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Tuesday 3rd Decemebr 2024 at 10am
The Chris Cross Ultravox Collection
Forward by Midge Ure -“Chris Allen taught me many things. From the moment I walked into a seedy rehearsal studio to play my first notes with Ultravox he taught me about graphics, art, design, photography and of course synthesisers. He was an eclectic character which reflects in the diverse collection of equipment he collected and leaves behind. From the Fender Precision Bass he was playing that day to the EMS ‘briefcase’ synth he used on previous Ultravox recordings, everything here depicts a little piece of Chris’s character and diversity.”
Christopher Thomas Allen (1952 – 2024), was an English musician, known professionally as Chris Cross. He was best known as bass guitarist and a main contributor/song-writer in the new wave band Ultravox. After starting his music career with Preston based Stoned Rose, he was one of the founding members of the band Tiger Lily in 1974, before the band was renamed Ultravox three years later. During his music career, Cross enjoyed commercial success with Ultravox, and following the introduction of Midge Ure as singer, many hits followed, including their biggest hit ‘Vienna’, of which Cross co-wrote. It was the 1985 Live Aid concert at Wembley Stadium that Cross considered the highlight of his pop career. The overcrowded nature of the line-up meant that Ultravox were allotted only 18 minutes, in which they performed their hits Reap the Wild Wind, Dancing with Tears in My Eyes and One Small Day before climaxing with Vienna, the crowd bouncing with abandon to Cross’s irresistible synth bass line. On the performance, Cross stated: “I remember walking on,
and it was really sunny and everything came together so well. And then you remembered millions of people were watching it on TV too.” When Ultravox disbanded in 1987 after the 1986 U-Vox album release and tour, Cross retired from the music business to become a psychotherapist. It was an occupation that suited his calm demeanour. He was down to earth and had a wry sense of humour. He had studied psychology before joining the band and his solution to most problems was not the common rock’n’roll therapy, but to put the kettle on and have a cup of tea. In a posthumous tribute, Ure described him as “logic in the madness” and “the glue that held the band together”. Cross rejoined the band after their revival in 2009 with a tour, followed three years later with the release of the 2012 studio album Brilliant. A year later, after a tour with Simple Minds, the band retired once more and Cross returned quietly to his “other life” as a psychotherapist. Cross sadly died on 25th March 2024 at the age of 71.
Ultravox – originally styled as Ultravox!, were a British new wave band, formed in London in April 1974 as Tiger Lily. Between 1980 and 1986, they scored seven Top Ten albums and seventeen Top 40 singles in the UK, the most successful of which was their 1981 hit "Vienna".From 1974 until 1979, singer John Foxx was frontman and the main driving force behind Ultravox. Foxx left the band in March 1979 to focus on his solo career. Midge Ure officially took over as lead singer, guitarist and frontman on 1 November 1979, despite writing and rehearsing with the band from April of that year. Ure rejuvenated the band and steered Ultravox to commercial chart success beginning with their critically acclaimed 1980 album Vienna. The albums title track, co-written by Cross, was released as a single, only to be kept from the No 1 spot by the posthumous release of John Lennon’s Woman for a week and then by Joe Dolce’s Shaddap You Face for a further three. Further hits followed that would define the sound of 1980s synth-pop. Cross featured in the vocal lineup for Band Aid’s 1984 charity single Do They Know It’s Christmas?, co-written by Ure and Bob Geldof, which was followed by Ultravox' hugley successful performance at Live Aid the following year. Despite their triumphant performance, it was the beginning of the end. Within 18 months of the band’s Live Aid high tide, after a final album and world tour, Ultravox broke up in 1987. After a 23-year hiatus, the classic 1980s Ultravox line-up unexpectedly re-formed in 2008 and performed a series of shows in 2009 and 2010. In May 2012 a new studio album, Brill!ant, was released which reached 21 in the British Album Charts. This was followed by a successful Autumn tour playing 34 shows across the UK & Europe. In November 2013, Ultravox performed as special guests on a four-date UK arena tour with Simple Minds. These shows proved to be Ultravox's last. Ultravox have a strong legacy in British music history. Gary Numan has stated that the original 1970s John Foxx era Ultravox was the most important influence on his music, whilst their Ure led reinvention has many citing the band responsible for ‘inventing the 1980s’. Ultravox was also a major influence on early Simple Minds and Duran Duran.
Gardiner Houlgate is delighted to offer this collection on behalf of Chris’ family, featuring instruments, studio equipment, vinyl, memorabilia and ephemera. Whilst the extensive cross-section consists of some personal items, the majority are linked to his career as an integral member of Ultravox. A proportion of the sale proceeds will benefit the following youth music charities: Music for Youth https://www.mfy.org.uk, Music for All https://www.musicforall.org.uk, and Youth Music https://youthmusic.org.uk/
1.
Chris Cross (Ultravox) - 2002 Duesenberg Starplayer Special electric guitar, ser. no. 02257; Body: black finish, light buckle scratches and impressions to back, further minor dings and blemishes, light surface scratching to front; Neck: maple two bolt neck; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.12kg; Overall condition: good
*One of many guitars from Chris Cross' personal collection. This is a first year example from the manufacturer
£800-1200
2.
Chris Cross (Ultravox) - 2007 Duesenberg Starplayer Special electric guitar, ser. no. 070073; Body: cream finish upon black back, dings and blemishes throughout; Neck: maple, small ding to back tip of head; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: rusting to pickup pole pieces, tarnishing and minor oxidisation to other metal parts; Case: Gator hard case; Weight: 4.21kg; Overall condition: good
£800-1200
3.
Chris Cross (Ultravox) - 2007 Duesenberg Starplayer TV semihollow body electric guitar, ser. no. 075191; Body: black finish, light surface scratches; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good although some oxidisation/tarnishing in places; Case: oversize hard case; Weight: 3.79kg; Overall condition: good
£800-1200
4.
Chris Cross (Ultravox) - Les Paul style electric guitar, numbered I09855112, cherry sunburst finish, within fitted hard case
*One of many guitars from Chris Cross' personal collection
£100-200
5.
Chris Cross (Ultravox) - modified Doublecut LP Junior type electric guitar, cherry finish, with re-logoed head and set up for slide, within fitted hard case
*One of many guitars from Chris Cross' personal collection
£100-200
6.
Chris Cross (Ultravox) - custom built Strat Type electric guitar; Body: unknown sky blue finished Strat style body, finish peeling to neck heel, other minor marks; Neck: Fender licensed Mighty Mite neck, lacquer pulling to front of head, neck dowelled and adapted to fit body; Fretboard: maple; Frets: tarnished; Electrics: working, Fender USA single coil pickups with CTS pots; Hardware: Grover tuners and other miscellaneous hardware; Case: Fender USA moulded hard case; Weight: 3.66kg; Overall condition: fair
*One of many guitars from Chris Cross' personal collection. In later years, Chris made many custom electric guitars and basses for his own use
£200-400
Chris Cross (Ultravox) - custom build Fecker Jazz Bass guitar, Body: natural finished Warmoth Jazz bass body, light scratches and marks, bridge cover holes dowelled; Neck: unknown maple neck with custom decal; Fretboard: rosewood with pearl block inlay; Electrics: working, possibly Fender cloth wired Jazz Bass pickup; Hardware: good, Fender neck plate, Grover tuners and Bad Ass Bass II bridge; Case: soft bag; Weight: 4.42kg; Overall condition: good
*One of many bass guitars from Chris Cross' personal collection. In later years, Chris would often make custom guitars for his own personal use
£200-400
8.
Chris Cross (Ultravox) - custom made Esquire type electric guitar; Body: unknown black finished T-Type body, some scratches and marks; Neck: Fender licensed All Parts 50s D profile neck; Fretboard: maple; Frets: minor wear; Electrics: working, Van Zandt bridge pickup; Hardware: generally good, Kluson Deluxe tuners, Fender bridge plate and other miscellaneous parts, missing three screws to scratchplate; Case: tweed hard case; Weight: 3.38kg; Overall condition: good
*One of many guitars from Chris Cross' personal collection. Chris would often build custom guitars for his own use
£200-400
9.
Chris Cross (Ultravox) - 2004 Gibson Les Paul Special Doublecut electric guitar, made in USA, ser. no. 01054367; Body: refinished orange stained satin mahogany, surface scratches and finishing marks throughout; Neck: good, some checking to head face; Fretboard: rosewood; Frets: light tarnishing and wear; Electrics: bridge pickup in need of attention, some rusting to pickup pole pieces; Hardware: generally good, replacement switch tip, replacement locking brass strap buttons; Case: fitted hard case; Weight: 3.66kg; Overall condition: fair
*One of many guitars from Chris Cross' personal collection
£700-1000
10.
Chris Cross (Ultravox) - 2006 Gibson Les Paul Melody Maker electric guitar, made in USA; Body: satin cherry finished mahogany, light play marks to treble side top, a few minor dings; Neck: good; Fretboard: rosewood; Frets: light tarnishing; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.06kg; Overall condition: good
*One of many guitars from Chris Cross' personal collection
£300-500
11.
Chris Cross (Ultravox) - 2006 Paul Reed Smith (PRS) SE Singlecut electric guitar, made in Korea, ser. no. G11218; Body: charcoal finished veneer maple top upon black back, mild surface scratching to back, a few minor dings to top; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working, upgraded Bare Knuckle pickups; Hardware: generally good, minor tarnishing to bridge; Case: original gig bag; Weight: 3.40kg; Overall condition: good
*One of many guitars in Chris Cross' personal collection. This guitar was often used in his home studio
£200-400
12.
Chris Cross (Ultravox) - Yamaha FG-450 SE electro-acoustic guitar, made in Taiwan, ser. no. 80108052; Back and sides: laminated rosewood, various dings and scratches; Top: natural spruce, pick wear, light dings and other marks; Neck: mahogany, minor dings; Fretboard: rosewood, light wear throughout; Frets: good; Hardware: missing saddle and bridge pins; Electrics: later installed under-saddle pickup wired through to end pin with controls to bass side waist; Case: semi-rigid fibreboard case; Overall condition: fair
*One of many guitars from Chris Cross' personal collection
£100-200
13.
Chris Cross (Ultravox) - 1996 Gordon Smith Gypsy 2 60 electric guitar, made in England, ser. no. 07282; Body: two-tone tobacco burst finished mahogany, many dings and marks throughout; Neck: light dings and marks, head face veneer pulling; Electrics: working; Hardware: rusting to smaller metal parts; Case: later hard case; Weight: 3.49kg; Overall condition: fair
*One of many guitars from Chris Cross' private collection
£300-500
14.
Chris Cross (Ultravox) - 2006 Line 6 Variax Acoustic 300 electric guitar, made in China, ser. no. 06051020; Body: natural finish, light dings and marks; Neck: a few minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Hagstrom Hag Bag; Weight: 2.57kg; Overall condition: good
*One of many guitars from Chris Cross' personal collection £100-200
15.
Chris Cross (Ultravox) - 2006 Breedlove Atlas Series ABJ250/ SM4 electro-acoustic bass guitar, made in Korea, ser. no. 06074764; Back and sides: mahogany; Top: natural spruce, one ding behind bridge; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and papers; Overall condition: very good
*One of many bass guitars from Chris Cross' personal collection £200-400
16.
Chris Cross (Ultravox) - WishBass six string fretless bass guitar, made in USA; Body: rainbow wood eccentric longhorn body; Neck: through neck with fretless board, string wear to lower position; Electrics: working, Kent Armstrong pickups; Hardware: generally good, Kahler bridge, Gotoh tuners; Case: Gator hard case; Weight: 4.43kg; Overall condition: good
*One of many basses from Chris Cross' personal collection. WishBass are made in USA by luthier Steve Wishnevsky. Steves approach is to make every bass different and whilst he does take custom orders, each bass is unique. £400-800
17.
Chris Cross (Ultravox) - Tokai Breezysound electric guitar, made in Japan, circa 1984, ser. no. L17926; Body: pink paisley finish, long lacquer cracks to back and front; Neck: maple; Fretboard: maple; Frets: oxidisation/tarnishing; Electrics: intermittent; Hardware: oxidisation to bridge plate, tarnishing to smaller metal parts; Case: light tweed hard case; Weight: 3.62kg; Overall condition: fair
*Sold with a copy sales receipt made out to Chris Allen (Cross) / Ultravox from Chandlers, Kew, dated 5th March 1986
£500-800
18.
Chris Cross (Ultravox) - Casio MG-510 midi guitar, made in Japan, circa 1990, ser. no. T001772; Body: black finish, light marks; Neck: maple; Fretboard: rosewood; Frets: heavily tarnished/oxidised; Electrics: working (midi function untested); Hardware: rusting to smaller metal parts, rusting and tarnishing to bridge and other hardware; Case: Fender hard case; Weight: 4.03kg; Overall condition: fair
*One of many guitars from Chris Cross' personal collection £200-400
Chris Cross (Ultravox) - 1980s Tokai Cats Eyes CE-150 acoustic guitar, made in Japan, ser. no. 1504753; Back and sides: mahogany, surface scratches and marks throughout; Top: natural spruce, dings and minor play wear; Neck: mahogany, blemish to back tip of head; Fretboard: rosewood; Frets: minor wear and tarnishing/oxidisation; Hardware: good; Case: original hard case; Overall condition: fair
*One of many guitars from Chris Cross' personal collection £100-200
20.
Chris Cross (Ultravox) - Midge Ure's 1980 Yamaha SG2000 electric guitar, made in Japan, ser. no. 013550; Body: black finish, many dings to back, further light scratches to back, light dings and marks to top; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: split to corner of neck pickup surround, minor loss to gold plating; Case: original hard case and tags; Weight: 4.66kg; Overall condition: good
*One of many guitars from Chris Cross' private collection. Confirmed by Ultravox guitarist and vocalist Midge Ure as being given to Chris. See images of Midge using a Yamaha SG2000, circa 1981, thought to be this guitar. See video of Midge using the guitar in the 1981 Top of the Pops performance of 'All Stood Still': https://www.youtube.com/watch? v=mW9ImnTL2jk. Another live performance of the same song can be seen here: https://www.youtube.com/watch?v=2ooXUmMsRIk. See Midge using the guitar for a performance of 'Loves Great Adventure' on Swiss TV, 1984: https://www.youtube.com/watch?v=pEEALp9wD8s £1000-2000
19.
21.
Chris Cross (Ultravox) - stage used 2004 Fender Mike Dirnt Signature Precision bass guitar, made in Mexico, ser. no. MZ4187850; Body: black finish, pickguard screw holes filled and refinished, heavy pick wear to front, large blemish to back edge, further marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Weight: 4.25kg; Overall condition: fair
*One of Chris Cross' main live instruments during the reunion performances (see images) See YouTube video featuring the bass: https:// www.youtube.com/watch?v=JyEj7J7y0ac £400-800
22.
Chris Cross (Ultravox) - stage and studio used Gibson EB-3 bass guitar, made in USA, circa 1969; Body: white refinish, evidence of original cherry bleeding through, finish loss to edges, various lacquer cracks and dings throughout; Neck: dings and lacquer cracks, cracking around heel/cutaway area; Fretboard: rosewood; Frets: worn and oxidised; Electrics: original bridge pickup working, neck pickup position not currently functioning, replacement DiMarzio neck pickup, 1969 potentiometers, replacement XLR type jack, coil switch added; Hardware: G string bridge saddle missing, bridge mute dampener missing, light tarnishing, rusting to smaller metal parts; Case: original hard case bearing 'Ultravox' stencil to the lid; Weight: 3.40kg; Overall condition: fair
*Extensively used by Chris Cross live and in the studio with Ultravox and his main instrument during the early John Foxx led years. Sold with a selection of black and white images showing Chris using the bass. £1000-2000
21
20 (See page 7)
23.
Chris Cross (Ultravox) - stage and studio used 1977 Guild B-301 bass guitar, made in USA, ser. no. 164960; Body: natural mahogany, buckle rash to back, various dings, scratches and other lacquer imperfections; Neck: mahogany, light wear throughout; Fretboard: rosewood; Frets: minor tarnishing and fret wear; Electrics: working; Hardware: mild tarnishing to metal parts, mild rusting to smaller metal screws; Case: hard case; Weight: 3.96kg; Overall condition: fair
*Used by Chris Cross with Ultravox, mainly during the John Foxx era. Also used by Midge Ure on tour in 1979 (see images)
£500-1000
24.
Chris Cross (Ultravox) - stage and studio used 1982 Ibanez Blazer Series BL700 bass guitar, made in Japan, ser. no. D824702; Body: customised grey finish upon natural, touched-in patches of wear, exposed natural blemishes, vacant battery compartment to back; Neck: custom grey finish including fretboard, some finish peeling; Frets: mild wear and tarnishing; Electrics: working, pickup covers with custom grey finish; Hardware: replacement knobs, custom painted guard, tarnishing to bridge; Case: Yamaha hard case inscribed 'Grey Ibanez Bass' to the side and bearing a sticker inscribed 'Vox 2'; Weight: 4.63kg; Overall condition: fair
*Used extensively by Chris Cross' on Ultravox albums and performances. One of his primary live basses during the early 1980s, used in rotation with other grey customised models. The finish matched Midge Ure's Ibanez guitar that he can be seen using during many 1980s and later performances, including the Live Aid concert at Wembley Stadium in 1985. The bass was also used during the first stage of the 'Return to Eden' tour in 2009 (See images). See the bass in use in various YouTube videos:- Rockpop, 1983, on the track Hymn: https:// www.youtube.com/watch?v=ZdB7Q2RmXis&t=729s. Monument, The Video, Live at the Hammersmith Apollo, 1982: https:// www.youtube.com/watch?v=V48XUi8VEgk&t=653s. Live at the Roundhouse, London 2009: https://www.youtube.com/watch?v=lQIdjgnX4Y
£500-1000
25.
Chris Cross (Ultravox) - 1981 Ibanez Musician Series MC924 bass guitar, made in Japan, ser. no. K815508; Body: walnut finished sen ash with maple centre, buckle scratching and other minor scratches to back, further minor dings and marks; Neck: maple through neck; Fretboard: ebony with pearl dot position markers; Frets: mild wear, oxidisation and tarnishing; Electrics: untested (active battery tab requires replacement); Hardware: some minor tarnishing to metal parts; Case: original hard case; Weight: 4.69kg; Overall condition: good
*One of many bass guitars from Chris Cross' personal collection. Chris was known for using Ibanez guitars with Ultravox from the 1980s onwards
£500-800
26.
Chris Cross (Ultravox) - Live Aid used 1982 Squier by Fender Precision bass guitar, made in Japan, ser. no. JV28568; Body: black finish, buckle scratches to back, further dings and marks to back, light marks and dings to front; Neck: maple; Fretboard: rosewood; Frets: light wear and tarnishing; Electrics: intermittent (jack requires adjustment); Hardware: generally good, some chrome bubbling to control knobs, minor tarnishing to other hardware; Case: Yamaha hard case; Weight: 3.99kg; Overall condition: good
*Sold with Chris' personal Live Aid artist pass and an original official Live Aid 'Feed the World' T-shirt. This bass was used live with Ultravox at Live Aid, Wembley Stadium, London UK, 13th July 1985 for the tracks 'One Small Day' and 'Reap the Wild Wind'. It was also one of Chris' main live instruments during the mid 1980s. Also used for other various live performances during the mid 1980s. See Live Aid performance showing Chris using the bass on YouTube:https://www.youtube.com/watch?v=CnKGUGCkfXk £3000-5000
27.
Chris Cross (Ultravox) - stage and studio used 1982 Steinberger L2 headless bass guitar, made in USA, ser. no. 346; Body: carbon graphite, chip to lower right corner of body, chip to edge of body by strap button notch, further surface scratches, Steinberger logo rubbed from front; Neck: carbon graphite; Fretboard: carbon; Frets: worn; Electrics: working; Hardware: good; Case: original soft bag; Overall condition: good for age
*One of several bass guitars used by Chris Cross live and in the studio with Ultravox. See image of Chris using the bass live in Manchester on 22nd May 1984. See video of Chris using a Steinberger L2 bass during a live performance of 'Man of Two Worlds, 1984: https://www.youtube.com/watch?v=bFaI3D5yKoE. See video of Chris using the bass for a performance of 'Dancing with Tears in my Eyes' on Top of the Pops, May 1984: https://www.youtube.com/watch?v=o6hr7oc6JQ0 and on the German TV show 'Flashlights', 1984: https://www.youtube.com/watch?v=4odQDRjSDgU. See video of Chris using the bass for a performance of 'Lament' on the Saturday Morning Picture Show, June 1984: https://www.youtube.com/watch? v=HMCKCB-ankw. See video of Chris using the bass for a performance of 'Loves Great Adventure' on Swiss TV, 1984: https://www.youtube.com/watch? v=pEEALp9wD8. Sold with a large selection of James Howe Industries Starfire Superwound bass guitar strings to fit Steinberger bass £1500-2500 26
28.
Chris Cross (Ultravox) - stage and studio 1985 Status Graphite Series 2000 four string fretted bass guitar, made in England, ser. no. 73; Body: black carbon, a few dings to edges and other light marks; Neck: generally good, some lacquer clouding to fretboard edge; Fretboard: graphite; Frets: tarnishing/oxidisation; Electrics: intermittent and in need of attention; Hardware: some tarnishing and oxidisation to brass and other metal hardware; Case: Five Star Cases flight case with deteriorating foam interior; Weight: 3.88kg; Overall condition: fair
*One of two Status Graphite Series 2000 basses used by Chris Cross with Ultravox both live and in the studio. See various images of Chris using his Status basses, taken from the 1986/7 U-Vox world tour programme and other publications from the time. See video of Chris using the bass for a 1987 performance of 'Same Old Story': https://www.youtube.com/watch?v=WYNz5rZgl-s. Sold with a sales receipt made out to Chris Allen (Cross) from The Bass Centre, Wapping, London, dated 17/12/85. Confirmed by Status Graphite as being ordered by the Bass Centre in Wapping and delivered to them in November 1985.
£1000-2000
29.
Chris Cross (Ultravox) - stage and studio used 1986 Status Graphite Series 2000 fretless headless bass guitar, made in England, ser. no. 105; Body: black graphite, surface scratches; Neck: generally good, light scratches; Fingerboard: some string wear; Electrics: intermittent; Hardware: tarnishing and scratching to brass back plate, oxidisation to fine tuning wheels and strap buttons, further minor tarnishing and rusting to smaller metal parts; Case: Five Star Cases flight case (foam interior perished); Weight: 4.01kg; Overall condition: fair
*One of two Status Graphite Series 2000 basses used by Chris Cross with Ultravox both live and in the studio. See various images of Chris using his Status basses, taken from the 1986/7 U-Vox world tour programme and other publications from the time. Sold with a sales receipt made out to Chris Allen (Cross) from The Bass Centre, Wapping, London, dated 4/4/86. Confirmed by Status Graphite as being ordered by the Bass Centre in Wapping and delivered to them in March 1986. According to the Status records, this serial no. is listed as a fretted instrument. They have stated that this is an in-house error with the Bass Centre receipt confirming this is an original fretless version.
£1000-2000
30.
Chris Cross (Ultravox) - stage and studio used 1984 Rickenbacker 4003 bass guitar, made in USA, ser. no. XK1287; Body: burgundy finish, various scratches and dings; Neck: generally good, small blemishes; Fretboard: rosewood; Frets: tarnished and oxidised, mild wear; Electrics: working; Hardware: generally good, minor rusting to smaller metal parts, minor tarnishing to metalware; Case: original hard case: Weight: 4.47kg; Overall condition: good for age
£1500-2500
31.
Chris Cross (Ultravox) - Trace Elliot GP11 Mk V 4 x 10" combo bass guitar amplifier
£100-200
32.
Chris Cross (Ultravox) - Trace Elliot GP7 SM model 2001 bass guitar amplifier head, made in England, ser. no. T0431-0134-196
£80-120
33.
Chris Cross (Ultravox) - Trace Elliot Custom Shop Tramp Super Tramp Tube guitar amplifier, made in England, ser. no.
T3401/1706
£80-120
34.
Chris Cross (Ultravox) - Trace Elliot Tramp 4x12 angled guitar amplifier speaker cabinet, made in England, ser. no.
T3430-00525-197
£80-120
35.
Chris Cross (Ultravox) - Trace Elliot 10/18" twin speaker bass guitar amplifier speaker cabinet, made in England
£50-100
36.
Chris Cross (Ultravox) -Trace Elliot Custom Shop Brat guitar amplifier, made in England, ser. no. T3450-01214
£40-80
37.
Chris Cross (Ultravox) - SWR Engineering Working Man 2 x 10 bass guitar amplifier speaker cabinet, made in California, USA, ser. no. 0766
£50-100
38.
Chris Cross (Ultravox) - Ultravox used Yamaha G100-112 guitar amplifier, made in Japan, ser. no. 5168
*Used with Ultravox in various situations. See image of a similar Yamaha G100 amp on stage behind Chris during a live performance of 'Man of Two Worlds', 1984
£80-120
39.
Chris Cross (Ultravox) - Blackstar Amplification ID Core Beam bluetooth guitar amplifier, boxed
£40-60
40.
Chris Cross (Ultravox) - Bugera V5 guitar amplifier, made in China, ser. no. S1103065806, boxed
£40-60
41.
Chris Cross (Ultravox) - Yamaha CH-01 Chorus guitar pedal
£30-50
42.
Chris Cross (Ultravox) - 1970s Electro-Harmonix Small Stone Phase Shifter guitar pedal
£40-80
43.
Chris Cross (Ultravox) - Yamaha FL-01 flanger guitar pedal
£30-50
44.
Chris Cross (Ultravox) - Yamaha FL-01 flanger guitar pedal
£30-50
45.
Chris Cross (Ultravox) - 1981 Boss CE-2 Chorus guitar pedal, made in Japan, black label, ser. no. 072500, with EMS Audio Electronics conversion kit
£80-120
46.
Chris Cross (Ultravox) - TC Electronic Dark Matter Distortion guitar pedal
£30-40
47.
Chris Cross (Ultravox) - DigiTech BP80 modelling bass processor guitar pedal; together with a Quik Tune digital tuner
£20-40
48.
Chris Cross (Ultravox) - DigiTech X Series Bass Multi-Chorus guitar pedal
£20-40
49.
Chris Cross (Ultravox) - Ibanez DDL Digital Delay guitar pedal
£20-40
50.
Chris Cross (Ultravox) - Tom Scholz Bass Rockman, made in USA, with original headphones, operating instructions and box
£80-120
51.
Chris Cross (Ultravox) - Tom Scholz Bass Rockman, with original operating manual and box
£80-120
52.
Chris Cross (Ultravox) - studio used 1970s EMS Synthi AKS synthesizer, made in England, ser. no. 45524, with EMS Synthi KS keyboard and cable housed in original case
*Used by Chris Cross in the studio on many early Ultravox recordings. See video: https://www.youtube.com/watch?v=ITu8mQ-AqyA where Chris recalls the synth being used on all of the bass synth parts of the first album 'Ultravox!', the 1978 'Systems of Romance' albums first single 'Slow Motion' and 'Western Promise' from the 1980 album 'Vienna'. Launched in the early 1970s, the Synthi AKS is a portable modular analogue synthesizer made by EMS of England. The Synthi has become highly desirable amongst collectors, having been used by many influential artists such as Brian Eno, Tangerine Dream, Jean-Michel Jarre, Kraftwerk and Pink Floyd, who used a Synthi for their 1973 album ' The Dark Side of the Moon' to create the electronic riff for the track 'On the Run' and to play the solo on 'Any Colour You Like'.
£10,000-20,000
53.
Chris Cross (Ultravox) - stage and studio used 1980s Oxford Synthesizer Company OSCar Programmable Music Synthesizer keyboard, made in England, with original manuals
*Approximately 2000 OSCar synthesizers were made between 1983 and 1985 with some finding their way into professional hands, Ultravox being one of the better known users. This synthesizer was used for the solo of 'Love's Great Adventure', the single released by Ultravox on 12th October 1984. The track peaked at number twelve in the UK singles chart and became Ultravox' thirteenth top thirty single in Britain. This Oscar appears in an October 1984 cover feature of 'Electronics & Music Maker' magazine with both Billy Currie and Chris Cross (see images). See a live performance of Ultravox in 1984 where the OScar can be seen at: £2000-4000
54.
Chris Cross (Ultravox) - studio used 1980s Sequential Circuits DrumTraks Model 400 drum machine, made in Japan, ser. no. 1890
*Both Chris Cross and Warren Cann used a Sequential Circuits DrumTraks with Ultravox during the 1980s. See images of Chris using his Drumtraks in rehearsals
£400-800
55.
Chris Cross (Ultravox) - 2016 Moog Sub 37 analogue synthesizer keyboard, made in USA, ser. no. SBT11513, boxed
£500-800
56.
Chris Cross (Ultravox) - Moog Sub Phatty Subtractive analogue synthesizer keyboard, made in USA, ser. no. SUB02824, boxed with manuals
Chris Cross (Ultravox) - Dave Smith Instruments Mopho monophonic synthesizer, boxed
£80-120
59.
Chris Cross (Ultravox) - Arturia Mini Brute analogue synthesizer keyboard, boxed, ser. no. 1312196009167
£80-120
60.
Chris Cross (Ultravox) - stage used Novation 61SL Mk II synthesizer keyboard, made in China, ser. no. AD4807707500, boxed with gig bag, inscribed 'Chris Main' to base of keyboard and gig bag
*Used live with Ultravox live during on the 2009 'Return to Eden' tour and later live performances. See live video at the Roundhouse, London where Novation keyboards can be seen in use: https:// www.youtube.com/watch?v=lQIdj-gnX4Y&t=459s
£100-200
61.
Chris Cross (Ultravox) - stage used Novation Remote 61SL controller keyboard, made in China, ser. no. RSL8105424, inscribed 'Chris SR' to white tape to keyboard base, within a Roksak gig bag
*Used live with Ultravox live during on the 2009 'Return to Eden' tour and later liver performances. See live video at the Roundhouse, London where Novation keyboards can be seen in use: https:// www.youtube.com/watch?v=lQIdj-gnX4Y&t=459s
£100-200
62.
Chris Cross (Ultravox) - Novation Nocturn Intelligent Plug-in controller, boxed
£20-30
63.
Chris Cross (Ultravox) - 1987 Roland Pad-8 Octapad drum trigger, made in Japan, ser. no. 821470
*Sold with a copy receipt made out to Ultravox, dated 23/12/87
£100-200
64.
Chris Cross (Ultravox) - AudioSource PNG-One Pink Noise Generator, with RTA-One Real Time Spectrum analyser, within original case
£80-120
65.
Chris Cross (Ultravox) - three Roland PD-125 Dual Trigger Pad drum pads (3)
*See image of one of these pads being used by Chris during a live performance
£100-200
66.
Chris Cross (Ultravox) - Yamaha RX5 Digital Rhythm Programmer, made in Japan, circa 1986, ser. no. 13710, with RX5 data ROM cartridge, manual and original PSU
£200-400
67.
Chris Cross (Ultravox) - 1980s Korg FK-3 volume pedal
£50-80
68.
Chris Cross (Ultravox) - Yamaha PT-4 Tuning Scope, made in Japan, ser. no. 3112
£40-80
69.
Chris Cross (Ultravox) - Casio VL1 VL-Tone Rhythm Machine, original pouch and papers
£20-40
70.
Chris Cross (Ultravox) - 1985 Selmer Super Action 80 gold lacquered alto saxophone, made in France, ser. no. 377528, with original crook, Selmer mouthpiece and an additional B & S mouthpiece, within original case
*Sold with a purchase receipt made out to Ultravox from Professional Brass Ltd, dated 13/3/86
£1500-2500
71.
Chris Cross (Ultravox) - Yamaha YTS-28 tenor saxophone, made in Japan, ser. no. 014141, with crook and mouthpiece, within original hard case
£200-400
72.
Chris Cross (Ultravox) - selection of percussion items to include a set of Latin Percussion brass chimes, a Sonor Percussion cabasa, other blocks and rattles etc
£40-80
73.
Chris Cross (Ultravox) - four miscellaneous musical instruments to include a Semsi Yastiman Saz, a one string phono fiddle, a bodhran with beater and a brass drum (4)
£50-100
74.
Chris Cross (Ultravox) - selection of wind instruments to include a Hohner Melodica Piano 27, cased, an Aulos bass recorder, an Aulos soprano recorder, three brass whistles and R.K. Mohan chanter
£40-80
75.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album Vienna, 1981, framed, 20.25" x 16.25"
£100-200
76.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 500,000 copies of the Chrysalis single 'Vienna', 1981, framed, 14.25" x 10.5"
£100-200
77.
Chris Cross (Ultravox) - official BPI Certified Sales Award silver disc presented to Chris Cross to recognise sales in the United Kingdom of more than 60,000 copies of the Chrysalis album 'Vienna', 1981, 21.25" x 16.25"
£100-200
78.
(See page 17)
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album 'Vienna', 1981, framed, 20.25" x 16.25" £100-200
79.
Chris Cross (Ultravox) - official BPI Certified Sales Award platinum disc presented to Chris Cross to recognise sales in the United Kingdom of more than 300,000 copies of the Chrysalis album 'Vienna', 1981, framed, 20.25" x 16.25"
£100-200
80.
Chris Cross (Ultravox) - official New Zealand Sales Award presented to Chris Cross in recognition of achieving sales equivalent to one platinum record for the album 'Vienna', in compliance with N.Z.F.P.I. Regulations in Appreciation, Festival Records, New Zealand, October 1981, framed, 16" x 13.25"
£100-200
81.
Chris Cross (Ultravox) - official BPI Certified Sales Award silver disc presented to Chris Cross to recognise sales in the United Kingdom of more than 250,000 copies of the Chrysalis single 'Vienna', 1981, framed, 14.25" x 10.25"
£100-200
82.
Chris Cross (Ultravox) - official Ariola Benelux N.V. gold disc award presented to Ultravox by Ariola Benelux N.V. for sales over 25,000 copies in Belgium of 'Vienna', mounted within Perspex surround, 17" x 15.5"
£100-200
83.
Chris Cross (Ultravox) - official NUPI gold disc award presented to Ultravox for the sales in excess of 50,000 copies of the album 'Vienna' in The Netherlands, June 1981, within Perspex surround, 17" x 16"
£100-200
84.
Chris Cross (Ultravox) - Festival Records Australian platinum award presented to Chris Cross by the executives of Festival Records for the Outstanding Achievement of Attaining an Australian Platinum Award for the Album 'Vienna' - Ultravox, December 1981, framed, 23.25" x 19.5"
£100-200
85.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album 'Monument the Soundtrack', 1983, framed, 20.25" x 16"
£100-200
86.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album 'Quartet', 1982, framed, 20.5" x 16.25"
£100-200
87.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album 'Lament', 1984, framed, 20.25" x 16"
£100-200
(See page 17)
91.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album 'U-Vox', 1986, framed, 19.25" x 16"
£100-200
89.
Chris Cross (Ultravox) - official BPI Certified Sales Award gold disc presented to Chris Cross to recognise sales in the United Kingdom of more than 100,000 copies of the Chrysalis album 'Rage in Eden', 1981, framed, 20.25" x 16.25"
£100-200
90.
Chris Cross (Ultravox) - official BPI Certified Sales Award triple-platinum disc presented to Chris Cross to recognise sales in the United Kingdom of more than three million copies of the Mercury single 'Do They Know It's Christmas?' by Band Aid, 1984, framed, 16.25" x 20.25" £200-400
Chris Cross (Ultravox) - official Australian gold award presented to Chris Cross by the executives of Festival Records for the outstanding achievement of attaining an Australian gold award for the album 'Rage in Eden' - Ultravox, December 1981, framed, 23.5" x 19.5"
£100-200
92.
Chris Cross (Ultravox) - New Zealand Festival Records Sales Award gold disc presented to Chris Cross in recognition of achieving sales equivalent to one gold record in compliance with NZFPJ Regulations in Appreciation for the album 'Rage in Eden', January 1982, framed, 16" x 13.5"
£100-200
93.
Chris Cross (Ultravox) - official BPI Certified Sales Award tripleplatinum disc presented to Chris Cross to recognise sales in the United Kingdom of more than 900,000 copies of the Chrysalis album 'The Collection', 1985, framed, 32" x 28.5" (at fault)
£100-200
94.
Chris Cross (Ultravox) - official BPI
Certified Sales Award platinum discs presented to Chris Cross to recognise sales in the United Kingdom of more than 300,000 copies of the Chrysalis album 'The Collection', 1984, framed, 18" x 29"
£100-200
95.
Chris Cross (Ultravox) - official BPI
Certified Sales Award platinum tape presented to Chris Cross to recognise sales in the United Kingdom of more than 300,000 copies of the Chrysalis cassette 'The Collection', 1985, framed, 12.75" x 10.25"
£100-200
96.
Chris Cross (Ultravox) - official BPI
Certified Sales Award silver disc to recognise sales in the United Kingdom of more than 250,000 copies of the Chrysalis single 'All Stood Still', 1981, framed, 14.25" x 10.25"
£100-200
97.
Chris Cross (Ultravox) - official BPI
Certified Sales Award silver disc presented to Chris Cross to recognise sales in the United Kingdom of more than 250,000 copies of the Chrysalis single 'Hymn', 1982, framed, 14.25" x 10.25"
£100-200
98.
Chris Cross (Ultravox) - official Toshiba-EMI
Limited Sales Award presented to Mr Chris Cross of Ultravox in Recognition of the Excellent Sales of the Single in Japan in the year 1982 of 'New Europeans', Tokyo, February 1982, framed, 17" x 14" and within presentation box; together with a black and white framed and mounted photograph showing Chris and the other members of Ultravox collecting their awards (2)
£100-200
99.
Chris Cross (Ultravox) - Ampex Golden Reel Award, presented to Chris Cross for the Ultravox album "The Collection'
£100-200
100.
Chris Cross (Ultravox) - Ticket Sales Award presented to Chris Cross by Danny Betesh and all at Kennedy Street Enterprises to recognise ticket sales in excess of £300,000 for Ultravox' 1982 UK autumn tour, framed, 12.5" x 10.5"
£50-100
101.
Chris Cross (Ultravox) - Ticket Sales Award given to Chris Cross by MCP, PLP & Kennedy Street Enterprises to recognise 59,071 tickets sold for the 1984 'Set Movements' tour
£50-100
102.
Chris Cross (Ultravox) - MCP & Kennedy Street Enterprises presentation plaque for Ultravox' sold out winter 1986 U-Vox tour; together with four copies of the original tour itinerary, nine copies of the official souvenir tour programme and a copy of the U-Vox album sheet music
£100-200
103.
Chris Cross (Ultravox) - Live Nation Ticket Sales Award presented to Chris Cross to recognise 30,000 fans attending the 2009 'Return to Eden' tour, framed, 16" x 16"; together with a 2010 'Return to Eden' tour framed display presented to Chris Cross by Lars Berndt Events, mounted and framed, 20.75" x 20.75" (2)
£80-120
104.
Chris Cross (Ultravox) - three original Ultravox posters to include a framed Island Records 'Ha!-Ha!-Ha!' album poster, 20" x 30", a framed Island Records 'Systems of Romance' album poster, 20.25" x 30" (at fault) and a framed and mounted album cover for 'The Voice', 17" x 28.5" (3)
£50-80
105.
Chris Cross (Ultravox) - original Island Records cardboard promotional sign for the band's 1977 debut record 'Ultravox!', 13.5" x 30" approx; together with an original Island Records poster of the same album cover, framed, 23.5" x 24" (2)
£40-80
125 (See page 21)
111.
106.
Chris Cross (Ultravox) - 1983 American tour itinerary for Ultravox 'Quartet' tour; together with an original advertising poster for the Quartet album, framed, 32" x 20.75" and two Ultravox Quartet cardboard promotional signs, each 11" x 36" (4)
£30-60
107.
Chris Cross (Ultravox) - seven various framed Ultravox displays (7)
£40-80
108.
Chris Cross (Ultravox) - original Chrysalis Records promotional poster for the Ultravox album 'Rage in Eden', mounted on card, 28" x 17.75"; together with another 'Rage in Eden' cardboard poster, framed, 24" x 18" and two 1982 Japanese souvenir programmes for the 'Rage in Eden' tour (4)
£40-80
109.
Chris Cross (Ultravox) - original 1977 Island Records promotional poster for the Ultravox single 'Young Savage', 30" x 20"
£80-120
110.
Chris Cross (Ultravox) - original 1981 Ultravox Chrysalis Records promotional poster, Live at Le Palace, Thursday 9th June 1981, 47" x 31" approx
£80-120
114.
Chris Cross (Ultravox) - four various original Ultravox posters to include an unused 'Ha!-Ha!-Ha!' album tour poster, 28" x 19", a Chrysalis Records promotional poster for 'All Fall Down', 20" x 29.5", a three-into-one compilation album promotional poster, 22.5" x 16.5" and one other (4)
£80-120
115.
Chris Cross (Ultravox) - original Chrysalis Records promotional poster for Ultravox' album 'Rage in Eden', mounted on card, 27.5" x 18"; together with another smaller 'Rage in Eden' promotional card, 24" x 18" and nine original autumn 1981 'Rage in Eden' souvenir tour programmes
£50-100
112.
Chris Cross (Ultravox) - original Chrysalis Records promotional poster for the Ultravox album 'Rage in Eden', mounted on card, 28" x 18"; together with nine souvenir tour programmes for their autumn 1981 'Rage in Eden' tour; also four further Ultravox posters to include an original unused Island Records 'Ha!-Ha!-Ha!' album tour poster, 29.5" x 19", an Utravox Set Movements 1984 Levi's 650 jeans poster, 23.25" x 16.25", an Ultravox Three-Into-One compilation album promotional poster, 22.5" x 16.5" and one other
£100-200
113.
Chris Cross (Ultravox) - five various original Ultravox posters to include an unused 'Ha!Ha!-Ha!' album tour poster, 28" x 19", an Island Records 'Systems of Romance' promotional album poster, 20" x 30", a 'Set Movements 1984' Levi's 650 poster, 23.25" x 16.5", a three-into-one compilation album promotional poster, 22.5" x 16.5" and one other (5)
£80-120
Chris Cross (Ultravox) - five various original Ultravox posters to include an unused 'Ha!-Ha!-Ha!' album tour poster, 28" x 19", an Island Records 'Systems of Romance' promotional album poster, 20" x 30", a 'Set Movements 1984' Levi's 650 poster, 23.25" x 16.5", a three-into-one compilation album promotional poster, 22.5" x 16.5" and one other (5)
£80-120
116.
Chris Cross (Ultravox) - five various original Ultravox posters to include an unused 'Ha!-Ha!-Ha!' album tour poster, 28" x 19", an Island Records 'Systems of Romance' promotional album poster, 20" x 30", a 'Set Movements 1984' Levi's 650 poster, 23.25" x 16.5", a three-into-one compilation album promotional poster, 22.5" x 16.5" and one other (5)
£80-120
117.
Chris Cross (Ultravox) - five various original Ultravox posters to include an unused 'Ha!-Ha!-Ha!' album tour poster, 28" x 19", an Island Records 'Systems of Romance' promotional album poster, 20" x 30", a 'Set Movements 1984' Levi's 650 poster, 23.25" x 16.5", a three-into-one compilation album promotional poster, 22.5" x 16.5" and one other (5)
£80-120
118.
Chris Cross (Ultravox) - five various original Ultravox posters to include an unused 'Ha!-Ha!-Ha!' album tour poster, 28" x 19", an Island Records 'Systems of Romance' promotional album poster, 20" x 30", a 'Set Movements 1984' Levi's 650 poster, 23.25" x 16.5", a three-into-one compilation album promotional poster, 22.5" x 16.5" and one other (5)
£80-120
119.
Chris Cross (Ultravox) - small selection of Ultravox proof artworks including 'Reap the Wild Wind' single cover, 'Lament' album cover, 'Hymn' single cover, 'Quartet' picture disc and a Peter Gilbert photo-proof (with hand inscribed poem to the reverse); also six copies of an Ultravox promotional photograph and an Ultravox three-into-one compilation album poster
£80-120
120.
Chris Cross (Ultravox) - selection of various original 1980s Ultravox souvenir programmes and press packs
£100-200
121.
Chris Cross (Ultravox) - large collection of Chris' personal AAA backstage pass stickers and lanyards, mostly 1980s tours; also two Madonna 'Who's That Girl?' world tour special enclosure passes for Wembley Stadium, Wednesday 19th August 1987 including the original ticket stubs
£150-250
122.
Chris Cross (Ultravox) - Live Aid interest to include Chris' personal ticket stub and pass for the special enclosure seating for the Live Aid concert at Wembley Stadium on Saturday 13th July 1985; also two official Live Aid T-shirts (L) to include 'Global Jukebox' and 'Feed the World'; Chris' personal invitation to attend the opening of the Live Aid concert in the banqueting hall area of Wembley Stadium in the presence of their Royal Highnesses the Prince and Princess of Wales; a Sotheby's promotional leaflet for David Bailey's Live Aid Portraits auction, Monday 4th November 1985 with invitation to the auction preview; an invitation for the Live Aid official book launch at Hamiltons, London on Tuesday 27th August; and a Club Sandwich (Wings Fanclub) 1985 Live Aid at Wembley picture special magazine
£150-250
123.
Chris Cross (Ultravox) - collection of various dedicated New Wave and other publications, many featuring Ultravox to include In The City magazine, Electronics and Music Maker magazine, Ultravox magazine, Snot Rag, Panache etc; together with a Gary Numan fan club magazine, two Eddie & the Hotrods 'Freeze Out' souvenir tour programmes, a Philip Lynott 1982 souvenir tour programme; also a selection of 1980s Chart magazine cutouts, many featuring Ultravox, including two framed and mounted (one UK, one German) showing Ultravox' 'Vienna' at number one £80-120
124.
Chris Cross (Ultravox) - collection of 1970s and later Ultravox black and white promotional press photographs, to include two autographed by Midge Ure £100-200
125.
Chris Cross (Ultravox) - original proof artwork for the Ultravox 'Set Movements 1984' Levi's Jeans endorsement logo, supplied by Peter Saville Associates, with advice document dated 18th April 1984; together with another set of proof work for 'Rage in Eden'
*In 1984 Ultravox had a sponsorship deal with Levi’s after Midge and Chris had produced an award-winning soundtrack to their popular Rivets campaign the previous year. Their Levi’s work, including scoring a second commercial, Threads which was abandoned after creative interference. This rejected Levi’s demo would make the basis of their song 'Love’s Great Adventure'. Graphic designer Peter Saville worked closely with Ultravox, producing many designs in various formats, including album art, logos and posters. See a 1984 Channel 4 'Design Matters' documentary featuring Peter Saville's work with Ultravox: https://youtu.be/ io4bhhhdQBw?si=rK3Qv_dfMB6Fqzst £200-400
126.
Chris Cross (Ultravox) - Midge Ure 'In a Picture Frame', hardback book; together with a collection of framed and mounted black and white photographs of Ultravox, circa 1981, including video shoot stills and candid images from 'The Voice' video
£80-120
127.
Chris Cross (Ultravox) - original 1980s
Ultravox merchandise to include a 1982/1983 world tour T-shirt (L), a 1986/1987 U-vox world tour T-shirt (XL), a 1984 Set Movements tour jumper (M) and a tour shirt (4)
£40-80
128.
Chris Cross (Ultravox) - original 1980s
Ultravox tour merchandise to include a 1986/1987 U-Vox world tour T-shirt (XL), a 1984 Set Movements tour jumper (L), a 1984 Set Movements T-shirt (M) and another 1984 Set Movements T-shirt (L)
£40-80
129.
Chris Cross (Ultravox) - original 1980s
Ultravox tour merchandise to include a 1986/1987 U-Vox world tour T-shirt (XL), a 1984 Set Movements tour jumper (L), a 1984 Set Movements tour T-shirt (L), a 1984 Set Movements tour T-shirt in black (L) (4)
£40-80
130.
Chris Cross (Ultravox) - original 1980s
Ultravox tour merchandise to include a 1986/1987 U-Vox world tour T-shirt in black (XL), an Information Service T-shirt in cream (XL), a 1982/1983 world tour Tshirt in grey (L), and a 1984 Set Movements tour jumper in grey (L) (4)
£40-80
131.
Chris Cross (Ultravox) - original 1980s
Ultravox tour merchandise to include a 1986/1987 Uvox world tour T-shirt in pink (XL), two 1982/1983 world tour vests (S, M), a 1982/1983 world tour jumper (L), and a 1982/1983 world tour T-shirt in grey (L) (5)
£40-80
132.
Chris Cross (Ultravox) - original 1980s
Ultravox tour merchandise to include a 1986/1987 U-Vox world tour T-shirt in pink (XL), a 1982/1983 world tour vest (M), a 1982/1983 world tour jumper (S), and a 1982/1983 world tour T-shirt in grey (M) (4)
£40-80
133.
Chris Cross (Ultravox) - original 1980s Ultravox tour merchandise to include a 1982/1983 world tour T-shirt in grey (M), a 1982/1983 world tour jumper (M), a 1982/1983 world tour vest (L), and a 1986/1987 U-Vox world tour T-shirt in black (L) (4)
£40-80
134.
Chris Cross (Ultravox) - original 1980s Ultravox tour merchandise to include a 1986/1987 U-Vox tour T-shirt in black (L), an Ultravox shirt, two burgundy jumpers (one M, one L) and a holdall bag (5)
£40-80
135.
Chris Cross (Ultravox) - original 1970s & 1980s Ultravox tour merchandise to include a 1982 New Zealand tour T-shirt in purple (S), a 1986/1987 U-Vox world tour T-shirt in yellow (XXL), an Ultravox T-shirt in black (L), a 'Rage in Eden' T-shirt in white (M), and a 'Systems of Romance' T-shirt in black (S) (5)
£40-80
136.
Chris Cross (Ultravox) - original 1970s & 1980s Ultravox tour merchandise to include a 'Vienna' jumper, a 'Vienna' T-shirt (L), a 'Rage in Eden' T-shirt (M), a 'Systems of Romance' T-shirt and a 1986/1987 UVox world tour T-shirt in yellow (XXL) (5)
£40-80
137.
Chris Cross (Ultravox) - original 1970s & 1980s Ultravox tour merchandise to include a 'Systems of Romance' T-shirt (L), a 'Vienna' jumper, a 'Rage in Eden' T-shirt in black (L), a 'Vienna' T-shirt (L) and a 1986/1987 U-Vox world tour T-shirt in yellow (XXL) (5)
£40-80
138.
Chris Cross (Ultravox) - original 1980s Ultravox tour merchandise to include a 1986 'Ultravox in Montserrat' T-shirt in white (XL), a 1986 'Ultravox in Montserrat' T-shirt in blue (XL), a 1986/1987 U-Vox world tour T-shirt in yellow (XXL), a 198 'Vienna to Vancouver' T-shirt (M), a 1986 'Ultravox in Montserrat' T-shirt in cream (XL) and one other (6)
£40-80
139.
Chris Cross (Ultravox) - official 1970s & 1980s Ultravox tour merchandise to include a 1986/1987 U-Vox world tour jumper in pink (XL), a 1986/1987 U-Vox world tour T-shirt in blue (XXL), an Ultravox T-shirt in black (M), a 'Rage in Eden' T-shirt in beige (M), a 'Systems of Romance' T-shirt in black and a 'Rage in Eden' T-shirt in grey (L) (6)
£40-80
140.
Chris Cross (Ultravox) - rare 1979 'Ultravox at The Hot Club' T-shirt in cream; together with a 1979 'American Debut, Ultravox at The Hot Club' T-shirt in pink and a further pink 'The Hot Club' T-shirt (3)
*Ultravox played The Hot Club, Philadelphia on 23rd February 1979. Having just been dropped by Island Records, they were offered a tour of America by Miles and Ian Copeland, as there was a big audience for British new wave acts at that time. John Foxx was already considering his future at the start of their six week US run and by the end of the tour, finishing with a performance at the Whiskey, decided to call time. His departure made way for Midge to come in as vocalist, taking the band in their new commercial direction.
£80-120
141.
Chris Cross (Ultravox) - original 1970s and later Ultravox merchandise to include a December 1977 Marquee Club jumper featuring Ultravox to the reverse; a May 1984 Meteor Lights Productions Montreux Rock Festival T-shirt featuring Ultravox to the reverse; a 1982 Sweetwaters Festival T-shirt featuring headliners Ultravox to the reverse; an Ultravox at The Commodore Ballroom, January 1980 T-shirt; a 'Systems of Romance' T-shirt; a 1986/1987 U-Vox world tour Tshirt (6)
£80-120
142.
Chris Cross (Ultravox) - original 1970s and later Ultravox merchandise to include three 1986/1987 U-Vox world tour T-shirts, two 'Systems of Romance' T-shirts and a 'Stood Still' T-shirt (6)
£50-100
143.
Chris Cross (Ultravox) - two early Ultravox tour T-shirts to include a December '79 to January '80 'The Whisky' T-shirt in black (M) and a 1979 Island Records 'Systems of Romance' T-shirt (2)
£40-80
144.
Chris Cross (Ultravox) - two rare 1970s Ultravox T-shirts in cream (significant staining); together with a 1970s Island Records 'Systems of Romance' T-shirt (3)
£40-80
145.
Chris Cross (Ultravox) - original Ultravox merchandise to include a 1986/1987 U-Vox world tour T-shirt in black (L), a 1986/1987 U-Vox world tour T-shirt in pink (L), a 1970s Island Records 'Systems of Romance' T-shirt in black and one other in white - also featuring Stevie Wonder, AC/DC and Motley Crue (4)
£40-80
146.
Chris Cross (Ultravox) - original 1986/1987 Ultravox world tour T-shirt in black (M) and a 1986/1987 world tour jumper in pink (XL), within a Queen/Highlander movie promotional bag
*This merchandise bag was found readypacked within Chris' Ultravox storage
£40-80
147.
Chris Cross (Ultravox) - original 1986/1987 Ultravox world tour T-shirt in black (M), a 1986/1987 Ultravox world tour jumper in pink (XL) and an Ultravox world tour pin badge, within a Queen/Highlander movie promotional bag
*This merchandise bag was found readypacked within Chris' Ultravox storage
£40-80
148.
Chris Cross (Ultravox) - original 1986/1987 Ultravox world tour T-shirt in black (M) and a 1986/1987 Ultravox world tour jumper in pink (XL) within a Queen/Highlander movie promotional bag
*This merchandise bag was found readypacked within Chris' Ultravox storage
£40-80
149.
Chris Cross (Ultravox) - original 1986/1987 Ultravox world tour jumper in pink (XL) and original Ultravox world tour pin badge, within a Queen/Highlander promotional bag
*This merchandise bag was found readypacked within Chris' Ultravox storage
£30-60
150.
Chris Cross (Ultravox) - original 1986/1987 Ultravox world tour T-shirt in black (M), a 1986/1987 Ultravox world tour jumper in pink (XL) and an official world tour pin badge, within a Queen/Highlander movie promotional bag
*This merchandise bag was found readypacked within Chris' Ultravox storage
£40-80
151.
Chris Cross (Ultravox) - original 1986/1987 Ultravox world tour T-shirt in blue (XXL), a 1986/1987 world tour jumper in pink (XL) and an official world tour pin badge, within a Queen/Highlander movie promotional bag
*This merchandise bag was found readypacked within Chris' Ultravox storage
£40-80
152.
Chris Cross (Ultravox) - original 1980s Lament (CDL1459) jumper in white (XL); together with a selection of other artisit merchandise to include a B52s T-shirt in yellow (M), a Roxy Music T-shirt in white (ladies) and two Hello 1977 Japanese tour T-shirts in white; also with a Queen/ Highlander movie promotional bag
£40-80
153.
Chris Cross (Ultravox) - selection of official 2012 Ultravox Brilliant tour merchandise to include a zip-up jumper (XL), a tour T-shirt (M), a beanie hat, two rubber wrist bands, two keyrings, a tie clip, three mugs, an AAA lanyard pass and ticket stubs
£40-80
154.
Chris Cross (Ultravox) - original Ultravox tour merchandise to include a Rage in Eden T-shirt (L); a Brilliant tour T-shirt (M); a Monument T-shirt (M) and a jumper (M) (4)
£40-80
155.
Chris Cross (Ultravox) - original Ultravox merchandise to include a 2012 Brilliant tour T-shirt (L); a Monument T-shirt (M); a Rage in Eden T-shirt (L) and a jumper (L) (4)
£40-80
156.
Chris Cross (Ultravox) - original Ultravox merchandise to include two Rage in Eden Tshirts (L and M) and three jumpers (two M, one L) (5)
£40-80
157.
Chris Cross (Ultravox) - original Ultravox merchandise to include two Rage in Eden Tshirts (M), a jumper in burgundy (L), a Brilliant tour T-shirt (M) and a jumper in cream (XL) (5)
£40-80
158.
Chris Cross (Ultravox) - original Ultravox merchandise to include a Return to Eden zipup jacket (S), a jumper in burgundy (L), a Rage in Eden T-shirt (L) and a Lament T-shirt (M) (4)
£40-80
159.
Chris Cross (Ultravox) - original Ultravox merchandise to include a 2012 Brilliant tour T-shirt (L), a Brilliant tour beanie, a Jumper (L) and a Rage in Eden T-shirt (M) (4)
£40-80
160.
Chris Cross (Ultravox) - original Ultravox merchandise to include a Rage in Eden zip-up jacket (M), three Rage in Eden T-shirts (two L, one M) and a jumper in burgundy (L) (5)
£40-80
161.
Chris Cross (Ultravox) - original Ultravox merchandise to include a Rage in Eden fleece (L), three Rage in Eden T-shirts (two L, one M) and a jumper (L) (5)
£40-80
162.
Chris Cross (Ultravox) - four original music Tshirts to include a Bob Marley 'Waiting in Vain' T-shirt, a Toots T-shirt, a Tom Tom Club 'Under the Boardwalk' T-shirt and a Zang Tumb Tuum jumper (4)
£30-60
163.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges to include a full Systems of Romance laminate set and full face profile set
£20-40
164.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges to include a full Systems of Romance laminate set and full face profile set
£20-40
165.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges to include a full Systems of Romance laminate set and a full face profile set
£20-40
166.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges including a full face profile set; also with a few other badges including one of The Damned
£20-40
167.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges including a full face profile set; also with a few other badges including one of The Damned
£20-40
168.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges including a full face profile set; also with a few other badges including one of The Damned
£20-40
169.
