; Hardware: generally good, locking strap buttons installed, extra strap button installed to upper centre back, replacement tuners; Case: period non-Gibson hard case; Weight: 4.55kg; Overall condition: good for age

£2500-3000

430.

2019 Gibson ES-235 semi-hollow body electric guitar, made in USA; Body: black gloss finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag with certificate of authenticity and papers; Weight: 3.22kg; Overall condition: very good

£800-1200

431.

1963 Gibson Les Paul SG Junior electric guitar, made in USA; Body: cherry finished mahogany, large buckle rash patches to back, further buckle marks, dings and scratches throughout, blemishes to edges, fading to front; Neck: mahogany, head repair, various small dings and blemishes; Fretboard: rosewood, mild groove wear; Frets: worn; Electrics: working; Hardware: Bigsby vibrato tailpiece, some tarnishing to metalware; Case: Hiscox hard case; Weight: 3.03kg; Overall condition: fair

*Sold with non-transferable CITES A10 certificate no.

24GBA10LMJOK2

£2500-3500

432.

1955 Gibson J-50 acoustic guitar, made in USA; Back and sides: mahogany, light buckle scratches to back, further dings, relacquered; Top: natural spruce, sliver infill repair behind bridge plate, minor dings from general play, re-lacquered; Neck: mahogany, re-lacquered, a few dings; Fretboard: rosewood, infill to groove wear; Frets: good, refret; Hardware: generally good, some hairlines to tuner buttons; Case: Black Rat hard case; Overall condition: fair *Sold with non-transferable CITES A10 certificate no.

24GBA10F25LA3

£3000-4000

433.

2018 Gibson Parlour Rosewood Avant Garde electro-acoustic guitar, made in USA; Back and sides: rosewood; Top: natural spruce; Neck: mahogany; Fretboard: Richlite; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good £800-1200

434.

2000 Gibson Custom Mickey Baker Les Paul Custom electric guitar, made in USA; Body: ebony finish; Neck: good; Fretboard: ebony; Frets: mild tarnishing; Electrics: working; Hardware: generally good, some tarnishing to pickguard bracket and other minor gold plating loss; Case: original hard case and papers; Weight: 4.32kg; Overall condition: very good

*One of only twenty-five Mickey Baker model Les Paul guitars made. Following a small run of about 5 for Japan, only 2 Bakers were initially built in 2000. One for Rudy's Music in New York and another for Chuck Levin's Washington Music. The first owner of this one bought the Chuck Levin guitar unseen in advance. When delivered, it was marked and damaged and so it was returned to Gibson and a replacement ordered. The replacement (this one) was built in a short run of 3 pickup Les Paul 1957 Customs. Included is a list of all the Mickey Bakers built from 2000 to 2003 (last year of production) showing serials and dealer destinations. This was from Gibson records when you could actually phone the Custom Shop!

£4000-6000

435.

2015 Gibson Les Paul Junior electric guitar, made in USA; Body: cherry finish, dings to edges, further light surface marks and blemishes; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, replacement stop bar (original compensated stop bar included); Case: original hard case with papers; Weight: 3.59kg; Overall condition: good

£500-700

436.

1956 Gibson Country Western acoustic guitar, made in USA; Back and sides: mahogany, large cleated cracks to the back, rippling to wood, internal gluing visible, refinished; Top: natural spruce, large repaired crack to treble side beside pickguard, repaired hairline to lower bout, refinished; Neck; mahogany, refinished and reset; Fretboard: rosewood, groove wear to first position; Frets: worn; Hardware: replacement Kluson style tuners; Case: later fitted hard case, also with older semi-rigid acoustic guitar case; Overall condition: poor

*Sold with CITES non transferable A10 certificate no. 24GBA10YZJ3ZB

£2000-3000

437.

1952 Gibson Les Paul Model electric guitar, made in USA; Body: gold top finish upon natural mahogany back, heavy finish wear to top upon treble horn, heavy wear to arm position, heavy lacquer checking and oxidisation to top, heavy buckle scratches and buckle blemish to back, further dings as consistent for age; Neck: wear throughout, some dings and scratches, lacquer checking, chipped corner of head on treble side of head face; Fretboard: rosewood, mild wear throughout; Frets: good, refret; Electrics: working, pickups appear original, replaced switch, potentiometers replaced with two dating to 1971 and the others dating to 1980, replacement capacitors; Hardware: good and appear original, nickel plate loss to top of bridge; some rusting to metal hardware; Case: original worn hard case;

Weight: 4.01kg; Overall condition: good for age

Sold with non-transferable CITES A10 certificate no. 24GBA10ZQPOOG £15,000-20,000

438.

1955 Gibson Custom L-4c archtop guitar, made in USA; Body: sunburst finish, repaired crack to top beneath the treble side F hole, lacquer refinish all over, lacquer checking, dings and other scrapes; Neck: good, refinish, vacant strap button hole to top of heel; Fretboard: rosewood; Frets: good, refret; Electrics: later installed De Armond floating neck pickup with controls installed to pickguard; Hardware: replacement Gibson Deluxe tuners, replacement truss rod cover, replacement nut, replacement pickguard, later bridge, hole cut to tailpiece to house a previously installed jack; Case: fitted hard case; Weight: 2.34kg; Overall condition: fair

*Sold with non transferable CITES A10 certificate no. 24GBA102XN8P3

£1500-2500

439.

1996 Gibson Les Paul Standard electric guitar, made in USA; Body: ebony finish, buckle scratching to back, other dings and marks but generally acceptable for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, Gibson Burstbucker pickups; Hardware: good, replacement Grover tuners; Case: original hard case; Weight: 4.45kg; Overall condition: good

£1400-1600

440.

2005 Gibson Les Paul Standard electric guitar, made in USA; Body: trans amber finished AAA quilted top upon cherry finished back, light buckle markings and various dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, replacement strap buttons; Case: original hard case enclosing optional pickguard; Weight: 4.29kg; Overall condition: good

£1400-1600

441.

2007 Gibson Dove electro-acoustic guitar, made in USA; Back and sides: cherry finished maple, a few light scratches to back, some lacquer checking to sides; Top: natural spruce; Neck: maple, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Overall condition: good

£1400-1600

442.

1994 Gibson J-30 100th Year acoustic guitar, made in USA; Back and sides: brown finished mahogany, light surface scuffs and scratches; Top: sunburst finished spruce; Neck: generally good, light wear; Fretboard: rosewood; Frets: minor indent wear to first position; Hardware: good; Case: original hard case; Overall condition: very good

£1000-1500

443.

2014 Gibson Custom Shop 1957 Les Paul Standard Reissue Limited Edition electric guitar, made in USA; Body: gold top finish, typical lacquer checks through control knob area, brown finish mahogany back; Neck: good, thinner V2 profile; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and papers; Weight: 3.96kg; Overall condition: very good

*Part of a limited run of '57 gold tops with black plastics and thinner V2 neck profile

£2000-2500

444.

2009 Gibson Custom Shop Billy Gibbons 'Pearly Gates' Les Paul Standard VOS Limited Edition electric guitar, made in USA; Body: highly figured sunburst finished veneer maple top upon cherry finished mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some tarnishing to treble bridge post; Case: original hard case with original cloth sheath, certificate of authenticity, tags and papers, also including original shipping box; Weight: 4.21kg; Overall condition: very good

*In 2009, Gibson collaborated with Billy Gibbons to recreate his iconic 1959 'Pearly Gates' Les Paul electric guitar, considered to be one of the greatest bursts of the period. The guitars were produced in limited numbers with fifty aged and two hundred and fifty VOS examples available worldwide.

£6000-8000

445.

2008 Gibson Custom Shop 1959 Reissue Les Paul Standard electric guitar, made in USA; Body: tobacco sunburst finished figured maple veneer top upon cherry mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and papers; Weight: 4.13kg; Overall condition: very good

£2000-3000

446.

1971 Gibson Les Paul Deluxe electric guitar, made in USA; Body: cherry sunburst finished maple top upon mahogany back, light dings and marks throughout but generally very good for age; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: period hard case with original hang tag and additional control knobs; Weight: 4.70kg; Overall condition: very good

£2000-2500

447.

1980 Gibson Sonex 180 Deluxe electric guitar, made in USA; Body: black finish, minor scratches and dings but generally very good for age; Neck: minor dings and scuffs; Fretboard: rosewood; Frets: good; Electrics: no output from bridge pickup; Hardware: good; Case: original hard case; Weight: 4.39kg; Overall condition: good for age

£500-600

448.

Dax & Co modified 2018 Gibson Les Paul Deluxe electric guitar; Body: relic nitro gold top upon cherry mahogany back; Neck: rounded and aged; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with Dax certificate of authenticity and Gibson Papers

*Sold with certificate of authenticity, confirming that this guitar was Modified by Dax & Co American Guitars, Columbia, Pennsylvania in December 2020

£1500-1800

449.

Dax & Co modified 2018 Gibson Les Paul P90 electric guitar, made in the USA; Body: relic nitro gold top finish upon cherry mahogany back; Neck: rounded C re-profile with finish removed to bare wood; Fretboard: ebony; Frets: light wear; Electrics: working, Gibson P90 pickups; Hardware: good, aged; Case: original hard case with Dax certificate of authenticity, tags and Gibson papers; Weight: 4.30kg; Overall condition: good

£1500-1800

450.

1974 Gibson L6-S electric guitar, made in the USA; Body: natural finish, buckle scratching and dings to back, blemishes, scratches and dings to front, some scuffs and finish wear to edges; Neck: three piece maple, minor dings; Fretboard: rosewood; Frets: good, refret; Electrics: working, replacement Gibson Burstbucker humbucker pickup to the bridge; Hardware: generally good, some tarnishing to stop bar and bridge, damage to corner tip of pickguard; Case: later Thomann hard case; Overall condition: fair

£1000-1500

451.

2009 Gibson Custom Shop 1958 Reissue Les Paul Standard electric guitar, made in USA; Body: honey burst finished plain top upon cherry mahogany back, a few dings to edges, a few minor dings to top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, minor tarnishing to metalware; Case: original hard case with certificate of authenticity, tags and accessory pack; Weight: 4.16kg; Overall condition: good for age

£2500-3000

446

452.

1963 Gibson Byrdland hollow body electric guitar, made in USA; Body: sunburst finish, light checking and various dings but generally very good for age; Neck: finish wear to both treble and bass side, a few minor dings and light checking; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, some loss to gold plating; Case: original hard case; Weight: 3.14kg; Overall condition: very good

£10,000-12,000

453.

1999 Gibson Les Paul Special electric guitar, made in USA; Body: natural mahogany, a few minor dings but generally very good for age; Neck: mahogany; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: fitted Gator hard case; Weight: 3.68kg; Overall condition: very good

£800-1000

454.

2013 Gibson Custom Shop 1958 Reissue Les Paul Standard electric guitar, made in USA; Body: sunburst figured maple top upon cherry mahogany back, a few light marks but generally very good for age; Neck: good, mahogany with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and papers; Weight: 4.18kg; Overall condition: very good £2000-3000

455.

2011 Gibson Custom Shop 1959 Reissue Les Paul Standard electric guitar, made in USA; Body: heritage sunburst finish maple top upon cherry mahogany back, a few very light surface marks but generally very good for age; Neck: good, mahogany with twenty-two fret rosewood fingerboard; Frets: good; Electrics: bridge pickup working, no output from neck pickup; Case: non-original 90s Les Paul Standard hard case, certificate of authenticity, papers and other tags included; Weight: 4.10kg; Overall condition: very good £2000-3000

456.

2013 Gibson Custom Shop Joe Perry 1959 Les Paul VOS Limited Edition 'November Rain' electric guitar, made in USA; Body: tobacco burst maple top upon cherry mahogany back; Neck: mahogany with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and papers; Weight: 3.89kg; Overall condition: excellent

*The guitar is a recreation of Joe Perry's 1959 Gibson Les Paul. The original was given to Joe Perry by Slash and was the one that was used in the iconic 'November Rain' music video. This example is number 3 of a limited run of 150 VOS made. £5000-6000

457.

2012 Gibson Joe Bonamassa Gold Top Les Paul Standard Limited Edition electric guitar, made in USA; Body: Gold finished top upon black finished mahogany back, a few light lacquer checks around the controls, otherwise in good clean condition; Neck: black finish mahogany with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case and papers; Weight: 3.90kg; Overall condition: very good

£1500-2500

458.

2022 Gibson L-00 Studio Walnut electro-acoustic guitar, made in USA; Back and sides: walnut, a few light marks but generally very good for age; Top: walnut burst finish; Neck: mahogany; Fretboard: walnut; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good

£1000-1500

459.

2006 Gibson SG Supreme electric guitar, made in USA; Body: midnight blue flame top upon dark blue back, ding to centre top, light scratches to back; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing papers; Weight: 3.33kg; Overall condition: good

£1500-2000

460.

2018 Gibson Custom Shop Les Paul Custom electric guitar, made in USA; Body: ebony finish, very light surface marks as is typical for black gloss guitars but generally in excellent condition; Neck: black finished mahogany with twenty-two fret richlite board; Frets: good; Electrics: working; Hardware: generally good, very minor gold plate loss to pickup covers; Case: original hard case enclosing certificate of authenticity; Weight: 4.44kg; Overall condition: very good

£2000-3000

459 460

461.

2012 Gibson SG Standard electric guitar, made in USA; Body: black finish, one ding to back edge towards lower strap button; Neck: good, black finish with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.22kg; Overall condition: good £700-800

462.

1990 Gibson Byrdland Master Model hollow body electric guitar, made in Nashville, USA, bearing James Hutchins inspection label to the inner back; Body: tobacco sunburst finished maple back and sides and spruce top, one minor ding to top edge lower bout, a few further minor marks but generally very good for age; Neck: sunburst finished maple neck with twenty-two fret ebony fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case with Rosetti warranty tag; Weight: 3.52kg; Overall condition: very good £6000-7000

463.

1968 Gibson Country Western acoustic guitar, made in USA; Back and sides: mahogany, heavy lacquer deterioration and crazing throughout; Top: natural spruce, heavy lacquer crazing and deterioration, slight lift to belly behind bridge, slight depression between sound hole and bridge; Neck: mahogany, similar lacquer deterioration as body, twenty fret rosewood fingerboard, slight lift to upper frets slightly affecting action and neck reset/ work possibly required; Frets: good; Hardware: generally good, rusting to pickguard screws, one pickguard screw missing; Case: semi-rigid fibreboard case; Overall condition: fair £1500-2000

464.

2005 Gibson SG Special electric guitar, made in USA; Body: black finish, minor dings throughout, surface buckle wear to back, larger blemish to top between volume controls; Neck: black finish, various minor dings, twenty-two fret rosewood fingerboard with crucifix sticker position markers (removable); Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.23kg; Overall condition: fair £500-600

465.

1961 Gibson ES-345TD electric guitar, made in USA; Body: sunburst finish, light checking, colour fading, buckle finish loss to back, further dings and marks but generally good for age; Neck: refinished, vacant holes to back of head from previously installed tuners; Fretboard: rosewood, over-lacquered; Frets: generally good, mild tarnishing to upper frets; Electrics: working, original PAF pickups, neck pickup cover previously removed; Hardware: generally good, replacement Gibson Deluxe tuners, loss to gold plating, small chips to control knob tops; Case: later Gibson branded case with brown exterior and yellow plush interior; Weight: 3.82kg; Overall condition: good for age

*Sold with non transferable CITES A10 certificate £8000-12,000

466.

1959 Gibson ES-175D electric guitar, made in USA; Body: natural finish, lacquer checking to edges, light checking to front and back, a few light lacquer blemishes to centre back, further minor dings but generally very good for age; Neck: mahogany, lacquer checking and other minor imperfections; Fretboard: rosewood, light wear; Frets: generally good, mild wear and tarnishing; Electrics: working, original PAF pickups (covers previously removed); Hardware: good; Case: original hard case with additional semi-rigid croc case; Weight: 3.07kg; Overall condition: very good

*Sold with non-transferable CITES A10 certificate

** A very good example of a 1959 Gibson ES175D, a rare instrument with only one hundred and twenty-nine blonde ES175s shipped in that year. The guitar is sold with its original hard case and additional semi-rigid croc type case and a selection of Gibson hang tags/papers

The guitar was purchased by the vendor from a seller based in Sunderland who originally purchased the guitar from renowned session player Vo Fletcher of Malvern

Sold with the guitar are two documents, one inspection document by Trevor Newman of Peter Cook's Guitar World dated 10th July 2006, the other an insurance valuation to the sum of £15000 from Vintage & Rare Guitars, London, dated 18th October 2012 £10,000-15,000

467.

1976 Gibson ES-175D electric guitar, made in USA; Body: natural finish, rubbing and lacquer loss to binding, light checking, lacquer darkening, other dings and marks; Neck: in-fill visible to neck heel surround and appears as though the neck may have been reset at some stage, light checking, dowelled tuner holes, guitar hanger burn/imprints to sides of head; Fretboard: rosewood, mild groove wear throughout; Frets: good, refret; Electrics: working; Hardware: generally good, replacement tailpiece (original retained), replacement Sperzel tuners, general loss to gold plating and tarnishing to metal parts; Case: 1990s Gibson hard case; Weight: 3.33kg; Overall condition: fair

£3000-4000

468.

1967 Trini Lopez Standard semi-hollow body electric guitar, made in USA; Body: cherry finish, lacquer checking throughout, large buckle rash patch to back, further minor scratches and blemishes but generally good for age; Neck: light finish wear throughout, heavier wear edge thumb position, light checking and dings; Fretboard: rosewood; Frets: good, refret; Electrics: working, original Patent number pickups, original potentiometers; Hardware: missing Trini Lopez tailpiece plaque, replacement saddles, adaptions to original pickguard; Case: original fitted hard case with replacement handle; Weight: 3.55kg; Overall condition: good for age

£6000-8000

469.

1959 ES-140 3/4 T hollow body electric guitar, made in USA; Body: sunburst finish, minor checking; Neck: mahogany, a few minor dings; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: later pickguard, volume knob missing reflector cap, replacement tuners (original tuners included); Case: contemporary Stagg hard case; Other: factory 2 stamp to tip of head; Weight: 1.86kg; Overall condition: very good

*Sold with non-transferable CITES A10 certificate no. 24GBA103O48PB

£2000-2500

470.

2014 Gibson LPJ Les Paul electric guitar, made in USA; Body: two-tone sunburst finished veneer maple top upon natural mahogany back, a few light surface scratches and very light buckle wear to back, minor dings to back edge, a few very light surface play marks to treble side of top; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gibson USA hard case; Overall condition: good

£50-700

471.

1975 Gibson Flying V electric guitar, made in USA; Body: natural mahogany, original finish stripped back to natural wood and some body depth lost as a result, various minor dings an marks; Neck: natural mahogany (original finish stripped), repairs to headstock wings, old tuner holes dowelled; Fretboard: rosewood; Frets: refret, mild wear; Electrics: working, unusual white bobbin humbucker pickups bearing 'Patent Applied For' stickers, potentiometers dating to 1975; Hardware: replacement Gibson Deluxe tuners, DiMarzio pickup rings installed, replacement control knobs, Maestro VBM-1-2 vibrola installed, 'Custom Made' plaque concealing original stop bar holes, replacement strap buttons, oxidisation to smaller metal parts, small splits to pickguard beside upper body screw holes; Case: original hard case; Weight: 2.91kg; Overall condition: fair

£2000-3000

472.

1968 Gibson ES-330 hollow body electric guitar, made in USA; Body: watermelon cherry finish, fading to front, heavy checking to both back and front and other minor marks; Neck: checking and marks throughout; Fretboard: rosewood, mild wear; Frets: indent wear, refret; Electrics: working; Hardware: good; Case: semi-rigid fibreboard case (in poor condition); Weight: 2.83kg; Overall condition: good for age

£3000-4000

473.

Gibson ES-120T electric guitar, made in USA, circa 1966; Body: amber burst finish top upon brown maple back, lacquer checking throughout, scuffs to centre back, further minor marks; Neck: heavy checking; Fretboard: rosewood; Frets: mild wear, refret; Electrics: working, replacement pickup (original pickup retained); Hardware: replacement bridge, replacement strap buttons, tarnishing and oxidisation to metal parts; Case: period semirigid fibreboard case (damages); Weight: 2.48kg; Overall condition: good for age

£1000-1500

474.

2011 Gibson Custom Shop 1958 Reissue Les Paul Standard electric guitar, made in USA; Body: honey burst plain maple veneer top upon cherry mahogany back, light dings to top, further light dings and surface marks to back, sides and edges; Neck: light wear; Fretboard: rosewood; Frets: good; Electrics: working, replacement Bare Knuckle Stormy Monday pickups; Hardware: good; Case: original hard case with certificate of authenticity and tags; Weight: 4.08kg; Overall condition: good

£2500-3000

475.

1967 Gibson J-45 ADJ acoustic guitar, made in USA; Back and sides: mahogany, light marks to back, checking and minor blemishes to sides; Top: sunburst finish, light checking, various dings and blemishes but generally good for age; Neck: good, minor finish blemishes; Fretboard: rosewood; Frets: mild wear; Hardware: good; Case: later fitted hard case; Overall condition: good for age

£2000-3000

476.

2011 Gibson Custom Shop ES-330 L hollow body electric guitar, made in USA; Body: cherry finish, a few light surface marks to centre back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with warranty paper; Weight: 2.94kg; Overall condition: very good

£1800-2200

477.

2007 Gibson Custom Shop CS-336F semi-hollow body electric guitar, made in USA; Body: amber burst finish, small impact blemish to top edge, a few very light marks to centre back; Neck: good; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and papers; Weight: 3.23kg; Overall condition: very good

£2000-2500

478.

2013 Gibson Les Paul Custom Shop 56 Reissue Les Paul Model electric guitar, made in USA; Body: gold top finish upon brown mahogany back, a few very minor dings; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags (no CoA); Weight: 4.10kg; Overall condition: very good

£2000-2500

479.

2017 Gibson Memphis ES-275 hollow body electric guitar, made in USA; Body: two-tone sunburst finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and papers; Weight: 2.85kg; Overall condition: very good

£2200-2800

480.

1940 Gibson ES-300 electric archtop guitar, made in USA; Body: natural finished maple back and sides and spruce top, repaired hairline crack to treble side of top, repaired hairline crack to bass side, further repaired hairline crack to treble side and two hairlines running through jack position, re-lacquering, further dings and marks, some lacquer loss; Neck: maple, various minor dings and mild wear; Fretboard: rosewood, groove wear; Frets: good, refret; Electrics: working; Hardware: replacement tuners, later strap buttons; Case: soft bag; Overall condition: fair

£2500-3500

481.

1950s Gibson Console Grande double neck lap guitar, sunburst finish, with original Geib case and stand

£1000 £1500

482.

Early 1970s Gibson SG Custom electric guitar, made in USA; Body: walnut finish, additional P90 central rout under the guard, hole to treble side from previously installed pickguard, a few further dings and marks as to be expected for age; Neck: good, a few minor minor dings; Fretboard: ebony; Frets: good, refret; Electrics: working, original Patent number pickups, possibly re-plated, some plating loss to edges; Hardware: generally good, replacement pickguard, lyre tailpiece appears to be re-plated, replacement control knobs, waffle-back tuners; Case: Hiscox hard case; Overall condition: good for age

£2500-3000

483.

Gibson Custom Shop CS-336 F semi-hollow body electric guitar, made in USA; Body: sunburst finish figured maple top upon brown back and sides, light checking to top, light surface marks to back; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working, Bare Knuckle Mississippi Queen pickups; Hardware: good; Case: original hard case with certificate of authenticity, papers and tags; Weight: 3.32kg; Overall condition: very good

£1800-2200

484.

2015 Gibson Les Paul Special Double cut electric guitar, made in USA; Body: cherry finish mahogany, surface scratches to back, a few minor dings to edges, impact blemish to top edge on bass hand side; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, original robot tuners removed and fitted with a Wilkinson Deluxe set; Case: original hard case; Weight: 3.19kg; Overall condition: good

£600-700

480 (See page 87)

482

483

484

481

485.

Gibson ES-345 TDC semi-hollow body electric guitar, made in USA, circa 1969; Body: cherry finish, light checking throughout, minor blemishes and dings but generally in good condition for age; Neck: minor dings and marks, small blemishes, minor checking but generally good; Fretboard: rosewood; Frets: mild wear throughout; Electrics: working; Hardware: some loss to gold plating; Case: original Lifton hard case; Weight: 3.97kg; Overall condition: very good for age £6500-7500

486.

1969 Gibson B-20 acoustic guitar, made in USA; Back and sides: mahogany, lacquer checking, surface scratches and dings but generally acceptable for age; Top: natural spruce, lacquer checking and minor dings; Neck: mahogany, minor wear; Fretboard: rosewood, minor wear, slightly heavier wear to first position; Frets: minor indent wear; Hardware: generally good; Case: contemporary hard case; Overall condition: good for age

£700-1000

487.

1997 Heritage Golden Eagle electric archtop guitar, made in USA; Body: tobacco sunburst finished figured maple back and sides and spruce top, light surface scratches, various minor dings; Neck: maple, good; Fretboard: ebony; Frets: mild tarnishing; Electrics: working; Hardware: generally good, some tarnishing and loss of gold plating; Weight: 3.06kg; Overall condition: good

£1800-2200

488.

2014 Paul Reed Smith (PRS) SE Bernie Marsden Signature electric guitar, made in Korea; Body: natural figured spalted maple top upon natural mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, with Peter Green pickup modification, neck pickup replaced with Artec HBA115-ZB; Hardware: good; Case: original gig bag; Weight: 4.16kg; Overall condition: very good

£450-550

489.

2017 Paul Reed Smith (PRS) SE Custom 24 electric guitar, made in Korea; Body: natural zebra wood figured top upon natural mahogany back; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.45kg; Overall condition: very good

£300-500

490.

2017 Paul Reed Smith (PRS) SE Custom 22 Semi-Hollow body electric guitar, made in Korea; Body: natural finish with red shell front edge binding; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 2.94kg; Overall condition: very good

£300-500

491.

1997 Paul Reed Smith (PRS) Custom 24 electric guitar, made in USA; Body: red finished quilted maple '10 Top' upon mahogany back, minor dings to top including edges, minor surface scratches and dings to back; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, tarnishing and some plate loss to bridge saddles; Case: original hard case; Weight: 3.69kg; Overall condition: good for age

£2000-3000

492.

2018 Paul Reed Smith (PRS) SE Santana electric guitar, made in Korea; Body: amber figured maple veneer top upon natural mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: very good

£350-450

493.

2007 Paul Reed Smith (PRS) Custom 24 electric guitar, made in USA; Body: two-tone burst figured maple veneer top upon dark mahogany back, dings and scratches to top and back and sides; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.48kg; Overall condition: good for age

£1400-1600

494.

2001 Paul Reed Smith (PRS) SC-58 electric guitar, made in USA; Body: artist grade purple hazel finished figured maple top upon black finish mahogany back, a few very light marks but generally in very good condition; Neck: black finished mahogany with twenty-two fret rosewood board with pearl and abalone bird inlay; Frets: good; Electrics: working, 57/08 humbucker pickups; Hardware: good; Case: original paisley hard case enclosing tags and papers; Weight: 3.85kg; Overall condition: very good

£2000-3000

495.

2015 Paul Reed Smith (PRS) SE245 electric guitar, made in Korea; Body: amber burst finished figured maple flame top upon brown finish back, a few minor dings and marks but generally good for age; Neck: good, brown finish with twenty-two fret rosewood fingerboard and bird in flight inlay; Frets: generally good, minor indents to first position; Electrics: working; Hardware: good; Weight: 3.74kg; Overall condition: good

£250-350

496.

2021 Paul Reed Smith (PRS) CE24 electric guitar, made in USA; Body: Antique white satin finish, small stain spots to lower back; Neck: maple with twenty-four fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.30kg; Overall condition: good

£700-900

497.

2011 Paul Reed Smith (PRS) Mira electric guitar; Body: tobacco sunburst finish, surface buckle indents to back, a few further minor scratches, a few impact blemishes to lower body edge; Neck: good; Fretboard: rosewood; Frets: good, minor oxidisation to upper frets; Electrics: working; Hardware: good; Case: original hard case with tags; Weight: 3.22kg; Overall condition: good for age

£500-700

498.

2005 Paul Reed Smith (PRS) Soapbar II electric guitar, made in Korea; Body: cherry finish, light surface scratches to back, minor dings to edges; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: good

£200-300

499.

1997 Paul Reed Smith (PRS) Artist III electric guitar, made in USA; Body: highly figured cherry sunburst finished maple veneer top upon cherry back, minor dings to back, minor surface buckle marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.71kg; Overall condition: good

£2000-3000

494

496 497 499

500.

1976 Anthony Zemaitis Custom electric guitar, made in England; Body: mahogany body with Danny O'Brien engraved alloy metal front plate, plain alloy control panel to back, various scuffs and dings to be expected for age; Neck: mahogany with gothic style carved head; Fretboard: ebony with typical Zemaitis pearl position markers; Electrics: working; Hardware: good, Zemaitis tooled stop bar and bridge with engraving to top of stop bar, Schaller tuners and other miscellaneous hardware; Weight: 4.43kg; Overall condition: good for age

*Made for Melvin Whittaker by Anthony Zemaitis in 1976. This guitar appears in a photograph in The Z Gazette, issue 14, spring 2000 where Melvin Whittaker's collection is featured.

Sold with a certificate of authenticity from Keith Smart, chairman of The Zemaitis Owners Club, confirming the guitar to be a genuine example.

**See lots 297 and 501 for further similar Zemaitis guitars from the same collection

£15000-20000

1984 Anthony Zemaitis Custom Deluxe six string bass guitar, made in England; Body: mahogany with Danny O'Brien engraved alloy metal front and plain alloy control plate, various minor dings and marks but generally good for age; Neck: mahogany with architectural head and large inlaid pearl Z; Fretboard: ebony with diamond pearl and red dot position markers; Electrics: working, Kent Armstrong Triple Sound pickup with coil switching; Hardware: Schaller tuners, hand tooled alloy bridge and stop bar; Weight: 5.96kg; Overall condition: good for age

*Thought to be the only 6 string bass made by Anthony Zemaitis for Melvin Whittaker in 1976. This is a very rare custom order instrument and is featured in an article in The Z Gazette, issue 14, spring 2000, where it can be seen in a photograph of the Mel's collection.

Sold with a certificate of authenticity from Keith Smart, chairman of The Zemaitis Guitar Owners Club, confirming that this is a genuine Zemaitis commenting that is a very rare instrument.

**See lots 297 and 500 for further similar Zemaitis guitars from the same collection

£10,000-15,000

502.

1981 Rickenbacker 4080 6/4 bass/electric double neck guitar, made in USA; Body: burgundy finish, light lacquer checking, minor dings and marks but generally good for age; Necks: light checking; Fretboards: rosewood; Frets: light tarnishing but generally good; Electrics: working; Hardware: good; Case: original hard case; Weight: 7.03kg; Overall condition: good

*A rare Rickenbacker model introduced in 1975 and made in limited numbers. It is thought that approximately two hundred were made. £5000-8000

503.

2017 Rickenbacker 4003 Limited Edition bass guitar, made in USA; Body: limited edition Racing Green finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and papers; Overall condition: very good

£1800-2200

504.

