ABOUT DIGITAL PROGRAMS
The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you!
WHY YOUR SUPPORT MATTERS
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.
LEARN MORE AT
ABOUT THE CENTER
HOW TO BUY TICKETS
In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
TICKET OFFICE HOURS
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm Closed Sundays
Ticket Office opens two hours prior to all events
EMAIL LIST
Sign up at GalloArts.org and receive e-news about events, added performances, and special offers!
GENERAL INFORMATION
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.
The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.
PATRON EVENT INFORMATION
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters.
Portable wireless listening devices are available at the “ Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.
• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons, please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS
CHURCH OUTINGS
CLUBS AND ORGANIZATIONS
BUS TOURS
CORPORATE ENTERTAINMENT
SENIOR CENTER OUTINGS
HOLIDAY, ANNIVERSARY & BIRTHDAY PARTIES
…AND MORE!
ONE CALL DOES IT ALL!
Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.
Thursday, November 14, 2024
Joshua Radin
As Joshua Radin describes how his music career began, an image comes to mind of a horse, galloping so fast, it’s almost a blur. Its rider, meanwhile, hangs on for dear life, not sure how he wound up there, but sure as hell not about to let go. At some point, though, he figures out how the reins work, and the horse steps into a smooth canter.
The album-opening title track of Here, Right Now, Radin’s eighth release and Nettwerk Music Group debut, is all about embracing the moment. But when that horse took off 15 years ago, Radin didn’t even know what the moment was, much less how to balance himself while trying to find his stride. He’d been trying to gain traction as a screenwriter in New York, but when his attempts fizzled, the frustrated Cleveland native started playing guitar to vent. Eventually, he penned a song, and played it for his friend Zach Braff, star of TV’s Scrubs. Braff suggested Radin send a demo to the show’s producer. Almost overnight, millions of viewers reached for Kleenexes as Radin’s “Winter” aired over an emotional scene. They crashed NBC’s website trying to track down the singer.
That’s when the lightning-bolt notion of a songwriting career first flashed, prompting him to join his friend Cary Brothers in L.A. Each time Radin debuted a new heartbreak tune at their Hotel Café haunt, some music supervisor would snag it for Grey’s Anatomy, One Tree Hill, House, or another show. When Radin posted his first batch of homemade demos on iTunes, the collection of folkpop gems soared to No. 1.
After Columbia won the label battle, Radin, unaware demos differed from finished product, insisted they issue his 2006 debut, We Were Here, unretouched or not at all. Then the guy who’d barely plucked a chord till he was 30 faced another reality: He actually had to become a performer.
Screaming “whoa!” wasn’t an option, so he hung on. “It took a good couple of years of playing in different cities every night before I got my stage legs,” Radin says. “Now I’m as comfortable onstage as I am walking around the city.”
He’s shared some of those stages with Ed Sheeran, Sara Bareilles, Ingrid Michaelson, Sheryl Crow, Tori Amos, Imogen Heap and Irish band the Script. He’s played to sold-out audiences in theatres across the globe, from North America to the UK and Europe to China and Australia. He’s sold three-quarters of a million albums and two million singles, racked up 350+ Million Spotify streams and over 500+ Million plays on Pandora, and scored a Gold record in the US and No. 2 UK hit with “I’d Rather Be With You.”
One of the most licensed artists ever, Radin’s music has played in over 150 TV shows, commercials and films, including his song “Brand New Day” being selected by Michelle Obama and Dr. Jill Biden as the soundtrack to a commercial made for the troops. He’s appeared multiple times on various chat-shows (Ellen, The Tonight Show, Jimmy Kimmel Live, Conan, Today Show) and even performed at mega-fan Ellen DeGeneres’ nuptials with Portia DeRossi at Ellen’s request.
A longtime supporter of Little Kids Rock, his charitable interests expanded into animal rescue and pet adoption thanks to his friendship with animal rescue advocate Beth Stern, and her husband, Howard. Radin fondly recalls playing at Stern’s benefit show in the Hamptons.
“We just had the best time and it got me even more involved in the cause,” he says. Rescue, it turns out, is a subject that weaves its way through Here, Right Now, starting with the rescue-advocating video created for its first single, the title tune. Written in the wake of a breakup, the sweet duet (with Maria Taylor) is a self-reminder to work on staying present, he says. Though Radin’s silvery, intimate tenor is perfectly calibrated for expressing the ache of love-damaged hearts, just one track, “Only a Wave (Better Days)”
directly addresses his latest split — which he attributes to a failed rescue attempt. It’s one of three songs featuring vocals by producer Tony Berg’s daughter, Z. “That was the first time in my life I’d ever tried to fix a broken human,” says Radin. “I’ll never do that again.” Radin and Berg sing like whispering lovers amid breath-like rhythms dotted by skittering, oddly soothing synths.
“What Would You Do (Refugee Song),” the album’s third single, tackles heartbreak caused by a broken system, from the perspective of a child desperately needing rescue. “I’m not a very political person,” Radin says. “I try to see the best in everybody. It’s difficult though, when you see kids being separated from their families at the border of our own country. This isn’t what America should be.”
The gently funky mood-elevator, “Going with You,” the album’s summery second single, could be a lovers’ anthem, but happens to be an ode to friendship.
Inspired by a side trip Radin and Brothers, his regular opening act, took while touring Australia and China, its lyrics read, Wherever you’re going, I’m going too/I don’t care where we’re going/I’m going with you.
“That is a very different-sounding kind of song for me,” notes Radin of the Danny Burke-produced track, inspired by the shimmery beach pop Radin heard after hitting the sand in Thailand.