Chris Cross (Ultravox) - selection of original Ultravox pin badges including a full face profile set and a 'Ha!-Ha!-Ha!' set
£20-40
170.
Chris Cross (Ultravox) - selection of original Ultravox pin badges including a full face profile set and a 'Ha!-Ha!-Ha!' set
£20-40
171.
Chris Cross (Ultravox) - selection of original Ultravox pin badges including a full face profile set and a 'Ha!-Ha!-Ha!' set
£20-40
172.
Chris Cross (Ultravox) - mixed selection of original Ultravox pin badges to include a full Systems of Romance laminate set and full face profile set
£20-40
173.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
174.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
175.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
176.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
177.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
178.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
179.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
180.
Chris Cross (Ultravox) - selection of over twenty original Ultravox pin badges including a full face profile set
£20-40
181.
Chris Cross (Ultravox) - selection of original Ultravox merchandise to include a 1984 Set Movement European tour itinerary binder, two 1986/1987 tour mugs, a 1984 Ultravox Set Movements interview tape, a selection of stickers, two Ultravox Lament notepads with clipboards, a handkerchief, an Ultravox Quartet mini frisbee and three ties
£50-100
182.
Chris Cross (Ultravox) - five vintage T-shirts to include a Tiswas T-shirt in yellow (L), a Supersonic T-shirt in blue (ladies 3), a Spit Tshirt in black (L), a Duffy's Minneapolis T-shirt in red (M) and one other (5)
£40-80
183.
Chris Cross (Ultravox) - three items of original Frankie Goes to Hollywood merchandise to include a 'Coming at You' Jumper (XL), a 'Relax' jumper and a 'Frankie Says War' T-shirt
£40-80
184.
Chris Cross (Ultravox) - various tour merchandise to include a ladies XTC Drums and Wires T-shirt, a Madness tea towel, a Madness T-shirt (ladies), a Kid Creole and the Coconuts T-shirt, a Propaganda jumper and two Island Records T-shirts (7)
£40-80
185.
Chris Cross (Ultravox) - Sex Pistols interest: an original proof artwork for the Sex Pistols album 'Never Mind the Bollocks, Here's the Sex Pistols' album, for an advert that appeared in the 'Record Mirror' magazine publication on 5th November 1977, inscribed 'Run Oct 29 page 11', bearing an NGA/Slade label to the reverse, 19.25" x 14"
*This is the original final proof artwork used to advertise the Sex Pistols only studio album 'Never Mind the Bollocks, Here's the Sex Pistols' in the Record Mirror in November 1979. Record Mirror was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after New Musical Express, it never attained the circulation of its rival. The first UK album chart was published in Record Mirror in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and Top of the Pops, as well as the USA's Billboard charts. See images to see a copy of the final printed publication of this artwork.
£200-400
186.
Chris Cross (Ultravox) - two Quad 303 power amplifiers, made in England, ser. nos. 64658 and Q094016 (2)
£80-120
187.
Chris Cross (Ultravox) - Lentek Audio Limited stereo integrated amplifier, made in England, ser. no. LA0093
£100-200
188.
Chris Cross (Ultravox) - Yamaha Professional Series P-2200 natural sound power amplifier, made in Japan, ser. no. 14255
£150-250
189.
Chris Cross (Ultravox) - pair of JBL Model 4311 WX-A control monitor speakers, made in Los Angeles, California, ser. nos. 39999 and 39996
£100-200
190.
Chris Cross (Ultravox) - Wilmslow Audio CPP
Sub-Bass flatpack cabinet kit speaker
£100-200
191.
Chris Cross (Ultravox) - pair of KEF Celeste IV, type SP1145 speakers, made in England, ser. nos. 4611 and 4612
£50-80
192.
Chris Cross (Ultravox) - Tannoy CPA5 speaker system to include four desk monitors and subwoofer, one monitor numbered 542019; together with a 2 x 8" wedge speaker
*A speaker system that was used by Chris' in his home studio
£100-200
193.
Chris Cross (Ultravox) - pair of Yorkshire Hifi 1-3 monitor speakers (front foam/grille perished)
£30-50
194.
Chris Cross (Ultravox) - Acoustic Energy Aego M-system speaker system comprising sub speaker and two overhead speakers, with associated cables
£30-50
195.
Chris Cross (Ultravox) - pair of ESP Micro I bookshelf reference speakers
£20-40
196.
Chris Cross (Ultravox) - pair of Auratone 5S speakers, made in USA
£80-120
197.
Chris Cross (Ultravox) - Line 6 Toneport KB37 recording and modelling interface, boxed; together with an IK Multi-media iRig Pro Duo mobile audio/midi interface, boxed
£40-80
198.
Chris Cross (Ultravox) - Line 6 Bass POD Pro rack unit, ser. no. BPP3A504400052, within an SKB flight case
£50-80
199.
Chris Cross (Ultravox) - Four Designs Company RM-20 Rockmount rack unit for Scholz Rockman units, made in USA, ser. no. 2286-100823
£80-120
200.
Chris Cross (Ultravox) - Presonus HP4 headphone amplifier; together with a Presonus Tube Pre preamp and a BSS AR116 DI box (3)
£40-80
201.
Chris Cross (Ultravox) - AKG C 535 EB microphone, with original case
£80-120
202.
Chris Cross (Ultravox) - Rode NT1 condenser microphone with SMR professional shock mount, boxed
£40-80
203.
Chris Cross (Ultravox) - selection of headphones to include Atrio Professional earphones, Sennheiser HD-25-1II headphones, Sennheiser HD420 headphones, Sony MDR-7508 headphones, Sony MDRXD100 headphones and an AKG K24P folding headphones; together with three microphones to include an Azden WLX-Pro wireless microphone system, a Sony Stereo ECM-929LT microphone and a Realistic TZM microphone
£80-120
204.
Chris Cross (Ultravox) - AB Limited Autopower 832 power supply; together with an AB Limited Autopower 8 power supply (2)
£40-60
205.
Chris Cross (Ultravox) - Sony Stereo Cassette-corder TC-153SD cassette recorder, made in Japan, ser. no. 21580; together with a Rotel RT-930AX AM/FM stereo tuner and a Cambridge Audio CD5 compact disc player (3)
£50-80
206.
Chris Cross (Ultravox) - Systemdek II record turntable
£150-250
207.
Chris Cross (Ultravox) - Thorens TD124 mkII record turntable, made in Switzerland, ser. no. 92992, mounted upon a homemade wooden base
£500-800
208.
Chris Cross (Ultravox) - 1960s Dansette Popular table-top record player
£40-80
209.
Chris Cross (Ultravox) - large selection of various audio connectors and power supplies
£40-80
210.
Chris Cross (Ultravox) - selection of music stands to include Ultimate Support heavy duty keyboard stand, folding guitar rack stand, a Lamba microphone boom stand, guitar wall brackets, speaker brackets, and drum stands
£50-100
211.
Chris Cross (Ultravox) - two Tele type guitar necks for projects; together with a Strat type guitar neck (3)
£20-40
212.
Chris Cross (Ultravox) - three Gibson type guitar necks, one for bass
£30-50
213.
Chris Cross (Ultravox) - 2003 Squier by Fender Standard Series Precision Bass guitar neck
£30-50
214.
Chris Cross (Ultravox) - Fender licensed Mighty Mite fretless Precision bass guitar neck with ebonol board
£40-80
215.
Chris Cross (Ultravox) - Fender licensed Warmoth twenty-two fret maple board Tele guitar neck
Chris Cross (Ultravox) - Fender USA Yngwie Malmsteen Stratocaster guitar body, circa 2000, fitted with bridge assembly and electronic loaded scratchplate
£200-300
219.
Chris Cross (Ultravox) - Olympic white finished top bound Tele type guitar body; together with an unfinished unused two piece ash Telecaster guitar body (2)
£80-120
220.
Chris Cross (Ultravox) - unused and unfinished one piece Tele guitar body
£40-80
221.
Chris Cross (Ultravox) - unused and unfinished three piece Esquire style guitar body
£40-80
222.
Chris Cross (Ultravox) - unfinished Les Paul type guitar body blank with mahogany back and maple top
£50-100
223.
Chris Cross (Ultravox) - Les Paul Junior type guitar body blank with mahogany back and bound two piece maple top
£50-100
224.
Chris Cross (Ultravox) - African mahogany blank for guitar-making, 51cm x 44cm x 5cm
£40-80
225.
Chris Cross (Ultravox) - three finished Precision Bass guitar bodies for projects
Chris Cross (Ultravox) - unused and unfinished three piece GuitarBuild Precision bass guitar body
£50-100
228.
Chris Cross (Ultravox) - unfinished mahogany two piece GuitarBuild Precision Bass guitar body
£50-100
229.
Chris Cross (Ultravox) - unfinished two piece GuitarBuild Tele bass guitar body
£40-80
230.
Chris Cross (Ultravox) - mixed selection of bass and guitar strings to include Duesenberg, Rotosound, D'Adarrio, Adagio etc
£40-80
231.
Chris Cross (Ultravox) - mixed selection of guitar scratchplates and other plastic spares; together with a small selection of guitar straps
£40-80
232.
Chris Cross (Ultravox) - mixed selection of guitar spares to include a Gotoh Tone-Pros stop bar and bridge, a Fender bridge block, a Piezo bass bridge, a small selection of other hardware and electronics
£50-100
233.
Chris Cross (Ultravox) - two sets of Fender bass guitar tuners (without bushings)
£40-80
234.
Chris Cross (Ultravox) - set of Kluson MB22N bass guitar tuners; together with a set of Schaller bass guitar tuners and another set of unbranded bass guitar tuners
£30-60
235.
Chris Cross (Ultravox) - set of Gibson black bass guitar tuners (with bushings)
£30-60
236.
Chris Cross (Ultravox) - two sets of Kluson Deluxe guitar tuners
£30-60
237.
Chris Cross (Ultravox) - set of Grover gold plated kidney button guitar tuners; together with a set of Schaller guitar tuners
£40-80
238.
Chris Cross (Ultravox) - set of Fender Genuine Hardware 70s F chrome tuners; together with a set of Duesenberg Z tuners, a set of plastic button Kluson style tuners and one other set
Chris Cross (Ultravox) - Bare Knuckle Pickups Country Boy Telecaster neck guitar pickup
£30-60
242.
Chris Cross (Ultravox) - Van Zandt True Vintage Telecaster neck guitar pickup
£30-50
243.
Chris Cross (Ultravox) - pair of Gibson P90 guitar pickups
£80-120
244.
Chris Cross (Ultravox) - pair of Tokai LPOLD P90 guitar pickups
£30-60
245.
Chris Cross (Ultravox) - pair of Duesenberg P90 guitar pickups
£50-80
246.
Chris Cross (Ultravox) - Rio Grande Bluesbar P90 guitar pickup
£30-60
247.
Chris Cross (Ultravox) - Van Zandt Telecaster bridge guitar pickup
£30-50
248.
Chris Cross (Ultravox) - pair of Rio Grande Telecaster guitar pickups to include an MUY Grande 'TE' bridge and vintage Tallboy neck
£50-100
249.
Chris Cross (Ultravox) - Bill Lawrence EB-50PB guitar pickup, boxed
£20-40
250.
Chris Cross (Ultravox) - selection of guitar pickups to include a Seymour Duncan STHR-1B stacked humbucker, two G&B humbucker pickups, a GFS Dream 90, a pair of PRS P90s and one other
£50-100
251.
Chris Cross (Ultravox) - selection of assorted bass guitar pickups
£50-100
252.
Chris Cross (Ultravox) - Ultravox Vienna 40th Anniversary Limited Edition 4 x LP clear vinyl box set, Chrysalis catalogue number CHRL1296, sealed
£50-100
253.
Chris Cross (Ultravox) - Ultravox Vienna (Deluxe Edition) 40th Anniversary edition 5 CD/1 DVD box set, Chrysalis catalogue number CHRB1296, sealed; together with Ultravox (Deluxe Edition) 40th Anniversary 180GM half speed Master by Alchemy vinyl, Chrysalis catalogue number CHRH1296, sealed; also Electronic Sound Ultravox Herr X/Alles Klar, catalogue number ES768, with Electronic Sound magazine issue 69 Ultravox 'The Story of Vienna Special' (4)
£40-80
254.
Chris Cross (Ultravox) - Ultravox 40th Anniversary Record Store Day Vienna (Steven Wilson Stereo Mix) vinyl, sealed; together with a CD version of the same (2)
£20-40
255.
Chris Cross (Ultravox) - four various Ultravox Rage in Eden 40th Anniversary editions to include a limited edition 4 LP clear vinyl box set, Chrysalis catalogue number CDLL1338, sealed; a Rage in Eden deluxe edition 5 CD/1 DVD box set, Chrysalis catalogue number CDLB1338, sealed; a Rage in Eden 40th Anniversary limited edition remastered picture disc album, Chrysalis catalogue number CDLP1338, sealed and a Rage in Eden 40th Anniversary Deluxe Edition 180gm half speed Master by Alchemy at Air, Chrysalis catalogue number CDLH1338 (4)
£40-80
256.
Chris Cross (Ultravox) - fully autographed Ultravox Vienna vinyl album, Chrysalis number CHR1296, autographed by all four members including Midge Ure, Chris Cross, Warren Cann and Billy Currie to the front £50-80
257.
Chris Cross (Ultravox) - 'Not for Sale' promotional copy of Ultravox' Vienna white vinyl limited edition Record Store Day 2013 vinyl, Chrysalis catalogue number CHRS1296, sealed; together with an Ultravox 'Sleepwalk' limited edition Record Store Day 40th Anniversary 12" clear vinyl exclusive, Chrysalis catalogue number CHS122441, sealed and an Ultravox Moments from Eden 10" vinyl, sealed (3) £30-60
258.
Chris Cross (Ultravox) - Ultravox 'Brilliant' limited edition 2 clear vinyl album, number 6242551, sealed, sold with alternative album artwork / merch proofs; together with a 'Not for Resale' promotional copy of Ultravox 'Vienna', limited edition Record Store Day 2013 white vinyl, Chrysalis catalogue number CHRS1296, sealed (2)
£20-40
259.
Chris Cross (Ultravox) - Ultravox 'Extended' limited edition 4 vinyl LP compilation box set, sealed; together with a 'Not for Resale' promotional copy of Ultravox' 'Vienna', limited edition Record Store Day 2013 white vinyl LP, Chrysalis catalogue number CHRS1296, sealed and an Ultravox 'Sleepwalk' limited edition Record Store Day 40th Anniversary 12" clear vinyl exclusive, Chrysalis catalogue number CHS122441, sealed (3)
£30-60
260.
Chris Cross (Ultravox) - 'Not for Sale' promotional copy of Ultravox' 'Vienna', limited edition Record Store Day 2013 white vinyl LP, Chrysalis catalogue number CHRS1296, sealed; together with four earlier Vienna pressings to include catalogue numbers CHR1296 (2), 202701-320 and stereo 6399103 (5)
£40-80
261.
Chris Cross (Ultravox) - 'Not for Resale' promotional copy of Ultravox' 'Vienna', limited edition Record Store Day 2013 white vinyl LP, Chrysalis catalogue number CHRS1296, sealed; together with four earlier pressings of Vienna including CHR1296 (2), 202701-320 and L37376 (5)
£40-80
262.
Chris Cross (Ultravox) - fully signed Ultravox 'Quartet' vinyl LP, Chrysalis catalogue number CDL1394, autographed by Midge Ure, Chris Cross, Warren Cann and Billy Currie
£50-80
263.
Chris Cross (Ultravox) - seventeen Ultravox vinyl records to include 'Ha!-Ha!-Ha!', ILPS9505, sealed; 'Systems of Romance', AN-7069, sealed; 'Vienna', 202701-320; 'Quartet', CDL1394; 'Quartet' picture disc, PCDL1394; 'The Voice', CHS122559; 'All Stood Still', CHS122522; 'Hymn' clear vinyl, CHS122657; 'Dancing With Tears in My Eyes', UVX1; 'Passing Strangers', CHS122457; 'We Came to Dance', VOXX-1; 'Quiet Men', 12WIP6459; 'Reap the Wild Wind', CHS122639; 'Rage in Eden', CDL1338; 'Lament', CDL1459; 'All Fall Down', UVX5 and 'The Bloodied Sword', CDL1424 (17) £50-100
264.
Chris Cross (Ultravox) - seventeen various Ultravox vinyl records to include 'Ha!-Ha!Ha!', ILPS9505, sealed; 'Systems of Romance' Not for Sale factory sample, ILPS9555*; 'Quartet', CDL1394; 'Vienna', CHR1296; 'Quartet' picture disc, PCDL1394; 'The Voice', CHS122559; 'All Stood Still', CHS122522; 'Hymn', CHS122657; 'Dancing With Tears in My Eyes', UVX1; 'Passing Strangers', CHS122457; 'We Came to Dance', VOXX-1; 'Quiet Men', 12W1P6459; 'Reap the Wild Wind', CHS122639; 'Rage in Eden', CDL1338; 'Lament', CDL1459; 'All Fall Down', UVX5; and a promotional copy Not for Resale of 'The Bloodied Sword', CDL1424 (17) £50-100
265.
Chris Cross (Ultravox) - eighteen Ultravox vinyl records to include the debut album Ultravox!, ILPS9449; Ha!-Ha!-Ha!, ILPS9505; a Property of EMIR Demonstration Only Not for Sale copy of Systems of Romance, ILPS9555*; Vienna, CHR1296; a Promotional Copy Not for Resale of Quartet, CDL1394; Quartet picture disc, PCDL1394; The Voice, CHS122559; All Stood Still, CHS122522; Hymn clear vinyl, CHS122657; Dancing With Tears in My Eyes, UVX1; Passing Strangers, CHS122457; We Came to Dance, VOXX-1; Quiet Men, 12WIP6459; Reap the Wild Wind, CHS122639; a Promotional Copy Not for Resale of Rage in Eden, CDL1338; Lament, CDL1459; All Fall Down, UVX5; The Bloodied Sword, CDL1424 (18)
£50-100
266.
Chris Cross (Ultravox) - eighteen Ultravox vinyl records to include the debut album Ultravox!, ILPS9449; H!-Ha!-Ha!, sealed, ILPS9505; a Factory Sample Not for Sale copy of Systems of Romance, ILPS9555*; Vienna, CHR1296; Quartet, CDL1394; Quartet picture disc, PCDL1394; The Voice, CHS122559; All Stood Still, CHS122522; Hymn, CHS122657, clear vinyl; Dancing With Tears in My Eyes, UVX1; Passing Strangers, CHS122457; We Came to Dance, VOXX-1; Quiet Men, 12W1P6459; Reap the Wild Wind, CHS122639; Rage in Eden, CHR1338; Lament, CDL1459; All Fall Down, UVX5 and a Promotional Copy Not for Sale of The Bloodied Sword, CDL1424 (18) £50-100
267.
Chris Cross (Ultravox) - twenty Ultravox vinyl records to include Vienna, CHR1296; The Thin Wall, CHS122540; One Small Day, VOXX2; Rage in Eden, CDL1338; Ultravox mini LP, L20003; Love's Great Adventure, UVX3; Ha!Ha!-Ha!, ILPS9505; Same Old Story, UVX4; UVox, CDL1545; All Fall Down, UVX5; Passing Strangers, 600287-213; Three Into One, ILPS2614; Visions in Blue, CHS122676; Lament, CDL1459; Vienna 12" single, CHS122481; The Collection, UTVD1; a Promotional Copy Not for Resale version of Monument The Soundtrack, CUX1452; The Voice, CHS122559; Lament (extended mix), UVX2; Debut magazine issue 2 magazine and eleven track LP with Ultravox cover (20)
£50-100
268.
Chris Cross (Ultravox) - twenty Ultravox vinyl records to include Ha!-Ha!-Ha!, ILPS9505; U-Vox, CDL1545; Same Old Story, UVX4; Lament, CDL1459; Rage in Eden, CDL1338; Visions in Blue, CHS122676; Vienna 12" single, CHS122481; One Small Day, VOXX2; The Thin Wall, CHS122540; Monument The Soundtrack, CUX1452; Lament (extended mix), UVX2; Quartet picture disc; £50-100
269.
Chris Cross (Ultravox) - twenty-six Ultravox vinyl records to include a Promotional Copy Not For Resale of Rage in Eden, CDL1338; a Promotional Copy Not For Resale of Quartet, CDL1394, another copy of Quartet, CDL1394; two copies of Ha!-Ha!-Ha!, ILPS9505; U-Vox, CDL1545; Lament, CDL1459; Rage in Eden, CDL1338; Visions in Blue, CHS122676; The Thin Wall, CHS122540; Lament (extended mix), UVX2; three copies of Lament picture disc, PCDL1394; Quartet, CDL1394; two copies of All in One Day, UVX6; Reap the Wild Wind, CHS122639; We Came to Dance, VOXX-1; Slow Motion, 12WIP6454; Systems of Romance, ILPS9556; Rage in Eden, CDL1338; a Promotional Not For Sale copy of Sleepwalk, CHS-22-PDJ; and three further copies of Rage in Eden without outer sleeves, CDL1338
£50-100
270.
Chris Cross (Ultravox) - five Japanese press Ultravox vinyl records to include Vienna, WWS-81355; New Europeans,WWS-81465; Lament, WWS-81649; Rage in Eden, WWS-81444; and Hymn, WWS-50137 (5) £40-80
271.
Chris Cross (Ultravox) - two EMI Abbey Road Studio acetate records for Ultravox' 'The Wind, The Beautiful and The Damned/ My Sex' and 'The Man Who Dies Every Day/ Young Savage' (2)
£50-100
272.
Chris Cross (Ultravox) - eight Ultravox white label promo singles to include a Rockwrok 'Porky Prime Cut', WIPX1750 and another of the same record, WIPX1751, and six Ultravox Live!, 1EP8A (8) £50-100
273.
Chris Cross (Ultravox) - Ultravox 'Wide Boys', IDJ18 white label promo record; together with an Ultravox 'Dancing With Tears in My Eyes' promo pressing; a 'Lament' promo pressing, CDL-1459 and a 'Three Into One' white label, ILPS9614 (5)
£40-80
274.
Chris Cross (Ultravox) - selection of Ultravox white label promo vinyl records to include Three Into One, ILPS9614; Vienna, CHR1296; Ha!-Ha!-Ha!, ILPS9505; The Thin Wall, CHS122540; Quartet, CDL1394 (5)
£50-100
275.
Chris Cross (Ultravox) - four Ultravox white label promo vinyl records to include two copies of Vienna, CHR1296; Ha!-Ha!-Ha!, ILPS9505; and The Thin Wall (4)
£40-80
276.
Chris Cross (Ultravox) - four rare German Ultravox 7" singles to include Frozen Ones, 11815AT; Dangerous Rhythm, 17715AT; Rockwrok, 11655AT; Young Savage, 17961AT; also two Japanese 7" singles of Passing Strangers, WWS-17077 and New Europeans/Vienna, WWS47167 (6)
£50-100
277.
Chris Cross (Ultravox) - approximately fifty 7" Ultravox singles to include an autographed copy of Same Old Story
£50-100
278.
Chris Cross (Ultravox) - approximately fifty Ultravox 7" singles to include an autographed copy of Same Old Story
£50-100
279.
Chris Cross (Ultravox) - selection of fifty various Ultravox 7" singles to include an autographed copy of Same Old Story
£50-100
280.
Chris Cross (Ultravox) - approximately fiftyfive various Ultravox 7" singles
£40-80
281.
Chris Cross (Ultravox) - approximately eighty Ultravox 7" vinyl records (many repeats)
£50-100
282.
Chris Cross (Ultravox) - Twelve Ultravox & related 45rpm 7" Vinyl Singles, some demos, including: Ultravox - We Came To Dance/Overlook, Clear Vinyl (Chrysalis VOX 1), Ultravox - The Voice/Paths & Angles, Clear Vinyl (Chrysalis CHS 2559), Ultravox - Visions in Blue/Break Your Back, Clear Vinyl (Chrysalis CHS 2676), Ultravox - HYMN/Monument, Picture Disc (Chrysalis CHS 2657), Ultravox - Young Savage/Slip Away (Island Records WIP 6392), HelloNew York Groove/Little Miss Mystery (Bell Bell 1438), Hello - Teenage Revolution/ Keep Us Off The Streets (Bell Bell 1479), Kevin Blacklock - I Don't Want Our Loving To Die/Always The Loser (EMI 2892Produced By Midge Ure), Yellow Pearl (Two Copies, One On Clear Vinyl - SOLO 3), John Foxx- Burning Car/20th Century (Virgin VS 360) £30-60
283.
Chris Cross (Ultravox) - approximately fifty Ultravox CD albums, mostly sealed £50-100
284.
Chris Cross (Ultravox) - Seven 'Obscure' label vinyl records to include Gavin Bryars 'The Sinking of the Titanic'; Christopher Hobbs/John Adams/Gavin Bryars 'Ensemble Pieces'; David Toop/Max Eastly 'New and Rediscovered Musical Instruments'; Music From the Penguin Café; Brian Eno 'Discreet Music'; Michael Nyman 'Decay Music'; and Jan Stele/John Cage 'Voices and Instruments' (7)
£80-120
285.
Chris Cross (Ultravox) - autographed Rich Kids 'Ghosts of Princes in Towers', 'Factory Sample Not For Sale', EMC3263, signed to the back cover £20-40
286.
Chris Cross (Ultravox) - Bob Marley & The Wailers 'Catch A Fire' vinyl record, IPLS9241, Zippo cover £80-120
287.
Chris Cross (Ultravox) - Bob Marley & The Wailers 'Live' white label test pressing, ILPS9376; together with a Bob Marley & The Wailers 'One Love People Get Ready' picture disc, 121SP169 and 'Legend The Best of Bob Marley & The Wailers' (3)
£40-80
288.
Chris Cross (Ultravox) - Nine Toots & The Maytals vinyl records to include three copies of Funky Kingston (two ILPS9186 and one ILPS9330); two copies of In The Dark, ILPS9231; Toots Live, limited edition prerelease copy, no. 0156; Just Like That, ILPS9590 factory sample; Reggae Got Soul, ILPS9374 and Knockout, ILPS9670
£50-100
289.
Chris Cross (Ultravox) - eleven various reggae compilation vinyl records
£30-60
290.
Chris Cross (Ultravox) - David Bowie 'The Rise and Fall of Ziggy Stardust and The Spiders From Mars', 'Demonstration Not For Sale' copy, LSP4702; together with David Bowie 'Stage' two record set, CPL2-2913 and Tin Machine, TLS1044 (3)
£40-80
291.
Chris Cross (Ultravox) - Joy Division 'Still', two vinyl LP set, with hessian sleeve and edge ribbon (cover at fault)
£50-80
292.
Chris Cross (Ultravox) - Joanna Stingray Presents Redwave, Four Underground Bands from the USSR, personalised 'To Chris happy hup! Love, Stingray and all the boys', 1-10020
£30-50
293.
Chris Cross (Ultravox) - nine Jimi Hendrix vinyl records to include Are You Experienced?, 612001; Band of Gypsies, 2406002; Electric Ladyland Part 2, 613017; Axis, Bold as Love, 612003; The Cry of Love, 2408101; Back Track 2, 2407011; Rainbow Bridge, K44159; Get That Feeling, HA8349 and The Eternal Fire, SHM732
£50-100
294.
Chris Cross (Ultravox) - The Damned 'Damned, Damned, Damned', 1977 vinyl record, SEEZ1, with Eddie and the Hotrods cover misprint and Erratum sticker, with inner 'Porky Prime Cuts' and 'The Sound is in the Plastic' inscription to the inner ring
£500-800
295.
Chris Cross (Ultravox) - two French Piste/ Slipped Disc Records Bruce Springsteen bootlegs to include 'Bruce Springsteen & The E Streeters Winterland 1978', VS2978 and 'Piece de Resistance' box set, no. 5073 £30-60
296.
Chris Cross (Ultravox) - Six Kraut Rock vinyl records to include Neu! 75, UAG29782, La Dusseldorf 'Viva' (two copies), RAD10; La Dusseldorf 'Endividuellos', LC3706; Michael Rother 'Flammende Herzen', SKY007 and Michael Rother Sterntaller, SKY013 (6)
£50-100
297.
Chris Cross (Ultravox) - Ten various electronic/synth pop vinyl records to include Steve Reich/Different Trains Kronos Quartet featuring Pat Metheny, 979176-1; Cowboys International 'The Original Sin', V2136; The Haines Gang 'So Hot', LONPD34 picture disc, Malcolm McLaren 'Fans', MMDL2; Modern Man 'Concrete Scheme', MAM5001; Big Audio Dynamite 'This is Big Audio Dynamite', CBS26714; Bad 'No. 10 Upping St', LC0149; Scritti Politti 'Provision', V2215; Murray Head 'One Night in Bangkok', CHESST1; This Mortal Coil, BAD310 (10)
£40-80
298.
Chris Cross (Ultravox) - Six Kraftwerk vinyl records and one 7" single to include Die Mensch Maschine, IC058-32843; Trans Europa Express, IC064-82306; Neon Lights, 12CL15998; Radio-Aktivitat, 1C064-82087; Autobahn, 6305231 and Pocket Calculator, WBS 49723 (6)
£40-80
299.
Chris Cross (Ultravox) - Pink Floyd 'The Piper At the Gates of Dawn' vinyl record, SCX6157; together with Sid Barrett 'The Madcap Laughs', SHVL765 and The Beatles Sgt Pepper's vinyl record, Mono PMC7027 (3)
£40-80
300.
Chris Cross (Ultravox) - Sex Pistols - 'No Future/ Spunk', BLA169
£20-40
301.
Chris Cross (Ultravox) - five The Moody Blues vinyl records to include 'Days of Future Past', Deram, SML707 Stereo; On The Threshold of a Dream, Stereo SML1035; A Question of Balance, THS3; Octave, TX129; Long Distance Voyager (5)
£30-50
302.
Chris Cross (Ultravox) - Ambrose Slade 'Beginnings' vinyl record, STL5492
£150-250
303.
Chris Cross (Ultravox) - Eight various popular vinyl records to include New Order 'Fact 75'; Orchestral Manoeuvres 'In the Dark', DID2; Frank Sidebottom '5:9:88'; five XTC records to including 'English Settlement', 'Black Sea', 'White Music', 'The Big Express' and 'Mummer' (8)
£80-120
304.
Chris Cross (Ultravox) - Twenty-three various vinyl records, mainly popular artists including Blondie, Peter Gabriel, Iggy Pop, Bros, Victorialand, Jefferson Airplane, Sgt Pepper Knew My Father, Madonna, Frankie Goes to Hollywood, Spencer Davis Group, Elvis Costello, UB40, Lisa Stansfield, Paul Simon, Prince etc
£50-100
305.
Chris Cross (Ultravox) - Ten various world/folk music vinyl records
£20-40
306.
Chris Cross (Ultravox) - Approximately twentyfive various vinyl records, artists to include Guy Clarke, BBC Birdsound, Steven Micus, JJ Cale, Moe Bandy, Kevin Ayers, Patti Smith Group, Eno, The Band, The Hollies, U2 etc
£40-80
307.
Chris Cross (Ultravox) - Approximately twenty vinyl records, mainly Christmas albums including Band Aid'd Do They Know it's Christmas 12" and 7" singles, other records include Derek V, Donna Summer, George Clinton, Kid Creole & The Coconuts, Edwin Starr, Chaka Khan and Womack & Womack
£30-60
308.
Chris Cross (Ultravox) - Two copies of the 7" record 'I Jah Man Africa/Afrodub', Ghetto Rockers, PRE-1 (2)
£30-60
309.
Chris Cross (Ultravox) - Eddie and The Hot Rods 'Teenage Depression' white label pressing dated 10-11-76, no. ILPS9457, inscribed 'Steal this record' to the inner circle £40-80
310.
Chris Cross (Ultravox) - The Slits 'Cut' white label test press, ILPS9573, inscribed to the inner circle 'Dead at the control' £30-50
311.
Chris Cross (Ultravox) - Bob Dylan: 'Planet Waves', test pressing, 7E1003, blue label £30-50
312.
Chris Cross (Ultravox) - seven Reggae 12" white label test pressings to include Manu Dibango 'Goro City/Tek Time', 12WIP6556; Third World 'Aiye Ketu', HELP14; Garvey's Ghost 'Burning Spear', ILPS9387; Third World '96 Degrees in the Shade', ILPS9443; George Faith 'To Be a Lover', ILPS9504; Steve Levine 'Dubbin It All', CHS122775; Steel Pulse 'Caught You', ILPS9613; also two 7" test pressings for Jimmy Cliff 'Wild World', IEP9 £50-100
313.
Chris Cross (Ultravox) - Three 7" white label pressings to include Free 'Alright Now', IEP6; Roxy Music 'Street Life', WIPX1278 and The Clean 'Getting Older', LAST1 (3) £50-100
314.
Chris Cross (Ultravox) - New Wave and electronic: nine white label vinyl records to include Grace Jones 'Warm Leatherette', ILPS9592; Gloria Gaynor 'Strive', GAYX1; Arc 1002; Zinzin 'Sun Treader', Porky inscription, HELP13; James White 'Flaming Demonics', two records including ILPS7023A and ILPS7203B; Cat Stevens 'Foreigner', ILPS9240; Null and Void 'Happiness and Content', MAO-1001; Eddie & Sunshine 'Times Are Hard', 12HUM13; Warsaw Pakt 'Safe & Warm', WIPX1784 7" single £50-100
315.
Chris Cross (Ultravox) - Box of over one hundred CDs of various genres / artists including Blur, Gorillaz, Kraftwerk, UB40, East 17, ZZ Top, John Lennon, Red Hot Chili Peppers, Prince etc
£80-120
316.
Chris Cross (Ultravox) - Two boxes containing over one hundred and fifty CDs of various artists / genres including Michael Jackson, Adele, Leonard Cohen, REM, Blur, Ultravox, Kate Bush, classical various £80-120
317.
Chris Cross (Ultravox) - Approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy
Vinyl Singles, artist's including - Madness, Joe Cocker, J.J. Cale, Kid Creole, Frankie Goes To Hollywood, David Joseph, Gwen Guthrie, Free, The B52's and many more.
£50-100
318.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy Vinyl Singles, artist's including - Roland Rat (Personalised to Chris Cross), Joe Cocker, Berlin, The Damned, Bob Marley & The Wailers, Killing Joke, Christina, The Three Courgettes, J.J. Cale, Black Uhuru and many more
£50-100
319.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy
Vinyl Singles, artist's including - Kid Creole, The Damned, James Brown, The Revillos Robert Palmer, The Gibson Brothers, Bernie Torme, Inner Circle, Gregory Isaacs, Grace Jones, U2, Marianne Faithful, Bonk! and many more.
£50-100
320.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy Vinyl Singles, artist's including - Kid Creole, Grace Jones, The Stranglers, Robert Palmer, The Skatalites, Was (Not Was), Visage, U2, Gardening By Moonlight, Marianne Faithfull Scatterbrain, Pete Shelley and many more.
£50-100
321.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy Vinyl Singles, artist's including - Robert Palmer, Grace Jones, Toots & The Maytals, The Rumour, Basement Five, Jimmy Lindsay, Elvis Costello, Snuky Tate, Roxy Music, The Clash and many others.
£50-100
322.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy Vinyl Singles, artist's including - Toots & The Maytalls, The Stranglers, Madness, The Skatalites, Eddie & The Hot Rods, The Lurkers, Jimmy Cliff, Traffic, The B52's, Charlie Dore, Stiff Little Fingers and Siouxsie & The Banshees.
£50-100
323.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy Vinyl Singles, artist's including - Tom Petty & The Heartbreakers, Grace Jones, David Bowie, Robert Palmer, Black Uhuru, Roxy Music, Bryan Ferry, Zaine Griff, Marianne Faithfull, Just Water, Jona Lewie, Mike Dorane, Larry Wallis, The Speedometors, Bob Marley & The Wailers, Aerial FX, Kid Creole and Local Boy Makes Good.
£50-100
324.
Chris Cross (Ultravox) - approximately Fifty 7" Promo, Flexipop, Factory Sample and Dj Copy Vinyl Singles, artist's including - U2, John Martyn, Robert Palmer, Toots & The Maytalls, The B52's, Marianne Faithfull, The Meteors, Grace Jones, Patti Smith Group, DEVO, Plastics, Was (Not Was), Local Boy Makes Good, Bryan Ferry, The Motors, Aaron Neville, Lene Lovich and Bette Bright
£50-100
325.
Chris Cross (Ultravox) - U2: Another Day 45rpm 7" Vinyl Record, CBS 8306, Matrix/ Runout: CBS U2 IRL A-1, CBS U2 IRL B-1
£50-100
326.
hris Cross (Ultravox) - approximately forty 45rpm 7" Promotional, Limited, Factory Sample and DJ Copy Vinyl Singles, artists includingStations (Signed By David Stowell & George Black to the inside sleeve), Eddie Maelov & Sunshine Patteson (Signed by Eddie Maelov to the front), The Reaction, Pointer Sisters, Tom Petty & The Heartbreakers, Killing Joke, The Slits, Aretha Franklin, Toots & The Maytals, Bob Marley & The Wailers and The B52's with many more (Some Duplicates)
£50-100
327.
Chris Cross (Ultravox) - The Damned: New Rose / Help 45rpm 7" Vinyl Single with Push Out Center, Stiff Records BUY 6 with Delga Credit, Matrix/Run out etched: BUY 6 A-1 U "IS THIS A RECORD?" A BILBO BOPPA!, BUY 6 B-1 U DAMNED BEATLES! BILBO-MASTER ROOM
£50-100
328.
Chris Cross (Ultravox) - The Snivelling Shits: Terminal Stupid/I Can't Come! 45rpm 7" Vinyl Single with PRE 2 Paper Label. Matrix/Run out Etched: PRE 2 A 1 EG BEAT THAT BLIT!, PRE 2 B 1 EG MONTY CAN COME
£30-50
329.
Chris Cross (Ultravox) - The Damned: Neat Neat Neat 45rpm 7" Vinyl Single, Solid Center. Glossy Cover with Island Records Logo and Delga print to rear. Matrix/Run out: A Porky Prime Cut Buy 10-A1, This is Your Captain Squeaking Buy 10-B1
£50-100
330.
Chris Cross (Ultravox) - Mark Montan: Alles Oder Nichts / Weg Ins Glück - 45rpm 7" Vinyl Single, RJS Musik – 10.1007, LC 9258
£50-100
The Status Quo Backline & Francis Rossi Studio Collection
Gardiner Houlgate is delighted to offer an exclusive sale and unprecedented opportunity to acquire backline stage audio equipment, supplied directly by Status Quo, one of the greatest ever Rock and Roll bands. The ‘backline’ refers to anything that the band used to create that incredible sound, and many of the elements included in this collection are almost still warm from the last time Status Quo performed in August of this year. This is not kit pulled out a dusty storage unit, but as used just weeks ago. This is a broad collection of Speakers, Keyboards, Pianos, and Amplifiers. The Quo backline, especially the Amps, was iconic in both look and sound - and the white covering is rare, with Marshall having created this set especially for the band. Many of the specific elements offered here can be seen in the live concert film ‘Status Quo Live At Wacken Open Air, 2017’. Also included in the sale are many items from Francis Rossi’s Home studio, as used to record Quo and solo albums. Francis Rossi states, “This is equipment that has lived a life, but still can deliver at the top of its range. All of these items have directly been used by the band, has travelled miles with us and got an outing most recently at the 23 August show in Taunton in the UK, this is the real deal. This phase of Quo is over and it is time to pass these pieces on”.
331.
Status Quo - stage used Vox AC30 TBX guitar amplifier head, rehoused within a Marshall white tolex cabinet; together with a bespoke flight case Isolation cabinet holding a central 1996 Vox amplifier cabinet, fitted with Vox blue back speakers and custom mic / output wiring, the flight case bearing a Status Quo plaque, 31.75" high, 46" wide, 30" deep
*Used extensively by Francis Rossi live with Status Quo for his cleaner tones. The white tolex cabinet was supplied by Marshall to house the amp chassis and enable a uniformed stage design.
See a Lick Library rig rundown with Rick Parfitt where the ISO cabs are explained at 24:55 https://www.youtube.com/watch?
v=zY7HvRNkDXY&t=1493s. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https:// www.youtube.com/watch?v=PNeGc2eZzmw
£5000-7000
332.
Status Quo - stage used Vox AC30 TBX guitar amplifier with effects loop and later fitted reverse panel power attenuation mod, labelled 'Andrew: Main', re-housed within a Marshall white tolex cabinet, the
control panel bearing sticker setting annotations, housed within a triple sectioned heavy duty flight case on wheels bearing a Status Quo plaque, the flight case 20" x 34" x 32.5"
*Used extensively by Status Quo live for cleaner tones. Whilst the amp will have been used by all members in some capacity during various tours, it was most recently used by Andrew Bown with his main rig. The white tolex cabinet was supplied by Marshall to house the amp chassis and enable a uniformed stage design. The flight case included holds three heads and has been in constant use for decades. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?
v=PNeGc2eZzmw
£4000-6000
333.
Status Quo - stage used Vox AC30 TBX guitar amplifier with later fitted reverse panel power attenuation mod, labelled 'Andrew: Spare', re-housed in a Marshall white tolex cabinet, the control panel bearing various sticker settings annotations
*Used extensively by Status Quo live for cleaner tones. Whilst the amp will have been used by all members in some capacity during various tours, it was most recently used by Andrew Bown as a spare for his main rig. The white tolex cabinet was supplied by Marshall to house the amp chassis and enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw £4000-6000
334.
Status Quo - stage used 1986 Marshall JCM 800 Lead Series Mk 2 guitar amplifier head, made in England, ser. no. U13705, re-housed within a Marshall white tolex cabinet, inscribed '#1' on pink tape to the reverse, within a heavy duty triple-section flight case on wheels bearing Status Quo stencil and plaque, the flight case 20" x 32.5" x 34"
*Used extensively by Status Quo live since 1986 for overdriven tones. Whilst the amp will have been used by all members in some capacity during various tours, it was mostly used by Francis Rossi with his main rig. The white tolex cabinet was supplied by Marshall to house the amp chassis and enable a uniformed stage design. The flight case included holds three heads and has been in constant use for decades. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw £4000-6000
335.
Status Quo - stage used 2007 Marshall JCM 800 Kerry King signature 2203KK guitar amplifier head, ser. no. 2007-18-0106-1, with reverse panel power attenuation modification
*Used extensively by Status Quo live for overdriven tones. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£2000-4000
336.
Status Quo - stage used 2009 Marshall JCM 800 Kerry King signature 2203KK guitar amplifier head, made in England, ser. no. 2009-20-0108-1, labelled 'Richie Spare', with reverse panel power attenuation mod, re-housed within a Marshall white tolex cabinet, the control panel bearing various sticker setting annotations
*Used extensively by Status Quo live for overdriven tones. Whilst the amp will have been used by all members in some capacity during various tours, it was most recently used by Richie Malone as a spare for his main rig. The white tolex cabinet was supplied by Marshall to house the amp chassis and enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw £3000-5000
337.
Status Quo - stage used 2009 Marshall 1960B 4 x 12 guitar amplifier speaker cabinet, made in England, ser. no. M-2009-14-0090-0, within a heavy duty flight case on wheels, flight case 38.5" x 33" x 17.5"
*Used extensively by Status Quo as their main live backline. Supplied by Marshall in white tolex to enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£500-1000
338.
Status Quo - stage used 2009 Marshall 1960B 4 x 12 guitar amplifier speaker cabinet, made in England, ser. no. M-2009-14-0091-0, white tolex, within heavy duty flight case on wheels bearing Status Quo stencils and plaque, 38" x 33" x 17.5"
*Used extensively by Status Quo as their main live backline. Supplied by Marshall in white tolex to enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£500-1000
339.
Status Quo - stage used 2008 Marshall 1960B 4 x 12 guitar amplifier speaker cabinet, made in England, ser. no. M-2008-50-0090-0, within a heavy duty flight case on wheels bearing Status Quo stencil and plaque, flight case 38" x 33" x 17.5"
*Used extensively by Status Quo as their main live backline. Supplied by Marshall in white tolex to enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£500-1000
340.
Status Quo - stage used 2009 Marshall VBC 412 guitar amplifier speaker cabinet, made in England, ser. no. M-2009-21-01001-01, white tolex, within a heavy duty flight case on wheels bearing Status Quo plaque, the flight case 38" x 33" x 18.5"
*Used by John 'Rhino' Edwards as part of Status Quo's live bass guitar rig. Supplied by Marshall in white tolex to enable a uniformed stage design. £300-600
341.
Status Quo - stage used bass guitar amplifier head unit comprising a Mark Bass F500 amplifier, ser. no. SE900010 and a Mark Bass F1 amplifier, ser. no. SE600035, both fitted within an open back white tolex Marshall cabinet
*Used by John 'Rhino' Edwards as part of Status Quo's live bass guitar rig. The white tolex cabinet supplied by Marshall to enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£1000-2000
344.
Status Quo - stage used Hammond B3 portable electronic organ, no. 11050079, with foot pedal and associated cables, within a heavy duty touring flight case on wheels bearing various tape annotations, the flight case, 48" high, 55.5" wide, 34.5" deep; together with a Leslie 3300 rotary speaker cabinet, ser. no. 10090023, with IEC cable, within a heavy duty flight case on wheels, the flight case 40.5" high, 28.5" wide, 24" deep
*Used extensively by Andrew Bown with Status Quo on various tours
See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch v=PNeGc2eZzmw
£8000-12,000
342.
Status Quo - stage used Mark Bass STD 104 HF ported bass guitar amplifier speaker cabinet, ser. no. N2000985, white painted exterior, within a heavy duty flight case on wheels, bearing Status Quo stencils and plaque, the flight case 37.5" x 33" x 20.75"
*Used by John 'Rhino' Edwards as part of Status Quo's live bass guitar rig. Exterior painted white to enable a uniformed stage design. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£200-400
343.
Status Quo - stage used Mark Bass STD 104 HF ported bass guitar amplifier speaker cabinet, ser. no. N2000986, white painted exterior, within a heavy duty flight case on wheels bearing Status Quo stencils and plaque, the flight case 37.5" x 33.5" x 20.75"
*Used by John 'Rhino' Edwards as part of Status Quo's live bass guitar rig. Exterior painted white to enable a uniformed stage design
See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£200-400
345.
Status Quo - stage used Roland Juno-Stage 128 Voice Expandable synthesizer keyboard, made in China, ser. no. Z3B9867, with expression pedal, faux daisy flower taped above the expression wheel, tape annotations to central control
*One of a selection of keyboards used by Andrew Bown as part of Status Quo's live rig. This keyboard would have been carried within the double Juno flight case, sold with the following lot (346)
See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£300-600
345 (See page 35)
346.
Status Quo - stage used Roland Juno-Stage 128 Voice Expandable synthesizer keyboard, made in China, ser. no. A580161, bearing tape annotations to central console, with two expression pedals and original manual bearing settings annotations to the back cover, within a heavy duty split-section double flight case on wheels bearing various tape annotations and Status Quo plaque, the flight case 22.5" high, 53" wide, 14.75" deep
*One of a selection of keyboards used by Andrew Bown as part of Status Quo's live rig. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£300-600
347.
353 (See page 37)
Status Quo - stage used Roland RD-700NX digital stage piano, made in Japan, ser. no. Z1B8170, with expression pedal, various tape annotations
*One of a selection of keyboards used by Andrew Bown as part of Status Quo's live rig. This keyboard would have been carried within the double flight case, sold with the following lot (348) See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https:// www.youtube.com/watch?v=PNeGc2eZzmw
£300-600
348.
Status Quo - stage used Roland RD-700NX digital stage piano, made in Japan, ser. no. Z1B8173, with foot controller, within a heavy duty double flight case on wheels bearing various tape annotations and Status Quo plaque, the flight case 23.5" x 67.5" x 17.5"
*One of a selection of keyboards used by Andrew Bown as part of Status Quo's live rig. See Status Quo live at Wacken Open Air, 2017, where the backline rig can be seen in use: https://www.youtube.com/watch?v=PNeGc2eZzmw
£300-600
349.
Status Quo - tour used blue heavy duty flight case on wheels, bearing Status Quo stencils and Status Quo shipping plaque, the interior with split section, 21.5" high, 34.5" wide, 25.5" deep
*Used extensively by Status Quo for many tours. Used for housing amplifiers
£100-200
350.
Status Quo - tour used heavy duty flight case on wheels, bearing Status Quo stencils and plaque, 20" x 34" x 32.5"
£100-200
351.
Status Quo - tour used Packhorse Guitar Tech flight case on wheels enclosing a multi-drawer interior, 60.5" high, 25" wide, 28" deep
£100 £200
352.
Status Quo - tour used double wardrobe flight case on wheels, fitted with a rail to the left and an arrangement of four drawers to the right, 61.5" high, 48" wide, 23" deep
*Used extensively by Status Quo for various tours.
£100-200
353.
Status Quo - large stage used fabric backdrop, for the 2015/16 'Accept No Substitute!' tour, 6 x 6 metre approx.
£200-400
354.
Status Quo - extremely large stage used fabric 'Status Quo Live in Concert' backdrop, 12 x 8 metre approx.
£100-200
355.
Francis Rossi - studio used 1987 Roland DEP-5 Digital Effects Processor rack unit, made in Japan, ser. no. 781885
£50-100
356.
Francis Rossi - studio used 1990 Roland SDE-3000A digital delay rack unit, made in Japan, ser. no. ZB63189
£100-200
357.
Francis Rossi - studio used Yamaha SPX 90 II rack unit, made in Japan, ser. no. 0X01430
£80-120
358.
Francis Rossi - studio used Yamaha SPX900 multi-effects processor rack unit, made in Japan, ser. no. PN01022
£80-120
359.
Francis Rossi - studio used Klark-Teknik DN27A graphic equalizer rack unit, made in England, ser. no. DN27A/7978
£100-200
360.
Francis Rossi - studio used Klark-Teknik DN27A graphic equalizer rack unit, made in England
£100-200
361.
Francis Rossi - studio used Klark-Teknik DN780 Digital Reverberator/Processor rack unit, made in England, ser. no.
DN780/945
£500-800
362.
Francis Rossi - studio used 1970s HH Electronic MA100 amplifier head, made in England, ser. no. 22472
£100 £200
363.
Francis Rossi - studio used Ensoniq Mirage Digital Multi-Sampler
DMS-8, ser. no. 0156
£400-600
364.
Francis Rossi - studio used Mackie 24 Track/24 bit Digital Audio Hard Disk Recorder/Editor rack unit, ser. no. (21)CD11815
£100-200
365.
Francis Rossi - studio used Alesis ADAT HD24 recorder, no. 9431800487
£80-120
366.
Francis Rossi - studio used Tascam DA-88 tape recorder rack unit, ser. no. 270235; together with an RC-808 remote control unit
£50-100
367.
Francis Rossi - studio used Alesis Quadraverb digital effects processor, ser. no. QV1020939
£60-100
368.
Francis Rossi - studio used E-Mu Systems Proteus/2 16 bit multitimbral digital sound module rack unit, ser. no. 04106108
£50-100
369.
Francis Rossi - studio used Simmons TMI Trigger Midi Interface rack unit, made in England, ser. no. 01995
£80-120
370.
Francis Rossi - studio used Alesis Midiverb II digital effects processor rack unit, ser. no. 117864
£80-120
371.
Francis Rossi - studio used Roland V-Drum electronic drum kit, with TD-17 sound module, KD-10 kick trigger, three PDX-8 mesh dual trigger pads, a PDX-12 dual trigger pad, a VH-10 hi-hat trigger pad and three further cymbal trigger pads
£300-600
372.
Francis Rossi - studio used Behringer Eurorack Pro RX1202FX rack mixer, boxed
£50-100
373.
Status Quo - Francis Rossi and Rick Parfitt autographed 2007 Fender Standard Telecaster electric guitar, made in Mexico, ser. no.
MZ7106607, with original gig bag
*Won by the vendor at a Cystic Fibrosis charity auction held at Hall & Woodhouse, Bath, May 2012
£600-800
The Angelo Bruschini Collection
Angelo Bruschini (May 1961 – October 2023) was a renowned guitarist, producer, composer, and musical innovator based in Bristol, with a career that spanned over four decades. A key figure in the city’s vibrant music scene, Angelo made his mark as a member of two of Bristol’s most influential bands, bridging the worlds of indie rock and trip hop.In the mid-1980s, Angelo became a permanent member of The Blue Aeroplanes, widely regarded as one of Bristol’s longest-running and most beloved bands. He contributed to their iconic albums Swagger (1987) and Beatsongs (1990). In the 1990s, Angelo expanded his influence in the burgeoning trip hop scene by joining Massive Attack as both a recording and touring guitarist. He played a pivotal role on the band's landmark albums Protection (1994), Mezzanine (1998), and 100th Window (2003), and continued to tour with them until 2018. His work with Massive Attack solidified his place as one of the key musicians behind the region’s explosion of global musical talent. Angelo’s contributions went beyond performance; he worked as Alison Moyet’s musical director and produced Strangelove’s eponymous 1997 album. His influence extended into the world of film and television, with contributions to soundtracks for movies such as I.D. and TV shows like CSI.
A passionate and skilled guitarist, Angelo began his professional career at just 16, quickly gaining recognition with local bands The Rimshots and The Numbers, whose track appeared on the influential Avon Calling compilation (1979). His early involvement with The Blue Aeroplanes in 1984 marked the start of a remarkable journey that would see him shape the sound of Bristol for decades. In his later years, Angelo continued to work with new projects, including HZLB, and defied the odds when he was diagnosed with an aggressive form of lung cancer in 2023. Even as his health declined, he remained committed to his craft, contributing to his final album, Untold Stories, up until just days before his passing on October 23, 2023. His final public performance was with The Blue Aeroplanes at the Bristol Harbour Festival in July 2022.
Gardiner Houlgate is honored to present 50 lots of personal items on behalf of Angelo’s family, many of which were integral to his work both in the studio and on stage.
374.
Angelo Bruschini (Massive Attack) - stage and studio used 1968 Fender Telecaster Thinline semi-hollow body electric guitar, made in USA, ser. no. 211479; Body: natural finished mahogany, stripped and refinished, lacquer loss throughout, large blemish to top, hairline split running from lower F hole, further dings and scratches, minor checking; Neck: maple, July 1968 date stamp, refinished, various dings and marks; Fretboard: maple, refinished with visible wear underneath; Frets: mild wear, refret; Electrics: working, replacement Kinman HX bridge pickup and Zero-Hum neck pickup, replacement potentiometers and switch; Hardware: later Kluson style tuners, replacement Gotoh bridge and saddles, replacement guard and knobs, original serial plate; Case: heavy duty flight case bearing Massive Attack stencils and destination labels; Weight: 2.81kg; Overall condition: fair
*Sold with a selection of original and other parts that have been installed over the years including the original scratchplate and another unused spare, original neck pickup, further non original Tele pickups, original bridge plate, one original pot etc.Extensively used throughout Angelo Bruschini's career, including prominent studio work and live performances with Massive Attack. Being one of the main instruments of his trade, the guitar has undergone various modifications throughout the years to suit a specific projects needs. The guitar was also used for earlier work with art-rock band the Blue Aeroplanes, often cited as 'Bristols longest running band.
£2000-4000
375.
Angelo Bruschini (Massive Attack) - Stage and Studio used 1996 Paul Reed Smith (PRS) Custom 24 electric guitar, made in USA, ser. no. 626804; Body: blue finish with highly figured maple ten top, top significantly UV faded to a green hue, buckle scratching to back, further dings throughout, blemishes to edges; Neck: generally good, minor dings; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: generally good, replacement jack plate, replacement switch, missing neck pickup surround screws, light tarnishing and rusting; Case: original hard case and tag; Weight: 3.88kg; Overall condition: good for age
*Extensively used throughout Angelo Bruschini's career, including prominent studio work and live performances with Massive Attack. An ACM Sound Advice article featuring Bruschini and his gear, states that after stumbling across this guitar in Switzerland, he never looked back and the guitar became one of his main live instruments.
£1500-2500
376.
Angelo Bruschini (Massive Attack) - stage and studio used 1997 Squier by Fender Pro Tone
Series Stratocaster electric guitar, made in Korea, ser. no. KC9710825; Body: trans blonde finish, various dings and scuffs; Neck: maple; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: generally good, missing cavity back plate, missing switch tip, missing trem arm, slight rusting to smaller metal parts; Case: heavy duty flight case bearing Massive Attack stencils and destination labels, also with a Spider Cases electric guitar hard case with 'MA' stencil to the case lid and bearing a 'White Squier Strat' label to the side; Weight: 3.38kg; Overall condition: good
*Used by Angelo Bruschini both in the studio and on live performances with Massive Attack, most often for the track 'Inertia Creeps'.
£300-500
377.
Angelo Bruschini (Massive Attack) - Studio used 1989 Johnny Kinkade
Custom Made Montpelier semi-hollow body electric guitar, made in Bristol, UK, ser. no. 283; Body: trans amber burst finished maple back and sides and spruce top, buckle scratching to back, further minor marks and dings; Neck: mahogany; Fretboard: rosewood; Frets: light wear and tarnishing; Electrics: working; Hardware: good, some tarnishing to metal hardware; Case: fitted hard case; Weight: 2.65kg; Overall condition: good
*Used by Angelo Bruschini mainly for studio work. Made by arguably Bristol's best regarded luthier Johnny Kinkade.
£1000-1500
378.
Angelo Bruschini (Massive Attack) - studio used MD sitar guitar, with grey crackle finish, within soft bag
*Used by Angelo Bruschini in his home studio
£200-400
379.