1993 Rickenbacker Chris Squire 4001CS Limited Edition bass guitar, made in USA; Body: cream finish, a few minor marks and dings but generally good for age, finish chip to treble side of bridge plate; Neck: good, small patch of nitro discolouration behind the tenth fret; Fretboard: good; Frets: mild wear; Electrics: working; Hardware: good, replacement scratchplate (original damaged scratchplate included, along with another blank scratchplate); Case: original hard case; Weight: 4.39kg; Overall condition: good

£3000-3500

505.

2001 Rickenbacker 4001 V63 bass guitar, made in USA; Body: Mapleglo finish, a few very light buckle marks to centre back otherwise very good; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 4.34kg; Overall condition: very good

£1800-2200

506.

2009 Rickenbacker 4003 bass guitar, made in USA; Body: midnight blue finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 4.27kg; Overall condition: very good

£1200-1800

507.

2017 Rickenbacker 330 semi-hollow electric guitar, made in the USA; Body: midnight blue finish, a few light marks and a ding to the back edge but generally good for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.42kg; Overall condition: good

£1000-1500

508.

1964 Rickenbacker M-100 lap guitar, made in USA; Body: mottled grey finish, rubbing to bottom edges and further minor dings and marks but generally good for age, two vacant holes to head face where the Rickenbacker badge had at one stage been relocated (badge now in correct place on side of body); Electrics: working; Hardware: good; Case: original hard case; Weight: 2.48kg; Overall condition: good

£500-800

509.

1973 Rickenbacker 4001 bass guitar, made in USA; Body: Fireglo finish, surface buckle scratching to back, finish loss and blemishes to edges, further dings throughout but generally good for age; Neck: good; Fretboard: rosewood; Frets: wear throughout; Electrics: working; Hardware: generally good, some tarnishing; Weight: 4.03kg; Overall condition: very good for age

£3000-3500

510.

2006 C F Martin OMJM John Mayer Signature Model acoustic guitar, made in USA; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good

*From the first year of the production run, numbered 291

£2500-3000

511.

2016 C.F. Martin DC-15ME Dreadnought Centennial electro-acoustic guitar, made in USA; Body: natural mahogany; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good

£600-800

512.

2016 C.F. Martin GPC-28E electro-acoustic guitar, made in USA; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working, Fishman Aura VT pickup with enhance control; Hardware: good; Case: original hard case; Overall condition: very good

£1200-1800

507 (See page 95)

509

510 512

513.

1997 Taylor Limited Edition Cujo-14 acoustic guitar, made in USA; Back and sides: black walnut; Top: natural spruce, one minor ding to treble edge; Neck: mahogany; Fretboard: ebony inlaid film storyboard to the length; Frets: good; Hardware: good; Case: original hard case and papers; Overall condition: very good

*This model is a limited run of one hundred and twenty-five guitars, made from the famous four hundred year old black walnut tree that appeared in Stephen King's 1983 horror film Cujo, based on his novel of the same name. The movie was filmed on a ranch in California and when the tree died, the arborist contacted Bob Taylor who then had the idea to make a run of limited edition guitars out of it. This would become one of Taylor Guitars most elaborate projects with the fingerboard inlay being one of the most intricate that has ever been placed on a guitar. This fingerboard serves as a mini storyboard of the film, depicting the bat silhouetted against a full moon, the branches of the walnut tree, the barn from which Cujo launches his attacks and Cujo himself. The guitar's label is hand signed by both Bob Taylor and Stephen King. Sold with a VHS copy of the film.

£2000-3000

514.

2021 Taylor 114E electro-acoustic guitar; Back and sides: walnut; Top: natural spruce; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: very good

£300-400

515.

2012 Taylor 114CE electro-acoustic guitar, made in USA; Back and sides: mahogany, a few light marks; Top: natural spruce, a few very minor dings; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: good

£400-500

516.

2014 Taylor 916CE Grand Symphony electro-acoustic guitar, made in USA; Back and sides: Indian rosewood; Top: natural spruce, lacquer dings throughout, light pick wear to treble side of strings; Neck: mahogany with twenty fret ebony board inlaid with abalone tulip position markers; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good

£2000-2500

517.

1996 Taylor 512 acoustic guitar, made in USA; Back and sides: mahogany, hairline split to body end next to binding with binding sitting slightly proud (caused by impact shock), further minor dings and marks: Top: natural spruce, hairline split and lacquer marks to body end near side split, another hairline to upper bout near to bass side waist, further dings; Neck: blemishes behind first position and other dings further up; Electrics: working; Hardware: good; Case: original hard case with registration document; Overall condition: fair

£600-800

518.

2007 Taylor 310ce electro-acoustic guitar, made in USA; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good

£500-600

513

516

517

519 (See page 98)

519.

2011 Taylor Custom TF electro-acoustic guitar, made in USA; Back and sides: rosewood; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: generally good, a few rust spots; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good £1500-2000

520.

Brent McElroy 000 Custom acoustic guitar, made in Seattle, USA; Back and sides: flame walnut and sapwood; Top: Bear Claw Sitka spruce Neck: mahogany; Fretboard: ebony; Hardware: Gotoh 510 tuners, ebony bridge; Case: Ameritage hard case; Overall condition: very good

*This guitar was custom made for the vendor by Brent McElroy and is sold with the original custom guitar spec sheet

£2500-3500

521.

2024 Dermot McIlroy Performance Series ASP18C Custom electroacoustic guitar, made in Northern Ireland; Back and sides: solid mahogany; Top: reclaimed redwood; Neck: five piece mahogany/ maple/rosewood/maple/mahogany; Fretboard: solid ebony with rosewood and maple binding, upgraded feature with Celtic knot at the 12th fret and double dot above the 12th; Frets: good; Electrics: working, LR Baggs Element pickup; Hardware: good, chrome plated Gotoh SG510 tuners; Case: fitted Hiscox hard case; Overall condition: excellent

*This guitar is as new, having been completed on 23rd April 2024. Sold with original spec sheet, original care document and a certificate of source document for the redwood top

£2500-3000

522.

Late 1980s George Lowden L27F acoustic guitar, made in Northern Ireland; Back and sides: Indian rosewood, minor dings; Top: natural cedar, minor dings; Neck: mahogany with maple centre banding; Fretboard: ebony; Frets: good; Hardware: good; Case: Hiscox hard case; Overall condition: very good

£1500-2000

523.

2011 Dave King Katrina acoustic guitar, made in England; Back and sides: ziricote; Top: natural spruce; Neck: mahogany; Fretboard: Madagascan rosewood; Frets: good; Hardware: good; Case: Hiscox hard case; Overall condition: very good

*This is the only guitar that renowned acoustic luthier Dave King has made with ziricote back and sides

£1500-2000

524.

2021 Brook Guitars Lamorna acoustic guitar, made in England; Body: figured mahogany; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: Hiscox hard case; Overall condition: very good

*Sold with an email to the vendor from Brook Guitars stating that this is the first guitar that they made with a figured mahogany top to match the back and sides

£1500-2000

524 (See page 98)

525.

2011 David Oddy Jumbo acoustic guitar, made in England; Back and sides: rosewood, a few minor scratches and dings; Top: natural spruce, minor dings; Neck: three piece mahogany; Fretboard: ebony; Frets: good; Electrics: working, under-saddle pickup wired through end pin; Hardware: good; Case: Stagg hard case; Overall condition: good £1000-1500

526.

David Oddy 000 acoustic guitar, made in England; Back and sides: burr walnut; Top: natural spruce, minor dings; Neck: mahogany; Fretboard: ebony with snowflake inlay; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: very good £800-1200

527.

2007 David Oddy Martin type electro-acoustic cutaway guitar, made in England; Body: European walnut; Top: Canadian sitka spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case; Overall condition: very good £700-1000

528.

2011 David Oddy O style acoustic guitar, made in England; Back and sides: mahogany; Top: natural Canadian spruce; Neck: three piece walnut and maple; Fretboard: ebony; Frets: good; Hardware: good; Case: Hiscox hard case; Overall condition: very good £700-1000

529.

1981 Ovation 1612 Custom Balladeer electro-acoustic guitar, made in USA; Back and sides: Lyrachord bowl back with repair to bottom side; Top: natural spruce, infill finish repair to treble side of E string between bridge and sound hole, hairline lacquer crack to treble side and further hairline lacquer cracks to lower bout; Neck: mahogany, minor dings; Fretboard: rosewood; Frets: worn; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good for age

£300-500

526

527

528 (See page 99) 532

530.

1993 Ovation 1759 Custom Legend electro-acoustic twelve string guitar, made in USA; Back and sides: Lyrachord bowl back; Top: natural spruce, a few light lacquer cracks; Neck: mahogany, good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case with tag and copy of original purchase receipt; Overall condition: good

£500-700

531.

1997 Ovation 1866 Legend electro-acoustic twelve string guitar, made in USA; Back and sides: Lyrachord bowl back, back separating from top to treble side, impact damage to treble edge towards lower bout; Top: natural spruce, minor rippling; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: fair

£400-600

532.

1998 Adamas by Ovation 1597 electro-acoustic guitar, made in USA; Back and sides: Lyrachord bowl back; Top: red/black finished top; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: good

£700-1000

533.

1992 Ovation 1768 Elite electro-acoustic guitar, made in USA; Back and sides: Lyrachord bowl back; Top: black gloss finish, a few minor marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good for age

£400-600

534.

1981 Ovation Ultra Series 1512 electro-acoustic guitar, made in Korea; Back and sides: Lyrachord bowl back, minor marks; Top: natural spruce, lacquer crack to centre lower bout and to bass side upper bout; Neck: mahogany, a few minor dings; Fretboard: rosewood, minor wear to first position; Frets: good; Electrics: working; Hardware: good; Case: Stagg gig bag; Overall condition: good for age

£200-300

535.

1981 Ovation 1613 electro-acoustic nylon string guitar, made in USA; Back and sides: Lyrachord bowl back; Top: natural spruce, a few minor dings and light play wear to treble side but generally good; Neck: mahogany and maple, a few minor dings; Fretboard: ebony; Frets: light tarnishing; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good

£300-500

536.

2001 Takamine Santa Fe ESF-10C electro-acoustic guitar, made in Japan; Back and sides: mahogany, a few minor dings and one larger divot with some splitting on the bass side towards the strap button; Top: a few minor dings and surface scratches/light play wear; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Overall condition: good

£300-500

537.

1986 Takamine EN-10-12 twelve string electro-acoustic guitar, made in Japan; Back and sides: mahogany, a few light marks; Top: natural spruce, a few minor dings but generally good for age; Neck: mahogany, minor dings; Fretboard: rosewood; Frets: generally good, minor tarnishing; Hardware: good, light gold plating loss to tuners; Case: Hiscox hard case; Overall condition: good for age

£300-400

538.

2002 Takamine AN46 acoustic guitar, made in Japan; Back and sides: Indian rosewood, light surface scratches and marks; Top: natural spruce, a few minor dings but generally good; Neck: mahogany, minor dings; Fretboard: rosewood; Frets: light wear; Hardware: good; Case: Ritter gig bag; Overall condition: good for age *Sold on behalf of Nevil Kiddier (The Pinkees, Glyder etc)

£300-500

539.

1998 Takamine Limited Edition Ltd '98 electro-acoustic guitar, made in Japan; Back and sides: laminated rosewood; Top: natural spruce with sun and moon inlay to the sound hole; Neck: mahogany twentyone fret rosewood board inlaid with phases of the moon position markers; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good

£800-1200

540.

1996 Takamine Santa Fe PSF-48C electro-acoustic guitar, made in Japan; Back and sides: rosewood, light buckle marks, further minor marks and dings; Top: natural spruce, dings; Neck: mahogany; Fretboard: ebony, fretboard lifting on bass hand side with separation visible between neck and board; Frets: good; Electrics: in need of attention; Hardware: good; Case: original hard case and tags; Weight: 2.11kg; Overall condition: fair £400-600

541.

2018 Faith Naked Series Venus cutaway electro-acoustic guitar, made in Indonesia; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: good £200-300

542.

Faith High Gloss Series Venus electro-acoustic guitar, made in Indonesia; Body: natural finished spruce top and rosewood back and sides, surface scratches and dings but generally acceptable for age; Neck: mahogany; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good £200-300

543.

Faith Natural Series Venus cutaway acoustic guitar, made in Indonesia; Back and sides: mahogany, surface buckle marks and dings; Top: natural spruce; Electrics: in need of attention, battery compartment cover tab damaged; Hardware: good; Overall condition: fair

£200-300

544.

2009 Gallato Angelo Debarre Limited Edition 1939 Serie 2009 gypsy jazz acoustic guitar, made in France; Back and sides: natural maple; Top: natural spruce, play wear to treble side of strings, clear protective pickguard added; Neck: maple; Fretboard: ebony; Frets: indent wear throughout; Hardware: good; Case: original hard case; Overall condition: good

£300-500

545.

1989 John Le Voi Maccaferri style gypsy jazz acoustic guitar, made in England; Back and sides: Indian rosewood, light marks throughout; Top: natural spruce, light play wear to treble side of strings; Neck: mahogany; Fretboard: ebony; Frets: light wear and oxidisation including minor indents; Hardware: good; Case: fitted hard case; Overall condition: good for age

£800-1200

546.

Saga BM250 gypsy jazz acoustic guitar; Back and sides: natural maple; Top: natural cedar, a few small dings; Neck: mahogany, a few minor dings; Fretboard: rosewood; Frets: mild wear; Hardware: good; Case: Hiscox hard case; Overall condition: good

£300-400

547.

1970s Eko El Gaucho acoustic guitar, made in Italy; Back and sides: rosewood, light surface dings and scratches but generally good for age; Top: generally good, one string scratch behind bridge and a few further minor dings; Neck: good, custom pearl inlay to head face; Fretboard: ebony; Frets: minor wear; Case: Hiscox Liteflite hard case; Overall condition: good for age

£300-500

548.

Gitane DG-250M gypsy jazz acoustic guitar, made in China, circa 2011; Back and sides: birds eye maple; Top: natural spruce; Neck: three piece maple; Fretboard: ebony; Frets: good; Hardware: good; Overall condition: very good

£300-500

549.

1983 A.D. Weston Gypsy Jazz acoustic guitar; Back and sides: figured birds eye maple, a few minor marks; Top: natural spruce with petite bouche sound hole, various dings, tacked shadow bug pickup; Neck: birds eye maple with walnut centre stripe; Fretboard: ebony; Frets: mild wear; Hardware: good, some loss to gold plating on Gotoh tuners; Case: fitted hard case; Overall condition: good for age

£300-600

550.

Unusual David Hodson gypsy jazz type electric guitar, made in England; Body: spruce topped mahogany solid body with lots of wear throughout including light checking; Neck: mahogany, dings and wear; Fretboard: rosewood; Frets: light tarnishing and indents; Electrics: currently not functioning and in need of investigation; Case: Takamine hard case; Weight: 3.0kg; Overall condition: fair

£300-500

551.

1950s Maccaferri G40 Dow Styron archtop guitar, with original tags and shipping box

£250-350

552.

Selmer Maccaferri Orchestra Model acoustic guitar, made in France, circa 1932; Back and sides: Indian rosewood, minor scratches and other minor play wear, but generally good for age; Top: natural, pick wear to treble side, repaired hairlines and appears refinished; Neck: walnut, appears refinished, head bearing Maccaferri Patent number; Fretboard: ebony; Frets: mild wear; Hardware: original Selmer tuners with some replacement buttons, original Selmer tailpiece, original sound hole resonator still in place, additional rosewood bridge included in the case; Case: CSL hard case; Overall condition: fair

*Ex lot 64, Classic Guitars & American Fretted Instruments, Bonhams, Wednesday 2nd December 1998 and sold with a copy of the auction catalogue. Please note: the serial number on the sound hole label has been blacked-out.

£7000-10,000

553.

2021 Collings CJ45 Traditional Series acoustic guitar, made in USA; Back and sides: mahogany; Top: sunburst finished spruce; Neck: mahogany, one ding behind third fret; Fretboard: rosewood; Frets: good; Hardware: good; Case: original hard case with papers; Overall condition: very good

£2000-2500

554.

Collings I35 semi-hollow body electric guitar, made in USA, circa 2009; Body: tobacco sunburst quilted maple top upon brown finish mahogany back, a few minor dings; Neck: mahogany, small infilled chip to back tip of head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tag; Weight: 3.06kg; Overall condition: good

£3000-3500

555.

1998 Andy Manson Mandolin Twin acoustic guitar and F-Style mandolin double neck, made in England; Back and sides: highly figured koa; Top: natural spruce with very minor dings; Necks: mahogany guitar neck and highly figured maple mandolin neck; Fretboards: ebony; Frets: good; Hardware: good; Case: fitted flight case; Overall condition: very good

£3500-4500

556.

1995 Andy Manson Magpie I cutaway acoustic guitar, made in England; Back and sides: Indian rosewood; Top: natural spruce, a few minor dings; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: Terry Pack Guitars hard case; Overall condition: very good

£1500-2000

557.

1998 Andy Manson Archtop guitar, made in Devon, England; Body: sunburst finish maple; Fretboard: ebony; Frets: good; Hardware: good; Case: Taylor hard case; Weight: 2.14kg; Overall condition: very good

£2000-3000

558.

1979 Ibanez Artist 2630 semi-hollow body electric guitar, made in Japan; Body: tobacco sunburst finish, a few dings to top, light surface scratching to back, lacquer yellowing and cracking to binding; Neck: good; Fretboard: ebony; Frets: good, oxidisation and tarnishing to upper frets; Electrics: working; Hardware: gassing and crystalising to pickguard, heavy oxidisation and corrosion to pickup covers caused by pickguard gassing, oxidisation to switch ring and pickguard bracket, rusting to smaller metal screws, tarnishing and gold plating loss to bridge and stop bar, gold plating loss to tuners, missing D tuner gear cover, replacement control knobs; Case: Epiphone hard case; Weight: 3.94kg; Overall condition: fair

£1000-1500

559.

1978 Ibanez Artist 2630 semi-hollow body electric guitar, made in Japan; Body: tobacco sunburst finished maple, a few minor marks but generally good for age; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: original 'gassed' pickguard included but removed, corrosion to treble side of pickup covers due to pickguard gassing, further similar corrosion to bridge and stop bar, some loss to gold plating; Weight: 3.95kg; Overall condition: good for age

£700-900

560.

1977 Ibanez Artist 2618 electric guitar, made in Japan; Body: tobacco burst finish, a few heavy blemishes to edges, dings and minor surface scratches throughout; Neck: good; Fretboard: ebony, light wear; Frets: mild wear; Electrics: working, neck position volume potentiometer with some noise and intermittence; Hardware: later strap button installed to back of neck heel/body, loss to gold plating, some tarnishing to bridge; Case: period, possibly Gibson, hard case; Weight: 4.30kg; Overall condition: fair £500-800

561.

1978 Ibanez Artist 2622 'Steve Miller' electric guitar, made in Japan; Body: tobacco sunburst finish, heavy dings and blemishes to back edges, scratches and other marks throughout; Neck: dings throughout, dowelled tuner holes to back of head; Fretboard: ebony; Frets: minor wear; Electrics: in need of attention, coil switch shaft damaged; Hardware: loss to gold plating, some tarnishing to bridge, replacement Gotoh tuners; Case: original hard case; Weight: 4.16kg; Overall condition: fair

£800-1000

562.

1977 Ibanez Artist 2617 electric guitar, made in Japan; Body: natural finished ash, blemishes to lower edges, further dings and minor marks to rest of body, generally good for age, some yellowing and minor cracking to binding within cutaway; Neck: good; Fretboard: ebony; Frets: good; Electrics: working, replacement neck pickup; Hardware: generally good, damage to corner of neck pickup surround, some rusting to smaller metal parts, minor tarnishing to bridge, slight gold plate loss to metal hardware; Case: original hard case; Weight: 4.41kg; Overall condition: good for age

£700-1000

557 (See page 103)

558

563.

1979 Ibanez Artist 2700 Active electric guitar, made in Japan; Body: dark stain finished ash, maple and zebra "sandwich" wings, dings, scratches and blemishes throughout; Neck: maple through neck, vacant strap hole button to heel; Fretboard: ebony; Frets: good; Electrics: working; Hardware: missing lower control knob, tarnishing and gold plating loss to metal hardware; Case: original hard case; Weight: 4.66kg; Overall condition: good for age

£1000-1500

564.

1978 Ibanez Artist 2622 'Steve Miller' electric guitar, made in Japan; Body: tobacco burst finish, minor dings to front, blemishes and scrapes to back edges, minor scratches and dings to back, deterioration to binding with heavy rot and loss within cutaways, further cracking and discolouration throughout; Neck: good; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: loss to gold plate, tarnishing to bridge and stop bar, plating loss to control cavity covers; Case: original hard case; Weight: 4.19kg; Overall condition: fair

£800-1200

565.

1977 Ibanez Artist 2618 electric guitar, made in Japan; Body: tobacco sunburst finish, light surface scratches, minor dings, slightly heavier dings to the edges, other scuffs; Neck: light wear, minor dings; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, typical gold plating loss and some tarnishing to bridge; Case: original hard case; Weight: 4.09kg; Overall condition: good for age

£500-700

566.

1978 Ibanez Artist 2630 semi-hollow body electric guitar, made in Japan; Body: tobacco sunburst finish, minor dings to front and back but generally very good for age, lacquer crack/blemish to lower corner of pickguard; Neck: good; Fretboard: ebony; Frets: good; Electrics: working, ES-345 Varitone type modification, replacement pickups; Hardware: missing pickguard, typical gold plating loss, some tarnishing to bridge; Case: Hiscox hard case; Weight: 3.90kg; Overall condition: good for age

£1000-1500

567.

1978 Ibanez Artist 2640 12/6 double neck electric guitar, made in Japan; Body: tobacco sunburst finish, minor surface scratches to back; Necks: good; Fretboards: rosewood; Frets: some oxidisation and tarnishing; Electrics: working; Hardware: minor loss to gold plating in places, some tarnishing to bridges; Case: original hard case; Weight: 7.29kg; Overall condition: very good

£1500-2500

568.

1977 Ibanez Artist 2619 electric guitar, made in Japan; Body: wine red finish, blemishes and a few minor dings to top, further blemishes and dings to back edges, minor buckle scratching to back; Neck: minor dings; Fretboard: ebony; Frets: good; Electrics: working; Hardware: some tarnishing and gold plate loss to metalware; Case: Guvnor gig bag; Weight: 4.24kg; Overall condition: fair £800-1000

569.

1977 Ibanez Artist 2617 electric guitar, made in Japan; Body: natural finished ash, blemishes to back edges, surface buckle scratches and other dings to back, a few minor dings to top; Neck: maple; minor dings; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: tarnishing to bridge, loss to gold plating, damage to corner of each pickup surround; Case: later Artist hard case; Weight: 4.50kg; Overall condition: good for age £600-800

570.

1978 Ibanez Musician MC300 electric guitar, made in Japan; Body: natural ash and mahogany, a few minor marks and dings but generally very good for age; Neck: three piece through neck; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, minor tarnishing to bridge; Case: Coffin Case hard case; Weight: 4.24kg; Overall condition: good

£700-1000

571.

1978 Ibanez Musician MC400 electric guitar, made in Japan; Body: natural ash and mahogany pancake body, light dings throughout, a few larger dings to edges; Neck: maple through neck; Fretboard: ebony; Frets: good; Electrics: working; Hardware: typical gold plating loss, minor tarnishing to bridge, D tuner gear cover missing; Case: original shaped hard case; Weight: 4.15kg; Overall condition: good for age

£900-1100

572.

Ibanez 1453 hollow body electric guitar, made in Japan, circa 1968; Body: tobacco sunburst finish top upon brown back, minor dings mainly located towards the edges; Neck: minor dings and marks; Fretboard: rosewood, mild wear; Frets: mild wear; Electrics: working; Hardware: good; Case: hard case; Weight: 2.80kg; Overall condition: good for age

£600-800

573.

1977 Ibanez 2635 hollow body electric guitar, made in Japan; Body: tobacco sunburst finished figured maple, buckle scratching to centre back, blemishes to edges of back, surface scratches and dings to sides, minor dings to top; Neck: generally good, various minor dings, finish chips to head corners; Fretboard: ebony; Frets: good; Electrics: working; Hardware: typical gold plating loss, missing gear cover to G tuner, missing pickguard, missing truss rod cover; Case: original hard case; Weight: 3.60kg; Overall condition: good for age £1000-1500

574.

1977 Ibanez Professional 2671 Randy Scruggs electric guitar, made in Japan; Body: natural finish, a few minor dings but generally very good; Neck: maple; Fretboard: ebony with vine inlay; Electrics: working; Hardware: generally good, replacement control knobs, loss to gold plating, tarnishing to bridge; Case: Gibson soft bag; Weight: 4.60kg; Overall condition: good £1200-1600

575.

1979 Ibanez Professional 2680 Bob Weir electric guitar, made in Japan; Body: natural ash, a few minor dings to back and front but generally very good for age; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, minor loss to gold plating and some tarnishing to stop bar plate; Case: original hard case; Weight: 4.30kg; Overall condition: very good £700-1000

576.

1977 Ibanez Howard Roberts 2453 electric archtop guitar, made in Japan; Body: sunburst finished figured maple, minor dings and marks as to be expected but generally very good for age; Neck: a few minor dings, otherwise good; Fretboard: groove wear throughout; Frets: worn; Electrics: working; Hardware: replacement Schaller Deluxe tuners, heavy oxidisation to tuner casing, loss to gold plating on bridge and pickup cover, replacement pickguard (original 'gassed' pickguard included); Case: fitted hard case; Weight: 3.15kg; Overall condition: good for age £800-1200

577.

1984 Ibanez Steve Lukather Signature RS1010SL electric guitar, made in Japan; Body: green burst birds eye maple veneer top upon black finished back, heavy surface scratching to back, dings and blemishes to edges, minor dings to top; Neck: maple with skunk stripe, minor dings; Fretboard: ebony; Frets: good; Electrics: working; Hardware: minor tarnishing to bridge, gold plating loss to neck plate and tuners; Case: fitted Freestyle Cases hard case; Weight: 3.91kg; Overall condition: fair

£600-800

578.

2022 Ibanez Premium AZ42P1 electric guitar, made in Indonesia; Body: black gloss finish; Neck: roasted maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Tourtech hard case enclosing tags, tools and papers; Weight: 3.30kg; Overall condition: very good

£500-800

579.

2021 Ibanez Prestige AZ2204N-BK electric guitar, made in Japan; Body: black gloss finish; Neck: roasted maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags, papers and tool kit; Weight: 3.53kg; Overall condition: very good

£600-900

580.

1991 Ibanez JEM77 BFP electric guitar, made in Japan; Body: blue floral body, some minor dings and surface scratches to finish; Neck: maple, bolt-on; Fretboard: maple with blue vine inlay; Electrics: working; Hardware: minor tarnishing to metalware, missing trem arm; Case: later hard case; Weight: 3.31kg; Overall condition: good for age

£1500-2000

581.

2008 Ibanez JEM-J7 electric guitar, made in Japan; Body: white finish, a few minor dings to back edge with some drop fill; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.48kg; Overall condition: good

£1200-1600

582.

1977 Ibanez Silver Series J Bass guitar, made in Japan; Body: natural ash body, blemishes to top edge on bass hand side, further dings, light scratching to back; Neck: maple; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: good, later Bad Ass Bass II bridge, missing bridge cover; Case: Gator compressed foam case; Weight: 4.77kg; Overall condition: good for age

£500-700

583.

2003 Ibanez K-7 Series Munky (Korn) Signature electric guitar, made in Japan; Body: metallic pewter, many dings to back edges; Neck: five piece maple and bubinga, small finish chip to tip of head face; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: later Ibanez Premium hard case; Weight: 4.11kg; Overall condition: good for age

£700-900

587 588 (See page 110)

589 (See page 110) 590 (See page 110)

584.

1987 Ibanez RG550 electric guitar, made in Japan; Body: Desert Sun Yellow finish, finish crack within heel, blemishes to edges, further minor marks; Neck: maple, minor dings; Fretboard: wear throughout; Frets: mild wear; Electrics: working; Hardware: good although missing back cavity plate; Case: Street Life hard case; Weight: 3.72kg; Overall condition: fair

£500-700

585.

2009 SDGR by Ibanez Prestige SR5006 six string bass guitar, made in Japan; Body: natural wenge and mahogany pancake body, a few light scratches to edges; Neck: wenge and walnut; Fretboard: wenge; Frets: good; Electrics: working; Hardware: good; Case: Ibanez Premium compressed foam case; Weight: 4.56kg; Overall condition: very good

£800-1200

586.

Joe Doe Guitars by JHS Vintage Gas Jockey electric guitar; Body: red finish; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and stickers; Weight: 3.54kg; Overall condition: very good

£200-400

587.

Joe Doe Guitars 'Earl's Musical Baseball Bat', a reworked 2016 Gibson Les Paul Junior electric guitar; Body: leather biker design wrap body with plectrum pocket to the front; Neck: relic black nitro finish with 'Property of Earl' inscription to back; Fretboard: rosewood; Frets: good; Electrics: working, Gibson P90; Hardware: good, custom control knobs, custom truss rod cover; Case: Gibson hard case; Weight: 4.03kg; Overall condition: as new

*Joe Doe Guitars are the brain child of Ben Court, who designs and hand builds guitars that each have an interesting and fun story attached to them. The success of his concept led to him joining up with JHS Vintage to produce limited factory runs of his concepts and ideas. In Joe Does's words: 'Earl's Musical Baseball Bat. If you ever dare drink at the Skulls Motorcycle Bar on North Jackson Avenue, Las Vegas there are certain rules you need to follow in order to stay alive. Firstly, feel free to admire the neat line of Harley Davidson motorbikes parked outside, but don't touch them. Secondly, know your place. A small area at the bar is reserved for visitors - it's down at the far end, illuminated by the flickering neon sign that reads Toilets. And thirdly, when the Skulls bar owner Earl Graves gets up to play guitar in the house band, you listen, you love it and you applaud like your life depends on it...because it just might' £1000-1500

591 588.

Joe Doe Guitars 'Punkaster II' electric guitar, made in England; Body: custom designed nitro finished lightweight ash T-Type body with custom designed vinyl stickers; Neck: relic maple; Fretboard: relic maple; Frets: good; Electrics: working, Bare Knuckle Old Guard pickups with CTS pots and orange caps; Hardware: good; Case: original hard case with story sheet signed by the maker; Weight: 2.86kg; Overall condition: very good

In Joe Does's words: 'As soon as he learnt to walk, Brandon Hicks displayed a frightening talent for destruction; burning down the family condo aged five, breaking too many bones to keep count and even shattering his front teeth trying to catch a speeding baseball in his mouth. Having exhausted the patience of his parents and small town residents of Bone Lake, Wisconsin, teenager Hicks was exiled in 1977 and left to travel across America. Drifting from state to state, more wrecking ball than tumbleweed, Hicks eventually found his spiritual home in Times Square, New York, 1979. Hicks worked a ticket booth at the Wide Eye peepshow by day and played with his band Fist Meets Face at night. After only a few explosive shows, Fist Meets Face became the must-see act on the New York punk scene, where each performance would include a smashed guitar, a puddle of blood and, following the after-show party, another broken heart. (that's the story we're telling at Joe Doe Guitars...)' £1000-2000

589.