The album also carries references to the idea of selfdetermination, most strongly suggested by one of its two covers: Tom Petty’s “I Won’t Back Down.” (The other is the Stones’ rarity, “She Smiled Sweetly.”)
“He’s always been such an inspiration, not just as a songwriter and musician, but as a human being,” says Radin of the late rock ‘n’ roll hero. “He didn’t take shit from anybody. He always did it his way.”
The rhythm of a needle riding vinyl grooves adds symbolism in Radin’s deconstructed version, equal parts manifesto and elegy. Berg and Phantom Planet’s
Alex Greenwald contribute vocals; perhaps Radin’s SiriusXM Coffee House tour mates the Weepies will do the honors when they hit the road together this fall.
But first, Radin will canter back toward the Hamptons for this summer’s rescue benefit. He says he’s glad his own fame arrived after adulthood, so it didn’t change him. Like most aspects of his unexpected career, he just takes it all in stride — a nice, easy pace, that is, with one hand firmly holding the reins.
Ron Pope
Fiercely independent, Nashville-based recording artist, Ron Pope, carved his niche in the digital era’s early days with his breakout hit, “A Drop in the Ocean,” which has amassed over 1 billion streams, earning platinum status in the US, alongside double platinum status in Sweden. His prolific songwriting is a natural fit for Music City’s Americana, roots, and country communities, garnering praise from publications such as Rolling Stone, Billboard, CMT, Relix, and The Tennessean. With each release, including his most recent album, Inside Voices, released in June 2023, Pope continues to captivate audiences with his raw authenticity and profound storytelling, soul-stirring melodies, and introspective lyricism.
Beyond his own musical endeavors, Pope writes and produces for other artists, and serves as a guiding light for aspiring musicians navigating the ever-changing landscape of today’s music industry. Pope recently completed his 20-date “A Drop in the Ocean” Tour commemorating the 15th anniversary of his debut LP, Daylight.
Advanced Heart Care in the Central Valley
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CENTER CIRCLES
As
Laureate’s
Chairman’s
As of July 15,
The Mayol Family & Team PSC
Daniel Del Real – Del Real Group
The Graspointner Family
Modesto Toyota
The Pirrone Family
Stanislaus Food Products
Braden Farms
Gianelli | Friedman | Jeffries
Sodhi Law Group
Winton-Ireland, Strom & Green Insurance Agency
Mistlin Honda
Arts Education
As of July 15, 2024
$25,000+
Alfred Matthews
California Arts Council
Education Foundation of Stanislaus County U.S. Bank Foundation
$10,000+
Make Dreams Real Foundation
Modesto Subaru Porges Family Foundation Fund
Silva Injury Law, Inc.
$5,000+
Kaiser Permanente
$2,500+
Beard Land & Investment Co.
Jeff Gaudio & Karen Freeborn
Jason, Beki, & Stephen Rush
Ella Webb & Shelley Dameron
$1,000+
Enterprise Mobility Foundation
Carl A and Margaret A Johnson Family Foundation
Modesto Rotary Club Foundation
Modesto Sunrise Rotary
The Save Mart Companies CARES Foundation
$500+ USS Balthasar Cortney Hurst
Anonymous (1)
$300+ Ceres Pipe & Metal, Inc.
$150+
Grace Lutheran Church
Jerry & Diane Hougland
Alice Renfroe
John & Mary Ann Sanders
FOUNDATION GIVING
Bob
California
Costa
National
Stanislaus
The
The
Porges
This listing is updated quarterly. Every effort has been made to ensure our list of supporters is accurate. It is possible that a name may have been misspelled or omitted. If so, please accept our sincere apology and kindly notify our Development Department at (209) 338-5013, so that we may make the appropriate change to our records.
Gallo Center for the a r t s
BOARD OF DIRECTORS
Christina Gomez, ChairoftheBoard
Marie D. Gallo, PresidentEmerita† June Rogers, Director Emerita
Alex Mari, M.D., ImmediatePastChair
Ginger Johnson, ChairElect
Mel Bradley Fallon Ferris
Sarah Grover
Chad Hilligus
Michael Krausnick
Jay Krishnaswamy
Michelle Lewis
Katy Menges
Todd Aaronson
Angelica Anguiano
Victor Barraza
John C. Bellizzi
Jennifer Coehlo
Kathryn Davis
Daniel Del Real
Paul Michael Eger
Robert Fantazia
Stacey Filippi
Robert Fores Julian Gallo
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Juan Sánchez Muñoz, Ph.D.
Duncan Reno
Tina Rocha
Michael Joe Silva
Stephanie Gallo Tyler
Ann M. Veneman
Geoff Wong
BOARD OF TRUSTEES
Ryan Roth Gallo
Virginia Madueno
Roberto Martinez
Ivey Mayol
Yolanda Meraz
Sharilyn Nelson
Linda Hischier Ronald Hoffmann
Jose Ibarra
Jaime Jimenez
Brian Kline
Kevin Luttenegger
Ogle, Ph.D.
Johann Ramirez
Rose Marie Reavill Jeffrey Reed
FOUNDING TRUSTEES
Louis Friedman
Dianne Gagos
Barry Highiet† Randy Jalli
Roy Levin, M.D.
Alexandra Loew
Bill Mattos
Tony Mistlin† Kate Nyegaard Ruthann Olsen
Jeanne Perry
John C. Pfeffer, M.D.
Norm Porges
Chris Reed James Reed
Ellen Ritchey Delsie Schrimp
Catherine Rhee
Christine Roberts
Rosalee Rush
John Schneider
Kate Trompetter
Philip Trompetter, Ph.D.
Aaron Valencia
Colleen F. Van Egmond
Doug Vilas
Sue Zwahlen
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Carol Whiteside†
Jeremiah Williams
Alice Yip
†In Memoriam