Angelo Bruschini (Massive Attack) - studio used 2007 Crafter CTS155C/N Thinline electro-acoustic guitar, made in Korea, ser. no. 07102201, natural finished spruce top, mahogany back and sides, various scuffs and marks, within compressed foam TKL case
*Used by Angelo Bruschini in his home studio
£100-200
380.
Angelo Bruschini (Massive Attack) - studio used 2005 Schecter Diamond Series Hellcat VI electric guitar, serial no. 0510138, black finish, various dings and marks; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good
£300-500
381.
Angelo Bruschini (Massive Attack) - 1895 Antonio Hernandez classical guitar in need of restoration, within semi-rigid fibreboard case
£200-400
382.
Angelo Bruschini (Massive Attack) - stage and studio used Matchless Independence 35 2x12 combo guitar amplifier, made in USA, ser. no. 120215, with footswitch, fitted within a heavy duty flight case on wheels bearing Massive Attack stencils
*One of two Matchless Independence amplifiers used by Angelo Bruschini as part of his main live rig with Massive Attack. Used on various studio work and for other live performances.
£1000-2000
383.
Angelo Bruschini (Massive Attack) - Matchless Independence 35 guitar amplifier, made in USA, ser. no. 120219, with a selection of spare valves and other Matchless accessories
*One of two Matchless Independence amplifiers used by Angelo Bruschini as part of his main live rig with Massive Attack. Used on various studio work and for other live performances.
£1000-2000
384.
Angelo Bruschini (Massive Attack) - Fractal Audio Systems Axe-FXII XL guitar preamp/effects processor rack unit, ser. no. FXII-13M1944; together with an MFC-101 mark III midi foot controller footswitch (2)
*Used by Angelo Bruschini live and in the studio for various projects
£300-500
385.
Angelo Bruschini (Massive Attack) - stage used Digital Music Corporation Ground Control Pro programmable midi foot controller guitar pedal, bearing various annotation labels; together with a GCX Guitar Audio switcher rack unit (2)
*Used by Angelo Bruschini during live performances with Massive Attack
£100-200
386.
Angelo Bruschini (Massive Attack) - stage used Mesa Boogie Formula Pre guitar preamp rack unit, made in USA, ser. no. FP-000100
*Thought to have been used as part of Angelo Bruschini's live rig with Massive Attack
£150-250
387.
Angelo Bruschini (Massive Attack) - stage used Image Alloy Cases heavy duty flight case pedal board, bearing Massive Attack stencil and various Massive Attack labels
*A bespoke pedal board case used extensively by Angelo Bruschini for live performances with Massive Attack
£80-120
388.
Angelo Bruschini (Massive Attack) - TC
Electronic Uogo Ebow (missing battery compartment cover), with pouch
£20-40
389.
Angelo Bruschini (Massive Attack) - Boss TU-3
Chromatic Tuner guitar pedal, made in Taiwan, ser. no. W9B3856; together with a Roland EV-5 expression pedal (2)
Angelo Bruschini (Massive Attack) - selection of guitar spares to include Ernie Ball and D'addario guitar strings, a selection of used and unused straps and three guitar stands *Some of the straps and stands used during various live performances
£40-80
397.
Angelo Bruschini (Massive Attack) - home studio used Warm Audio WA273-EQ two channel British mic pre and EQ rack unit, boxed
£400-600
398.
Angelo Bruschini (Massive Attack) - home studio used Pre Sonus Faderport, boxed
£20-40
399.
Angelo Bruschini (Massive Attack) - home studio used Universal Audio Apollo 8 Thunderbolt 2 audio interface rack unit, boxed
£300-500
400.
Angelo Bruschini (Massive Attack) - home studio used Slate Raven MTI digital audio workstation touchscreen mixer
£100-200
401.
Angelo Bruschini (Massive Attack) - home studio used M Audio Keystation Pro 88 midi keyboard controller with weighted keys
£100-200
402.
Angelo Bruschini (Massive Attack) - Tom Scholz Rockman Soloist guitar unit, made in USA
£40-80
403.
Angelo Bruschini (Massive Attack) - home studio used Studio Performance Laboratory Track One rack unit, made in Germany, ser. no. 3580548
£150-250
404.
Angelo Bruschini (Massive Attack) - home studio used Emagic AMT8 midi rack unit; together with a Zoom Studio 1201 digital reverb and multieffects rack unit (2)
£40-80
405.
Angelo Bruschini (Massive Attack) - home studio used Boss GT-Pro multi-effects rack unit, made in Japan, ser. no. ZX75812
£100-200
406.
Angelo Bruschini (Massive Attack) - pair of home studio used PreSonus Eris E3.5BT speakers, boxed
£30-50
407.
Angelo Bruschini (Massive Attack) - home studio used Universal Audio Apollo Twin audio interface, boxed, ser. no. 15332002025820
£200-400
408.
Angelo Bruschini (Massive Attack) - pair of home studio used Dynaudio Acoustics BM15A studio monitor speakers, made in Denmark, ser. no. 814566
£200-300
409.
Angelo Bruschini (Massive Attack)Blackstar Amplification Fly 3 watt mini guitar amplifier, with extension speaker cabinet; together with a pair of Logitech Logi reference speakers
£30-60
410.
Angelo Bruschini (Massive Attack) - home studio used Whammy headphone amplifier
£30-50
411.
Angelo Bruschini (Massive Attack) - home studio used Roli Modular Music Studio Seaboard Block, boxed
£80-120
412.
Angelo Bruschini (Massive Attack) - home studio used Roli Lightpad Block, boxed
£30-50
413.
Angelo Bruschini (Massive Attack) - stage and studio used MTR HPA-2 headphone amplifier, ser. no. H-2018
£40-80
414.
Angelo Bruschini (Massive Attack) - home studio used Ollo HPS S4X studio headphones, boxed
£100-200
415.
Angelo Bruschini (Massive Attack) - home studio used Shure SRH940 headphones, with original case
£50-80
416.
Angelo Bruschini (Massive Attack) - two home studio used patch pays to include a Behringer Ultrapatch Pro and a Sub Zero SZ-PB48
£30-60
417.
Angelo Bruschini (Massive Attack) - home studio used LA Audio MX2 Mic Pre-amp rack unit, ser. no. MX21141
£30-50
418.
Angelo Bruschini (Massive Attack) - home studio used JZ Microphones
GTR-1 Cardioid microphone, boxed
£40-80
419.
Angelo Bruschini (Massive Attack) - home studio used SE Electronics Z5600AII condenser microphone, boxed with PSU
£100-200
420.
Angelo Bruschini (Massive Attack) - home studio used Oktava MC012 pencil microphone, with three interchangeable heads, within original box
£40-80
421.
Angelo Bruschini (Massive Attack) - pair of home studio used Aston AST-Origin microphones; together with another Russian made microphone, boxed
£80-120
422.
Angelo Bruschini (Massive Attack) - pair of home studio used Oktava MK-012-01 pencil microphones, with interchangeable heads and clips, within original box
£80-120
423.
Angelo Bruschini (Massive Attack) - large home studio used two tier studio desk; together with a selection of stands to include an angled rack stand, four microphone stands and a pop filter
£80-120
425.
Bernie Marsden - 2014 Paul Reed Smith (PRS) SE Bernie Marsden
Signature electric guitar, made in Korea, ser. no. O06410; Body: natural spalted maple top upon natural mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original PRS gig bag; Weight: 3.59kg; Overall condition: very good
*One of many PRS guitars acquired by Bernie through his association as a brand artist. Sold on behalf of the Marsden family
£500-1000
426.
Bernie Marsden - pair of Cream T Billy F Gibbons Whiskerbucker humbucker guitar pickups, within original foam mount
£80-120
427.
Bernie Marsden - pair of Paul Reed Smith 58/15 nickel covered humbucker guitar pickups, boxed
£80-120
428.
424.
Bernie Marsden - 2017 Paul Reed Smith (PRS) SE Bernie Marsden
Signature electric guitar, made in Korea, ser. no. R15782; Body: trans black figured maple veneer top upon black finished mahogany back; Neck: satin black; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: hard case; Weight: 3.82kg; Overall condition: good
£500-1000
Bernie Marsden - pair of Paul Reed Smith 85/15 nickel covered humbucker guitar pickups, boxed
£80-120
429.
Bernie Marsden - pair of Paul Reed Smith 58/15 humbucker guitar pickups, boxed
£80-120
424
425
430.
Bernie Marsden - wax potted gold covered humbucker guitar pickup, probably Gibson, with spare gold cover; together with a pair of Kent Armstrong 'PAF Plus' and 'Rocker' humbucker pickups
£80-120
431.
Bernie Marsden - selection of guitar accessories to include a collection of guitar picks, string winders, guitar slide, strings and guitar care products
£80-120
432.
Bernie Marsden - Suzuki SC-48 Leghorn gold plate harmonica, with original case
£50-80
433.
Bernie Marsden - LD Systems Curv 500SE bass PA speaker
Bernie Marsden - selection of guitar accessories to include a Blackstar Amplug 2 headphone guitar amplifier, two Elixir instrument cables, two Marshall footswitches, two Ernie Ball instrument cables, a Yamaha HA-G1 headphone amplifier, four guitar wall hangers and a selection of old amplifier valves and electronics
£40-80
436.
Bernie Marsden - selection of various guitar spares to include a Gibson Patent Number Tune-o-Matic bridge (missing saddles), another Gibson Tune-o-Matic bridge, a selection of guitar control knobs including Fender, Gibson and Yamaha, hardware screws, a Strat bridge cover, a Tele bridge cover etc
£100-200
437.
Bernie Marsden - Two sets of Gibson Deluxe guitar tuners; together with another set of Kluson style tuners
£40-80
438.
Set of Schaller Deluxe guitar tuners; together with ten Gibson Deluxe tuners and a set of Kluson style tuners; also a set of DMC Vintage Replica plastic tuner buttons
£40-80
439.
See insert next page
440
440.
Eric Clapton interest - 1962 Fender Tremolux-Amp guitar amplifier head, made in USA, ser. no. 03381, bearing a 'Derek and the Dominos' stencil to the top
*Given to the vendor by his good friend Terry Clemson, who was a renowned session guitarist, playing with Downliners Sect and various other artists including Chuck Berry, Gene Vincent, Bo Diddly etc. The vendor has stated that it is thought Clemson acquired the amplifier from Rockbottom Music in Croydon, London, a popular music store frequented by many artists from the mid 1970s onwards. During Eric Clapton's Blind Faith and Derek & the Dominos era, he favoured Fender amps, often seen with various Tremolux and Dual Showman models. An image from the Blind Faith rehearsals show this version of the Tremolux situated behind Steve Winwood. Another image of Clapton from the 1960s, shows him using a Fender Tremolux head with cab on stage. Further images from Derek & the Dominos concerts show Tremolux heads behind Clapton. The stencil, now heavily faded, features the same design, font type and letter spacing to other known and confirmed Eric Clapton amplifiers. An Eric Clapton owned Fender Dual Showman amp, sold at a Gardiner Houlgate auction in March 2023. This amp featured the same stencil that this amplifier holds. This Dual Showman stencil was confirmed to be genuine by Derek & the Dominos era road manager Baz Ward. See listing here: https://tinyurl.com/EricClaptonTrem. The amplifier is generally in good condition, with a replacement front grille that was installed by Terry Clemson. The top handle has also been repaired / repositioned and the amp converted to UK voltage. Along with the fading stencil, the amp also shows cigarette burns along the top edge. £3000-5000
439.
Eric Clapton - studio used 1978 Guild D-55NT acoustic guitar, made in USA, ser. no. 173299; Back and sides: rosewood; Top: natural spruce; Neck: mahogany, cigarette burn mark to head face; Fretboard: ebony; Frets: good; case; original hard case; Overall condition: good
*Ex lot 314: The Guitar Auction, Gardiner Houlgate March 2018. Previously ex lot 95 - Christie's New York 'A Selection of Eric Clapton's Guitars - in aid of The Crossroads Centre' 24th June 1999. Sold with original Christie's certificate and laminated lot card. The original auction listing states that Clapton used this guitar for writing and recording. Lee Dickson also recalling that the guitar had been owned since the late 1970s. The guitar features a cigarette burn mark to the edge of the head face, a typical feature on many ex Eric Clapton instruments.
£25,000-35,000
441.
Eric Clapton interest - early 1960s Gibson Les Paul/SG electric guitar hard case, bearing blue tape inscribed 'Christie's #59' to the case side and bearing a partial white tape label to the top end of the case inscribed 'Cherry red - trem S.G. Les Paul'
*Thought to be the original guitar case for Eric Clapton's 1962 Gibson SG Les Paul Standard electric guitar, sold as lot number 17 at the Christie's Eric Clapton Guitars in Aid of the Crossroads Centre auction, held on 24th June 1999. The vendor owned this guitar for a while, eventually selling it. Thinking the original case "was not fit for purpose" when sending it off, he kept it. The original Christie's lot listing states 'Black hard shell contour case with yellow plush lining and Lee Dickson's handwritten adhesive paper label 'Gibson S.G. Les Paul 47769 cherry red - trem'. This adhesive white label is present on this case, although it is now partially missing the edges, which includes the serial number. See original listing here: https://www.christies.com/lot/lot-a-c1962gibson-sg-les-paul-standard-1525987/ from=salesummery&intobjectid=1525987&sid=10ac3b07-5b3a-4a63-9388db20e2bbe14e
£300-500
442.
Eric Clapton - autographed First Edition autobiography, within original slip case, sealed with Waterstones plectrum
£200-400
443.
Ronnie Wood (Rolling Stones) - stage played 2009 Squier by Fender Simon Neil Signature Stratocaster electric guitar, made in China, ser. no. CGS0912214; Body: Fiesta red finish, surface scratches to back, impact blemish to top; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, missing trem arm; Case: TKL gig bag; Overall condition: good
*Played by Ronnie Wood at Ben Waters' 50th birthday celebrations at the Half Moon, Putney, London, 6th February 2024. See the following video on YouTube, showing the vendor handing Ronnie the guitar: https://www.youtube.com/watch? v=6JuN1Zbcu6k. Ben Waters is a professional pianist, specialising in Boogie Woogie and has worked with artists including Jools Holland, Shakin Stevens, Cher, The Rolling Stones, Jeff Beck, Chuck Berry, Jerry Lee Lewis, Imelda May, Mick Hucknall, Johnny Depp and many more.
£1000-2000
444.
Mick Ralphs - Bad Company used 1986 Fender Esquire electric guitar, made in Japan; Body: blonde finish, various blemishes and dings throughout particularly to the edges; Neck: maple, light dings and marks; Fretboard: light wear; Frets: mild wear throughout; Electrics: working, Mick Ralphs circuitry modifications; Hardware: generally good, scratchplate painted black and centre edge screw holes filled; Case: generic oblong hard case; Weight: 3.39kg; Overall condition: good
*Ex lot 127, The Guitar Auction, Gardiner Houlgate, 13th March 2019. This guitar is signed by Mick Ralphs to the back of the head and inscribed underneath the scratchplate 'Property of Mick Ralphs, Bad Company, Piss Off!'. Originally purchased from Charlie Chandler's Guitar Experience in 2018 by a collector of Mick Ralphs' guitars. Subsequently sold via auction in 2019.
£3000-5000
445.
446.
Pete Townshend (The Who) - owned and used 1989 Takamine FP-360SC electro-acoustic guitar, made in Japan, ser. no. 89020364; Back and sides: rosewood, marks and wear showing general signs of use; Top: natural spruce, dings and marks from general play; Neck: a few dings and marks; Fretboard: rosewood, visible play wear; Frets: visible and general play wear throughout; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: good/used
Dave Edmunds & Rick Nielsen (Cheap Trick) - Stage used 1970s Japanese 335 style semi-hollow body electric guitar, with natural finished maple body, mahogany neck, Indian rosewood fingerboard with dot position markers, DiMarzio USA humbucker pickups, Grover tuners and 'Rick Nielsen' truss rod cover, with a Bobby Lee chequerboard strap, within a 1960s Selmer hard case
*Formerly owned by Rick Nielsen of Cheap Trick who gifted the guitar to Dave Edmonds, circa 1980. Purchased by the vendor at Chandler's, Kew, circa 1984. A YouTube video of Dave Edmunds' Rockpile, playing a rendition of 'Singing the Blues' shows guitarist Nick Lowe playing this guitar, complete with the chequerboard strap: https://www.youtube.com/watch?v=bu0o1hwnU-k. The vendor, a former creative at a well-known advertising agency, became friendly with Rick Fenn (10cc) whilst arranging some music for a commercial that he had written. The vendor mentioned to Fenn that he was interested in learning to play guitar and was taken to Chandler's Guitars in Kew. The vendor ended up buying this guitar, when it was mentioned by the salesman at the store that Dave Edmonds had recently traded it in with another guitar. The vendor never found time to play it and the guitar ended up on the wall, simply for display purposes. The vendor was always puzzled about the name 'Rick Nielsen' on the truss rod cover and almost forty years later, he was watching the TV series 'American Pickers'. In that particular episode, they were visiting the Rick Nielsen Guitar Museum. The vendor then realised that Rick Nielsen was the lead guitarist for the band Cheap Trick. He subsequently contacted the museum to find out if this guitar was originally Rick's and, to his surprise, received an email from Rick himself confirming this to be his guitar. A copy of this email is included in the sale. Various press releases and photographs from the period show Rick Nielsen on stage and 'hanging out' with Dave Edmonds. The guitar is fitted with an old Bobby Lee chequerboard strap that was attached to the guitar at the time of the vendor's purchase. Chequerboard pattern straps are synonymous with Rick Nielsen's style.
£3000-5000
*Formerly owned by Pete Townshend of The Who and one of many Takamine acoustic guitars that were used during his early endorsement period between 1986 and 1993. The FP360SC cutaway Takamine's were the primary model Pete favoured and used on stage. Inherited by a former owner from his friend 'Robert', who became acquainted with Pete Townshend in the 1990s. Following a break in at his flat, Robert had several possessions stolen, including his guitar. Townshend kindly gifted this Takamine to him, knowing that he couldn't afford to replace his guitar himself. After Robert's passing, the former owner decided to research his friends account of this guitar being gifted by Townshend. He wrote a letter, and hand delivered it under his door on Saturday 28th July 2018. The following day he received a response via Townshend's PA, Nicola Joss. In the email, Townshend recalls gifting the guitar, remembering Robert as "a sweet man" and commenting on his passing that it was "such a pity that he didn't make it". He also explains that he did use Takamine's on stage for a while, although he unfortunately did not keep serial numbers. A digital copy of this email is included in the sale. Two years later, the vendor sent Townshend another email, dated Tuesday 17th November 2020, asking him if he would autograph his email to act as some proof that this guitar was indeed gifted to Robert; a reply was received, again from Townshend's personal assistant Nicola Joss, confirming that the email was forwarded to Townshend with a later email from Nicola confirming that Pete had signed the email which she would sent out in the post following receipt of his address. This hand signed email is included in the sale and comes within an envelope addressed to the vendor from Eel Pie Studios dated 21st December 2020, along with an Eel Pie Studios compliment slip signed by Nicola Joss. Copies of the emails between the vendor and Nicola are also available. Records on The Who.net website, in the section regarding Pete Townshend's Takamine guitars, a Takamine FP-360SC model is listed as 'used extensively on 1989 tour. Whereabouts unknown, but presumably still with Pete'. It is thought that this could possibly be that guitar. Many live photos show Townshend using this model from 1989 through to the early 1990s, including a Takamine guitar artist endorsement advert from the early 1990s. Pete Townshend's current guitar technician Simon Law has confirmed that this guitar’s serial number falls within the same range as other guitars of the period that were given to Pete as part of his Takamine artist endorsement. These guitars were all used in some capacity by Pete with The Who and in solo work in the late 1980s - early 1990s. The former owner sold the guitar at auction: Ex lot 388: The Guitar Auction, Gardiner Houlgate June 2023. At the time, he stated that "although a wrench to see such a sentimental guitar go, he is now at a stage of his life that he feels it should be enjoyed by a Who fan rather than kept away in its case."
£10,000-20,000
442 (See page 46)
447.
450 (See page 48)
Chris Rea - studio and stage used 1976 Fender Hardtail Stratocaster electric guitar, made in USA, ser. no. 714655; Body: three-tone sunburst finish, many dings to edges and contour arm wear as to be expected for a used guitar of this age; Neck: maple, minor ding to back; Fretboard: maple; Frets: mild wear with visible indent wear to first position; Electrics: working, replacement switch (original retained); Case: early 1960s Selmer hard case (missing covering and other damages); Weight: 4.41kg; Overall condition: good for age
*Ex lot 385: The Guitar Auction, Gardiner Houlgate June 2023. Sold on behalf of Chris Rea's former backing guitarist Dave Burton. Purchased new by Chris Rea from Hamilton's Music Store in Middlesbrough, circa 1977 and used extensively to record his first two albums 'Whatever Happened to Benny Santini' (1978) and 'Deltics' (1979). Rea played this guitar in an E tuning, mostly with a slide, which worked particularly well with this guitar due to the maple neck and out of phase toggle position which gives a tighter sound. During the recording of Rea's third album 'Tennis' (1979), he acquired his pink 1962 Fender Stratocaster from John Deacon of Queen. The 1976 Fender Stratocaster was then used by Rea's guitarist at the time, Dave Burton, who recorded with the guitar on the 'Tennis' album at Chipping Norton Studios. Rea can be seen using the guitar at the Theatre de l'Empire, Paris, April 1979, alongside Dave Burton, his live guitarist at the time. Burton is later seen using the guitar in the video for 'Tennis', that the band recorded for the German TV show 'Rockpop' in 1979, where by now Rea is using his 'new' pink Fender Stratocaster. Rea gave the Stratocaster to Burton in August 1980, at the end of the last tour with the original Chris Rea band. It is thought that the Selmer hard case included is possibly the original case for Rea's famous 1960s Fender Stratocaster. Sold with a signed statement of provenance from Dave Burton, former guitarist in Chris Rea's band.
£7000-10,000
448.Mike Oldfield - studio and video used Roland G-88 bass guitar controller, made in Japan, circa 1983, ser. no. A814722; Body: ash wings with maple centre stripe, dings and blemishes to edges but generally good for age; Neck: maple; Fretboard: ebony; Frets: good; Case: original hard case; Other: original Roland GR system catalogue and price list; Weight: 4.36kg; Overall condition: good
*Sold with a Roland GR-33B bass guitar synthesizer pedal unit, made in Japan, ser. no. 050634 (missing multi-pin cable). *Ex lot 533: The Guitar Auction, Gardiner Houlgate June 2022. Purchased by the then vendor in October 1994 having been offered the bass by Jeremy Parker, Mike Oldfield's former personal assistant. Sold with a signed letter of authenticity from Tom Newman of Tom Newman Productions, confirming that this instrument was owned and used by Oldfield and can be seen in the videos for 'Shadow on the Wall', 'Pictures in the Dark', and 'Islands' from the Windchimes collection. See illustrations featuring the bass in these videos. The bass can also be seen behind Mike in a black and white still, as well as illustrated amongst a group of guitars within the 'Discovery' album sleeve.
£3500-4500
449 (See page 48)
449.
Bon Jovi - autographed and played 2001 Ovation 1867 Legend electroacoustic guitar, made in USA, ser. no. 557803, signed to the front by Jon Bon Jovi, Richie Sambora, Tico Torres and Dave Bryan in metallic silver pen.
*Used as a warm up instrument by both Jon Bon Jovi and Richie Sambora for their live NFL Kick-off Show at Times Square, New York, USA on 5th September 2002. Signed by members of the band before the show. The guitar was subsequently offered in an official NFL eBay charity auction, with the money raised donated to the Families of Freedom Scholarship Fund. The charity created by Citizen Scholarship Foundation of America to provide educational assistance for post-secondary study to financially needed dependents of those killed, or permanently disabled as a result of the September 11th terrorist attacks. Various documents relating to the auction and the guitars usage are included in the sale, including an Official NFL Auction PSA/DNA certificate of authenticity and the eBay listing history showing the vendors account as the winning bidder. A proportion of the proceeds from this sale will be donated to a Children's Hospice local to the vendor.
£5000-6000
450.
Carlos Santana - autographed and home used 2000 Epiphone Les Paul Junior electric guitar, ser. no. IS00120608, with original Carlos Santana plectrum
*Ex lot 223, Musical Instruments, Gardiner Houlgate, 16th March 2017. This guitar was sold on behalf of Robbie Hart, who was given the guitar by Carlos Santana in 2001. At the time, Robbie was the only solo Carlos Santana tribute act around. Santana came across Robbie's website and was impressed by his act, as well as the in-depth backing tracks that he had created, subsequently sending the guitar to him as a gift. The guitar is sold with one of Santana's used plectrums that Robbie found in one of Santana's stage jackets that he also owned.
£1500-2500
451.
Alan Murphy - 1970s Roger Giffin Custom Strat type electric guitar, made in England, ser. no. AM1954; Body: brown finished alder, lacquer cracks, surface buckle scratching and other dings; Neck: birds eye maple; Fretboard: birds eye maple; Frets: visible wear throughout; Electrics: working, bespoke circuitry with two humbuckers, two single coils, master volume, five-way switch and three six-position rotary tone switches; Hardware: Kahler trem with standard trem arm and palm arm, locking nut, Kluson style tuners and other miscellaneous hardware; Case: Rock Case by Warwick hard case
*Made for guitarist Alan Murphy by Roger Giffin in the 1970s. See a previous sales listing from when the vendor aqcuired the guitar here: http://www.spheremusic.com/Bargaindtl.asp?Item=12763#1 Sold with a copy of an email from Giffin to the vendor confirming that he made this guitar for Alan Murphy.
£4000-6000
452.
Greg Lake - stage used and autographed Fender Stratocaster XII twelve string electric guitar, made in Japan (1984-1987), ser. no. E909651; Body: sunburst finish, a few dings to edges, light buckle wear to back, other minor scuffs and marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag, within a heavy duty flight case inscribed 'Greg Sunburst' and with Pan Am cargo flight label
*Ex lot 188, 'Pop', Christie's South Kensington, 14th May 1993. The listing states that the guitar was formerly owned by Greg Lake of Emerson Lake and Palmer and used on an ELP tour in the US,1991. Sold with a copy of the auction catalogue that has also been autographed upon the listing on page 35. This lot also includes a letter of authenticity from Hank's Guitar Shop, Denmark Street, London, dated 26/9/199, confirming that this guitar was previously owned by Greg Lake. The guitar also features on page 295 of a 1994 edition of The Lyle Price Guide of Film & Rock n Roll Collectables
£1000-2000
453.
Nick Lowe and Carlene Carter - stage used 1980 Danny Ferrington Explorer style acoustic guitar, made in California, USA; Body: cherry sunburst finished figured maple back and sides and spruce top, surface scratches and dings throughout; Neck: maple with Ferrington 'F' logo and 'No. 1' to head face; Fretboard: ebony with heart and diamond inlay along with 'Nick Lowe' inlay to the fourteenth fret; Hardware: good; Case: original fitted hard case; Overall condition: good for age
*Made in 1980 by Danny Ferrington for Carlene Carter as a gift for Nick Lowe on the occasion of their first wedding anniversary. The internal label inscribed 'Ferrington, built for Nick Lowe with love on first anniversary from Carlene. #35, August 18th 1980 Ferrington CA, by Danny Ferrington'. The guitar features a 'Nick Lowe' inlay to the fourteenth fret position and the number 1 on the headstock indicates this is the first acoustic Explorer that Danny Ferrington made. This guitar features on pages 44 and 45 of Danny's book 'Ferrington Guitars', explaining how the guitar came to be. Having initially made a small bodied acoustic guitar for Nick Lowe which he hand delivered in London, he got talking to Nick's then-wife Carlene Carter about the idea to create an acoustic guitar that looked like Gibson Explorer electrics. Just after Danny arrived in LA, Carlene got in touch to say that she wanted him to build the very first Explorer shaped guitar as a surprise gift for Nick. Danny would eventually go on to make other Explorer guitars, another of which is owned by Carlene Carter. This very guitar can be seen with Carlene Carter playing a duet of 'Baby Ride Easy' with Dave Edmonds. https://youtu.be/mmzv51lA5N8?si=Ctc8E0bUKjuO2E9 A copy of the Ferrington Guitars book featuring this guitar is included in the sale £10,000-15,000
454.
Elliot Easton (The Cars) - studio used 1988 Fender Custom Shop Telecaster left-handed electric guitar, made in USA, ser. no. 0030; Body: seethrough blonde finish, blemishes to edges, further minor dings and marks; Neck: birds eye maple, crack to head running through tuners; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: good; Case: Fender tweed hard case; Weight: 3.30kg; Overall condition: good
*The 30th Fender Custom Shop guitar, made for Elliot Easton by John Page and Richard Syarto as inscribed to the internal neck face, dated 3-2-88 to the neck end. Used by Elliot Easton on Jules Shear's album 'Healing Bones', as well as on the soundtrack to the John Carpenter film 'Ghosts of Mars'. Other recording sessions include the Hall & Oates track 'Philadelphia Freedom' for the album 'Two Rooms: A Tribute to Elton John' Purchased by the vendor directly from Elliot Easton and sold with a statement of provenance dated 19th September 2007 from him. £2000-3000
455.
Pino Palladino - Lakland US Decade bass guitar, made in USA, circa 2009, ser. no. D75; Body: black gloss finish, many dings and surface marks; Neck: flamed maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 4.23kg; Overall condition: good
*Formerly owned by Pino Palladino, a prolific session bassist, who has played for many artists such as The Who, The John Mayer Trio, Gary Numan, Paul Young, Don Henley, David Gilmour, Go West, Tears for Fears, Nine Inch Nails, Jeff Beck, Adele and many others. This bass was purchased by the vendor through The Bass Gallery, London, UK and is sold with a copy of the original listing which includes a photograph of Pino holding the guitar £1200-1800
456.
Kiefer Sutherland - 1978 Gibson ES-345TD electric guitar, made in USA, ser. no. 7078027; Body: dark walnut finished maple, some black finishing around the bass f-hole; Neck: three piece maple; Fretboard: rosewood; Frets: generally good, refret; Electrics: working; Hardware: loss to gold plating and some tarnishing to bridge, replacement strap buttons; Case: period hard case; Weight: 4.04kg; Overall condition: fair
*Formerly owned by actor and musician Kiefer Sutherland. Part exchanged for an Aged Gibson Jimmy Page Les Paul with Vintage n Rare guitars, Bath £2000-3000
*Although no firm provenance exists, this cabinet is thought to have been previously owned by Lemmy Kilmister and used with Motorhead. The cabinet has been passed around musicians, Marshall and Motorhead collectors with this story attached for many years £400-600
458.
Davey Johnstone (Elton John) - Yamaha Model T50C Soldano designed guitar amplifier, made in USA, ser. no. 10079, fitted with Eminence Delta Pro-12A speaker, with later footswitch and transformer (USA voltage)
*Formerly owned and used by Davey Johnstone, guitarist with Elton John's touring band. During the 1980s, Elton John moved from Steinway to Yamaha, which led to pressure for the rest of the band to use Yamaha equipment. The vendor, who worked for Elton John's Rocket Records, purchased this amplifier from Davey Johnstone's tech Tony Hill in the late 1990s.
£400-600
459.
Gary Moore - JMI Rangemaster Treble Booster Reissue guitar pedal, made in England, boxed
*See image of Gary holding a JMI Rangemaster in Denmark Street, London. Ex lot 549, The Gary Moore Collection, Gardiner Houlgate, 7th September 2022
£300-500
460.
Dimebag Darrell (Pantera) interest - Unique Dean ML electric guitar with Guy Aitchison Custom Artwork; Finish: custom airbrushed, a few cracks to the clear coat lacquer; Fretboard: rosewood; Frets: good but with oxidisation; Electrics: working; Hardware: generally good; Case: original hard case; Overall condition: good
*Ex lot 33 from the 2007 'Six String Masterpieces Dimebag Darrell Art Guitar' auction. This guitar was hand painted in acrylic by Chicago based tattoo artist Guy Aitchison. Aitchison is considered to have been almost single-handedly responsible for the evolution of tattooing into a serious art form. 'Six-String Masterpieces' was an art exhibition in memory of Dimebag Darrell, featuring fifty Dean ML guitars hand-painted by various rock stars and tattoo artists.
£1000-2000
461.
Dimebag Darrell (Pantera) interest - Unique Dean ML electric guitar with Jack Rudy Custom artwork; Finish: Jack Rudy custom acrylic artwork; Fretboard: rosewood; Frets: good with oxidisation; Electrics: working; Hardware: generally good; Case: original hard case; Overall condition: good
*Ex lot 1 from the 2007 'Six String Masterpieces Dimebag Darrell Art Guitar' auction. This guitar was hand painted by Jack Rudy, a California based living legend of the tattoo world and president of the Beatnik Car Club. 'Six-String Masterpieces' was an art exhibition in memory of Dimebag Darrell, featuring fifty Dean ML guitars hand-painted by various rock stars and tattoo artists.
£1000-2000
462.
Elvis Presley interest - unique 2021 Epiphone Songmaker DR-100 acoustic guitar, ser. no. 21101309269, with custom Elvis finish, within original shipping box
*Offered as a Picture House competition prize to celebrate the release of Baz Luhrmann's 2022 Elvis biopic. The guitar features a unique finish matching the films promotional designs. Purchased by the vendor directly from the competition winner. See the original competition details at the following link: https://www.picturehouses.com/blog/book-to-win-win-acustom-epiphone-guitar-to-celebrate-the-release-of-elvis
£2000-3000
463.
Mark Knopfler - autographed American Standard Stratocaster electric guitar, made in USA, circa 1988, ser. no. E450347, metallic green finish, within original Fender hard case.
*Signed for the vendor by Mark Knopfler to the scratchplate in June 2004. Sold with a photograph of the vendor with Knopfler at a charity event documenting the signing. An included newspaper article featuring the event shows a similar photograph of the vendor with the artist. Also included is an signed copy of the 'Mark Knopfler Guitar Styles' book (2 volumes), that was autographed at the same time to the inside page of volume I.
£2000-3000
page 53)
464.
Joe Bonamassa - autographed 2010 Epiphone Limited Edition
Custom Shop Joe Bonamassa Les Paul gold top electric guitar, made in China, with original case, tags and certificate of authenticity
*Signed for the vendor by Joe Bonamassa to the scratchplate at his concert at The Blackball Opera House, 15th October 2011. A ticket stub for the event is included in the sale
£400-600
462
463
464
465 (See
468 (See page 53)
470
page 54)
465.
The Ventures - Autographed Mosrite Ventures model re-issue bass guitar, black finish, bearing autographs to the pickguard, with hard case
*Sold on behalf of a deceased estate. The family believe that their father sourced the guitar via Gerry Woodage who ran the Ventures fan club and contributed liner notes to Japanese albums. For a long time Gerry was the source of Japanese instrumental CDs in the UK, mainly The Ventures.
£800-1200
466.
Dickey Betts - autographed 'Autograph Pros' electric guitar, signed in black pen to the scratchplate, with Autograph Pros certificate of authenticity, within a semi-rigid fibreboard case
£100-200
467.
Jerry Donahue - autographed 1996 Fender Telecaster electric guitar, made in Japan, ser. no. A055966 ; Body: red finished double bound body, light dings to front and back; Neck: maple; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: good; Case: Thinline type electric guitar hard case; Weight: 3.36kg; Overall condition: good
*Autographed by Jerry Donahue to the top of body
£600-1000
468.
Judas Priest - autographed 1979 Gibson Flying V electric guitar, made in USA, ser. no. 71709016; Body: Polaris white finish, some discolouration, vacant mounting holes to body end points, minor dings, cavities with foil shielding; Neck: light dings and marks, vacant mounting holes to head tip; Fretboard: rosewood; Frets: good, refret; Electrics: working, replacement DiMarzio neck pickup, replacement unbranded bridge pickup, original 1977 dated potentiometers, other rewiring; Hardware: replacement control knobs, later installed black pickup surrounds; Weight: 3.02kg; Overall condition: good
*Autographed to the front by KK Downing, Glenn Tipton and Ian Hill of Judas Priest (some fade to Glenn Tipton autograph).Purchased by the owner from New King's Road Vintage Guitar Emporium, London on 30th July 1997.
£3000-5000
(See
480 (See page 54)
477 (See page 54)
471 (See page 54)
469.
Autograhed 1960s Stella Harmony H927 parlour guitar signed by David 'Honeyboy' Edwards, Robert Lockwood, Homesick Jones and one other, within semi-rigid fibreboard case
*Donated to the Railway Benefit Fund, based in Crewe. Proceeds from this sale will benefit the charities work
£200-400
471.
The Script - Budda Superdrive 45 Series II guitar amplifier head
*Redundant equipment, used on various tours by Irish rock band The Script
£200-400
472.
The Script - Apogee Rosetta 800 rack unit, ser. no. R87562
*Redundant equipment, used on various tours by Irish rock band The Script
£80-120
473.
The Script - Sennheiser EM2050 True Diversity receiver rack unit
*Redundant equipment, used on various tours by Irish rock band The Script
£80-120
474.
The Script - Sennheiser AC 3000 Active Transmitter Combiner rack unit
*Redundant equipment, used on various tours by Irish rock band The Script
£200-400
475.
The Script - Sennheiser ASA1 antenna splitter
*Redundant equipment, used on various tours by Irish rock band The Script
£40-80
476.
The Script - large heavy duty flight case on wheels bearing 'The Script' stencils and cargo labels, the interior arranged to hold three guitar amplifier heads
£30-50
477.
Johnny Winter - personal gold effect textured chain necklace
*Formerly owned by legendary guitarist Johnny Winter. Offered at the Johnny Winter Estate Sale at Guernsey's, New York, lot 472, 1st October 2016
£250-350
478.
Johnny Winter - personal 14ct gold Tiffany & Co Twizzler, 5.2gm approx, within original Tiffany & Co box
*Formerly owned by legendary guitarist Johnny Winter. Offered at the Johnny Winter Estate Sale at Guernsey's, New York, lot 226, 1st October 2016
£700-1000
479.
Johnny Winter - personal gold coloured musical note chain bracelet by Spridel, USA
*Formerly owned by legendary guitarist Johnny Winter. Offered at the Johnny Winter Estate Sale at Guernsey's, New York, lot 573, 1st
October 2016
£150-250
480.
Bob Dylan - 'Abandoned Motel, Eureka', limited edition signed print from the Bob Dylan 'The Beaten Path' Series in collaboration with Washington Green Fine Art, with certificate of authenticity, mounted and framed, 31.25" x 24.25"
£800-1200
481.
Bonnie Raitt - handwritten card to Julian Lennon welcoming him to the neighbourhood
*Acquired by the vendor from an associate who assisted Julian Lennon when he moved into Woodrow Wilson Drive, LA, USA
£30-50
482.
Boz Burrell (Bad Company) - State of Louisiana diploma giving Executive Colonel status to Boz Burrell, May 1977, framed *Ex lot 2055, Bonhams, Chelsea, 21st to 23rd March 1995
£100-200
483.
Grateful Dead - original 1972 Grateful Dead UK tour concert programme
£20-40
LOTS 484-500 NO LOTS
End of Day One sale
Guitars
Wednesday 4th December 2024
at 10am
Guitars
501.
2015 Fender American Standard Stratocaster electric guitar, made in USA; Body: Ocean Blue metallic finished alder; Neck: maple; Fretboard: maple; Frets: good; Electric: working; Hardware: good; Case: Fender hard case with tags; Weight: 7.65kg; Overall condition: very good
£600-800
502.
1979 Ovation 1658 Custom Legend twelve string electroacoustic guitar, made in USA; Back and sides: Lyrachord bowl back; Top: sunburst finished spruce, lacquer cracks to lower bout; Neck: head repair with refinishing; Fretboard: ebony, indent wear to first position; Frets: mild wear throughout; Electrics: working; Hardware: good; Case: original hard case; Overall condition: fair
£300-500
503.
Handmade double six electric lap guitar, within custom wooden case
£200-300
504.
Fender Deluxe Series Fat Strat HSS Stratocaster electric guitar, made in Mexico, circa 2000; Body: black finish, surface scratches; Neck: maple, lacquer cracking and loss to back of head, lacquer cracking to front of head with lacquer and logo loss; Fretboard: maple, mild wear and grime build-up; Frets: good; Electrics: working; Hardware: missing trem arm, rusting to smaller metal screws; Case: soft bag; Weight: 8.52kg; Overall condition: fair
£200-400
505.
1965 Vox Phantom XII twelve string electric guitar in need of extensive restoration; Body: black finish, cavities routed to fit later installed humbucker pickups, lacquer checking and blemishes throughout; Neck: maple, worn and blemished; Fretboard: rosewood, heavy groove wear throughout; Frets: worn, tarnished and oxidised; Electrics: in need of attention, two replacement pickups, additional switch added; Hardware: missing one tuner shaft, missing trem arm and trem spring, pickguard altered to fit later installed pickups, heavy tarnishing and oxidisation; Case: period hard case; Weight: 7.76kg; Overall condition: in need of restoration
£400-800
506.
2015 C.F Martin GPC12PA4 twelve string electro-acoustic guitar, made in USA; Back and sides: mahogany, binding lifting to back edge on bass side; Top: natural spruce, a few minor marks; Neck: mahogany, light wear; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good; Case: original hard case; Overall condition: good
£600-800
507.
2002 Paul Reed Smith (PRS) Tremonti electric guitar, made in Korea; Body: black finish, light surface scratches and a few minor dings; Neck: good; Fretboard: rosewood; Frets: light tarnishing; Electrics: working; Hardware: generally good, missing output jack nut; Case: generic oblong hard case; Weight: 3.09kg; Overall condition: good
£200-300
508.
Prestige Heritage Hollow electric guitar, made in Korea; Body: burst finished quilted maple top, a few light marks, light surface scratches to back, further scratches to sides; Neck: good; Fretboard: rosewood with pearl vine inlay; Frets: light tarnishing; Electrics: working; Hardware: generally good, some loss to gold plating; Case: original hard case; Weight: 3.39kg; Overall condition: good £400-600
509.
2011 Gibson Custom Shop Hummingbird electro-acoustic guitar, made in USA; Body: black finish, light surface scratching to back, further minor marks to top and sides; Neck: lacquer cracking and clouding behind first position; Fretboard: rosewood; Frets: mild tarnishing and light oxidisation; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good £1000-1500
510.
Modified 1996 Fender Telecaster electric guitar, made in Mexico; Body: sunburst finish, light dings to edges, routed beneath guard to allow for middle pickup; Neck: maple; Fretboard: maple, light wear to first position; Frets: mild wear; Electrics: working, upgraded Seymour Duncan HSH pickups with stacked humbucker to middle position, coil switch installed to control plate; Hardware: generally good, replacement control knobs, missing switch tip, some discolouration to pickguard; Case: Hiscox hard case; Weight: 3.89kg; Overall condition: good
£200-400
511.
1980 Gibson Les Paul Firebrand electric guitar, made in USA; Body: walnut finished mahogany, surface buckle scratches to back, various dings to edges; Neck: mahogany, minor dings; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original protector hard case; Weight: 4.01kg; Overall condition: good
£800-1200
512.
Hofner Committee archtop guitar, made in Germany, circa 1961; Back and sides: natural birds eye maple, light lacquer checking throughout, heavier checking to sides, light checking and some dings to top; Neck: maple, slight bow; Fretboard: ebony; Frets: light wear; Hardware: generally good, some light tarnishing; Overall condition: good for age
£600-800
509
513.
2008 Fender American Deluxe Telecaster electric guitar, made in USA; Body: cherry sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.62kg; Overall condition: very good
£800-1000
514.
1967 Gibson ES-175D hollow body electric guitar, made in USA; Body: three-tone sunburst finish, some light checking and other minor marks but generally very good for age; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working, original Patent number humbucker pickups; Hardware: good; Case: original hard case; Weight: 2.92kg; Overall condition: very good
£3000-5000
515.
1962 Gibson ES-335 semi-hollow body electric guitar, made in USA; Body: cherry, refinished, lacquer checking and scratches, old dowelled tailpiece holes to body end, binding repairs; Neck: replacement head - grafted behind second fret position, neck possibly reprofiled; Fretboard: Brazilian rosewood board with pearl block inlay, replacement binding; Electrics: working, original PAF (Patent Applied For) humbucker pickups; Hardware: Kluson Deluxe double line double ring tuners, pickguard appears original, replacement Gibson Tune-o-Matic bridge, original stop bar, replacement control knobs, replacement strap buttons, replacement nut; Case: Hiscox hard case; Weight: 3.76kg; Overall condition: fair
*Sold with UK non-transferable domestic CITES A10 certificate (domestic use only)
£4000-8000
516.
1965 Hofner President hollow body bass guitar, made in Germany; Body: brunette finish, checking throughout, various dings and marks but generally acceptable for age; Neck: good, checking and some dings, evidence of reset with later binding around heel area; Fretboard: rosewood; Frets: groove wear throughout; Electrics: working; Hardware: good; Weight: 2.39kg; Overall condition: good for age
£800-1200
517.
2024 Terry Pack DBS acoustic guitar; Back and sides: solid highly figured flamed myrtle; Top: solid sitka spruce; Neck: solid mahogany; Fretboard: ebony with trileaf inlay; Hardware: good; Case: original hard case and tags; Overall condition: new/old stock
£1000-1500
518.
2024 Terry Pack SJRS acoustic guitar; Back and sides: solid east Indian rosewood; Top: solid sitka spruce; Neck: solid one piece mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: original deluxe hard case with tags; Overall condition: new/old stock
£1000-1500
519.
2022 Terry Pack OMRC acoustic guitar; Back and sides: solid Indian rosewood; Top: solid cedar; Neck: solid mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Overall condition: new/old stock
£1000-1500
520.
2023 Terry Pack PLRS acoustic guitar; Back and sides: solid east Indian rosewood; Top: solid sitka spruce; Neck: solid one piece mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case with tags; Overall condition: new/old stock
£1000-1500
521.
2021 Terry Pack PLMS acoustic guitar; Back and sides: solid mahogany; Top: solid sitka spruce; Neck: solid mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case with tag; Overall condition: new/old stock
£1000-1500
522.
2003 National Resophonic Style O Deluxe resonator guitar, made in USA; Body: polished nickel brass body with Hawaiian engraving; Neck: sunburst figured maple; Fretboard: ebony with pearl diamond inlay; Frets: good; Hardware: good; Case: original hard case; Overall condition: very good
£1200-1800
523.
1993 Gibson MIII electric guitar, made in USA; Body: black finish, buckle scratching to back, blemishes to front edge, some lacquer checking; Neck: good; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags and original purchase receipt; Weight: 3.37kg; Overall condition: good
£1000-1500
524.
1993 Epiphone Blues Master acoustic guitar, made in Korea; Back and sides: mahogany, a few light surface marks; Top: natural spruce; Neck: mahogany, light marks; Fretboard: rosewood; Frets: mild wear, light tarnishing to upper frets; Hardware: generally good, missing end-pin strap button; Case: original hard case; Overall condition: good
£200-400
525.
JHS Vintage Gordon Giltrap Signature VE2000GG electro-acoustic guitar; Back and sides: mahogany; Top: natural cedar; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good
£250-350
520
522
526.
Fender Jazzmaster electric guitar, made in Japan (1984-1987); Body: three-tone sunburst finish, surface scratches and other minor finish imperfections; Neck: maple, scroll motifs removed from head decal; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: soft bag; Weight: 4.14kg; Overall condition: good
£500-700
527.
Italia Maranello Classic electric guitar; Body: gold sparkle top upon grey pearl back; Neck: good; Fretboard: rosewood with block pearl inlay; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.97kg; Overall condition: very good
£200-400
528.
Dobro single cone resonator guitar; Body: two-tone sunburst finished figured laminate maple body with resonator plate; Neck: good; Fretboard: rosewood; Frets: good; Hardware: good; Case: original hard case; Overall condition: very good £200-400
529.
Epiphone Zephyr Blues Deluxe electric guitar, made in Korea; Body: natural laminated figured maple; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, some loss to gold plating, replacement knobs (originals retained); Case: hard case; Weight: 3.30kg; Overall condition: very good
£400-600
530.
2008 Washburn R314KK acoustic guitar, made in Indonesia; Body: rosewood back and sides, brown relic finish spruce top; Neck: relic finish with V profile; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case; Overall condition: very good
£300-500
531.
2005 C.F. Martin 000X1 Auditorium acoustic guitar, made in USA; Body: HPL mahogany back and sides; Top: solid spruce; Neck: HPL; Fretboard: Richlite; Frets: good; Hardware: good; Case: soft bag; Overall condition: very good
£250-350
532.
2003 Fender American Series S1 Jazz Bass guitar, made in USA; Body: blizzard pearl metallic finish, small ding to bass hand side edge; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.09kg; Overall condition: very good
£600-800
533.
Yamaha SLG-100N nylon string Silent Guitar, with original gig bag £200-300
534.
C.F Martin Alternative II electro-acoustic guitar; Body: high pressure laminate back and sides with aluminium top; Neck: HPL ply; Fretboard: phenolic; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good
£500-800
535.
1999 Fender ST-67 Stratocaster electric guitar, crafted in Japan; Body: natural finish, a few minor surface finish marks; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: SKB hard case; Overall condition: very good
£500-700
536.
1990 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: trans butterscotch finish, a few minor dings; Neck: birds eye maple; Fretboard: birds eye maple; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.61kg; Overall condition: very good
£600-800
537.
1989 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: metallic blue refinish, minor finish imperfections; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.18kg; Overall condition: very good
£500-700
538.
1989 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: trans red finish, light buckle marks to back, other minor surface imperfections; Neck: birds eye maple; Fretboard: birds eye maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.01kg; Overall condition: very good
£600-800
539.
1993 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: black finish, a few light dings and other surface marks; Neck: birds eye maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.98kg; Overall condition: good
£600-800
540.
1989 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: natural finish, surface dings and scratches to back, minor dings to edges; Neck: birds eye maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, replacement control knobs and switch tips; Case: original hard case; Weight: 2.96kg; Overall condition: good
£600-800
541.
1990 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: trans purple refinish, a few very minor dings; Neck: figured birds eye maple; Fretboard: rosewood; Frets: good; Electrics: working, upgraded humbucker bridge pickup, altered to HSS spec from the factory SSS configuration; Hardware: generally good, replacement HSS guard; Case: original hard case; Weight: 3.08kg; Overall condition: good
*As recorded in the Ernie Ball Music Man database, this guitar was originally finished in sunburst. The guitar was refinished due to a factory finish issue at the time, where the paint would fail to cure properly leaving them soft and subject to easy damage
£500-700
537 (See page 60)
542.
1991 Ernie Ball Music Man Silhouette electric guitar, made in USA; Body: amber sunburst finish, a few minor dings; Neck: birds eye maple; Fretboard: rosewood; Frets: good; Electrics: working, reconfigured to SSS from factory HSH spec; Hardware: good, replacement SSS guard; Case: original hard case; Weight: 3.67kg; Overall condition: very good £500-700
543.
2007 Ernie Ball Music Man Stingray 3 EQ HH bass guitar, made in USA; Body: black finish, minor dings to edges, further minor surface marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.70kg; Overall condition: good £800-1000
544.
1991 Ernie Ball Music Man Stingray bass guitar, made in USA; Body: sunburst finish, various surface scratches and dings throughout; Neck: birds eye maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, some rusting to smaller metal screws; Case: original hard case; Weight: 4.65kg; Overall condition: good for age
£800-1000
545.
1999 Ernie Ball Music Man Sterling bass guitar, made in USA; Body: blue pearl finish, significant buckle scratching to back including surface paint loss, further dings to edges; Neck: maple, light wear throughout; Fretboard: rosewood; Frets: visible wear throughout; Electrics: working; Hardware: good; Case: TKL hard case; Weight: 4.30kg; Overall condition: fair
£500-700
546.
2000 Ernie Ball Music Man Sterling 4 H Piezo bass guitar, made in USA; Body: Olympic white refinish (originally honey burst); Neck: maple, light wear throughout; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: MJS Cases hard case; Weight: 4.15kg; Overall condition: good
£500-700
544
545
547.
Tokai Goldstar Sound electric guitar, made in Japan, circa 1984; Body: Olympic white finish, a few minor dings; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: good quality hard case; Weight: 3.17kg; Overall condition: very good
£300-500
548.
Tokai Goldstar Sound electric guitar, made in Japan, circa 1984; Body: candy apple red finish, light surface imperfections; Neck: maple; Fretboard: rosewood; Frets: light wear and mild tarnishing; Electrics: working, although need some attention as sounding thin; Hardware: good; Case: TKL hard case; Overall condition: good
£300-500
549.
Tokai Goldstar Sound electric guitar, made in Japan, circa 1984; Body: Fiesta red finish, buckle impressions and surface scratches mainly to back, further dings and marks throughout; Neck: maple; Fretboard: rosewood; Frets: light wear and tarnishing; Electrics: working; Hardware: good; Case: TKL hard case; Weight: 3.51kg; Overall condition: good
£300-500
550.
Tokai Goldstar Sound electric guitar, made in Japan, circa 1984; Body: metallic blue finish, light surface dings - mainly located to edges; Neck: maple; Fretboard: rosewood; Frets: mild wear and minor tarnishing; Electrics: working; Hardware: good; Case: light tweed hard case; Weight: 3.61kg; Overall condition: good
£300-500
551.
Tokai Goldstar Sound 'Mary Kaye' electric guitar, made in Japan, circa 1984; Body: blonde finish, a few minor dings, surface buckle indent scrape to centre back; Neck: maple, shallow V profile; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: good; Case: light tweed hard case; Weight: 3.48kg; Overall condition: very good
£300-500
552 554 555 559 (See page 65)
552.
Tokai Goldstar Sound 50s electric guitar, made in Japan, circa 1984; Body: two-tone sunburst finish, blemishes and dings throughout including buckle scratching to centre back; Neck: maple, light dings; Fretboard: maple, mild wear to first position; Frets: indent wear throughout; Electrics: working; Hardware: missing trem arm, otherwise good; Case: Westfield hard case; Weight: 3.06kg; Overall condition: fair
£300-500
553.
Fender ST-62 Stratocaster electric guitar, made in Japan (1996-1997); Body: Olympic white finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: MJS hard case; Weight: 3.71kg; Overall condition: very good
£500-600
554.
1987 Fender American Vintage '52 Reissue Telecaster electric guitar, made in USA; Body: butterscotch finish, surface lacquer checking; Neck: maple, lacquer checking to head face; Fretboard: maple; Frets: light tarnishing; Electrics: working; Hardware: good; Case: Fender tweed hard case; Weight: 3.31kg; Overall condition: good
£1000-1500
555.
2007 Fender Classic Player 50s Baja Telecaster electric guitar, made in Mexico; Body: see-through butterscotch finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: generally good, pick wear to guard; Case: Westfield hard case; Weight: 3.78kg; Overall condition: very good
£400-600
556.
2013 Fender Modern Player Jazz Bass guitar, crafted in China; Body: three-tone sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: MJS hard case; Weight: 4.79kg; Overall condition: very good
£200-400
557.
Sandberg California VM4 bass guitar; Body: two-tone sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Thomann hard case; Weight: 4.08kg; Overall condition: very good
£500-800
558.
2010 Epiphone Limited Edition John Lennon EJ-160E electroacoustic guitar; Back and sides: laminated mahogany; Top: sunburst finished spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Overall condition: good
£150-250
559.
2010 Paul Reed Smith (PRS) Santana 20th Anniversary Santana II electric guitar, made in USA; Body: highly figured purple finished ten top, a few light surface marks to back; Neck: good; Fretboard: rosewood with bird inlay; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags; Weight: 3.79kg; Overall condition: very good
£1500-2500
560.
1999 Ibanez S-Classic SC320 electric guitar, made in Japan; Body: black finish, surface scratches to back, dings to edges, some heavier blemishes; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: replacement locking Sperzel tuners, replacement control knob; Case: light tweed hard case; Weight: 3.12kg; Overall condition: fair
£200-300
561.
2005 Fender American Standard Stratocaster electric guitar, made in USA; Body: Olympic white finish, a few minor surface imperfections; Neck: maple; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: generally good, missing trem arm; Case: original hard case; Weight: 3.69kg; Overall condition: good
£600-800
562.
2006 Yamaha SG2000 electric guitar, made in USA; Body: cherry sunburst finish, light surface imperfections; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 4.58kg; Overall condition: very good
£1000-1500
563.
2001 Fender Eric Clapton Stratocaster electric guitar, made in USA; Body: black finish, a few minor dings to edges, small patch of minor buckle scratching to centre back, further minor marks; Neck: maple, some lacquer pulling; Fretboard: maple, lacquer clouding to position markers; Frets: mild wear; Electrics: working, minor adjustment to output jack required; Case: original hard case; Weight: 3.79kg; Overall condition: good
£800-1200
564.
2012 Gibson SG Diablo Premium Plus electric guitar, made in USA; Body: iced tea finished maple top upon cherry finished mahogany back, blemishes to side near jack socket; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.66kg; Overall condition: good
£1000-1500
565.
2012 Fender Special Edition Thinline Jaguar electric guitar, made in Japan; Body: three-tone sunburst finished double bound semi-hollow body, scratches to lower back; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Weight: 3.62kg; Overall condition: good
£1000-1500
566.
2007 Fender 60s Jazz Bass guitar, made in Mexico; Body: black finish, a few minor surface marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 4.24kg; Overall condition: good
£300-400
567.
1999 Parker Midi Fly electric guitar, made in USA; Body: metallic silver finish, various minor dings and small blemishes throughout; Neck: carbon; Fretboard: carbon; Frets: good; Electrics: working; Hardware: good; Case: Hiscox acoustic hard case; Weight: 3.04kg; Overall condition: good
£1200-1800
568.
1994 Gibson J-200 Centenary year acoustic guitar, made in Montana, USA; Body: antique natural finished maple back and sides and spruce top, lacquer checking throughout; Neck: maple, lacquer checking and minor dings; Fretboard: rosewood; Frets: mild tarnishing; Hardware: good; Case: original hard case with tags; Overall condition: good for age
£2500-3000
569.