Joe Doe Guitars 'The Sister Caster' electric guitar, made in England; Body: light relic Gospel white nitro finished two piece alder; Neck: Warmouth maple neck with compound radius, black nitro writing upon Gospel white nitro finish; Fretboard: rosewood; Frets: good; Electrics: working, three Bare Knuckle Mule humbucker pickups, CTS pots and Switchcraft jack; Hardware: good, Fender vintage trem, Gotoh tuners, bone nut, Tusq saddles; Case: original hard case; Weight: 3.90kg; Overall condition: as new

In Joe Does's words: 'The Sistercaster, 1978. Owner: Rev Ralph G. Lee (retired). Follow Rock and Roll back to the source and you'll travel past Jerry Lee Lewis, Elvis Presley, Chuck Berry, Little Richard and arrive at Sister Rosetta Tharpe. She was the godmother of rock and roll. Amen! So said retired preacher Ralph G Lee to the Milwaukee Gazette in 1974. Lee created a tribute guitar modelled on Sister Rosetta Tharpe's iconic white 1962 Gibson SG as he couldn't afford an original. 'I play Sister Rosetta's songs every Friday night at the Milwaukee House of Blues, loud and soulful, the way she showed us how'

£1000-2000

590.

Joe Doe Guitars The Model Kitcaster electric guitar, made in England; Body: relic green and grey nitro finish custom design body; Neck: All Parts quarter sawn 10" radius with medium C profile; Frets: good; Electrics: working, Bare Knuckle Apache single coil pickups with CTS pots and five-way switch; Hardware: Wilkinson trem, Gotoh tuners, bone nut, custom kit plain pickguard; Case: original hard case enclosing story sheet and tags; Weight: 3.52kg; Overall condition: as new

'The Model Kitcaster, 1965. Owner: Lennie Holden, Hampton, London, UK. Lennie Holden was a prolific model maker who by the age of six had assembled, glued and painted the entire Airfix Military Aircraft range, in both 1:48 and 1:72 scale. Worried that his son's passion was becoming an obsession, Lennie's father Ned presented him with the Model Kitcaster guitar on Christmas morning 1965, in an attempt to expand his son's horizons. The ruse worked, and Lennie soon became obsessed with guitar playing and went on to form The Spitfires, a popular blues band on the London circuit from 1974 to 1989

£1000-2000

591.

Joe Doe Guitars Atomika electric guitar, made in England; Body: nitro glitter black finished eccentric offset lightweight mahogany body; Neck: lightly aged gold nitro finish with 'Friction Power' inscription; Fretboard: rosewood with oval pearl inlay, 12" radius; Electrics: working, Bare Knuckle Mule humbucker pickup with CTS pots; Hardware: good, Grover tuners; Case: Tourtech hard case enclosing original story sheet; Overall condition: as new

In the words of Joe Doe: 'Atomika, circa 1976. Not much information available on this guitar yet, though it seems to have been a prototype made in 1973 by Pepperjoys Inc, a Dallas toy manufacturer. The company was behind several successful board games such as Yats! and Stick it to Daddy but, following a class action for burn injuries caused by the bubblegum toy in 1971, the company tried to reposition itself by moving into the supposedly safer and less litigious musical instrument market. It didn't work out as state files tell us Paperjoys Inc filed for bankruptcy in 1974'

£1000-2000

592 (See page 111)

596 (See page 112) 592.

2016 Knaggs Guitars SSC-T2 electric guitar, made in USA; Body: Nick Ralph 'Galaxy' artwork with turquoise binding, maple top upon mahogany body; Neck: mahogany with twenty-two fret east Indian rosewood fingerboard; Frets: good; Electrics: working, Bare Knuckle humbucker pickups; Case: original hard case with papers; Weight: 4.29kg; Overall condition: excellent

£3000-5000

593.

1964 Epiphone Rivoli semi-hollow body bass guitar, made in USA; Body: sunburst finish top upon brown finish maple back and sides, some finish loss to edges, scratches and dings to back, top with finish burn on bass hand side running towards the F hole, finish wear to bass hand side of pickup; Neck: heavy wear to reverse including significant finish loss to centre; Fretboard: rosewood; Frets: worn; Electrics: working; Hardware: missing strap buttons, otherwise good; Case: later hard case; Overall condition: good for age

*Sold with non-transferable CITES A10 certificate no. 24GBA106B60JX

£1500-2000

594.

1966 Epiphone Texan FT79N acoustic guitar, made in USA; Back and sides: mahogany, light checking, scratches and dings to back, heavier checking to sides, tape to shoulder concealing a previously installed control knob; Top: natural spruce, heavy checking, heavy play wear to treble side, further scratches and dings but generally acceptable for age; Neck: mahogany, lacquer checking and many dings/blemishes throughout; Hardware: replacement tuners, later lower strap button; Case: Selmer hard case; Overall condition: fair

*Acquired by the vendor from folk guitarist Pete Franklin, who bought this guitar new in 1966 from Selmer, London

£2000-3000

595.

1959 Epiphone Century E422T hollow body electric guitar, made in USA; Body: sunburst finished top upon brown back and sides, lacquer checking throughout, scratching and other marks, body end appears to be refinished; Neck: mahogany, lacquer checking and minor dings; Fretboard: rosewood; Frets: good, refret; Electrics: working; Hardware: good, slight bend to G tuner shaft; Case: fitted hard case; Weight: 2.45kg; Overall condition: good for age

*Sold with non transferable CITES A10 certificate no. 24GBA10TB2YCF

£1000-2000

596.

1959 Epiphone Century E422T hollow body electric guitar, made in USA; Body: brown finished maple back and sides with lacquer checking, buckle scratching and other dings/marks, sunburst finished top with lacquer checking and other minor marks; Neck: mahogany, various blemishes and lacquer checking, Matt Umanov sticker to back of head; Fretboard: rosewood, mild wear; Frets: good, refret; Electrics: working; Hardware: replacement Schaller tuners; Case: semi-rigid fibreboard case; Weight: 2.49kg; Overall condition: good for age

*Sold with non transferable CITES A10 certificate no.

24GBA10F7N4XT

£1000-2000

597.

2016 Epiphone Joe Bonamassa Treasure Firebird I electric guitar, made in China; Body: two-tone sunburst finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag, authenticity booklet and papers; Weight: 3.48kg; Overall condition: very good

£700-900

598.

2010 Epiphone Casino hollow body electric guitar; Body: natural finish; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, missing pickguard, switch surround added; Weight: 2.88kg; Overall condition: good

£300-400

599.

2005 Epiphone Sheraton II semi-hollow body electric guitar, made in Korea; Body: ebony finish, light marks but generally good for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: typical loss to gold plating, otherwise good; Case: Stagg hard case; Weight: 3.87kg; Overall condition: good

£300-500

600.

2007 Epiphone Les Paul Standard electric guitar; Body: figured lemon top upon natural mahogany back; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 3.53kg; Overall condition: good

£200-300

601.

2008 Epiphone Custom Shop Limited Edition Les Paul Standard electric guitar, made in USA; Body: satin finished mahogany body, light buckle marks to back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Weight: 3.74kg; Overall condition: good £200-300

602.

2002 Epiphone Les Paul Standard electric guitar, made in Korea; Body: honey burst figured maple veneer upon cherry finished mahogany back, a few light dings and surface marks; Neck; generally good, some finish loss to back edge of head; Fretboard: rosewood; Frets: good; Electrics: working, upgraded Seymour Duncan Alnico 2 Pro Slash Signature humbucker pickups (originals retained); Hardware: generally good; Case: generic oblong hard case; Weight: 3.72kg; Overall condition: good

£200-400

603.

2011 Epiphone Ultra 339 semi-hollow body electric guitar; Body: sunburst finish, a few light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: CNB gig bag; Weight: 3.37kg; Overall condition: good

£200-300

604.

2005 Epiphone G-1275 12/6 double neck electric guitar, made in Korea; Body: cherry finished figured maple veneer top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 6.03kg; Overall condition: very good

£500-700

605.

1997 Epiphone Limited Edition Gibson Les Paul electric guitar; Body: gold top finish upon brown finished back, buckle scratches and dings to back, a few minor dings to top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Ritter gig bag

*Sold on behalf of Nevil Kiddier (The Pinkees, Glyder and others)

£250-350

606.

1990 Epiphone Emperor hollow body electric guitar; Body: natural finished maple back and sides and spruce top, scratches to back, minor dings to top; Neck: good; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: missing pickguard, replacement roller Tune-o-Matic type bridge, loss to gold plating; Case: fitted hard case; Weight: 3.00kg; Overall condition: good for age

£300-400

607.

2022 Epiphone ES-339 semi-hollow body electric guitar; Body: Pelham blue; Neck: Pelham blue finish with twenty-two fret rosewood board; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing tags and papers; Weight: 3.51kg; Overall condition: very good

£200-400

608.

2014 Epiphone Les Paul Standard electric guitar, made in China; Body: black finish, finish chips to front edge, other minor marks; Neck: black finished with twenty-two fret rosewood fingerboard and trapeze inlay; Electrics: working; Hardware: generally good, missing pickguard; Weight: 3.89kg; Overall condition: good

£150-250

609.

2007 Epiphone Les Paul Custom electric guitar; Body: cherry sunburst finished figured maple top upon cherry mahogany back, a few light surface marks; Neck: cherry finished maple veneer with twenty-two fret rosewood fingerboard and block position markers; Electrics: working; Hardware: good, some minor gold plate loss; Weight: 3.82kg; Overall condition: good

£200-300

610.

2005 Epiphone Explorer electric guitar, made in Korea; Body: black finish, surface scratches including buckle marks to back, dings to edges; Neck: good, black finish with twenty-two fret rosewood fingerboard; Electrics: working; Hardware: generally good, some minor loss to gold plating; Weight: 3.86kg; Overall condition: good

£200-400

611.

1994 Epiphone Sorrento semi-hollow body electric guitar, made in Korea; Body: two-tone sunburst finish, a few light marks otherwise generally very good for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman fitted hard case; Weight: 2.96kg; Overall condition: very good

£400-500

612.

1988 Epiphone Sheraton semi-hollow body electric guitar, made in Korea; Body: natural finish, one ding to treble edge, further minor surface marks; Neck: good; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: loss to gold plating, otherwise good, pickguard removed but included in sale; Case: Hiscox hard case; Weight: 4.05kg; Overall condition: good

£300-500

613.

2017 Epiphone Casino hollow body electric guitar; Body: vintage sunburst finish, minor surface scratches and marks but generally very good; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, missing pickguard; Weight: 2.84kg; Overall condition: good for age

£300-400

614.

2023 Gretsch 140th Anniversary G5230T Jet electric guitar, made in China; Body: light blue sparkle top upon pearlescent white back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Boss gig bag; Weight: 3.78kg; Overall condition: very good

£200-300

615.

2015 Gretsch Streamliner G2420 hollow body electric guitar, made in Indonesia; Body: three-tone sunburst finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.09kg; Overall condition: good

£250-350

616.

1962 Gretsch 6120 DC Chet Atkins electric guitar, made in USA; Body: western orange finish in very good condition for age with little wear although some dings as to be expected, small area of drop fill beneath bass hand side of bridge; Neck: good; Fretboard: ebony with thumb inlay position markers; Frets: mild wear; Electrics: working; Hardware: generally good, some tarnishing and loss to gold plating; Case: original Cowboy hard case enclosing original warranty, tags, pick and original period catalogue; Weight: 3.39kg; Overall condition: very good

*This first year double cut 6120 is sold on behalf of the third owner since new and comes complete with the original 1962 hang tag, price tag, QC card, guarantee certificate and leather strap

£4000-5000

617.

1990 Gretsch G6175 electro-acoustic bass guitar, made in Japan; Body: western orange finish, a few minor dings but generally very good; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: good

£400-600

618.

2011 Gretsch Black Penguin G6134B electric guitar, made in Japan; Body: black gloss finish with orange sparkle binding; Neck: good; Fretboard: ebony with hump pearl position markers; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.72kg; Overall condition: very good

£1500-2000

616

618

619.

1963 Gretsch Country Gentleman hollow body bass guitar, made in USA; Body: sunburst finish, checking and general wear including blemishes and scratches, vacant strap button hole to treble horn; Neck: refinishing in neck/head area possibly concealing a neck repair, further blemishes and marks; Fretboard: ebony; Frets: refret; Electrics: working although jack requires minor adjustment due to intermittence; Hardware: generally good, stick bass modification to end pin; Case: period soft bag; Overall condition: fair

£700-1000

620.

2005 Gretsch G6120W-1957 hollow body electric guitar, made in Japan; Body: western orange finish with G brand to top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working with Gibson P90 neck pickup as per Eddie Cochran's guitar; Hardware: good; Case: original hard case; Weight: 3.28kg; Overall condition: very good

£1000-1500

621.

2007 Gretsch G6136DS White Falcon hollow body electric guitar, made in Japan; Body: white finish with orange sparkle binding; Neck: good; Fretboard: ebony; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case and papers; Weight: 3.55kg; Overall condition: very good £1500-2000

622.

2012 Gretsch G422T hollow body electric guitar, limited edition with custom Hot Rod Walt pinstriping, made in Korea; Body: white finish with Hot Rod Walt pinstriping; Neck: good; Fretboard: rosewood; Frets: minor tarnishing; Electrics: working; Hardware: good; Case: original hard case with tags including Hot Rod Walt document; Weight: 3.20kg; Overall condition: very good

£600-800

623.

2017 Gretsch G5420T hollow body electric guitar, made in Korea; Body: blue metallic finish, a few light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: Gretsch trapeze with roller bridge installed (Bigsby and Tune-o-Matic type bridge included); Case: original hard case; Weight: 3.14kg; Overall condition: very good

£300-500

624.

2019 Gordon Smith Steve Diggle Signature electric guitar, made in England; Body: yellow finish, minor ding to lower edge; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate and papers; Weight: 3.65kg; Overall condition: good

*Buzzcocks guitarist Steve Diggle's signature model. Sold with certificate of authenticity signed by both Steve Diggle and Gordon Smith director Doug Sparks

£600-800

625.

1982 Gordon Smith Gemini electric guitar, made in England; Body: dark tobacco sunburst finish, a few dings and surface scratches but generally acceptable for age; Neck: good; Fretboard: rosewood; Frets: good; electrics: working; Hardware: good, missing mounting screw from G tuner and D tuner shaft is bent slightly; Case: later fitted Gordon Smith hard case; Weight: 4.23kg; Overall condition: good for age

£700-800

626.

1978 Gordon Smith GS1 electric guitar, made in England; Body: mahogany, dings and scratches throughout including buckle rash and scratching to back; Neck: mahogany, heavy wear towards heel on bass hand side, further mild wear throughout; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: later Gordon Smith gig bag; Weight: 2.75kg; Overall condition: fair

£350-450

627.

Gordon Smith Gypsy 3 electric guitar, made in England, circa 1978; Body: metallic red, light surface scratching to back, a few minor dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Weight: 3.59kg; Overall condition: good for age

£500-700

628.

Gordon Smith GS1 electric guitar, made in England; Body: cherry finished mahogany, a few minor marks; Neck: good, various dings including a larger blemish behind twelfth fret; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: gig bag; Weight: 3.44kg; Overall condition: good

£300-500

629.

Gordon Smith Gypsy I P90 electric guitar, made in England; Body: tobacco sunburst finish, light surface scratches throughout and a few minor dings; Neck: good, small chips to tip of head; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.84kg; Overall condition: good

£400-500

630.

Yamaha Studio Lord SL500 electric guitar, made in Japan, circa 1980; Body: tobacco sunburst finished top upon brown finished back, heavy buckle scratches, dings, blemishes and marks throughout; Neck: birds eye maple, a few dings and marks; Fretboard: rosewood; Frets: good; Electrics: working, upgraded Bare Knuckle humbucker pickups; Hardware: good; Case: Guvnor gig bag; Weight: 4.25kg; Overall condition: good for age

£350-450

631.

Yamaha FG-180 50th Anniversary acoustic guitar, made in China; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Case: original hard case with papers and tags; Overall condition: very good

£200-300

632.

2003 Yamaha APX-9C electro-acoustic guitar, made in Taiwan; Body: black gloss finish, surface marks and minor dings but generally acceptable for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Overall condition: good

£200-300

633.

1999 Yamaha MSG Deluxe electric guitar, made in Taiwan; Body: red finished maple veneer top upon mahogany back, light buckle markings to back but generally very good for age; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 4.07kg; Overall condition: very good

£500-700

634.

1970s Yamaha L-5 acoustic guitar, made in Japan; Back and sides: coral rosewood, minor surface scratching and dings but generally acceptable for age; Top: natural spruce, light play wear and dings; Neck: mahogany, one blemish to centre, a few further minor dings, a few chips to head; Fretboard: ebony; Frets: good; Case: hard case; Overall condition: good for age

£400-600

635.

1991 Yamaha MSG Deluxe electric guitar, made in Taiwan; Body: amber veneer maple top upon brown finish mahogany back, minor dings to back mainly located to the edges; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 4.13kg; Overall condition: good for age

£500-700

636.

Yamaha APX1200 II acoustic guitar, made in China; Back and sides: trans dark brown finished laminated rosewood; Top: dark finished natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original compressed foam case; Overall condition: very good

£350-450

637.

2004 Yamaha AEX-1500 hollow body electric guitar, made in Japan; Body: natural maple; Neck: maple, good; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 2.99kg; Overall condition: very good

£700-1000

638.

Hofner Contemporary Series Verythin Special semi-hollow body electric guitar; Body: red finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Case: Boston gig bag; Weight: 3.35kg; Overall condition: very good

£200-300

639.

1960s Hofner President archtop guitar, made in Germany; Body: brunette finished maple back and sides and spruce top, hairline scratch to treble side of top beside waist, further minor scratches and minor buckle marks, various dings as to be expected for age; Neck: reset and refinished, lacquer clouding; Fretboard: rosewood; Frets: mild wear; Hardware: missing pickguard, later strap button installed to upper back; Overall condition: fair

£300-500

640.

Hofner Club 50 electric guitar, made in Germany, circa 1960; Body: blonde finished figured maple back and sides and spruce top, many dings and scratches as consistent for age; Neck: maple, minor dings; Fretboard: ebony with block pearl position markers; Frets: generally good, some lifting to edges; Electrics: working, replacement control panel; Hardware: tarnishing to tailpiece, replacement Kluson tuners (originals retained); Case: later hard case; Weight: 1.92kg; Overall condition: good for age

£700-1000

641.

Hofner Verythin Standard electric guitar, made in Germany; Body: red finish, surface scratches and dings, vacant Bigsby holes to top and body end; Neck: good, checking to front and back of head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: missing pickguard, replacement control knobs (originals retained); Case: original hard case; Weight: 3.15kg; Overall condition: fair

£400-600

642.

Hofner Galaxie 176 electric guitar, made in Germany, circa 1963; Body: red finish, blemishes and crack to treble edge, other minor dings and imperfections; Neck: maple, blemishes and dings; Fretboard: rosewood; Frets: worn with indents throughout; Electrics: in need of attention; Hardware: upper E tuner missing gear cover, mute missing felt, rusting to smaller metal screws, minor tarnishing to other metal hardware; Overall condition: fair

£300-500

643.

Hofner Committee E2 electric guitar, made in Germany, circa 1964; Body: natural blonde finished highly figured birds eye maple back and sides and spruce top, light scratching and dings but generally very good for age; Neck: maple; Fretboard: ebony; Frets: indent wear to first position; Electrics: working; Hardware: good. bent G tuner shaft; Case: 1970s fitted hard case; Weight: 2.98kg; Overall condition: very good

£800-1000

644.

2014 Guild Newark Street Collection Starfire V semi-hollow body electric guitar, made in Korea; Body: cherry finished mahogany; Neck: good; Fretboard: rosewood; Frets: good; Electrics: in need of attention (jack); Hardware: good; Case: original hard case; Weight: 3.74kg; Overall condition: very good

*Action currently set up for slide play

£300-400

637 (See page 115)

640

(See page 117)

645.

1972 Guild S-100 electric guitar, made in USA; Body: black finish, buckle scratching, dings and other marks, some scuffs to edges; Neck: minor dings; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, some tarnishing; Case: gig bag; Weight: 3.34kg; Overall condition: fair

£1000-1200

646.

1979 Guild G312-NT acoustic guitar, made in USA; Back and sides: rosewood, minor surface marks and dings but generally acceptable for age; Top: natural spruce, light checking throughout, minor dings, slight lift to belly; Neck: checking to finish, slight bow which will need assessment; Hardware: good; Case: original hard case; Overall condition: fair

£800-1200

647.

2019 Guild Newark Street Collection A-150 electric hollow body guitar, made in Korea; Body: natural finish; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working, later installed body mounted controls (original controls retained); Hardware: good; Case: original hard case; Weight: 2.85kg; Overall condition: very good

£600-700

648.

1981 Tokai Jazz Sound fretless bass guitar, made in Japan; Body: threetone sunburst finish, buckle scratches and other scratches to back, dings and marks to side, other light scratches and dings to top; Neck: maple; Fingerboard: rosewood; Electrics: working; Hardware: good, replacement lower tone knob; Weight: 4.40kg; Overall condition: good for age

£400-600

649.

2015 Tokai SG-71S SG Custom electric guitar, made in China; Body: black finish, light surface scratches and marks; Neck: black finish with twentytwo fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: generally good, missing reflector cap from treble volume knob; Weight: 3.35kg; Overall condition: good

£200-300

650.

2010 Tokai Love Rock electric guitar, made in China; Body: black finish back, later applied carbon effect top; Neck: refinishing/rubbing, twentytwo fret rosewood fingerboard; Frets: good; Electrics: working, upgraded Gibson Dirty Fingers humbucker pickup to bridge position; Hardware: upgraded Grover Deluxe tuners, replacement 'Les Paul Custom' truss rod cover; Case: Stagg hard case; Weight: 3.98kg; Overall condition: fair

£200-400

651.

1978 Greco Roland GR500 guitar synthesizer electric guitar and controller, made in Japan; Body: tobacco sunburst finish, a few light scratches to back, various finish blemishes and other minor dings to edges but generally very good for age; Neck: a few minor dings; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, 'Guitar Synthesizer' switch tip damage, loss to gold plating; Overall condition: good for age

*This guitar is sold with its synthesizer control unit, multi-pin cable and a copy of the instruction manual

£2000-3000

646

651

(See page 118)

(See page 118)

652.

1976 Greco EG900 Les Paul style electric guitar, made in Japan; Body: tobacco sunburst finish veneer top upon pancake mahogany body, dings and other minor scratches throughout, heavier blemishes to edges; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: period hard case; Weight: 4.11kg; Overall condition: good for age

£350-450

653.

1980 Greco MK780PS Paul Stanley Iceman electric guitar, made in Japan; Body: black finish, many dings to edges, finish blemish to bottom body corner, various dings to front and back, light buckle scratching to back; Neck: good, small chip to back of head point; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original fitted hard case; Weight: 3.78kg; Overall condition: good for age

£700-1000

654.

2020 Dobro Hound Dog electro-acoustic resonator guitar, made in China; Body: natural maple; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good

£200-300

655.

1929 Dobro Model 85 resonator guitar, made in USA; Body: natural mahogany, checking and light scratches but generally very good for age; Neck; mahogany, surface scratches; Fretboard: rosewood; Frets: good; Hardware: good; Case: original semi-rigid fibreboard case; Overall condition: very good for age

£1500-2000

656.

Dobro Jerry Douglas Signature square neck resonator guitar, made in USA, circa 2005; Body: natural finish; Neck: good; Fretboard: rosewood, loose binding to end of neck; Hardware: good, minor tarnishing to metalware; Case: original hard case (combination latch damaged); Weight: 3.00kg; Overall condition: good

£1200-1500

657.

Dobro Model 60 square neck resonator guitar, made in USA; Body: three-tone sunburst finish, lacquer checking to back, dings and blemishes to sides, various surface scratches; Neck: square neck, some checking and marks; Fretboard: rosewood; Frets: generally good, some tarnishing; Hardware: generally good, G string tuner button replaced; Case: 1970s hard case; Weight: 2.94kg; Overall condition: good for age

£200-400

658.

1930s National electric Spanish guitar, made in USA; Finish: tobacco sunburst with age expected wear; Neck: good; Fretboard: rosewood; Frets: good, refret; Electrics: working; Hardware: good; Case: Tanglewood SKB hard case; Overall condition: good/restored

*A restored example with work carried out by Brook Guitars of Devon

£1000-1500

656

658

659 (See page 119) 660 (See page 119)

659.

1930 National Triolian resonator guitar, made in USA; Body: burst finished brass body, good for age, some finish chips and blemishes; Neck: mahogany, light wear to edges and a few surface scratches; Fretboard: ebonised, wear to first position; Frets: good, refret; Hardware: good; Case: original semi-rigid fibreboard case with additional protective fitted hard case; Overall condition: good for age

*In very good condition for the age. All appears original including hardware and cone

£3000-4000

660.

1938 National Style O square neck conversion resonator guitar, made in USA; Body: replaced cone and biscuit, Hawaiian etched nickel plated body, scratches and marks, plating wear to treble side of strings, small split between top and sides at body end; Neck: original square neck converted to round neck, refinish, various dings, various vacant holes from previously installed tuners to back of head; Fretboard: ebony, dowels to seventeenth and nineteenth frets; Frets: generally good; Electrics: working, later fitted under biscuit bug pickup wired through to body side; Hardware: replacement tuners; Case: Kinsman hard case; Overall condition: fair

£1500-2500

661.

Godin LGX-SA electric guitar, made in USA/Canada; Body: sunburst finish figured maple veneer top upon black gloss back; Neck: a couple of minor dings but generally good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag and papers; Weight: 4.04kg; Overall condition: very good

£400-500

662.

Late 1990s Godin A6 electric acoustic hybrid guitar, made in Canada; Body: blue burst finish, many dings and scratches but generally acceptable for age; Neck: mahogany, minor dings throughout; Fretboard: rosewood; Frets: good; Electrics: working although some output jack intermittence that requires attention; Hardware: missing battery control cavity plate, jack and plate setting currently glued in and requires attention; Weight: 2.61kg; Overall condition: fair

£200-400

663.

2018 Godin A12 twelve string electric guitar, made in Canada; Body: natural finished two-chambered silver leaf maple with Canadian Laurentian Basswood wings; Neck: maple; Fretboard: Richlite; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.35kg; Overall condition: very good

£600-800

664.

2018 Godin Multiac Grand Concert SA nylon string guitar, made in Canada; Body: natural spruce top upon brown finished mahogany back; Neck: good; Fretboard: Richlite; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 2.95kg; Overall condition: very good

£500-600

665.

Godin Multiac Steel Doyle Dykes Signature Limited electric guitar, made in Canada; Body: black gloss finish, light play wear to treble side of strings on top; Neck: good; Fretboard: Richlite; Frets: good; Electrics: working; Hardware: good; Case: original compressed foam case; Overall condition: very good

£600-800

666.

2020 Rivolta by Novo Regata semi-hollow body electric guitar; Body: natural finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.26kg; Overall condition: very good

£400-600

667.

2022 Rivolta by Novo Combinata electric guitar, made in Korea; Body: blue sparkle finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Boss gig bag; Weight: 3.52kg; Overall condition: very good

£400-600

668.

2017 Hagstrom Super Viking Taylor York Model semi-hollow body electric guitar; Body: walnut finish, a few very light marks; Neck: good; Fretboard: Resinator wood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.39kg; Overall condition: very good

£300-500

669.

Hagstrom Futurama Deluxe bass guitar, made in Sweden, circa 1964; Body: red finish, dings and marks as expected for age but generally good; Neck: maple, dings and minor scratches; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: custom made wooden hard case; Weight: 3.15kg; Overall condition: good for age

£400-600

670.

Music Man Sabre II electric guitar, made in USA, circa 1979; Body: three-tone sunburst finish, dings throughout mainly located to the edges, larger blemish to edge towards bottom end of body, minor surface buckle scratching to back; Neck: mild wear and minor dings; Fretboard: mild wear; Frets: good, refret, fret sprouting; Electrics: working; Hardware: good; Case: Line 6 gig bag; Weight: 3.75kg; Overall condition: good for age

£900-1100

671.

1998 Ernie Ball Music Man Axis Sport electric guitar, made in USA; Body: opaque black, a few minor marks; Neck: maple with twentytwo fret rosewood fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing warranty tag; Weight: 3.18kg; Overall condition: good

£800-1000

670 (See page 119) 671 (See page 119)

672.

1964 Burns TR-2 electric guitar, made in England; Body: natural maple, light dings and marks, damage to binding, previous binding repairs and further repairs needed; Neck: maple, minor dings and marks; Fretboard: rosewood; Frets: generally good, light tarnishing; Electrics: mostly working, although some intermittence during potentiometer adjustment; Hardware: missing headstock logo, missing G tuner gear cover; Case: original hard case; Weight: 4.07kg; Overall condition: fair

£500-800

673.

2004 Burns 40th Anniversary Marvin Limited Edition electric guitar; Body: white finish; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, papers and accessories; Weight: 3.85kg; Overall condition: very good

£700-900

674.

1966 Baldwin Baby Bison electric guitar, made in England; Body: black finish, typical lacquer cracking, dings and other marks as consistent for age; Neck: generally good, dings throughout; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some tarnishing to metal hardware and minor rusting to smaller metal parts; Case: Techra hard case; Weight: 3.77kg; Overall condition: good for age

*Played by Joe Bonamassa at Frailer's Guitars, Manchester. See image of Joe with the guitar

£700-1000

675.

Holiday by Harmony Stratotone electric guitar, made in USA, circa 1965; Body: red burst finish, fading to the front, light scratches and dings throughout; Neck: light marks; Fretboard: baked maple; Frets: mild wear; Electrics: working, potentiometer noise; Hardware: generally good, replacement strap buttons; Case: period semi-rigid fibreboard case; Weight: 2.16kg; Overall condition: good for age

£150-250

676.

1950s Harmony Broadway archtop guitar, made in USA; Body: tobacco sunburst finish, buckle marks to back, dings and blemishes throughout but mainly located to the edges; Neck: generally good, hanger stand burn to sides of head; Fretboard: baked maple; Frets: good; Hardware: good; Case: semi-rigid fibreboard case; Overall condition: good for age

£250-350

677.

Fret-King Country Squire Yardbird electric guitar; Body: honey blonde with natural contours; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.76kg; Overall condition: good

£300-500

673

674

681 689 (See page 122)

678.

Fret King by Trev Wilkinson Black Label John Verity Signature electric guitar; Body: two-tone sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.61kg; Overall condition: very good

£400-600

679.

John Shuker Uberhorn five string fretless bass guitar, made in UK; Body: African blackwood topped mahogany body, a few minor dings to edges; Neck: seven piece wenge/mahogany; Fretboard: phenolic resin; Electrics: working, concealed EMG pickup system; Hardware: good; Case: original branded Hiscox hard case; Weight: 3.80kg; Overall condition: very good

£1500-2500

680.

GOC Valkyrie electric guitar, made in Asia; Body: stained American Swamp Ash back with Bengal burst maple cap; Neck: three piece maple with wenge twenty-four fret fingerboard; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.37kg; Overall condition: very good

£400-600

681.

Good Partscaster Slide guitar comprising Fender and other various parts; Body: blue metallic body, probably Fender Mexico, minor dings and marks; Neck: 2004 Fender USA Deluxe Stratocaster neck; Fretboard: rosewood; Frets: good; Electrics: Mojo gold foil middle pickup and lap guitar type bridge pickup; Hardware: good, Wilkinson trem block and saddles (blocked off), pearloid guard and black barrel knobs; Case: Fender hard case; Weight: 4.02kg; Overall condition: good £500-700

682.

Interesting custom made electric guitar, probably of English origin; Body: red stain finished single cutaway body, with recessed bridge/stop bar area, various imperfections; Neck: maple with Ovation style head, bolt-on, various marks and dings; Fretboard: maple with walnut block and pearl dot inlay; Frets: worn and tarnished; Electrics: working; Hardware: pitting and tarnishing to metal parts; Overall condition: fair £200-400

683.

Good quality 'Dulcet' Custom electric guitar guitar; Body: natural single cutaway body; Neck: bolt on wenge neck with side profile carved finial to head; Fretboard: ebony with quality pearl inlaid fairy design; Frets: good; Electrics: working, fitted with DiMarzio Liquifire and Crunch lab humbucker pickups, L.R Baggs bridge piezo, dual output jack 5-way switch, coil and killswitch; Hardware: L.R. Baggs piezo bridge, Sperzel locking tuners, locking strap buttons and other miscellaneous hardware; Case: PRS SE gig bag; Overall condition: very good

£400-800

684.

Good quality Custom Build Thinline S-type electric guitar, made in Bristol, England; Body: natural oiled birds eye maple top upon ash back; Neck; 2017 Fender Deluxe Stratocaster ebony board neck; Frets: good; Electrics: working, Mojo foil pickups; Hardware: good, Fender locking tuners, Fender neck plate and other miscellaneous parts; Case: soft bag; Overall condition: very good

£400-600

685.

Good quality Custom Build S-Type electric guitar, made in Bristol, England; Body: tobacco sunburst highly figured maple veneer top upon brown finished alder back; Neck: mahogany with maple veneer headstock; Fretboard: ebony; Frets: good; Electrics: working, Seymour Duncan humbucker and neck pickups with S1 switch and coil switch; Hardware: good, Gotoh 510 tuners and other miscellaneous hardware; Case: soft bag; Overall condition: very good

£400-600

686.

2023 PJD Guitars Woodford Elite electric guitar, made in England; Body: cocoa burst finished maple top upon natural ash back; Neck: roasted maple; Fretboard: ebony; Frets: good, Jescar 55090; Electrics: working, Cream Tea P90 pickups; Hardware: good; Case: original branded Hiscox hard case; Weight: 3.97kg; Overall condition: very good £500-800

687.

Fingerbone Custom S-Type electric guitar, made in England; Body: tropical burst finished figured birds eye maple veneer top upon mahogany back; Neck: birds eye maple; Fretboard: ebony; Frets: good; Electrics: working, Seymour Duncan pickups with active circuitry; Hardware: good, Kahler trem, locking nut, Schaller tuners and other gold plated hardware; Case: Five Star Cases hard case; Weight: 4.29kg; Overall condition: good

£400-800

688.

Fingerbone Fury electric guitar, made in England; Body: red gloss finished offset body; Neck: neck through, good; Fretboard: rosewood; Frets: good; Electrics: EMG active circuitry with coil switching; Hardware: good, Kahler trem with locking nut, Grover tuners and other matching hardware; Weight: 3.80kg; Overall condition: very good

£300-500

689.

1989 Steinberger GM1T electric guitar, made in the USA; Body: black gloss finish, surface scratches and a few minor dings but generally acceptable for age; Neck: good; Fretboard: carbon; Frets: good; Electrics: working; Hardware: generally good, missing trem arm; Case: fitted Headless USA hard case; Weight: 3.41kg; Overall condition: good for age

£2000-3000

690.

DY Guitars Yngwie Malmsteen Play Loud replica Strat type electric guitar, with tiger gig bag

£200-300

691.

2020 Chowny Scott Whitley Signature SWB1 bass guitar, made in India; Body: satin trans white; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original shipping box; Weight: 4.19kg; Overall condition: as new

*This exact bass features in a demo video by Andertons, where it was purchased: https://www.youtube.com/watch?v=qZptzJeEyTY

£200-300

692.

Vantage VP700 electric guitar, made in Japan, circa 1981; Body: natural finished ash with maple centre stripe, minor buckle marks to back; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: low output from neck pickup position; Hardware: minor tarnishing but generally good for age; Case: fitted hard case; Overall condition: good

£300-500

693.

2014 Line 6 James Tyler Variax electric guitar, made in Korea; Body: cherry sunburst finish veneer maple top upon mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 4.42kg; Overall condition: very good

£300-500

694.

Kawai KS-11XL electric guitar, made in Japan, circa 1980; Body: natural finish, vacant holes to top left over from removed pickguard, dings and blemishes mainly to the edges; Neck: head repair, various dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: tarnishing to metalware, missing pickguard; Case: fitted hard case; Weight: 4.43kg; Overall condition: fair

£200-300

695.

Pablo Muñoz PRS style electric guitar, made in Chile; Body: Chilean coigüe top upon mahogany back, light marks and dings; Neck: mahogany with V profile; Fretboard: ebony; Frets: good; Electrics: working, Stewmac humbucker pickups with PRS style wiring; Hardware: good, planet waved tuners, Tusq nut, ; Weight: 3.76kg; Overall condition: good

*Made for the vendor by skilled Chilean luthier Pablo Muñoz to his specification

£500-700

696.

2021 MTD Michael Tobias Design AG6 Andrew Gouche six string bass guitar, made in China; Body: purple burst finished maple top upon alder body; Neck: maple; Fretboard: purple heart; Frets: good; Electrics: working; Hardware: good; Case: Clearwater gig bag; Weight: 4.45kg; Overall condition: good

£600-800

687

696

697.

2014 Sire Marcus Miller V7 bass guitar, made in Indonesia; Body: tobacco sunburst finish, a few light surface marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working upgraded with Lucithand NFP filter pre-amp; Hardware: good; Case: Freestyle Cases hard case; Weight: 4.34kg; Overall condition: good

£200-300

698.

Washburn Nuno Bettencourt N2-NM electric guitar; Body: natural finish, a few dings but generally good; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, replaced potentiometer (original retained); Hardware: good; Case: soft bag; Weight: 3.24kg; Overall condition: good for age

£200-250

699.

Richard Tomson T-Type electric guitar; Body: two-tone tobacco sunburst; Neck; maple set neck with tapered neck cut, with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working, Bare Knuckle pickups; Hardware: good, Sperzel locking tuners and other miscellaneous hardware; Case: Hiscox hard case; Weight: 3.92kg; Overall condition: very good

£500-800

700.

Shane Haigh Custom electric guitar, made in England; Body: natural finished mahogany; Neck: bolt-on maple with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working, Seymour Duncan humbucker pickups; Hardware: good, Sperzel locking tuners, hardtail bridge; Case: Stagg gig bag; Weight: 3.37kg; Overall condition: good

£500-800

701.

2022 EVH Wolfgang Standard electric guitar, made in Indonesia; Body: purple burst finished quilted maple top upon blue finished back; Neck: roasted maple; Fretboard: roasted maple; Frets: good; Electrics: working; Hardware: good; Weight: 3.46kg; Overall condition: very good

£350-450

702.

2016 Chapman Guitars ML-3 Traditional electric guitar, made in Korea; Body: natural finish; Neck: maple with twenty-two fret maple fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.46kg; Overall condition: very good

£200-300

703.

1960s Watkins Rapier 22 electric guitar, made in England; Body: red refinish, dings and blemishes; Neck: maple, minor dings; Fretboard: rosewood; Frets: generally good, refret, minor oxidisation; Electrics: working; Hardware: generally good, replacement control knobs; Case: fitted hard case; Weight: 3.11kg; Overall condition: good for age £200-300

704.

2016 LTD by ESP Limited Edition Metallica Master of Puppets electric guitar, made in Korea; Body: Master of Puppets graphic top upon black back; Neck: maple with twenty-four fret ebony board and Metallica logo inlay; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity; Weight: 3.41kg; Overall condition: very good

*One of 400 made to celebrate the 30th anniversary of the Metallica Album 'Master of Puppets'

£800-1200

705.

Woodworm Music Products (Rob Williams) custom build T-Type electric guitar, made in England; Body: natural finish T-Type body with arm and body contour; Neck: figured birds eye maple twentytwo fret fingerboard; Frets: good; Electrics: working, Seymour Duncan pickup; Hardware: good, locking Sperzel tuners, Fender bridge and other miscellaneous hardware; Case: Thomann gig bag; Overall condition: good

£500-800

706.

Indie IRK-500 twelve string semi-hollow body electric guitar, made in Korea; Body: cherry sunburst finish, some large blemishes and knocks to edges, further minor dings and scratches; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: fair

£200-300

704

705

707.

2017 Airline Map STD electric guitar; Body: surf green finished tone chambered body; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.57kg; Overall condition: very good

£300-500

708.

1999 Phantom Guitarworks Phantom Reissue electric guitar, made in USA; Body: black finish, a few light marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.40kg; Overall condition: very good

£500-700

709.

2013 Spector Euro 4LX bass guitar, made in Czech Republic; Body: natural burr poplar top upon maple, finish blemish to bottom edge; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Thomann hard case; Weight: 3.93kg; Overall condition: good

£800-1200

710.

1980 Aria Pro II PE1000 electric guitar, made in Japan; Body: brown burst finish, buckle dings and scratches to back, light dings to top; Neck: mild wear to back; Fretboard: rosewood; Frets: good; Electrics: in need of attention, replacement Seymour Duncan pickups; Case: soft bag; Weight: 4.52kg; Overall condition: good for age

£450-550

711.

1981 Aria Pro II PE1000GC Gerry Cott Signature electric guitar, made in Japan; Body: metallic blue finish, a few very minor light marks; Neck: good, small chip to back corner of head; Fretboard: rosewood; Frets: good, some sprouting to edges; Electrics: working; Hardware: good; Case: Studio Logic hard case; Weight: 4.44kg; Overall condition: very good

£800-1200

712.

1983 Aria Pro II ES-650 SB hollow body electric guitar, made in Japan; Body: sunburst finish, light buckle scratches to back, minor dings throughout; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.13kg; Overall condition: good

£400-600

713.

1990 Levinson Blade Delta Thinline electric guitar, made in Japan; Body: sunset purple finish body, light marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working, replacement pickups; Hardware: generally good, gold plating loss to bridge cover; Case: Gibson gig bag; Weight: 3.91kg; Overall condition: good

£350-450

709

711

717 (See page 125)

718 (See page 125)

714.

1990 Charvel Fusion Custom 375 electric guitar, made in Japan; Body: silver sparkle finish, a few dings to edges otherwise good; Neck: maple with twenty-four fret rosewood board; Frets: good; Electrics: working; Hardware: generally good, missing trem arm, missing switch tip; Case: generic oblong hard case; Weight: 3.43kg; Overall condition: good

£400-600

715.

2020 Charvel Pro Mod DK22 electric guitar, made in Mexico; Body: electric blue finish; Neck: maple with twenty-two fret maple board; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case (missing handle); Weight: 3.22kg; Overall condition: very good

£200-300

716.

1950s Abbott Victor Musicmaster III archtop guitar, made in England; Body: natural finished maple back and sides and spruce top, heavy play wear and checking throughout; Neck: maple, various dings and marks; Fretboard: ebony; Frets: mild wear; Electrics: later installed DeArmond pickup; Hardware: later tailpiece, Grover Statite tuners; Overall condition: fair

*This guitar is currently set up for left-handed use, although would have originally been a right-handed guitar

£300-500

717.

2000 Patrick James Eggle Jazz Guitar; Back and sides: natural maple; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: mild wear; Hardware: good; Case: fitted Calton hard case; Overall condition: very good

£1500-2500

718.

2020 D'Angelico Excel EXL-1 hollow body electric guitar, made in Korea; Body: Tea burst finished maple back and sides and spruce top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, upgraded DeArmond Rhythm Chief pickup (original mini humbucker and controls retained in case); Hardware: replacement pickguard (original retained); Case: original hard case and papers; Weight: 3.30kg; Overall condition: good

£800-1200

719.

1950s Besson Aristone archtop guitar, made in Germany; Body: twotone sunburst finish, heavy buckle wear to back, heavy checking, dings and other marks throughout, bridge mark to centre top; Neck: heavy wear to back, vacant tuner holes to back of head; Fretboard: rosewood, groove wear to first position; Frets: good, refret; Electrics: working, period Hofner floating neck pickup; Hardware: replacement tuners, guard removed (included in case); Case: later hard case; Overall condition: fair

*Imported and sold by Besson in the 1950s. The guitar's original label signed by Jack Duarte

£200-300

720.

1950s Musima Record hollow body thin line electric guitar, made in Germany; Body: light burst with German carve back and front, various dings and marks to be expected for age, but generally good; Neck: maple ply neck, light checking; Fretboard: ebony; Frets: good, refret; Electrics: working, neck pickup output lower than bridge; Hardware: generally good, replacement tuners, replacement bridge, minor tarnishing to other metal parts; Case: Stagg gig bag; Weight: 3.65kg; Overall condition: good for age

£500-800

721.

1970s Sada Yairi YD304 acoustic guitar, made in Japan; Back and sides: rosewood, lacquer imperfection to back lower edge, further minor marks but generally good for age; Top: natural spruce, finish wear to treble side of fretboard, further minor dings; Neck: mahogany, a few minor dings but generally good; Fretboard: ebony; Frets: minor wear; Hardware: replacement Schaller tuners; Case: soft bag; Overall condition: good for age

£400-600

722.

Breedlove Passport Series OM-MME electro-acoustic guitar, made in Korea; Body: mahogany; Neck: mahogany; Fretboard: rosewood, light wear; Frets: good; electrics: working; Hardware: good; Overall condition: very good

£150-250

723.

Matthew Carter (Elysian) MC0326 acoustic guitar, made in England; Back and sides: walnut, dings and scratches; Top: natural, many heavy scratches and blemishes; Neck: mahogany, light scratches and marks; Fretboard: ebony; Frets: good, minor oxidisation to upper frets; Electrics: working, under-saddle pickup fitted; Overall condition: fair

£300-400

724.

Vagabond acoustic travel guitar, made in USA, with original Tough Traveller gig bag

£200-300

725.

Noel Maher 00 twelve string acoustic guitar; Back and sides: highly figured natural maple, a few minor dings; Top: natural spruce, small hairline to treble side lower bout; Neck: figured maple; Fretboard: ebony; Frets: good; Hardware: good; Case: hard case; Overall condition: very good

£500-800

726.

Freshman FA250GAC electro-acoustic guitar; Back and sides: laminated mahogany, dings to edges, dowelled hole to cutaway from previously installed strap button; Neck: good; Frets: mild wear; Electrics: working; Hardware: good; Case: good quality Protection Racket gig bag; Overall condition: good

£200-250

727.

2011 Fried van Doorslaer acoustic guitar; Body: 15" with walnut back and sides and spruce top, stable repaired hairlines to top, light play wear; Neck; mahogany; Fretboard: ebony; Frets: good, although edge sprouting; Hardware: good; Case: Hiscox hard case; Overall condition: good

£500-800

728.

Joe Veillette Moon Hole Acoustic Grand 16" Baritone twelve string electro-acoustic guitar, made in USA; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Levy's gig bag; Overall condition: good

£1200-1500

729.

2023 Auden Chester Artist Rosewood Cutaway electro-acoustic guitar, made in England; Back and sides: Indian rosewood; Top: cedar; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working, Brand Clark Supernatural AS pickup; Hardware: good; Case: original hard case; Overall condition: very good

£500-800

730.

Maton Solid Road Series SRS70C electro-acoustic guitar, made in Australia; Back and sides: blackwood; Top: natural spruce; Neck: Queensland maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: excellent

£1000-1500

731.

1981 John Hullah acoustic bass guitar, made in Preston, England; Body: figured maple back and sides, deep body with natural spruce top, some parting to centre top, some lifting to belly behind bridge, scratches and dings to top, back and sides, surface buckle scratches to back; Neck: maple, visible bow; Fretboard: ebony; Frets: tarnishing and oxidisation, minor wear; Hardware: generally good, Schaller tuners; Case: bespoke fitted hard case; Overall condition: fair

£600-1000

732.

1981 John Hullah acoustic guitar, made in Preston, England; Back and sides: rosewood, surface marks; Top: natural spruce, repaired hairline to centre top, minor rippling to centre top, various dings and marks; Neck: mahogany, neck repair using to screws through the volute; Fretboard: ebony; Frets: heavily tarnished and oxidised, worn; Hardware: generally good; Case: Horizon hard case; Overall condition: fair

£500-800

733.

1940s Kay US Strad Terz guitar, made in USA; Back & Sides: mahogany, various scratches and other wear to be expected for age; Top: spruce, stable hairline and other minor wear; Neck: maple, large chunky profile with slight V; Fretboard: rosewood; Frets: brass, mild wear; Electrics: working, later fitted Japanese Guyatone pickup; Hardware: Shrunken heads to Kluson Deluxe tuners, later pickguard; Overall condition: good for age

£250-450

734.

Kay K6533 "Value Leader" electric archtop guitar, made in USA, circa 1962; Body: two-tone sunburst finish, checking, scratches and other marks throughout; Neck: generally good, slight bow; Fretboard: good; Frets: good; Electrics: working; Hardware: generally good, some tarnishing to metal parts; Case: fitted hard case; Weight: 2.23kg; Overall condition: good for age

£300-400

735.

1970s Ricky Copy bass guitar, probably by Shaftesbury; Body: black finish, heavy scratches and dings throughout, surface buckle rash to centre back, heavier blemishes to edges; Neck: minor dings throughout; Fretboard: rosewood; Frets: worn and tarnished; Electrics: working, modified to mono output only; Hardware: good, upgraded Rickenbacker tuners, bridge moved back to correct scale length; Weight: 4.98kg; Overall condition: fair

£200-300

LOTS 736-750 NO LOTS

751.

2007 Squier by Fender Hello Kitty acoustic guitar, black finish, minor surface marks to body, within soft bag

£150-200

752.

2020 Squier by Fender Paranormal Cabronita Telecaster Thinline electric guitar, Olympic white finish; together with a modified 1994 Squier by Fender Telecaster electric guitar (2)

£150-250

753.

Squier by Fender Strat electric guitar, black finish, soft bag

£60-100

754.

Squier by Fender Silver Series Precision Bass guitar, made in Japan (1993-1994); Body: three-tone sunburst finish, heavy blemishes, scratches and scuffs throughout; Neck: maple, dings and marks; Fretboard: rosewood; Frets: sprouting to fret ends; Electrics: in need of attention, jack requires re-soldering; Hardware: missing tone control nut and knob, G tuner missing one screw, screw missing to scratchplate, minor oxidisation to smaller metal parts; Weight: 3.88kg; Overall condition: fair

£150-250

755.

2023 Squier by Fender Mustang electric guitar, two-tone sunburst finish, sold with additional HH loaded Mustang pickguard and a Musiclily pearloid Mustang guard

£100-200

756.

2010 Squier by Fender Vintage Modified Jaguar HH electric guitar, made in Indonesia; Body: Fiesta red finish, heavy fading to front, lacquer imperfections and surface marks/ scuffs; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Overall condition: good

£100-200

757.

1989 Squier by Fender Telecaster electric guitar, made in Korea; Body: black finish, heavy finish blemishes around both edges, further dings and surface scratches; Neck: maple; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: generally good, some tarnishing to metalware, missing one pickguard screw, eagle motif painted to pickguard, missing switch tip; Case: gig bag; Overall condition: fair

£100-200

758.

2011 Squier by Fender Classic Vibe 60s Precision bass guitar, made in China; Body: Fiesta red finish, finish buffed to a semi-satin feel, however leaving scratching throughout, various stickers applied; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working, upgraded with Nordstrand NS2 pickups; Hardware: good; Overall condition: fair

£80-120

759.

2013 Squier by Fender Vintage Modified Special Telecaster Jazzmaster electric guitar, made in China; Body: butterscotch finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: very good

£150-250

760.

2000 Squier by Fender Standard Series Telecaster electric guitar, made in Indonesia; Body: blonde finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: very good

£80-120

761.

Squier by Fender Strat electric guitar; Body: red finish; Neck: maple; Fretboard: rosewood; Frets: worn; Electrics: working; Hardware: good; Case: Fender gig bag; Overall condition: very good

£60-80

762.

2021 Squier by Fender Telecaster electric guitar, made in China; Body: see-through butterscotch finished body, minor surface marks; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: generally good, Union Jack scratchplate; Case: Peavey gig bag; Overall condition: good

£100-150

763.

2004 Squier by Fender Standard Series Thinline Telecaster HH electric guitar, made in China; Body: trans red finish, buckle scratches to back, a few further marks and dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Overall condition: good for age

£150-250

764.

1998 Squier by Fender Affinity Series Tele electric guitar, black finish (imperfections); together with a Stagg mandolin

£80-120

765.

2019 Squier by Fender Classic Vibe 70s Stratocaster electric guitar, made in Indonesia; Body: natural finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: TGI soft bag; Overall condition: good

£150-200

766.

1980s Fender F-65 acoustic guitar, made in Korea; Back and sides: Indian rosewood; Top: natural spruce, some lacquer clouding to edges, minor ding; Neck: mahogany, minor dings; Fretboard: rosewood; Frets: minor wear; Overall condition: good for age

£80-120

767.

2005 Fender DG-5CE BLK acoustic guitar, with fitted hard case; together with a Hohner MC-05 classical guitar and a Powerplay acoustic in need of restoration (3)

£50-100

768.

2022 Epiphone Hummingbird Studio electro-acoustic guitar, made in Indonesia; Back and sides: mahogany; Top: amber burst; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: very good

£150-250

769.

2022 Epiphone Hummingbird twelve string electro-acoustic guitar, made in Indonesia; Back and sides: laminated mahogany; Top: amber burst spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: compressed foam fitted case; Overall condition: very good

£150-200

770.

2000 Epiphone Limited Edition Les Paul ES Pro hollow body electric guitar; Body: cherry sunburst finish, large crudely repaired crack towards bottom of body, further impact crack to back, further dings and marks; Neck: slight separation to graft; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Stagg hard case; Overall condition: poor £100-200

771.

1998 Epiphone EJ212VS electro-acoustic guitar, made in Korea; Body: sunburst finish, light scuffs and scratches; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: fitted Rock Case hard case; Overall condition: good

£150-200

772.

1996 Epiphone EJ200/VS electro-acoustic guitar, made in Korea; Body: sunburst finish, light dings and marks to finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case; Overall condition: good for age

£150-200

773.

2016 Epiphone Les Paul Special Express short scale electric guitar, sunburst finish

£50-80

774.

Four guitars in need of some repair to include a Japanese Epiphone FT-150, an Eko with case, a Kimbara 5/P acoustic guitar and a Kimbara 173/W classical guitar (4)

£100-200

775.

Landola E-221 acoustic guitar, made in Finland; Back and sides: rosewood, heavy scratches and lacquer checking; Top: natural spruce, heavy lacquer checking and dings, slight raise to belly; Neck: heavy checking; Fretboard: rosewood; Frets: refret; Case: Epiphone hard case; Overall condition: fair

£40-80

776.

1998 Epiphone Les Paul Junior electric guitar, two-tone sunburst finish

£80-120

777.

2012 Turner Guitars 42CE electroacoustic guitar, natural zebra wood back and sides and spruce top, boxed with tags (new/old stock)

£80-120

778.

2012 Turner Guitars 42CE electro-acoustic guitar, natural zebra wood back and sides and spruce top (new/old stock)

£80-120

779.

2011 Turner Guitars RB20 electro-acoustic guitar, natural maple back and sides and spruce top (new/old stock)

£80-120

780.

2014 Turner Guitars RB20 electro-acoustic guitar, natural finish, original shipping box (new/B stock, small crack to bass hand side of head)

£60-100

781.

2014 Turner Guitars 42CE electro-acoustic guitar, with natural zebra wood back and sides and spruce top, original shipping box (new/old stock)

£80-120

782.

2013 Turner Guitars 42CE electro-acoustic guitar, with original tags and shipping box (new/old stock)

£80-120

783.

Yamaha APX-6N nylon string electroacoustic guitar; Back and sides: laminated rosewood, light scratching to back; Top: good; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good for age

£100-200

784.

Yamaha TRBX305 five string bass guitar, made in Indonesia; Body: metallic gunmetal finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Ritter gig bag; Overall condition: very good

£100-200

785.

Yamaha Pacifica PAC112V electric guitar with Roland GK midi pickup installed and wired through the body, black finish

£80-120

786.

1999 Yamaha Pacifica PAC-120S electric guitar, made in Taiwan; Body: vintage white finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Stagg hard case; Weight: 3.31kg; Overall condition: very good

£100-150

787.

Yamaha ERG121 electric guitar, black finish (imperfections); together with a Swift LP type electric guitar, black finish (imperfections) (2)

£80-120

788.

Yamaha Pacifica PAC112X electric guitar, silver finish, with Westfield hard case and Line 6 Relay G10 wireless unit

£80-120

789.

Yamaha Pacifica PAC 303-12 twelve string electric guitar; Body: red burst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Overall condition: very good

£100-200

790.

Yamaha APX600 FM electro-acoustic guitar, made in Indonesia; Back and sides: laminated mahogany, minor surface scratches; Top: amber flame maple top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: good

£100-200

791.

Yamaha FG-345 acoustic guitar, made in Taiwan; Back and sides: rosewood, minor marks but generally very good for age; Top: natural spruce, a few minor dings; Neck: mahogany; Fretboard: rosewood, minor groove wear; Frets: good; Hardware: good, bridge slightly shaved down to allow for low action; Case: Gator hard case; Overall condition: good for age

£150-250

792.

Yamaha FG-330 acoustic guitar, made in Taiwan, with neck heel repair (screwed from fretboard through to heel); together with an Eros Mark II Les Paul type electric guitar, made in Japan (2)

£80-120

793.

Ibanez AEJ70 archtop hollow body electric guitar, sunburst finish, electrics in need of rewiring/attention

£60-100

794.

2009 Ibanez ART300 electric guitar, made in China; Body: black gloss finish; Neck: good; Fretboard: rosewood, lightning bolt sticker position inlay applied; Frets: good; Electrics: working; Hardware: good; Overall condition: good

£100-200

795.

2009 Ibanez EW50SME-NT electroacoustic guitar, made in China; Body: natural spalted maple; Neck: good; Fretboard: ebony; Frets: some tarnishing but otherwise good; Electrics: working, although battery compartment cover missing; Hardware: good; Overall condition: good for age

£100-200

796.

2015 Ibanez Artwood AC240-OPN acoustic guitar, made in China; Body: natural mahogany; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Hardware: good; Case: Andertons Pro Bag gig bag; Overall condition: good

£80-120

797.

1980 Ibanez Blazer Series electric guitar, made in Japan, in heavily modified condition

£80-120

798.

Ibanez V300 acoustic guitar; Back and sides: laminated mahogany, minor surface scratches and various dings; Top: vintage sunburst finish, large blemish to centre top, further dings and marks; Neck: mahogany; Fretboard: rosewood; Frets: oxidisation and tarnishing; Hardware: good; Case: period hard case; Overall condition: fair

£80-120

799.

Harmony H162 acoustic guitar, made in USA; Back and sides: mahogany, repaired cracks to back; Top: natural spruce, some checking; Neck: mahogany, minor dings; Fretboard: rosewood; Frets: good; Case: semi-rigid fibreboard case; Overall condition: fair

£100-200

800.

Harmony Roy Smeck acoustic guitar, made in USA; Back and sides: large split to bass hand side along with other smaller splits, heavy scratching, rubbing and blemishes throughout; Top: marks throughout, indentations left over from a previously fitted trapeze tailpiece, replacement bridge plate, slight belly lifting; Neck: slight bow, dings and scratches; Fretboard: rosewood, missing one dot position marker; Frets: mild wear; Hardware: shrunken tuner heads, replacement bridge saddle and bridge pins; Case: soft bag; Overall condition: fair

£100-200

801.

1940s Harmony H1114 small bodied acoustic guitar, made in USA, with forward lean to neck and currently set up for slide, soft bag

£100-200

802.

Harmony H6810 acoustic guitar, made in Korea; Body: natural laminated mahogany, surface marks; Neck: head repair; Fretboard: surface wear throughout; Frets: mild wear; Overall condition: fair

£50-100

803.

Stella Harmony Heritage Series Limited Edition STPAMG small bodied acoustic guitar, with soft bag

£80-120

804.

Three acoustic guitars in need of some TLC/set up, including a Harmony H6830, an Eko Laredo and an Ashland by Crafter SF40CEMS; together with a B & M Severe classical guitar and a Hokada small bodied nylon string guitar (5)

£50-100

805.

Harmony S-Type electric guitar, made in Korea; Body: silver burst finish with many dings and marks; Neck: maple; Fretboard: maple; Frets: tarnishing; Electrics: in need of attention; Hardware: missing switch tip, rusting to smaller metal parts; Overall condition: fair

£50-80

806.

2004 Line 6 Variax acoustic guitar, made in Korea, with original gig bag

£150-200

807.

2004 Line 6 Variax 700 acoustic guitar, made in Korea, with gig bag

£200-250

808.

2003 Line 6 Variax left-handed electric guitar, made in Korea, with original gig bag

£100-200

809.

2015 Line 6 Variax Standard electric guitar, sunburst finish, with Cahaya gig bag and associated cables (missing one control knob cap)

£150-250

810.

2006 Washburn X Series electric guitar, black finish, with gig bag

£80-120

811.

Washburn Rover acoustic travel guitar with original compressed foam case; together with a Crafter TC035 electro-acoustic guitar in need of restoration (head break), within compressed foam case (2)

£50-80

812.

2010 Washburn HB15CTSK hollow body electric guitar; Body: sunburst finish, crudely repaired cracks to front and back; Neck: good; Fretboard: rosewood; Frets: good; Hardware: good; Overall condition: poor

£80-120

813.

1990s Washburn Festival EA Series electroacoustic guitar; Body: natural mahogany back and sides and spruce top, various minor dings; Neck: mahogany, neck heel repair; Fretboard: rosewood; Frets: mild wear; Electrics: working; Overall condition: fair

£100-150

814.

2012 Hofner Contemporary Series HCTVTH-TR Verythin semi-hollow body electric guitar; Body: cherry finished laminated maple; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good

£150-250

815.

2007 Hofner Verythin Standard-CT semihollow body electric guitar; Body: natural finish; Neck: good; Fretboard: rosewood; Frets: mild wear and tarnishing but generally good; Electrics: working; Hardware: good; Overall condition: good

£150-250

816.

Hofner Contemporary Series Shorty electric travel guitar, with original gig bag £40-60

817.

Custom made hollow body electric guitar inscribed Mcilraith to the head; Body: amber burst Peerless Thinline body; Neck: Hofner ebony board neck with custom inlay, paint chips to tip of head; Electrics: working, floating sound hole pickup and Piezo at the bridge; Hardware: good; Weight: 2.55kg; Overall condition: good £150-250

818.