2020 Gibson Les Paul Special electric guitar, made in USA; Body: cherry finished mahogany; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 3.60kg; Overall condition: very good
£700-900
570.
1979 Gibson Les Paul 25/50 Anniversary electric guitar, made in USA; Body: tobacco burst finished maple top upon light mahogany back, minor scratches to back, minor checking and other minor marks; Neck: three piece maple, light checking; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing original Norlin warranty card; Weight: 4.79kg; Overall condition: good
*The Gibson Les Paul 25/50 Anniversary model was introduced in 1978 to commemorate twenty-five years of the Les Paul model and fifty years of Les Paul being in show business. The guitar features deluxe appointments including coil tapping, fine tuning tailpiece, split block inlays and a highly ornate headstock
£3500-4000
571.
1994 Guild Brian May Signature Red Special electric guitar, made in USA; Body: cherry red finished mahogany, minor surface scratches and a few minor dings; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: chrome, good; Case: original hard case; Weight: 3.71kg; Overall condition: good
£3500-4000
572.
1985 Guild Brian May BHM-1 electric guitar, made in USA; Body: cherry finished mahogany, light surface marks; Neck: mahogany, a few light marks; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.29kg; Overall condition: good
£2500-3500
573.
1986 Guild Brian May BHM-1 electric guitar, made in USA; Body: cherry finished quilted maple top upon mahogany back, some light surface scratches; Neck: good; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.31kg; Overall condition: good £2500-3500
574.
Autographed 1997 Ibanez Paul Gilbert PGM Series PGM900 electric guitar, made in Japan; Body: trans red finished mahogany, a few light marks; Neck: maple with Paul Gilbert signature and doodle to back of head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, autographed by Paul Gilbert to the back control cavity panel; Case: fitted hard case; Weight: 3.41kg; Overall condition: good £2000-3000
575.
Autographed 1998 Ibanez Paul Gilbert PGM Series PGM90HAM 90th Anniversary Model electric guitar, made in Japan; Body: trans blue figured maple top upon basswood back, light surface marks, small blemish to back edge near output jack; Neck: three piece maple/bubinga; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good, autographed by Paul Gilbert to the back control plate; Case: original hard case with papers; Weight: 3kg; Overall condition: good £2000-3000
576.
Autographed 1998 Ibanez Paul Gilbert PGM Series PGM90HAM 90th Anniversary Limited Edition electric guitar, made in Japan; Body: trans blue figured maple top upon basswood body, light surface marks; Neck: three piece maple and bubinga; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original Ibanez hard case; Weight: 3.19kg; Overall condition: very good
*Autographed with doodle by Paul Gilbert to the control cavity back plate. The guitar is sold with images of Paul Gilbert playing the guitar on stage at Electro Music, Doncaster and comes with an Ibanez certificate of authenticity
£2000-3000
574
577.
Autographed 1999 Ibanez Paul Gilbert PGM Series PGM30 electric guitar, made in Japan; Body: white finished basswood; Neck: maple; Fretboard: rosewood; Frets: light tarnishing; Electrics: working; Hardware: generally good, light tarnishing to some metal hardware; Case: original hard case; Weight: 3.61kg; Overall condition: good
*Autographed by Paul Gilbert to the back control plate
£1000-2000
578.
Autographed 2000 Ibanez John Petrucci Signature JPM100-P3 electric guitar, made in Japan; Body: abstract black and white finish, various stickers to back, a few light surface marks; Neck: maple, autographed to the back of head with plastic film covering to protect; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, later added pickup surrounds; Case: original hard case; Weight: 3.48kg; Overall condition: good
*Despite having the incorrect colour tops, the pickups are correct to this model with a DiMarzio DP193 "Air Norton" in the neck and a DiMarzio DP161 "Steve's Special" in the bridge. It is possible these pickups were a special order direct from DiMarzio. Signed by John Petrucci on 28th March 2002 and sold with photographs of a previous owner with John Petrucci holding one of his three signature guitars at the time of the signing. Another image shows the three guitars including this one with their autographs on the back of each head
£2000-3000
579.
Autographed 1998 Paul Gilbert Ibanez PGM Series PGM90HAM 90th Anniversary Model Limited Edition electric guitar, made in Japan; Body: trans blue finished maple top upon blue finished maple back, a few light marks; Neck: maple and bubinga; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.10kg; Overall condition: very good
*Autographed by Paul Gilbert with doodle to the control cavity back plate of the guitar. Sold with a photograph of Paul Gilbert playing this guitar live on stage at an event at Electro Music, Doncaster. The guitar is sold with its original certificate of authenticity, along with a signed photograph of Paul Gilbert with tribute to the vendor £2200-2800
580.
2001 Taylor K-22-CE electro-acoustic guitar, made in USA; Body: natural koa; Neck: mahogany, surface lacquer clouding and small area of lacquer pulling; Fretboard: ebony; Frets: good; Electrics: working; Hardware: light loss to gold plating on tuners; Case: original hard case (latches with rusting/oxidisation); Overall condition: good
£1500-1800
581.
1997 Tanglewood Indiana TW28ST acoustic guitar; Body: natural finish with spruce top; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Case: Just In Case hard case; Overall condition: very good
£200-250
576 (See page 67)
577
578
579
582.
1979 Ovation Glen Campbell 1627 electro-acoustic guitar; Body: Lyrachord bowl back with sunburst finish spruce top, dings and surface scratches throughout; Neck: some dings, mild lacquer deterioration between neck and head, chip to treble side of head, further dings to head finial; Fretboard: ebony, groove wear to first position; Frets: mild wear; Hardware: good; Case: original hard case; Overall condition: fair £800-1000
583.
1975 Ovation 1613-4 electro-acoustic guitar, made in USA; Body: Lyrachord bowl back with natural spruce top, a few minor scratches to top and a few minor scuffs to back; Neck: good; Fretboard: ebony; Frets: light wear; Hardware: good; Case: original hard case; Overall condition: good £500-700
584.
1999 Rob Armstrong Baby Custom small bodied acoustic guitar, made in England; Back and sides: Indian rosewood; Top: natural spruce, play wear to treble side of strings/sound hole, further minor marks; Neck: mahogany; Fretboard: rosewood; Frets: mild wear; Hardware: good; Case: Hiscox hard case; Overall condition: good
*Rob Armstrong is a renowned Coventry based luthier and has built guitars and instruments for many great artists such as George Harrison, Gordon Giltrap, Bert Jansch, Alvin Lee, Joe Brown, Dave Swarbrick, Mark (Bedders) Bedford (Madness), Martin Barre (of Jethro Tull) plus many more. This is one of two Armstrong guitars that were owned by the vendor, based on a parlour guitar that Armstrong made for Ian Anderson of Jethro Tull £1800-2200
585.
2002 Rob Armstrong Custom acoustic guitar, made in England; Back and sides: highly figured koa, minor scuffs and dings; Top: natural spruce, minor play wear to treble side of strings/sound hole, further minor dings; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: good
*Rob Armstrong is a renowned Coventry based luthier and has built guitars and instruments for many great artists such as George Harrison, Gordon Giltrap, Bert Jansch, Alvin Lee, Joe Brown, Dave Swarbrick, Mark (Bedders) Bedford (Madness), Martin Barre (of Jethro Tull) plus many more. This is one of two Armstrong guitars that were owned by the vendor, this one being of his own design. £2000-2500
586.
1996 Taylor 814C acoustic guitar, made in USA; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case with tags; Overall condition: very good £1500-2000
587.
1986 Guild Studio 24 acoustic guitar, made in USA; Body: amber finished maple back and sides with spruce top; Neck: figured maple; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case; Overall condition: good £1000-1500
588.
1998 Fender American Thinline Telecaster electric guitar, made in USA; Body: natural finish, lacquer checking to front, other minor marks; Neck: maple, hairline split towards lower E tuner, minor dings and lacquer pulling/clouding; Fretboard: maple, some lacquer clouding; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 3.10kg; Overall condition: good £1200-1600
589.
1979 Fender Stratocaster electric guitar, made in USA; Body: solid red refinish, surface marks; Neck: maple, wear behind first position, various dings; Fretboard: maple; Frets: light wear and tarnishing/ oxidisation; Electrics: working; Hardware: generally good; Case: original hard case; Weight: 4.15kg; Overall condition: fair £1400-1600
590.
2011 Fender American Special Precision Bass guitar, made in USA; Body: three-tone sunburst finish, light scuffs to lower back edge, further minor dings; Neck: maple, minor dings; Fretboard: rosewood; Frets: light wear to first position; Electrics: working; Hardware: generally good, sticker shadow mark to scratchplate; Case: Fender gig bag; Weight: 3.91kg; Overall condition: good £500-700
591.
2015 Takamine TF740FS electro-acoustic guitar, made in Japan; Back and sides: mahogany; Top: natural cedar, a few small dings, light surface pick wear to treble side of strings/sound hole; Neck: mahogany; Fretboard: ebony, mild wear to first position; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good £300-500
592.
2014 Fender 60th Anniversary Commemorative Stratocaster Limited Edition electric guitar, made in USA; Body: two-tone sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers and accessories; Weight: 3.70kg; Overall condition: as new
*This guitar is in as new unused condition and comes with its original shipping box £1500-1800
585 (See page 69) 586 587
589 (See page 70)
592 (See page 70)
593.
Magneto U-1 Series UW-4300 electric guitar, black finish, with original shipping box
*This guitar is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended £200-300
594.
Cordoba Stage Electric nylon string guitar, natural amber finish, within original shipping box
*This guitar is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended £200-300
595.
2019 Auden 45MM electro-acoustic guitar; Back and sides: Indian rosewood, a few light surface marks; Top: spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: excellent £700-900
596.
1970s Burns Flyte 4 left-handed conversion bass guitar, made in England; Body: walnut finish, various dings and scratches; Neck: maple; Fretboard: ebony, some lacquer peeling; Electrics: working, control panel reversed to opposite side; Hardware: generally good, additional wooden panel added to mirror new control panel, replacement control knob; Case: original hard case with tags; Weight: 2.92kg; Overall condition: fair £400-600
597.
Customised 2002 Fender Deluxe Jazz Bass guitar, made in Mexico, comprising original body and electronics and replacement 70s style non-Fender neck; Body: sunburst finish, a few minor scratches; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working, original John Suhr pickups and electronics; Hardware: good, missing bridge cover; Case: generic oblong hard case; Weight: 4.59kg; Overall condition: good £200-400
595
596
598.
Tokai Breezysound electric guitar, made in Japan, circa 1985; Body: metallic blue finish, light surface buckle scratching to centre back, other minor surface marks; Neck; maple; Fretboard: rosewood; Frets: good; Electrics: working, upgraded Fender Yosemite pickups (originals retained); Hardware: good; Case: Freestyle hard case; Weight: 3.57kg; Overall condition: good
£400-600
599.
Tokai Breezysound electric guitar, made in Japan, circa 1985; Body: amber burst finish with quilted maple top, a few minor imperfections; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.63kg; Overall condition: very good
£400-600
600.
2017 Charvel Pro-Mod San Dimas Style 2 HH electric guitar, made in Mexico; Body: trans blue finish with quilted maple top, a few minor marks and finish blemishes; Neck: maple; Fretboard: maple, light wear; Frets: good; Electrics: working; Hardware: good; Case: Spider hard case; Weight: 3.51kg; Overall condition: good
£300-400
601.
2021 Hagstrom '67 Viking hollow body electric guitar; Body: wild cherry red finished laminated maple; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.15kg; Overall condition: very good
£200-400
602.
2021 Rivolta by Novo Combinata VII electric guitar; Body: blue metallic finish; Neck: good; Fretboard: rosewood with pearl block inlay; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.12kg; Overall condition: very good
£400-500
603.
2019 Rivolta by Novo Mondata XVIII electric guitar; Body: trans red finish; Neck: good; Fretboard: rosewood with pearl block inlay; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.70kg; Overall condition: very good
£400-500
604.
2017 Ibanez Premium KIKO10P Kiko Loureiro Signature electric guitar, made in Indonesia; Body: trans red finished figured maple top upon cherry finish back; Neck: five piece maple and bubinga; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.60kg; Overall condition: very good
£500-800
605.
2023 Ibanez Prestige AZ2203N-ATQ electric guitar, made in Japan; Body: antique turquoise finish; Neck: roasted maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.40kg; Overall condition: very good
£600-800
606.
2019 Guild Newark St. Collection X-175 B hollow body electric guitar, made in Korea; Body: satin gold finish; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.17kg; Overall condition: very good
£300-500
607.
1999 Phantom Guitar Works Phantom Reissue electric guitar, made in USA; Body: black finish, a few light marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.40kg; Overall condition: very good
£600-800
608.
Gibson Heritage Series Moderne electric guitar, made in USA, circa 1982; Body: natural finished Korina, light surface marks to centre back otherwise very good; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 3.26kg; Overall condition: very good
*Sold with a selection of original purchase and finance papers
The Moderne model was designed as part of the modernistic range of guitars due to be introduced at the 1958 NAMM Show alongside the Flying V and Explorer. The model never made it into production, although remained as a concept until it was released in limited numbers between 1981 and 1983
£6000-7000
609.
Kid's by Hiroshi Kido BM Special Copy electric guitar, made in Japan, circa 1996; Body: cherry red finished mahogany, light scratches and dings; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good; Case: soft bag; Weight: 3.01kg; Overall condition: good
£1000-1500
610.
2015 Fender Special Edition Transport for London Underground Tube Map Stratocaster electric guitar, made in Mexico; Body: Olympic white finish with tube map design to front; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original gig bag and shipping box; Overall condition: as new
*A special run of 100 units released by Fender in 2015 in collaboration with Transport for London. This guitar is new and packaged, as it was supplied to the original owner £600-800
611.
Casio DG-20 digital guitar, with original box and papers
£150-250
612.
Sid Barrett inspired Custom Build Esquire type electric guitar; Body: unknown silver metallic finished body with applied chrome discs; Neck: twenty-one fret rosewood board Fender Licensed All Parts neck; Electrics: working; Hardware: good, Fender bridge and Wilkinson Deluxe tuners; Case: soft bag; Weight: 4.60kg; Overall condition: good £200-400
609
613.
1993 Christopher Eccleshall SST 'Chet Atkins' style electro-acoustic hybrid guitar, made in England; Body: natural spruce top upon solid mahogany back, light dings and marks but generally acceptable for age; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 3.55kg; Overall condition: good
£700-1000
614.
1980 Ibanez Artist AR100 electric guitar, made in Japan; Body: brown sunburst finished maple top upon mahogany body, heavy scratches, dings and blemishes throughout; Neck: light scratches and dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: damages to neck pickup surround corners, loss to gold plating, tarnishing to hardware; Case: Gibson gig bag; Weight: 3.87kg; Overall condition: fair
£400-600
615.
2020 Yamaha LS56 Custom acoustic guitar, made in Japan; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: ebony with abalone inlay; Frets: good; Hardware: good; Case: original hard case and papers; Overall condition: Excellent
£1000-2000
616.
1957 Gibson ES-175 hollow body electric guitar, made in USA; Body: sunburst finish, mild surface lacquer checking throughout, a few minor dings but generally very acceptable for age; Neck: light wear and dings; Fretboard: visible groove wear up to twelfth fret; Frets: mild wear throughout; Electrics: working; Hardware: good; Case: later '90s Gibson hard case; Weight: 2.73kg; Overall condition: good for age
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA101J2V6K (domestic use only)
£4500-5500
617.
2007 Gibson Memphis ES-175 hollow body electric guitar, made in USA; Body: natural finished maple, a few minor surface dings; Neck: mahogany; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: good; Case: original Gibson Custom hard case; Weight: 3.36kg; Overall condition: very good
£2000-3000
618.
2022 Epiphone Slash Signature Les Paul Standard electric guitar, made in China; Body: vermillion burst finished maple top, a few light finish marks; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and papers; Weight: 3.85kg; Overall condition: very good
£350-450
619.
Eastman AR371CE hollow body electric guitar, made in China; Body: two-tone sunburst finish, a few light surface marks; Neck: good; Fretboard: rosewood; Frets: generally good, some tarnishing to upper frets; Electrics: working; Hardware: good; Case: fitted hard case with Eastman certificate of authenticity; Weight: 2.43kg; Overall condition: good
£300-500
620.
Ovation Celebrity NS-28 Nikki Sixx Heroin Diaries electro-acoustic guitar, made in China; Body: synthetic bowl back with Heroin Diaries artwork to top, damage to top at treble side of bridge, further blemish to top running onto side at the bass corner of lower bout; Neck: good; Fretboard: rosewood; Frets: good; Hardware: good; Case: original hard case; Overall condition: fair
£300-400
621.
1970s Kiso Suzuki 9512 acoustic guitar, made in Japan; Back and sides: Indian rosewood with three piece back, light surface scratches and marks; Top: natural spruce with minor dings and minor pick wear; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Case: Road Runner hard case; Overall condition: good for age
£200-300
622.
1987 Ovation Custom Balladeer 1862 electro-acoustic guitar, made in USA; Back and sides: Lyrachord bowl back, light surface scratches; Top: natural spruce, a few light surface marks; Neck: mahogany; Fretboard: ebony with pearl diamond inlay; Frets: good, light tarnishing; Hardware: good; Case: non-original hard case; Weight: 2.47kg; Overall condition: very good £350-450
623.
Fender '72 Thinline Telecaster electric guitar, made in Japan (1996-1997); Body: natural finish, a few light surface dings mainly located to the back; Neck: maple; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: generally good, some tarnishing to tuners and bridge saddles, minor rusting to pickguard screws; Case: Gator bass guitar hard case; Weight: 2.99kg; Overall condition: good £600-700
624.
Tokai Super Edition VS-80 electric guitar, made in Japan, circa 1984; Body: walnut finished figured top upon cherry finished back, minor blemishes, dings and scratches throughout; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working including onboard push/ pull effects; Hardware: generally good, missing E/A locking tuner clamp; Case: shaped hard case; Weight: 3.88kg; Overall condition: fair £300-400
618
623
625.
2006 Fender American Deluxe Stratocaster HSS electric guitar, made in USA; Body: three-tone sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.55kg; Overall condition: very good
£700-900
626.
2014 Gretsch Electromatic G5422T hollow body electric guitar, made in Korea; Body: walnut finish, a few light surface marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.09kg; Overall condition: good
£300-400
627.
2014 Gibson Les Paul Melody Maker 120th Anniversary electric guitar, made in USA; Body: satin yellow finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gibson gig bag; Overall condition: very good
£400-600
628.
2008 Paul Reed Smith (PRS) 513 electric guitar, made in USA; Body: sunburst finished highly figured maple top upon dark finished mahogany back, a few very light surface buckle scratches to back, other very minor marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 4.37kg; Overall condition: very good
*Sold with a selection of PRS ephemera to include the Balafon Publishings Limited Edition 'The PRS Book' in original slip case; Dave Burrluck - 'The PRS Book, A Complete History of Paul Reed Smith Guitars'; two PRS guitar VHS tapes and a selection of original PRS catalogues
£1500-2000
629.
1979 Washburn Wing Series Hawk electric guitar, made in Japan; Body: two-tone tobacco burst finished sen ash with maple centre, various dings and scratches although generally good for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, minor tarnishing to bridge; Weight: 4.29kg; Overall condition: good
£350-450
630.
1997 Gibson Custom Shop Les Paul Custom Florentine semi-hollow body electric guitar, made in USA; Body: trans black finished AAAAA figured maple top upon chambered mahogany body, a few minor dings but generally very good; Neck: good; Fretboard: ebony; Frets: good; Electrics: working, upgraded Seymour Duncan '59 and Duncan Distortion humbucker pickups, replacement potentiometers (original pickups and potentiometers included); Case: original hard case; Weight: 3.63kg; Overall condition: very good
*A very rare and early Gibson Custom Shop guitar. The construction is very different from the later ES Les Paul series as they were built like a regular chambered Les Paul and had the f-holes cut through the thick maple top. This guitar is the same year as Noel Gallaghers iconic silver sparkle example and the serial number is very close.
£2000-3000
631.
2019 Gibson Custom Shop Memphis 1961 Reissue ES-330 hollow body electric guitar, made in USA; Body: cherry finish, a few light surface marks; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and papers; Weight: 2.89kg; Overall condition: very good
£1800-2200
632.
2023 Travis Bean Designs TB1000A Reissue Stephen O'Malley signature electric guitar, made in USA; Body: silver burst finished mahogany; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Weight: 4.09kg; Overall condition: very good
*Purchased new from the vendor in 2023 directly from Travis Bean Designs last. These reissue guitars are a joint venture between the Bean family and the Electrical Guitar Company who specialise in aluminium neck guitars. This guitar is the signature guitar of Stephen O'Malley from the doom band sunn O £2000-3000
633.
2006 Fender American Vintage '72 Reissue Telecaster Deluxe electric guitar, made in USA; Body: natural finished lightweight ash; Neck: maple; Fretboard: maple; Frets: good; Electrics: working, upgraded Fender Cunife wide range pickups (originals included); Case: original hard case; Weight: 3.39kg; Overall condition: very good
*One of fifty guitars made by Fender for Yamano Music in Japan
£800-1200
632 (See page 76) 633 (See page 76)
634.
Restored 1958 Hofner President hollow body electric guitar, made in Germany; Body: blonde finish, figured maple back and sides and spruce top, some checking to top, other minor marks and dings but generally good; Neck: reset and repaired, mild wear to back; Fretboard: rosewood, mild indent wear; Frets: good; Electrics: working; Hardware: good, replacement bridge (original included); Case: fitted hard case; Weight: 2.29kg; Overall condition: good/restored
*Purchased by the vendor as a restoration project. The previous owner had cut off the neck extension, removing the fingerboard and truss rod. Extensive repairs included: neck removal and reset; truss rod reinforced with carbon fibre; replacing the missing pickup; fitting a compensated tailpiece and replacing the missing pickguard. A selection of photographs documenting the restoration is included in the sale
£400-600
635.
2019 Felix Byrne Acoustolectrik guitar, made in England; within TKL gig bag
*Made by Felix Byrne in Wiltshire England. These guitars have been designed and created using recycled materials to provide excellent playability and sound at relatively low cost. All materials used are recycled from the hardboard back and sides, the mahogany top, the ply and fibre neck and all other fittings. See more at https://www.felixbyrneguitars.co.uk/
£300-500
636.
Firth Custom T-Type electric guitar, made in Bristol, England; Body: black limba with burr poplar cap, hand rubbed oil finish; Neck: black limba with adjustable truss rod and carbon fibre reinforcement, hand rubbed oil finish; Fretboard: striped ebony; Frets: good, medium jumbo frets; Electrics: working, hand wound Mojo gold foil pickups with volume/tone controls and three-way selector switch; Hardware: good; Overall condition: very good
*Made by skilled amateur luthier Graham Firth, who began making guitars as a keen hobbyist in his retirement. He now makes very high quality instruments in very limited numbers
£400-600
634
636
637.
Firth 000-18 electro-acoustic guitar; Back and sides: mahogany with side sound port and arm bevel; Top: natural spruce; Neck: mahogany; Fretboard: Richlite with perimeter pinstripe; Electrics: working, K & K Pure mini pickup with Ultra Pure preamp; Case: gig bag; Overall condition: very good
*Made by skilled amateur luthier Graham Firth, using a 000-18 Martin guitar kit as a base
£600-800
638.
Martin 000-28 kit acoustic guitar, completed by Bristol based luthier Graham Firth,November 2016; Back and sides: East Indian rosewood with centre zigzag inlay; Top: sitka spruce with herringbone binding; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: Ritter gig bag; Overall condition: very good
*Made by skilled amateur luthier Graham Firth using an official C.F. Martin 000-28 kit
£500-700
639.
2004 Epiphone Les Paul Standard electric guitar, made in Korea; Body: cherry sunburst finished figured maple top upon mahogany back, a few light surface scratches and finish rubbing; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: Crafter gig bag; Weight: 4.35kg; Overall condition: good
£150-250
640.
2022 Zemaitis MFG-AC-24 electric guitar, made in Japan; Body: black finish with engraved metal top; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.98kg; Overall condition: very good
£1000-1500
643 (See page 79)
642 (See page 79)
641 (See page 79)
641.
Rare autographed Hutchins five neck electric guitar, comprising twelve string neck, three six string fretted necks and a six string fretless neck, with metallic blue finish (imperfections)
*A very rare five neck, autographed by Gary Hutchins and others. Gary Hutchins seems to recall the guitar being singed by musicians involved with Norman Cooks collaborative Brighton Port Authority group. Hutchins are a maker of boutique and retro guitars, often creating instruments that by Gary's own admission "should never have been made".
£2500-3500
642.
Rare Hutchins five neck electric guitar, comprising twelve string neck, three six string fretted necks and a six string fretless neck, with salmon pink finish (imperfections)
*A very rare five neck, signed to the back by designer Gary Hutchins with tribute 'To Jane' . Hutchins are a maker of boutique and retro guitars, often creating instruments that by Gary's own admission "should never have been made".
£800-1200
643.
Rare Hutchins 'The Beast' six neck guitar comprising twelve string neck, six string neck with Floyd type trem and locking nut, five string bass neck, four string bass neck, seven string guitar neck with Floyd type trem and locking nut and standard six string neck, metallic red finish, signed to front and back by Gary Hutchins, with original soft bag (imperfections)
*This guitar was featured in 'The Power of Making' exhibition at the Victoria & Albert Museum in London. This fact is inscribed to the back of the guitar by Gary Hutchins with his signature. The guitar also featured in an 'Art Works' guitar exhibition as the centre piece. Hutchins are a maker of boutique and retro guitars, often creating instruments that by Gary's own admission "should never have been made".
£2000-3000
644.
Rare Hutchins triple neck electric guitar comprising twelve string neck (nut and bridge missing), six string neck and five string bass neck, metallic blue finish (imperfections), within original gig bag
*Hutchins are a maker of boutique and retro guitars, often creating instruments that by Gary's own admission "should never have been made"
£800-1200
645.
Rare Hutchins double neck Flying V electric guitar comprising twelve and six string necks, black finish (imperfections), within original gig bag
*This guitar featured in an 'Art Works' guitar exhibition in Brighton. Hutchins are a maker of boutique and retro guitars, often creating instruments that by Gary's own admission "should never have been made".
£800-1200
646.
Custom made triple neck electric guitar comprising an Aria Pro II six string, an Aria Pro II twelve string and an Aria Pro II four string bass neck upon a custom body with hand painted Welsh flag (imperfections)
£300-400
647.
H&S triple neck electric guitar, comprising twelve string neck (missing nut, bridge and stop bar), seven string neck and six string neck, black finish (imperfections)
£500-600
648.
Unbranded triple neck electric guitar, probably by H & S, comprising a twelve string guitar neck, a seven string guitar neck and six a string guitar neck, black finish (imperfections), within hard case
£500-600
649.
1983 Epiphone Emperor hollow body electric guitar, made in Japan; Body: tobacco sunburst finish, minor dings and surface scratches but generally very good for age; Neck: good; Fretboard: ebony; Frets: mild wear and light tarnishing; Electrics: working; Hardware: some loss to gold plating; Case: handmade wooden hard case; Weight: 3.61kg; Overall condition: very good
£700-900
649
650 (See page 80)
650.
1995 Rickenbacker 325v63 electric guitar, made in USA; Body: Jetglo finish, surface buckle scratches to back, light blemishes/dings to top and other minor surface marks; Neck: good; Fretboard: rosewood, small patch of lacquer wear to first position; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.14kg
£1500-2000
651.
2008 Ibanez Prestige S5470-TKS electric guitar, made in Japan; Body: tobacco sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 3.37kg; Overall condition: very good
£500-800
652.
2023 Epiphone Inspired by Gibson ES-339 semi-hollow body electric guitar, made in China; Body: three-tone sunburst finish, large impact blemish to top, impact blemish to treble side including binding damage; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, missing two controls knobs; Weight: 3.63kg; Overall condition: fair
£150-250
653.
Good quality 00-45 Stage Coach style acoustic guitar; Back and sides: Indian rosewood, light surface marks; Top: natural spruce; Neck: mahogany, a few minor dings; Fretboard: ebony; Frets: light wear; Case: Lag Guitars hard case; Overall condition: good
£400-600
654.
2007 Tom Anderson Hollow Drop Top electric guitar, made in USA; Body: honey burst finished flame maple on alder, a few very minor dings; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.07kg; Overall condition: very good
£1500-2000
655.
2009 Schecter Diamond Series PT Fastback electric guitar, made in China; Body: three-tone sunburst finish, light dings and surface scratches; Neck: maple; Fretboard: maple with black block position markers; Frets: good; Electrics: working; Hardware: generally good, minor tarnishing; Case: gig bag; Weight: 3.74kg; Overall condition: good
£200-400
656.
1997 Fender Tex-Mex Stratocaster electric guitar, made in Mexico; Body: candy apple red finish, a few light surface scratches and dings; Neck: maple, impact ding behind sixth fret; Fretboard: rosewood; Frets: good; Electrics: working, upgraded Lace Sensor Silver bridge pickup; Hardware: good, upgraded Graphtech saddles; Case: Fender gig bag; Weight: 3.55kg; Overall condition: good
£300-500
657.
2005 Fender Deluxe Series Nashville Power Telecaster electric guitar, made in Mexico; Body: see-through blonde finish, finish blemishes to edges; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case; Weight: 3.67kg; Overall condition: good
£300-500
658.
Fender Contemporary HSS Telecaster electric guitar, made in Japan, circa 1987; Body: pewter finish, various light dings throughout; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 3.63kg; Overall condition: good
£300-500
659.
2004 Fender Standard Telecaster electric guitar, made in Mexico; Body: midnight wine metallic, surface scratches and minor dings; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: generally good, minor tarnishing, replacement strap buttons; Case: Fender gig bag; Weight: 3.90kg; Overall condition: good for age
£200-400
654
658
660.
2003 Fender American Deluxe HSS Stratocaster electric guitar, made in USA; Body: black metallic finish, minor scuffs to back edges, further minor finish dings and marks throughout; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.86kg; Overall condition: good
£700-900
661.
Fender Antigua Stratocaster '72 Reissue electric guitar, crafted in Japan (2002-2004); Body: Antigua finish, two blemishes to top, further minor dings and marks; Neck: maple; Fretboard: maple; Frets: mild tarnishing; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.39kg; Overall condition: good
£500-700
662.
Fender Blue Flower '68 Reissue Telecaster electric guitar, crafted in Japan (2007-2008); Body: blue flower metallic, ding to bass edge - otherwise good; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: Fender moulded hard case; Weight: 3.66kg; Overall condition: very good £500-800
663.
2002 Fender Deluxe Series Powerhouse Stratocaster electric guitar, made in Mexico; Body: blizzard frost metallic finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Weight: 3.67kg; Overall condition: very good
£300-500
664.
2003 Fender James Burton Telecaster electric guitar, made in USA; Body: black gold paisley finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: generally good, some loss to gold plating on bridge; Case: original hard case and tags; Weight: 3.44kg; Overall condition: good
£1000-1500
665.
1980 Greco Spacey Sounds SE500 electric guitar, made in Japan; Body: natural sen ash, various minor blemishes and dings; Neck: maple with shallow V profile; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.42kg; Overall condition: good for age
£400-500
666.
2004 G&L Legacy electric guitar, made in USA; Body: cherry sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.70kg; Overall condition: very good
£500-700
667.
2005 G&L ASAT Classic electric guitar, made in USA; Body: cherry sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case and papers; Weight: 3.44kg; Overall condition: very good
£500-700
668.
Levinson Blade Delta Standard electric guitar, made in Korea; Body: candy apple red finish, surface scratches and minor dings throughout, a few heavier blemishes; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: in need of attention; Hardware: good; Case: Fender gig bag; Weight: 3.79kg; Overall condition: good
£200-400
669.
Fret King Super S Country Squire electric guitar; Body: butterscotch finish, a few light surface scratches; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.71kg; Overall condition: good
£200-400
670.
2001 Schecter Diamond Series PT Elite electric guitar, made in Korea; Body: natural finished quilted maple top upon brown finished mahogany back, light surface scratches; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, loss to gold platingsignificantly to pickup covers; Case: RockBag by Warwick gig bag; Weight: 3.51kg; Overall condition: good
£200-400
671.
1961 Gibson ES-345 TDC electric guitar, made in USA; Body: cherry finish, lacquer checking throughout, buckle rash patch to centre back, further dings and marks, extra pickguard hole at upper screw position; Neck: mahogany, head repair, refinished, re-stamped serial number; Fretboard: rosewood; Frets: good, re-fret including top nut; Electrics: working, original PAF Patent Applied For pickups; Hardware: later truss rod cover, 3 replacement tuner ferrules, later installed locking strap buttons, some replacement pickup surround screws, typical loss to gold plating, tarnishing to metal parts; Case: Spider Cases hard case; Weight: 3.81kg; Overall condition: good for age
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10SVQ6Z (domestic use only)
£8000-10,000
665 (See page 81)
666
672.
2005 G & L ASAT Z-3 electric guitar, made in USA; Body: three-tone sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.56kg; Overall condition: very good £600-800
673.
1973 Gibson SG Special electric guitar, made in USA; Body: walnut finish, stand nitro burn to back, further scuffs and marks throughout; Neck: mahogany, front of head refinished and new embossed logo applied; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good, replacement Schaller Deluxe tuners, replacement locking strap buttons; Case: period hard case; Weight: 3.17kg; Overall condition: good £1000-1500
674.
1980 Gibson Flying V 2 electric guitar, made in USA; Body: natural walnut, minor dings and scratches but generally good for age; Neck: a few scuffs to first position; Fretboard: ebony; Frets: light wear; Electrics: working; Hardware: loss to gold plating, some tarnishing to metal parts; Case: original hard case; Weight: 3.44kg; Overall condition: good £2000-3000
675.
2003 Gibson Les Paul Supreme electric guitar, made in USA; Body: amber finished figured maple top and back with deep mahogany centre, a few minor dings and surface marks; Neck: mahogany; Fretboard: ebony with pearl inlay; Frets: good; Electrics: working, upgraded Bare Knuckle PG Blues humbucker pickups (original pickups included); Hardware: generally good, some gold plating loss to edges of stop bar and bridge; Case: original hard case; Weight: 4.21kg; Overall condition: very good
£2000-2500
676.
2003 Gibson Les Paul Supreme electric guitar, made in USA; Body: cherry sunburst finished maple top and back, with mahogany centre, a few minor dings; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, some gold plating loss to edges of metal hardware; Case: original hard case with papers; Weight: 3.98kg; Overall condition: very good £2000-2500
(See page 83)
677.
2020 Gibson Les Paul Standard 50s P90 electric guitar, made in USA; Body: gold top finish upon light brown mahogany back, a few minor lacquer checks to top; Neck: mahogany; Fretboard: rosewood; Frets: generally good, a few small tarnishing spots; Electrics: working; Hardware: pickguard removed (included), replacement locking strap buttons; Case: original hard case with papers; Weight: 4.44kg; Overall condition: very good
£1200-1400
678.
2019 Gibson Firebird electric guitar, made in USA; Body: trans wine red finished mahogany, lacquer checking and other surface scratches, impact ding to top of treble horn; Neck: mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.38kg; Overall condition: good £800-1200
679.
2014 Faith Naked Series Venus Cutaway electro-acoustic guitar; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: acoustic hard case; Overall condition: good
£200-300
680.
1997 G&L ASAT Classic electric guitar, made in USA; Body: trans blonde finish, buckle rash to upper back, other minor dings and surface marks; Neck: maple; Fretboard: rosewood; Frets: mild wear with visible indent; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.79kg; Overall condition: good
£500-700
681.
2006 G&L Legacy electric guitar, made in USA; Body: Lake Placid blue finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.69kg; Overall condition: very good
£500-700
678
682.
1974 Fender Precision Bass guitar, made in USA; Body: three-tone sunburst finish, blemishes, dings and scratches throughout as to be expected for age, buckle rash patch to back; Neck: maple, various dings; Fretboard: rosewood, mild wear; Frets: worn, oxidisation; Electrics: intermittent, jack and volume pot require attention, original 1974 pots; Hardware: typical age related wear and tarnishing, rusting to smaller metal screws, split to lower corner of pickguard, replaced strap buttons; Case: generic oblong hard case; Weight: 3.97kg; Overall condition: fair
£1800-2200
683.
2009 G&L ASAT Classic Bluesboy semi-hollow body electric guitar; Body: honey burst finish, a few light marks; Neck: maple; Fretboard: maple; Frets: generally good, minor tarnishing; Electrics: working; Hardware: good; Case: Hiscox hard case; Weight: 3.40kg; Overall condition: very good
£600-800
684.
2012 Godin Core P90 electric guitar, made in Canada; Body: tobacco sunburst finish upon satin finished back, a few minor dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.32kg; Overall condition: very good
£400-600
685.
1989 Gordon Smith GS1 electric guitar, made in England; Body: satin black finish, a few minor dings to edges; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 2.85kg; Overall condition: very good
£300-500
681 (See page 84) 682
683
685
686.
2021 Fender Noventa Telecaster electric guitar, made in Mexico; Body: butterscotch finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good, replacement locking strap buttons; Case: Fender gig bag; Weight: 3.37kg; Overall condition: very good
£300-400
687.
2019 Gibson Les Paul Junior Tribute DC electric guitar, made in USA; Body: worn brown mahogany finish, a few minor dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 2.93kg; Overall condition: very good
£400-600
688.
1983 Ibanez Artist AM-100 semi-hollow body electric guitar, made in Japan; Body: olive metallic, minor dings and various surface scratches, a few larger dings but generally good for age; Neck: minor dings; Fretboard: rosewood, wear throughout including filled indents; Frets: worn; Electrics: working; Hardware: generally good, missing pickguard; Case: non-original oblong hard case; Weight: 3.33kg; Overall condition: fair
£400-600
689.
1966 Baldwin Vibraslim electric guitar, made in England; Body: metallic red burst refinish, minor surface marks and a few dings, replacement binding; Neck: head repair, refinished; Fretboard: rosewood, minor wear; Frets: worn and some oxidisation; Electrics: working, although low output/thin sound from bridge pickup; Hardware: replacement control knobs, missing bridge cavity trim; Weight: 3.21kg; Overall condition: fair
£200-400
690.
1940s Selmer Truvoice Hawaiian New Standard lap guitar and amp set in case
£200-400
691.
Tokai Breezysound TE80 electric guitar, made in Japan, circa 1985; Body: natural finished single piece ash with abalone binding, various dings and blemishes to front and back, surface scratches; Neck: maple, a few minor dings; Fretboard: maple; Frets: mild tarnishing throughout; Electrics: working; Hardware: good; Case: Ritter gig bag; Weight: 3.31kg; Overall condition: fair
£400-600
692.
1950s Vega Duo-Tron C166 electric archtop guitar, made in USA; Body: natural finished maple, light checking and other minor marks but generally very good for age; Neck: mahogany, lacquer checking; Fretboard: rosewood; Frets: good; Electrics: working, original bespoke lead included; Hardware: generally good, minimal tarnishing to metal parts; Case: original hard case; Weight: 2.57kg; Overall condition: very good
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10E90SAN (domestic use only)
£800-1200
688 689
693.
1972 Harmony Sovereign Model 6560 acoustic guitar, made in USA; Back and sides: mahogany, buckle scratches to centre back, further minor dings; Top: natural spruce, lacquer checking, slight lift to belly; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Overall condition: good for age
£150-250
694.
2006 Squier by Fender Affinity Series Hello Kitty Strat electric guitar, crafted in Indonesia; Body: black finish with Hello Kitty artwork; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Overall condition: very good
£400-600
695.
2006 Squier by Fender Affinity Series Hello Kitty strat electric guitar, crafted in Indonesia; Body: pink finish with Hello Kitty design, scuff to bass side, a few other very minor marks; Neck: maple; Fretboard: maple with red dot position markers; Frets: good; Electrics: working; Hardware: good; Case: Proel hard case; Weight: 3.19kg; Overall condition: very good
£300-400
696.
2021 Revelation RLR electric guitar; Body: figured green top upon brown mahogany back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 4.09kg; Overall condition: very good
£300-400
697.
Burns Player Series Nu Sonic electric guitar, made in Korea; Body: two-tone sunburst, surface scratches and minor dings throughout; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Weight: 3.33kg; Overall condition: good
£200-300
698.
1960s Shaftesbury 3264 'Barney Kessel' hollow body electric guitar, made in Japan; Body: cherry sunburst finish, light surface marks but generally very good for age; Neck: good; Fretboard: ebony; Frets: light wear; Electrics: working, minor jack intermittence; Hardware: generally good, some loss to gold plating and tarnishing to metal hardware; Case: original hard case; Weight: 3.08kg; Overall condition: good
£500-700
699.
1968 Fender Telecaster electric guitar, made in USA; Body: candy apple red finish, Albert Lee autograph to back, finish loss to edges, further dings and blemishes as to be expected; Neck: maple, light wear to back, lacquer checking to front and back of head; Fretboard: rosewood, light wear to first position; Frets: good, refret; Electrics: working and appear original, Monty's bridge pickup rewind; Hardware: good; Case: original hard case; Weight: 3.35kg; Overall condition: good for age
*Autographed to the back of the guitar by Albert Lee. Provenance of this autograph unknown. Purchased by the vendor from Hoboken Vintage Guitars, New Jersey, USA in March 2008 and sold with various documents relating to this sale
£10,000-12,000
700.
2004 FujiGen Signature SFT1 electric guitar, made in Japan; Body: tobacco sunburst finished maple top upon mahogany back; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, split to neck pickup surround; Case: Gibson gig bag; Weight: 4.03kg; Overall condition: good £200-300
701.
2000 Gibson Les Paul Standard electric guitar, made in USA; Body: ebony finish, buckle scratches through entire centre back, surface scratches to top, dings to edges, finish ding between treble bridge post and pickup surround; Neck: light marks; Fretboard: rosewood; Frets: good; Electrics: working although jack requires minor adjustment; Hardware: generally good, replacement jack plate; Case: Hiscox hard case; Weight: 4.32kg; Overall condition: fair £1000-1500
702.
1992 Gibson Explorer electric guitar, made in USA; Body: black finish, surface buckle rash to back, various dings and scratches throughout; Neck: minor dings; Fretboard: rosewood; Frets: good; Electrics: upgraded DiMarzio humbucker pickups, require attention with no output from bridge pickup; Hardware: replacement black pickguard, missing switch tip, replaced jack plate; Case: original hard case; Weight: 4.13kg; Overall condition: fair
£800-1200
703.
1996 Gordon Smith Graduate 60 electric guitar, made in England; Body: walnut finished quilted top with walnut binding upon satin finished mahogany back, minor dings and surface scratches throughout; Neck: mahogany, a few minor dings, small hairline to head face veneer and small chip to head face corner; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: Hiscox hard case; Weight: 4.66kg; Overall condition: good £300-500
704.
2002 Tokai Love Rock electric guitar, made in Japan; Body: cherry sunburst finished quilted maple top upon cherry mahogany back, a few light surface marks; Neck: mahogany, small lacquer chip behind third fret; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gibson gig bag; Weight: 4.06kg; Overall condition: very good £400-600
705.
1988 Gibson ES-335 Dot semi-hollow body electric guitar, made in USA; Body: cherry finish, light surface marks but otherwise very good for age; Neck; mahogany, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, minor rusting to smaller metal screws and some tarnishing to other metal parts; Case: original hard case; Weight: 4.16kg; Overall condition: good £1500-2000
706.
1995 Taylor 612c acoustic guitar, made in USA; Back and sides: natural finished figured maple, various minor dings; Top: natural spruce, light play wear and some minor dings; Neck: mahogany; Fretboard: ebony; Frets: minor indent wear; Hardware: minor loss to gold plated tuners; Case: original hard case; Overall condition: good
£800-1200
707.
1981 Ibanez Artist AR-100 electric guitar, made in Japan; Body: sunburst finished maple top upon black finished back, surface buckle scratches to back, further scratches, dings and scuffs, further blemishes and surface scratches to top; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: loss to gold plating, some tarnishing to metal hardware, replacement jack plate; Case: original hard case; Weight: 4.74kg; Overall condition: fair
£500-800
708.
Peavey T-60 electric guitar, made in USA, circa 1980; Body: natural ash; Neck: maple; Fretboard: maple; Frets: mild wear and tarnishing; Electrics: working; Hardware: some tarnishing to metal hardware, some rusting to smaller metal screws,splits to pickup surrounds; Case: original hard case; Weight: 4.55kg; Overall condition: good
£300-500
709.
Hofner Club 40 electric guitar, made in Germany, circa 1958; Body: blonde finished maple back and sides and spruce top, a few light dings and marks but generally very good for age; Neck: light wear and checking; Fretboard: rosewood, light wear to first position; Frets: worn throughout, minor oxidisation; Electrics: working, minor adjustment needed to jack, pot shafts slightly seized; Hardware: generally good, some rusting to metal parts; Weight: 1.80kg; Overall condition: good
£500-800
710.
1996 Gibson George St. Pierre Tie Dye Les Paul Standard Limited Edition electric guitar, made in USA; Body: limited edition tie dye with continuous finish through neck and head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Epiphone hard case; Weight: 4.32kg; Overall condition: very good
*Number 15 from a limited edition run of 103 guitars designed by Gibson luthier George St Pierre. Signed by St. Pierre to the upper bout.
£4000-5000
711.
1970s Epiphone EA-250 hollow body electric guitar, made in Japan; Body: cherry finish, light buckle scratching to back, further dings and marks as to be expected for age; Neck: maple, bolt-on; Fretboard: rosewood, light wear; Frets: worn; Electrics: working, replacement Maxon type Japanese humbucker pickup to bridge position; Hardware: missing pickguard, tarnishing to metal hardware, one replacement bridge saddle; Case: later Epiphone hard case (damaged hinges); Weight: 3.17kg; Overall condition: fair
£250-350
712.
1990s Levinson Blade Texas Vintage '57 Mary Kaye electric guitar, made in Japan; Body: see-through blonde finish; Neck: maple; Fretboard: maple; Frets: light tarnishing; Electrics: working; Hardware: good; Case: hard case; Weight: 3.51kg; Overall condition: very good
*A limited run of only 40 made in the Mary Kaye style £600-700
713.
2013 Fender Modern Player Coronado II semi-hollow body electric guitar, made in China; Body: three-tone sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: earlier generic oblong hard case; Weight: 4.25kg; Overall condition: very good
£400-600
714.
1968 Fender Telecaster electric guitar, made in USA; Body: blonde finish, neck pickup cavity enlarged, finish wear to arm edge, various dings, some lacquer cracks to back; Neck; maple, impact blemish behind third fret, further minor dings, lacquer checking to front and back of head; Fretboard: rosewood, worn with groove wear throughout; Frets: visible indent wear throughout; Electrics: working, neck pickup rewound by Oil City Pickups, replaced switch; Hardware: generally good, replaced scratchplate; Case: non-original period hard case; Weight: 3.88kkg; Overall condition: good for age
£4000-6000
715.
2016 Tokai Goldstar Sound 'Mary Kaye' electric guitar, made in Japan; Body: see-through blonde finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original tweed hard case; Weight: 3.85kg; Overall condition: very good
£500-600
716.
Squier by Fender Bullet 1 HSS electric guitar, made in Korea, circa 1989; Body: white poly finish, impact dings and blemishes throughout, further minor surface scratches; Neck: maple; Fretboard: rosewood; Frets: indent wear throughout with very heavy wear to first position; Electrics: working; Hardware: generally good, missing trem arm, some rusting to smaller metal parts; Weight: 3.56kg; Overall condition: fair
£150-250
717.
1996 Fender Hank Marvin Signature Stratocaster electric guitar, made in Japan; Body: Fiesta red finish, a few very minor marks; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: Fender hard case; Weight: 3.22kg; Overall condition: very good
£500-600
718.
De Armond by Guild Starfire Custom semi-hollow body electric guitar, made in Korea; Body: natural finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Epiphone hard case; Weight: 3.83kg; Overall condition: very good
£350-450
719.
Baroone Custom Ricki style seven string baritone electric guitar, made in Newport, Wales; Body: matt back blowtorch sealed finish; Neck: bolt-on; Fretboard: rosewood; Frets: good; Electrics: working, DiMarzio Evo pickup; Hardware: good; Weight: 4.65kg; Overall condition: good
£400-600
720.
1960s Silvertone 1448 electric guitar, made in USA; Body: black sparkle finish, various dings, some scuffs to edges, some edge tape lifting; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, replacement GFS pickup (original retained); Hardware: good, replacement hand-milled bridge (original retained); Weight: 2.30kg; Overall condition: good for age
£400-600
721.
Burny RTV-55 Rockn Roll electric guitar, made in Japan, circa 1984; Body: yellow finish, dings to back and edges, a few other surface marks; Neck: good; Fretboard: rosewood; Frets: light wear; Electrics: working, upgraded P90 pickup and potentiometers; Hardware: generally good, upgraded Faber bridge, some tarnishing to metalware; Case: hard case; Weight: 3.34kg; Overall condition: good
£700-900
722.
Nashville Modified Japanese Fender Telecaster electric guitar; Body: Telecaster Custom body, modified and fitted with a B bender with Perspex back cover, some finish blemishes; Neck: maple, heavily reprofiled with thin V shape; Fretboard: maple, light wear spots throughout; Frets: mild wear; Electrics: upgraded pickups with three rare Velvet Hammer single coil pickups, push-pull pots and three-way switch; Hardware: Sperzel locking tuners, later single-ply guard, later control plate to fit additional controls; Case: Hiscox hard case; Weight: 3.49kg; Overall condition: good
£500-700
723.
Fender Jerry Donahue Signature Telecaster electric guitar, made in Japan; Body: three-tone sunburst finish, minor dings to top, a few bigger blemishes to back, minor surface scratches throughout; Neck: maple, V profile, neck heel slightly shaved; Fretboard: maple, light dots of wear through lacquer; Frets: mild wear including indents to first position; Electrics: working; Hardware: good; Case: Hiscox hard case; Weight: 3.52kg; Overall condition: good
£600-800
721
722
724.
1955 Martin D-28 acoustic guitar, made in USA; Back and sides: Brazilian rosewood, repaired patch to bass side rib, further repaired hairlines, scratching to back, a few binding repairs; Top: spruce, heavy wear around sound hole and pickguard, many repaired cracks, lacquer checking and other dings; Neck: mahogany, reset, head repair, refinishing, old tuner holes dowelled; Fretboard: ebony, minor wear; Frets: refret, worn with indents to first position; Hardware: replacement Grover tuners, bridge plate lifting from table; Case: Hiscox hard case; Overall condition: poor
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10MTYFBP (domestic use only)
£4000-6000
725.
2011 Fender Custom Shop David Gilmour Signature Black Stratocaster electric guitar, made in USA; Body: black finish, light marks including a couple of scratches/dings to top; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, papers and Black Strat book; Weight: 3.47kg; Overall condition: very good
£4000-6000
726.
2020 Fender Custom Shop Limited Edition 70th Anniversary Broadcaster electric guitar, made in USA; Body: Nocaster blonde relic finish upon two-piece ash body; Neck: 50s light relic; Fretboard: maple, light relic to first position; Electrics: working, hand wired '51 Blackguard pickups; Hardware: good; Case: original hard case with certificate of authenticity, Shop Floor Traveller, papers, and alternate control loom etc; Weight: 3.37kg; Overall condition: excellent
£2500-3000
727.
2021 Fender Custom Shop Troposphere Stratocaster Relic Limited Edition electric guitar, made in USA; Body: two-tone sunburst finished super faded/aged two piece alder; Neck: maple, heavy relic; Fretboard: relic'ing; Frets: good, medium vintage; Electrics: hand wired Troposphere single coil pickups; Hardware: good; Case: original hard case with certificate of authenticity, Shop Floor Traveller and papers; Weight: 3.25kg; Overall condition: very good £2500-3000
728.
Early 1990s Guild JF30-12 twelve string electro-acoustic guitar, made in USA; Body: blonde finished maple back and sides and spruce top, a few light surface scratches, otherwise very good; Neck: maple; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good £800-1000
729.
2004 Ovation Standard Elite 6778LX electro-acoustic guitar, made in USA; Body: sunburst finished spruce top and Lyrachord bowl back, a few minor scratches to edges and top; Neck: mahogany; Fretboard: rosewood, minor wear to first position; Frets: good; Electrics: working; Hardware: good; Case; Just in Case hard case; Overall condition: good £500-800
725 726
730.
736 (See page 95)
1999 Fender American Standard Stratocaster electric guitar, made in USA; Body: Aqua Marine metallic finish; Neck: maple, slight lacquer pulling; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: good, sticker burn to control cavity back plate; Case: original hard case with papers; Weight: 3.74kg; Overall condition: very good
£700-800
731.
1966 Fender Telecaster electric guitar, made in USA; Body: original finish stripped and natural wood oiled, surface buckle scratches to back, further dings and marks; Neck: maple; Fretboard: rosewood, light groove wear to first position; Frets: refret; Electrics: working, shielding foil around bridge pickup, 1966 potentiometers; Hardware: good, foil shielding to back of original pickguard; Case: period hard case; Weight: 3.38kg; Overall condition: good
£4000-5000
732.
2021 Fender Acoustasonic Telecaster electric guitar, made in USA; Body: mahogany with natural spruce top; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 2.28kg; Overall condition: very good
£700-1000
733.
1999 Gordon Smith Graduate 60 left-handed electric guitar, made in England; Body: amber burst figured maple top upon mahogany back, blemishes to back edges, further minor surface marks, blemish to top edge; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 4.08kg; Overall condition: good
£300-500
734.
2001 Taylor 410 acoustic guitar, made in USA; Back and sides: Ovangkol; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case with papers; Overall condition: excellent
£650-750
735.
2011 Fried van Doorslaer acoustic guitar; Body: 15" with walnut back and sides and spruce top, stable repaired hairlines to top, light play wear; Neck; mahogany; Fretboard: ebony; Frets: good, although edge sprouting; Hardware: good; Case: Hiscox hard case; Overall condition: good
£400-600
736.
2016 Fender Eric Clapton Stratocaster electric guitar, made in USA; Body: metallic pewter in excellent unmarked condition; Neck: maple with twenty-two fret maple fingerboard; Frets: good; Electrics: working; Hardware: good; Case: original hard case enclosing tags and accessories; Weight: 3.41kg; Overall condition: excellent
£1000-1500
737.
2016 Fender Classic Player 50s Baja Telecaster electric guitar, made in Mexico; Body: butterscotch finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: original bridge plate replaced with Bigsby trem setup, angled shim added to neck pocket to allow for better Bigsby angle; Case: CNB gig bag; Weight: 3.97kg; Overall condition: good
£450-550
738.
2015 Gretsch Streamliner G2420 hollow body electric guitar, made in Indonesia; Body: three-tone sunburst finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Weight: 3.09kg; Overall condition: good
£250-350
739.
2008 Fender Custom Shop Eric Clapton Stratocaster Limited Edition electric guitar; Body: Antigua finish; Neck: twenty-two fret maple board V profile neck; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags, papers and accessories; Weight: 3.90kg; Overall condition: excellent
*This guitar is from a Sam Ash limited edition run of only one hundred in this finish. Please note The CoA is dated 2012 as the original one was lost in transit from the US (having been bought by the vendor direct from the Sam Ash store in NYC).
£2500-3000
740.
1983 Fender Telecaster Elite electric guitar, made in USA; Body: black finish, a few very minor surface dings but generally very good, finish imperfection to edge back - bass hand side of lower bout; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.72kg; Overall condition: good
£1200-1600
739 740
741.
1970 Fender Hardtail Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, lacquer checking, dings, blemishes and scratches throughout, some routing to edges of pickup cavities; Neck: maple, lacquer wear to treble side, light lacquer wear to bass hand side, various minor dings and marks; Fretboard: rosewood, worn; Frets: worn; Electrics: working, 1970 pickups, 1970 tone potentiometers, volume potentiometer replaced, replacement switch; Hardware: replacement bridge saddles, some pickguard screws missing, pickguard screws heavily rusted, neck plate heavily rusted to top half; Case: original Selmer hard case; Weight: 3.08kg; Overall condition: fair
£4000-5000
742.
Fender Stratocaster electric guitar, made in USA, circa 1973; Body: blonde finish, lacquer checking to back, many dings and marks around, finish wear to edges, yellowing to finish, rout to humbucker position to house DiMarzio humbucker, other two routs slightly enlarged to house later pickups; Neck: maple with centre skunk stripe, various minor dings, original tuner holes dowelled; Fretboard: rosewood; Frets: mild wear, refret; Electrics: working, replacement pickups including DiMarzio humbucker to the bridge, black bobbin staggered neck and middle pickups; Hardware: generally good, replacement Schaller tuners; Case: original hard case; Weight: 3.50kg; Overall condition: fair
£1800-2200
743.
2012 Gibson Grabber III 70s Tribute bass guitar, made in USA; Body: black finish, a few dings to back edges, other light surface marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, (alternative mirrored scratchplate with lower pickup cover supplied); Case: original gig bag; Weight: 4.23kg; Overall condition: good £800-1200
744.
2008 Gibson Les Paul Studio electric guitar, made in USA; Body: ebony finished mahogany; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, minor tarnishing to gold plate; Case: original hard case with papers; Weight: 3.56kg; Overall condition: very good
£650-750
745.
1997 Taylor Limited Edition Cujo 14 acoustic guitar, made in USA; Back and sides: black walnut; Top: natural spruce, one minor ding to treble edge; Neck: mahogany; Fretboard: ebony inlaid film storyboard to the length; Frets: good; Hardware: good; Case: original hard case and papers; Overall condition: very good
*This model is a limited run of one hundred and twenty-five guitars, made from the famous four hundred year old black walnut tree that appeared in Stephen King's 1983 horror film Cujo, based on his novel of the same name. The movie was filmed on a ranch in California and when the tree died, the arborist contacted Bob Taylor who then had the idea to make a run of limited edition guitars out of it. This would become one of Taylor Guitars most elaborate projects with the fingerboard inlay being one of the most intricate that has ever been placed on a guitar. This fingerboard serves as a mini storyboard of the film, depicting the bat silhouetted against a full moon, the branches of the walnut tree, the barn from which Cujo launches his attacks and Cujo himself. The guitar's label is hand signed by both Bob Taylor and Stephen King. Sold with a VHS copy of the film.