1980s Hohner SG Lion electric guitar; Body: quilted maple stained top upon stained mahogany back; Neck: maple, head logo missing; Fretboard: ebony with star pearl inlay; Electrics: working; Hardware: good; Case: Fender gig bag; Overall condition: good

£150-250

819.

Hohner Professional PJ bass guitar; Body: black finish, surface scratches and minor dings; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good

£80-120

820.

Hohner Professional JT60 electric guitar; Body: Olympic white finish, various marks including some drop filling to finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Stagg gig bag; Overall condition: good for age

£100-150

821.

1987 Hohner Professional ST Ferari lefthanded electric guitar; Body: black finish with dings and scratches throughout, original bridge cavity filled and area refinished; Neck: various dings, bolt-on; Fretboard: rosewood, worn; Frets: heavy oxidisation; Electrics: require attention; Hardware: replacement bridge, missing screws from pickup surrounds, missing switch tip; Case: generic oblong hard case; Overall condition: fair

£80-120

822.

Gretsch Roots Collection G9520E-BLK Gin Rickey electro-acoustic guitar

£100-150

823.

Gretsch G5700 Electromatic lap guitar, made in Korea; Body: tobacco sunburst finish, surface scratches mainly located to the back; Electrics: working; Hardware: good, bridge cover removed but included in sale, control plate appears to have been slightly moved and glued to the top (standard screws no longer in place); Case: original gig bag; Weight: 2.58kg; Overall condition: fair

£100-200

824.

1960s Japanese made (Teisco) electric guitar

£80-120

825.

1960s Teisco double cut hollow body electric guitar, made in Japan; Body: sunburst finish, dings and scratches throughout; Neck: a few dings but generally good; Fretboard: rosewood, minor wear; Frets: visible indent wear throughout, tarnishing and oxidisation particularly to upper frets; Electrics: working, with some potentiometer crackle; Hardware: rusting to tailpiece and other smaller metal parts, general pitting to other hardware; Overall condition: fair

£80-120

826.

1960s hollow body electric guitar, made in Japan, possibly by Teisco; Body: red burst finish, many scratches and dings throughout; Neck: minor bow, blemishes and wear; Fretboard: rosewood, missing third position dot inlay; Frets: worn; Electrics: in need of attention; Hardware: bent tuner shafts, tarnishing to metal parts; Overall condition: fair

£50-100

827.

1960s Japanese small bodied electric guitar, probably by Teisco, in need of some repair

£50-80

828.

1960s Top Twenty electric guitar, made in Japan; Body: dark red finish, light buckle scratches and further dings and blemishes, but generally acceptable for age; Neck: bolton, a few dings but generally good; Fretboard: rosewood; Frets: worn; Electrics: working; Hardware: good, missing trem arm; Case: period fibreboard case; Overall condition: good for age

£80-120

829.

1960s Top Twenty electric guitar, made in Japan, upper slider switch changed to a coil switch, missing tremolo, lower E tuner button replaced

*Sold on behalf of Changing Tunes Charity: Changing Tunes use the power of music to help people lead crime free lives that are meaningful and creative. They facilitate music-making programmes in Alternative Provision Schools, Secure Children’s Homes, Young Offender Institutions, Prisons and Post-Release

£80-120

830.

1960s Jedson T-Type electric guitar, blonde finish (imperfections)

*Sold on behalf of Changing Tunes Charity: Changing Tunes use the power of music to help people lead crime free lives that are meaningful and creative. They facilitate music-making programmes in Alternative Provision Schools, Secure Children’s Homes, Young Offender Institutions, Prisons and PostRelease

£80-120

831.

1960s Jedson electric guitar for projects/ repairs

£40-80

832.

Tanglewood TW-145/12-SC electroacoustic guitar; Back and sides: laminated mahogany, a few light surface marks; Top: natural spruce, slight lift to bottom edge of bridge; Neck: mahogany; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Overall condition: good

£100-150

833.

Tanglewood Nevada FPB24 bass guitar; together with a Peavey Combo 115 bass guitar amplifier and a Marshall MB Series B30 guitar amplifier (3)

£100-200

834.

Tanglewood Bassmaster Funk bass guitar, with shaped hard case

£80-120

835.

Tanglewood TW15/12-FC4 twelve string electro-acoustic guitar; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: very good

£100-200

836.

2014 Crafter Lite-Cast Ace MH/BR electroacoustic guitar, with original gig bag

£60-100

837.

2007 Crafter D8-12EQ/N twelve string electro-acoustic guitar, made in Korea, mahogany back and sides and natural spruce top, slight belly to top, large blemish to top, tarnishing to frets, original hard case

£80-120

838.

Crafter SJ-240 acoustic guitar, made in Korea; Body: sunburst finish with surface scratches and marks throughout; Neck: minor dings; Fretboard: rosewood; Frets: good; Hardware: good; Overall condition: good for age

£80-120

839.

1960s Kay KT-200 electric guitar, made in Japan (missing trem arm)

£80-120

840.

1960s Kay E-100 electric guitar, made in Japan

£80-120

841.

1970s Kimbara branded Kay bass guitar; Body: natural finish, heavy buckle scratches, further scratches and dings throughout; Neck: maple, V neck profile, dings and marks; Fretboard: maple; Frets: worn and tarnished; Electrics: working; Hardware: replacement control knobs, pickguard screws missing, thumb rest missing, bridge cover missing; Overall condition: fair

£50-80

842.

1980s Kay K-45 electric travel guitar, with original gig bag (replaced bridge pickup, missing original strap)

£100-200

843.

Modified 2002 Aria four string bass guitar, with gold leaf applied finish to body and head

£80-120

844.

1980s Aria Pro II IGB-SPT 'Billy Gould' bass guitar; Body: black finish, light surface marks and scratches, various dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good for age

£120-180

845.

1990 Aria Pro II TA65 semi-hollow body electric guitar; Body: natural finish, light surface marks to the centre back; Neck: a few light dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Bigsby type vibrato tailpiece installed, minor loss to gold plating; Overall condition: good

*Sold on behalf of Changing Tunes Charity: Changing Tunes use the power of music to help people lead crime free lives that are meaningful and creative. They facilitate music-making programmes in Alternative Provision Schools, Secure Children’s Homes, Young Offender Institutions, Prisons and Post-Release

£100-200

846.

2007 Dean Dime Razorback bass guitar, made in China; Body: black finish with silver edging, finish repair to end points, various chips to points; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some oxidisation; Case: original fitted hard case; Overall condition: fair £100-200

847.

1960s Audition electric guitar, made in Japan; Body: three-tone sunburst finish, good condition for age with minor marks; Neck: maple neck with twenty-two fret rosewood fingerboard, chord notation marker stickers to back of neck; Frets: worn; Electrics: working; Hardware: good; Case: original shipping box; Overall condition: very good

£80-120

848.

1970s Maya CLS-2 electric guitar, made in Japan; Body: black finish with many blemishes and dings; Neck: various dings throughout; Fretboard: rosewood; Frets: worn; Electrics: working; Hardware: good, replacement tuners; Case: gig bag; Overall condition: fair

£100-200

849.

1980s Kiso Suzuki WE150 acoustic guitar, made in Japan; Back and sides: rosewood, buckle scratches and other marks; Top: many dings and blemishes; Neck: mahogany, many dings and scratches; Fretboard: rosewood; Frets: worn; Hardware: minor tarnishing to metalware; Case: fitted hard case; Overall condition: fair

£100-200

850.

Blackstar Carry-on electric travel guitar, with original gig bag

£150-200

851.

Old modified six string electric lap guitar

£30-60

852.

Customised SX VTG Series Tele type electric guitar, with single bridge pickup and single volume control, with gig bag

£50-100

853.

Custom build S-Type electric guitar with white finish Squier body, twenty-two fret maple board neck and Crafter tuners, with soft bag

£50-100

854.

Interesting 1960s lap guitar, green finish with pearloid position board and string cover, within original hard case

£80-120

855.

Six electric guitars to include a pink finished Gear4Music S-Type electric guitar, an Encore, a Burswood, a Rockburn, an Acoustic Solutions Mini and a Prolectrix (in varying states of repair) (6)

£30-60

856.

Marlin PJ Hybrid bass guitar, with candy apple red relic finish; together with a T-Type electric guitar in need of some restoration, bearing a Marlin neck plate and Warman bridge pickup (2)

£40-80

857.

Harley Benton Vintage Series LP type electric guitar, tobacco burst finish (missing pickguard)

£70-100

858.

2013 LTD by ESP TE-212 electric guitar, made in Vietnam; Body: black finish, a few light scuffs and marks to edges; Neck: maple with twenty-two fret maple fingerboard; Frets: good; Electrics: working; Hardware: good, missing switch tip; Overall condition: very good

£100-200

859.

Brian May Guitars Mini May electric guitar, with original gig bag

£100-200

860.

Legacy Classic Collection Flying V electric guitar in need of attention, fitted with EMGHZ pickups (output jack missing)

£60-100

861.

Lindo Offset V electric guitar; together with another Offset V electric guitar in need of restoration (2)

£50-80

862.

Jim Harley EVH Type electric guitar, red quilt finish, maple neck with low action, upgraded Seymour Duncan pickups; overall condition: very good (missing trem arm)

£80-120

863.

Recording King electric lap guitar, within Clearwater gig bag

£50-100

864.

2022 Burns SJ12 twelve string electric guitar, made in China; Body: white finish, a few minor marks; Neck: generally good, minor mark behind second fret; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: good

£150-250

865.

Ozark W-model Weissenborn style electroacoustic lap guitar, within fitted hard case

£100-200

866.

Two Gear4Music DN212NT electro-acoustic twelve string guitars (2)

£50-100

867.

2021 Recording King Dirty 1930s RPH-R2-EMBK electro-acoustic resonator guitar, made in China

£50-100

868.

2005 Schecter Diamond Series C-4 bass guitar, made in Korea; Body: dark cherry burst quilted top upon cherry back, large buckle chip to back, further minor dings, blemish to treble side edge; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: gig bag; Overall condition: fair

£100-200

869.

Schecter Diamond Series C-1+ electric guitar, made in Korea; Body: cherry sunburst figured veneer top upon cherry mahogany back, a few light surface marks and minor dings; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: Rockers gig bag; Overall condition: good

£100-200

870.

C.F. Martin LX Black Little Martin electroacoustic travel guitar

£150-250

871.

1950s Zenith archtop guitar, made in Germany; Body: natural finish, lacquer checking, rubbing to edges, further dings and scratches as to be expected for age; Neck: ebonised, slight bow, minor dings; Fretboard: rosewood; Frets: mild wear and green oxidisation; Electrics: Hofner floating neck pickup installed; Hardware: generally good, although some tarnishing and light rusting; Case: modern gig bag; Overall condition: fair

£80-120

872.

1950s Stella Sundale small bodied acoustic guitar (bow to neck); together with a Valeta CD6100TB acoustic guitar (2)

£100-200

873.

1980s Antoria Rockstar EG1935 semihollow body electric guitar, made in Korea; Body: natural finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some loss to gold plating; Overall condition: good; together with a Yamaha F310 acoustic guitar (2) £100-200

874.

James Neligan NA573 acoustic guitar; Back and sides: laminated natural maple; Top: natural solid spruce top; Neck: maple; Fretboard: rosewood; Frets: good; Hardware: good; Case: Ritter gig bag; Overall condition: good

£80-120

875.

Four guitars, two in need of extensive restoration to include an Eko Rio Bravo twelve string for repair, hard case, a Behringer short scale electric, a BM Clasico, hard case and another small bodied guitar in need of repair (4)

£80-120

876.

1980s Columbus Crest semi-hollow body electric guitar, made in Korea; Body: dark cherry finished laminated body; Neck; bolton, large shim to neck pocket to improve action, small stable hairline to head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: replacement Ping tuners, two replacement neck plate screws; Case: hard case; Overall condition: fair

£80-120

877.

AXL Icon Series LP-Type electric guitar, sunburst finish, soft bag; together with a custom made single pickup S-Type electric guitar, with soft bag (some attention needed) (2)

£50-100

878.

1994 Seagull acoustic guitar, labelled ASE05E, made in Canada; Back and sides: mahogany, light marks and scratches; Top: natural spruce, repaired hairline cracks; Neck: light wear; Fretboard: good; Frets: good; Overall condition: fair

£70-100

879.

Schecter Diamond Series C-1 Elite electric guitar; Body: quilted orange top upon orange finished mahogany back; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good, light gold plating loss; Overall condition: good

£150-250

880.

1960s Framus small bodied acoustic guitar, made in Germany; together with a Stagg M20 mandolin and an Ecorda bouzouki (3)

£80-120

881.

Custom made three string Indiana licence plate box electric guitar

£30-60

882.

Groove LP-Type electric guitar, sunburst finish, missing truss rod cover, minor finish imperfections

£60-100

883.

Custom made LP-Type electric guitar, comprising stripped and oiled natural body, stop bar removed and holes plugged with trapeze tailpiece installed; Neck: stripped and oiled mahogany neck, gap between body to neck fitting; Fretboard: rosewood; Frets: good; Electrics: working, P90 type humbucker pickups; Hardware: miscellaneous hardware; Case: Fender gig bag; Overall condition: fair

£80-120

884.

S-Type electric guitar branded 'Nadine Standard', comprising discoloured Olympic white finish body (blemishes), twenty-one fret maple board neck, miscellaneous electronics and hardware, soft bag

£50-80

885.

Revelation RJT60-B baritone electric guitar; Body: Fiesta red finish, a few light marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; hardware: good, missing trem arm; Case: 1970s shaped hard case; Overall condition: good

£100-200

886.

2007 Ashbory by Fender bass guitar, crafted in Korea, with original gig bag

£80-120

887.

2017 Tokai Legacy 335 type semi-hollow body electric guitar, made in China; Body: cherry finish, light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, truss rod cover logo blackedout; Overall condition: good

£80-120

888.

Custom build S-Type electric guitar comprising partially relic'd Olympic white finish body (trem block cavity crudely cut); Neck: partially relic'd maple neck; Fretboard: rosewood; Frets: mild wear; Electrics: working, ceramic pickups with CTS pots; Hardware: generally good, Trem King bridge and other miscellaneous hardware; Overall condition: fair

£70-100

889.

1970s Kay LP-Type electric guitar, black finish (imperfections); together with another electric guitar, possibly by Kay in need of restoration (2)

£40-80

890.

Manchester City Football Club inspired SType electric guitar, made in China, soft bag £80-120

891.

Bohemian Motor Oil oil can bass guitar; together with two Mahalo ukuleles (3) £70-100

892.

Stagg bass guitar, sunburst finish £80-120

893.

Landola E-231 twelve string acoustic guitar, made in Finland; Back and sides: rosewood, heavy checking throughout; Top: natural spruce, heavy checking; Neck: heavy lacquer checking to back and front of head; Fretboard: rosewood; Frets: good; Hardware: generally good, some age tarnishing; Overall condition: fair

£50-80

894.

JHS Vintage Zip electric guitar; Body: gold sparkle finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: replacement control knobs, some loss to gold plating; Overall condition: good

£80-120

895.

2020 JHS Vintage VSA500 SB-12 semihollow body electric guitar; Body: three-tone sunburst finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: very good

£100-150

896.

Danelectro Pro 56 electric guitar, made in Korea; Body: sky blue finish, ding to treble edge; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: compressed foam Stagg case; Overall condition: good

£100-200

897.

JHS Vintage Reissued Series V52 electric guitar; Body: butterscotch finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: TGI gig bag; Overall condition: very good

£100-150

898.

1980s Sigma for Martin DM-5 acoustic guitar in need of repair, made in Japan (head crack); together with a Suzuki 1664 nylon string guitar, semi-rigid case and a Molodija Menges nylon string guitar in need of some attention (3)

£100-150

899.

Custom build T-Type Baritone electric guitar; Body: natural mahogany body with maple binding to front and back; Neck: Warmoth twenty-four fret Fender licensed rosewood board baritone neck; Electrics: working, Squier type electronics; Hardware: Kluson style tuners, Fender neck plate, Fender stamped bridge and saddles and other miscellaneous hardware; Case: Hiscox hard case; Overall condition: good for age £150-250

900.

Bohemian Guitars 'Fire Eaters Hot Sauce' oil can guitar

£50-100

901.

Fullerton MoVibe HH electric guitar; Body: candy apple red, light surface marks to back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Excel gig bag; Overall condition: good

£180-220

902.

Switch Vibracell Wild II electric guitar; Body: neon orange finish, a few minor imperfections; Neck: lacquer crack to head/neck (stable); Fretboard: rosewood; Frets: minor wear; Electrics: working, replacement QM1 bridge pickup; Hardware: generally good, missing one screw to truss rod cover; Case: Peavey gig bag; Overall condition: fair

£100-200

903.

2010 Dobro Hound Dog single cone resonator guitar, with original shipping box

£200-300

904.

2021 G&L Tribute Series ASAT P90 electric guitar, made in Indonesia; Body: trans cherry red finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Tiger soft bag; Overall condition: very good

£150-250

905.

1993 Jackson Concept JDR-94 electric guitar, made in Japan; Body: black finish, buckle blemish to back, further blemishes to edges, further dings and surface marks throughout; Neck: maple, end of head chipped, further chip to head face; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Overall condition: fair

£100-200

906.

Sojing double neck skeleton guitar (electrics in need of attention); together with a Kansas small bodied guitar with sound hole pickup, set up for slide (2)

£50-80

907.

Unbranded electric resonator guitar, black finish, minor imperfections

£80-120

908.

JHS Vintage VEC500-12 twelve string electroacoustic guitar, natural finish (slight belly lift, bridge slightly lifting from top and needs investigation), soft bag

£40-80

909.

Celebrity by Ovation CC13 electro-acoustic guitar, made in Korea; Back and sides: Lyrachord bowl back; Top: natural spruce; Neck: mahogany, a few minor dings; Fretboard: rosewood; Frets: good; Hardware: good; Overall condition: very good

£80-120

910.

1950s Rosetti by Egmond archtop guitar; together with a Peerless Folk 3052 nylon string guitar (2)

£80-120

911.

Ashbury AJ-160E electro-acoustic guitar, made in Korea, natural finish

£80-120

912.

Ozark Professional electric resonator guitar, natural finish

£150-250

913.

1950s Olympic archtop guitar; Body: natural finish maple back and sides and spruce top, checking throughout, blemishes to top from previously installed bridge, marks and dings throughout; Neck: slight bow; Fretboard: rosewood; Frets: mild wear; Hardware: tarnishing/rusting to metal parts; Case: soft bag; Overall condition: fair

£150-250

914.

1970s Sakura Les Paul copy electric guitar; Body: cherry sunburst finish, heavy scratches and dings throughout; Neck: scuffs and dings including chips to points of head; Fretboard: rosewood; Frets: mild wear; Electrics: working although some jack intermittence; Hardware: typical loss to gold plating; Overall condition: fair

£80-120

915.

Burns Club Series Marquee electric guitar; Body: two-tone burst finish, light dings and marks but generally good for age; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: good

£150-200

916.

1950s Framus left-handed archtop guitar, made in Germany; Body: sunburst finish, dings and blemishes, later adapted Florentine cutaway; Neck: slight bow, various dings; Electrics: later installed neck pickup; Hardware: later bridge and pickguard; Case: soft bag; Overall condition: fair

£80-120

917.

Homemade alloy six string lap guitar with Wilkinson P90 pickup

£80-120

918.

Interesting vintage electric guitar in need of restoration, with 'Plato' Pickup (neck heel crack), within wooden case

£30-50

919.

1980s Chevy electric guitar, made in Korea; Body: black finish with scratches and dings throughout Neck: maple; Fretboard: maple; Frets: tarnishing; Electrics: working; Hardware: generally good, missing trem arm, rusting to smaller metal parts, pitting and tarnishing to neck plate; Overall condition: fair

£100-200

920.

1980s Fenix by Young Chang bass guitar, made in Korea, in need of some attention

£60-100

921.

1970s Concorde Mark 31 acoustic guitar, made in Japan, mahogany back and sides and spruce top with heavy play wear, scratches and marks, damage to lower bout towards edge of top; Overall condition: fair

£50-80

922.

2020 JHS Vintage V100 electric guitar; Body: black finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: upgraded Grover tuners; Case: Fender gig bag; Overall condition: good

£80-120

923.

Mountain W230 acoustic guitar, made in Japan; Back and sides: laminated rosewood, scuffs, dings and other minor marks; Top: natural spruce, belly lift behind bridge, light scratches; Neck: light dings, minor back bow; Fretboard: rosewood; Frets: mild wear; Hardware: good; Overall condition: fair

£80-120

924.

1980s Encore electric guitar; Body: pearlescent white finish, scratches and scuffs throughout; Neck: maple with skunk stripe; Fretboard: rosewood; Frets: mild wear and tarnishing; Electrics: working; Hardware: generally good, some tarnishing, some rusting to smaller metal parts, missing trem arm; Overall condition: good for age

£80-120

925.

Hamer Slammer Series electric guitar, made in Korea; Body: trans red finished figured maple body, light surface marks; Neck: maple, light wear; Fretboard: rosewood; Frets: generally good, mild tarnishing; Electrics: working, Seymour Duncan humbucker to bridge; Hardware: good; Overall condition: good for age

£150-250

LOTS 926-950 NO LOTS

End of sale

Day Two

DAY THREE

Guitar Amplification

Guitar effects, Guitar spares

Studio & Audio Equipment

Thursday 13th June 2024 at 10am

Guitar Amplifiers

951.

1971 Marshall JMP 1959T 100 watt Super Tremolo guitar amplifier head, made in England, amp fitted within a replacement box by Zilla Cabs

£1500-2000

952.

1981 Marshall JMP 2104 Master Model 50 watt MK II Lead 2x12 guitar amplifier combo, made in England, with dust cover

£500-700

953.

1987 Marshall JCM 800 4212 Lead Series 50 watt guitar amplifier, made in England, dust cover

£600-800

954.

2013 Marshall Acoustic Soloist AS50D acoustic guitar amplifier, made in China, with dust cover

£80-120

955.

2018 Marshall 1960A HW Hand Wired 4x12 angled guitar amplifier speaker cabinet

£400-500

956.

2011 Marshall Appetite For Destruction AFD 100-H Slash Signature 100 watt valve guitar amplifier head, with original box

£2500-3500

957.

1991 Marshall JCM 900 Model 4100 100 watt Hi Gain Dual Reverb guitar amplifier head, made in England

£400-600

958.

Marshall Valvestate AVT 275 75 watt 2 x 12 combo guitar amplifier, with footswitch

£1500-2500

959.

2001 Marshall JCM 900 1960B 4 x 12 guitar amplifier speaker cabinet

£80-120

960.

Pair of Marshall 6121H PA 1 x 12 speaker cabinets

£30-50

961.

2004 Marshall Acoustic Soloist AS100D acoustic guitar amplifier

£80-120

962.

1980 Marshall 1960 Lead 4 x 12 guitar amplifier speaker cabinet, made in England, with 3 x Celestion G12-65 T3120 coded BN7 (Feb 80) and 1 x coded CN18 (Mar 80)

£300-400

963.

1999 Marshall Valvestate VS100 guitar amplifier, made in England, with footswitch

£40-60

964.

Two 2004 Marshall MG100 DFX guitar amplifiers (2)

£80-120

965.

2008 Marshall AVT412XB 4x12 guitar amplifier speaker cabinet

£80-120

966 (See page 139)

957

989 (See page 140)

966.

2003 Marshall AVT150H guitar amplifier head, signed by Jim Marshall in 2004

£100-200

967.

2004 Marshall 1960A 4x12 guitar amplifier speaker cabinet £150-250

968.

Fender '68 Custom Princeton Reverb guitar amplifier, made in Mexico, with footswitch and cover

£400-600

969.

Fender Blues Junior IV guitar amplifier, with footswitch £200-400

970.

1962 Fender Super-Amp Model 6G4-A guitar amplifier, made in USA

£1500-2500

971.

Fender Mustang GT100 guitar amplifier, with dust cover and pedal £50-80

972.

2017 Fender Mustang GT200 guitar amplifier

£80-120

973.

2008 Fender Super Champ XD guitar amplifier, with footswitch and manual

£100-150

974.

2012 Fender Pawn Shop Excelsior guitar amplifier, with manual £100-200

970

975.

2009 Fender Deluxe VM Vintage Modified guitar amplifier, with footswitch

£200-400

976.

1978 Fender Bassman 50 guitar amplifier head, made in USA, ser. no. A84815

£400-600

977.

Fender Blues Deluxe Reissue guitar amplifier, made in Mexico, with footswitch

£300-400

978.

1991 Fender '59 Reissue Bassman 5F6-A guitar amplifier, made in USA

£500-700

979.

Fender Blues-Junior guitar amplifier, made in Mexico, with footswitch and cover

£200-300

980.

Fender Hot Rod Deluxe guitar amplifier, made in Mexico, fitted with a Celestion Vintage 30 speaker, with footswitch and dust cover, recently serviced

£200-300

981.

Fender Deluxe 112 guitar amplifier, made in USA, with footswitch £60-80

982.

Fender Blues-Deluxe Reissue guitar amplifier, made in Mexico, tweed covering, footswitch, dust cover

£300-400

983.

Fender Cyber Twin guitar amplifier, made in Mexico, ser. no. M1139817, with footswitch, manuals and dust cover

£80-120

984.

Fender Princeton Chorus guitar amplifier, made in USA, ser. no. CR-138822, with footswitch, copy manual and dust cover

£80-120

985.

Fender Acoustasonic-30 acoustic guitar amplifier, made in Mexico (USA voltage)

£30-60

986.

Fender Champion 600 guitar amplifier

£80-120

987.

Fender Custom Shop Vibro-King 2x12 guitar amplifier speaker cabinet

£200-300

988.

Fender Pro-Junior III guitar amplifier, made in Mexico, with dust cover

£200-300

989.

1978 Fender Champ guitar amplifier, made in USA

£400-600

990.

Early 1970s Fender Bassman 50 guitar amplifier head with matching VT Bassman 15" guitar amplifier cabinet

*In exceptional condition for age and seldom used since new. Wooden runners applied to the back by the vendor's father when initially purchased to allow for safe sliding in and out of the car

£700-1000

991.

1964 Fender Tremolux-Amp guitar amplifier head, made in USA, no. A02642

£1200-1600

992.

Fender 2x12 guitar amplifier speaker cabinet, made in USA, circa 1964

£300-500

993.

1979 Fender Pro Reverb guitar amplifier, made in USA, ser. no. A957861, with footswitch

£400-600

994.

Harma 2 x 12 guitar amplifier speaker cabinet enclosure (without speakers)

*Developed by Straight Edge Manufacturing under the Harma brand. These were designed to be used as an extension cabinet for Fender Deluxe amplifiers before Fender produced their own

£50-100

990

992

995.

Harma 1 x 12 guitar amplifier speaker cabinet enclosure (without speakers)

*Developed by Straight Edge Manufacturing under the Harma brand. These were designed to be used as an extension cabinet for Fender Deluxe amplifiers before Fender produced their own £50-100

996.

Orange Crush 20RT guitar amplifier; together with a Vox Brian May Special VBM1 guitar amplifier and two Marshall mini amplifiers (4)

£80-120

997.

Orange Crush Pro 120 guitar amplifier head, boxed

£150-250

998.

Orange CR120 Crush Pro 2x12 combo guitar amplifier

£100-200

999.

Orange Crush Pro 60 guitar amplifier, with dust cover

£250-350

1000.

Orange Tiny Terror guitar amplifier head, with original gig bag (modifications)

£100-200

1001.

Orange Amplification Crush Bass 25 bass guitar amplifier combo, boxed; together with a Vox Mini 5 amplifier and a Roland Micro Cube amplifier (3)

£120-180

1002.

Blackstar Amplification HT5 guitar amplifier head, with matching HT-110 speaker cabinet

£100-150

1003.

Blackstar Amplification HT5 guitar amplifier head, with matching HT-110 speaker cabinet

£100-150

1004.

Blackstar Amplification Artisan 412A 4x12 guitar amplifier speaker cabinet

£100-200

1005.

Blackstar Amplification ID:60 TVP-H guitar amplifier head

£50-100

1006.

Blackstar Amplification ID:Core Stereo 40 guitar amplifier; together with three practice amplifiers to include a Yamaha GA-15, an Alesis Spitfire 15 and a Kustom KGA10FX (4)

£60-100

1007.

Blackstar Amplification HT Club 40 guitar amplifier, made in China, with footswitch

£150-250

1008.

Blackstar Amplification HT Club 40 guitar amplifier, with dust cover and manual

£200-300

1009.

Blackstar Amplification St. James 50 EL34 Model 180102-VA guitar amplifier, with footswitch and cover

£400-600

1010.

Three new and boxed Blackstar Fly 103 guitar amplifier extension speaker cabinets, boxed

£20-30

1011.

1976 Hiwatt SE2150 2x15 bass guitar amplifier speaker cabinet, with Fane cast frame 15319 speakers coded 45/75

£600-800

1009

1012

1012.

1979 Hiwatt 200 DR201 200 watt guitar amplifier head, made in England, ser. no. 13820

£1800-2200

1013.

Hiwatt DR103 Custom Hiwatt 100 guitar amplifier head, with dust cover; together with matching 4 x 12 guitar amplifier speaker cabinet, dust cover

£800-1200

1014.

Vox guitar amplifier speaker cabinet, with Vox heavy duty black back speakers (one missing plastic black cover), with chrome stand

£100-200

1015.

Vox 2x12 guitar amplifier speaker cabinet, enclosing a pair of Vox Silver Bulldog speakers, with dust cover

£200-300

1016.

1960s Vox AC30 Super Twin guitar amplifier head, made in England, with footswitch, stand and cover

£2500-3500

1017.

1960s Vox Super Beatle V4141 guitar amplifier speaker cabinet, made in England, with stand and cover

£300-500

1018.

Pair of 1960s Vox guitar amplifier quad speaker columns, with stands and dust cover

£200-400

1019.

Vox 50th Anniversary AC15H1TV Hand Wired Heritage Collection guitar amplifier, made in China, fitted with replacement Celestion G12M green back speaker (original Vox blue speaker included)

£500-800

1020.

Vox Valvetronix VT30 guitar amplifier; together with a Vox Valvetronix VT40 guitar amplifier (2)

£50-100

1021.

Restored early 1960s Vox AC30 guitar amplifier, made in England, with later added top boost and many replaced components, enclosing original blue speakers, re-covered, modern handles, modern footswitch

£500-1000

1022.

2014 Vox AC15C1 Limited Edition guitar amplifier, red tolex

£150-250

1023.

Vox Mini 3 guitar amplifier; together with a Fender Mini Twin-Amp portable guitar amplifier (2)

£30-50

1013

1016

1015

1024.

1996 Vox AC15 guitar amplifier, made in England, with footswitch

£400-600

1025.

Vox Valvetronix VT30 guitar amplifier

£30-50

1026.

Vox Brian May Special VBM1 guitar amplifier, boxed

£80-120

1027.

Late 1960s Vox Defiant Solid State guitar amplifier head, made in England, with footswitch; together with matching twin speaker cabinet and associated cables, both with dust covers (one speaker replaced)

£500-800

1028.

Vox Valvetronix VT120+ modelling guitar amplifier

£120-180

1029.