£3000-4000
743
744
746.
2013 Gibson Custom Shop Keb' Mo' Signature Bluesmaster electroacoustic guitar, made in USA; Body: tobacco sunburst finished spruce top upon brown finished mahogany back and sides, light surface marks to back and sides, surface arm rubbing to top; Neck: mahogany, light wear to lacquer; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good £1500-1800
747.
2008 National Reso-Phonic Delphi resonator guitar, made in USA; Body: textured blue powder steel body with hotplate electric resonator plate installed (original cover included); Neck: sunburst finished maple, a few small blemishes to face of head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: replacement Grover tuners (originals included); Case: original hard case; Weight: 4.09kg; Overall condition: very good £1000-1500
748.
2012 Guild R-30 resonator guitar, made in USA; Body: two-tone sunburst finish, light surface scratches to back, a few minor dings to edges; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working, later installed Lace Sensor neck pickup wired through to end pin; Hardware: good; Case: original hard case; Weight: 3.00kg; Overall condition: good
£500-800
749.
Eastman AR372CE hollow body electric guitar, made in China; Body: three-tone sunburst finish; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working, Kent Armstrong humbucker pickups; Hardware: good; Case: original hard case with certificate of authenticity; Weight: 2.84kg; Overall condition: very good
£500-700
750.
Loar LH-400 acoustic archtop guitar, made in Korea; Body: sunburst finished laminated maple back and sides and spruce top; Neck: maple; Fretboard: rosewood; Frets: mild wear; Hardware: good; Case: Gear4Music hard case; Overall condition: good
£200-400
751.
Freshman FJ2 3TS hollow body electric guitar; Body: three-tone sunburst finished figured maple; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: later installed USA gold plate Bigsby, upgraded Gibson Deluxe tuners; Case: Kinsman hard case; Weight: 3.61kg; Overall condition: good
£200-300
752.
Seagull Coastline Cedar 12 twelve string acoustic guitar, made in Canada; Back and sides: cherry wood; Top: natural cedar; Neck: maple; Fretboard: rosewood; Frets: good; Hardware: good; Case: Mojo gig bag; Overall condition: very good
£200-300
753.
1963 Guild Black Star Starfire III hollow body electric guitar, made in USA; Body: natural finished top and sides and faded black stained back (original black finish faded from top and sides), various small blemishes and marks, some buckle scratching to back but generally good for age; Neck: mahogany, blemishes and various surface wear; Fretboard: rosewood, light surface wear to first position; Frets: mild wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.89kg; Overall condition: good for age
*The first Starfire models that were produced had a red finish. From 1962, three other colours were introduced: emerald green, ebony grain and honey amber. The green and black models were stained so the grain showed through, but they tended to fade under UV exposure, as this example as. The original strong black finish is visible under the bridge and pickguard, as it would have been seen originally.
*Sold with UK non-transferable domestic CITES A10 certificate (domestic use only)
£2500-3000
754.
Late 1940s Harmony Deluxe archtop guitar, made in USA; Body: tobacco sunburst finish, heavy checking, scratches, play wear and other dings; Neck: heavily worn; Fretboard: grey/white pearl; Frets: worn; Hardware: tarnishing to tailpiece, tarnishing to tuners, later pickguard, later bridge; Overall condition: fair
£200-300
755.
Baldwin 712 semi-hollow body electric guitar, made in England, circa 1967; Body: red finish, lacquer crack to side of bass F hole, further lacquer crack between bridge and vibrato, lacquer cracks and surface scratches to back; Neck: various dings; Fretboard: rosewood, mild wear; Frets: minor indent wear to first position; Electrics: working, although output low; Hardware: generally good, some tarnishing to smaller metal parts; Case: gig bag; Weight: 3.03kg; Overall condition: good for age
£500-600
756.
Late 1950s Marma bass guitar, made in Germany; Body: red finish with many blemishes and scratches, some age related finish stripping, various vacant holes to body end from previously installed tailpiece; Neck: large D profile neck with white finish, Hofner decal to head; Fretboard: rosewood; Frets: mild wear; Electrics: working, upgraded jack; Hardware: lower E tuner replaced, replacement tuner buttons, later tailpiece; Case: soft bag; Weight: 3.35kg; Overall condition: fair £200-400
757.
1960 Hofner 500/5 'Stu Sutcliffe' hollow body bass guitar, made in Germany, Body: brunette finish, thumb wear to bass side of fretboard, further finish dings and minor marks but generally very good; Neck: minor wear; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good
£1400-1600
758.
Elger hollow body electric guitar, made in USA, circa 1961; Body: cherry sunburst finish, lacquer checking throughout, further minor dings; Neck: lacquer checking; Fretboard: ebony; Frets: minor wear; Electrics: working; Hardware: generally good, later truss rod cover; Case: Westone hard case; Weight: 2.82kg; Overall condition: good for age
*Elger Guitars were based in Philadelphia and often used original Epiphone parts to construct their guitars. This particular guitar appears to be made using a late 1950s Epiphone Triumph Regent 17" body
£700-900
759.
NCG Custom Tele style electric guitar; Body: aged nitro lake placid blue finish on two piece ash; Neck: satin finished maple; Fretboard: AAA grade ebony; Frets: good, Jescar; Electrics: working, Fender pickups; Hardware: NCG bridge plate and anchor block, NCG neck plate, NCG control plate, Fender tuners; Weight: 4.25kg; Overall condition: very good
£400-800
760.
NCG Custom Tele type electric guitar, made in England; Body: blonde finished nitro relic ash; Neck: maple with satin aging; Fretboard: AAA grade ebony board; Frets: good, Jescar; Electrics: working, Seymour Duncan pickups; Hardware: NCG bridge plate and anchor block, NCG neck plate and control plate, Schaller tuners; Weight: 4.20kg; Overall condition: good
£400-800
761.
1990 Rickenbacker 620/12 twelve string electric guitar, made in USA; Body: Jetglo finish, mild lacquer checking throughout, various surface scratches and marks but generally acceptable for age; Neck: good; Fretboard: rosewood; Frets: minor wear and some small oxidisation spots; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.57kg; Overall condition: good for age
£1000-1500
762.
2014 Gibson Les Paul Classic 120th Anniversary electric guitar, made in USA; Body: ebony finish, lacquer checking, some minor scuffs to edges, minor binding split and pulling around lower bout; Neck: good, minor checking to back of head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.59kg; Overall condition: good
£1000-1200
763.
2019 Fender American Original 60s Custom Telecaster electric guitar, made in USA; Body: Fiesta red finish, some lacquer checks to front and back, further minor marks; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with papers; Weight: 3.73kg; Overall condition: good
£800-1000
764.
Kid's by Hiroshi Kido 'Rocky' Replica electric guitar, made in Japan, within original gig bag
*A rare replica of George Harrison's psychedelic 'Rocky' Stratocaster, made by highly skilled Japanese luthier Hiroshi Kido
£1800-2200
765.
1990s Levinson Blade Texas Vintage 50s electric guitar, made in Japan; Body: two-tone sunburst finished ash, a few light marks; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: gig bag; Weight: 3.63kg; Overall condition: very good
£500-700
766.
2003 C.F Martin 000-28LD Lonnie Donegan King of Skiffle acoustic guitar, made in USA; Back and sides: Indian rosewood, repair to treble side, various light scratches; Top: sunburst finished spruce, light dings and general play wear; Neck: mahogany, light wear and marks, lacquer filled ding to centre neck; Fretboard: ebony; Frets: light wear including minor indents; Hardware: generally good, some loss to gold plating; Case: original hard case (original handle missing); Overall condition: fair
*A limited edition signature guitar for the 'King of Skiffle' Lonnie Donegan. Only seventy-two were produced by Martin with an aim to raise money for the G.O.W.R. charity (The Grand Order of Water Rats) £2000-3000
767.
1958 Hofner President archtop guitar, made in Germany; Body: brunette finished maple back and sides and spruce top, a few minor lacquer checks and dings but generally very good for age; Neck: slight bow and reset would be beneficial; Fretboard: rosewood; Frets: light wear and oxidisation; Electrics: Electune neck pickup fitted with Hofner pre-amp unit included; Hardware: good; Case: original hard case; Overall condition: good
£300-500
768.
2016 Brook Torridge Custom electro-acoustic guitar, made in England; Back and sides: Indian rosewood; Top: natural spruce with treble cutaway; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case; Overall condition: very good
£1200-1800
769.
1982 Fender 'Dan Smith' Stratocaster electric guitar, made in USA; Body: sunburst finish, a few light marks including light surface buckle wear to back, generally very good for age; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: period shaped hard case; Weight: 3.34kg; Overall condition: very good
£800-1200
770.
1963 Guild Starfire III electric guitar, made in USA; Body: cherry finished mahogany, light buckle wear patch to back, a few scratches and dings but generally very acceptable for age; Neck: mahogany, patches of wear and various dings; Fretboard: rosewood, minor groove wear; Frets: good, refret; Electrics: working, rare white topped DeArmond pickups; Hardware: good; Case: original Selmer hard case enclosing original tag; Weight: 2.95kg; Overall condition: good for age
*This guitar is fitted with the rarer white topped DeArmond pickups, the same as used in the 50s by Gretsch 6120s. Guild guitars used black DeArmonds in the very early days, as did Gretsch, but were changed to white covers to signify the difference between the two brands. Guild only used these pickups until early 1963, even then, not on all models. Sold with UK non-transferable domestic CITES A10 certificate (domestic use only)
£3000-3500
771.
Hofner 456S archtop guitar, made in Germany, circa 1951; Body: brunette finish, light checking throughout, blemish to centre top, further dings and marks; Neck: good, previously reset with dowels visible to neck heel; Fretboard: rosewood, light wear; Frets: mild wear throughout; Electrics: later fitted Hofner Reissue neck pickup with 60s style controls and side jack; Hardware: generally good, replacement tuners, later installed strap button to heel; Case: modern hard case; Overall condition: good for age
£300-500
772.
Burns Flyte electric guitar, made in England, circa 1975; Body: cream/white finish, surface buckle scratching to back, various other dings and blemishes; Neck: generally good, bolt-on, various minor dings; Fretboard: ebonised; Frets: mild wear throughout; Electrics: working; Hardware: good; Case: wooden hard case; Weight: 3.02kg; Overall condition: good for age
*Made between 1974 and 1977, the rarely seen Burns Flyte was originally called the Concorde based on the shape of the aircraft £1500-2000
773.
Late 1970s Hofner Professional Line S7-12 Razerwood twelve string electric guitar, made in Germany; Body: walnut mahogany finish, light surface scratches and dings; Neck: sunburst finished maple; Fretboard: rosewood, light wear and dings, particularly to first position; Frets: mild wear throughout; Electrics: working; Hardware: good; Case: Ritter gig bag; Weight: 4.26kg; Overall condition: good
*An extremely rare guitar from Hofner's late 1970s Professional line £1000-1500
774.
2010 C.F. Martin D-28 left-handed electro-acoustic guitar, made in USA; Back and sides: east Indian rosewood, a few minor dings and surface scratches; Top: natural spruce, various minor dings; Neck: mahogany, dings behind first position, possibly left over from a capo; Fretboard: ebony; Frets: good; Electrics: working, K&K pickup installed and wired through end pin; Hardware: good; Case: original hard case; Overall condition: good £1400-1600
771 (See page 100) 772
773
774
775.
1967 Gibson Johnny Smith JSDN hollow body electric guitar, made in USA; Body: natural finished maple back and sides and spruce top, some minor lacquer checking and a few minor dings but generally very good for age; Neck: maple with head stinger; Fretboard: ebony with split block position markers, some splits to binding from shrinkage; Frets: good; Electrics: working, oxidisation to pickup covers from pickguard gassing; Hardware: generally good, some loss to gold plating, some gassing to pickguard; Case: original Lifton hard case with outer sleeve; Weight: 3.29kg; Overall condition: very good
*A clean original example of a 1967 Gibson Johnny Smith, albeit showing some typical age-related tarnishing to hardware. The guitar was purchased by the vendor in Australia in 1993 from the second owner. Interestingly, a letter from the second owner to the vendor states that the original owner was a friend of Bill Haley, who selected the guitar for him and shipped it from the US to Australia as a favour.
£9000-11,000
781 (See page 104) 782 (See page 104)
776.
1980 Fender Stratocaster electric guitar, made in USA; Body: refinished three-tone sunburst metallic, a few minor dings; Neck: maple, refinish, various dings and marks; Fretboard: maple, refinished, later pearl dot position markers fitted; Frets: worn; Electrics: working, 1980 dated pickups, lower potentiometer replaced, original potentiometers dated 1979, replacement switch; Hardware: generally good; Case: later Fender tweed hard case; Weight: 4kg; Overall condition: fair
£600-800
777.
1971 Fender Telecaster electric guitar, made in USA; Body: blonde finish, finish loss to edge at arm position, further dings and blemishes to edges, dings and marks to top, two drop-filled finish spots to top, further marks throughout; Neck: maple, August 1971 date stamp; Fretboard: rosewood, mild wear to first position; Frets: indent wear throughout; Electrics: working, 1966 dated potentiometers; Hardware: good, 1971 serial plate; Case: generic oblong hard case; Weight: 3.51kg; Overall condition: good for age
£4000-5000
778.
2019 Gibson Custom Shop J-185 Vintage acoustic guitar, made in USA; Body: thin nitrocellulose finished solid flame maple back and sides and thermally aged sitka spruce top; Neck: mahogany slim taper; Fretboard: rosewood; Frets: good; Hardware: good; Case: original hard case and papers; Overall condition: very good
£1800-2200
779.
2017 Sigma OOR-28VSE electro-acoustic guitar, made in China; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Viking fitted hard case; Overall condition: very good
£200-300
780.
JHS Vintage Paul Brett Signature VE8000PB-12 electro-acoustic twelve string guitar; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: very good
£200-400
781.
1973 Fender Precision Bass guitar, made in USA; Body: three-tone sunburst finish, buckle wear to back, finish wear to contour edges, further blemishes and other finish imperfections throughout; Neck: maple; Fretboard: rosewood; Frets: mild wear; Electrics: working, replacement Bartolini pickups; Hardware: replacement Badass bridge (original bridge retained), minor tarnishing to other hardware; Case: original hard case; Weight: 3.84kg; Overall condition: fair
£2000-3000
782.
Fender Precision Bass guitar, made in USA, circa 1974; Body: threetone sunburst finish, finish wear to contours, dings and blemishes throughout; Neck: maple, many dings; Fretboard: rosewood; Frets: mild wear throughout; Electrics: working, replacement potentiometers; Hardware: generally good, some tarnishing as to be expected for age; Case: later red label Fender hard case; Weight: 4.74kg; Overall condition: fair
£2000-3000
783.
1950s Hofner Committee archtop guitar in need of restoration, made in Germany; Body: blonde finished birds eye maple back and sides and spruce top, significant play wear to centre top, various other dings and marks; Neck: maple; neck heel restored with resin and will require resetting, bow to neck; Fretboard: ebony, mild wear; Frets: mild wear and tarnishing, top two frets missing; Hardware: non-original bridge, damages to tuner buttons; Weight: 2.48kg; Overall condition: in need of restoration
£300-400
784.
1971 C.F. Martin D12-20 twelve string acoustic guitar, made in USA; Back and sides: mahogany, light surface scratches and dings but generally very good for age; Top: natural sitka spruce, a few minor dings; Neck: mahogany; Fretboard: rosewood, minor groove wear to first position; Frets: good; Hardware: good; Case: original hard case; Overall condition: good
£1800-2200
785.
Steven Kinnaird OM acoustic guitar, made in USA; Back and sides: curly Claro walnut; Top: Engelman spruce; Neck: walnut with American sycamore stripe; Fretboard: Macassar ebony; Frets: good; Hardware: good; Case: original Cedar Creek hard case enclosing Kinnaird Guitars T-shirt; Overall condition: very good
£3000-4000
785
786.
1963 Fender Stratocaster electric guitar, made in USA; Body: threetone sunburst finish, a few very light surface marks, generally in exceptional condition for age; Neck: maple; Fretboard: rosewood; Frets: good, original; Electrics: working; Hardware: good; Case: original white tolex hard case with outer protective padded cover; Weight: 3.47kg; Overall condition: excellent
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10O3OMOW (domestic use only)
An exceptional collectors grade condition 1963 Fender Stratocaster, complete with original hang tag, bridge cover, strap, polishing cloth and case keys. The guitar is sold with copy receipts from from Marshall Music Co, Lansing, Michigan, dated May 1963 and an insurance valuation from Vintage & Rare Guitars, dated 25th October 2007, stating that this instrument is in exceptional 100% original condition and has an insurance replacement value of £45,000 £20,000-30,000
787.
2020 Fender Parallel Universe Troublemaker Telecaster Deluxe electric guitar, made in USA; Body: Olympic white finish with black top binding; Neck: roasted maple; Fretboard: ebony with pearl block inlay; Electrics: working, wide range humbucker pickups and Tele Deluxe controls; Case: original hard case with tags and papers; Weight: 4.45kg; Overall condition: very good
£1000-1200
788.
Squier by Fender JV Telecaster electric guitar, made in Japan, circa 1983; Body: trans butterscotch finish, buckle scratching to back, stand burn to bottom edge, other minor dings; Neck: maple; Fretboard: maple, minor dings; Frets: visible indent wear; Electrics: working; Hardware: generally good, some tarnishing to smaller metal parts; Case: modern Fender hard case; Weight: 3.83kg; Overall condition: good for age
£800-1200
789.
1994 Gibson Les Paul Studio Lite M-III electric guitar, made in USA; Body: trans blue maple top upon light mahogany back, minor dings and scuffs, surface swirl marks and other light wear to back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: non-original hard case; Weight: 3.52kg; Overall condition: good
£700-900
790.
1992 Gibson Les Paul Studio Lite M-III electric guitar, made in USA; Body: trans blue finished maple top upon mahogany back, buckle scratching to back, dings and other marks including chips to top edges; Neck: good, some lacquer checking to head face; Fretboard: ebony; Frets: minor wear; Electrics: working; Hardware: generally good, some rusting to smaller metal parts; Weight: 3.47kg; Overall condition: fair
£700-900
791.
2000 Yamaha SGV300 Flying Samurai electric guitar; Body: Canary Yellow finish, dings and small blemishes throughout; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, missing trem arm; Weight: 3.70kg; Overall condition: good
£300-500
792.
1963 Levin LM-26 acoustic guitar, made in Sweden; Body: sunburst finished maple back and sides and spruce top, hairlines to the waist at both sides, further hairlines to body end, hairlines to treble side of table, lacquer checking, dings and other wear throughout; Neck: mahogany, checking and heavy wear; Fretboard: rosewood, groove wear throughout; Frets: worn; Hardware: later Gibson Deluxe tuners, later strap buttons, control pot and jack installed to front and side of body (no longer in use); Overall condition: fair
£400-600
793.
2021 Charvel Joe Duplantier Signature Pro-Mod San Dimas Style 2 HH electric guitar, made in Indonesia; Body: natural finished mahogany; Neck: mahogany; Fretboard: ebony with block pearl inlay; Electrics: working; Hardware: good; Case: Tourtech hard case; Weight: 3.25kg; Overall condition: very good
£300-500
794.
1990s Charvel Surfcaster semi-hollow body electric guitar, made in Japan; Body: red finish quilted top upon natural mahogany back, a few light marks to top, blemishes to back edges and smaller dings to back; Neck: maple, bolt-on; Fretboard: rosewood; Frets: minor indent wear throughout; Electrics: working; Hardware: good; Case: Gear4Music hard case; Weight: 3.53kg; Overall condition: good £1000-1500
795.
1999 Jackson Surfcaster SC1 semi-hollow body electric guitar, made in Japan; Body: trans black finish, surface dings and light surface scratches; Neck: maple, light wear to finish behind third/fourth frets; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: generic oblong hard case; Weight: 3.40kg; Overall condition: good for age
£800-1000
796.
ESP 800 Series electric guitar, made in Japan, circa 1990; Body: cherry sunburst finish, blemishes, dings and surface scratches throughout; Neck: maple, various dings, wear to treble side of neck, hairline split to top of head edge into upper E tuner; Fretboard: rosewood; Frets: minor wear; Electrics: working, replacement Kent Armstrong STHR-1 rail pickup to the bridge position with coil switch added between controls; Hardware: missing trem arm, some loss to gold plating; Case: oblong hard case; Weight: 4.21kg; Overall condition: fair
£600-800
797.
1980s ESP 400 Series electric guitar, made in Japan; Body: red finish, light surface scratches and a few minor dings but generally good for age; Neck: maple; Fretboard: rosewood; Frets: light indent wear; Electrics: working; Hardware: generally good, some tarnishing to metalware, upper E tuning peg shaft bent; Case: Hiscox hard case; Weight: 3.49kg; Overall condition: good for age
£500-800
798.
Gibson Melody Maker electric guitar, made in USA, circa 1966; Body: Cardinal red finish, lacquer checking throughout, other dings and scratches but generally acceptable for age; Neck: mahogany, lacquer checking; Fretboard: Indian rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: non-original oblong hard case; Weight: 2.67kg; Overall condition: good for age
£1000-1500
799.
1970 Gibson SG Standard electric guitar, made in USA; Body: cherry refinish, light surface scratching to back; Neck: refinish with previous tuner holes dowelled; Fretboard: rosewood with pearl trapeze inlay; Frets: wear throughout with visible indents; Electrics: working; Hardware: generally good, some marks to metalware; Case: original hard case; Weight: 3.47kg; Overall condition: good
£2000-3000
794
798
800.
2013 Paul Reed Smith (PRS) Brent Mason Signature electric guitar, made in USA; Body: three-tone sunburst finished swamp ash, light buckle scratching to back and other minor surface marks; Neck: maple; Fretboard: maple with birds in flight position markers; Electrics: working; Hardware: good; Case: original hard case with tags and papers; Weight: 3.25kg; Overall condition: good
£1000-1500
801.
2005 Taylor T5-C1 hollow body electric guitar, made in USA; Body: amber burst finished figured maple top upon brown finish back, a few light marks but generally very good; Neck: good; Fretboard: ebony; Frets: minor indent wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.88kg; Overall condition: very good
£800-1200
802.
1986 Ibanez Roadstar II Series RG140 electric guitar, made in Japan; Body: red finish, light surface scratches and marks, generally good for age; Neck: maple, bolt-on; Fretboard: rosewood, light wear; Frets: good; Electrics: working, upgraded EMG active pickups; Hardware: good; Case: gig bag; Overall condition: good for age
£150-250
803.
1976 Fender Jazz Bass guitar, made in USA; Body: three-tone sunburst finish, buckle blemish to back, checking throughout, other dings and scratches; Neck: maple; Fretboard: rosewood with pearl block position markers; Frets: good; Electrics: working; Hardware: damage to pickguard on treble side of neck, replacement Babicz bridge (original retained), missing pickup cover, bridge cover included; Case: period hard case; Weight: 4.91kg; Overall condition: good for age
£1800-2200
804.
1975 Fender Precision Bass guitar, made in USA; Body: natural finish, light surface scratches and dings but generally very good for age; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good, original bridge and pickup cover included; Case: original hard case; Weight: 5.00kg; Overall condition: very good
£1800-2200
805.
1977 Fender Jazz Bass guitar, made in USA; Body: three-tone sunburst finish, dings throughout mainly located to edges, minor scratches and other marks, finish blemish around corner of neck plate; Neck: maple, finish buffed; Fretboard: rosewood; Frets: good; electrics: working, original volume potentiometer, 80s replacement tone potentiometer; Hardware: good, bridge and pickup covers included; Case: Gator hard case; Weight: 4.75kg; Overall condition: good for age
£1800-2200
806.
1984 Aria Pro II SB1000 bass guitar, made in Japan; Body: natural sen ash wings with maple and walnut centre stripe, minor dings and surface scratches including buckle wear to back; Neck: maple and walnut through-neck; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some tarnishing to bridge; Case: original hard case; Weight: 4.86kg; Overall condition: good
£1000-1500
807.
Leo Kottke - studio used 1942 D'Angelico New Yorker archtop guitar, made in USA; Body: two-tone sunburst finished maple back and sides, refinished; Top: sunburst finish spruce, refinished following restoration of minor cracks around tailpiece area; Neck: maple; Fretboard: ebony; Frets: good, professional refret; Hardware: generally good, slight tarnishing to original tailpiece, tarnishing to original Grover tuners; Case: period hard case; Overall condition: good for age
*This guitar was commissioned by jazz guitarist Connie Wainwright and collected from the John D'Angelico workshop on the 26th December, 1942. Subsequently, the guitar was owned by renowned US guitarist Leo Kottke, who has provided a handwritten note outlining the guitar's use in the studio and in which he says, "This is the best sounding New Yorker I've personally played...". A letter of appraisal from George Gruhn of Gruhn Guitars, Nashville, dated November 18, 2019 states the following. "... the fingerboard of this guitar has been professionally re-fretted by Gruhn Guitars. Upon examination this guitar appears structurally to be in excellent condition.... The neck and body have been professionally re-finished. In other respects this instrument conforms to the typical specifications for the model of this period...". This Gruhn letter is included in the sale. The vendor acquired the guitar from a collector in the Netherlands who had arranged for a repair and re-finish of the soundboard carried out by Frans Elferink, the eminent Dutch luthier. The repair to the guitar was aesthetic rather than structural and corrected some small cracks near the tail piece. and surrounding the strap button. At the time Connie Wainwright acquired the New Yorker, he was playing with the Earl Hines Big Band. Cliff Smalls (piano, trombone) describes joining the band in the summer of 1942 and meeting Connie who he described as, ".. a little, short fellow was the guitar player...". (pp266 "The World of Earl Hines"). Connie Wainwright worked with a number of big bands and has recorded with many leading jazz artists of the 1940s and 50s including Billy Eckstine, Sarah Vaughn, Miles Davis, Art Blakey and Hoagy Carmichael amongst many others. A CD of Miles Davis' 1946 recording of "Boppin' The Blues" is provided with the guitar in which Connie wainwright is listed as the guitarist on this recording. (While it is extremely probable, it is not known if he used the New Yorker for this recording) Leo Kottke has an international reputation as an acoustic guitarist and is renowned for his fingerpicking style drawing on jazz, blues and folk influences. In his note, Leo states that he bought this guitar in the early 1970s and attests that he used it on his ground breaking album, "Chewing Pine" in 1975. (A vinyl copy of the album is provided with the guitar). As of late 2024, Leo is still recording and touring in the United States. £15,000-25,000
808.
1970 Fender Precision Bass fretless bass guitar, made in USA; Body: three-tone sunburst finish, finish fading to front, heavy finish loss including scratches and blemishes throughout; Neck: maple, finish wear to sides, minor dings; Fingerboard: rosewood, light wear; Electrics: working, 1970 dated potentiometers; Hardware: replaced control knobs, missing finger rest, missing bridge and pickup covers, lower corner of pickguard damaged, general tarnishing and some rusting to smaller metal parts; Weight: 3.93kg; Overall condition: fair
£2000-3000
809.
Composite 1970s Jazz Bass guitar; Body: unknown sunburst finished body, heavy thumb groove wear between pickups, finish wear to arm contour, heavy finish loss to edges, buckle scratching to back, other marks; Neck: mid 1970s Fender Jazz bass neck with replacement ebony fretless board, heavy wear throughout; Electrics: working, Japanese potentiometers, unknown pickups but probably Fender; Hardware: original Fender tuners, 1975 serial plate, original Fender bridge, Fender strap buttons and control plate; Weight: 4.39kg; Overall condition: fair
£700-1000
810.
1979 Fender 25th Silver Anniversary Stratocaster electric guitar, made in USA; Body: metallic silver finish (typically discoloured to a green/yellow hue), a few minor marks but generally good for age; Neck: maple; Fretboard: maple; Frets: minor wear; Electrics: working; Hardware: good, replacement tuners; Case: original hard case and original certificate of merit; Weight: 4.50kg; Overall condition: good for age
£1500-2000
811.
1996 Fender 50th Anniversary Limited Edition Stratocaster electric guitar, made in USA; Body: sunburst finish figured maple veneer top and back, light buckle scratches to back; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender hard case; Weight: 3.74kg; Overall condition: good
*Part of a limited run of two thousand five hundred limited edition Fender Stratocasters made to celebrate Fender's fiftieth anniversary £700-1000
810
811
812.
1996 Gibson Chet Atkins Country Gentleman semi-hollow body electric guitar, made in USA; Body: wine red finished figured maple, light surface buckle scratching to back, a few further minor scratches; Neck: light wear and dings; Fretboard: ebony; Frets: good; Electrics: working, with original Gibson R492 pickup (unique to this model); Hardware: pickguard removed (gassing), light tarnishing to treble side of pickups from guard gassing, other minor gold plating loss; Case: original hard case; Weight: 3.75kg; Overall condition: good £1800-2200
813.
1978 Gibson Les Paul Standard electric guitar, made in USA; Body: amber burst refinish, various minor dings and surface marks; Neck: good, refinish; Fretboard: rosewood; Frets: light wear; Electrics: working, replacement Seymour Duncan pickups; Hardware: replacement Schaller locking tuners, replacement poker chip, replacement pickup surround, replacement control knobs, replacement jack plate, Kahler trem installed; Case: Stagg hard case; Weight: 4.85kg; Overall condition: good £1200-1500
814.
2012 C.F Martin DCPA4 Rosewood electro-acoustic guitar, made in USA; Back and sides: satin rosewood; Top: natural spruce, various minor impact dings; Neck: mahogany; Fretboard: ebony; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good £500-800
815.
2014 C.F Martin SS-000S-14 Show Special Limited Edition acoustic guitar made in USA: Body: walnut finish with Fleur de Lys inlaid centre strip to back, light surface buckle markings to back, slight raise to belly behind bridge; Neck: walnut; Fretboard: ebony with Fleur de Lys, diamond and snowflake inlays, special foliate CF Martin inlay to open head face; Hardware: good; Case: original hard case; Overall condition: good
*From a special limited run of thirty guitars only £4000-5000
816.
Noel Harrison - Mark Whitebook acoustic guitar, made in USA, circa 1971; Back and sides: three piece Indian rosewood back, Indian rosewood sides, heavy buckle wear to back, repaired hairline to lower bout treble side, repairs to treble side lower bout, repaired hairline to body end, further marks and wear; Top: natural spruce, repaired cracks to treble side, play wear around sound hole, various dings and other scratches; Neck: mahogany, heavy play wear throughout, head repair; Fretboard: ebony with diamond pearl inlay; Frets: good, refret; Hardware: Original Schaller MG6 tuners; Case: custom made heavy duty hard case bearing many bumper and other stickers from around the world; Overall condition: fair £7000-10,000
This guitar was Noel Harrison's main instrument and companion since he purchased it new from Fred Walecki's store in 1971, until he passed in 2013. About the guitar, his wife Lori stated it was "never out of sight or reach, whether on a long weekend to our favourite funky hideaway on a cliffside in Baja, desert camping among the gigantic rocks in Joshua Tree or on a 10 week My Fair Lady tour of Japan … noel wasn’t a “thing” person, preferring to keep it simple, but man was he passionate about his Mark Whitebook, often sharing it’s story with people he thought would appreciate it and ultimately loving it more than anything... in the 25 years we were together, I can count on one hand the number of days he didn’t pick it up … the night of 19th Octover 2013, "Tex & CP" (he and his partner’s stage names when playing his most adored country music), played an unexpectedly well-received and recorded gig at the Blackdog Townhall… unusually exhausted when he returned, Noel set down his guitar, climbed the stairs to our bedroom and died a few hours later". Despite the guitars "well used" appearance, it is still an incredible joy to play and a great sounding instrument, as the following video demonstrates. *Mark Whitebook is an acclaimed guitar maker, who in the 1970s had a cult following for his handmade guitars with a client list that included James Taylor, Carly Simon, Phil Keaggy and Clarence White. Between 1970 and 1980, Whitebook made a total of 70 guitars, before hanging up his tool to pursue another career. Of these early instruments, American singersongwriter and guitarist James Taylor, a six-time Grammy Award winner, and Rock and Roll Hall of Fame inductee, had 6 or 7, which he has used prominently throughout his career up until the present day. A 1984, issue of Guitar Player magazine features a cover photo of James Taylor holding one of Whitebook's maple dreadnoughts. Thirty-five years later, on the cusp of turning 66, Whitebook returned to building instruments, using his original tools and moulds that he had kept in storage. Between 2014 and his full retirement in 2019, he made another 29 guitars, taking his total output to 99. Mark Whitebook guitars are therefore rare and sought after, especially the early 'vintage' examples. This guitar is one of Whitebook's earliest builds, having been made no later than 1971. In his very early career, when this guitar was built, most of his sales were through Westwood Music, California, USA. Proprietor, Fred Walecki agreed to purchase all of the guitars he could provide to him. As a just-starting-out luthier, lacking an established reputation to bring customers directly to his shop, the relationship with Fred was a huge benefit. He was smart, knowledgeable, personable, and his shop was very well known in the contemporary Los Angeles music scene. It was here that Noel would have purchased this guitar and was the sole owner until his passing in 2013. The appearance of the guitar and the heavy duty case show how prominently it toured the world by his side. Adding to the guitars rarity, it is one of only a handful that are without a pearl 'W' to the head. This was a feature that Fred Walecki encouraged Whitebook to do for branding purposes. Mark told us: "Only a few months after this guitar was made, Fred Walecki implored me to add some sort of easily-visible identifying logo to the guitar, so that people would know what they were looking at; the shell “W” gracing the peghead of subsequent instruments was the result". Mark Whitebook has kindly supplied a signed document, confirming the specification, build and sale history of the instrument. Gardiner Houlgate would like to personally thank Mark for his assistance. An excellent Fretboard Journal podcast featuring Mark Whitebook's career can be heard here: https:// www.fretboardjournal.com/podcasts/podcast-151-luthier-mark-whitebook/. *Noel Harrison (1934-2013), son of British actor Rex Harrison, was an English actor and singer, having also competed in the British Olympic skiing team in the 1950s. Noel's biggest chart success was in 1968, with 'The Windmills of Your Mind', the theme tune for the 'The Thomas Crown Affair' film, which reached number 8 in the UK singles charts. The song also won the Academy Award for best original song. As a teenager, Harrison joined the Ipswich repertory theatre group and taught himself guitar. However, he spent most of his time on his main interest, Skiing. He became a member of the British ski team, becoming its first giant-slalom champion in 1953, and representing Great Britain at the 1952 Winter Olympics in Oslo, Norway, and at the 1956 Winter Olympics in Cortina d'Ampezzo, Italy. Harrison undertook National Service and, after leaving the army in the 1950s, toyed with the idea of becoming a journalist, but instead, concentrated on his guitar. His early break came when he took a regular part in the BBC Television programme, Tonight, as part of a team who sang the day's news in a calypso style. Around this time he also started playing professionally, around the tables in a Greek restaurant in London. He also made a living playing in bars and nightclubs all over Europe, including appearances at the Blue Angel nightclub in Mayfair, London. In the early 1960s, Harrison appeared in small roles in British films before moving to the United States in 1965. He worked as an entertainer, and had a track called 'A Young Girl', written by Charles Aznavour, reach the charts. This track would later appear on his debut album. He also appeared as Mark Slate in the NBC series 'The Girl From UNCLE' and then later 'The Man from UNCLE'. His television appearances and his top forty record secured Harrison a recording contract with Reprise who released three of his albums 'Collage', 'Santa Monica Pier' and 'The Great Electric Experiment is Over'. Collage reached number 135 in the US Billboard 200 chart. He also toured with The Beach Boys, Sonny & Cher and appeared on the Ed Sullivan Show. It was in 1968 he recorded 'The Windmills of Your Mind', the theme tune from the film The Thomas Crown Affair, which won the Academy Award for best original song and became a top ten hit in the UK singles chart. During the 1970s, as well as touring as a musician, Harrison toured the United States in productions of Camelot and The Sound of Music, also playing Henry Higgins in My Fair Lady. In 2004, Harrison returned to the UK, settling in Devon. He continued to sing, appearing in occasional concerts, recording and releasing self-produced albums. In June 2011, Harrison played at Glastonbury Festival's 'Sprit of 71' stage, marking forty years since his appearance at the second stage of the festival. The performance was televised by the BBC, including a backstage acoustic version of the song 'The Windmills of Your Mind'.
Gardiner Houlgate are delighted to offer this special guitar on behalf of Noel's wife.
817.
2004 C.F Martin HD-28VE electro-acoustic guitar, made in USA; Back and sides: Indian rosewood, light surface marks; Top: natural spruce, a few minor dings; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working, factory-fitted original Fishman Eclipse mic/pickup system; Case: original hard case; Overall condition: good
£2200-2600
818.
2012 Taylor K14CE electro-acoustic guitar, made in USA; Back and sides: natural highly figured koa; Top: natural spruce; Neck: mahogany; Fretboard: ebony with trailing vine inlay; Electrics: working; Hardware: good; Case: original hard case and papers; Overall condition: very good
£1200-1500
819.
1964 Rickenbacker Rose Morris 325 electric guitar, made in USA; Body: Fireglo finish, light buckle scratching to back, some finish loss to edging, further dings and surface scratches but generally good; Neck: finish loss behind first position, various minor dings; Fretboard: lacquered rosewood; Frets: light wear; Electrics: working, one replacement potentiometer; Hardware: generally good, light tarnishing and plate rubbing to bridge cover, surface plate loss to chrome plating; Case: original hard case; Weight: 2.96kg; Overall condition: good
*This guitar features in a article on page 15 of the May 2004 Guitarist magazine. Sold with a copy of this magazine and Tony Bacon & Paul Day's Rickenbacker book
£6500-7500
820.
1973 Rickenbacker 4001 bass guitar, made in USA; Body: Fireglo finish, surface buckle scratching to back, finish loss and blemishes to edges, further dings throughout but generally good for age; Neck: good; Fretboard: rosewood; Frets: wear throughout; Electrics: working; Hardware: generally good, some tarnishing; Case: Original Rickenbacker hard case Weight: 4.03kg; Overall condition: very good for age
£2500-2500
821.
1970s John Veleno electric guitar, made in USA; Body: gold plated billet aluminium body, plating flaking off and corrosion/tarnishing in exposed areas; Neck: plated, plate wear and pitting; Fretboard: wear to gold plate and some dings/pitting; Electrics: working, later DiMarzio pickups and wiring; Hardware: replacement Hex body screws, replacement bridge, replacement control knobs, replacement pickup surrounds, missing two screws to neck pickup surround; Weight: 3.85kg; Overall condition: fair
*Sold with a selection of worn and damaged parts to include two 70s DiMarzio humbucker pickups, original bridge, potentiometers, knobs, switches and various screws.
This guitar was discovered by the vendor in a UK antiques market, dismantled and in extremely tired condition with much of the exposed aluminium suffering corrosion. The vendor rebuilt the guitar using some later fittings, taking advice from son of John, Chris Veleno, with regards to the electrical wiring.
It is thought by some that this guitar may have previously belonged to Pete Haycock of The Climax Blues Band, however there is little evidence to support this.
John Veleno was a builder of guitars made entirely from aluminium which were unique at the time. He used his skills from his day job at St Petersburg, Florida, building aluminium electrical housings for space shuttles that were routinely launched from nearby Cape Canaveral. The unique build and look of John's guitars quickly made waves around the world, attracting many celebrity clients including Marc Bolan, Eric Clapton, Peter Haycock, Greg Allman, Ace Frehley, Todd Rundgren and Jeff Lynne to name a few. John completed nearly two hundred guitars before suffering from a stroke that sadly left him unable to continue his craft. Subsequently, his original instruments are a global rarity and command high premiums in the collectors market
£7000-10,000
822.
2009 Knaggs Severn Tier 2 electric guitar, made in USA; Body: alder, maple and mahogany; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.74kg; Overall condition: excellent
*An early serial number, falling within the first one hundred Knaggs guitars made
£1800-2200
823.
2019 Nik Huber Orca '59 electric guitar, made in Germany; Body: Atlantic blue deep quilted maple top upon mahogany back, one small ding to treble edge; Neck: mahogany; Fretboard: Brazilian rosewood with pearl trapeze inlay; Electrics: working, 1959+ bridge pickup and 1959 neck pickup; Hardware: good; Case: original hard case with certificate of authenticity and tags; Weight: 3.88kg; Overall condition: very good *Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10OWMWFS (domestic use only)
£5000-7000
824.
Steinberger GL2T electric guitar, made in USA; circa 1982; Body: black gloss finish, clouding and some lacquer imperfections; Neck: carbon; Fretboard: carbon; Frets: tarnished; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.81kg; Overall condition: good
£1500-2500
825.
Mosrite of California 'Ventures' style electric guitar, made in USA, circa 1967; Body: blue/green metallic finish, lacquer checking, dings and various scratches, finish chip to treble side; neck: maple, Ventures decal added to head face; Fretboard: rosewood; Frets: worn; Electrics; working; Hardware: good; Case: original hard case; Weight: 3.88kg; Overall condition: good
£1500-2000
826.
Wilson Brothers VM-65 Ventures electric guitar, made in Korea; Body: pearl metallic finish, Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 3.7kg; Overall condition: very good
£150-250
827.
1998 Andy Manson Mandolin Twin acoustic guitar and F-Style mandolin double neck, made in England; Back and sides: highly figured koa; Top: natural spruce with very minor dings; Necks: mahogany guitar neck and highly figured maple mandolin neck; Fretboards: ebony; Frets: good; Hardware: good; Case: fitted flight case; Overall condition: very good
£3000-4000
828.
1983 Andrew Manson 12/6 double neck nylon string electroacoustic guitar, made in England; Back and sides: bowl back multi-section figured maple back, minor scratches and checking; Top: spruce, minor dings; Necks: mahogany with rosewood friction pegs; Fretboards: rosewood, scalloped to six string side; Frets: good; Hardware: good; Case: fitted heavy duty flight case; Overall condition: very good
£2500-3500
829.
1984 Andy Manson Dove archtop guitar, made in England; Finish: sunburst, minor stable hairline crack to shoulder next to heel, small sliver infill to lower bout between two piece back, further minor dings; Fretboard: ebony; Frets: good; Electrics: working, Bartolini pickguard mounted pickup wired with volume and tone control through the end pin; Hardware: good; Case: Jack Clark hard case; Weight: 2.34kg; Overall condition: very good
*Small repairs carried out to a very high standard by luthier R J Aylward
£1500-2500
830.
1982 Andrew Manson Heron acoustic guitar, made in England; Back and sides: mahogany, a few minor marks and scratches; Top: spruce, minor lift behind bridge, minor hairline to centre join at lower bout, finish wear to treble side of sound hole; Neck: mahogany, surface lacquer wear throughout; Fretboard: ebony; Frets: good; Hardware: good; Case: later Manson branded Hiscox hard case; Overall condition: good for age
*At the time of manufacture, this guitar was known as the Heron model. Andy Manson changed his model designations in 1990, and the Heron became known as the Dove.
£1500-2000
831.
2000 Stefan Sobell Model 1 acoustic guitar; Back and sides: Indian rosewood; Top: natural spruce, one small ding to lower bout; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted Taylor hard case; Overall condition: very good
£5000-7000
831 (See page 117)
(See page 119)
832.
1976 Anthony Zemaitis Custom electric guitar, made in England; Body: mahogany body with Danny O'Brien engraved alloy metal front plate, plain alloy control panel to back, various scuffs and dings to be expected for age; Neck: mahogany with gothic style carved head; Fretboard: ebony with typical Zemaitis pearl position markers; Electrics: working; Hardware: good, Zemaitis tooled stop bar and bridge with engraving to top of stop bar, Schaller tuners and other miscellaneous hardware; Weight: 4.43kg; Overall condition: good for age
*Made for Melvin Whittaker by Anthony Zemaitis in 1976. This guitar appears in a photograph in The Z Gazette, issue 14, spring 2000 where Melvin Whittaker's collection is featured. Sold with a certificate of authenticity from Keith Smart, chairman of The Zemaitis Owners Club, confirming the guitar to be a genuine example.
£7000-10,000
833.
Jaco Pastorius interest - 1974 Anthony Zemaitis Custom four string fretless bass guitar, made in England; Body: mahogany body with Danny O'Brien engraved alloy metal front, alloy metal back panels, various dings and scratches as to be expected for age; Neck: mahogany with unusual gothic style nomenclature shape, some dings; Fingerboard: ebony with pearl dot position markers and boxwood fret markers; Electrics: working, fitted with Fender pickups and with three-way pickup selector switch; Hardware: good, hand tooled bridge and engraved stop bar, Schaller tuners; Weight: 5.20kg; Overall condition: good
*Made by Tony Zemaitis for Melvyn Whittaker in 1974. Returned to Tony circa 1978 to be converted to a fretless bass. Played by Jaco Pastorius in Oxford, England, circa 1979. In a spring 2000, issue 14 of The Z Gazette, an interview between Keith Smart and Melvyn Whittaker discusses the history of this bass guitar. The article includes photos of Mel's collection and images of legendary bassist Jaco Pastorius playing it. When Jaco's band were playing in Oxford, England, circa 1979, Mel had a guest list pass via the band's guitar tech. As Jaco predominantly used a fretless bass, Melvyn took it along assuming that it may interest him. Following a soundcheck, the pair met and Jaco played it for nearly an hour, commenting 'What an instrument, this is the most incredible instrument that I've ever played in my life'. Further comments in the feature discuss the pickups, where Mel recalls that they were from an original Fender Telecaster bass that had been given to Tony by Ian McClagan (Faces/Small Faces). Sold with a certificate of authenticity from Keith Smart, confirming that this is a genuine Anthony Zemaitis guitar, made for Mel Whittaker in 1974.
£7000-10,000
834.
2023 Gordon Smith GS2-60JL John Lennon Tribute left-handed electric guitar, made in England; Body: cherry finish mahogany; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity; Weight: 3.24kg; Overall condition: excellent
£500-800
835.
1991 Jean Larrivee 09 acoustic guitar, made in Canada; Back and sides: natural highly figured maple; Top: natural spruce, a few minor dings; Neck: mahogany; Fretboard: ebony; Frets: light wear; Hardware: minor hairline through bridge pins on bridge plate; Case: original hard case; Overall condition: very good
£900-1100
836.
1981 John Hullah acoustic bass guitar, made in Preston, England; Body: figured maple back and sides, deep body with natural spruce top, some parting to centre top, some lifting to belly behind bridge, scratches and dings to top, back and sides, surface buckle scratches to back; Neck: maple, visible bow; Fretboard: ebony; Frets: tarnishing and oxidisation, minor wear; Hardware: generally good, Schaller tuners; Case: bespoke fitted hard case; Overall condition: fair
£250-450
837.
2020 Kris Richmond acoustic guitar, made in Wiltshire, England; Back and sides: walnut; Top: natural spruce, light play wear and dings; Neck: walnut; Fretboard: walnut with maple binding; Frets: good; Hardware: good; Case: Cort gig bag; Overall condition: good
£700-1000
838.
1992 Ralph Bown acoustic guitar, made in York, UK; Back and sides: rosewood, a few very minor dings; Top: natural spruce, minor hairline between bridge and body end, another hairline at upper bout on bass side of fretboard; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working, LR Baggs pickup fitted; Hardware: good; Case: fitted hard case; Overall condition: good
£2200-2800
839.
Shane Haigh Custom electric guitar, made in England; Body: natural finished mahogany; Neck: bolt-on maple with twenty-two fret rosewood fingerboard; Frets: good; Electrics: working, Seymour Duncan humbucker pickups; Hardware: good, Sperzel locking tuners, hardtail bridge; Case: Stagg gig bag; Weight: 3.37kg; Overall condition: good
£300-500
840.
Eastwood Airline '59 3P DLX electric guitar, made in Korea; Body: white finish, light marks to back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags; Weight: 3.78kg; Overall condition: good
£300-500
838
841 (See page 120)
841.
1979 Ibanez Artist 2630 semi-hollow body electric guitar, made in Japan; Body: tobacco sunburst finish, a few dings to top, light surface scratching to back, lacquer yellowing and cracking to binding; Neck: good; Fretboard: ebony; Frets: good, oxidisation and tarnishing to upper frets; Electrics: working; Hardware: gassing and crystalising to pickguard, heavy oxidisation and corrosion to pickup covers caused by pickguard gassing, oxidisation to switch ring and pickguard bracket, rusting to smaller metal screws, tarnishing and gold plating loss to bridge and stop bar, gold plating loss to tuners, missing D tuner gear cover, replacement control knobs; Case: Epiphone hard case; Weight: 3.94kg; Overall condition: fair
£700-1000
842.
1978 Ibanez Artist 2622 'Steve Miller' electric guitar, made in Japan; Body: tobacco sunburst finish, heavy dings and blemishes to back edges, scratches and other marks throughout; Neck: dings throughout, dowelled tuner holes to back of head; Fretboard: ebony; Frets: minor wear; Electrics: in need of attention, coil switch shaft damaged; Hardware: loss to gold plating, some tarnishing to bridge, replacement Gotoh tuners; Case: original hard case; Weight: 4.16kg; Overall condition: fair
£600-800
843.
1978 Ibanez Artist 2622 'Steve Miller' electric guitar, made in Japan; Body: tobacco burst finish, minor dings to front, blemishes and scrapes to back edges, minor scratches and dings to back, deterioration to binding with heavy rot and loss within cutaways, further cracking and discolouration throughout; Neck: good; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: loss to gold plate, tarnishing to bridge and stop bar, plating loss to control cavity covers; Case: original hard case; Weight: 4.19kg; Overall condition: fair
£600-800
844.
1978 Ibanez Artist 2640 12/6 double neck electric guitar, made in Japan; Body: tobacco sunburst finish, minor surface scratches to back; Necks: good; Fretboards: rosewood; Frets: some oxidisation and tarnishing; Electrics: working; Hardware: minor loss to gold plating in places, some tarnishing to bridges; Case: original hard case; Weight: 7.29kg; Overall condition: very good £1000-1500
845.
1978 Ibanez Musician MC400 electric guitar, made in Japan; Body: natural ash and mahogany pancake body, light dings throughout, a few larger dings to edges; Neck: maple through neck; Fretboard: ebony; Frets: good; Electrics: working; Hardware: typical gold plating loss, minor tarnishing to bridge, D tuner gear cover missing; Case: original shaped hard case; Weight: 4.15kg; Overall condition: good for age £600-800
846.
1983 Greco Roland G-505 electric guitar with GR-300 Polyphonic Guitar Synthesizer pedal unit; Body: candy apple red finish, dings and blemishes mainly located to the edges, further scratches to top and back; Neck: minor dings and marks; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: semi-rigid fibreboard case; Weight: 3.52kg; Overall condition: good
£2000-2500
847.
1978 Greco Roland GR500 guitar synthesizer electric guitar and controller, made in Japan; Body: tobacco sunburst finish, a few light scratches to back, various finish blemishes and other minor dings to edges but generally very good for age; Neck: a few minor dings; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, 'Guitar Synthesizer' switch tip damage, loss to gold plating; Overall condition: good for age
*This guitar is sold with its synthesizer control unit, multi-pin cable and a copy of the instruction manual £1000-2000
848.
Godin Summit electric guitar, made in Canada; Body: three-tone sunburst finished maple topped chambered Canadian Laurentian Basswood, light surface imperfections, two small blemishes to back edge towards body end; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.66kg; Overall condition: very good
£500-700
846
847
849.
Godin Flat Five X semi-hollow body electric guitar, made in Canada; Body: tiger burst figured maple top upon silverleaf maple and poplar back; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.54kg; Overall condition: very good
£500-700
850.
2000 Aria Pro II IGB-68 five string bass, made in Korea; Body: natural ash; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Brandoni custom gig bag; Weight: 4.21kg; Overall condition: good
£150-250
851.
1964 Hofner 500/1 violin bass guitar, made in Germany; Body: brunette finish, heavy wear to bass side of neck pickup, further dings and scratches to be expected for age; Neck: good, reset with replacement binding to neck heel area; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good although tarnishing as consistent for age; Case: original Selmer hard case bearing Kitchens label; Weight: 2.14kg; Overall condition: good
£1800-2200
852.
1960 Hofner President Thin electric guitar, made in Germany; Body: brunette finish, heavy checking and marks to front, light marks to back; Neck: finish worn throughout; Fretboard: rosewood; Frets: light wear; Electrics: working, replacement controls and control plate (original retained); Hardware: typically tarnished; Case: original damaged hard case; Weight: 2.08kg; Overall condition: fair
£300-500
853.
Fret King Super-Matic electric guitar; Body: three tone sunburst finish; neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Weight: 3.72kg; Overall condition: very good
£150-250
854.
Alpher Opah Prime Thinline electric guitar, made in England; Body: walnut top upon black limba body; Neck: highly figured roasted maple; Fretboard: ebony; Frets: good; Electrics: working, Lollar Filtertron pickups; Hardware: good; Case: Gator hard case; Weight: 3.51kg; Overall condition: very good
£800-1200
855.
Hammett H161 Slim Twin electric guitar, made in England; Body: red burst finished maple and sycamore with shell binding; Neck: mahogany; Fretboard: ebony; Frets: good; Electric: working, Mojo Hershey pickups; Hardware: good; Case: original hard case; Weight: 2.72kg; Overall condition: very good
£800-1200
851
854
856.
1973 Jacques Favino Modele #10 gypsy jazz acoustic guitar, made in Paris, France; Back and sides: rosewood, light finish pulling and checking to sides, various minor dings and scratches; Top: natural spruce, wear to treble side of sound hole now covered by Perspex protection plate, further scratches and marks throughout; Neck: walnut, wear throughout; Fretboard: ebony; Frets: worn; Hardware: generally good, replacement D tuner button and shaft; Case: later hard case; Overall condition: fair
£5000-8000
857.
1960s composite lap guitar, using Guyatone parts, with original case, tone bars, picks and a selection of vintage and later method books
£80-120
858.
2014 Cole Clark Fat Lady Talisman 2 electro-acoustic guitar, made in Australia; Back and sides: Blackwood, buckle scratches to centre back, further minor scratches and dings; Neck: Queensland maple; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good
£400-600
859.
2017 Eastman T386 semi-hollow body electric guitar, made in China; Body: violin finished maple; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity; Weight: 3.56kg; Overall condition: very good
£400-600
860.
Seagull Performer CW Concert Hall electro-acoustic guitar, made in Canada; Back and sides: maple; Top: tobacco sunburst finished spruce, minor imperfections to lower bout towards body end; Neck: maple; Fretboard: rosewood; Frets: minor tarnishing; Case: Gear4Music compressed foam case; Overall condition: good £250-350
861.
Optek FG-200 Series Fretlight electric guitar; Body: natural finish; Neck: maple, hairline lacquer crack through centre; Fretboard: rosewood with LED position lights; Electrics: untested (PSU missing); Hardware: good; Case: oblong hard case; Weight: 3.29kg; Overall condition: very good
£100-200
862.
1950s Framus Black Rose archtop guitar, made in Germany; Body: Black Rose finish, lacquer checking, scrapes and other marks; Neck: light checking and dings, minor bow; Fretboard: ebonised with pearl position markers; Frets: mild wear and oxidisation; Hardware: generally good, tarnishing to metal parts; Overall condition: fair £200-300
863.
1996 Fender Stratocaster electric guitar, made in Japan; Body: candy apple red finish, two large blemishes to front edge, lacquer split between neck plate and cavity plate, a few other minor dings; Neck: lacquer removed to allow for satin feel; Fretboard: maple; Frets: refret with larger frets; Electrics: working; Hardware: generally good, some minor rusting to bridge saddles; Case: Fender gig bag; Weight: 3.60kg; Overall condition: fair £300-500
864.
1968 Levin LT-18 Goliath acoustic guitar, made in Sweden; Back and sides: maple, repaired hairline to body end, cleated repaired splits to treble waist, other surface scratches and dings; Top: natural spruce, slight bellying to lower bout, lacquer checking and various dings; Neck: mahogany, lacquer checking and minor dings; Fretboard: ebony, surface wear; Frets: mild wear; Electrics: later installed transducer pickup wired to input jack at body end; Hardware: later Kluson style tuners; Case: fitted hard case; Overall condition: fair £500-700
865.
JHS Vintage Paul Brett Signature VE8000PB-12 twelve string electro-acoustic guitar; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working, Creamery Ric sound hole pickup installed; Case: original hard case; Overall condition: very good £150-250
866 (See page 123)
867 (See page 123)
866.
2009 Gibson J-45 Standard electro-acoustic guitar, made in USA; Back and sides: mahogany; Top: sunburst finished spruce; Neck: mahogany; Fretboard: rosewood; Frets: generally good, light tarnishing; Case: original hard case and papers; Overall condition: excellent £1200-1600
867.
2016 Gibson '76 Pete Townshend Les Paul Deluxe Limited Edition electric guitar, made in USA; Body: gold top finish upon mahogany body; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working, Pete Townshend spec; Hardware: good; Case: original hard case and tags; Weight: 4.77kg; Overall condition: very good
*From a limited run of 150 guitars produced, recreating the spec of Pete Townshends iconic 1976 Gibson Les Paul Deluxe £1800-2200
868.
2015 Gibson Les Paul Deluxe electric guitar, made in USA; Body: gold finished top upon natural mahogany back, a few light lacquer checks to top; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 4.42kg; Overall condition: very good £800-1200
869.
1972 Fender Jazz Bass guitar, made in USA; Body: three-tone sunburst finish, small buckle blemish to back, further minor surface buckle scratches, dings and other marks but generally acceptable for age; Neck: maple; Fretboard: rosewood; Frets: light wear, some oxidisation - heavier to the upper frets; Electrics: working, although minor adjustment needed to output jack; Hardware: good, some tarnishing to metal parts including bridge cover; Case: period Fender branded hard case; Weight: 4.15kg; Overall condition: good £2000-3000
870.
1970s Yamaha FG-180 acoustic guitar, made in Taiwan (red label); Back and sides: mahogany, scratches covering back, further dings and scratches to sides; Top: natural spruce, light lifting to belly, various scratches and dings; Neck: mahogany, slight bow; Fretboard: rosewood, groove wear to first position; Frets: worn; Hardware: good; Case: Himalayan hemp gig bag; Overall condition: fair
£150-250
871.
Mid 1960s Levin LT-18 twelve string acoustic guitar; Back and sides: mahogany back with maple sides, appears refinished, various dings and scratches; Top: natural spruce, various blemishes and dings and general play wear, slight lift to belly; Neck: mahogany, slight bow; Fretboard: rosewood; Frets: good, refret; Hardware: good; Case: period hard case (damage to hinges); Overall condition: fair
£300-500
872.
1995 Epiphone Joe Pass Emperor hollow body electric guitar, made in Korea; Body: sunburst finished maple back and sides and spruce top, a few light marks and dings but generally acceptable for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, mild loss to gold plating - particularly to pickup covers; Case: Stagg hard case; Weight: 3.08kg; Overall condition: good
£250-350
873.
2001 Ernie Ball Music Man Stingray 2 EQ H bass guitar, made in USA; Body: translucent teal finished body; Neck: maple; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.41kg; Overall condition: very good
£800-1200
874.
2004 Line 6 Variax bass guitar, made in Korea; Body: black finish, a few light scratches but generally very good; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: gig bag with associated cables; Weight: 4.42kg; Overall condition: very good
£250-350
875.
Washburn D-60-E electro-acoustic guitar, made in Japan, circa 1987; Back and sides: Indian rosewood, a few light surface scratches and dings; Top: natural spruce, various minor dings; Neck: mahogany; Fretboard: rosewood, groove wear to first position; Frets: indent wear throughout; Electrics: working, although battery tab requires replacement; Hardware: good; Case: Hiscox hard case; Overall condition: good for age
£200-300
868
869
876.
Tokai Explorer electric guitar, made in Korea; Body: sky blue finish, chips to points, further minor dings; Neck; good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: light loss to gold plating, otherwise good; Case: Ibanez Explorer hard case; Weight: 3.93kg; Overall condition: good
£300-400
877.
2008 Tokai Explorer electric guitar, made in China; Body: amber finish, minor dings to edges, further minor surface marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, minor tarnishing to gold hardware; Case: RokSak gig bag; Weight: 4.03kg; Overall condition: good
£200-300
878.
2009 Tokai SG electric guitar, made in China; Body: cherry finish, a few light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Schecter gig bag; Weight: 3.04kg; Overall condition: very good
£200-300
879.
2006 Gretsch Electromatic G5236T Jet electric guitar, made in China; Body: black finish, paint chip to treble side of top, further light surface marks, back with many blemishes to edges and surface scratching to centre back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, damage to switch tip shaft; Case: TGI soft bag; Weight: 4.20kg; Overall condition: fair £180-220
880.
Custom build T-Type electric guitar; Body: Olympic white finished Tele style body, small lacquer crack to edge of neck plate; Neck: figured maple; Fretboard: figured maple with abalone position markers; Frets: good; Electrics: working, Fender Custom Shop Texas Special pickups with CTS pots and Switchcraft switch; Hardware: good, Fender Road Worn Series bridge, Road Worn control knobs and strap buttons, 1970s style Fender tuners; Case: Gear4Music hard case; Weight: 3.30kg; Overall condition: good £200-400
881.
Custom build S-Type electric guitar; Body: blonde finished Strat Type body; Neck: figured maple C profile neck; Fretboard: maple with abalone inlay; Frets: good; Electrics: working, Fender Yosemite pickups with Metric Alpha pots; Hardware: good, locking tuners, Fender bridge saddles, Fender trem; Case: Gear4Music hard case; Weight: 3.57kg; Overall condition: good £200-400
884
886 (See page 125)
882.
Custom build LP style electric guitar; Body: blue burst figured maple top upon natural mahogany body; Neck: good; Fretboard: rosewood with pearl block inlay; Electrics: working, Epiphone Alnico Zebra Pro humbuckers with coil split wiring loom and Epiphone pots; Hardware: good, Grover Rotomatic tuners, Epiphone bridge and saddle; Case: Fazley hard case; Weight: 3.95kg; Overall condition: very good £200-300
883.
C.F. Martin LX1RE Little Martin electro-acoustic travel guitar, made in Mexico, with SKB hard case and original gig bag £200-300
884.
Patrick James Eggle Saluda acoustic guitar, made in England; Back and sides: Indian rosewood, light surface scratches to centre back, further minor marks but generally very good; Top: natural spruce, minor play wear to treble side of upper E string; Neck: mahogany; Fretboard: ebony, mild wear to first position; Frets: minor wear; Hardware: good; Case: Hiscox hard case; Overall condition: very good *Sold on behalf of English singer-songwriter Keith Christmas £1200-1800
885.
1990 Takamine FP-360 electro-acoustic guitar, made in Japan; Back and sides: Indian rosewood, buckle scratching to centre back, further minor dings; Top: natural spruce, various minor dings throughout; Neck: mahogany; Fretboard: rosewood, groove wear throughout, customised initial inlay to twelfth fret; Frets: visible wear throughout; Case: Hiscox hard case; Overall condition: good for age
£300-500
886.
1995 Gibson Flying V electric guitar, made in USA; Body: wine red finish, blemishes and marks to edges, further surface scratches and scuffs throughout; Neck: a few blemishes; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: missing reflector cap to lower tone control, split to truss rod cover point, small splits to pickguard; Case: original hard case; Weight: 3.38kg; Overall condition: fair
£700-1000
887.
1984 Ibanez AE302 twelve string acoustic guitar, made in Japan; Back and sides: mahogany, some light surface marks; Top: natural spruce; Neck: mahogany, blemish to edge of fifth fret; Frets: mild wear; Hardware: good; Overall condition: good
£200-300
888.
Burns Club Series Double Six twelve string electric guitar; Body: red burst finish, light marks and dings; Neck: good, bolt-on, a few chips to tip of head; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good
£250-350
889.
2021 Gretsch Streamliner G2622LH left-handed electric guitar, made in Indonesia; Body: olive green finish, light surface marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gewa hard case; Overall condition: good £200-400
890.
1970s Ibanez 2372 'Les Paul Professional' electric guitar, made in Japan; Body: walnut finished mahogany, minor surface scratching to back, minor dings to edges; Neck: bolt-on, a few scuffs; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: generally good, missing switch tip, replacement control knob; Case: original hard case; Weight: 4.65kg; Overall condition: good £400-600
891.
1970s Antoria Flying V electric guitar, made in Japan; Body: natural finished sen ash, large strip of finish loss to bass side top edge, further dings and marks; Neck: generally good, small chip to back of head toward the side of stinger; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: replacement control knobs, some tarnishing to metal parts, loss to gold plating; Weight: 3.62kg; Overall condition: good for age
£500-700
892.
Late 1960s Gibson EB-0 bass guitar, made in USA; Body: cherry finished mahogany, finish loss and wear to bass hand side of lower E string, further dings and marks throughout; Neck: blemishes and wear, most significantly to treble side of neck; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, missing bridge cover, some tarnishing to chrome; Case: non-original hard case; Weight: 3.07kg; Overall condition: fair - good for age
£1200-1800
893.
2011 Gibson Faded SG bass guitar, made in USA; Body: faded cherry finish, a few minor dings; Neck: good; Fretboard: baked maple; Frets: mild tarnishing, otherwise good; Electrics: working; Hardware: good, some rusting to smaller metal screws; Case: original hard case with tags; Weight: 3.62kg; Overall condition: good
£400-600
894.
Crimson Guitars Robert Fripp Signature electric guitar, made in England; Body: vintage white finish with translucent top, a few minor dings; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case; Overall condition: very good
£1000-1500
895.
1981 Gibson ES335TD semi-hollow body electric guitar, made in USA; Body: tobacco sunburst finish, minor scratches and dings but generally good for age; Neck: brown finished maple, minor dings; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, later fitted Bigsby vibrato; Case: original hard case; Overall condition: good
£2000-2500
891
892
896.
2012 Line 6 James Tyler Variax electric guitar, made in Korea; Body: sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag enclosing power supply and cables; Weight: 3.67kg; Overall condition: excellent
£300-500
897.
1964 Hofner Senator bass guitar in need of restoration
£200-400
898.
1990 Gretsch Silver Jet 6129-1957 electric guitar, made in Japan; Body: silver sparkle finished top upon brown back, a few light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.24kg; Overall condition: very good
£1000-1500
899.
1990 Gretsch Jet Firebird 6131 electric guitar, made in Japan; Body: red finished top upon brown finished back, a few light surface marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.18kg; Overall condition: very good
£1000-1500
900.
1990 Gretsch Country Classic I 6122 semi-hollow body electric guitar, made in Japan; Body: walnut finish; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.31kg; Overall condition: very good
£1200-1800
901.
1984 Roland G-707 guitar controller, made in Japan; Body: black finish, a few marks and dings but generally very good for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, replacement Seymour Duncan FS-1 Force Red pickups with coil switching added behind bridge; Hardware: good; Case: original hard case enclosing instruction manual; Overall condition: good
£700-900
902.
1996 Fender Custom Shop Cunetto 50s Stratocaster Relic electric guitar, made in USA; Body: see-through blonde Cunetto relic; Neck: maple; Fretboard: maple, relic; Frets: good; Electrics: working; Hardware: good; Case: original tweed hard case; Weight: 3.46kg; Overall condition: very good
£2500-3000
903.
1997 Fender Custom Shop Cunetto Relic Nocaster electric guitar, made in USA; Body: blonde Cunetto relic finish; Neck: figured birds eye maple; Fretboard: figured birds eye maple with light Cunetto relic; Frets: good; Electrics: working; Hardware: good; Case: Fender tweed hard case enclosing certificate of authenticity and accessories; Weight: 3.32kg; Overall condition: very good
£2500-3500
894 (See page 125)
904.
Custom Made T-Type electric guitar; Body: surf green relic bound Tele Custom type body; Neck: relic'ed maple; Fretboard: rosewood; Frets: good; Electrics: working, Seymour Duncan SD2902N neck pickup, unknown bridge pickup; Hardware: good, Gotoh In Tune bridge plate and further miscellaneous hardware; Weight: 3.86kg; Overall condition: good £200-400
905.
Cordoba Stage electric hybrid nylon string guitar, natural finish with original gig bag
£200-300
906.
2008 Fender Custom Shop David Gilmour Signature Black Strat Relic electric guitar, made in USA; Body: black relic finish; Neck: maple; Fretboard: maple, light relic; Electrics: working; Hardware: good, missing trem arm; Case: original hard case with certificate of authenticity, papers and Black Strat book; Weight: 3.64kg; Overall condition: good
*A first year example from the first batch of David Gilmour replica Strat's, released by the Fender Custom Shop in 2008. £6000-8000
907.
2011 Sound Gear by Ibanez SR300 bass guitar, made in Indonesia; Body: metallic orange finish; Neck: maple and bubinga; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 3.50kg; Overall condition: very good £100-200
900 (See page 126)
901 (See page 126)
902 (See page 126) 903 (See page 126)
908.
2007 Fender FSR Deluxe Jazz Bass guitar, made in Mexico; Body: natural finished ash; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Fender gig bag; Weight: 4.18kg; Overall condition: very good
£300-400
909.
2017 Fender American Vintage '74 Jazz Bass guitar, made in USA; Body: three-tone sunburst finish, a few very minor surface marks to the bottom edge back of body; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Hiscox hard case; Weight: 4.32kg; Overall condition: very good
£700-900
910.
Sound Gear by Ibanez Premium SR1200 bass guitar, made in Indonesia; Body: Vintage natural flat finished mahogany body with ovangkol top ; Neck: wenge and bubinga; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.38kg; Overall condition: very good
£400-500
911.
1964 Hofner 500/1 violin bass guitar, made in Germany; Body: brunette finish, fine lacquer checking throughout, various finish dings and marks; Neck: good, similar checking; Fretboard: rosewood; Frets: mild wear and tarnishing; Electrics: working; Hardware: generally good, additional strap button added to neck heel; Case: later fitted hard case; Weight: 2.15kg; Overall condition: good for age
£1500-2000
912.
Mid 1960s Danelectro Bellzouki 7010 Vincent Bell twelve string electric guitar, made in USA; Body: two-tone brown sunburst finish, light surface marks and a few minor dings, light checking; Neck: good, a few minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good for age
£500-700
913.
1977 Fender Hardtail Stratocaster electric guitar, made in USA; Body: three-tone sunburst finish, heavy blemishes and wear throughout; Neck: maple, refinished, checking to front and back of head; Fretboard: re-lacquered Frets: good, refret; Electrics: working, one replacement potentiometer, replacement switch; Hardware: replacement white three-ply scratchplate, pickup covers and tone knobs (original black pickup covers and knobs included), replacement saddles (originals included); Case: TGI Cases hard case; Weight: 3.60kg; Overall condition: fair
£1000-1500
914.
1999 Gibson Les Paul '59 Reissue 40th Anniversary electric guitar, made in USA; Body: sunburst finished matched figured maple top upon cherry mahogany back, a few light dings; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.12kg; Overall condition: very good
£2500-3500
915.
2017 Gibson Custom Shop 1960 Les Paul TV Special Double Cut Reissue electric guitar, made in USA; Body: washed TV yellow finished mahogany; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, tags and papers; Weight: 3.49kg; Overall condition: very good
£1500-2000
916.
1989 Gibson Les Paul Standard electric guitar, made in USA; Body: black finish, surface scratches and dings throughout, checking to top and sides; Neck: generally good, minor dings; Fretboard: rosewood; Frets: mild wear; Electrics: working, original Bill Lawrence pickups, replacement Emerson loom; Hardware: good, one replacement pickup surround; Case: original protector hard case; Weight: 4.23kg; Overall condition: fair
£1500-2000
917.
1960s Vox Marauder electric guitar, made in England; Body: black finish, minor surface scratches but generally good for age; Neck: figured maple; Fretboard: rosewood with pearl block position markers; Frets: mild wear; Hardware: good; Case: Ashton hard case; Weight: 3.48kg; Overall condition: good
£800-1200
918.
Fender Jazzmaster electric guitar, made in Japan, circa 2008; Body: Lake Placid blue finish with matching headstock, heavy dings, blemishes and scratches throughout; Neck: maple, dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: TGI gig bag; Weight: 3.61kg; Overall condition: fair
£600-800
919.
1950s Maccaferri G-40 Dow Styron archtop guitar (tailpiece at fault)
£200-300
917
918
920 922
923
924 (See page 131)
920.
1955 Gibson Les Paul Junior electric guitar; Body: two-tone sunburst finish, cavity repair to body, new mahogany veneer to front and back of body, refinished, small lacquer crack to back, a few minor dings; Neck: mahogany, refinished, re-stamped serial number, new head veneer and head refinished; Fretboard: rosewood; Frets: good, refret; Electrics: working; Hardware: replacement tuners, replacement control knobs, replacement jack plate, replacement bridge, damage to treble side of pickup cover; Case: later hard case; Weight: 3.33kg; Overall condition: good/restored
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10Q6W2CH (domestic use only)
£3000-4000
921.
2010 Ibanez Hermann Li Signature EGEN8 electric guitar, made in Indonesia; Body: natural figured maple top upon mahogany back, many scratches and marks to back; Neck: maple, minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some loss to gold plating; Weight: 2.95kg; Overall condition: fair
£250-350
922.
1964 Fender Stratocaster electric guitar, made in USA; Body: black refinish, heavy finish blemish to treble waist, finish buckle rash to back, checking and marks throughout; Neck: maple, March 64 date stamp, light wear to back, later repro decal; Fretboard: rosewood, groove wear to first position; Frets: refret, minor wear; Electrics: working, original pickups, replacement volume potentiometer, replacement switch; Hardware: missing trem arm, rusting to bridge saddles, further rusting to smaller metal parts, damaged corner to control cavity back plate, screws missing to control cavity back plate; Case: Tokai hard case; Weight: 3.53kg; Overall condition: fair
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10TACXZL (domestic use only)
£4000-6000
923.
2002 Adamas by Ovation Melissa Etheridge W597-MEWP Signature Model electro-acoustic guitar, made in USA; Body: Lyrachord bowl back with pearl white carbon top; Neck: mahogany and maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags and papers; Weight: 2.58kg; Overall condition: very good
*Made in limited numbers, each guitar features a label hand signed by Melissa Etheridge.
£1000-2000
924.
2003 Duesenberg Pearl Series Starplayer TV-RW-BL Billy Gibbons Limited Edition Model semi-hollow body electric guitar; Body: pearl front upon trans black back, a few minor marks; Neck: good; Fretboard: rosewood; Frets: visible indents to first position; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.61kg; Overall condition: good
*Duesenberg built 8 of this model, one is owned by Billy Gibbons of ZZ Top. Similar to the Ronnie Wood Signature model but with added Piezo bridge and loosing the Ronnie Wood inscription to the scratch plate, these guitars are very similar. Sold with a laminated photograph of Billy Gibbons holding a similar guitar, attached to the serial number lanyard for this instrument.
£2000-4000
925.
2003 Duesenberg Ronnie Wood Signature Model Starplayer TV-RW limited edition electric guitar; Body: pearl top finish upon trans black back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.50kg; Overall condition: very good
*One of only 100 production models made. Sold with certificate of authenticity and laminated tags
£2000-4000
926.
2022 Rickenbacker 330 semi-hollow body electric guitar, made in USA; Body: Mapleglo finish; Neck: maple and walnut; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 3.50kg; Overall condition: new/old stock
£1000-1500
927.
1950s archtop guitar in need of some restoration; Body: tobacco sunburst finish with heavy scratches and marks throughout, some binding separation and pulling; Neck: slight bow, action high; Fretboard: ebony, missing edge binding, note annotations inscribed; Frets: in need of attention with some out of position; Hardware: general tarnishing; Case: semi-rigid fibreboard case; Overall condition: poor
£150-250
928.
2017 Gibson J-35 electro-acoustic guitar, made in Montana, USA; Back and sides: natural mahogany; Top: natural spruce, a few minor play marks; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good
*A Montana-built 'banner' reissue of Gibson's famous J-35, originally built from 1936 to 1942. The 'Only a Gibson is Good Enough' headstock banner was originally used on Gibson's guitars from 1942 to 1946.
£800-1200
929.
2008 Gibson Custom Shop '58 Reissue Les Paul Standard electric guitar, made in USA; Body: VOS sunburst finished flamed maple top upon mahogany back, light stand burn to centre back, a few other minor marks but generally good; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and papers; Weight: 4.20kg; Overall condition: very good
£2200-2600
930.
1996 Gibson J-200 acoustic guitar, made in USA; Body: natural finished figured maple back and sides and spruce top; Neck: maple; Fretboard: rosewood; Frets: good; Hardware: good; Case: original hard case; Overall condition: excellent
£2000-3000
931.
Hofner Colorama II electric guitar, made in Germany, circa 1964; Body: red finish with lacquer cracking and some larger paint chips, further minor dings; Neck: maple, light wear and checking; Fretboard: rosewood, minor groove wear to first position; Frets: minor indent wear throughout; Electrics: working, although wiring needs assessment; Hardware: generally good, missing lower E string post, replacement G tuner; Case: Stagg hard case; Weight: 3.45kg; Overall condition: fair
£200-300
932.
1960s Harlin Brothers Multi-Kord pedal steel guitar, pearl finish, within original hard case
£400-600
933.
Hofner Colorama II model 164 electric guitar in need of some restoration, made in Germany, circa 1964; Body: sky blue refinish, various scratches and dings throughout; Neck: maple, lacquer checking and dings; Fretboard: rosewood, mild wear; Frets: worn; Electrics: in need of attention; Hardware: replacement bridge, missing trem arm, replacement tuners, missing bridge block back plate, various missing screws; Case: period Selmer hard case; Weight: 3.30kg; Overall condition: in need of restoration
£200-400
934.
Mid 1960s Hofner Galaxie 176 electric guitar, made in Germany; Body: orange/red refinish, various minor dings; Neck: maple, minor dings, refinish; Fretboard: rosewood, mild wear; Frets: heavily worn; Electrics: working although some intermittence; Hardware: generally good, replacement bridge; Case: original Selmer hard case; Weight: 3.84kg; Overall condition: fair
£200-400
935.
Fender Dan Smith Stratocaster electric guitar, made in USA, circa 1982; Body: black finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Case: fitted hard case with original tags and accessory pack; Weight: 4.62kg; Overall condition: excellent
£1000-1500
936.
Mid 1960s Hofner Galaxie 176 electric guitar, made in Germany; Body: three-tone sunburst finish, heavy dings and scratches throughout, particularly to the edges; Neck: maple, minor dings and checking; Fretboard: rosewood, mild wear; Frets: visible wear throughout, some tarnishing and oxidisation; Electrics: in need of attention; Hardware: generally good, some tarnishing to smaller metal parts, missing treble on switch screw; Case: generic oblong hard case; Weight: 3.31kg; Overall condition: fair
£200-400
930 935
937.
1995 Rickenbacker 330/12 twelve string electric guitar, made in USA; Body: Mapleglo finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.56kg; Overall condition: very good
£1000-1500
938.
1975 Fender Jazzmaster electric guitar, made in USA; Body: three-tone sunburst finish, lower control cavity rout enlarged and body refinished, various dings and marks but generally good; Neck: heavy wear behind seventh to ninth fret, further dings and marks, heavy discolouration to head face; Fretboard: rosewood, mild wear; Frets: mild wear; Electrics: working, replacement volume and tone potentiometers; Hardware: generally good, replacement scratchplate, replacement control knobs; Case: later G&G Fender hard case; Weight: 3.33kg; Overall condition: fair
£1500-2500
939.
Hofner Super Solid 172 electric guitar, made in Germany, circa 1963; Body: red refinish, various dings, marks and finish loss throughout; Neck: maple, lacquer checking and minor dings; Fretboard: rosewood, mild wear; Frets: mild indent wear and general tarnishing; Electrics: in need of attention; Hardware: missing two tuner gear covers; Case: original Selmer hard case; Weight: 3.38kg; Overall condition: fair
£200-400
940.
1963 Hofner Super Solid III 173 electric guitar, made in Germany; Body: red refinish, lacquer checking, finish flaking to centre back, dings and other marks to edges; Neck: maple, refinished; Fretboard: rosewood, mild wear; Frets: visible indent wear but generally good; Electrics: in need of attention; Hardware: good; Case: hard case enclosing original Selmer strap; Weight: 3.67kg; Overall condition: fair
£200-400
941.
1974 Gibson Les Paul Custom electric guitar, made in USA; Body: black finish, various surface marks and dings, light buckle scratching to centre back, otherwise generally very good for age; Neck: good; Fretboard: ebony with pearl block inlay; Frets: good; Electrics: working; Hardware: good, some loss to gold plating, one corner screw missing on bridge pickup surround; Case: original hard case with tag; Weight: 4.61kg; Overall condition: very good
£4000-5000
942.
1970s Gibson J-45 Deluxe acoustic guitar, made in USA; Back and sides: mahogany with shell binding, various dings and scratches, mild deterioration to binding; Top: sunburst finish spruce, minor marks and dings; Neck: mahogany, refinished, possible neck repair, new logo added to head face; Fretboard: rosewood; Frets: mild wear; Hardware: replacement bridge pins, replacement Kluson style tuners; Case: period hard case; Overall condition: fair
£700-1000
941
942
943.
1978 Fender Jazz Bass guitar, made in USA; Body: natural finish, light surface scratches and other minor dings but generally very good for age; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case with tags; Weight: 4.57kg; Overall condition: very good £1500-2000
944.
Hofner Super Solid II 172 electric guitar, made in Germany, circa 1963; Body: red finish, dings and blemishes throughout; Neck: maple, light checking and minor dings, missing Hofner logo from head face; Fretboard: rosewood, minor wear; Frets: heavily oxidised and mild wear throughout; Electrics: in need of attention; Hardware: missing volume knob reflector cap, split to upper horn of pickguard, upper tuner missing button (replacement tuner included); Case: generic oblong hard case; Weight: 3.42kg; Overall condition: fair £200-400
945.
1977 Fender Precision Bass guitar, made in USA; Body: natural finish, minor dings but generally very good for age; Neck: maple, a few minor dings; Fretboard: maple; Frets: light wear; Electrics: working; Hardware: generally good, some chrome pitting on control knobs, replacement bridge cover screws; Case: generic oblong hard case; Weight: 4.23kg; Overall condition: very good £1500-2000
946.
Fender Telecaster Custom electric guitar, made in USA, circa 1974; Body: three-tone sunburst finish, a few light dings and marks but generally very good for age; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: period oblong hard case enclosing original owners manual tag; Weight: 3.31kg; Overall condition: very good
£2000-3000
947.
Hofner Colorama I electric guitar, made in Germany, circa 1963; Body: sky blue refinish, discolouration, heavy checking, paint flaking, repaired tailpiece holes to body end; Neck: refinished, lacquer checking and paint flaking, later logo to head face; Fretboard: rosewood; Frets: mild tarnishing and wear; Electrics: working, although wiring needs some attention; Hardware: replacement Range Master bridge block; Weight: 2.95kg; Case: soft bag; Overall condition: fair
£100-200
948.
1960s Hofner 5140 Hawaiian lap guitar, made in Germany, with shaped hard case
£150-250
949.
1960s Hofner Super Solid III 173 electric guitar, made in Germany; Body: original red vinyl wrap finish, discoloured in places, some pulling to central binding; Neck: maple, heavy checking; Fretboard: rosewood; Frets: mild wear and oxidisation; Electrics: replacement neck pickup, electrics partially working but require some attention, potentiometer controls partially seized; Hardware: general tarnishing and minor rusting throughout, pickguard adapted to fit neck pickup; Case: period semi-rigid fibreboard case; Weight: 3.57kg; Overall condition: fair
£200-400
950.
2009 Gibson Custom Shop Billy Gibbons 'Pearly Gates' Les Paul VOS electric guitar, made in USA; Body: vintage sunburst finished figured maple top upon cherry mahogany back, light dings to back edges, light surface scratches and other minor marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, tarnishing to pickup covers, tarnishing to treble bridge post; Case: original hard case with certificate of authenticity and tags; Weight: 4.13kg; Overall condition: very good
*In 2009, Gibson collaborated with Billy Gibbons to recreate his iconic 1959 'Pearly Gates' Les Paul electric guitar, considered to be one of the greatest bursts of the period. The guitars were produced in limited numbers with fifty aged and two hundred and fifty VOS examples available worldwide.
£5000-8000
946
951.
2003 Paul Reed Smith (PRS) Machine Head Music 20th anniversary Custom 22 Limited Edition electric guitar, made in USA; Body: purple highly figured artist grade maple top upon natural mahogany back; Neck: mahogany; Fretboard: rosewood; Frets: light tarnishing; Electrics: working; Hardware: good; Case: original hard case with tags; Weight: 3.50kg; Overall condition: very good
*The PRS Machinehead was created for the UK dealer Machine Head Music by Paul Reed Smith Guitars (PRS) in 2003 to celebrate their 20th Anniversary. Only 20 of these guitars were made, with each one handsigned by Paul Reed Smith.
£1500-2000
952.
Reiver TKO Classic electric guitar, made in UK; Body: natural black Limba; Neck: maple; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: gig bag; Weight: 3.37kg; Overall condition: very good
£500-800
953.
Fender Richie Kotzen Signature Telecaster electric guitar, made in Japan; Body: two-tone sunburst finish, light surface scratches and dings but generally very good; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: generally good, light wear to gold plating; Case: Fender gig bag; Weight: 3.90kg; Overall condition: good
£600-800
954.
2021 Paul Reed Smith (PRS) SE Silver Sky John Mayer Signature electric guitar, made in Indonesia; Body: Dragon fruit finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 3.54kg; Overall condition: very good
£400-600
955.
2013 EVH by Fender Striped Series White and Black electric guitar; Body: white and black stripe, light surface marks; Neck: maple; Fretboard: maple, in need of cleaning; Frets: good; Electrics: working; Hardware: good; Case: Fusion gig bag; Overall condition: good
£400-600
956.
JHS Vintage Joe Doe Guitars Lucky Buck semi-hollow body electric guitar; Body: black finish, light marks; Neck: maple; Fretboard: rosewood with custom Lucky Buck pearl inlay; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity; Weight: 3.20kg; Overall condition: good
£200-400
957.
1920s Larson Brothers for William C Stahl Style 8 acoustic guitar, made in Chicago, USA; Body: Brazilian rosewood back and sides and spruce top, internal evidence of restoration including cleated repair to back and re-glued bracing, external refinishing, minor dings and general play wear; Neck: reset and binding repairs, mild wear; Fretboard: ebony; Frets: good, refret; Hardware: generally good, replacement bridge plate; Case: later hard case; Overall condition: fair
*Often regarded as some of the finest builders of the early twentieth Century, brothers August and Carl Larson were were born in Sweden and emigrated to Chicago in the late 1880s. They worked in the city as luthiers for guitar makers before buying Maurer & Company from Robert Maurer in 1900. Larson Brothers small Chicago workshop turned out an assortment of well-crafted fretted instruments . They would never brand any instrument with their own name, resulting in a collection of instruments built under many other names. They would use the name Maurer as well as Prairie State and Euphonon for their own instruments as well as building for many other companies, best known of those is Stahl and Co. It is thought that the entire output production of the Larson Bros. is roughly 2500, with at least half of that figure accounted for in mandolins and mandolin family instruments. As such it's easy to see why their instruments rarely come to market. This Larson brothers guitar is a finely crafted instrument with ornate pearl and marquetry appointments, multilayered purfling and topgrade tonewoods.
Ivory exemption reference no. NCEG86ZT
£3000-5000
958.
1930s Larson Brothers Euphonon acoustic guitar, made in Chicago, USA; Back and sides: mahogany, repaired cracks and cleating at the centre seam, refinishing; minor dings; Top: natural spruce, filed hole below the bridge, re-lacquered including over the deteriorating pickguard; Neck: mahogany, reset, re-lacquered, previous tuner holes dowelled; Fretboard: ebony, evidence of being planed; Frets: refret; Hardware: later Grover tuners, previously installed tuners included, later bridge plate and bridge pins; Case: fitted hard case; Overall condition: fair
*An incredibly rare guitar and arguably one of the most sought after vintage flat top guitars made by the Larson Brothers, whom are revered for their craftsmanship and contribution to the history of American guitar making. Often regarded as some of the finest builders of the early twentieth Century, brothers August and Carl Larson were were born in Sweden and emigrated to Chicago in the late 1880s. They worked in the city as luthiers for guitar makers before buying Maurer & Company from Robert Maurer in 1900. Larson Brothers small Chicago workshop turned out an assortment of well-crafted fretted instruments . They would never brand any instrument with their own name, resulting in a collection of instruments built under many other names. They would use the name Maurer as well as Prairie State and Euphonon for their own instruments as well as building for many other companies, best known of those is Stahl and Co. This particular guitar is a Euphonon, the brand name used by the Brothers to replace the Maurer brand in the mid-thirties. A square shoulder Dreadnought in shape in the Martin tradition but built with the Larson’s own innovative designs and techniques. It is thought that the entire output production of the Larson Bros. is roughly 2500, with at least half of that figure accounted for in mandolins and mandolin family instruments. As such it's easy to see why their instruments rarely come to market.
£4000-6000
959.
1986 C.F. Martin Custom 000-45 acoustic guitar, made in USA; Back and sides: Indian rosewood with abalone ebony, some binding pulling to waist; Top: natural sitka spruce, minor marks; Neck: mahogany; Fretboard: ebony with snowflake and diamond inlay; Frets: minor wear; Hardware: good; Case: original hard case enclosing a copy of the Martin Custom order spec sheet; Overall condition: very good
*Custom ordered by Philip York, owner of UK Martin Distributor Dreadnought Guitar Co. Ltd with pre-War Martin appointments distinguishing it from the Standard Catalog model.
£4000-6000
960.
1946 C.F Martin 00-17 acoustic guitar, made in USA; Body: mahogany, repaired hairline to treble side of table lower bout, further hairline to the back lower bout and minor hairline to treble side lower bout, further scratches and dings; Neck: mahogany, minor dings and marks; Fretboard: rosewood; Frets: mild wear; Hardware: rusting to tuners, tuner shafts slightly bent; Case: semi-rigid fibreboard case; Overall condition: fair
£3000-4000
961.
2014 Gibson 120th Anniversary EB5 five string bass guitar, made in USA; Body: satin finished two-tone sunburst; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Weight: 3.69kg; Overall condition: very good
£400-600
962.
1978 Fender Precision Bass guitar, made in USA; Body: black finish, surface paint reaction in areas to case, various dings; Neck: maple; Fretboard: maple; Frets: light wear and tarnishing; Electrics: working; Hardware: good; Case: later Fender hard case; Weight: 4.84kg; Overall condition: fair
£1200-1600
963.
2013 Gibson Les Paul Traditional Pro II electric guitar, made in USA; Body: trans merlot finished maple top upon satin finished mahogany back, minor dings and marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case and tags; Overall condition: good
£800-1200
964.
1928 Martin 0-42 acoustic guitar, made in USA; Back and sides: Brazilian rosewood, minor dings and finish blemishes; Top: natural spruce, minor play wear to treble side of sound hole, minor lift to lower bout, further minor dings; Neck: mahogany, light wear; Fretboard: ebony; Frets: good; Hardware: good; Case: later fitted hard case; Overall condition: very good for age
£15,000-20,000
965.
2016 Mark Mitchell left-handed acoustic tenor guitar, made in Scotland; Body: natural mahogany, a few minor dings to edges; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Case: Roksak gig bag; Overall condition: very good
£200-400
966.
1931 C.F Martin 5-17 T acoustic tenor guitar, made in USA; Body: mahogany, large repaired crack to bass hand side, repaired hairline to lower bout back, further dings and marks, minor lacquer checking throughout; Neck: mahogany, minor wear to back; Fretboard: rosewood, minor wear to first position; Frets: good, refret; Case: semi-rigid fibreboard case; Overall condition: good for age
£500-1000
967.
1976 Gibson ES-175 D semi-hollow body electric guitar, made in USA; Body: sunburst finish, light checking to sides; Neck: three piece maple; Fretboard: rosewood; Frets: mild wear and tarnishing; Electrics: working; Hardware: generally good; Case: later 90s hard case; Weight: 3.24kg; Overall condition: very good
£2000-3000
968.
1959 Hofner President archtop guitar, made in Germany; Body: blonde finished maple back and sides and spruce top, heavy checking to front, light checking to back and sides; Beck: maple, light checking; Fretboard: rosewood; Frets: generally good, minor rusting to fret edges; Hardware: good; Case: later gig bag; Weight: 2.10kg; Overall condition: good for age
£300-400
969.
1940s Selmer Truvoice Hawaiian New Standard lap guitar in original amp case (amplifier missing)
£150-250
970.
Yamaha AC4K Limited Edition electro-acoustic guitar, made in China; Body: natural solid koa; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: very good
£400-600
971.
2016 Boucher Spruce Goose acoustic guitar, made in Canada; Body: all adairondack spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Electrics: working; Case: original hard case; Overall condition: very good
£1000-1500
972.
2007 Larrivee LV-10 electro-acoustic guitar, made in USA; Back and sides: Indian rosewood; Top: natural spruce, a few minor dings; Neck: mahogany; Fretboard: ebony with abalone ivy position markers; Frets: good; Electrics: working; Hardware: good; Case: original hard case and warranty card; Overall condition: good
£1500-2000
973.
2016 Ibanez SA Series electric guitar, made in Korea; Body: trans red figured maple top upon basswood body, light surface scratches throughout; Neck: good; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: generally good, some rusting to smaller metal parts, missing trem arm; Case: good quality oblong hard case; Overall condition: good
£100-200
974.
1968 Gibson EB-2 CD semi-hollow body bass guitar, made in USA; Body: cherry finish, buckle rash patch to back, light checking and other minor scratches and dings but generally good for age; Neck: mahogany, light wear; Fretboard: rosewood; Frets: mild wear throughout, minor oxidisation to upper frets; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.14kg; Overall condition: good
£2000-3000
975.
Interesting early 20th Century acoustic guitar; Back and sides: Brazilian rosewood, scratches and marks throughout; Top: heavy play wear, scratches and other marks; Neck: finished mahogany, worn; Fretboard: Ebony; Frets: indent wear throughout; Overall condition: fair
£200-300
976.
Early 20th century acoustic guitar, branded Hohner to the table, currently set up for slide, within original case; together with a Kay Kansas small bodied acoustic guitar, with soft bag (2) £50-100
977.
Farida D-8N acoustic guitar, made in China, laminated mahogany back and sides and spruce top (minor surface imperfections), within original hard case; together with an Axman electro-acoustic guitar, black finish (imperfections) (2)
£80-120
978.
2023 Fesley FST350M ST electric guitar, sunshine burst satin finish, with gig bag
£30-50
979.
2004 Line 6 Variax 700 acoustic guitar, made in Korea, with gig bag
£150-250
980.
Interesting custom made electric guitar, probably of English origin; Body: red stain finished single cutaway body, with recessed bridge/stop bar area, various imperfections; Neck: maple with Ovation style head, bolton, various marks and dings; Fretboard: maple with walnut block and pearl dot inlay; Frets: worn and tarnished; Electrics: working; Hardware: pitting and tarnishing to metal parts; Overall condition: fair
£80-120
981.
Fenix by Young Chang S-Type electric guitar, made in Korea, circa 1989, white finish
*This guitar is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended £80-120
982.
Yamaha Pacifica PAC112JE electric guitar; together with a JHS Vintage VMX Series WARP electric guitar (2)
*These guitars are ex-shop stock that were recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended
£100-200
983.
Gretsch Roots Collection G9230 acoustic resonator guitar, within original shipping box
*This guitar is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended
£80-120
984.
East Coast ECMKOAE electro-acoustic guitar, with Adam Black gig bag; together with a Saxon classical guitar, a Casa Erviti classical guitar and a Gewa balalaika (4)
*These instruments are ex-shop stock that were recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended
£50-100
985.
2015 Fender Brown Derby resonator guitar
£80-120
986.
Grote Vintage Sunburst hollow body electric guitar, sunburst finish
£80-120
987.
2016 Ibanez Artcore AF55-TF hollow body electric guitar, made in Indonesia, satin vintage sunburst finish
£100-200
988.
Jim Deacon hollow body electric guitar, natural finish
£60-100
989.
1980s Columbus Series 3 58/X semi-hollow body electric guitar, cherry finish (imperfections)
£80-120
990.
Yamaha FG-411-12 twelve string acoustic guitar, with laminated mahogany back and sides and natural spruce top, within compressed foam case (imperfections)
£100-200
991.
Squier by Fender Strat electric guitar, made in China, sunburst finish (imperfections), with gig bag
£80-120
992.
Yamaha APX-6 electro-acoustic guitar, white finish with synthetic back, with gig bag
£100-150
993.
2010 Ibanez Gio Soundgear GSR205 bass guitar, black finish (imperfections), within a Westfield gig bag
£80-120
994.
Hofner Verythin Standard-CT semi-hollow body electric guitar; Body: silver metallic finish with green centre stripe; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: gig bag; Overall condition: very good
£150-250
995.
JHS Vintage Paul Brett Signature Model VE8000PB electro-acoustic guitar; Back and sides: laminated rosewood, minor scratches and marks; Top: natural spruce, minor dings; Neck: mahogany, light wear; Fretboard: rosewood; Frets: light indent wear to first position; Electrics: in need of refitting and repair; Case: original compressed foam case (zip at fault); Overall condition: fair
£100-200
996.
2017 Schechter Diamond Series Omen Extreme-7 seven string electric guitar, made in Indonesia; Body: red finish with quilted maple top, light scratches; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good
£100-200
997.
1980 Ibanez Blazer Series BL-300NT electric guitar, made in Japan; Body: natural ash, light marks and scratches throughout; Neck: maple, various minor dings, repaired crack towards lower E tuner; Fretboard: maple, light wear to treble side up the length of the fretboard; Frets: minor wear throughout; Electrics: working; Case: soft bag; Overall condition: fair
£150-250
998.
2018 Soundgear by Ibanez SR305E bass guitar, made in Indonesia; Body: black metallic finish, large finish chip/blemish to lower body, scuffs to back; Neck: maple and bubinga; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Overall condition: fair £100-200
999.
1980s Encore electric guitar; Body: pearlescent white finish, scratches and scuffs throughout; Neck: maple with skunk stripe; Fretboard: rosewood; Frets: mild wear and tarnishing; Electrics: working; Hardware: generally good, some tarnishing, some rusting to smaller metal parts, missing trem arm; Overall condition: good for age
£30-50
1000.
2005 Epiphone Limited Edition Les Paul Special II Dr. Skull electric guitar, within Gear4Music gig bag
£60-100
1001.
1980s double cut hollow body electric guitar in need of restoration
£40-60
1002.
Ozark 3330E electro-acoustic travel guitar, made in China, with original gig bag
£100-150
1003.
MJP Turner custom made electric guitar comprising solid mahogany body, twentytwo fret rosewood board neck, Jazzmaster style P90 pickups and miscellaneous hardware including Fender tuners, within a RockCase by Warwick hard case
£150-200
1004.
2015 Crafter SA-12 semi-hollow body twelve string electric guitar, made in Korea; Body: figured veneer maple top upon brown finish back, light marks; Neck: mahogany; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good
£150-250
1005.
Hamer XT Series Victory 2 bass guitar, made in China; Body: amber burst finish, a few light marks; Neck: five piece maple bolt-on; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Overall condition: very good
£150-250
1006.
Yamaha Compass Series CPX700 electroacoustic guitar; Back and sides: laminated mahogany, a few light marks; Top: amber burst finished spruce; Neck: good; Fretboard: rosewood, light wear; Frets: light wear; Electrics: working; Hardware: good; Case: gig bag; Overall condition: good
£150-250
1007.
1970s Yamaha FG-230 twelve string acoustic guitar, made in Japan (Nippon Gakki red label); Back and sides: mahogany, heavy scratches and blemishes; Top: natural spruce, heavy scratches and dings throughout; Neck: mahogany, slight bow, dings and blemishes; Fretboard: rosewood, heavy groove wear throughout; Frets: worn; Hardware: tarnishing to tuners, missing bridge pins; Case: period hard case; Overall condition: fair
£100-200
1008.
Yamaha FG-432S acoustic guitar, with Fusion gig bag
£80-120
1009.
2005 Squier by Fender Vintage Modified Telecaster Custom II electric guitar, crafted in Indonesia; Body: blonde finish with Marilyn Monroe decal to front, light scratches to back; Neck: maple; Fretboard: maple; Frets: light tarnishing and oxidisation; Electrics: working; Hardware: some rusting to smaller metal parts, missing switch tip; Case: Hiscox hard case; Overall condition: good
£150-250
1010.
Yamaha Pacifica electric guitar, with hard case; together with a Gear4Music short scale bass guitar (2)
£80-120
1011.
Adam Black Apollo electric guitar; Body: natural finish with maple centre; Neck: five piece maple through neck; Fretboard: rosewood; Frets: light tarnishing; Electrics: working; Hardware: good; Case: Boston compressed foam case; Overall condition: good
£80-120
1012.
Fender DG-3 acoustic guitar, with hard case
£30-60
1013.
2002 Washburn AB35/TS electro-acoustic five string bass guitar; Body: amber burst finish, a few light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: gig bag; Overall condition: good
£150-250
1014.
Moondog Guitars electric resonator guitar, natural finish, within original hard case
£100-200
1015.
2000 Squier by Fender Affinity Series Tele electric guitar, black finish, with Fender gig bag
£80-120
1016.
2002 Crafter TA-050 acoustic guitar, made in Korea, rosewood back and sides and spruce top, with Johnson hard case
£100-150
1017.
2005 Crafter BA400EQ/FL/N electroacoustic fretless bass guitar, made in Korea, natural finish
£80-120
1018.
AXL Tri-cone resonator guitar, within Kinsman hard case
£100-200
1019.
Artisan LIZ-005 hollow body electric guitar, within Tric compressed foam case
£60-100
1020.
JHS Vintage V100 Icon Series Lemon Drop electric guitar, with padded gig bag
£100-200
1021.
2002 Art & Lutherie Ami Spruce Burgundy small bodied acoustic guitar, with original gig bag
£80-120
1022.
Danelectro 56 electric guitar, made in Korea; Body: cream finish; Neck: good, bolt-on; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: very good
£100-200
1023.
Danelectro 63 baritone electric guitar, made in China; Body: black finish, a few light finish imperfections; Neck: bolt-on, good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: very good
£150-250
1024.
Hohner Professional G3T Steinberger licensed headless electric guitar; Body: black finish, light surface scratches to edges and back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: good
£150-250
1025.
1999 Epiphone The Biscuit single cone resonator guitar
£80-120
1026.
Jay Turser electric resonator guitar, cherry finish
£80-120
1027.
Sigma Guitars 000M-15 acoustic guitar, made in China; Body: laminated mahogany; Neck: good; Fretboard: micarta Frets: good; Hardware: good; Overall condition: good
£80-120
1028.
Gold Tone Weissenborn Model LM acoustic lap guitar
£100-200
1029.
Harley Benton Deluxe Series TE-80 NT electric guitar
£60-100
1030.
AXL Player Deluxe electric guitar, wine red finish
£30-60
1031.
2006 Dean Z electric guitar, made in Korea; Body: three-tone sunburst finish figured maple top upon brown finished back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: very good
£100-200
1032.
Richwood Artist Series RM-70-NT Gypsy Jazz style acoustic guitar, with mahogany back and sides and cedar top
£70-100
1033.
Ibanez GA5TCE electro-acoustic nylon string guitar, made in China
£80-120
1034.
Simon & Patrick S&P 6 CW Folk electroacoustic guitar
£100-200
1035.
Sterling by Music Man SB14 bass guitar, made in Indonesia; Body: two-tone sunburst finish; Neck: maple; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: Tourtech hard case; Overall condition: very good
£100-200
1036.
Sterling by Music Man Ray 34 bass guitar, made in Indonesia; Body: honey burst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: oblong hard case; Overall condition: very good £150-250
1037.
Sterling by Music Man Stingray bass guitar, made in Indonesia; Body: three-tone sunburst finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Tourtech hard case; Overall condition: very good £150-250
1038.
Sterling by Music Man Stingray bass guitar, made in Indonesia; Body: surf green finish, discolouration to arm contour, imperfection to front on bass hand side of neck, other minor surface imperfections; Neck: maple, 'Music Man Stingray I' decal added to head face; Fretboard: maple; Frets: good; Electrics: working, fitted with Aguilar pickup; Hardware: good; Case: tweed hard case; Overall condition: good £100-200
1039.
Sterling by Music Man Stingray HH bass guitar, made in Indonesia; Body: blue metallic; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Tourtech hard case; Overall condition: very good
£150-250
1040.
Sterling by Music Man SB14 bass guitar, made in Indonesia; Body: black finish, minor scuffs and scratches to back; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: oblong hard case; Overall condition: good
£150-250
1041.
2013 Gretsch Electromatic G5435 Pro Jet electric guitar, made in China; Body: black finish, buckle indents and scratches to back, finish rubbing, various dings and other marks; Neck: a few minor dings; Fretboard: rosewood; Frets: light wear; Electrics: working; Hardware: generally good, missing lower strap button; Case: TGI Ultimate Protection gig bag; Overall condition: fair
£150-250
1042.
2005 Crafter D8-12EQ/M electro-acoustic twelve string guitar; Back and sides: laminated mahogany; Top: natural spruce; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good
Yamaha APX-4A electro-acoustic guitar, red burst finish (imperfections)
£70-100
1045.
Homemade Double 8 lap guitar
£80-120
1046.
Magneto U-1 Series US-2300 electric guitar, quilted red finish, within original shipping box
*This guitar is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended
£100-200
1047.
Yamaha Revstar RSE20 electric guitar, swift blue finish, within original shipping box; together with an Adam Black 8802TK acoustic guitar (2)
*These guitars are ex-shop stock that were recently recovered from a fire damaged unit. Cleaning will be required and thorough inspection recommended
£80-120
1048.
Aria AMB-50 BL left-handed electroacoustic bass guitar, made in Korea, blue finish
£80-120
1049.
Hohner LW1200N twelve string acoustic guitar (currently set up left-handed)
£60-100
1050.
Fender DG-5 acoustic guitar, sunburst finish, with TGI gig bag
£40-80
1051.
2021 Harley Benton Pro Series Fusion-T HH electric guitar, black finish, with Rock Hard hard case
£80-120
1052.
Conrad Superstrat type electric guitar, black finish, within Ibanez gig bag
£30-50
1053.
Richwood Artist Series RM-70-NT Gypsy jazz acoustic guitar
£70-100
1054.
Kimbara Model 169 nylon string guitar, made in Japan, with soft bag
£40-60
1055.
Freshman FA1 electro-acoustic guitar, with TP Series gig bag
£100-200
1056.
Takamine G Series G220S acoustic guitar, made in China, mahogany back and sides, spruce top, within Kinsman hard case
£100-150
1057.
2019 Squier by Fender Stratocaster HSS electric guitar, pink finish; together with a Gear4Music Les Paul type electric guitar (wall mounting holes added to back) (2)
£80-120
1058.
Yamaha APX-9C electro-acoustic guitar, made in Taiwan; Body: red burst finish, minor dings and surface scratches; Neck: repaired head/neck join; Fretboard: ebony; Frets: mild wear; Electrics: working; Hardware: good; Case: Seagull gig bag; Overall condition: fair £100-200
1059.
2019 Squier by Fender Classic Vibe Jaguar electric guitar, made in Indonesia; Body: three-tone sunburst finish, scratches and dings to front and back; Neck: maple, a few minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good £150-250
1060.
Custom made double neck electric guitar with six string guitar neck and four string bass guitar neck, purple finish (imperfections) £150-250
1061.
Five various guitars to include two by Encore, a left-handed Gear4Music, a Clifton nylon string and a bass guitar for projects (5) £80-120
1062.
2001 Hofner Hi-Series B-Bass violin bass guitar; Body: sunburst finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: very good
£150-200
1063.
1980s Hohner Professional TWP West-SB electric hybrid guitar, made in Korea; Body: red burst finish upon brown back, large blemish/knock to back edge, further dings and scratches throughout; Neck: mahogany, light marks; Fretboard: rosewood, groove wear to first position; Frets: indent wear; Electrics: working; Hardware: generally good, later fitted locking strap buttons; Case: TGI gig bag; Overall condition: fair
£100-200
1064.
1970s Eko Ranger 12 acoustic guitar, with gig bag
£40-80
1065.
1970s Japanese S-Type electric guitar, white finish with various imperfections including buckle wear and heavy dings throughout; Neck: rosewood; Frets: worn; Electrics: working; Hardware: replacement tuners, replacement screws; Case: Fender gig bag; Overall condition: fair
£60-100
1066.
1990s Hohner Professional TWP600B electro-acoustic bass guitar, with Chord gig bag
£100-200
1067.
Sparrow Twangmaster Pro electric guitar; Body: blue metallic finish with pinstripe design, a few minor dings; Neck: maple, ding behind ninth fret position; Fretboard: good; Electrics: working; Hardware: good; Case: soft bag; Overall condition: good
£80-120
1068.
Fenix by Young Chang T-Type electric guitar, made in Korea, circa 1989; Body: purple haze finished figured maple bound body; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, typical gold plating loss; Case: soft bag; Overall condition: good for age
£150-250
1069.
1970s John Bennet S-Type electric guitar, made in Japan, white finish, with Music Warehouse gig bag
£80-120
1070.
Hofner Shorty electric travel guitar, gold sparkle finish, with original gig bag and shipping box
£40-60
1071.
Custom Build StratoTele electric guitar, comprising natural finished Alan Entwistle Revelation Thinline Tele body (old pickguard holes filled); Neck: Squier by Fender Stratocaster twenty-two fret rosewood board neck; Electrics: working, bridge humbucker with single volume control and kill switch; Hardware: miscellaneous fittings; Overall condition: good
£80-120
1072.
2003 Line 6 Variax 500 electric guitar, made in Korea; Body: candy apple red finish, a few dings and surface scratches; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, some tarnishing to smaller metal parts; Case: original gig bag; Overall condition: good
£100-150
1073.
Cherrystone 12/6 double neck electric guitar, with cherry metallic finish
£100-200
1074.
Squier by Fender Silver Series Precision bass guitar, made in Japan; Body: black finish with various dings, blemishes and scratches throughout; Neck: maple, minor dings, replacement decal with custom serial number with refinishing; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: generally good, replacement scratchplate, replacement control knobs; Overall condition: fair
£150-250
1075.
Dean Playmate Play EAB electro-acoustic bass guitar, made in China, with RockBag by Warwick gig bag
£80-120
1076.
Yamaha BB404 bass guitar; Body: natural finish, buckle scratches to back, further minor imperfections; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Stagg hard case; Overall condition: good
£100-200
1077.
Suitcase travel electric guitar, branded Progression
£100-200
1078.
Westfield Strat type electric guitar, metallic pink finish, within homemade wooden case
£40-80
1079.
2018 Epiphone Hummingbird Pro electroacoustic guitar; Body: amber burst finish, finish damage to treble side of top, further surface scratches; Neck: minor dings; Fretboard: rosewood; Frets: good; Hardware: good; Overall condition: fair
£100-200
1080.
1970s Maya electric guitar; Body: sunburst finish, dings and scratches, further scuffs to edges; Neck: maple; Fretboard: maple; Frets: mild wear; Electrics: working; Hardware: generally good, missing control knob and switch tip; Overall condition: fair £80-120
1081.
Jet left-handed Tele type electric guitar; together with an East Coast D1S left-handed electro-acoustic guitar (2)
£50-100
1082.
Anderwood BIP-OMM Weissenborn style acoustic lap guitar, fitted with a Seymour Duncan sound hole pickup wired through to the end pin, within original hard case
£80-120
1083.
2012 Sigma 000R-28VS acoustic guitar, made in China; Back and sides: rosewood, light surface scratches; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: mild wear; Electrics: working, later fitted K & K passive pickup; Hardware: good; Case: Mojo gig bag; Overall condition: good £150-250
1084.
2016 Sigma LM-SG00 acoustic guitar, made in China; Back and sides: laminated mahogany; Top: tobacco sunburst finished spruce, minor ding; Neck: good; Fretboard: rosewood; Frets: minor wear; Electrics: working; Case: Mojo gig bag; Overall condition: good
£150-250
1085.
Clearwater eight string electric lap guitar, with gig bag
£60-100
1086.
2003 Wolf Rockey Series 12/6 double neck electric guitar, cherry finish (imperfections), within a Gator hard case
£150-250
1087.
Yamaha FG-312 II twelve string acoustic guitar, laminated mahogany back and sides with natural spruce top (imperfections), later fitted electronics with EQ to the bass side and wired through the end pin (vacant jack hole filled to treble side), within a Stagg hard case
£80-120
1088.
Ozark Professional 3951C electro-acoustic nylon string guitar, within Tribal Planet gig bag
£100-200
1089.
Applause by Kaman AA-31 acoustic guitar, sunburst finish
£50-100
1090.
Eko Ranger twelve string acoustic guitar; together with two Eko Ranger 6 acoustic guitars (3)
£80-120
1091.
Four budget acoustic guitars to include two Falcon FG100 and two by Kay (4)
£40-80
1092.
Tanglewood Quomaster Status 30 Francis Rossi style electric guitar, trans green finish
£80-120
1093.
Westfield 335 type semi-hollow body electric guitar, faded cherry finish; together with a Westfield left-handed S-Type electric guitar (2)
£80-120
1094.
1980s Columbus LP type electric guitar, black finish (imperfections)
£70-100
1095.
Infinity Ricki style electric guitar, sunburst finish top upon black back (imperfections)
£50-80
1096.
Clarissa G-700EL electro-acoustic hybrid guitar
£40-80
1097.
Two LP type electric guitars to include a JHS Vintage and a Hondo, both with black finish (imperfections) (2)
£100-200
1098.
Samick Greg Bennett Design Royale semihollow body electric guitar, made in Indonesia, sunburst finish (imperfections)
£80-120
1099.
1996 Squier by Fender Strat electric guitar, made in China, black finish (imperfections); together with a Starcaster by Fender Strat electric guitar, black finish (imperfections) (2)
£80-120
1100.
Two Chantry S-Type electric guitars (2)
£40-80
1101.
Two Precision type bass guitars by Samick and Starsound, both with black finish (imperfections) (2)
£40-80
1102.
1984 Westone Thunder I-A electric guitar; Body: natural sen ash, stickers to back, heavy wear and blemishes; Neck: various wear and dings; Fretboard: rosewood; Frets: good; Hardware: heavy tarnishing; Overall condition: fair
£100-200
1103.
Three Encore S-Type electric guitars in black (imperfections); together with a QTX S-Type electric guitar in red (imperfections) (4)
£40-80
1104.
Four S-Type electric guitars to include a Burswood, a CB Sky, a Conrad and a Stagg (4)
£50-100
1105.
Three Tele type electric guitars, one by Johnny Brook, the other two unbranded (3)
£50-100
1106.
Hohner Arbour Series S-Type electric guitar; together with three further S-Type electric guitars to include a Stagg and an Acoustic Solutions short scale (4)
£40-80
1107.
Two Precision type bass guitars, one by Encore (2)
£40-80
1108.
Two Cruiser by Crafter electric guitars, one Les Paul Special type, the other a BC Mockingbird type; together with a Tanglewood Rock 3 Superstrat type electric guitar (3)
£50-100
1109.
Three LP type electric guitars to include a Nevada, a Jim Deacon and a 1980s Satellite 95-1 (3)
£80-120
1110.
Three LP type electric guitars to include two by Encore and one by Bowood (3)
£80-120
1111.
Two twelve string acoustic guitars to include a Vantage VS-12, a JHS Vintage V400-12; together with two further acoustic guitars to include an Aria J-24 and a Countryman HD-300 (4)
£50-100
1112.