1977 Vox AC30 guitar amplifier, made in England (modifications)

£500-700 1030.

Vox Amplification AC15HW1 guitar amplifier, warehouse speaker edition, with dust cover

£400-500 1031.

Roland Cube 30 bass guitar amplifier

£40-80

1032.

Roland AC-60 Acoustic Chorus guitar amplifier, with owners manual and original gig bag

£80-120 1033.

Roland Cube 20X guitar amplifier, boxed; together with a Marshall MG15FX guitar amplifier (2)

£40-80 1034.

Roland Bolt-60 guitar amplifier, made in Japan, ser. no. 994582

£80-120

1035.

Roland Cube 30X guitar amplifier

£40-60

1036.

Roland GA-112 guitar amplifier, made in China, with GA-FC foot controller

£100-200

1037.

1987 Roland Jazz Chorus 77 guitar amplifier, made in Japan, ser. no. 765235

£200-400

1038.

1977 Roland Jazz Chorus 80 guitar amplifier, made in Japan, ser. no.631531

£150-250

1039.

Selmer Treble n Bass 50 Mk III guitar amplifier head, made in England, ser. no. 57518; together with a 2 x 12 guitar amplifier speaker cabinet

£200-400

1040.

Selmer Truvoice Zodiac Twin Thirty guitar amplifier, made in England, circa 1965, fitted with Goodmans Audiom 12P speakers, replacement centre top handle

£1000-1500

1041.

Selmer Truvoice Constellation Twenty guitar amplifier, made in England, circa 1965, fitted with a pair of Goodmans 12 speakers

£1000-1500

1042.

Selmer Truvoice Treble-N-Bass Fifty guitar amplifier head, made in England, circa 1965

£800-1200

1043.

1960s Selmer Truvoice Bandmaster 50 guitar amplifier head, made in England, with dust cover

£800-1200

1044.

Peavey Studio Pro 112 guitar amplifier; together with a Laney Linebacker 65 Reverb guitar amplifier, a Carlsbro EM70 wedge monitor and two single speaker guitar amplifier cabinets (5)

£50-100

1045.

Peavey Classic 20 guitar amplifier, made in USA

£100-200

1043

1046.

Peavey Series 300 CHS Mark III bass guitar amplifier head

£50-80

1047.

Peavey Classic 30 guitar amplifier, made in USA

£150-250

1048.

Peavey Solo Series Bandit 112 guitar amplifier, made in USA

£30-50

1049.

Peavey Mark III Series 400B bass guitar amplifier head

£20-40

1050.

Laney Richter R3H bass guitar amplifier head

£30-60

1051.

Laney Lionheart mini guitar amplifier; together with a Line 6 Amplifi TT Guitar Tone Processor, boxed and a Behringer Xenyx Q502 USB interface mixer (3)

£50-80

1052.

Laney VC30 valve guitar amplifier, made in England, with footswitch

£80-120

1053.

Laney AOR Series Pro-Tube valve guitar amplifier, with manual; together with a Laney Linebacker L80B bass guitar amplifier (2)

£80-120

1054.

Music Man Sixty-Five 112RP guitar amplifier, made in USA, with footswitch, owners manual and dust cover

£300-500

1055.

Music Man Sixty-Five 112RP guitar amplifier, made in USA

£300-500

1056.

Music Man Sixty-Five 112RD guitar amplifier, made in USA

£300-500

1057.

Gibson Goldtone GA-30RVS guitar amplifier, made in England (missing top handle, reverb pot requires replacing)

£400-600

1058.

Line 6 Spider II guitar amplifier head; together with a 4 x 12 speaker cabinet

£40-80

1059.

Line 6 Flextone III guitar amplifier, with FBV shortboard pedal unit, dust cover

£50-100

1060.

Line 6 Flextone III guitar amplifier, with FBV shortboard, FBV2 pedal and dust cover

£50-80

1061.

Palmer PDI-04 rack mount amplifier attenuator

£80-120

1062.

Fractal Audio Systems AXE-FX II Preamp/FX processor guitar rack unit

£400-600

1063.

Fractal Audio Systems MFC-101 Mark II midi foot controller for AXE FX, with original gig bag and Mission SP-1 expression pedal

£100-200

1070 (See page 145)

1064.

Matrix Elements GT1000FX power amplifier rack unit, within a Gator flight case

£150-250

1065.

Matrix Elements FRFR ML212 Neolight guitar amplifier speaker cabinet, with dust cover

£150-250

1066.

Boss Katana 100 guitar amplifier

£80-120

1067.

Boss Katana-100 Mark II guitar amplifier

£80-120 1068.

Danelectro Nifty Seventy guitar amplifier

£40-60 1069.

Danelectro Nifty Fifty guitar amplifier

£40-60

1070.

1971 Park Bluesbreaker Tremolo 50 watt guitar amplifier, made in England

£1500-2000

1071.

1950s Silvertone Sears & Roebuck Model 1389 guitar amplifier, made in USA (USA voltage)

£300-400 1072.

1960s Sears Silvertone Model 1482 guitar amplifier, made in USA (USA voltage)

£300-400 1073.

Sears Model 1420 guitar amplifier, made in USA, circa 1968 (USA voltage)

£200-300 1074.

1960s Harmony Model H303A guitar amplifier, made in USA (USA voltage)

£200-300 1075.

HH Electronic VS Musician 2x12 Combo guitar amplifier

£50-80

1076.

HH Electronic VS Musician 2 x 12 combo guitar amplifier, with ValveSound pedal, user manual and cover

£80-120

1077.

Markbass TA503 bass guitar amplifier head, within a carry flight case

£100-200

1078.

1970s Simms-Watts PA100 amplifier head, made in England

£200-400

1079.

1960s Impact by Status 1015 60 watt guitar amplifier head, made in England

£250-350

1080.

Yamaha JX30 guitar amplifier, made in Japan

£80-120

1081.

DV Mark Micro 60 Jazz guitar amplifier head, boxed £80-120

1082.

Epiphone Valve Junior guitar amplifier

£40-80

1083.

Roberts Rambler II radio, converted with input jack to allow guitar connection whilst the radio is running £20-30

1084.

Roberts Rambler radio, converted with input jack to allow guitar connection whilst the radio is running

£20-30

1085.

Roberts R24 AM-FM radio, converted with input jack to allow guitar connection whilst the radio is running

£20-30

1086.

Roberts R505 radio, converted with input jack to allow guitar connection whilst the radio is running

£20-30

1087.

Tech 21 Trademark 10 guitar amplifier, with manual and dust cover £80-120

1088.

Tech 21 Trademark 10 guitar amplifier, with dust cover

£100-150

1089.

Sound City 50 Mark 3 guitar amplifier head, made in England, ser. no. 1609

£200-400

1090.

Pair of 1960s Sound City 8 ohm twin speaker PA amplifier column cabinets, fitted with Goodmans Audiom 51 speakers

£300-500

1091.

Trace Elliot GP7 SM300 bass guitar amplifier head, with cover £50-100 1092.

Trace Elliott GP7SM 130 bass guitar amplifier head

£50-80

1093.

Mesa Engineering M3 Carbine bass amplifier, with manual and cover

£200-400

1094.

Mesa Boogie Caliber 50 guitar amplifier, made in USA, with replacement Celestion G12K-100 speaker, recently re-valved and serviced

£600-800

1095.

2006 Mesa Boogie Maverick 2x12 30 watt combo guitar amplifier, made in USA, (USA 120V although fitted with Mesa 561305 multivoltage power transformer), with dust cover

£1000-1500

1096.

Early 1980s Mesa Boogie MKIIB combo guitar amplifier, made in USA, hardwood cabinet with weave front, fitted with Electro-Voice speaker, with dust cover

£800-1200

1097.

Marlboro G-40R guitar amplifier head, cut down from an original Combo

£20-40

1098.

Palmer EINS 1 watt valve guitar amplifier

£80-120

1099.

1960s Alamo Capri guitar amplifier, made in USA (USA voltage)

£100-200

1100.

1950s Magnatone Electronics Starlet Model 107 guitar amplifier, made in USA (USA voltage)

£250-350

1101.

1970s Watkins WEM Clubman Mk 8 valve guitar amplifier, made in England

£100-200

1102.

Carlsbro TC60 guitar amplifier, made in England , circa 1973

£200-300

1103.

Blackheart BH1H Killer Ant guitar amplifier head

£100-150

1104.

Harley Benton GA5 valve guitar amplifier head

£30-60

1095

1096

1105.

Yamaha VA-5 portable guitar amplifier, in original box packaging and with PSU; together with original Fender Custom Shop case documents including certificate for a 1965 Stratocaster Closet Classic including COA, manual, stickers, switch and bridge cover

£20-40

1106.

Ashdown Engineering Five Fifteen Mini Rig guitar amplifier head

£50-80

1107.

Chord CG-60 60 watt guitar amplifier

£80-120

1108.

Cornford Harlequin MK1 guitar amplifier, made in England, with manual, recently serviced

£300-500

1109.

SWR Super Redhead bass guitar amplifier

£150-250

1110.

Crate Acoustic Gunnison CA6110D 60 watt acoustic guitar amplifier

£150-250

1111.

1970s Polytone Mini Brute 1 x 12 100 watt combo guitar amplifier, made in USA (upgraded speaker grille)

£150-250

1112.

Pignose Limited Edition 7100 snakeskin guitar amplifier, boxed

£50-80

1113.

2020 Hardtail Corona 5 watt guitar amplifier, made in Kansas City, Missouri, USA, fitted with a built-in 12" Eminence Legend speaker, sold with operating instructions, footswitch and US to UK transformer (US voltage)

*In very good condition having never been gigged. This is a hard to find amplifier in the UK, with no current UK distributor

£600-800

1114.

Early 1960s Watkins Monitor guitar amplifier, made in England, driven by a Watkins Power 30 Drive Unit, fitted with one Watkins Goodmans 12" speaker and a Goodmans Audiom 51 12" speaker

*A very rare early Watkins amplifier, thought to possibly be from a small run of prototypes. It is believed that many were given to The Shadows, who can be seen with Watkins Monitor amps as part of their backline in early photographs

£800-1200

1115.

Quilter Aviator Cub 1 x 12 combo guitar amplifier, US amp voicing version, with dust cover and manual

£300-500

1116.

Blu Guitar Fat Cab guitar amplifier cabinet, with original dust cover

£150-200

1117.

Phil Jones Bass M-300 bass guitar amplifier head, with owners manual

£250-350

1118.

Ashdown Engineering Fallen Angel 60 DSP valve guitar amplifier head, with footswitch

£100-150

1119.

Matchless Avalon 30 guitar amplifier, made in USA, with dust cover

£1800-2200

1120.

Lazy J J20 guitar amplifier, made in England, with dust cover

£1800-2200

1121.

Carr Super Bee guitar amplifier, made in USA

£800-1000

1122.

Kemper Profiler Power Kabinet guitar amplifier speaker cabinet, with original box

£200-400

1123.

Tayden Ace 25 12" guitar amplifier speaker

£40-60 1119

1120 (See page 147)

1124.

Celestion G12 Alnico Blue 12" guitar amplifier speaker

£40-60

1125.

Bugera Vintage V55 Infinium guitar amplifier head

£80-120

1126.

Six various guitar amplifiers all in need of some repair / care to include a Vox AD30VT, a BB Blaster, a Fender Frontman 15G, a Meridian practice amp, a Marshall MG10CD and an Ashdown MAG300 (6)

£80-120

1127.

Headstrong Lil' King Reverb-Amp guitar amplifier, made in USA, with footswitch and dust cover

£700-1000

1128.

Swart Atomic Space Tone guitar amplifier, made in USA, with Swart Night Light attenuator and stereo drive

£900-1200

1129.

Ceriatone Overtone Special guitar amplifier head, with footswitch

£500-800

1130.

AER Alpha acoustic guitar amplifier, with original gig bag

£200-300

1131.

Friedman Mini BB guitar amplifier, boxed (new/old stock)

£80-120

1132.

Hartke HA3500 350 watt bass guitar amplifier head and Korg Pitch Black tuner rack fitted within a Gator flight case; together with a pair of Hartke HD112 HyDrive speaker cabinets and covers

£150-250

1133.

Tech 21 SansAmp Model RB1 rack unit, within a Gator flight case

£100-200

1134.

Ampeg Portaflex PF-800 guitar amplifier, within Gator gig bag

£150-250

1127

1129

1128

1135.

Large selection of spare amplifier valves to include ElectroHarmonix, JJ, National Electronics, Watford Valves, Brimar, Sovtek, Sylvania etc

£30-60

1136.

Selection of vintage amplifier valves to include Mullard, Pinnacle, Mazda, RFI and Brimar

£40-60

1137.

Selection of amplifier valves to include Mullard PC, Pinnacle PC, Mullard DK, Mullard DY etc

£30-60

1138.

Selection of various valves to include Mullard EF, Mullard EY, Mullard EC, Pinnacle EC, Pinnacle EF etc

£30-60

1139.

Selection of unboxed valves to include Mullard, Mazda, De Banks etc (PL, CV, PY etc)

£30-60

1140.

Three boxed matched paired sets of Groove Tube GT-6550-R guitar amplifier valves, boxed

£50-100

1141.

Two boxed pairs of Groove Tube Fender Precision matched GT6L6B guitar amplifier valves

£30-60

1142.

Two pairs of Fender Special Design 12" guitar amplifier speakers

£30-60

1143.

Ampeg Portaflex PF-500 bass guitar amplifier head

£150-250

1144.

Crate IIR guitar amplifier; together with an Ibanez IBZ10 practice amplifier

£10-20

B-Stock Items - Lots 1145-1167 are ex retail B-Stock items and subject to 20% VAT on hammer price. B stock equipment will be in working order although may have minor cosmetic flaws, or just damage to the outer packaging.

1145.

Hartke HD15 15 watt bass combo guitar amplifier, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

£30-50

1146.

Blackstar Amplification ID:Core Stereo 40 V3 guitar amplifier, boxed with original packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£50-70

1147.

Two Blackstar Amplification Fly Bass amplifiers, both unboxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£20-40

1148.

Blackstar Fly 3 mini guitar amplifier and extension cabinet, unboxed; together with a Blackstar Amplification Fly 3 mini guitar amplifier, with original box and packaging (2) (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£20-40

1149.

Fender Mini Tonemaster mini guitar amplifier, boxed; together with a Marshall MS-2 mini amplifier (2) (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£20-30

1150.

Vox Pathfinder 10 practice guitar amplifier (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£30-40

1151.

Boss Katana-Mini guitar amplifier, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£30-50

1152.

ZT Amplifiers Lunchbox Reverb LBR1 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£50-70

1153.

Hartke HD25 25 watt bass combo guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

1154.

Vox Amplification VT20X modelling guitar amplifier, no USB socket, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £20-40

1155.

Fender Rumble 25 V3 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

1156.

Fender Rumble 15 V3 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

1157.

Boss Cube Street II Red battery powered stereo guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

1158.

Laney LA30D acoustic guitar combo amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £50-80

1159.

Fender Acoustasonic 15 acoustic guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £20-30

1160.

Marshall MG15 Gold guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £30-50

1161.

Blackstar Amplification Studio 10 V3 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £120-180

1162.

Blackstar Amplification ID:Core Stereo 20 V3 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

1163.

Blackstar Amplification ID:Core Stereo 20 V2 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

1164.

Blackstar Amplification Silverline Special guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £150-250

1165.

Blackstar Amplification ID:Core Stereo 40 V3 guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £50-80

1166.

Fender Rumble LT25 bass guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

1167.

Blackstar Amplification HT5 MKII guitar amplifier, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £70-100

LOTS 1168-1200 NO LOTS

Guitar Pedals

1201.

Boss CE-5 Chorus Ensemble guitar pedal, boxed; together with a Boss AB-2 footswitch and a Boss PSU (3)

£40-60

1202.

Boss GE-7 Equalizer guitar pedal; together with a selection of guitar and other spares to include a Mojo gig bag, guitar straps and various cables

£40-80

1203.

Boss ME-33 Multi-Effects guitar pedal; together with a Yamaha GW10 guitar effects pedal and a Zoom RT-223 Rhythm Trak, boxed (3)

£30-60

1204.

Boss V-Wah PW-10 wah guitar pedal, boxed; together with a Bespeco volume pedal and a Bespeco VM22 footswitch (3)

£40-60

1205.

1987 Boss DF-2 Super Feedbacker & Distortion guitar pedal, made in Japan, black label

£70-100

1206.

Boss GE-7 Equalizer guitar pedal

£30-50

1207.

Boss GE-7 Equalizer guitar pedal, made in Japan, black label, casing refinished, control slide tips missing

£30-50

1208.

1982 Boss OD-1 Overdrive guitar pedal, made in Japan, black label

£50-80

1209.

Boss DD-200 Digital Delay guitar pedal, boxed

£100-200

1210.

Boss Slicer SL-20 Audio Pattern Processor guitar pedal

£100-150

1211.

Boss SY-1 Synthesizer guitar pedal, boxed £100-150

1212.

Boss MT-2 Metal Zone guitar pedal

£30-50

1213.

Boss PS-6 Harmonist guitar pedal, boxed £60-80

1214.

Boss GL-100 Guitar Driver, made in Japan £40-60

1215.

Boss ME-70 Multi-Effects guitar pedal, boxed £50-80

1216.

Boss RC-50 Loop Station guitar pedal, boxed £80-120

1217.

Boss BD-2 Blues Driver guitar pedal, boxed £60-80

1218.

Boss CS-3 Compression Sustainer guitar pedal, boxed £40-60

1219.

Boss CE-5 Chorus Ensemble guitar pedal

£40-50

1220.

Boss PH-3 Phase Shifter guitar pedal, boxed £50-70

1221.

Boss TU-3 Chromatic Tuner guitar pedal, boxed £50-70

1222.

Boss DD-3 Digital Delay guitar pedal, boxed £50-70

1224

1223.

1984 Boss CE-2 Chorus guitar pedal, made in Japan, green label

£100-150

1224.

1980 Boss Chorus Ensemble CE-1 guitar pedal, made in Japan, ser. no. 982466

£400-600

1225.

Boss RC-1 Loop Station guitar pedal, boxed £50-70

1226.

Boss Eband JS-10 audio player with guitar effects, boxed £60-100

1227.

Boss Waza Craft DC-2W Dimension C guitar pedal, boxed £100-150

1228.

Boss FV-30H Foot Volume guitar pedal, boxed £30-50

1229.

Boss SY-1 Synthesizer guitar pedal, boxed £80-120

1230.

Boss OD-200 Hybrid Drive guitar pedal

£70-100

1231.

Boss RE-20 Roland Echo RE201 guitar pedal, boxed £100-150

1232.

Boss TU-3 Chromatic Tuner guitar pedal, boxed £30-50

1233.

Boss TU-3 Chromatic Tuner guitar pedal; together with a Mooer Pitchbox mini guitar pedal

£40-60

1234.

Marshall Blues Breaker II BB-2 guitar pedal, boxed; together with a Marshall RF-1 Reflector Reverb guitar pedal and a Marshall RG-1 Regenerator Modulation guitar pedal (3)

£50-100

1235.

Marshall Blues Breaker guitar pedal, made in England

£100-200

1236.

1998 Marshall Drive Master guitar pedal, made in England, boxed

£80-100

1237.

Electro-Harmonix Intelligent Harmony Machine guitar pedal, boxed with PSU

£40-80

1238.

Electro-Harmonix Slap-Back Echo guitar pedal, boxed with PSU

£30-50

1239.

Sovtek Electro-Harmonix Small Stone guitar pedal, made in Russia, boxed

£80-120

1240.

Electro-Harmonix Doctor Q Envelope Follower guitar pedal, boxed

£50-80

1241.

Electro-Harmonix Big Muff guitar pedal, boxed

£30-50

1242.

Electro-Harmonix Micro Metal Muff guitar pedal, boxed

£40-60

1243.

Electro-Harmonix Little Big Muff guitar pedal, boxed

£40-60

1244.

Electro-Harmonix Clone Theory Chorus Vibrato guitar pedal

£300-500

1245.

Electro-Harmonix MX-3M Mini Mixer, made in Russia, within original wooden case

£40-80

1246.

Electro-Harmonix/Sovtek Big Muff guitar pedal, made in Russia, with original wooden box

£200-300

1247.

TC Electronic Flashback X4 delay and looper guitar pedal, boxed

£70-100

1248.

TC Electronic Flashback delay and looper guitar pedal, boxed

£60-80

1249.

TC Electronic Spectra Comp compressor guitar pedal, boxed; together with an NUX NDS-2 Brownie distortion mini guitar pedal, boxed and a Tubeman Overdrive MK2 mini guitar pedal (3)

£50-80

1250.

DigiTech Digidelay Digital Delay guitar pedal; together with a DigiTech FS3X footswitch, boxed (2)

£40-60

1251.

DigiTech Whammy pitch shifting pedal, boxed with PSU and manual

£80-120

1252.

DigiTech Jam Man looper/phrase sampler guitar pedal

£50-70

1253.

DigiTech Mosaic twelve string effect guitar pedal

£60-80

1254.

DigiTech Trio + Band Creator and Looper guitar pedal, boxed

£60-80

1255.

Strymon Blue Sky Reverberator guitar pedal, boxed £150-200

1256.

Strymon Timeline guitar pedal, boxed £150-250

1257.

Strymon MultiSwitch guitar pedal, boxed £30-60

1258.

Strymon Timeline guitar pedal, boxed

£150-250

1259.

Strymon Blue Sky Reverberator guitar pedal, boxed £150-200

1260.

MXR Micro Amp guitar pedal

£20-40

1261.

MXR Distortion + guitar pedal

£40-60

1262.

MXR Phase 90 guitar pedal

£40-60

1263.

MXR Analog Delay guitar pedal

£150-250

1264.

MXR Phase 100 guitar pedal, boxed

£40-60

1265.

MXR Sugar Drive guitar pedal, boxed

£40-80

1266.

Ibanez Tube Screamer Overdrive Pro TS808 guitar pedal, boxed

£70-100

1267.

Ibanez STL Super Tube overdrive guitar pedal, made in Japan, circa 1985

£100-150

1268.

Ibanez SD-9 Sonic Distortion guitar pedal, made in Japan, circa 1984

£100-120

1269.

Robert Keeley Modified Ibanez Tube Screamer Overdrive Pro guitar pedal, with Keeley Mod Plus True Bypass modification, boxed

£100-150 1270.

1970s Ibanez Wau wah/fuzz guitar pedal, made in Japan

£80-120 1271.

1970s Ibanez Wau wah/fuzz guitar pedal, made in Japan

£80-120 1272.

Jim Dunlop GCB-95 Original Cry Baby wah guitar pedal

£30-60 1273.

Jim Dunlop GCB-95 Original Cry Baby wah guitar pedal

£30-50 1274.

Jim Dunlop Rotovibe JH-4S guitar pedal

£120-180 1275.

1970s Sola Sound Colorsound Tone Bender Jumbo guitar pedal

£400-600 1276.

1970s Colorsound by Sola Sound Supa Tonebender guitar pedal

£100-200 1277.

1970s Carlsbro Flanger guitar pedal

£60-100 1278.

1970s Vox Wow Fuzz guitar pedal

£100-200

1279.

1970s Shin-ei Resly Machine guitar pedal

£200-300

1280.

1970s Univox U1095 Super Fuzz guitar pedal

£600-800

1281.

1970s Top Gear Wah pedal; together with another vintage expression pedal and a footswitch (3)

£40-80

1282.

1970s Carlsbro Echo guitar pedal

£60-100 1283.

Tech 21 Bass Compactor guitar pedal

£20-30

1284.

Tech 21 SansAmp Bass Driver DI guitar pedal and a Boss Chromatic Tuner TU-3, within a Boss BCB-30 case

£80-120

1285.

HH Electronic Echo unit, with original cover

£100-200

1286.

Gibson Echoplex Digital Pro controller unit

£70-100

1287.

2007 Gibson Echoplex Digital Pro Plus Looper rack unit, up to date version with Loop 4 software, 198 seconds of loop time and 16MB of RAM, boxed with foot controller and manual

£350-450

1288.

Yamaha Magic Stomp guitar effects processor, with PSU

£40-60

1289.

Yamaha Magic Stomp bass effects processor, with CD, PSU and manual

£40-60

1290.

Yamaha REX50 digital multi-effector; together with a Zoom 606 multi-effects guitar pedal (2)

£20-40

1291.

Roland GR-30 guitar synthesizer pedal unit, with PSU and manual

£50-80

1292.

Lead Foot AB/Y switcher guitar pedal, boxed; together with an Artec acoustic EQ guitar pedal and a Black Star PSU1 power supply, boxed; also a Roland DP-10 piano dampener controller (4)

£30-50

1293.

Roland GR-55 guitar pedal, with PSU and midi cable

£150-200

1294.

Fender ABY footswitch; together with an M Audio expression pedal and a Sonuus B2M universal bass to midi converter (3)

£30-60

1295.

Moog Minifooger MF Boost guitar pedal, boxed

£50-70

1296.

Moog Minifooger MF Drive guitar pedal, boxed

£100-150

1297.

Line 6 POD Pro XT Live guitar effects pedal, with original gig bag

£40-60

1298.

Line 6 M5 Stompbox Modeler guitar pedal, boxed

£40-60

1299.

Line 6 Pocket Pod guitar modelling unit; together with an LY-Rock Tone Monster Amp DI guitar unit

£40-80

1300.

Line 6 POD XT Pro guitar effects rack unit, boxed; together with an FBV Shortboard pedal board, boxed (2)

£50-80

1301.

Line 6 MM4 Modulation Modeller guitar pedal, boxed; together with a Line 6 expression pedal, boxed (2)

£50-100

1302.

Line 6 POD HD500 modelling effects pedal, boxed

£80-120

1303.

Line 6 JM4 Looper guitar pedal

£40-80

1304.

Line 6 Echo Park guitar pedal; together with a Behringer Bass BDI21 bass amp modeller pedal (2)

£30-50

1305.

Mooer Red Truck multi-effects guitar pedal, case

£70-100

1306.

Mooer Devin Townsend Signature Ocean Machine guitar pedal, boxed

£100-150

1307.

Mooer Firefly M6 mini guitar pedal board, boxed

£10-20

1308.

Selection of guitar pedals and other related items to include a Zoom 507 reverb guitar pedal, a Zoom 9002 guitar unit, a Marshall MS-2 mini guitar amp, an HT Sounds GT-1 tuner, Eagle Products microphone mixer, an Artcessories A/BY Cool Switch and a Line 6 Pocket Pod effects unit

£40-80

1309.

Zoom A3 Acoustic Remodelling guitar effects pedal, boxed £40-60

1310.

Wampler Terraform guitar pedal £100-200

1311.

Wampler The Paisley Drive guitar pedal, boxed £40-80

1312.

Amplitube Tone X guitar pedal £150-200

1313.

Walrus Audio Mako Series ACS1 Amp and Cab Simulator guitar pedal, boxed £100-200

1314.

Raygun FX Big Bear Boost guitar pedal

£20-40

1315.

JHS Pedals Little Buffer; together with a JHS Mute Switch guitar pedal (2) £40-80

1316.

Crews Maniac Sound Addict OD Overdrive guitar pedal, boxed £70-100

1317.

Barber Electronics Gain Changer guitar pedal, boxed £80-120

1318.

Way Huge Red Llama Overdrive MKIII guitar pedal, boxed £40-80

1319.

Dry Bell Vibe Machine V2 guitar pedal, boxed £80-120

1320.

Origin Effects Cali 76 Stacked Edition guitar pedal, boxed £100-200

1321.

Paul Cochrane Audio Tim V3 guitar pedal, boxed £100-200

1322.

Nordland Custom Special ODR-CS guitar pedal, boxed £80-120

1323.

Rockman Sustainer and Rockman Stereo Chorus effects units, fitted into a single rack mount, both with operating manuals

£150-250

1324.

Rocktron Chameleon guitar effects rack unit, with original box and papers

£80-120

1325.

Simms Watts Solid State Echo Deck tape delay unit

£80-120

1326.

Love Tone Big Cheese guitar pedal, with original box

£500-700

1327.

Stone Valve Series VPA2 Pre-amp/Tone Control guitar pedal, boxed

£50-80

1328.

Bell Electronics Rose-Morris Avon Supavoice Talkbox guitar pedal with tube

£80-120

1329.

Schaller Echo-Sound echo/reverb unit, made in Germany

£200-300

1330.

EBow Plus electronic bow for guitar, boxed

£40-60

1331.

1980s Pearl PE-10 Parametric EQ guitar pedal, made in Japan

*A very early example with lower serial number 000023

£70-100

1332.

Two Behringer guitar effects pedals to include a BM100 Distortion Modeller and an SF300 Super Fuzz (2)

£20-30

1333.

Danelectro Reel Echo guitar pedal, boxed

£70-100

1334.

Peavey Valverb All Tube Spring Reverb guitar rack unit, with footswitch

£80-120

1335.

Pro Co The Rat guitar pedal, made in USA

£50-100

1336.

1980 Arp Avatar guitar synthesizer, made in USA, ser. no. AX598764, with original hexaphonic guitar pickup and owners manual

£600-1000

1337.

Johnson J-Station guitar desktop processor, with PSU and manual

£20-30

1338.

BBE Sonic Stomp Sonic Maximiser guitar pedal

£40-80

1339.

Danelectro Mini Rocky Road spinning speaker DJ-20 guitar pedal, boxed; together with a Behringer Ultra DI (2)

£30-50

1340.

Pedaltrain Mini guitar pedal board with gig bag

£20-30

1341.

Korg DTR-2000 digital tuner rack unit, boxed

£30-50

1342.

Peavey Pro Bass 1000 instrument preamplifier rack unit

£30-60

1343.

Markbass MB Mini Series Boost guitar pedal; together with a Golden Horse mini guitar pedal and a Murder One mini guitar pedal (3)

£40-80

1344.

Moen MO-PD Pretty Dolly delay guitar pedal, boxed

£30-50

1345.

Moen MO-HC Holy Choir guitar pedal, boxed

£30-50

1346.

1960s Vox Tone Bender guitar pedal, made in Italy

£500-1000

1347.

Diamond Fireburst FBR-1 guitar pedal, made in Canada

£70-100

1348.

Korg Pandora PX5D multi-effects guitar processor, boxed within a flight carry-case

£20-40

1349.

L.R. Baggs Session DI acoustic guitar DI guitar pedal, boxed

£100-150

1350.

L.R. Baggs Para Acoustic DI guitar unit, boxed

£50-100

1351.

Vintage handmade reverberation unit, made in England; together with a JSL Universal Sound Mixer (2)

£30-60

1352.

Headrush Gigboard multi-effects guitar pedal, boxed

£150-250

1353.

Alesis Jamdock practice dock for iPad, boxed; together with an IK Multimedia iRig Stomp, boxed and an IK Multimedia AmpliTube iRig; also a Danelectro Cool Cat V2 drive guitar pedal (missing battery cover) and a Gator carry-case

£50-100

1354.

EarthQuaker Devices Dispatch Master guitar pedal, boxed

£80-120

1355.

LogJam Logarhythm Stomp Box

£20-40

1356.

StewMac Fan Tremolo kit guitar pedal

£20-40

1357.

Xotic Effects XW-1 wah guitar pedal

£80-120

1358.

Pedaltrain flight case; together with an Onstage mini pedal board with gig bag

£40-80

1359.