Four acoustic guitars to include a 2006 Fender DG-5, a Tanglewood TW400N, a Riks ED40RSB and a Jay Jr. (4)
£50-100
1113.
Four various acoustic guitars, some in need of some attention including a Michael Kelly V5 electro-acoustic, a Marlin MFCA-E electroacoustic, an Excalibur TW300 and a Hohner Arbor LW400N (4)
£50-100
1114.
Four various acoustic guitars, some in need of some attention including a Yamaha F-310, an XS Music Fidelity, a Hohner Western Series H400N and a Tanglewood TF8 (4)
£80-120
1115.
Two acoustic resonator guitars to include a Martin Smith and a Crossfire (2)
£40-80
1116.
Four acoustic guitars to include an Eko Ranger 6, an unbranded Ovation style, a Lorenzo Flame Series and a Nevada W400 (4)
£80-120
1117.
Four acoustic guitars, some in need of some repair to include a Michael Kelly V15 electroacoustic, a Chord CW26, a Lorenzo FS1 and an AXL Johnson (4)
£50-80
1118.
Skylark Gretsch style hollow body electric guitar, made in China, tan-orange finish (imperfections)
£70-100
1119.
Four nylon string acoustic guitars to include a Yamaha G-17A, a Kimbara 191, a Musima Classic and a BM Almeria (4)
£50-100
1120.
Six various sized nylon string guitars, brands including BM, Encore, Lake etc (6)
£40-80
1121.
Antoria Folk 212 acoustic guitar, sunburst finish (imperfections); together with a Chantry acoustic guitar and a Montana MDS625 (3)
£50-100
1122.
Three small bodied acoustic guitars, one labelled Salvador Ripolles, another labelled Lark (3)
£40-80
1123.
Takamine G Series EG260C electroacoustic guitar
£80-120
1124.
1970s Eko Rio Bravo twelve string acoustic guitar
*Sold with purchase receipt dated 23rd August 1983
£50-100
1125.
1980s Hondo Deluxe Series H935 semihollow body electric guitar, made in Korea; Body: cherry finished laminated mahogany, a few minor marks but generally very good for age; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, later installed chrome pickguard (original included); Overall condition: very good
£80-120
1126.
1990s Maverick F1 electric guitar; Body: white finish; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: Kinsman hard case; Overall condition: very good
£100-200
1127.
2011 Epiphone SG Pro electric guitar; Body: cherry finish; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original shipping box; Overall condition: excellent
£150-200
1128.
Legend Aqua clear Perspex Jazzmaster style electric guitar, with generic oblong hard case
£100-200
1129.
1980s Aria Elecord FE-T65N electroacoustic guitar, made in Japan; Body: natural finished spruce top upon sunburst finished mahogany back and sides, light dings and scratches but generally acceptable for age; Neck: mahogany; Fretboard: rosewood, light wear to first position; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: good
£100-200
1130.
Yamaha ERG121 electric guitar, black finish, imperfections and stickers added to front (missing trem arm, missing lower strap button), within Stagg gig bag
£30-60
1131.
1970s Maya fretless bass guitar, made in Japan; Body: three-tone sunburst finish, heavy blemishes to back and some lacquer checking, scuffs to edges; Neck: maple; Fingerboard: rosewood; Electrics: working; Hardware: generally good, missing control knobs, pickup and bridge covers included; Case: period hard case; Overall condition: fair
£80-120
1132.
Hamer XT Series A/T P90 electric guitar; Body: gold top finish upon brown mahogany back, light surface marks to back, bridge cavity enlarged to fit humbucker pickup; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working, replacement humbucker pickup to bridge position; Hardware: good; Case: generic oblong hard case; Overall condition: good
£100-150
1133.
1980s Hohner Professional TWP Western SB electro-acoustic hybrid guitar, made in Korea; Body: red burst finish upon brown back, various dings and scratches throughout; Neck: minor dings; Fretboard: rosewood, wear to first position; Frets: mild wear; Electric: working; Hardware: good; Overall condition: fair
£100-200
1134.
2012 Squier by Fender Vintage Modified Jaguar electric guitar, made in Indonesia; Body: candy apple red finish, a few minor dings; Neck: maple; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: good
£150-250
1135.
Sheridan double cut LP Junior type electric guitar
£40-60
1136.
Enigma double cut electric guitar; together with a composite Precision type bass guitar with Conrad neck (2)
£50-100
1137.
Sigma for Martin DM acoustic guitar, made in Korea; Back and sides: laminated mahogany, a few light marks; Top: natural spruce, minor scuffs and dings, hairline to lacquer on treble side of lower bout; Neck: mahogany; Fretboard: rosewood; Frets: minor wear; Hardware: good; Case: compressed foam case; Overall condition: good
£80-120
1138.
1961 Hofner Colorama I electric guitar in need of restoration
£80-120
1139.
1960s Vox Duotone electric guitar, made in England; Body: red finish, various marks and finish scuffs as expected for age; Neck: maple, bolt-on, some lacquer pulling and minor dings; Fretboard: rosewood, upper position markers missing; Frets: worn with some oxidisation; Hardware: damages to pickguard, tarnishing to metal parts; Overall condition: fair
£100-200
1140.
Johnson JR-998 single cone resonator guitar, with etched Palm design, within MBT compressed foam case (imperfections)
£100-200
1141.
1970s Artist electric guitar, made in Japan, red burst finish with semi-rigid fibreboard case (missing trem arm)
£60-100
1142.
1960s Rosetti Sheerline 7 electric guitar, made in Holland, red burst finish, with soft bag (imperfections)
£80-120
1143.
1960s Vox Soloist electric guitar, made in England, sunburst finish with heavy lacquer checking and finish loss, lacquer pulling to rosewood board neck, within vintage gig bag
£80-120
1144.
1960s Antoria Soundmaster hollow body electrics guitar, made in Japan; Body: threetone sunburst finish, some binding separation, minor dings and surface marks; Neck: maple, blemishes to reverse; Fretboard: rosewood; Frets: some tarnishing; Hardware: generally good, some tarnishing to metal parts; Overall condition: fair
£80-120
1145.
1960s Jason (Ibanez) model 993 electric guitar in need of restoration, made in Japan
£100-200
1146.
Three Dutch 1960s hollow body guitars, two by Rosetti and another by Egmond; together with a Martin Smith twelve string acoustic guitar and an Artisan nylon string guitar (5)
£100-200
1147.
2016 Gretsch Electromatic G5236 Pro Jet electric guitar (non-trem), made in China; Body: black top finish upon brown back, heavy blemishes and dings throughout; Neck: minor dings, bolt-on; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, damaged switch tip shaft; Case: Ritter gig bag; Overall condition: fair
£150-250
1148.
Dean square neck resonator guitar (fault at neck join)
£50-100
1149.
Interesting handmade square neck acoustic guitar by and labelled Bob Goodsir, 2013, with solid walnut back and sides and spruce top
£150-250
1150.
2001 Tanglewood TW45NSLH left-handed electro-acoustic guitar; Back and sides: mahogany; Top: natural spruce, various dings; Neck: mahogany; Fretboard: rosewood; Frets: good; Case: good quality hard case; Overall condition: good
£100-150
1151.
1980s Satellite 96-L electric guitar
£60-100
1152.
1987 Aria Pro II SL Series SL-ST-3 electric guitar; Body: white finish, light marks; Neck: maple; Fretboard: maple; Frets: good; Electrics: rare Reflex active pickups; Hardware: missing trem arm, replacement dice control knobs, replacement Gotoh tuners; Overall condition: good
£180-220
1153.
Modified 1989 Hohner Professional ST Victory electric guitar, blue finish, marks and dings; Neck: bolt-on, matt black finish; Fretboard: rosewood, hand scalloped; Electrics: working; Hardware: replacement Perspex scratchplate with decorative fabric backing, missing trem arm, replacement truss rod cover; Overall condition: fair
£80-120
1154.
Two S-Type electric guitars to include an Excel and an Encore; together with a Squier 15 practice amplifier, a Custom CA-15 practice amplifier and a Stagg microphone on stand
£40-80
1155.
1963 Eko 100 small bodied archtop guitar, within contemporary hard case; together with an Eko Ranger 12 acoustic guitar in need of restoration, a Kay KD28D12 twelve string acoustic guitar and an Encore six string acoustic guitar (4)
£100-200
1156.
Hohner Les Paul style electric guitar, made in Japan, black finish (imperfections), within Roksak gig bag
£80-120
1157.
1987 Squier by Fender Bullet electric guitar, made in Korea; Body: black finish, various dings, surface marks and scuffs; Neck: maple; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: generally good, missing trem arm; Case: Rock Bag by Warwick gig bag; Weight: 3.43kg; Overall condition: good for age
£150-250
1158.
1970s Joodee Performer electric guitar, made by Yamaki, Japan; Body: black finish, heavy scratches and scuffs, some touchedup finishing; Neck: maple, mild wear; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: replacement control, some tarnishing to metal parts; Case: Tribal Planet gig bag; Overall condition: fair
£100-200
1159.
1970s Eros Les Paul type electric guitar, made in Japan; Body: black finish, dings and scratches throughout; Neck: good, bolt-on; Fretboard: rosewood; Frets: mild wear; Electrics: working, Maxon pickups; Hardware: loss to gold plating, tarnishing to metalware, replacement pickup surrounds, repositioned strap buttons, replacement Schaller tuners; Case: Roksak gig bag; Overall condition: fair
£80-120
1160.
1980s Yamaha FG-280 acoustic guitar, made in Taiwan; Back and sides: three piece back with rosewood sides and maple centre, rosewood sides, various dings and scratches; Top: natural spruce, minor dings, slight lift to belly; Neck: mahogany, minor marks; Fretboard: ebonised, wear to first position; Frets: mild wear; Electrics: later fitted Mimesis sound hole pickup wired through the end pin; Case: hard case; Overall condition: fair
£100-200
1161.
2004 Line 6 Variax acoustic electric guitar, made in Korea, with original gig bag, PSU and cables
£100-200
1162.
1970s Yamaki Folk Deluxe acoustic guitar, made in Japan; Back and sides: laminated mahogany, minor surface scuffs, repaired damage to body end; Top: various dings, bridge repair; Neck: slight bow and may require resetting; Fretboard: rosewood, wear to first position; Frets: mild wear; Hardware: some tarnishing to metal tuners; Case: semi-rigid fibreboard case; Overall condition: fair; together with a Maison AR300SN electro-acoustic guitar, blue finish, gig bag (2)
£80-120
1163.
Fenix by Young Chang Tele Custom type electric guitar, made in Korea, circa 1989; Body: two-tone sunburst finish with bound body, minor surface scratches; Neck: maple, modified carve to head tip; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: gig bag; Overall condition: good
£100-200
1164.
2010 Squier by Fender Jazz bass guitar, made in Indonesia; Body: black finish, surface scratches; Neck: maple; Fretboard: maple with pearl block inlay; Frets: good; Electrics: working; Hardware: good; Case: fitted hard case; Overall condition: good
£200-250
1165.
Aria Pro II Nashville electric guitar, with original gig bag (new/old stock)
£100-200
1166.
Revelation RJT60/12 twelve string electric guitar, sunburst finish, with original shipping box (new/old stock)
£100-150
1167.
Rapier 33 RAP33 electric guitar, Daphne blue finish, within shipping box (new/old stock)
£100-200
1168.
Hofner Hi Verythin semi-hollow body electric, blue metallic finish, within original shipping box (new/old stock)
£100-200
1169.
Crafter SA-12 TMVS hollow body electric guitar, made in Korea, sunburst finish, with original hard case (new/old stock)
£150-250
1170.
Mayson TOPAZ electro-acoustic guitar, laminated ovangkol back and side, solid ovangkol top, within original gig bag (new/ old stock)
£150-250
1171.
JHS Vintage Joe Doe Salty Dog electric guitar, within original hard case (new/old stock)
£200-300
1172.
1950s Olympic archtop guitar; Body: natural finish maple back and sides and spruce top, checking throughout, blemishes to top from previously installed bridge, marks and dings throughout; Neck: slight bow; Fretboard: rosewood; Frets: mild wear; Hardware: tarnishing/rusting to metal parts; Case: soft bag; Overall condition: fair
£80-120
1173.
Yamaha Compass Series CPX-5 VS electro-acoustic guitar, with laminated mahogany back and sides, sunburst finished spruce top, within Black Rat gig bag (imperfections)
£80-120
1174.
Woodstock WHW38303 small bodied acoustic guitar, with Pure Tone gig bag
£60-80
1175.
Tanglewood TW-145/12 twelve string electro-acoustic guitar, laminated mahogany back and sides, natural spruce top, within Rok Sak gig bag (imperfections)
£80-120
1176.
Ashbury GR36113 tenor guitar, with TGI gig bag
£80-120
1177.
Gretsch Americana Series G4530 Wild West Sweethearts acoustic guitar, with original box
£80-120
1178.
2018 Fender FA-125 Dreadnought acoustic guitar, black finish with various imperfections, boxed (new/B stock)
*Please note: this lot is subject to 20% VAT on the hammer price. B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working
£20-40
1179.
Tanglewood EM E1 acoustic guitar, boxed (new/B stok)
*Please note: this lot is subject to 20% VAT on the hammer price. B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working
£20-40
1180.
Brunswick BTK30BK acoustic guitar, black finish, boxed (new/B stock)
*Please note: this lot is subject to 20% VAT on the hammer price. B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working
£20-30
1181.
Custom build T-Type electric guitar comprising sunburst finish Fender Vintera body (repaired Bigsby holes), DR twenty-one fret maple neck, Oak Grigsby switch, CTS pots and other miscellaneous parts
£80-120
1182.
Custom build S-Type electric guitar comprising sunburst finished Squier body, Squier by Fender Bullet Strat neck, Alnico single coil neck and bridge pickups, Artec Hot Blade humbucker middle pickup, Japanese shell type scratchplate, Wilkinson bridge and other miscellaneous parts, gig bag £60-100
1183.
1960s Antoria electric guitar, made in Japan; Body: red refinish, various impact marks visible under paint; Neck: stripped and oiled; Fretboard: rosewood; Frets: mild wear, sprouting to edges; Electrics: working; Hardware: generally good, missing trem arm, replacement tuners; Overall condition: fair
£100-200
1184.
Four nylon string guitars in various states of repair to include a Suzuki, a Musima, a B&M Concert Grand and one other (4)
£50-100
1185.
Yamaha GL1 Guitalele; together with two short scale nylon string guitars (3)
£30-60
1186.
Three acoustic guitars in varying conditions and in need of repair to include an Ormond twelve string, a Concerter six string and an Audition twelve string; together with a pear shape mandolin in need of restoration (4)
£30-60
1187.
2016 Ibanez Artcore Vintage AMV10A semihollow body electric guitar, made in China; Body: tobacco sunburst finish faux relic; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Overall condition: very good
£150-250
1188.
Tanglewood TW145 twelve string electroacoustic guitar in need of some attention (electrics not working, bridge plate lifting), within hard case
£50-100
1189.
1996 Epiphone PR200NS acoustic guitar, vacant holes to top lower bout, two further vacant holes above bridge, within TKL hard case
£80-120
1190.
1970s Welson hollow body electric guitar in need of restoration
£100-150
1191.
Revelation RBJ67 jazz style bass guitar, with vintage white finish, with soft bag
£50-100
LOTS 1192-1200 NO LOTS
End of Day
Two sale
Day Three
Guitar Amplification, Effects, Spares & Audio
Thursday 5th December 2024 at 10am
Amplification
1201.
Two Rock Amplification Traditional Clean guitar amplifier head, made in USA, ser. no. 279, with original box
£1500-2000
1202.
Orange CR60 guitar amplifier
£150-250
1203.
Fender Acoustic SFX acoustic guitar amplifier, with dust cover
£150-200
1204.
1975 Fender Twin Reverb guitar amplifier, made in USA, fitted with Mackenzie 12" speakers
£400-600
1205.
Roland Cube Street EX guitar amplifier, with gig case
£80-120
1206.
Four guitar amplifiers to include a Fender Automatic GT, a Fender Rumble 25, a Yamaha BA5 and a Marshall MG15DFX (4)
£80-120
1207.
Carvin Vintage Tube Bel Air 2 x 12 combo guitar amplifier, with dust cover
£100-200
1208.
Line 6 Lowdown LD300 Pro bass guitar amplifier
£40-80
1209.
1997 Marshall JCM600 guitar amplifier, made in England
£200-300
1210.
Peavey Bandit guitar amplifier; together with a Park Bass GB25-12 bass guitar amplifier (2)
£40-80
1211.
1960s Carlsbro Valve guitar amplifier head, made in England
£200-300
1212.
1996 Fender Twin-Amp guitar amplifier, made in USA, with footswitch (as new)
£500-700
1213.
1998 Vox AC30/6 TB guitar amplifier, made in England, with footswitch
£800-1000
1214.
Celestion G12M green back guitar amplifier speaker
£30-50
1215.
Fender Champion 50XL guitar amplifier; together with a Fender Rumble Studio 40 guitar amplifier (2)
*Please note: This amp is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended
*Please note: This amp is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended
£50-100
1201
1213
1217.
Ashdown Engineering Ant 200 watt pedal board guitar amplifier, boxed
*Please note: This amp is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended
£50-100
1218.
Trace Elliot Series 6 AH100 bass guitar amplifier head; together with a twin speaker cabinet
£80-120
1219.
Two practice amplifiers to include a Yamaha GA15 and a Custom KGA10FX (2)
£20-40
1220.
Fender Champion 50XL guitar amplifier, with Champ XD footswitch
£70-100
1221.
Fender Champion 50XL guitar amplifier; together with a Washburn Bad Dog guitar amplifier (2)
£80-120
1222.
Interesting vintage guitar amplifier head branded GTI C130 Mark II, with original Bulgin cable
£80-120
1223.
Late 1960s Vox Solid State Conqueror guitar amplifier head, made in England
£300-500
1224.
1979 Marshall JMP Model 2204 Master Model 50 watt Mk 2 Lead guitar amplifier head, made in England
£500-800
1225.
Marshall MG15 guitar amplifier; together with a Zoom GFX-707 multi-effects guitar pedal, a Korg GA1 Solo tuner, a pair of OneOdio headphones and a selection of various cables
Hayden Essex Blonde 45 guitar amplifier, with dust cover
£150-250
1228.
1970s Arbiter Soundhouse 150 watt guitar amplifier head, made in England
£150-250
1229.
1970s Fender Bassman Export guitar amplifier head, made in USA
£400-600
1230.
Blackstar Amplification HT5 guitar amplifier
£80-120
1231.
1972 Marshall JMP 1987 guitar amplifier head, made in England, with contemporary dust cover
£1000-1500
1232.
1973 Marshall 1960A 4 x 12 guitar amplifier speaker cabinet, with dust cover
£200-300
1233.
1980 Marshall JMP 1992 Super Bass 100 watt Mk II guitar amplifier head, made in England, with dust cover
£800-1200
1234.
1972 Marshall 2x12 guitar amplifier speaker cabinet, made in USA
£300-500
1235.
Fender Rumble 15 guitar amplifier, boxed £20-30
1236.
2019 Dr. Z Maz 18 Junior Mk II guitar amplifier head, with matching 8 ohm twin speaker cabinet, footswitch and associated cables
£1200-1800
1237.
2006 Marshall AVT20X guitar amplifier; together with a Marshall MG100DFX guitar amplifier in need of some attention (2)
£100-150
1238.
Fender Sidekick Reverb 35 guitar amplifier, made in Japan; together with a Fender Champion 300 guitar amplifier (2)
£100-200
1239.
Orange Crush 10 practice guitar amplifier; together with a Third Avenue GA15 practice amplifier (2)
£40-50
1255 (See page 154)
1240.
Blackstar Amplification HT-5 guitar amplifier, with footswitch and owners manual
£80-120
1241.
Boss Katana Artist Mark II guitar amplifier
£100-200
1242.
Roland Cube Street battery powered stereo guitar amplifier
£80-120
1243.
Lone Wolf Blues Company Harp Train Model 10
Harmonica amplifier, with dust cover
£100-200
1244.
Duke Tone Royal Blood 10 guitar amplifier; together with a V15G practice amplifier and a Stagg practice amplifier (3)
£80-120
1245.
Hughes & Kettner Tubemeister 18 guitar amplifier head, with gig bag and pedal; together with a matching Hughes & Kettner TM112 guitar amplifier speaker cabinet
£150-250
1246.
Line 6 Stagesource L2T acoustic modelling powered speaker; together with a Line 6 Stagesource L2M speaker (2)
£300-600
1247.
Boss Dual Cube LX guitar amplifier, boxed
£50-80
1248.
1978 Marshall JMP model 2104 Master Model
50 watt Mk 2 Lead 2 x 12 guitar amplifier combo, made in England
£500-800
1249.
Roland Cube 60 Chorus guitar amplifier, made in Japan
£80-120
1250.
Session Rockette bass guitar amplifier, with footswitch and dust cover
£40-80
1251.
Cornell Romany Plus guitar amplifier, made in England
£500-700
1252.
Fender Super-Sonic 22 guitar amplifier, made in USA
£300-500
1253.
Victory Amplification The Sheriff 22 guitar amplifier head, within original gig bag
£300-500
1254.
Victory Amplification The Copper VC35 guitar amplifier head, with Z-Amp Brake Lite attenuator, within gig bag; together with matching V212 16 ohm twin speaker cabinet
£500-800
1255.
Vox AC10 2x12 combo guitar amplifier, made in England, circa 1964, with original footswitch and dust cover
£1500-2000
1256.
Celestion T5100 CP6-1517 guitar amplifier speaker
£15-25
1257.
Orange Crush Pro 60 guitar amplifier, black tolex
£200-300
1258.
Trek II UC-1A Universal Combo Pre-amp pedal for Leslie speakers
£150-250
1259.
Kemper profiling guitar amplifier, within original gig bag
£400-600
1260.
1978 Fender Bassman 135 guitar amplifier head, made in USA, within Packhorse flight case
£450-550
1261.
Marshall Series 9000 9005 50 watt valve power amp rack unit, within a heavy duty flight case
£200-300
1262.
1977 Marshall 4x12 1960A guitar amplifier speaker cabinet, fitted with three original G12H Celestion speakers and one later G12H Anniversary speaker, wiring modifications to allow the two top and two bottom speakers to run separately, sold with a spare back panel
£250-350
1263.
1990 Mesa Boogie Bass 400+ bass guitar amplifier rack unit, fitted within a Thon rack flight case
£600-800
1264.
Harma 4x10 320 watt 8 ohm guitar amplifier speaker cabinet, made by Trace Elliot, circa 2008, fitted with four 10" Trace Elliot speakers and with Ampeg SVT feet recesses to the top, with dust cover
£100-200
1265.
Harma 4 x 10 tweed bass guitar cabinet with switchable horn, fitted with four Harma Bloodstock C10T speakers, made by Trace Elliot, circa 2008
1970s White Chorus 160 Tour Range guitar amplifier, made in England
£300-500
1277.
Matamp Mini-Pro guitar amplifier head, made in England; together with matching 1 x 12 8 ohm speaker cabinet
£300-500
1278.
Fender Performer 1000 guitar amplifier, made in USA, fitted with JBL D120F orange speaker, with dust cover
£100-200
1287.
1970s Vox AC30 Solid State 100 watt guitar amplifier, made in England
£150-250
1288.
1970s Vox AC30 Solid State guitar amplifier, made in England
£150-250
1289.
HH Electronic 412BL Minor 4 x 12 guitar amplifier speaker cabinet
£40-80
1279.
Laney Cub 12R guitar amplifier, with dust cover
£70-100
1280.
1973 Marshall JMP Lead & Bass 50 1964 guitar amplifier head, made in England
£800-1200
1281.
1x15" tweed guitar amplifier speaker cabinet, fitted with a McKenzie GP15 speaker
£30-60
1282.
1990 Marshall Master Lead 30 5010 guitar amplifier, made in England
£40-80
1283.
1970s Marshall 2196 2x12" guitar amplifier speaker cabinet, made in England
£80-120
1284.
1980s Marshall JCM 800 1935B bass 4x12 guitar amplifier speaker cabinet, made in England
£150-250
1285.
Fender '59 Bassman Ltd re-issue guitar amplifier, made in USA, within fitted heavy duty flight case on wheels
£500-800
1286.
1970s Matamp Slave Unit amplifier head, Model ORSL100
£400-600
1290.
Marshall Bass 100 2099 bass guitar amplifier head, made in England
£40-80
1291.
1970s Marshall 2196 Lead 2x12" guitar amplifier speaker cabinet
£80-120
1292.
1970s Marshall 2196 Lead 2x12" guitar amplifier speaker cabinet
£80-120
1293.
1970s Marshall 2196 Lead 2x12" guitar amplifier speaker cabinet
£80-120
1294.
Peavey 412S 4 x 12 guitar amplifier speaker cabinet, made in USA
£50-80
1295.
Peavey Standard PA Mixer Amp amplifier head; together with a pair of Peavey 412 column speaker cabinets, made in USA
£80-120
1296.
Big White Monkey (BWM) Kong guitar amplifier head
£80-120
1297.
Big White Monkey (BWM) Kong guitar amplifier head
£80-120
1300
1298.
1980s Marshall JCM 800 Bass Series 1935A bass 4 x 12 guitar amplifier speaker cabinet, with heavy duty flight case on wheels
£150-250
1299.
Marshall 100 watt Lead & Bass Solid State guitar amplifier head
£60-100
1300.
Fender EC Vibro Champ Eric Clapton guitar amplifier, made in USA, with original dust cover
£1000-1500
1301.
Fender Blues-Deluxe guitar amplifier, made in USA, tweed tolex, with footswitch
£200-400
1302.
Mesa Boogie Mark II guitar amplifier, made in USA, hardwood cabinet with basket front, within a heavy duty Packhorse flight case
£1000-1500
1303.
Swart Night Light guitar amp Attenuator and Stereo Drive, boxed
£80-120
1304.
Swart Night Light Junior guitar amp Attenuator, boxed
£50-80
1305.
Marshall Origin 5 guitar amplifier, with Fender dust cover and non-original footswitch
£80-120
1306.
Late 1960s Selmer Treble n Bass 50 Mk III guitar amplifier, made in England, with original dust cover
*Fully serviced in February 2024 by Chris Taylor at Vintage Amp Services. Sold with documents relating to the work carried out and a selection of original replaced parts
£300-500
1307.
Gibson Dual Falcon 20 2x10 combo guitar amplifier, cream tolex with oxblood grille, with dust cover, footswitch and papers, within original box
£1000-2000
1308.
1976 Marshall JMP Artiste 2068 guitar amplifier head, made in England
£700-1000
1309.
Phil Jones Bass M-300 bass guitar amplifier head, with owners manual
£200-300
1310.
1990s Marshall Bluesbreaker Tremolo 50 watt Reissue guitar amplifier, made in England
£500-700
1311.
1997 Marshall Power Brake PB100 guitar amplifier attenuator
£80-120
1312.
Vox AC4C1-12 guitar amplifier, white tolex, with dust cover
1970s WEM Westminster 15 guitar amplifier, made in England, with original dust cover
£100-200
1316.
Vox by Wharfdale GSH-1230-8 guitar amplifier speaker; together with an Eminence 12" speaker (2)
£20-40
1317.
Sound City by Dallas Arbiter 50 Plus CB50 2x12 guitar amplifier, made in England
£150-250
1318.
2000s JMI AC 30/6T guitar amplifier, made in England, fawn tolex with Tayden ACE 25 speakers, with dust cover
£800-1200
1319.
1970s Laney Klipp L100 guitar amplifier, made in England
£300-500
1320.
1973 Marshall JMP 1959 Super Lead 100 watt guitar amplifier head, made in England
£1200-1800
1318 (See page 156)
1321.
Four amplifiers to include a Vox Valvetronix VT30, a Laney Session 40 Reverb, a Carlsbro Colt 45K keyboard amplifier and a Dean Markley GT-1000 battery amplifier (4)
£40-80
1322.
1964 Marshall JTM45 Mk II PA guitar amplifier head, made in England, with ECC83 pre-amp tubes, EL34 power tubes and GZ34 rectifier tubes (output transformer replaced)
*Sold on behalf of the estate of the original owner and bearing Cornish music shop retail label to the reverse
£5000-7000
1323.
Phil Jones Bass Briefcase bass guitar amplifier, with dust cover
£350-450
1324.
Laney Nexus Studio Live bass guitar amplifier, within original gig bag
£150-250
1325.
Barefaced Audio Super Twin 2 x 12 bass guitar amplifier speaker cabinet
£700-800
1326.
1970s Vox AC30 Solid State guitar amplifier, fitted with Fane speakers and with original footswitch
£100-200
1327.
1970s Selmer Treble N Bass 50 S.V guitar amplifier head, made in England
£100-200
1338
1334.
1328.
1970s WEM Band Master eight channel amplifier head
£80-120
1329.
Marshall MG-30DFX guitar amplifier
£20-40
1330.
Laney 1x15 guitar amplifier speaker cabinet; together with another single speaker cabinet
£40-80
1331.
Fender Rumble 100 bass guitar amplifier, with dust cover
Vox AC30 Top Boost guitar amplifier, made in England, circa 1964
£800-1200
1339.
Fender Blues-Deluxe limited edition guitar amplifier, made in USA, cream tolex
£400-600
1340.
Carlsbro GLX150H guitar amplifier head; together with a Carlsbro power module amplifier head and a Torque T1001EB bass guitar amplifier (3)
£80-120
1341.
Music Man Sixty Five 112-RD guitar amplifier head, made in USA, with dust cover; together with a modified Music Man Amp speaker cabinet, fitted with a Fender JBL D120F Orange 12" speaker
£400-600
1342.
Eden EC8 20 watt bass combo guitar amplifier
£20-40
1343.
Vox Mini Go 50 guitar amplifier, boxed
£80-120
1344.
Jet City Amplification 20 guitar amplifier head
£100-200
1345.
1976 Orange Amplification OR120 guitar amplifier head, made in England
£700-1000
1346.
Cornell Plexi 18/20 guitar amplifier head, made in England, with matching 1 x 12 speaker cabinet
£500-700
1347.
Fender Eighty-Five guitar amplifier, made in USA
£50-80
1348.
1971 Fender Twin Reverb-Amp guitar amplifier, made in USA
£500-800
1349.
1960s Supro Valco Statesman S6699 guitar amplifier head, made in USA, with matching twin speaker cabinet
£500-700
1350.
1970s Ampeg B-15 Portaflex guitar amplifier, made in USA
£600-900
1351.
1956 Fender 5E6 Bassman 4x10 guitar amplifier, made in USA, tweed exterior (restorations)
£3000-5000
1352.
Pearce G2R stereo guitar amplifier rack unit, within a heavy duty flight case surround
£200-400
1353.
Selmer Little Giant guitar amplifier, circa 1962
£300-500
1354.
2013 Lazy J J-20 Reverb/Trem guitar amplifier, with footswitch
£1500-1800
1355.
1970s Vox Escort battery guitar amplifier
£40-60
1356.
Blackstar Amplification Studio 10 V3 guitar amplifier, boxed (new/B stock)
*Please note: this lot is subject to 20% VAT on the hammer price. B stock: this instrument may have a minor cosmetic flaw or it may have damage to the packaging. All B stock items tested as working
£40-80
1341
1345
1351
1357.
Fender Roc Pro 1000 guitar amplifier, made in USA, with footswitch and manual
£40-60
1358.
1970s Fender Twin Reverb guitar amplifier, made in USA, with JBL Fender orange speakers, footswitch
£400-600
1359.
1990s Fender Showman guitar amplifier, made in USA, with footswitch
£150-250
1360.
1978 Fender Pro Reverb guitar amplifier, made in USA, with footswitch
£300-500
1361.
1980s Marshall JCM 800 Lead 1960A guitar amplifier speaker cabinet, made in England
£180-220
1362.
1995 Marshall Valvestate VS15R guitar amplifier
£20-40
1363.
Marshall MBC410 4x10 Bass guitar amplifier cabinet; together with Pair of Custom Sound PA speakers and a pair of unbranded 1 x 12" PA speakers
£50-100
1364.
1994 Marshall Dynamic Bass System Combo guitar amplifier
Blackstar Amplification HTV-112 guitar amplifier speaker cabinet, with dust cover
£50-80
1371.
Blackstar Amplification HT5 Metal guitar amplifier head; together with a Blackstar Amplification HT Metal 112 guitar amplifier speaker cabinet, both with dust covers
£80-120
1372.
1977 Vox AC30 guitar amplifier, made in England (modifications)
£300-500
1373.
1975 Vox AC30 guitar amplifier, made in England, with footswitch
£600-800
1374.
Vox AC30VR guitar amplifier, with footswitch
£200-300
1375.
Selmer Truvoice Constellation Twenty guitar amplifier, made in England, circa 1965, fitted with a pair of Goodmans 12 speakers
£700-1000
1376.
1990s Mesa Boogie Mark IV guitar amplifier, made in USA, hardwood cabinet, with dust cover
£1200-1400
1377.
Peavey VTX Series Heritage valve guitar amplifier, made in USA, with footswitch
£50-80
1378.
1980s Peavey Austin 400 guitar amplifier, made in USA; together with a Celestion C15H-200 15" guitar amplifier speaker
£50-100
1360 1376
1379.
Peavey 210 TXF 2 x 12 guitar amplifier speaker cabinet
£30-60
1380.
1970s Laney LC-16 1 x 12 guitar amplifier, made in England
£150-250
1381.
1979 Hiwatt 200 DR201 200 watt guitar amplifier head, made in England, ser. no. 13820
£1200-1500
1382.
Ampeg SVT-7 Pro bass guitar amplifier rack unit, within a heavy duty rack flight case
£200-400 1383.
Ampeg Pro Neo PN-115HLF bass amplifier speaker cabinet
£150-250 1384.
Ampeg Pro Neo PN-410HLF guitar amplifier speaker cabinet
£150-250 1385.
Line 6 LowDown 410 bass guitar amplifier speaker cabinet
£30-60
1393.
1386.
Warwick Amplification Quadruplet preamplifier rack unit; together with DBX MC6 Mini Comp, boxed; a small EQ unit and a Garrard Ferranti turntable in need of some restoration (4)
£50-100
1387.
1970s Lab Series L5 guitar amplifier, made in USA
£150-250
1388.
Guild Acoustic Aspen guitar amplifier, made in USA, with footswitch
£150-250
1389.
1950s Silvertone Sears & Roebuck Model 1389 guitar amplifier, made in USA (USA voltage)
£150-250
1390.
Sears Model 1420 guitar amplifier, made in USA, circa 1968 (USA voltage)
£100-200
1391.
Blackheart BH1H Killer Ant guitar amplifier head
£60-100
1392.
1960s Silvertone Model 1448 guitar amplifier, made in USA, taken from an original guitar and amp set
£80-120
Kustom Sienna 65 acoustic guitar amplifier, with dust cover
£30-60
1394.
Sub Zero Tube-10 valve guitar amplifier
£40-60
1395.
British Thomson-Houston Co Limited Type AA15A 12" 15 ohm speaker; together with a British Thomson-Houston Co Limited 251B 12" 15 ohm speaker (2)
£30-60
1396.
1976 Fender Twin Reverb guitar amplifier, made in USA, with original manual
Late 1960s Marshall Supa Fuzz guitar pedal, made in England (three replacement capacitors, originals retained)
£800-1200
1509.
Boss DD-3 Digital Delay guitar pedal, boxed
£40-70
1510.
Marshall BB-2 Blues Breaker II guitar pedal, boxed; together with a DOD FX50B Overdrive Plus guitar pedal (2)
£40-60
1511.
Two Arion guitar pedals to include an SOD-1 Overdrive and an SCH-1 Stereo Chorus; together with a selection of guitar spares to include a Pickmaster plectrum punch, various cables, straps etc; also three various microphones including a Shure PG57
£40-60
1512.
Line 6 JM4 Looper guitar pedal, boxed with associated cables
£60-100
1508
1513.
DigiTech Jimi Hendrix Experience guitar pedal, boxed with velour pouch, pick, PSU and copy manual
£80-120
1514.
1960s Watkins Copicat tape echo unit, made in England
£150-200
1515.
Diago guitar pedal board case, 15" x 30.5"; together with a Gorilla Cases flight case, 18" x 27" x 8" (2)
£40-60
1516.
MXR Six Band Graphic Equalizer guitar pedal, boxed
£30-50
1517.
Boss MS-3 Multi-effects Switcher guitar pedal
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended
£50-100
1518.
TC Helicon VoiceLive Play GFX effects pedal
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £40-60
1519.
Three Nux guitar pedals, to include a Masamune Booster & Compressor, a Vertigo Tape Echo and a Vertigo Ace of Tone, all boxed
*Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended
Boss Chorus Ensemble CE-1 guitar pedal, made in Japan, circa 1980 £300-400
1522.
Danelectro 3699 fuzz guitar pedal, boxed
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £40-60
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £30-60
1524.
Hotone Patch Kommander pedal, boxed
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £20-30
1525.
Red Panda Particle Granular Delay guitar pedal
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended
£40-80
1526.
Electro-Harmonix Nano Big Muff guitar pedal; together with an Electro-Harmonix Green Russian Big Muff fuzz pedal (2)
*Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £30-60
1527.
Sonic AIM Crash guitar pedal
*Please note: This item is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £50-80
1528.
Three micro guitar pedals to include an Nux Damp Reverb, an Nux Hook drum loop and a Pigtronics Philosophers Tone (3)
*Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and working inspection recommended £30-60
1529.
Three Rockboard Mod patch bays to include a Mod 1V2, a Mod 2V2 and a Mod 5, all boxed; together with two Rockboard 'The Tray' power supply mounts, both boxed (5)
*Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and personal inspection recommended £40-60
1530.
TC Helicon Play Acoustic guitar pedal
*Please note: This items is ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and personal inspection recommended
£50-100
1531.
Fender Tread-Light Volume-Expression guitar pedal, boxed; together with a Line 6 LFS2 Latching Footswitch, boxed (2)
*Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and personal inspection recommended
TC Electronic Magus Pro guitar pedal, boxed £20-30
1614.
BBE MS-92 Sonic Maximiser Sonic Stomp guitar pedal, boxed £50-80
1615.
Decibelics The Reverend guitar pedal, boxed £70-100
1616.
Two Harley Benton American Sound guitar pedals, boxed £20-40
1617.
Four Mooer guitar pedals, all boxed, to include a 90 Orange analog phase pedal, an E-Lady analog flanger pedal, a Blues Crab overdrive pedal and a Pitchbox harmony/ pitch shifting pedal (4) £60-100
1618.
Korg Pandora PX5D guitar effects processor, boxed; together with a Korg Advanced Solo tuner, a Korg Solo tuner and a Vox Metal headphone amplifier (4) £40-80
1619.
Ibanez Mini Analog Delay guitar pedal; together with a Mosky spring reverb mini guitar pedal (2) £30-50
1620.
Three mini guitar pedals to include a Landlord FX Banging Hangover, a Tone City Wild Fro and a Lekato looper, all boxed (3) £30-60
1621.
TC Electronic Ditto+ Looper mini guitar pedal, boxed £30-60
Lone Wolf Blues Company Harp Attack effects pedal, boxed £50-80
1624.
Lone Wolf Blues Company Harp Shield effects pedal, boxed £50-80
1625.
Lone Wolf Blues Company Harp Shield effects pedal, boxed £50-80
1626.
Lone Wolf Blues Company Mojo Pad Deluxe pedal, boxed £40-80
1627.
Lone Wolf Blues Company Mojo Pad Deluxe pedal, boxed £40-80
1628.
Lone Wolf Blues Company Little Red DI, boxed £20-40
1629.
Lone Wolf Blues Company Harp Break effects pedal, boxed £50-80
1630.
Lone Wolf Blues Company Clean Cat effects pedal, boxed £50-80
1631.
Lone Wolf Blues Company Harp Reverb effects pedal, boxed £50-80
1632.
Lone Wolf Blues Company Power Station effects pedal power bank, boxed £30-60
1633.
Two Harley Benton Power Plant ISO-12 Pro guitar effects pedal power banks, boxed £50-80
1634.
Harley Benton Power Plant ISO-12 Pro guitar effects power bank, boxed; together with a Harley Benton Power Plant Junior, boxed (2)
£40-80
1635.
Palmer PWT 12 MK2 twelve outlet pedal board power supply, boxed; together with a Power Bank DC-9 power supply (2)
£40-80
1636.
Palmer PWT PB40 Power Bar pedal power supply, with associated cables
£40-60
1637.
Selection of Boss footswitches to include an FS-7 dual footswitch, boxed, a GA-FC foot control, an FS-6 dual footswitch, boxed, two FS-5U footswitches and an FS-5L footswitch
£30-60
1638.
Electro-Harmonix Dual Expression pedal; together with a Yamaha FC7 foot controller, another similar foot controller and three Acorn FP2 pedals (5)
£30-60
1639.
Three footswitches to include a DigiTech
FS3X footswitch, a TC Helicon Switch-6 and a Lead Foot FS-2 (3)
£40-80
1640.
Pedal Train Classic 2 guitar effects pedal board; together with a Pedal Train 24 pedal board (outer bag zip in need of repair) (2)
£50-100
1641.
Diago guitar effects pedal board case
£30-40
1642.
Pedal Train Pro guitar effects pedal board
£30-60
1643.
Two Pedal Train Nano Max guitar pedal boards (2)
£30-60
1644.
Two small Pedal Train pedal boards to include a Pedal Train Mini and a Pedal Train Nano (2)
£30-60
1645.
Two Palmer Pedal Bay 40 guitar effects pedal boards (2)
£40-80
1646.
Palmer Pedal Bay 60 guitar effects pedal board
£30-60
1647.
SE6 Skeletal Fuzz guitar pedal in need of repair
£20-40
1648.
Electro-Harmonix Epitome guitar pedal, boxed
£80-120
1649.
Dunlop Cry Baby Bass Wah guitar pedal
£30-50
1650.
Ibanez Power Trio PT3 multi-effects guitar pedal, with manual and PSU; together with two Behringer guitar pedals including a PB100 preamp booster and an NR300 noise reducer (3)
£40-80
1651.
Award Session Matchbox MB11 ElectroAcoustic Guitar Preamp + Horn Saver
£30-50
1652.
1986 Boss DC-2 Dimension C guitar pedal, made in Japan, blue label, boxed
£80-120
1653.
Tonewood Amp acoustic guitar effects unit, boxed £80-120
1654.
Boss TU-1000 Stage Tuner, boxed
£40-60
1655.
2007 Gibson Echoplex Digital Pro Plus Looper rack unit, up to date version with Loop 4 software, 198 seconds of loop time and 16MB of RAM, boxed with foot controller and manual
£300-500
1656.
Two Gator Cases Pedal Tote guitar pedal boards; together with a guitar stand and a Roland guitar amp stand (4)
£30-60
1657.
Boss HM-3 Hyper Metal guitar pedal
£40-60
1658.
Keeley modified Boss DS-1 Distortion guitar pedal, with Keeley ‘evil eye’ modification
£40-60
1659.
C Schofield Micro Amp guitar pedal; together with a Fender MT-10 Mini Twin mini amplifier
Keeley Electronics Custom D&M Drive guitar pedal, boxed and signed by Mick and Dan from "That Pedal Show" to the pedal's sides
£80-120
1676.
Dunlop Jimi Hendrix FFM3 Fuzz Face Mini guitar pedal, boxed £70-100
1677.
Source Audio One Series Vertigo tremolo guitar pedal, boxed £50-80
1678.
Ibanez FL9 Flanger guitar pedal, made in Japan, with original manual £50-80
1679.
Frontline Sound Effects Chorus guitar pedal, boxed; together with a Frontline Delay guitar pedal, a Frontline regulated pedal power supply and a small selection of patch cables
£30-50
1680.
Frontline Sound Effects Overdrive guitar pedal, boxed; together with an Arion SCO-1 compressor guitar pedal, boxed (2)
Two Sonicake guitar pedals to include a Blue Screamer and a Rude Mouse, both boxed (2)
£20-40
1683.
Three Sonicake guitar pedals to include a Sonic Dub, a Sonic Ambience and a Cloud Chorus, all boxed (3)
£30-50
1684.
Aphex Bass Xciter Big Bottom Aural Exciter guitar pedal
£80-120
1685.
Boss NS-2 Noise Suppressor guitar pedal
£30-40
1686.
Boss ME-80 Multi-effects guitar pedal
£80-100
1687.
1970s WEM Watkins Copicat guitar tape delay unit
£100-150
1688.
1970s WEM Solid State Watkins Copicat guitar tape delay unit, made in England
£80-120
1689.
Zoom GFX-8 multi-effects guitar pedal; together with a Behringer HB01 Hell Babe wah wah pedal, a Behringer TU300 chromatic tuner, a BB Blaster amplifier, two guitar stands and other miscellaneous guitar accessories
Three NUX guitar pedals to include a Modcore Deluxe, a Timecore Deluxe and a Hook Drum and Loop pedal, all boxed (3)
£50-80
1696.
Four XVive mini guitar pedals to include two Amp Litone V10, a Tube Drive V7 and a Classic Rock V7 (4)
£40-80
1697.
NUX JTC Drum & Loop Pro guitar pedal, boxed and sealed; together with a Chord FL-50 Flanger guitar pedal (2)
£40-80
1698.
Vox Stomplab IG guitar pedal, boxed
£30-50
1699.
Seymour Duncan Pickup Booster guitar pedal, boxed
£30-50
1700.
MXR Classic 108 Fuzz guitar pedal
£50 -80
1701.
Dunlop Cry Baby GCB95 wah guitar pedal, boxed
£30-50
1702.
Fender Reverb Tank, made in USA (reissue)
£300-500
1703.
1960s Watkins Copicat guitar tape delay echo unit
£150-250
1704.
Cornell Fuzz Face guitar pedal, made in England, boxed
£700-900
1705.
Danny Malone (Diving for Pearls) - hand painted MXR Phase 90 block logo guitar pedal
*Custom painted by Danny Malone of the 1980s band Diving for Pearls, best known for their song 'Gimme Good Lovin'
£40-60
1706.
Selection of expression pedals to include a Boss FV-500H foot controller, a vintage Top Gear volume pedal, a Boss FB-50H pedal, a Bespeco VM-12 and two others
£20-40
1707.
Aria Super Phaser guitar pedal; together with a B & M Champion Swell pedal and a Boss TU12 chromatic tuner (3)
£50-100
1708.
Boss CS-3 Compression Sustainer guitar pedal
£30-60
1709.
Hughes & Kettner Tube Factor guitar pedal
£30-60
1719.
1710.
Carl Martin Red Repeat guitar pedal
£20-40
1711.
Origin Effects Slide Rig Compact guitar pedal
£60-100
1712.
Line 6 M13 Stomp Modeller guitar effects pedal
£100-200
1713.
1970s WEM Solid State Watkins Copicat tape delay guitar unit
£100-200
1714.
1970s Vox Tone Bender Mk III guitar pedal, made in England
£400-800
1715.
MXR Script Logo Phase 45 guitar pedal, boxed with papers
£100-150
1716.
DigiPlay Digital Delay DD-90 guitar pedal, made in Japan, boxed
£20-40
1717.
Eventide H9 Harmoniser effects pedal, with Gig Rig Evenflo adapter
£150-250
1718.
Jam Pedals Harmonious Monk guitar pedal, boxed
£100-150
Keeley D&M Drive - That Pedal Show Signature Drive Pedal, boxed
£80-120
LOTS 1720-1800 NO LOTS
Guitar Miscellaneous
LOTS 1801-1809, Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and personal inspection recommended
1801.
Good selection of guitar stands to include three Hercules, three seven-position folding rack stands and others
£40-80
1802.
Jim Dunlop wooden guitar slide display, with a selection of glass, ceramic and metal slides including Dunlop, Moonshine etc; together with a selection of guitar accessories to include capos, clip-on tuners, two D'Addario acoustic feedback suppressors and a D'Addario hand exerciser
£40-80
1803.
Selection of guitar electronics to include three Obsidian Wire prewired looms including a JB Vintage, ST Custom and T3 Universal; also a selection of shielding tape, guitar tech potentiometers et £50-80
1804.
Good selection of new and packaged Graphtech Tusq saddles and nuts for guitar
£30-60
1805.
Selection of guitar plastics to include Guitar Tech scratchplates, a large quantity of Tourtech, Dunlop and other picks, control knobs and bridge pins etc
£30-60
1806.
Selection of metal guitar hardware to include a Fender Genuine Telecaster control plate, a Fender Genuine neck plate, a set of Schaller locking tuners, three sets of Graphtech string saver bridge saddles, Gotoh guitar nuts, end pins and other strap buttons etc; also a quantity of Fender strap block strap locking system rubber gromits
£40-80
1807.
Selection of guitar care products to include Music Nomad amp and case cleaner, Rotosound lemon oil, Music Nomad oil; also six Groove Tech multi-tools and two Music Nomad cleaning sets
£30-60
1808.
Two Bullet Cable coiled instrument cables, boxed; together with a very large quantity of Rockboard flat patch cables and guitar pedal connectors
£30-60
1809.
Five guitar wall hangers; together with various other accessories to include a microphone tray, Cymbal Crown cymbal holders, Slapklatz Pro drum dampener gels and a Larry Adler Professional 16 harmonica by Hohner
£30-60
1810.
Four Dan Armstrong mahogany guitar body blanks
£50-80
1811.
Heavy duty guitar / instrument stool
£10-20
1812.
Pair of Arcane Inc. Bulldozer Zebra humbucker guitar pickups, new and boxed
£80-120
1813.
Pair of 2022 Monty's Guitars PAF Open Cream humbucker guitar pickups, unused and boxed
£80-120
1814.
Good quality leather guitar strap made by boutique maker 'Heavy Leather, NYC'
*Heavy Leather NYC have made guitar straps for high profile artists such as Lemmy, Justin Timberlake, Prince, Johnny Winter, The Stooges and Black Sabbath etc
£30-60
1815.
Good quality leather guitar strap made by boutique maker 'Heavy Leather, NYC'
*Heavy Leather NYC have made guitar straps for high profile artists such as Lemmy, Justin Timberlake, Prince, Johnny Winter, The Stooges and Black Sabbath etc
£30-60
1816.
Zemaitis interest - a set of Tony Zemaitis' personal guitar picks from his workshop, with an extremely rare promotional booklet detailing the history of Tony Zemaitis, published 2005 by The New Zemaitis Japan Company; together with a collection of approximately twenty-eight Zemaitis Owners Club Z Gazette magazines
*The Z Gazette was a magazine publication that was only issued to members of the Zemaitis Guitar Owners Club
£30-60
1817.
1990s Gibson guitar hard case suitable for a Chet Atkins model or similar
£50-100
1818.
Spider Cases Les Paul type electric guitar hard case
£30-50
1819.
Pair of Japanese Tele guitar pickups
£10-20
1820.
Handmade wooden guitar case with foam interior; together with another wooden instrument case and three various accessory flight cases
£20-40
1821.
1960s Bigsby B7 guitar vibrato and bridge (later arm), boxed
£80-120
1822.
Selection of Fender Jaguar guitar parts to include a set of '62 reissue Fender Jaguar pickups, a Fender Jaguar trem unit, a Genuine Fender Pure Vintage Parts Jazzmaster knob set and a Fender Genuine Parts Jaguar mute plate
£100-150
1823.
Fender Eric Clapton mid boost kit with TBX tone control (unused); together with another part Eric Clapton mid boost kit
£40-80
1824.
Two sets of Schaller Classic machine heads to include HG1 Hauser in gold and HG2 Hauser in chrome, both boxed; together with three sets of unbranded guitar tuners
£40-80
1825.
Four sets of Martin guitar tuners (three chrome, one gold); together with an incomplete set of Martin guitar tuners
£30-60
1826.
Unused packaged set of Grover Sta-Tite guitar tuners; together with another set of Grover three-a-side open back tuners (missing ferrules and screws), a set of Wilkinson threea-side open back tuners and one other set
£30-60
1827.
Bare Knuckle Pickups Telecaster neck pickup; together with a Fender Telecaster bridge pickup and a Strat type guitar pickup (3)
£50-80
1828.
Tone Rider Pickups Alnico 2 Classic Vintage Voice humbucker guitar pickup, boxed; together with a Tone Rider Strat bridge pickup, a gold foil style guitar pickup and a pair of unbranded gold plated humbucker pickups
£30-60
1829.
Set of chrome Epiphone Casino Coupé pickups; together with a Wilkinson P90 neck pickup
£20-40
1830.
Strat type guitar loom with three CTS pickups, CRL switch and capacitors; together with a Gotoh guitar bridge, a Seymour Duncan Liberator potentiometer and a set of silver Strat pickup covers and knobs
£40-60
1831.
House of Tone Esquire guitar pickup (9.5k), within original wooden box
£30-60
1832.
Two classical guitar hard cases (2)
£30-60
1833.
Selection of guitar accessories to include four Boston A-frame guitar stands, a K&M plastic guitar stand, a Fender Frontman 15R amplifier, a selection of guitar strings and a GM55 retro microphone
£40-80
1834.
Nady 201VHF wireless system; together with a Shadow violin transducer pickup, a Monacor DIB-30 direct box and a selection of various footswitches, within a flight case
£30-60
1835.
'The Chinnery Collection, 150 Years of American Guitars', Balafon Publishing, no. 0001/6000, within original slip case
*This is serial number one of the limited edition book published by Balafon Publishing in 1996.
£250-350
1836.
Selection of guitar tuners to include a set of Schaller M6L Vintage six-in-a-line tuners, a set of 2004 Fender locking machine heads and a set of gold plated unbranded machine heads
£30-60
1837.
Selection of guitar strings to include specialist Hofner violin bass and D'Addario Custom sets; together with guitar related tools including a Vernier gauge and a group of technical guitar repair books; also a K & M music stand attachment for mic stands etc, plus various spares
£40-80
1838.
Selection of electric guitar spares and parts to include CTS and other potentiometers, Artec jazz pickup, unusual Tele pickup, neck plates etc
£40-80
1839.
Small selection of classical guitar music including some difficult to find editions
£30-50
1840.
Original Fender Stratocaster headstock LED sign
£80-120
1841.
Two sets of Fender Precision Bass guitar pickups; together with a Jazz Bass pickup
£50-80
1842.
Three iconic guitar auction catalogues to include The Eric Clapton Crossroads Auction, Christie's, 1999, The David Gilmour Guitar Collection, Christie's, June 2019 and The Mark Knopfler Guitar Collection, Christie's, January 2024; together with three further books to include Ian Bishop 'The Gibson Guitar', Willie Moseley 'Classic Guitars USA' and Duchossoir 'The Fender Telecaster; also two guitar stands, an amplifier stand and a selection of audio cables
£50-100
1843.
1950s Gibson archtop guitar hard case
£500-700
1844.
Large selection of over seventy various guitar gig and soft bags
£50-100
1845.
Acoustic/classical guitar performance stand
£20-40
1846.
Classical guitar hard case
£20-30
1847.
Casket by Warwick electric guitar hard case
£40-60
1848.
Aspen Pittman 'The Tube Amp Book', volume three and fourth edition; together with Pan Books 'Making Music' and Keith Richards' autobiography 'Life' (4)
£30-60
1849.
Four stands to include a heavy duty Stagg guitar stool, two Millennium foot stools, a Tanglewood guitar stand and a music ledge
£30-60
1850.
1960s Selmer Thinline electric guitar hard case; together with a contemporary acoustic guitar hard case (2)
£50-100
1851.
Six good guitar reference books to include Walter Carter 'Gibson Guitars 100 Years of an American Icon', Mike Abbott 'The Guitar and Amp Source Book', Ralph Denyer 'The Guitar Handbook' and two others; together with a quantity of The Blues Magazine and others
£40-80
1852.
Large collection of guitar plectrums, along with other accessories including capos, drum keys, musical notation magnets, a Levy's leather guitar strap and a Gibson guitar strap
£30-60
1853.
Rock Hard Les Paul electric guitar hard case
£20-40
1854.
Selection of guitar making moulds/templates to include one for acoustic guitar ribs, acoustic tops, Telecaster, Stratocaster etc; together with two budget S-Type guitar bodies with electronics, and a Westone electric guitar in need of restoration
£40-80
1855.
Approximately two hundred unused Tele pickup brass base plates
£30-50
1856.
Nine assorted acoustic guitar bridge plates, one with mother of pearl inlay (9)
£20-30
LOTS 1857-1900 NO LOTS
Studio & Audio Equipment
1901.
Tascam DA-20 Digital Audio tape recorder; together with a PreSonus Fader Port production control centre and a Samson CControl audio interface (3)
£50-100
1902.
Yamaha SHS-10 FM digital keyboard with midi Keytar, made in Japan
£80-120
1903.
Yamaha RX21 drum machine, made in Japan, ser. no. 32058, with manuals and PSU
£20-40
1904.
Sony Walkman WM-EX152 portable cassette player
£10-20
1905.
Shure SM57 dynamic microphone, with stand and cable
£40-60
1906.
Suzuki Omnichord System Two, made in Japan
£200-400
1907.
Roland TR-505 Rhythm Composer, made in Japan
£50-100
1908.
Drawmer DC2476 digital mastering processor rack unit
£150-250
1909.
CAD Connect 2 CX2 USB audio interface, boxed; together with two Xvive Phantom power supplies and a Shure Prologue 14L microphone (4)
*Please note: These items are ex-shop stock that was recently recovered from a fire damaged unit. Cleaning will be required and personal inspection recommended £40-80
1910.
Vintage lightbox bearing a 'Fuse, Nottingham, England' label, fitted with later 'On Air' Perspex panel and with converted modern power cable
£80-120
1911.
M-Audio Midi Sport 4 x 4 Anniversary Edition USB midi audio interface, boxed £20-30
Rode Microphones PSA1 studio arm; together with an Elgato Wave Mic Arm suspension boom arm (2)
£30-60
1965.
Good selection of microphone and other stands to include a Gator Frameworks mic stand, Hercules stands, K & M etc
£50-100
1966.
Art Pro MPA II two channel tube microphone amplifier
£100-200
1967.
Selection of small interface devices to include an Apogee mic with Apogee Jam connector, an iRig Pre, an iRig mic and a Focusrite iTrack dock
£50-100
1968.