Pedaltrain Classic Junior guitar effects pedal board with outer gig bag; together with a further padded gig case (2)

£40-60

1360.

Charlie's Pedal Board dual level guitar effects pedal board with gig bag

£10-20

1361.

T-Rex Tone Trunk pedal board with Road Case flight case

£40-60

LOTS 1362-1400 NO LOTS

Guitar

Miscellaneous

1401.

Tourtech bass guitar hard case

£20-40

1402.

BC Rich Warlock type electric guitar hard case; together with a generic oblong electric guitar hard case (2)

£30-50

1403.

Gator three-quarter size acoustic guitar hard case

£40-60

1404.

1990s Gibson Les Paul hard case

£40-80

1405.

1970s Les Paul type electric guitar hard case; together with two guitar gig bags and two guitar tremolos (5)

£50-80

1406.

Epiphone Dreadnought acoustic guitar hard case

£20-40

1407.

Electric guitar hard case

£20-40

1408.

1970s Les Paul type electric guitar hard case

£20-40

1409.

Contemporary generic oblong electric guitar hard case

£20-40

1410.

1950s Gibson five latch case in need of some attention, bearing a faint stencil of 'Moloch' (missing original handle)

£800-1200

1411.

Paul Reed Smith electric guitar hard case

£40-60

1412.

Patrick Eggle electric guitar hard case

£30-50

1413.

Calton Cases archtop guitar hard case, with 18" lower bout

£200-300

1414.

Yamaha acoustic guitar hard case, with 16" lower bout

£30-50

1415.

Generic oblong electric guitar hard case

£20-40

1416.

Two similar acoustic guitar hard cases, both with 17" lower bout

£30-60

1417.

Two similar acoustic guitar hard cases, each with 16" lower bout (2)

£30-60

1418.

Set of three Stratocaster guitar pickups, believed to have been taken from an Xotic Strat

£30-60

1419.

Selection of guitar hardware to include two Fender branded Telecaster bridge plates with ashtray covers, a German Fine Tune stop bar and associated bridge, a 1970s Greco embossed pickup cover, further pickup covers, a vintage Japanese vibrato, a set of 1960s Hofner guitar tuners etc

£30-60

1420.

Three Telecaster guitar pickups to include two neck and one bridge, two possibly by Seymour Duncan and the other possibly Fender (3)

£40-80

1421.

Two pairs of probably Japanese made humbucker guitar pickups; together with a Japanese made acoustic sound hole pickup

£20-40

1422.

Suhr Thornbucker humbucker guitar pickup

£40-80

1423.

Set of three Smitty Blues 64 single coil guitar pickups

£50-80

1424.

Set of three Fender Custom Shop 56 single coil Stratocaster guitar pickups

£80-120

1425.

Quantity of guitar pickups to include budget range humbuckers and ceramic single coils, many preloaded upon Strat and other pickguards

£30-60

1426.

Set of 2000 Fender Custom Shop limited edition Abigail Ybarra Stratocaster pickups, within original box

*From a limited edition run of three hundred units

£600-800

1427.

Selection of guitar spares to include a set of Grover 18-1 tuners, further tuners, two wall hangers, control knobs, pickup loaded scratchplate, neck plates, bridge plates, Strat bridge blocks etc

£40-80

1428.

Selection of guitar hardware and electronics to include five sets of machine heads (including Fender acoustic - ex Paramount and Epiphone), Jazz bass and Tele scratchplate, Tele bridge with set of twelve string saddles, three sets of humbuckers including Epiphone, pickup covers etc

£50-100

1429.

Vintage DeArmond guitar pickup with associated controls

£100-200

1430.

EPM Bronze Ace acoustic guitar pickup; together with a Livid Guitar Wing midi controller (2)

£30-60

1431.

Selection of guitar accessories and other items to include a Line 6 power pedal, a Line 6 XPS-Mini, two Bespeco footswitches, a Vox AC30 headphone amplifier, a Marshall Amplification badge, a Sony Walkman MZMH600 MiniDisc player, slide bars, two guitar straps, a Gibson Custom COA booklet etc

£30-60

1432.

Selection of pickguard and other guitar plastics to include a late 1970s Fender Stratocaster scratch and back plate with trem, a Fender Custom Shop 'Greenguard' etc

£20-40

1433.

Selection of various guitar stands; together with approximately five gig bags and a small selection of guitar straps

£30-60

1434.

Wooden chest containing a selection of guitar spares and various guitar and other related tools to include bridges, trem arms, guitar knobs etc; further tools included within a Homebase toolbox

£40-80

1435.

Selection of guitar spares to include Kluson style and other tuners, bridges, small selection of strings, saddles, springs, stop bars, pickguards, neck plates etc

£30-60

1436.

Selection of tools from a guitar restorer's workshop including a Dremel 200 multi-tool, a Black & Decker Wizard multi-tool, a Mylek cordless drill (charge base missing), a Katsu sander, various drill bits, a Mac Allister handheld power screwdriver etc

£40-80

1437.

Selection of guitar care products to include a workbench mat, wire wool, polishing oils; together with a Weller 8200D soldering iron, another soldering iron, a Maplin multi-meter etc

£30-60

1438.

Good selection of guitar reference books to include Balafon Publishing - Classic Guitars of the 60s; Tony Bacon - Echo and Twang; Hans Moust - The Guild Guitar Book; Paul TrynkaThe Electric Guitar; Gordon Giltrap and Neville Marten - The Hofner Guitar; Ian Bishop - The Gibson Guitar; Schiffer - Vintage Electric Guitars; In Praise of Fretted Americana; also Tony Bacon and Paul Day - four books to include The Gibson Les Paul Book, The Rickenbacker Book, The Fender Book and The Gretsch Book

£50-100

1439.

Good selection of guitar amp and maintenance reference books to include Aspen Pittman - The Tube Amp Book Volume 3; Rick Batey - The American Blues Guitar; Dave Hunter - The Guitar Amp Handbook; Art ThompsonStompbox; Ralph Denyer - The Guitar Handbook; Classic Ferrington Guitars; Wallace Marx Junior - Gibson Amplifiers; John Teagle & John Sprung - Fender Amps The First 50 Years etc

£40-80

1440.

Selection of guitar and other spares/accessories to include an Akai Professional U400 Riff-oMatic, 'The Gibson Super 400' hardback book by Thomas A. van Hoose, capos, plectrums, Fender guitar straps, headphones, cable adaptors etc

£40-80

1441.

Good selection of new and unused guitar strings to include Ernie Ball Paradigm, various gauges, Fender electric, Ernesto Pallo, D'addario and Rotosound

£40-80

1442.

Practical novelties for guitarists to include three shoulder bags (for accessories, pedals etc), each with onboard speaker, connector and cable charger (new stock); together with two packs of guitar cocktail sticks

£30-50

1443.

Selection of guitar accessories and cleaning products to include quality cables, humidifiers, strap locks etc

£30-60

1444.

Set of six Kluson Deluxe guitar tuners; together with a set of Gibson Deluxe guitar tuners; also two Telecaster guitar pickguards

£50-100

1445.

Selection of guitar spares and accessories to include a 1994 Fender Mexico Stratocaster loaded scratchplate, a set of 1980s Columbus Tele machine heads, a set of 1996 Epiphone Les Paul Standard volume pots with switch and machine heads, a Hercules GS414B Plus guitar stand, an A-frame guitar stand and a selection of guitar books

£40-80

1446.

Selection of guitar making wood from a guitar luthier's workshop to include fretboard blanks, binding inlay, back and top woods etc

£50-100

1447.

Quantity of guitar making clamps; together with various other guitar and some violin parts to include tailpieces, bridge plates, tuning pegs, saddles and nuts etc

£30-60

1448.

Selection of classical guitar tuners to include a set of Schaller and various others

£30-60

1449.

Three Telecaster pickguards and two Precision Bass pickguards; together with a set of Kluson style guitar tuners

£20-40

1450.

Rockstand folding guitar stand to hold seven guitars; together with a Rockstand A-frame guitar stand, a Libedor guitar stool, a Quiklok amplifier stand and a Glarry stand

£50-80

1451.

Selection of guitar spares and accessories to include three Stratocaster scratchplates, a Fender Genuine Parts aged white accessory kit, further guitar plastics, old sets of guitar strings, two guitar straps, capos, control knobs etc

£40-80

1452.

Set of six three-on-a-side Gibson Deluxe guitar tuners; together with a set of six three-on-a-side Kluson Deluxe guitar tuners and a set of classical guitar tuners (3)

£40-80

1453.

Jim Marshall autographed Marshall Legacy poster, framed; together with three Guitarist magazine poster inserts and a small Derek Morrel 45rpm Steely Dan Reelin' in the Years artistic print, framed

£30-50

1454.

Good selection of guitar reference books to include Yasuhiko Iwanade - The Beauty of the Burst; Paul Balmer - Fender Stratocaster Manual; Tony Bacon - Fifty Years of Fender; David Schiller - Guitar, the World's Most Seductive Instrument; Robb Lawrence - The Les Paul Legacy; Tony Bacon & Paul DayThe Gibson Les Paul Book; Tony BaconFifty Years of the Gibson; Andre Duchossoir - Guitar Identification, together with a selection of Guitarist and Guitar magazine special editions

£50-100

1455.

DPA Microphones d:Vote live instrument microphone, boxed

£150-250

1456.

Jim Elyea - 'Vox Amplifiers, the JMI Years', limited edition hardback book, signed to the inside front page by the author, with original slip case including schematic portfolio, original box

*From a limited run of one thousand units produced £50-80

1457.

Selection of guitar reference books and sheet music to include Ken Achard - The Fender Guitar, John Teagle & John Sprung - Fender Amps, The First Fifty Years; also a good selection of method books featuring some rarities including Ted Green's - Chord Chemistry

£80-120

1458.

Nine vintage sheet music scores including The Rolling Stones 'Not Fade Away'; Sonny and Cher 'I Got You Babe'; The Shadows 'Shindig'; The Animals 'House of the Rising Sun' etc; also a later original Hendrix technique book and an Eric Johnson guitar transcription book (11) £40-80

1459.

Marshall Amplification - Jim Marshall autographed Marshall Legacy Bluesbreaker poster; together with another Marshall poster, a Marshall Book of Loud and a 1999 Pyramid Jimi Hendrix poster, framed (4) £60-80

1460.

Chord Cream instrument cable 1.5m Power Chord mains cable, new and boxed

£30-60

1461.

Chord Cream instrument cable 1m Epic speaker cable, new and boxed

£30-40

1462.

Three guitars in need of restoration to include a Dean single cut, a Squier Strat and an old bass; together with three project guitar necks; also a modern student violin with case £50-100

1463.

Set of three 1964 week 44 CTS guitar potentiometers

£250-350

1464.

Set of six Gotoh locking guitar tuners

£20-40

1465.

Set of six 1980s Gibson gold plated guitar tuners, removed from a Les Paul Custom

£30-50

1466.

Set of six 1980s gold plated Grover kidney button guitar tuners

£30-50

1467.

Two plastic scratchplates from a 1960s Rickenbacker 325 electric guitar

£50-100

1468.

1960s semi-rigid guitar case for a smaller bodied thinline guitar

£30-60

1469.

Classic Case Company bespoke guitar display case, designed to fit a Gretsch hollow body electric guitar

£80-120

1470.

Selection of guitar reference and other books to include A.R. Duchossoir - The Fender Stratocaster; Paul Balmer - Fender Stratocaster Manual; Ray Minhinnett - The Story of the Fender Stratocaster, Curves Contours and Body Horns etc; together with a selection of guitar wall hangers

£40-80

1471.

Kay bass guitar and neck for restoration; together with a JHS Vintage Les Paul style guitar neck and a vintage Japanese guitar pickup

£40-80

1472.

Quantity of String Swing bracket guitar wall hangers

£30-50

LOTS 1473-3000 NO LOTS

Studio & Audio Equipment

3001.

Neumann U67 microphone, made in Germany, ser. no. 5394, with NU67 power supply and associated cables, within a flight case

£5000-7000

3002.

Neumann U47 FETi microphone, made in Germany, no. 4191, within original case enclosing papers

£2000-3000

3003.

Peluso P-67 microphone, with original wooden box, ser. no. 00162, within outer flight case enclosing MX-56 power supply, shock mount, associated cables and papers

£700-1000

3004.

Peluso 2247SE microphone, ser. no. A02639, with original wooden box, with MX-56 power supply, shock mount and cables within original fitted case

£500-800

3005.

Rode NT1-A condenser microphone, boxed; together with an SNDWAY digital sound level meter

£40-60

3006.

SE Electronic SE2200T microphone, with PSU, pop shield and shock mount within original case

£50-100

3007.

SE Electronics SE2200A studio condenser microphone, boxed with shock mount cradle

£40-80

3008.

Pair of Behringer C-2 studio condenser microphones, boxed

£20-30

3009.

Shure SM58 vocal microphone

£40-60

3010.

Shure 58 Beta vocal microphone, boxed

£40-60

3011.

Shure Unidyne III Model 545 dynamic microphone, with microphone boom stand

£50-80

3012.

Vintage Shure 450 Tannoy microphone, with lead adapter

£30-50

3013.

Shure Unidyne IV 548 vocal microphone, with original box, pouch and papers; together with an Eagle International Pro M20 unidirectional microphone, a microphone stand and a selection of cables and adaptors to include a Shure Brothers A95F adaptor

£80-120

3003

3014.

Pair of Sony F-99 microphones; together with a large quantity of mixed audio and power cables

£20-40

3015.

Selection of microphones to include a Shure Unidyne 515SD vocal microphone, Shure Prologue 12H microphone, Sony ECM-99 (boxed), a Sony F-99A, a Shure Commando and three others

£50-100

3016.

Yamaha CS2X control synthesizer keyboard, with Gear4Music gig bag; together with a Yamaha PSR-18 keyboard, with Le Bag gig bag (2)

£80-120

3017.

Casio CZ1000 synthesizer keyboard, made in Japan

£80-120

3018.

M-Audio Axiom Pro 49 keyboard controller, boxed

£20-30

3019.

Technics KN5000 keyboard with manual, gig bag and stand

£50-80

3020.

Native Instruments Komplete Kontrol M32 keyboard controller, boxed

£30-60

3021.

Novation Remote 25SL compact keyboard controller; together with a Yamaha RY8 rhythm programmer and manual (missing battery compartment cover)

£40-60

3022.

Casio Casiotone CT-310 keyboard, with original box; together with a metal frame keyboard stand

£30-60

3023.

Sequential Circuits Pro-One Model 100 synthesizer keyboard, made in USA, ser. no.

7273

£900-1100

3024.

Roland FA06 workstation keyboard, with PSU and manual

£300-400

3025.

Kurzweil PC88MX performance controller synthesizer keyboard

£100-200

3026.

Korg M1 synthesizer keyboard, made in Japan, ser. no. 903773, with later red vinyl wrap, within heavy duty flight case

£150-250

3027.

Yamaha MG20XU mixing console, boxed, with a pair of Yamaha DXR15 powered speakers, with covers; also a pair of PA speaker stands and a selection of XLR and jack cables

£400-600

3028.

Wharfedale Professional WPM-1 personal monitor speaker, boxed; together with a Fanbace android MP3 player, boxed (2)

£40-60

3029.

Behringer Europower PMX2000 powered PA mixer; together with a Laney CXP-112 powered monitor speaker

£30-60

3030.

Good selection of various stands to include a multi-tier keyboard stand, further keyboard stands, microphone stands, amp stands etc

£50-100

3031.

Two Chord IEM16 in-ear monitoring systems, one in original box, the other in flight case

£80-120

3032.

Zoom V6 vocal processor, with PSU and manual, within a flight case

£80-120

3033.

TC Helicon Mic Mechanic reverb, delay and correction pedal, boxed

£50-80

3034.

TC Helicon VoiceLive Play harmony and effects for singers, boxed

£80-120

3035.

TC Helicon VoicePlay harmony and effects for singers, boxed

£80-120

3036.

Staffords On Stage RSM003 stage prompter, with footswitch and screen

£200-400

3037.

Staffords On Stage stage prompter, with 05 controller, cables, AOC screen and floor stand

£200-400

3038.

Mixed selection of items to include a Hohner International Silver Star harmonica, Boss FS-5 footswitch, a Meinl shaker, further maracas, two guitar wall hangers, a Natal tambourine etc

£30-60

3039.

Rak Studios - nine input XLR multi-core box

*Recovered by the vendor from Rak Studios in the early 2000s when they were undergoing a refit

£10-20

3040.

Kawai PV30 digital piano, made in Japan, ser. no. 9064982

£40-80

3041.

Bang & Olufsen 2952; together with a Bang & Olufsen 2942, with terminal 3300 remote

£20-40

3042.

Yamaha TX-2000 Natural Sound AM/FM stereo tuner

£100-150

3043.

Yamaha Reface CP compact stage piano, boxed with cables including midi breakout cable, also with fitted Yamaha gig bag

£100-200

3044.

Gator keyboard/stage piano rigid foam gig case on wheels

£40-80

3045.

Crumar ACD synthesizer module, made in Italy

£80-120

3046.

Soundcraft Spirit Folio audio mixer

£20-30

3047.

Three audio interface units to include a Pre Sonus AudioBox 1818VSL, a Motu 828 Firewire rack unit and a Pre Sonus Fire Studio mobile (3)

£40-80

3048.

Universal Audio Apollo Twin audio interface, boxed

£150-250

3049.

Art Multiverb multi-effects processor rack unit

£30-50

3050.

Selection of audio items to include a Carlsbro Eclipse 20 powered audio mixer with fitted flight case, a Technics SU-600 stereo integrated amplifier, a Sony CDP-XE220 compact disc player, a Kam PA mixer, a pair of Wharfedale Diamond 9.0 speakers, a pair of Sony X180 speakers, a Showtec RGB theatre spotlight and associated stand and a Botex LS-5 Laser Crab light and a selection of associated audio cables

£80-120

3051.

Numark M101 DJ mixer, Line 6 Tone Port UX1 interface, a Jeemak USB microphone, OneOdio Studio Pro 10 headphone and two flight carry-cases, Tascam Porta 02MK2 cassette recorder, a Samson V Stage V5 VHF wireless receiver, a Shure Prologue 12L microphone and a Pro Sound microphone

£60-100

3052.

Boss DR-220 Dr Rhythm digital drum machine, with original pouch and manual

£30-50

3053.

Pair of Yamaha NS-10M reference monitor speakers; together with a pair of Studio Spares speaker stands

£150-250

3054.

Thomann The t.amp. S-100 Mk II power amplifier, boxed

£30-60

3055.

Selection of various stands to include four microphone stands, an amplifier stand, a Stagg double guitar stand and two JHS Aframe stands

£30-60

3056.

Millennium KS3000 keyboard stand; together with a Tiger dual keyboard stand (2)

£30-60

3057.

Samson rack unit (US fittings); together with a further flight case surround rack unit and one other rack stand

£40-80

3058.

Technics SB-W500 subwoofer speaker

£30-50

3059.

Bose Acoustimass 5 Series III direct/ reflecting speaker system, comprising subwoofer and a pair of wall mount overhead speakers

£50-100

3060.

Sony MDS-JE520 Minidisc deck; together with an Aiwa AD-S750 stereo cassette deck

£30-60

3061.

Denon hifi units to include a UDR-F10 stereo cassette tape deck, a UTU-F10 AM-FM stereo tuner, a UCD-F10 compact disc player and a UPA-F10 integrated stereo amplifier, with associated cables and remote

£40-80

3062.

Avantone Pro Active Mixcube, made in USA, boxed with PSU

£80-120

3063.

Yamaha MG10/2 mixing console and PSU; together with a Yamaha BMS-10A microphone stand mounting adapter bracket

£30-60

3064.

Nuetrik NYS-SPP-L1 1/4" stereo patch bay, boxed

£20-40

3065.

HD Anywhere 1080P home multi-room hub unit with four receivers and associated cables, boxed

£40-80

3066.

Thomann MC164 The Sssnake multi-core cable junction box; together with a Thomann M6-10 The Sssnake multi-core cable and other cables within a Cordial carry-case

£50-100

3067.

Keith McMillen Soft Step midi footswith controller, boxed

£100-150

3068.

Gio by Apogee USB guitar interface and controller, boxed

£40-60

3069.

Focusrite Saffire Pro 14 firewire audio interface, boxed; together with a Spirit by Soundcraft Folio Notepad audio mixer, boxed and a Traynor Series 2 6400 mixer amplifier (3)

£40-80

3070.

Alesis Performance Pad Percussion Pad controller and drum machine, boxed

£30-60

3071.

Two Korg midi units to include a Nano Kontrol and a Nano Pad 2; together with a Dubreq Stylophone pocket organ, boxed (3)

£20-40

3072.

Alesis Nanoverb digital effects processor; together with an Alesis Nanobass synthesizer module (2)

£50-80

3073.

Zoom H2 Handy Recorder

£30-40

3074.

Roland CR-1000 Digital Drummer, boxed

£30-50

3075.

Dubreq Stylophone Beatbox portable electronic beat machine, boxed

£10-20

3076.

Vonyx VPS122A PA speakers, with stands and box

£40-80

3077.

Akai Professional S1000 midi stereo digital sampler rack unit

£80-120

3078.

Sanyo DCA401 amplifier; together with an M

Audio Keystation 32, boxed (2)

£50-80

3079.

Gator rack case; together with a Hercules microphone stand and two keyboard stands (4)

£20-40

3080.

Yamaha O2R96 digital recording mixer/desk, with MB02R96 Peak Meter Bridge

£300-400

3081.

Yamaha O2R digital recording console with Peak Meter Bridge

£80-120

3082.

DBX II 124 noise reduction system, boxed

£30-50

3083.

Pair of Bang & Olufsen 6007 HT Bord trumpet speaker stands, boxed; together with a vintage Zerostat Discwasher with original case

£50-100

3084.

Tascam 244 Portastudio, made in Japan, ser. no. 780200, with manuals; with Tascam RC-30P remote pedal

£50-80

3085.

Fostex MN-15 four channel mixer; together with the (out of print) 'Using Your Portable Studio' paperback book by Peter McIan (2)

£40-80

3086.

Realistic Session Mate rhythm box, boxed; together with a Zoom RT-223 RhythmTrak, boxed (2)

£40-80

3087.

Panasonic SV3800 digital audio tape recorder in need of servicing; together with a Marantz CD-63 MKII compact disc player (2)

£100-200

3088.

Seaward PAT2000 PAT test unit

£30-50

3089.

Revox A77 Professional HS77 reel-to-reel tape recorder for spares/repair; together with a selection of Revox and Studer reelto-reel spares

£80-120

3090.

BSS DPR-404 compressor rack unit, with manual

£30-60

3091.

Studio Series Vocal Booth Home, boxed

£20-30

3093.

Allen & Heath Icon Series DP1000 powered mixer (screen at fault)

£30-50

3094.

Pair of Event 20/20 Bas V3 powered studio monitor speakers

£150-250

3095.

Access Virus TI Snow synthesizer, with bag and manual

£300-500

3096.

JBL M-Patch 2 passive volume controller, speaker switch and headphone amp, boxed £30-50

3097.

Steinberg CC121 advanced integration controller, boxed £200-300

3098.

Brionvega RR-126-FO-ST radiofonografo stereo, made in Italy, circa 1965

*Designed and made in Milan, Italy, the Brionvega is a modular music player created as a piece of modular design as well as being a high quality music system

£2000-4000

3099.

Pair of Marshall 6151H 1 x 15 PA speakers

£40-60

3100.

Yamaha DSP-A2070 hifi amplifier

£30-60

3098 (See page 162)

3101.

Pair of Wharfedale Teesdale SP2 hifi speakers

£30-50

3102.

Pair of Realistic Optimus T-100 hifi speakers

£30-60

3103.

NAD Series 20 stereo amplifier 3020; together with a Sony LBT-N355 hifi stereo system (2)

£40-80

3104.

Harman/Kardon AVR 340 hifi receiver

£80-120

3105.

Yamaha Q2031A graphic equalizer rack unit; together with a Behringer Eurorack UB2222FX-Pro mixer (2)

£40-60

3106.

BBE 362 Sonic Maximiser rack unit; together with a DBX 376 Tube Channel Strip rack unit (2)

£50-80

3107.

Peavey Univerb II rack unit; together with a Behringer Virtualizer Pro rack unit and a Pre Sonus Comp 16 compressor (3)

£30-50

Heading: B-Stock Items Text: Lots 3114 – 3141 are ex retail b-stock items and subject to 20% VAT on the hammer price. B stock equipment will be in working order although may have minor cosmetic flaws, or just damage to the outer packaging.

3114.

Samson Carbon 61 USB Midi Controller keyboard, with original box and packaging (new/ B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

3115.

3108.

TL Audio Ivory 2 5050 mono valve mic preamp and compressor rack unit

£80-120

3109.

1970s Leevers Rich Proline 2000TC Mastering reel-to-reel tape recorder

*Acquired from the vendor from Thames TV, 1991, who was an employee at the company and following a sale of equipment

£300-500

3110.

Sansui AU-2200 stereo amplifier, made in Japan, ser. no. 216020049

£50-80

3111.

Eltax Monitor III monitor speakers

£30-50

3112.

Cambridge Audio A1 integrated amplifier; together with a Sony RCD-W100 compact disc recorder, both within an SKB gig bag

£50-100

3113.

Roland Handsonic 10 percussion pad, boxed, with stand and pedal

£100-200

Yamaha P-125B digital piano, boxed with original packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £200-300

3116.

Roland Go:Piano 88 GO-88P digital piano, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £100-200

3117.

Roland FP-30 digital piano, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £200-300

3118.

Yamaha PSR-I500 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £100-200

3119.

Yamaha PSR-E473 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£100-200

3120.

Yamaha PSR-E473 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£100-200

3121.

Korg Nautilus-61 music workstation keyboard, boxed with original packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£600-900

3122.

Korg B2 digital piano, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£100-200

3121

3123.

Korg I3 music workstation keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working

£100-200

3124.

Roland Go:Keys GO-61K Music Creation keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3125.

Roland Go:Keys GO-61K Music Creation keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3126.

Casio CT-X5000 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £150-250

3127.

Yamaha PSR-E463 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £100-200

3128.

Yamaha PSR-E463 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £100-200

3129.

Yamaha PSR-EW310 digital keyboard, with original box and packaging (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £100-200

3130.

GPO Memphis retro music player, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

3131.

GPO Memphis retro music player, with original box and packaging (new/B Stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £40-60

3132.

Kali Audio Project Independence IN-8 V2 three-way coincidence studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £200-300

3133.

Kali Audio Project Lone Pine LP-6 White V2 6" professional studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3134.

Kali Audio Project Lone Pine LP-8 professional studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3135.

Kali Audio Project Lone Pine LP-8 professional studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3136.

Kali Audio Project Lone Pine LP-6 professional studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3137.

Kali Audio Project Lone Pine LP-6 professional studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

3138.

GPO Rydel Radio, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £10-20

3139.

GPO Empire turntable, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £30-50

3140.

Samson Expedition XP150 portable PA sound system, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £100-200

3141.

Kali Audio LP-8 professional studio monitor, boxed (new/B stock)

*Please note: this lot is subject to 20% VAT on the hammer price

B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working £80-120

LOTS 3142-3200 NO LOTS

End of sale

Day Three

Day four

Antique & Classical Guitars

Friday 14th June 2024 at 10am

3201

3204 (See page 169)

(See page 169)

Lots 3201-3220 - From an important British private collection of antique & classical guitars

3201.

19th century French small bodied guitar, labelled Fabrique De Derazey, Mirecourt; Back and sides: natural maple, repaired crack to centre back and another to lower bout, various minor marks, refinish; Top: natural spruce, refinishing, various dings and marks; Neck: ebonised; Fretboard: ebony; Frets: good, refret; Hardware: engraved brass tuning strips with ivory buttons; Case: ebonised wooden case; Nut width: 45mm; Scale length: 615mm; Overall condition: good for age

*The Derazey name is more commonly associated with violins made in the Mirecourt region in france. Like many luthiers, makers put their hand to other stringed instruments, particularly guitars.

*Ivory exemption submission reference 2GEVCNJH

£1000-2000

3202.

19th century Rafael Salazar Grajales guitar, made in Sevilla, Spain; Back and sides: cypress, light marks but generally good for age; Top: domed spruce with white finger plate; Neck: cedar with Torres style head, light marks; Fretboard: rosewood; Frets: tarnished and worn, refret; Case: fitted wooden case; Nut width: 52mm; Scale length: 650mm; Overall condition: good for age

*A reference to this guitar appears in Jose L. Romanillos Vega & Marian Harris Winspear's book 'The Vihuela de Mano and The Spanish Guitar'

£700-1000

3203.

Late 19th century Spanish guitar, probably Valencian, labelled E. Zerega, 152, Brompton Road, London, signed and dated 1892; Back and sides: rosewood, repaired hairlines, refinishing; Top: natural spruce with wide boxwood string and pearl block inlays, similar inlay to sound hole rosette, replacement bridge plate; Neck: cedar; Fretboard: ebony; Frets: good, refret; Hardware: modified tuning strip to treble side, engraved tuning strips with ivory buttons; Case: semi-rigid fibreboard case; Nut width: 48mm; Scale length: 650mm; Overall condition: good for age

*Eduardo Zerega AKA Edgar E. Hill was a mandolin and guitar player with Zerega's Spanish Troubadours. He was also an instructor, seller and distributor or musical instrument and sheet music. Originally from America, he resided at 152 Brompton Rd, London between 1892 and 1905.

**Ivory exemption submission reference TCFAHK93

£500-800

3204.

19th century French guitar of the Lacote School, bearing an 'SP' wax seal to the head, thought to be from Madame Sidney Pratten; Back and sides: birds eye maple, minor marks and wear but generally very good for age; Top: natural spruce with multi-string banding to edges and decorative pearl inlay to sound hole rosette, infill repair between bridge and body end, refinished, light play wear; Neck: ebonised, wax seal to head face; Fretboard: ebony; Frets: mild wear; Hardware: engraved brass tuning strips with shaped ivory buttons; Case: semirigid fibreboard case; Nut width: 48mm; Scale length: 630mm; Overall condition: good for age

*Sold with a small book inscribed with pencil notes headed 'Guitar notes from Giulia Pelzer, aged 90!'. Giulia Pelzer was a guitar teacher and sister of famous tutor and performer Madame Sidney Pratten. As with modern day teaching, it was often the case that a tutor would recommend of supply instruments to their pupils. The presence of the 'SP' monogramed wax seal could suggest that this guitar was supplied by Giulia's sister Sidney, who was well known for selecting and selling good quality guitars of this nature. The guitar was purchased by the vendor from a musical instrument auction held by Bonhams, London, circa 2000. This notebook was found in the case pocket.

Ivory exemption submission reference PFLVMJJU

£1500-2500

3205.

19th century small bodied short scale guitar labelled Gennaro Fabricatore, anno 1821, Napoli, Strada Giacomo, no. 42; Back and sides: satinwood with walnut banding, some repairs to edge banding, marks and wear throughout; Top: natural spruce with multi-string banding to edges and sound hole rosette, foliate scroll finials to bridge plate; Neck: ebonised; Fretboard: ebony; Frets: brass, worn; Hardware: adaptions to friction tuners; Case: fitted ebonised wooden case; Nut width: 45mm; Scale length: 560mm; Overall condition: good for age

£3000-5000

3206.

19th century Italian guitar labelled Luigi Filano, Napoli, anno 1850...; Back and sides: maple with ebony banding, various minor hairlines, refinishing; Top: fine grained natural spruce, repaired hairlines and refinishing, mastic and pearl inlay to edges and sound hole rosette; Neck: ebonised with Stauffer style head; Fingerboard: ebonised with foliate pearl inlay to edges; Frets: worn; Hardware: brass tuning plate; Case: ebonised wooden case; Nut width: 44mm; Scale length: 635mm; Overall condition: good/restored £1500-2500

3207.

19th century French guitar labelled Gerard, Manufacturer of Guitars, Violin, Tenors...Soho Square, London; Back and sides: Brazilian rosewood, many large repaired cracks to back, further restored hairline cracks to side; Top: natural spruce, repaired crack to lower bout bass hand side and upper bout treble side, play wear throughout, mastic and pearl fern inlay to edges and sound hole rosette; Neck: ebonised, rose inlay to face of head; Fretboard: ebony; Frets: worn; Case: fitted ebonised case bearing a plaque inscribed 'Hylda Willis, in Remembrance of her Grandmother and Sponsor M.A. Ori O'Hegenheim'; Nut width: 45mm; Scale length: 590mm; Overall condition: good/restored

*Sold with a handwritten letter from the great granddaughter of M.A. Ori O'Hegenheim, to the new owner, dated 16th July 1976. She comments 'I am so very pleased that the guitar has gone to someone who really appreciates it.' She goes on to state that Ori O'Hegenheim was French and came from Normandy. She would have used the guitar around 1840 and upon her death in 1898 it was given to her daughter Hylda Willis, hence the case inscription. Ivory exemption submission reference NTPF61HB £1500-2500

3208.

Interesting 19th century small bodied guitar labelled José Linares...; Back and sides: mahogany, large cracks to back, some hairlines and restored, one larger opening crack; Top: natural spruce with ebony scroll inlay, repaired hairlines, evidence of bridge adaptions; Neck: ebonised with shaped long head and friction pegs (one peg missing); Fretboard: rosewood, light wear; Frets: brass, worn; Nut width: 45mm; Scale length: 560mm £800-1200

3206

3207

3209.

19th century Mirecourt Lacote style small bodied guitar; Back and sides: Brazilian rosewood, repaired hairline crack to upper bout; Top: natural spruce with mastic and pearl inlay to edges and sound hole rosette, lower pearl inscribed 'Grave Par Therese'; Neck: ebonised; Fretboard: ebony; Frets: good, refret; Hardware: engraved brass tuners with shaped pearl buttons; Nut width: 48mm; Scale length: 63mm; Overall condition: good for age

*Inscribed by the engraver 'Grave Par Therese' to the lower body. The engraved pearl work is of the highest quality and this inscription would suggest that they were particularly happy with the work on this guitar.

Ivory exemption submission reference E984V5SZ

£1500-2500

3210.

19th century guitar by and labelled D & A Roudhloff...London, circa 1850; Back and sides: Brazilian rosewood, infill repairs to back, restored hairline cracks to sides, refinishing Top: fine grain spruce, infill crack repair, other wear and refinishing; Neck: ebonised; Fretboard: ebony; Frets: mild wear; Hardware: engraved brass tuners with ivory buttons; Nut width: 45mm; Scale length: 630mm; Overall condition: good/restored

*Ivory exemption submission referenceX5NHQNRN £1500-2500

3211.

19th century French guitar branded Aubry Maire to the inside back, circa 1840; Body: natural maple back and sides and spruce top, intricate mastic, pearl. herringbone and floral inlay to the edges and sound hole rosette, repaired hairline cracks to top; Neck: figured maple, open head with foliate urn inlay to front; Hardware: engraved brass tuners with shaped ivory buttons; Case: fitted ebonised wooden case; Nut width: 45mm; Scale length: 625mm; Overall condition: good

Ivory exemption submission reference DEB75SMX

£2000-3000

3212.

18th Century Spanish six double course guitar, labelled Juan Pages Me Hizo En Cadiz, Anno 1791; Back and sides: cypress, large repaired cracks to back, many cracks including wood infill to sides; Top: rosewood inlaid finger patch to treble side and with scrolling bridge finials; Neck: cedar with large tapering head; Fingerboard: rosewood, heavy wear to first position; Frets: brass, worn, tapered frets running onto the table; Case: fitted ebonised wooden case; Nut width: 52mm; Scale length: 645mm; Overall condition: good for age

*See a similar example sold - ex lot 616, Gardiner Houlgate, 14th September 2017

£10,000-20,000

3213.

Spanish guitar labelled Adam Hermanos...Valencia, circa 1900; Back and sides: heavily worn with repair patches to shoulders, bottom ribs and upper back, heavily worn throughout; Top: natural spruce, dings and heavy play wear throughout; Neck: ebonised; Fingerboard: ebonised; Frets: heavily worn; Case: soft bag; Nut width: 50mm; Scale length: 645mm; Overall condition: poor

£400-600

3214.

1920 Salvador Ibanez small bodied acoustic guitar, made in Spain; Back and sides: rosewood; Top: natural spruce, minor hairline parting to centre lower bout, various minor dings; Neck: cedar; Fretboard: rosewood; Frets: mild wear, refret; Case: soft bag; Nut width: 48mm; Scale length: 620mm; Overall condition: good

£400-800

3215.

1975 Brian Cohen classical guitar, made in England; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good, engraved brass tuning plates; Case: fitted hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: very good

£1500-2500

3216.

1969 Harald Petersen concert guitar; Back and sides: figured maple, minor dings and scratches, heavier finish wear to extreme edge of upper bout bass hand side; Neck: cedar, light wear and dings; Fretboard: ebony, light wear to first position; Frets: minor tarnishing; Hardware: good; Case: fitted hard case; Overall condition: good for age

£400-600

3217.

1973 José Yocopi classical guitar, made in Argentina; Back and sides: Indian rosewood, light dings and surface scratches but generally very good for age; Top: natural spruce with decorative banding, light surface scratches and marks; Neck: cedar; Fretboard: ebony, light wear; Frets: light tarnishing but generally good; Hardware: good; Case: Hiscox hard case; Nut width: 50mm; Scale length: 650mm; Overall condition: good

£1000-1500

3218.

1976 George Love classical guitar, made in England; Back and sides: black stained highly figured maple; Top: natural spruce, light marks behind bridge from string scratching, a few further minor marks but generally very good; Neck: cedar; Fretboard: ebony; Frets: light tarnishing; Hardware: good; Case: fitted hard case; Nut width: 55mm; Scale length: 650mm; Overall condition: very good

£1500-2500

3219.

Classical guitar in need of restoration labelled Fischietti; Back and sides: walnut, large crack to length of back, further hairline cracks, various scratches and marks; Top: two hairline cracks to lower bout, one hairline crack to centre, one hairline crack to treble side of fretboard; Neck: light wear throughout; Fretboard: ebonised, worn; Frets: worn; Hardware: in need of tuning pegs; Case: fitted hard case; Nut width: 50mm; Scale length: 650mm; Overall condition: in need of restoration

£100-200

3220.

1982 Vicente Camacho classical guitar, made in Spain; Back and sides: Indian rosewood, a few light marks but generally very good; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: generally good, some tarnishing to upper frets; Hardware: good; Case: fitted hard case; Nut width: 54mm; Scale length: 655mm; Overall condition: very good

£1200-1800

3221.

Chitariglia attributed to Giovanni Smit in Milan, circa 1645; Back and sides: multisection ribbed bowl back; Top: fine grain spruce with foliate mastic decorations, bone and mastic binding to the outside and bone and mastic inlay to the sound hole, with intricate paper architectural rosette to the sound hole; Neck: continuous bone and wood inlay; Fretboard: inlaid bone and ebony with gut frets; Case: contemporary fitted Kingham custom hard case; Nut width: 44mm; Scale length: 490mm; Length of back: 360mm approx; Total length: 740mm

*Giovanni Smit (b.1601 d.1646) was originally from Fussen, Germany, before settling in Milan, Italy. Formerly of the Harvey Hope collection. See reference 'Guitar Review, no. 30', 1968, page 23

Ivory exemption submission reference E5F54MMA

£15,000-20,000

3222.

19th century Jerome Thibouville-Lamy small bodied guitar; Back and sides: rosewood, hairline splits to both back and sides, minor binding separation, surface marks and scratches as to be expected for age; Top: natural spruce, heavy wear; Neck: ebonised, dings and marks; Fretboard: ebony; Frets: worn; Hardware: tarnishing to engraved brass tuning strips, mismatched bridge pins; Case: homemade wooden hard case; Overall condition: fair

£300-500

3223.

1821 Delannoy parlour guitar, made in France, bearing maker's label to the inner back; Back and sides: mahogany, expected scratches and general wear, small stable hairline split to centre back lower bout; Top: fine grain spruce, general play wear and marks but generally acceptable for age, pearl and ebony inlay to the sound hole rosette and edges; Neck; ebonised; Fingerboard: ebonised; Frets: good, refret, additional frets tapering onto the table; Hardware: generally good, some replacement friction pegs; Case: contemporary soft bag; Nut width: 50mm; Scale length: 640mm; Overall condition: good for age

£1000-2000

3224.

English antique black painted double guitar case, with original woven felt lining and division board, height 38 5/8" (98cm)

£50-80

3225.

1999 David Oddy classical guitar, made in England; Back and sides: Indian rosewood, a few minor dings but generally very good for age; Top: natural spruce, small ding to centre top behind bridge, a few other minor surface marks; Neck: cedar with herringbone centre stripe; Fretboard: ebony; Frets: good; Nut width: 55mm; Scale length: 650mm; Case: Hiscox hard case; Overall condition: very good

£1000-1500

3226.

1976 Alistair McNeill classical guitar, made in Bradford on Avon, Wiltshire; Back and sides: Indian rosewood, surface scratches and minor dings; Top: natural spruce, lacquer checking and other scratches/dings; Neck: cedar; Fretboard: ebony; Frets: mild tarnishing and some oxidisation to upper fret; Nut width: 55mm; Scale length: 650mm; Overall condition: good for age

£600-1000

3227.

1985 Alistair McNeill classical guitar, made in Wiltshire, England; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: mild tarnishing; Hardware: good; Case: Roger Bamford hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: very good

£800-1200

3228.

1990 Alistair McNeill classical guitar, made in Wiltshire, England; Back and sides: Indian rosewood, light finish clouding to back, minor surface scratches and various dings; Top: natural spruce, a few very minor dings and light play wear to treble side of strings; Neck: cedar; Fretboard: ebony; Frets: mild tarnishing; Hardware: good; Case: fitted hard case; Overall condition: good

£800-1200

3229.

1986 Brian Cohen small bodied classical guitar, made in England; Back and sides: rosewood, a few minor marks; Top: natural spruce, minor play wear and dings; Neck: cedar, light wear to first position; Fretboard: ebony; Frets: good; Case: hard case; Nut width: 50mm; Scale length: 640mm; Overall condition: good

£1500-2500

3230.

Alhambra 7F CIP electro-acoustic Flamenco guitar, made in Spain; Back and sides: cypress; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: very good

£250-350

3231.

Alhambra Model 11P classical guitar, made in Spain; Back and sides: Indian rosewood; Top: natural cedar; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Hiscox hard case; Overall condition: very good £700-900

3232.

Alhambra 11C classical guitar, made in Spain; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Pod compressed foam case; Overall condition: good

£700-1000

3233.

Alhambra 9PA classical guitar, made in Spain; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Hiscox hard case; Overall condition: very good £500-700

3231

3232

3240 3242

3234.

1978 Yamaha GC-7M classical guitar, made in Japan; Back and sides: Indian rosewood, a few light surface scratches to centre back, minor dings to edges; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: good

£350-450

3235.

1979 Yamaha Grand Concert GC-5 classical guitar, made in Japan; Back and sides: Indian rosewood, some lacquer clouding, a few minor dings but generally very good for age; Top: natural spruce, a few minor marks; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case: Overall condition: very good for age

£400-600

3236.

1969 Yamaha GC-3 classical guitar, made in Japan; Back and sides: rosewood; Top: natural spruce, minor rippling behind bridge; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: very good

£300-500

3237.

1979 Yamaha Grand Concert GC-15 classical guitar; Back and sides: Indian rosewood, a few light marks but generally very good for age; Top: natural spruce, minor surface blemishes and marks; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: modern compressed foam case; Overall condition: good

£600-800

3238.

Yamaha G-50 classical guitar, made in Japan, in need of some attention; together with a Goya Model 4 classical guitar (2)

£60-100

3239.

1970 Harald Petersen Model A Flamenco guitar; Back and sides: natural maple, minor dings and surface scratches; Top: natural spruce, minor dings throughout; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: good for age

£350-450

3240.

1935 José Ramirez Flamenco guitar, made in Spain; Back and sides: cypress, repaired hairline crack to back, repaired cracks to shoulders; Top: natural spruce, repaired crack to treble side of bridge, repaired hairline crack to centre top, repaired cracks to either side of fretboard; Neck: cedar, repaired hairline line to length, repaired cracks to neck heel, repaired head crack; Fretboard: replacement rosewood fretboard (original damaged fretboard retained); Frets: good, brass (original frets retained); Hardware: replacement tuners (originals retained); Nut width: 50mm; Scale length: 655mm; Overall condition: good/restored

£2000-3000

3241.

2000 Amalio Burguet Model 3A electro-acoustic nylon string cutaway guitar; Back and sides: rosewood, minor dings; Top: cedar, a few minor dings but generally good for age; Neck: cedar; Fretboard: ebony; Frets: good; Overall condition: good

£300-500

3242.

1988 Amalio Burguet Model 1A classical guitar, made in Spain; Back and sides: rosewood, light marks and a few minor dings; Top: cedar, minor scratching from strings behind bridge, a few other minor marks; Neck: cedar; Fretboard: ebony; Frets: good; Case: fitted hard case; Overall condition: good

£800-1200

3243.

Good quality Flamenco guitar by and labelled Maurice Johnson, 117 Castelnau, Barnes, London, Year 1960, and signed by the maker; Back and sides: natural cypress, light scuffs and other marks; Top: natural spruce, hairline parting to centre top, light dings; Neck: cedar, rosewood face plate and with friction tuners; Fretboard: ebony, light wear; Frets: good; Nut width: 55mm; Scale length: 650mm; Case: Paxman fitted hard case; Overall condition: good for age

£300-500

3244.

Flamenco guitar labelled Condé Hermanos, Madrid; Back and sides: cypress, large crack with impact blemish running the length of the treble side, further restored crack to bass hand side, further scratches and marks; Top: natural spruce with applied cream golpeador; Neck: cedar, heavy wear; Fretboard: rosewood, mild wear; Frets: mild wear and minor tarnishing; Hardware: good; Case: fitted hard case; Overall condition: fair

£400-800

3245.

Manuel Contreras Flamenco guitar, made in Spain; Back and sides: cypress, various scratches and dings; Top: natural spruce, play wear throughout especially to treble side of strings; Neck: cedar, minor marks and wear; Fretboard: rosewood; Frets: mild wear; Case: fitted hard case; Overall condition: good for age

£400-600

3246.

Kasuga FG-250 Flamenco guitar, made in Japan; Back and sides: cypress, light dings and marks; Top: spruce, heavy play wear and dings; Neck: cedar, various dings; Fretboard: rosewood; Frets: oxidisation and tarnishing; Case: fitted hard case; together with an unbranded classical guitar in need of attention (2)

£100-200

3247.

1968 Masaru Kohno classical guitar, made in Japan; Back and sides: Indian rosewood, minor dings and marks but generally very good for age; Top: natural spruce, minor dings and light play wear; Neck: cedar; Fretboard: rosewood; Frets: light oxidisation and tarnishing; Hardware: tarnishing to tuning plates; Case: fitted hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: good for age

£800-1200

3248.

Bartolex SRS10 ten string classical harp guitar; Back and sides: rosewood, a few minor marks; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: compressed foam case; Overall condition: very good

£800-1200

3249.

2016 Yulong Guo chamber concert classical guitar, handmade in China; Back and sides: east Indian rosewood, a few minor marks; Top: natural, good; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: Singing Dragon hard case; Nut width: 54mm; Scale length: 650mm; Overall condition: good

£1500-2000

3250.

1964 Masaru Kohno classical guitar, made in Japan; Back and sides: Indian rosewood, minor dings and scratches, some lacquer checking; Top: natural spruce, minor rippling, minor checking, various minor dings and some scratches; Neck: mahogany; Fretboard: ebony, groove wear to first position; Frets: good; Case: Playtech hard case; Nut width: 50mm; Scale length: 650mm; Overall condition: good for age

£1000-1500

3251.

1987 Manuel Contreras classical guitar, made in Spain; Back and sides: Indian rosewood, hairline crack to centre back, lower bout; Top: natural spruce, minor dings including string marks beneath bridge; Neck: cedar; Fretboard: ebony; Frets: good; Case: fitted hard case; Overall condition: very good

£1000-1500

3247

3252.

2008 Mark Arnott classical guitar, made in England; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: very good

£800-1200

3253.

James Alexander classical guitar, made in England; Back and sides: Indian rosewood; Top: Western Red cedar; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Kinsman hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: good

£500-800

3254.

1980s K. Yairi CY117 classical guitar, made in Japan; Back and sides: Indian rosewood, light imperfections and a few minor dings; Top: minor play wear and dings, string scratching below bridge; Neck: cedar; Fretboard: rosewood; Frets: good; Electrics: fitted with a Fishman pickup wired through end pin with controls to sound hole; Case: hard case; Overall condition: good for age

£200-400

3255.

1960s Anselmo Solar Gonzalez classical guitar, made in Spain; Back and sides: Brazilian rosewood, a few light scratches but generally very good; Top: natural spruce, light play wear to treble side, small hairline to treble side underneath bridge, minor dings; Neck: cedar, minor dings; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Nut width: 52mm; Scale length: 660mm; Overall condition: good

*Sold with non-transferable CITES A10 certificate no. 24GBA10VMIH0M

£800-1200

3256.

Asturias John Mills Model 3454C classical guitar, made in Japan; Back and sides: Indian rosewood, light surface marks; Top: natural cedar, a few minor dings; Neck: cedar; Fretboard: rosewood, minor groove wear throughout; Frets: minor wear; Hardware: good; Case: fitted hard case; Overall condition: good

£350-450

3257.

1991 Alvarez Artist 5008C electro-acoustic nylon string guitar; Body: laminated mahogany; Top: natural spruce; Neck: cedar; Fretboard: rosewood; Frets: good; Electrics: working; Case: fitted hard case; Overall condition: good; together with a 1970s Ibanez 355 classical guitar in need of some restoration, made in Japan (crack and depression to centre top), with soft bag (2)

£100-200

3258.

Aria AC70F Flamenco guitar, made in Spain, natural finish, fitted hard case

£100-200

3259.

Admira Virtuoso classical guitar, made in Spain; Back and sides: Indian rosewood, some light scratching; Top: natural spruce; Neck: cedar; Fretboard: rosewood; Frets: good; Case: fitted hard case; Overall condition: good for age; sold with an Admira Infante short scale nylon string guitar (2)

£50-100

3260.

F. Manzanero classical guitar, rosewood back and sides, spruce top, impact blemish to lower edge, further dings and marks

£50-100

3261.

Paulino Bernabe Estudio classical guitar, made in Spain; Back and sides: Indian rosewood, light surface scratches, lacquer dings; Top: natural spruce, dings throughout; Neck: cedar, blemish beside third fret position; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: good

£500-800

3262.

Manuel Rodriguez Model C3 classical guitar; Back and sides: laminated rosewood; Top: natural cedar; Neck: cedar; Fretboard: rosewood; Hardware: good; Overall condition: good

£100-150

3263.

Santos Martinez SM20 classical guitar, made in Romania

£80-120

3264.

Admira Malaga classical guitar

£80-120

3265.

1994 Ricardo Sanchis Carpio Model 2A classical guitar, made in Spain; Back and sides: Indian rosewood, a few light marks; Top: natural, minor dings; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: SKB hard case; Overall condition: good

£300-400

3266.

1968 Jose Ramirez Estudio classical guitar, made in Spain; Back and Sides: rosewood, minor marks; Top: spruce, play wear and other marks; Neck: Cedar; Fretboard: Ebony, mild wear; Frets: mild wear; Hardware: good; Case: later hard case; Overall condition: good for age

£500-800

End of Sale day four

CONDITIONS OF SALE

The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so. They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose.

1. Bids

All bids made shall be treated as offers made upon these Conditions of Sale and all persons present and approved to bid are admitted to a sale on the basis that they have notice of these Conditions.

1A. Internet Bidding

There are no additional surcharges when bidding via our own bidding platform 'GH Live'

We also use two other online bidding platforms via the-saleroom.com and Easylive which will be subject to additional fees. Please see their respective websites for further details and terms.

‘Pre-Bidding Autobids’

'Pre-Bidding' is a new feature to our own platform and allows bidders to bid against each other prior to the start of a live auction. During the live auction the bidding will start at the current bid reached during the 'Pre-Bidding' and continues until your maximum bid is reached. All bids are anonymous, and your maximum bids are confidential. If you have been outbid, during the ‘Pre-Bidding’ then you will receive an email notifying you that you are no longer the leading bidder, however once the sale is live you will not receive any further notifications. Once bids are placed, they cannot be removed, but can be reduced, if above the current bid.

2. Ascertainment of the Buyer

The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer. No bid may be retracted. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again.

3. Auctioneer’s discretion

The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full.

4. Reserves and Seller’s right to bid

Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer.

5. Buyer’s Duties

The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. Lots may not be cleared during the sale except by permission of the Auctioneer.

6. Payments ALL LOTS ARE TO BE PAID & CLEARED WITHIN 7 DAYS OF THE AUCTION

Methods of payment include direct bank transfer, debit card, credit card, cash to a maximum of £8,500, Cheque payments are no longer accepted. For fraud protection we no longer accept payments by credit or debit cards for ‘Customer not Present’ transactions. Card payments at the saleroom will be accepted but must be supported by Chip and PIN. Card payments for live internet bidding will only be accepted if they have been AVS and 3D Secure authorised via our online platform with a maximum transaction limit of £1000 for Watch & Jewellery auctions; £2000 limit for all other auctions unless previous authorisation has been agreed. Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.

6A. Anti-Money Laundering Policy

New clients spending over £5000 on an individual transaction must be verified, by supplying a current form of ID confirming their name and address to match the invoice. This must be supplied to complete the transaction before the release of goods

7. Liability of the Auctioneer and Sellers

Subject to Condition 8: (a) faults and imperfections (if any) are not stated in the catalogue and neither the Seller nor the Auctioneer is responsible for any defects whatsoever, (b) no warranty is given or authorised to be given by the Seller or the Auctioneer with regard to any lot other than the Seller’s right to sell it, (c) any express or implied conditions or warranties relating to description or quality, are hereby excluded.

8. Catalogue Descriptions

Descriptive statements contained in the advertisements or catalogues or made up by the Auctioneer or any member of his staff should be taken as matters of opinion only and shall not be taken as statement of fact.

i) Items in the catalogue are sold as seen. Where possible significant damage is mentioned, but this does not include all faults and imperfections. The absence of such reference does not imply that the lot is in good condition or free from restoration or repair. Condition reports are available upon request

ii) ’Inscribed’ or ‘Signed’ does not imply that the lot is wholly or partly by that maker

9. Forgeries

Notwithstanding Conditions 6 and 7, if the Auctioneer receives notice in writing from the Buyer WITHIN 7 DAYS OF THE SALE that in his opinion a lot is a forgery (as defined in Condition 12) and on giving such notification the lot in question is returned to the Auctioneer at his working premises in the same condition as when bought, then if on considering such evidence as the Buyer supplies to prove his assertion, the Auctioneer decides that the lot is a forgery the sale of the lot will be rescinded and the purchase price repaid to the Buyer.

10. Property in lots and risk

The Buyer shall not become the owner of any lot, and the Auctioneer shall have a lien thereon, until the Buyer has discharged the purchase price in full together with any other charges due, but after the fall of the hammer the risk of damage or loss shall nevertheless be the Buyer’s.

11. The Premium

The Buyer shall pay to the Auctioneer a premium of 22% of the hammer price together with VAT. (26.4% inclusive of VAT)

12. Default by Buyer If the Buyer fails to make payment in a way acceptable to the Auctioneer or to remove any lot or lots bought by him within 7 days of the auction or in any other material respect fail to comply with these conditions, the Auctioneer shall have the right, (a) to resell the lot or lots by public auction or otherwise without notice to the Buyer, and if any deficiency arises on such resale, after deducting the Auctioneer’s full costs and expenses, the Buyer shall be responsible to the Auctioneer therefore (but any net surplus to be the Seller’s) or, alternatively, (b) to store the lot at the Auctioneer’s premises or elsewhere and to release the lot to the Buyer only after payment in full of the purchase price together with any other charges due. The Auctioneer reserves the right to charge storage of 50p per lot per day on any lot or lots uncleared by the time specified together with any removal expenses. In addition, interest will be charged at 2.5% per month or part thereof (34.4% APR) on any accounts that remain unpaid in part or full 1 week after the sale. Interest and storage will be charged from the date of sale. In addition, the Buyer shall be liable for all legal and court costs incurred by the Auctioneers in pursuit of payment from the Buyer. The Auctioneer reserves the right to refuse any cheques and will not release lots purchased until evidence has been received that any cheque accepted has been cleared.

13. Release of Goods

Payment and clearance should be made within seven days after the sale. Goods will not be released until full payment has been cleared and a paid invoice produced. For clients arranging courier or third-party collection: written instruction must be received by the purchaser; identification will be requested from the courier and their vehicle’s registration number taken. For security purposes our premises are monitored by 24-hour CCTV

14. Definitions and interpretation

In these conditions: (a) Reference to the ‘the Auctioneer’ shall be taken to mean the firm of Gardiner Houlgate or any director, partner or employee thereof at the time of sale; (b) Buyers shall be deemed to be the principals unless to the prior knowledge of the Auctioneer they are acting as agent on behalf of a named principal; (c) ‘Forgery’ means a lot (i) which is so constituted as deliberately to deceive when considered in the light of its catalogue description, and (ii) whose value as such is materially less that if it had complied with the catalogue description; (d) The Interpretation Act 1978 shall apply to the general construction of terms and expressions used in these Conditions as if contained in a statute.

15. Law and Jurisdiction

These Conditions of sale are subject to English law, which shall apply to their construction as well as their effect. The Seller and Buyer agree to submit to the exclusive jurisdiction of the English courts.

16. What is Temporary Importation?

Temporary Importation is a system that applies to lots which have been imported for sale from outside the EU. It allows the point of importation to be delayed until after the sale at auction. These lots are indicated in catalogues by the use of the following symbol * Only the Hammer Price will be treated as the import price and the Buyer’s Premium will be subject to UK domestic VAT at 20%. So whilst the Hammer Price will continue to be charged with Import VAT at 5% or 20” as appropriate, the Buyer’s Premium will always be charged with domestic VAT at 20% Lots subject to Temporary Importation will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20% on the buyer’s Premium. Anyone who wishes to buy outside the Margin Scheme should notify us immediately. An invoice under the normal VAT rules and charging VAT at 20% on both Hammer and Premium will then be issued

Temporary Importation should affect only private individual buyers who are resident within the EU. Anyone who is registered for VAT in the EU should be able to recover the VAT on the Buyer’s Premium either on their VAT returns or through the 8th Directive Refund Scheme. Any non-EU buyer who exports the lots from the EU will be able to have the VAT refunded provided the appropriate export regulations are complied with

17. Property sold with a * Symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Gardiner Houlgate releases such property to buyers in the UK, the buyer will become the importer and must pay Gardiner Houlgate import VAT at 5% on the Hammer Price These lots will be invoiced under the Auctioneer’s Margin Scheme. Gardiner Houlgate must bear VAT on the Buyer’s Premium and hence charge an amount in lieu of VAT at 20% on this Premium. This amount will form part of the Buyer’s Premium on our invoice and will not be separately identified VAT registered buyers from the EU should note that the import VAT charged on property released in the UK cannot be cancelled or refunded by Gardiner Houlgate VAT registered buyers from the UK should note that the invoice issued by Gardiner Houlgate for these items is not suitable evidence in respect of import VAT VAT registered buyers from the EU countries may be able to seek repayment of the import VAT paid by applying to HM Revenue and Customs. On request, immediately after the sale, the office can either ask HM Revenue and Customs to generate a C79 certificate (for UK buyers), or obtain a copy of the import C88 (for other EU VAT registered buyers), which may be used to claim recovery of the VAT. Otherwise Gardiner Houlgate may re-invoice the lot and charge VAT at 20% on both the Hammer Price and the Premium and provide a tax invoice to the buyer

18. CITES Restrictions

Any lots containing any amount of Brazilian rosewood and endangered species may be subject to restrictions when exporting outside of the EU. It will be the buyer’s responsibility to make sure that the relevant paperwork is in place before shipping. Some lots are sold with CITES article 10 certificates, allowing the commercial use of an item containing an endangered species. Lots subject to this are marked in the catalogue

Import/Export

It is the buyer’s responsibility to obtain the correct import/export licenses and CITES licenses for items which they have purchased. Gardiner Houlgate take no responsibility for the export of goods.

19. Gemstones

Many gemstones have been treated in various ways to enhance their appearance. For example, sapphires and rubies are routinely heat treated and emerald treated with oils and resins. Some stones may require re-treating or oiling periodically. Enhancement affects market value, and all Gardiner Houlgate estimates assume that gemstones may have been enhanced.

20.Artists Resale Rights (or Droit de Suite)

On certain lots marked in the catalogues and which are sold for a hammer price of £1000 or greater (converted into the currency of the sale using The Design and Artists Copyright Society threshold calculator on the date of the Sale) the Additional Premium will be the percentage of the amount of the Hammer Price calculated as follows:

£0-£50,000 4%

£50,000.01 to £200,000 3%

£200,000.01 to £350,000 1%

£350,000.01 to £500,000 0.5%

Exceeding £500,000 0.25%

* Gardiner Houlgate is a trading name of Bath Auction Rooms Limited, registered in England and Wales No. 5228635.

G ARDINER H OULG ATE

THE SPECIALIST AUCTIONEERS

DIRECTIONS TO OUR CORSHAM HEADQUARTERS

On the A4 from Bath or Chippenham turn off at the mini roundabout by the Hare & Hounds Pub towards Corsham town centre, turn immediately right at the next mini roundabout into Valley Road. After one mile cross narrow railway bridge and round right angle bend. Turn left after 600 yards into Leafield Industrial Estate.

Go straight through the estate and take the last turning on the right beforemeeting the public road again, just past Linpac and opposite Corsham Print. The Bath Auction Rooms are at the end of the road facing you.

Total time from Junction 17 - 10-15 minutes

Total time from central Bath - 15 minutes

Travelling by Train - we recommend Chippenham Station

Gardiner Houlgate, 9 Leafield Way, Corsham, Nr Bath SN13 9SW

Telephone: 01225 812912

Fax: 01225 811777

E-mail: auctions@gardinerhoulgate.co.uk

www.gardinerhoulgate.co.uk