Selection of microphone and other fittings to include a Rycote InVision USM Universal Studio Mount, a Stedman Pro Screen XL professional pop filter, further pop filters and other stand fittings
£40-80
1969.
Shure KSM32 microphone, within original pouch
£150-250
1970.
Earthworks Audio Icon Pro microphone, with Triad Orbit M2-R mount, boxed
£150-250
1971.
Roswell Mini K67x microphone, with shock mounts within case
SE Electronics X1 S Vocal Pack studio microphone with shock mount, boxed and sealed
£40-60
1975.
Zoom H6 Handy Recorder, with various mic fittings to include an XYH-6 stereo mic, an SGH-6 shotgun mic, an EXH-6 external XLR/TRS input and an MSH-6 stereo mic, fitted within a carry-case (including original H6 Handy Recorder box)
£100-200
1976.
TC Helicon Perform-VK Pro Vocal processor, boxed
£80-120
1977.
Pair of M-Audio AV30 studio reference monitor speakers
£20-30
1978.
TC Helicon Voice Tone Mic Mechanic reverb, delay and correction pedal, boxed
SE Electronic Hohner Harp Blaster HB52 harmonica microphone, boxed
£50-100
1981.
Shaker Retro Rocket harmonica microphone, boxed
£60-100
1982.
Shaker Madcat harmonica microphone, boxed
£60-100
1983.
Shaker Mad Dog harmonica microphone, boxed
£50-80
1984.
Blow Me Away Bulletini harmonica microphone
£70-100
1985.
Blow Me Away Ultimate 57 harmonica microphone
£80-120
1986.
Three harmonica mics to include a Shure 575S, a Shaker and a Voice of Music (3)
£40-80
1987.
Audix Fireball V harmonica microphone, boxed
£40-60
1988.
Behringer Uphoria UMC202HD audio interface; together with a Gear4Music Mix 04AU mixer, within small flight case
£30-60
1989.
Pair of Soundcraft Spirit Absolute 2 studio reference monitors
£30-60
1990.
Yamaha Reface YC mobile mini keyboard, boxed with additional gig bag
£150-200
1991.
XKey Air Bluetooth keyboard controller, with original case
£30-60
1992.
Black Corporation Deckard's Dream 8-Voice analogue synthesizer, boxed
£1000-2000
1993.
Shure SM58 dynamic microphone
£50-80
1994.
Shure SM58 dynamic microphone
£50-80
1995.
Shure VP88 stereo video production microphone, with original box
£300-500
1996.
Neumann U47 FET microphone, made in Germany, no. 1080, with original wooden box
£1500-2500
1992 (See page 173)
1997.
Neumann U47 FETi P48 microphone, made in Germany, no. 4596, with box and papers
£1500-2500
1998.
Neumann M149 tube microphone, made in Germany, no. 2691, with original wooden box and power supply
£1000-2000
1999.
Vintage AVO CT-160 portable valve tester, with original AVO valve data manual book and a copy of the operating instructions
*Considered by professionals as one of the top five vale testers ever made due to its accuracy at high current level and its ruggedised military spec for use by the RAF and army in mobile applications. Recently refurbished and calibrated to original factory spec by Mike Barker, the country's leading AVO specialist. A document relating to this work is included in the sale
£900-1100
2000.
C-Audio GB602 power amplifier rack unit; together with a Sony S570ES FM/AM stereo tuner
£100-150
1996 (See page 173)
2007.
Nad 3030 stereophonic amplifier; together with an NEC T330E stereo tuner and an NEC K450E stereo cassette deck (3)
Pair of Roland DS-30A bi-amp reference monitors, boxed
£50-100
2003.
DigiTech Studio Vocalist Vocal Harmony processor rack unit, within an SKB flight case, fitted with a Samson Servo-180 studio amplifier and a Re'an forty-eight way patch system
£100-200
2004.
Marshall Stanmore II Bluetooth speaker
£70-100
2005.
Carry On 88 touch key folding travel piano, with original bag
£30-60
2006.
Boss DR-5 Dr Rhythm section drum machine, boxed
£40-60
Nad 7020E stereo receiver; together with an Aiwa AD-F410 stereo cassette deck (2)
£30-60
2009.
Tascam Portastudio 464 portable cassette recorder
£80-120
2010.
Yamaha Portatone PSR-510 keyboard, boxed
£40-60
2011.
Technics SL-BD22D record turntable, boxed
£50-80
2012.
Art Multiverb multi-effects processor rack unit
£30-50
2013.
Vintage Dansette Viva turntable; together with an Ion USB turntable (2)
£20-40
2014.
Mixed selection of various items to include Behringer microphones, guitar straps, a music stand, a guitar stand, a mic stand and a Behringer B205 monitor speaker
£40-80
2015.
Pair of Kam RZ12AV3 active PA speakers with Ultimate Support TS-90B stands
£80-120
2016.
Pair of Alesis M1 active reference monitor speakers
£40-60
2017.
Korg Poly-61 programmable polyphonic synthesizer keyboard in need of some servicing
£200-400
LOTS 2018-2107 NO LOTS
2108.
HH Electronic IC-100S power amplifier, with a pair of HH Electronic speakers and another pair of PA cabinets fitted with Fane speakers
£40-80
2109.
Yamaha PSR-70 keyboard, with stand
£20-40
2110.
Totem Acoustic Arro hifi tower speakers
£200-400
2111.
Pair of Acoustic Research Red Box II studio reference monitor speakers
£80-120
2112.
Roland D-110 Multi-Timbral sound module rack unit; together with a Roland GM-70 GR Midi Converter rack unit, fitted within a Stagg 6U rack case, with manuals and Roland twenty-four pin midi cable
£80-120
2113.
Alesis Quadraverb digital effects processor rack unit, within original box with papers
£40-80
2114.
Roland U-220 RS-PCM sound module rack unit, with original owners manual
£40-80
2115.
Boss RE-1000 digital multi-echo rack unit, with manual
£50-80
2116.
Alesis Datadisk universal storage rack unit, with PSU
1974 Roland SH-1000 synthesizer keyboard, made in Japan, ser. no. 265623
*The Roland SH-1000, introduced in 1973, was the first compact synthesizer produced in Japan, and the first synthesizer produced by Roland.
£300-500
2123.
Pair of JBL JRX100 monitor speakers
£50-100
2124.
TC Electronic TC2290 Dynamic Digital Delay and effects control processor rack unit, made in Denmark, ser. no. 514985
£1000-15000
2125.
Pair of 1970s Bose Studiocraft SC-110 monitor speakers
£80-120
2126.
Studiomaster Series II 16.8.2 twenty-four track mixing desk, with Studio Master EP3 power supply, two twenty channel multicore patch boxes and other associated cables, also with a selection of Studiomaster owners manuals
*Previously owned by David Kenneth Duhig and originally purchased for recording sessions with British Prog band Jade Warrior. Sold with the memorial booklet from David Kenneth Duhig's funeral and a small 'log book' listing the artists that were reputedly recorded on this desk to include: Kate Bush, Julie Dask, David Suchard, Jade Warrior, John Field, David Duhig, Tony Duhig, Dr Frank Alpa, Timothy Wylle and Steve Winwood
£400-600
2127.
Citronic flight case fitted with a Kam Mobile Pro Professional DJ mixer, a Denon DN-2000F compact disc rack unit and a Denon DN-2000F remote control unit
£50-80
2128.
BeyerDynamic M640N gooseneck microphone; together with an AKG 558 gooseneck microphone (2)
£20-40
2129.
Quantity of NOS Yamaha STK and TDA keyboard power amp modules; together with a selection of Papst cooling fans for studio rack gear
£30-60
2130.
Linn LM2 / J.L. Cooper 'LMR Kit' with fitting instructions (NOS unused/untested)
£20-40
2124
2131.
Elpa Marketing Industries Editall tape splicing and editing system; together with two 0.25" editing blocks, one inscribed Emitape
£20-40
2132.
Vintage Spirt of St. Louis Ryan NX-211 portable boom box music player
£50-100
2133.
Access Virus KB Advance Simulated Analogue synthesizer keyboard, with manual stand and bag
£700-1000
2134.
Staffords On Stage RSM003 stage prompter, with footswitch and screen
£80-120
2135.
Yamaha TX-2000 Natural Sound AM/FM stereo tuner
£80-120
2136.
Pair of Wharfedale Teesdale SP2 hifi speakers (main speakers at fault)
£20-40
2137.
Selection of PA equipment to include an Ibiza power amp rack unit, two Skytech Pro 240 power amplifiers, a Behringer Virtualizer rack unit and a Goodmans GCD652 compact disc player, within rack flight case; together with a pair of RCL PA speakers, a pair of Ekho Max 12 Sub speakers and a pair of Auna PA speakers
£80-120
2138.
Behringer Multi-Com Pro MDX4400 rack unit; together with a Behringer Dualfex Pro EX2200 rack unit, fitted within an SKB flight case
£30-60
2139.
AKG D40 microphone; together with an Electro Voice Cobalt CO5 microphone (2)
£40-60
2140.
Sennheiser E845 microphone
£20-40
2141.
Two AKG microphones to include an AKG D770 and an AKG D880, both cased (2)
£30-60
End of day three sale
Antique & Classical Guitars
Friday 6th December 2024 at 10am
The Granary Collection - Lots 2201-2228
Granary Guitars is a collection of fine antique, classical and flamenco instruments, acquired over 30 years by enthusiast Alun Morgan. The journey began, when he took delivery of his new Romanillos guitar which he’d ordered many years before. This was the first concert guitar he’d played and it awakened a deep interest in the history and sound of the instrument that he loved and played as an amateur. Aware of all the famous makers by reputation only, Alun decided that the best way to get to know them better was to try and own one of their guitars. This started the guitar collecting bug that many guitarists seem to possess - an interest that’s given him years of enjoyment. He also decided that he would not hide the guitars away but make them available for inspection and playing by other guitarists and luthiers - many of whom would never have had the opportunity to play or examine some of the guitars of the great makers. In choosing guitars for his collection, he tried wherever possible to focus on the sound and playability of the instruments, not their looks, and decided to undertake only those restorations that were necessary to keep the guitars in good heart, and not necessarily in perfect cosmetic condition. No guitar was ever bought as a financial investment. At its peak, Granary Guitars became one of the largest private museums of its type in the UK, holding around 60 instruments.
“Many hundreds of people have seen, played or examined these guitars (always under my beady eye!) and some of the instruments have been borrowed by wellknown professionals for concerts and recordings, and even helped win an international competition or two. But, time has caught up with me and the best thing for the guitars is to find them new owners who will be as excited as I was when I bought them and who will get the same pleasure they’ve given me over these years. Collecting guitars has given me great enjoyment during which I’ve met many luthiers and guitarists, and some have become very good friends. It’s only right to acknowledge the help and support Granary Guitars had over the years from David Merrin and Liam Romanillos. And although I’m sad to be selling my guitars, the friendships I made collecting them are even more important and will remain”. Alun, Granary Guitars, August 2024
CD Recording ‘The Sound of Spain. ’The Sound of Spain is a series of nineteen tracks, collated as a small homage to the music of Spain and to exhibit the many fine guitars in the Granary collection. Alun’s choice of music was relatively easy, selecting pieces that drew him into the guitar many years ago. Once the track listing was decided, guitars were then selected based on which would do the piece most justice. The guitars were recorded as accurately as possible under identical recording set-ups and with minimal post recording technical interference so as to capture their raw qualities. All pieces were played by professional guitarist David Merrin and were recorded by world class engineer / producer John Taylor who selected Holy Trinity Church, Weston, Hertfordshire as the perfect venue to exhibit the guitars’ acoustics. Guitars that feature on the Sound of Spain album are marked as such within the lot footnotes, where a link can be found to an audio excerpt. Please find the playlist here: https://tinyurl.com/SoundofSpain
David Merrin
David Merrin is a fine luthier, initially self-taught by studying guitars by master makers, before training with Jose and Liam Romanillos. As a player himself, he is able to view and approach the challenges of guitar making from the inside and making beautiful guitars. David has been responsible for restoring and maintaining the Granary collection, getting to know the instruments first hand and therefore became the perfect choice to perform on ‘The Sound of Spain’ Recording.
2201.
The Granary Collection - 19th century French small bodied guitar, labelled 'Fabrique De Derazey', Mirecourt; Back and sides: natural maple, repaired crack to centre back and another to lower bout, various minor marks, refinish; Top: natural spruce, refinishing, various dings and marks; Neck: ebonised; Fretboard: ebony; Frets: good, refret; Hardware: engraved brass tuning strips with ivory buttons; Case: ebonised wooden case; Nut width: 45mm; Scale length: 615mm; Overall condition: good for age
The Derazey name is more commonly associated with violins made in the Mirecourt region in france. Like many luthiers, makers put their hand to other stringed instruments, particularly guitars.
*Ivory exemption submission reference 2GEVCNJH
£1000-2000
2202.
The Granary Collection - 19th century small bodied short scale guitar labelled Gennaro Fabricatore, anno 1824, Napoli, Strada Giacomo, no. 42; Back and sides: satinwood with walnut banding, some repairs to edge banding, marks and wear throughout; Top: natural spruce with multi-string banding to edges and sound hole rosette, foliate scroll finials to bridge plate; Neck: ebonised; Fretboard: ebony; Frets: brass, worn; Hardware: adaptions to friction tuners; Case: fitted ebonised wooden case; Nut width: 45mm; Scale length: 560mm; Overall condition: good for age
£2500-3500
2203.
The Granary Collection - Interesting 19th century small bodied guitar labelled José Linares...; Back and sides: mahogany, large cracks to back, some hairlines and restored, one larger opening crack; Top: natural spruce with ebony scroll inlay, repaired hairlines, evidence of bridge adaptions; Neck: ebonised with shaped long head and friction pegs (one peg missing); Fretboard: rosewood, light wear; Frets: brass, worn; Nut width: 45mm; Scale length: 560mm
£700-900
2204.
The Granary Collection - 19th century Mirecourt Lacote style small bodied guitar; Back and sides: Brazilian rosewood, repaired hairline crack to upper bout; Top: natural spruce with mastic and pearl inlay to edges and sound hole rosette, lower pearl inscribed 'Grave Par Therese'; Neck: ebonised; Fretboard: ebony; Frets: good, refret; Hardware: engraved brass tuners with shaped pearl buttons; Nut width: 48mm; Scale length: 63mm; Overall condition: good for age
Inscribed by the engraver 'Grave Par Therese' to the lower body. The engraved pearl work is of the highest quality and this inscription would suggest that they were particularly happy with the work on this guitar. Ivory exemption submission reference E984V5SZ £1200-1800
2205.
The Granary Collection - 19th century guitar by and labelled D & A Roudhloff...London, circa 1850; Back and sides: Brazilian rosewood, infill repairs to back, restored hairline cracks to sides, refinishing Top: fine grain spruce, infill crack repair, other wear and refinishing; Neck: ebonised; Fretboard: ebony; Frets: mild wear; Hardware: engraved brass tuners with ivory buttons; Nut width: 45mm; Scale length: 630mm; Overall condition: good/restored Ivory exemption submission reference X5NHQNRN £1200-1800
2206.
The Granary Collection - 19th century French guitar branded 'Petit Jean Laine'; Back and sides: birds eye maple; Top: spruce; Neck: ebonised; Fingerboard: ebony; Frets: nickel; Tuners: brass 'Demel' tuners with ivory buttons; Case: ebonised wooden case; Nut width: 44mm; Scale length: 630mm
Condition notes: restored cracks and rippling to the back. Repaired cracks to the top. Refinishing to neck. Wear to frets.
*Ivory exemption reference number 6U6MNK8X
£1200-1800
2207.
The Granary Collection - Early 19th century guitar branded 'Aubry Maire', Mirecourt to the inner back; Back and sides: fine grained figured maple; Top: spruce; Neck: ebonised; Fretboard: ebony; Frets: nickel; Tuners: friction pegs; Nut width: 46mm; Scale length: 620mm Ivory exemption reference no. A5H1WTFB
£1500-2000
2208.
The Granary Collection - Antique Italian Chitarra Battente in need of extensive restoration
*From the Granary Collection - This rare instrument, lined with parchment is of great age and historical interest. It is difficult to estimate the age but it may date from the late 17th or early 18th century. Many of the pieces, including the rose, are still with the instrument. The intention was to further explore its origins and find a suitable restorer but the sale of the collection precluded this.
£1200-1800
2203
2209.
The Granary Collection - 1839 Antonio de Lorca guitar, made in Malaga, Spain; Back and sides: Brazilian rosewood; Top: spruce with rosewood finger plate; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: brass with shaped buttons; Nut width: 46mm; Scale length: 635mm; Case: ebonised wooden case
Ivory exemption reference no. QLBQWUJ4
This guitar features on track one of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https://tinyurl.com/AntonioLorca. Antonio de Lorca Garcia (1798-1870) was the son of the carpenter Asensio. He took his examination to become a master guitar maker in Malaga on 28th December 1828.
David Merrin says “the little guitar played very well…is clear sounding, has a fast response and still offers all the subtleties of the Spanish sound.” Condition notes: this guitar has repaired cracks to back, sides and to the top. The bridge has had changes with dowelled holes just below the current bridge. The guitar features Baker tuners to the bass hand side and a different tuning plate to the treble side with replacement buttons. The neck has been previously reset and refretting also carried out.
£2500-5000
2210.
The Granary Collection - 1840 Louis Panormo guitar, made in England; Back and sides: Brazilian rosewood; Top: spruce; Neck: cedar with open maple head; Fretboard: ebony; Frets: nickel; Tuners: engraved brass tuners with shaped buttons; Case: ebonised wooden case; Nut width: 46mm; Scale length: 620mm
Ivory exemption reference no. 985HFB3S
This guitar features on track two of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https://tinyurl.com/LoiusPanormo. This particular guitar has a spruce table with seven fan struts and is unusual in that it has a solid Brazilian rosewood back and sides - many guitars of this era were made entirely of spruce with a rosewood veneer on the back and sides as Brazilian rosewood was expensive to import. He also joined a typically English style maple head with an inward curve to a mahogany neck and fitted what were at the time state of the art Baker tuner machines. This guitar moves away from the ornate French style and looks more towards the Torres pattern of the modern classical guitar
David Merrin “I found this guitar had a lower sounding mid range… which carries and underpins the treble notes resulting in an almost mystical sound”
Condition notes: this guitar was restored by renowned luthier David Merrin. The back and sides have many repaired hairline cracks including to the shoulders. The top has repaired cracks including some sliver in-fills and refinishing carried out. Mild wear can be seen to the rosewood board particularly in the first position and the bar frets are also worn. One of the tuner buttons has been replaced. £3500-4500
2208 (See page 179
2211.
The Granary Collection - 1879 Augustin Altimira guitar, made in Barcelona, Spain; Back and sides: Brazilian rosewood; Top: spruce; Neck: mahogany; Fretboard: rosewood; Frets: nickel; Tuners: plated tuning strips with round buttons; Nut width: 50mm; Scale length: 650mm
This guitar features on track three of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain Track here: https://tinyurl.com/Altimira. Altimira worked in Barcelona between 1840 and 1880 and died in 1884. The design seems to be a transitional one between the more ornate French instruments and the Torres Spanish style. This guitar, made in 1879, has a fan strutted spruce top, Brazilian rosewood back and sides and a typical Torres style head. A very fine sounding guitar and worthy of the concert hall. There is a very ornate Altimira in the V&A Museum in London.
David Merrin States: ’A clear, balanced voice… a delight to play”
Condition notes: various repaired cracks to sides. Small hairlines to top. Various play wear evident to top. Mild wear to fretboard and wear to frets. In very good condition.
£3000-5000
2209
2210
2212.
The Granary Collection - Late 19th century Spanish guitar, probably Valencian, labelled E. Zerega, 152, Brompton Road, London, signed and dated 1892; Back and sides: rosewood, repaired hairlines, refinishing; Top: natural spruce with wide boxwood string and pearl block inlays, similar inlay to sound hole rosette, replacement bridge plate; Neck: cedar; Fretboard: ebony; Frets: good, refret; Hardware: modified tuning strip to treble side, engraved tuning strips with ivory buttons; Case: semi-rigid fibreboard case; Nut width: 48mm; Scale length: 650mm; Overall condition: good for age
Eduardo Zerega AKA Edgar E. Hill was a mandolin and guitar player with Zerega's Spanish Troubadours. He was also an instructor, seller and distributor or musical instrument and sheet music. Originally from America, he resided at 152 Brompton Rd, London between 1892 and 1905. Ivory exemption submission reference TCFAHK93
£400-600
2213.
The Granary Collection - Manuel Ramirez short scale classical guitar, Madrid, Spain, c1908; Back and sides: cypress; Top: spruce; Fretboard: rosewood; Frets: brass; Tuners; engraved brass tuners with round bone buttons; Nut width: 48mm; Scale length: 617mm; Case: later oversized hard case
This guitar features on track five of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. ‘..a beautiful gentle tone’. This guitar dates from around 1908 and is smaller than his normal concert instruments. Despite its smallish size, it sounds very sweet and is very playable. Condition notes:restored by luthier Peter Barton in 1999. Luthier notes state: ‘Repaired and reinforced crack to side of centre join in front of bridge. Cleaned and filled gaps around bindings and heel/rib join. Remove and clean machine heads. Clean and re-polish finish. Fit new golpeador plate.’
£3000-4000
2214.
See insert on next page
2215.
The Granary Collection - 1926 Julian Gomez Ramirez child's guitar, labelled hand signed with 'Alla Graziosa Bambina, Celestina Arlotti, in Ormaggio e Ricorda, Julian Gomez Rodriguez, anno 1926, Luthier, Paris, 33 Rue Rodiez, 38'; (‘To the pretty little girl, Celestina Arlotti, a gift to remember’, Julian Gomez Ramirez); Back and sides: cypress; Top: spruce; Neck: cedar; Fretboard: rosewood; Frets: nickel; Tuners: brass tuners inscribed 'Rance'; Nut width: 46mm; Scale length: 465mm; Case: soft bag
Sold with an image of Celestina Arlotti holding the guitar and thought to be from the time she was presented with the guitar. Condition notes: various hairline cracks present to body, although appears free of anything major. Two hairline cracks visible to lower bout back and another to the upper bout across from the centre. The sides appear crack-free. The top has a hairline crack between the bridge and sound hole just off from the centre seam and also has hairline cracks either side and the length of the fingerboard. The fretboard showing signs of use and the frets are in good condition although appear to be a later refret. Scratches and other marks are present as to be expected for the age
£3000-5000
2216.
The Granary Collection - Julian Gomez Ramirez three-quarter size guitar, made in Paris, France, circa 1938; Back and sides: rosewood; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: brass plate tuners with circular buttons; Nut width: 52mm; Scale length: 515mm; Case: hard case
Condition notes: top showing signs of wear with nail marks, along with a repaired crack between the bridge and body end. Repaired cracks are also visible to the back. The current frets appear in good shape as well as the neck and board. Interestingly, these guitars are made of highest quality with very few corners cut in their making. They are almost perfect miniatures of the makers full size instruments and it is perhaps surprising that so much care was taken for a child’s guitar. If you have small hands, the are very playable and sound great!
£3000-5000
2211 (See page 180 2212 2213 2215 2216
2214.
The Granary Collection - 1920 Enrique Garcia classical guitar, made in Barcelona, Spain; Back and sides: Brazilian rosewood; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: engraved plated tuners with shaped buttons; Nut width: 49mm; Scale length: 645mm; Case: original fitted case
This guitar features on track six of Granary Guitars’ 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https://tinyurl.com/1920EnriqueGarcia. This is a rare Garcia being a highly decorated 'Luxury' model and is rather unusual, having its original metal tornavoz still in situ. David Merrin comments ….”The guitar is very forgiving in nature which is probably due to a lowering of the resonance caused by the tornavoz and ..loses no clarity.” Condition notes: hairline crack to centre back and further smaller hairlines visible. Repaired cracks to centre table and some refinishing work evident. General surface marks around. Wear to fingerboard and frets evident. The tuners have been replaced with the barrels repositioned. A further set of tuners is included in the case which are probably the originals. Ivory exemption reference no. PGN85D9U
£15,000-20,000
2217.
The Granary Collection - 1929 Francisco Simplicio classical guitar, made in Barcelona, Spain; Back and sides: Brazilian rosewood; Top: spruce; Neck: cedar, with typical carved head; Fretboard: ebony; Frets: nickel; Tuners: engraved plated brass with pearl oval buttons; Nut width: 51mm; Scale length: 650mm; Case: contemporary fitted hard case
*From The Granary Collection. This guitar features on track seven of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https:// tinyurl.com/FranciscoSimplicio. Francisco Simplicio (1874-1932) was a pupil of Enrique Garcia, a fact that he proudly states on his label. This guitar, number 249, was built in 1929, the year that Francisco himself won a gold medal at the 1929 Barcelona World Fair. It is one of his 'luxury' instruments as shown by the exquisite detailing throughout. It has had a new fingerboard, new tuning rollers and the bridge has been replaced, but the inlay of the original bridge has been retained. In the 'Sound of Spain' album notes, David Merrin states "Simplicio in my opinion has produced a masterpiece here. The craftsmanship is outstanding and the guitar has a sound to match, with its very rich tone inviting the player to explore its farreaching range from solid wooden sounded basses to glossy trebles. This is an important guitar that has always interested me." Condition notes: long repaired cracks to either side of top. Replacement bridge. Replacement fingerboard. Later tuners. Repaired fine hairlines to lower bout back. Refinishing.
£18,000-22,000
2218.
The Granary Collection - 1931 Herman Hauser I classical guitar, made in Germany; Back and sides: Brazilian rosewood; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: engraved brass tuners with pearloid buttons; Nut width: 52mm; Scale length: 650mm; Case; fitted hard case
*From The Granary Collection, acquired from a prominent dealer in the late 1990s. This guitar features on track eight of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Music track here: https://tinyurl.com/ HermannHauser. This guitar of European spruce and Brazilian rosewood has a distinctive but simple 'wheatsheaf' rosette and a zero fret. It was previously owned by Walter Gotze whose arrangements of classical guitar pieces will be familiar to many classical guitarists. Condition notes: repaired fine hairline cracks to back. Two repaired cracks to the top at lower bout running from the body end through to the sound hole rosette. Repair to upper bout to the bass side of fretboard. Further repair to bass hand side of upper bout. Two restored cracks to the treble side of upper bout. Refinishing. Mild wear to fingerboard and frets appear in good shape. Otherwise the guitar is in good condition in terms of appearance with a few minor marks. David Merrin comments: “ a fine sounding instrument ….different qualities to most other instruments seemingly having higher frequencies surrounding the notes..a refined quality”
£22,000-28,000
2219.
The Granary Collection - 1934 Santos Hernandez Flamenco guitar, made in Madrid, Spain; Back and sides: cypress; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: later brass with shaped buttons; Nut width: 51mm; Scale length: 655mm; Action has been raised slightly to minimise string buzz; Case: fitted hard case
*From The Granary Collection, acquired from a prominent dealer, 1998. This guitar can be heard on track nine of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https:// tinyurl.com/1934SantosHernandez. This Flamenco guitar from 1934 is hand signed on both the label and on the underside of the table and has the makers official Madrid luthier stamp on the inside foot of the neck. It is not clear whether it was originally made as a peg head or the machine heads are a later addition as either would have been an option at the time. The guitar is currently fitted with later Rogers machine heads. Constructed of cypress, the guitar is light and has an underlying woody tonal quality. Condition notes: considering its age, appears to be in fine condition and is free of any open cracks. There is a repaired hairline crack visible to the body end and a repaired hairline crack to the bass side of the ebony fretboard. The fingerboard appears to be in good condition along with the frets, which appear later. There has been a repaired crack to the head and obvious tuner barrel adjustments. Refinishing is evident and various minor dings and marks present, all to be expected for a working guitar of this age. David Merrin adds “I don’t think I would ever get tired of playing a guitar like this … a flamenco players dream” £10,000-15,000
2220.
The Granary Collection - 1934 Domingo Esteso guitar, made in Madrid, Spain; Back and sides: cypress; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: engraved brass tuners with oval pearl buttons; Nut width: 52mm; Scale length: 655mm; Case: contemporary compressed foam case
This guitar features on track eleven of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https://tinyurl.com/DomingoEsteso. This 1934 guitar has a wonderful sound and David comments that it was one of the easiest play. Condition notes: this guitar has been restored with a repaired crack to the back, repaired cracks to the body end and repaired hairlines to the sides. There is also an opening hairline to the bass side rib at the lower bout, repaired cracks to the top and refinishing is evident. The frets are in good condition, the guitar has been refretted. The guitar is currently fitted with Rogers tuners although there are an earlier set included.
£7000-10,000
2221.
The Granary Collection - 1938 Antonio Emilio Pascual Viudes classical guitar, made in Madrid; Back and sides: Brazilian rosewood; Top: spruce; Neck: cedar, with fine carving to head face; Fretboard: ebony; Frets: nickel; Tuners: good quality engraved brass tuners with shaped buttons; Nut width: 52mm; Scale length: 650mm; Case: later hard case
David Merrin states "This guitar has a mellow depth and elegance of tone that is difficult to find in modern instruments. The balance is superb and the instrument is full of character. Built using the Torres model, Viudes has left much more wood in the instrument, knowing as violin makers know, it is not wise to make an instrument graduated too thinly. Better to let the character develop over time as the instrument breaks in than to risk the short career of a firecracker guitar".Condition notes: although obviously played, this guitar appears to be free of any significant restorations. There is checking to the finish, light play wear to the top and buckle markings to the back as well as expected wear to the back of the neck and frets. Otherwise, in very good condition.
£8000-12,000
2222.
The Granary Collection - 1956 Domingo Esteso classical guitar, labelled VDa y Sobrinos De Domingo Esteso, Construccion de Guitarras, Gravina 7. Madrid, (signed and dated); Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Hardware: engraved plated tuners with oval buttons; Nut width: 52mm; Scale length: 650mm; Case: original hard case
The workshop of the famous guitar maker Domingo Esteso was carried on by his widow and nephews after he died in 1937. They proclaimed this continuation on the label and worked out of the same workshop and this a fine early example of a classical guitar. Condition notes: minor rippling to the top behind bridge. Small hairlines to either side of the fretboard would suggest a possible neck reset at some stage. Evidence of refinishing. Some light marks and dings around, as expected for a used guitar of this age. Otherwise, appearing in good condition.
£4000-6000
2223.
The Granary Collection - 1967 Manuel Contreras classical guitar, made in Madrid, Spain; Back and sides: Indian rosewood; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Hardware: engraved brass tuners with pearloid buttons; Nut width: 55mm; Scale length: 657mm; Case: original hard case
This guitar features on track sixteen of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https://tinyurl.com/manuelcontreras. This guitar is of the era when Contreras was building in the Spanish style with standard construction. This guitar has an exceptional treble with good response. Condition notes: generally in good condition with a repaired crack in the table that was carried out by Contreras himself. Otherwise, the guitar has minor surface marks and dings as to be expected for a used guitar of this age.
£3000-5000
2224.
The Granary Collection - 1969 Harald Petersen concert guitar; Back and sides: figured maple, minor dings and scratches, heavier finish wear to extreme edge of upper bout bass hand side; Neck: cedar, light wear and dings; Fretboard: ebony, light wear to first position; Frets: minor tarnishing; Hardware: good; Case: fitted hard case; Overall condition: good for age
£300-500
2225.
The Granary Collection - 1969 David Rubio classical guitar, made in England, signed by the maker to both label and centre back; Back and sides: Indian rosewood; Top: spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Hardware: engraved brass tuners with pearloid buttons; Nut width: 55mm; Scale length: 650mm; Case: original hard case
Acquired through auction in 1998. This 1969 example of his work is constructed from spruce and Indian rosewood and is from a period considered to be the golden age of Rubio's guitar making.Condition notes: this guitar appears in very good condition with minor finish dings and light checking to finish only. Some of the frets are a little tarnished but otherwise very good.
£7000-10,000
2226.
The Granary Collection - 1976 Daniel Friederich classical guitar, made in Paris, France; Back and sides: Indian rosewood; Top: cedar; Neck: cedar; Fretboard: ebony; Frets: light wear; Tuners: engraved nickel plated tuners with pearl buttons; Nut width: 53mm; Scale length: 650mm; Case: hard case; Overall condition: good for age
Purchased from a prominent dealer, 1998. This guitar features on track seventeen of Granary Guitars' 'The Sound of Spain' album, played by David Merrin. Listen to The Sound of Spain track here: https://tinyurl.com/DanielFriederich. David Merrin states: "This cedar top concert guitar dating from 1976 has a very powerful sound and features his characteristic 'spearhead' motif on the headstock. It does, however, require a good technique to unlock its rich resources. The double sides have added stiffness and weight to the guitar and the string tension feels looser - perhaps because of this, it has a refined and mature sound with fast attack." Condition notes: overall, appears in used but good condition and although free of any major or structural defaults, the guitar may have been refinished at some stage, possibly to freshen its look. Any work of this nature was carried out before it became part of The Granary Guitar Collection.
£10,000-15,000
2227.
The Granary Collection - 1979 Martin Fleeson classical guitar, made in England; Back and sides: rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: engraved brass with pearloid buttons; Nut width: 54mm; Scale length: 660mm; Case: hard case
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA10U4O336 (domestic use only) Martin Fleeson (1934-1985) was an English maker with a reputation good enough to get his name published in a chart of the finest guitar makers since 1800. He was self-taught and began to build professionally in 1967. John Williams occasionally uses a Fleeson on his recordings (the latest being on his Magic Box CD, 2001) when he needs a contrast to his Smallman. Condition notes: this guitar generally appears to be in good condition and free of any major repairs although there are surface marks around. There is some tarnishing/ oxidisation to the frets which will need cleaning.
£1200-1800
2228.
The Granary Collection - 1996 Greg Smallman classical guitar, made in Australia; Back and sides: cocobolo; Top: cedar; Neck: cedar; Fretboard: ebony; Frets: nickel; Tuners: engraved brass with pearl buttons; Case: original fitted maple hard case; Nut width: 52mm; Scale length: 650mm
The back and sides are a heavy triple laminate of cocobolo and the table is supported by a honeycomb lattice of balsa wood and carbon fibre which enables Smallman to make his tops very thin (less than 1mm in places), whilst withstanding the 64lb pressure of the strings without tearing. This guitar is an outstanding example of Greg Smallman's work having an exceptionally attractive back and is in very fine condition. Condition notes: back and sides in good condition with minor marks. The top shows signs of play wear. The frets are tarnished and oxidised in places and will need cleaning. Otherwise a good example.
£13,000-18,000
2227
2228
2229.
1985 José Ramirez 2E classical guitar, made in Spain; Back and sides: rosewood, a few light marks; Top: a few minor dings and light play wear; Neck: cedar; Fretboard: ebony; Frets: good; Case: fitted hard case; Overall condition: good £500-700
2230.
1994 José Ramirez Class 1A C-650 Traditional classical guitar, made in Spain; Back and sides: rosewood; Top: natural cedar, light play marks to treble side; Neck: cedar; Fretboard: ebony; Frets: good; Case: fitted Barbados hard case; Overall condition: very good *Proceeds from the sale of this Guitar will benefit the RSPCA £1000-2000
2231.
1968 José Ramirez 1A Flamenco guitar, made by Ignacio Manzano and bearing embossed I.M stamp to the neck block; Back and sides: cypress, light marks; Top: natural cedar, a few dings and minor play wear; Neck: cedar, blemishing to centre; Fretboard: ebony, light wear; Frets: light wear; Case: fitted hard case; Nut width: 56mm; Scale length: 655mm; Overall condition: good £2500-3000
2232.
1935 José Ramirez Flamenco guitar, made in Spain; Back and sides: cypress, repaired hairline crack to back, repaired cracks to shoulders; Top: natural spruce, repaired crack to treble side of bridge, repaired hairline crack to centre top, repaired cracks to either side of fretboard; Neck: cedar, repaired hairline line to length, repaired cracks to neck heel, repaired head crack; Fretboard: replacement rosewood fretboard (original damaged fretboard retained); Frets: good, brass (original frets retained); Hardware: replacement tuners (originals retained); Nut width: 50mm; Scale length: 655mm; Overall condition: good/restored £1500-2500
2233.
1968 Jose Ramirez Estudio classical guitar, made in Spain; Back and Sides: rosewood, minor marks; Top: spruce, play wear and other marks; Neck: Cedar; Fretboard: Ebony, mild wear; Frets: mild wear; Hardware: good; Case: later hard case; Overall condition: good for age
£400-600
2234.
1979 Michael Gee classical guitar, made in England; Back and sides: Indian rosewood; Neck: cedar, some finish bubbling; Fretboard: ebony; Frets: good; Tuners: engraved brass with shaped pearl buttons; Case: Hiscox hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: good
£600-1000
2235.
1997 Alastair McNeill classical guitar, made in Wiltshire, England; Back and sides: Indian rosewood, a few light dings but generally very good; Top: natural spruce, light play wear and various minor scrapes/ dings; Neck: cedar, light wear; Fretboard: ebony; Frets: light wear; Hardware: good; Case: Hiscox hard case; Nut width: 50mm; Scale length: 640mm; Overall condition: good
£700-1000
2235 (See page 188) 2236
2236.
1963 Domingo Esteso classical guitar, labelled 'Vda y Sobrinos De Domingo Esteso, Construccion de Guitarras... anno 1963', signed 'Conde H'; Back and sides: Brazilian rosewood, surface scratches and other minor wear as to be expected for age; Top: natural spruce, a few hairlines visible to lower bout, some lacquer checking and dings but generally good; Neck: cedar, lacquer wear down the length of treble side of neck; Fretboard: ebony; Frets: wear up to twelfth fret, heavier in first position; Tuners: engraved brass tuners with pearl buttons; Case: period hard case; Scale length: 660mm; Nut width: 55mm; Overall condition: good for age
*Sold with UK non-transferable domestic CITES A10 certificate no. 24GBA103SR0RG (domestic use only)
£4000-6000
2237.
1983 Trevor Semple Tabatha classical guitar; Back and sides: walnut; Top: spruce, two repaired hairline cracks; Neck: mahogany; Fretboard: ebony; Frets: mild wear; Case: Hiscox hard case; Nut width: 52.5mm; Sound length: 650mm; Overall condition: good for age
£700-1000
2238.
1971 Don Tatem classical guitar; Back and sides: rosewood, light surface marks; Top: natural spruce, light dings and light play wear; Neck: cedar; Fretboard: ebony; Frets: light wear; Case: fitted hard case; Nut width: 54mm; Scale length: 660mm; Overall condition: good for age
£400-600
2239.
M.G. Contreras classical guitar, made in Spain; Back and sides: rosewood, small hairline to body end, light surface scratches to back, further dings; Top: natural cedar, various light dings and other marks; Neck: cedar; Fretboard: ebony; Frets: visible indent wear throughout; Case: fitted hard case; Nut width: 54mm; Scale length: 665mm; Overall condition: fair
£500-700
2240.
2012 Edward Hall Torres Model classical guitar, made in England; Back and sides: Indian rosewood, lacquer checking throughout, surface scratches and other marks; Top: natural spruce, lacquer cracking; Neck: cedar, lacquer checking throughout; Fretboard: ebony; Frets: good; Hardware: good; Scale length: 650mm; Nut width: 54mm; Overall condition: good
£300-500
2241.
2019 John Hall classical guitar, made in Staffordshire, England; Back and sides: Indian rosewood; Top: European spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Case: Gear4Music hard case; Scale length: 650mm; Overall condition: as new
*Sold on behalf of Staffordshire based luthier John Hall
£800-1200
2242.
2018 John Hall classical guitar, made in Staffordshire, England; Back and sides: cocobolo; Top: European spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: Gear4Music hard case; Scale length: 650mm; Overall condition: very good
*Sold on behalf of Staffordshire based luthier John Hall
£800-1200
2243.
Manuel Rodriguez FC classical guitar, made in Spain; Back and sides: rosewood, a few light surface marks; Top: cedar, light play wear; Neck: cedar; Fretboard: ebony; Frets: good; Case: fitted hard case; Nut width: 54mm; Scale length: 650mm; Overall condition: very good
£300-500
2244.
Asturias John Mills Model 3454S classical guitar, made in Japan; Back and sides: laminated rosewood, minor surface scratches and some dings to edge; Top: natural spruce, minor dings; Neck: mahogany, a few scratches behind first position; Fretboard: ebony; Frets: good; Case: fitted hard case; Overall condition: good
£250-350
2245.
Classical guitar labelled Anselmo Solar Gonzalez...; Back and sides: mahogany, various heavy and lighter surface scratches, lacquer checking, repaired hairline crack to bass shoulder, hairline cracks to upper back; Top: cedar, heavy lacquer checking, dings and other marks; Neck: lacquer checking and light wear; Fretboard: ebony, wear to first position; Frets: mild wear; Case: RokSak gig bag; Nut width: 55mm; Scale length: 660mm; Overall condition: fair
£300-500
2246.
1965 Oscar Teller 61A classical guitar, made in Germany; Back and sides: natural figured maple, light finish scuff to treble side, a few further minor marks; Top: natural spruce, minor dings; Neck: mahogany; Fretboard: ebony; Frets: light tarnishing; Case: original hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: very good
£200-300
2247.
1966 Yairi B&M Soloist classical guitar, made in Japan; Back and sides: mahogany, refinish; Top: spruce, refinish; Neck: mahogany, refinish; Fretboard: ebony; Frets: good; Case: Fame hard case; Overall condition: good
£100-200
2248.
2011 Adam Gefen Flamenco guitar; Back and sides: cypress, crudely repaired crack to length of centre back bass hand side, hairline split to treble side lower bout; Top: repaired cracks to lower bout, play wear to treble side of golpeador; Neck: cedar, marks throughout; Fretboard: ebony; Frets: generally good, sprouting to edges; Hardware: good; Nut width: 52mm; Scale length: 650mm; Overall condition: poor
£80-120
2249.
1969 Yamaha GC-3 classical guitar, made in Japan; Back and sides: rosewood; Top: natural spruce, minor rippling behind bridge; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: very good
£150-250
2250.
Yamaha G130A classical guitar, made in Japan; Back and sides: laminated rosewood, surface scratches and dings throughout; Top: natural, dings and other marks; Neck: cedar, minor dings; Fretboard: ebony, mild wear; Frets: tarnishing throughout; Hardware: tuning strips with some rusting; Case: fitted hard case; Overall condition: fair
£50-100
2251.
1980s Goya for Martin G-130 nylon string guitar, made in Japan; Back and sides: laminated mahogany, light scratches; Top: natural spruce, a few minor dings and finish clouding; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Case: soft bag; Overall condition: fair
£80-120
2252.
Aiersi SC098SPF Smallman style classical guitar, made in China; Back and sides: Indian rosewood; Top: natural spruce; Neck: mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted compressed foam case; Overall condition: very good
£600-800
2253.
Admira Virtuoso classical guitar, made in Spain; Back and sides: rosewood, light surface scratches and marks; Top: spruce, a few minor dings; Neck: cedar; Fretboard: ebony; Frets: tarnishing throughout; Case: fitted hard case; Overall condition: good
£80-120
2254.
Joan Cashimira Model 77 classical guitar (at fault)
£80-120
2255.
Admira Teresa classical guitar, made in Spain; Back and sides: Indian rosewood, a few minor dings; Top: natural cedar, a few minor dings and marks; Neck: cedar; Fretboard: ebony, mild wear to first position; Frets: good; Hardware: good; Case: Guvnor gig bag; Overall condition: good
£200-300
2256.
Karl Hofner HM65-F-S nylon string guitar; Back and sides: mahogany; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Case: compressed foam case; Overall condition: very good
£100-200
2257.
Restored Vicente Sanchis classical guitar, soft bag
£40-80
2258.
Cordoba Luthier Series C9 classical guitar, made in China; Back and sides: mahogany; Top: cedar; Neck: mahogany; Fretboard: ebony; Frets: good; Case: original compressed foam case; Overall condition: very good
£150-250
2259.
Cordoba Fusion Series 12 Maple electro-acoustic nylon string guitar; Back and sides: maple; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Gator hard case; Overall condition: very good £200-300
2260.
Admira Teresa classical guitar, with rosewood back and sides and cedar top £100-200
2261.
Admira A2 classical guitar; Back and sides: mahogany; Top: solid cedar; Neck: cedar; Fretboard: rosewood; Frets: good; Electrics: working, Artec ETN-4 preamp with Piezo pickup; Overall condition: very good £100-150
2262.
19th century Haynes Excelsior acoustic guitar with internal William B. Tilton's Improvement Design, made in Boston, Massachusetts, USA; Back and sides: rosewood, various surface scratches and marks, small hairline to treble waist beside table, small hairline split to shoulder by neck heel; Top: natural spruce, hairline to centre top, other light wear; Neck: mahogany with V profile, reset, minor blemishes; Fretboard: rosewood; Frets: good, refret; Hardware: engraved brass tuners with bone buttons; Scale length: 620mm; Nut width: 45mm; Overall condition: fair
£400-600
2263.
Good antique English parlour guitar, Panormo style, unlabelled; Back and sides: Brazilian rosewood, hairline cracks to back, hairline to body end, general play wear and marks; Top: spruce, hairline cracks, play wear to treble side of strings, further scratches and marks; Neck: cedar with typical grafted Panormo style head; Fretboard: rosewood, surface wear including grooves to first position; Frets: worn; Tuners: engraved brass tuners with shaped buttons; Case: Reliance tooled leather case; Nut width: 48mm; Scale length: 630mm; Overall condition: fair
Early 20th century lute guitar in need of restoration £80-120
2265.
Interesting antique German guitar labelled Eduard Lieves in need of some restoration; Back and sides: walnut, long crack through centre back, further crack beside, some separation to back and sides; Top: spruce, a few hairline cracks, some opening; Neck: ebonised, restorations including pinning; Fretboard: ebonised; Frets: worn and repositioned, some frets missing; Scale length: 630mm; Nut width: 43mm; Overall condition: in need of restoration £400-800
2266.
Interesting antique small bodied guitar bearing an indecipherable label, probably American; Back and sides: Brazilian rosewood two piece back and two piece ribs, with 11.5" lower bout, 8.75" upper bout, 18" body length and 4" body depth, repaired hairline crack to bass side rib, open hairline crack to treble rib; Neck: mahogany with V profile and rosewood friction tuning pegs; Fretboard: ebony with bar frets; Overall condition: good for age
£500-1000
2267.
Late 19th century guitar; Back and sides: Brazilian rosewood, parting between back and ribs, hairline crack below neck heel to back, various scuffs and marks; Top: natural spruce, refinished, checking to lacquer, repairs and splits to bridge plate; Neck: ebonised; Fretboard: ebony; Frets: good; Tuners: G. EON tuners with oval bone buttons; Nut width: 45mm; Scale length: 625mm; Overall condition: fair £250-350
2268.
Interesting antique small bodied guitar, bearing a Gennaro Fabricatore label; Back and sides: maple, various restorations; Top: fine grain spruce, various hairline and restorations; Neck: multi-ply neck with shaped peg box and friction tuners; Fretboard: replacement ebony board; Frets: good; Hardware: replacement bridge plate (missing bridge pins); Scale length: 630mm; Nut width: 45mm; Overall condition: fair/restored
*An interesting antique guitar bearing an Ian Watchorn restoration label Ivory exemption reference no. AVVD14T8 £3000-4000
LOTS 2269-2500 NO LOTS
CONDITIONS OF SALE
The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so. They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose.
1. Bids
All bids made shall be treated as offers made upon these Conditions of Sale and all persons present and approved to bid are admitted to a sale on the basis that they have notice of these Conditions.
1A. Internet Bidding
There are no additional surcharges when bidding via our own bidding platform 'GH Live'
We also use two other online bidding platforms via the-saleroom.com and Easylive which will be subject to additional fees. Please see their respective websites for further details and terms.
‘Pre-Bidding Autobids’
'Pre-Bidding' is a new feature to our own platform and allows bidders to bid against each other prior to the start of a live auction. During the live auction the bidding will start at the current bid reached during the 'Pre-Bidding' and continues until your maximum bid is reached. All bids are anonymous, and your maximum bids are confidential. If you have been outbid, during the ‘Pre-Bidding’ then you will receive an email notifying you that you are no longer the leading bidder, however once the sale is live you will not receive any further notifications. Once bids are placed, they cannot be removed, but can be reduced, if above the current bid.
2. Ascertainment of the Buyer
The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer. No bid may be retracted. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again.
3. Auctioneer’s discretion
The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full.
4. Reserves and Seller’s right to bid
Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer.
5. Buyer’s Duties
The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. Lots may not be cleared during the sale except by permission of the Auctioneer.
6. Payments ALL LOTS ARE TO BE PAID & CLEARED WITHIN 7 DAYS OF THE AUCTION
Methods of payment include direct bank transfer, debit card, credit card, cash to a maximum of £8,500, Cheque payments are no longer accepted. For fraud protection we no longer accept payments by credit or debit cards for ‘Customer not Present’ transactions. Card payments at the saleroom will be accepted but must be supported by Chip and PIN. Card payments for live internet bidding will only be accepted if they have been AVS and 3D Secure authorised via our online platform with a maximum transaction limit of £1000 for Watch & Jewellery auctions; £2000 limit for all other auctions unless previous authorisation has been agreed. Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.
6A. Anti-Money Laundering Policy
New clients spending over £5000 on an individual transaction must be verified, by supplying a current form of ID confirming their name and address to match the invoice. This must be supplied to complete the transaction before the release of goods
7. Liability of the Auctioneer and Sellers
Subject to Condition 8: (a) faults and imperfections (if any) are not stated in the catalogue and neither the Seller nor the Auctioneer is responsible for any defects whatsoever, (b) no warranty is given or authorised to be given by the Seller or the Auctioneer with regard to any lot other than the Seller’s right to sell it, (c) any express or implied conditions or warranties relating to description or quality, are hereby excluded.
8. Catalogue Descriptions
Descriptive statements contained in the advertisements or catalogues or made up by the Auctioneer or any member of his staff should be taken as matters of opinion only and shall not be taken as statement of fact.
i) Items in the catalogue are sold as seen. Where possible significant damage is mentioned, but this does not include all faults and imperfections. The absence of such reference does not imply that the lot is in good condition or free from restoration or repair. Condition reports are available upon request
ii) ’Inscribed’ or ‘Signed’ does not imply that the lot is wholly or partly by that maker
9. Forgeries
Notwithstanding Conditions 6 and 7, if the Auctioneer receives notice in writing from the Buyer WITHIN 7 DAYS OF THE SALE that in his opinion a lot is a forgery (as defined in Condition 12) and on giving such notification the lot in question is returned to the Auctioneer at his working premises in the same condition as when bought, then if on considering such evidence as the Buyer supplies to prove his assertion, the Auctioneer decides that the lot is a forgery the sale of the lot will be rescinded and the purchase price repaid to the Buyer.
10. Property in lots and risk
The Buyer shall not become the owner of any lot, and the Auctioneer shall have a lien thereon, until the Buyer has discharged the purchase price in full together with any other charges due, but after the fall of the hammer the risk of damage or loss shall nevertheless be the Buyer’s.
11. The Premium
The Buyer shall pay to the Auctioneer a premium of 22% of the hammer price together with VAT. (26.4% inclusive of VAT)
12. Default by Buyer If the Buyer fails to make payment in a way acceptable to the Auctioneer or to remove any lot or lots bought by him within 7 days of the auction or in any other material respect fail to comply with these conditions, the Auctioneer shall have the right, (a) to resell the lot or lots by public auction or otherwise without notice to the Buyer, and if any deficiency arises on such resale, after deducting the Auctioneer’s full costs and expenses, the Buyer shall be responsible to the Auctioneer therefore (but any net surplus to be the Seller’s) or, alternatively, (b) to store the lot at the Auctioneer’s premises or elsewhere and to release the lot to the Buyer only after payment in full of the purchase price together with any other charges due. The Auctioneer reserves the right to charge storage of 50p per lot per day on any lot or lots uncleared by the time specified together with any removal expenses. In addition, interest will be charged at 2.5% per month or part thereof (34.4% APR) on any accounts that remain unpaid in part or full 1 week after the sale. Interest and storage will be charged from the date of sale. In addition, the Buyer shall be liable for all legal and court costs incurred by the Auctioneers in pursuit of payment from the Buyer. The Auctioneer reserves the right to refuse any cheques and will not release lots purchased until evidence has been received that any cheque accepted has been cleared.
13. Release of Goods
Payment and clearance should be made within seven days after the sale. Goods will not be released until full payment has been cleared and a paid invoice produced. For clients arranging courier or third-party collection: written instruction must be received by the purchaser; identification will be requested from the courier and their vehicle’s registration number taken. For security purposes our premises are monitored by 24-hour CCTV
14. Definitions and interpretation
In these conditions: (a) Reference to the ‘the Auctioneer’ shall be taken to mean the firm of Gardiner Houlgate or any director, partner or employee thereof at the time of sale; (b) Buyers shall be deemed to be the principals unless to the prior knowledge of the Auctioneer they are acting as agent on behalf of a named principal; (c) ‘Forgery’ means a lot (i) which is so constituted as deliberately to deceive when considered in the light of its catalogue description, and (ii) whose value as such is materially less that if it had complied with the catalogue description; (d) The Interpretation Act 1978 shall apply to the general construction of terms and expressions used in these Conditions as if contained in a statute.
15. Law and Jurisdiction
These Conditions of sale are subject to English law, which shall apply to their construction as well as their effect. The Seller and Buyer agree to submit to the exclusive jurisdiction of the English courts.
16. What is Temporary Importation?
Temporary Importation is a system that applies to lots which have been imported for sale from outside the EU. It allows the point of importation to be delayed until after the sale at auction. These lots are indicated in catalogues by the use of the following symbol * Only the Hammer Price will be treated as the import price and the Buyer’s Premium will be subject to UK domestic VAT at 20%. So whilst the Hammer Price will continue to be charged with Import VAT at 5% or 20” as appropriate, the Buyer’s Premium will always be charged with domestic VAT at 20% Lots subject to Temporary Importation will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20% on the buyer’s Premium. Anyone who wishes to buy outside the Margin Scheme should notify us immediately. An invoice under the normal VAT rules and charging VAT at 20% on both Hammer and Premium will then be issued
Temporary Importation should affect only private individual buyers who are resident within the EU. Anyone who is registered for VAT in the EU should be able to recover the VAT on the Buyer’s Premium either on their VAT returns or through the 8th Directive Refund Scheme. Any non-EU buyer who exports the lots from the EU will be able to have the VAT refunded provided the appropriate export regulations are complied with
17. Property sold with a * Symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Gardiner Houlgate releases such property to buyers in the UK, the buyer will become the importer and must pay Gardiner Houlgate import VAT at 5% on the Hammer Price These lots will be invoiced under the Auctioneer’s Margin Scheme. Gardiner Houlgate must bear VAT on the Buyer’s Premium and hence charge an amount in lieu of VAT at 20% on this Premium. This amount will form part of the Buyer’s Premium on our invoice and will not be separately identified VAT registered buyers from the EU should note that the import VAT charged on property released in the UK cannot be cancelled or refunded by Gardiner Houlgate VAT registered buyers from the UK should note that the invoice issued by Gardiner Houlgate for these items is not suitable evidence in respect of import VAT VAT registered buyers from the EU countries may be able to seek repayment of the import VAT paid by applying to HM Revenue and Customs. On request, immediately after the sale, the office can either ask HM Revenue and Customs to generate a C79 certificate (for UK buyers), or obtain a copy of the import C88 (for other EU VAT registered buyers), which may be used to claim recovery of the VAT. Otherwise Gardiner Houlgate may re-invoice the lot and charge VAT at 20% on both the Hammer Price and the Premium and provide a tax invoice to the buyer
18. CITES Restrictions
Any lots containing any amount of Brazilian rosewood and endangered species may be subject to restrictions when exporting outside of the EU. It will be the buyer’s responsibility to make sure that the relevant paperwork is in place before shipping. Some lots are sold with CITES article 10 certificates, allowing the commercial use of an item containing an endangered species. Lots subject to this are marked in the catalogue
Import/Export
It is the buyer’s responsibility to obtain the correct import/export licenses and CITES licenses for items which they have purchased. Gardiner Houlgate take no responsibility for the export of goods.
19. Gemstones
Many gemstones have been treated in various ways to enhance their appearance. For example, sapphires and rubies are routinely heat treated and emerald treated with oils and resins. Some stones may require re-treating or oiling periodically. Enhancement affects market value, and all Gardiner Houlgate estimates assume that gemstones may have been enhanced.
20.Artists Resale Rights (or Droit de Suite)
On certain lots marked in the catalogues and which are sold for a hammer price of £1000 or greater (converted into the currency of the sale using The Design and Artists Copyright Society threshold calculator on the date of the Sale) the Additional Premium will be the percentage of the amount of the Hammer Price calculated as follows:
£0-£50,000 4%
£50,000.01 to £200,000 3%
£200,000.01 to £350,000 1%
£350,000.01 to £500,000 0.5%
Exceeding £500,000 0.25%
* Gardiner Houlgate is a trading name of Bath Auction Rooms Limited, registered in England and Wales No. 5228635.
G ARDINER H OULG ATE
THE SPECIALIST AUCTIONEERS
DIRECTIONS TO OUR CORSHAM HEADQUARTERS
On the A4 from Bath or Chippenham turn off at the mini roundabout by the Hare & Hounds Pub towards Corsham town centre, turn immediately right at the next mini roundabout into Valley Road. After one mile cross narrow railway bridge and round right angle bend. Turn left after 600 yards into Leafield Industrial Estate.
Go straight through the estate and take the last turning on the right beforemeeting the public road again, just past Linpac and opposite Corsham Print. The Bath Auction Rooms are at the end of the road facing you.
Total time from Junction 17 - 10-15 minutes
Total time from central Bath - 15 minutes
Travelling by Train - we recommend Chippenham Station
Gardiner Houlgate, 9 Leafield Way, Corsham, Nr Bath SN13 9SW
