

ABOUT DIGITAL PROGRAMS
The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you.




WHY YOUR SUPPORT MATTERS
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.

ABOUT THE CENTER
HOW TO BUY TICKETS
In Person: 1000 I Street, downtown Modesto Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
TICKET OFFICE HOURS
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm
Closed Sundays
Ticket Office opens two hours prior to all events
EMAIL LIST
Sign up at GalloArts.org and receive e-news about events, added performances, and special offers!
GENERAL INFORMATION
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.
Photo: Gallo Center for the Arts, Circa 2007
The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.


PATRON EVENT INFORMATION
• Ample and secure parking for Center events is located in the garage at 12th Street between H and I Streets. Parking passes are $5 cash and may be purchased when ordering tickets or at the entrance to the garage prior to performances. See GalloArts.org for a map and directions to the garage.
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the “ Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.

• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons, please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.

COME AS A GROUP & SAVE!
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS
CHURCH OUTINGS
CLUBS AND ORGANIZATIONS
BUS TOURS
CORPORATE ENTERTAINMENT
SENIOR CENTER OUTINGS
HOLIDAY, ANNIVERSARY & BIRTHDAY PARTIES
…AND MORE!
ONE CALL DOES IT ALL!

Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.
Sponsored by:

Jeff Gaudio & Karen Freeborn
Chris Johnson & Ed Nelson
Law Offices of Gary C. Nelson
Dawn Cunningham & Philip Trompetter
Bruce & Grace Valentine
Veronica Swift - Veronica Swift
Veronica Swift’s new eponymously titled album, her third for Mack Avenue Records, is a masterful comingout story. On her previous albums, Confessions (2019) and This Bitter Earth (2021), she ascended to the upper echelon of early 21st century jazz singers because of her virtuosic brilliance, interpretive ingenuity, bracing songwriting, and keen arrangements. Simply put, Swift is not only one of the most dazzling singers to emerge in her generation, she’s one of the most versatile.
While her first two albums solidified her position in modern jazz, Veronica Swift shows that she’s more than a jazz singer, exploring French and Italian opera, European classical music, bossa nova, blues, industrial rock, funk, and vaudeville. She pulls the feat off without the results sounding callow or pastiche. Swift’s expansive artistic voice remains firmly intact regardless of genre.
Swift describes this personal artistic statement on her new album as “transgenre.” “I grew up immersed in the culture of jazz music, blessed to have had some of the greats as mentors, and I felt a deep familial duty to uphold that tradition,” she says, reflecting on her parents – jazz singer and educator, Stephanie Nakasian, and bebop pianist, Hod O’Brien.
“But as rooted in jazz as I’ve been, there’s a uniquely visceral power in rock and soul music that’s always fueled my creative passion, and rather than mask or confine that part of my identity, the people I admire most show themselves unabashedly and that’s the kind of tradition I want to be a part of.”
For the album, Swift enlists Brian Viglione of the punk cabaret duo The Dresden Dolls as drummer as well as c0-producer along with Swift and Mariano Aponte. Also on board is a motley crew of musicians that includes
pianist, keyboardist and organist Adam Klipple, pianist and arranger Randy Waldman, guitarists Chris Whiteman and Samson Schmitt, percussionist Luisito Quintero, singer Austin Patterson, violinist and violist Antoine Silverman, violinist Pierre Blanchard, bassists Phillip Norris, Alex Claffy, Antonio Licusati and Felix Maldonado, saxophonists Troy Roberts and David Leon, trumpeters Benny Benack III and James Sarno, trombonist Javier Nero, percussionist Luisito Quintero, accordionist Ludovic Bier, vocalist Carolynne Framil and woodwindist and orchestrator David Mann.
The album ignites with the extravagant rendition of Jerry Herman’s “I Am What I Am” from the Broadway musical, La Cage aux Folles. Swift imbues the infectiously swinging tune with unfettered joy, especially when she launches into a sublime scat excursion that segues into a Johann Sebastian Bach-inspired fugue. For Swift, the song becomes a declaration of artistic freedom.
From there, she switches gears on her treatment of Nine Inch Nails’ “Closer’’ that’s anchored by an intricate Clyde Stubblefield-inspired drum pattern, reminiscent of his work on James Brown’s epochal classic, “Cold Sweat.” As stabbing horns, pulverizing bass, and energetic vocals join the foil, Swift channels her alt-rock sensibilities before surprisingly blasting off into another sensational scat passage. A celebration of carnal hunger, this razor-sharp arrangement alludes to her love of ’90s industrial rock.
Veronica Swift grows even more ferocious with her gusty treatment of Duke Ellington and Bob Russell’s classic “Do Nothing Till You Hear from Me,” on which Whiteman’s lacerating guitar licks channel both Jimi Hendrix and Albert King as Swift recasts the song into a Mississippi Delta blues burner.
The album simmers down with Swift’s poignant extrapolation of the verse from Queen’s “The Show Must Go On,” which she underpins with infectious Afro-Cuban rhythms. The song also serves as another
example of her “transgenre” concept as she utilizes Nat King Cole’s arrangement of Ruggero Leoncavallo’s aria, “Vesti la Giubba” from his opera, Pagliacci.
The album returns to Swift’s love for American musical theater with the dramatic reading of Harry Carroll and Joseph McCarthy’s vaudeville ballad “I’m Always Chasing Rainbows,” which is fused with Frédéric Chopin’s “Fantasie-Impromptu.” That gives way to an original composition, “In the Moonlight,” a stunning torch ballad on which Swift adapts Ludwig van Beethoven’s “Moonlight Sonata” and includes a hidden nod to Sergei Rachmaninoff’s “Piano Concerto No. 2” harmonic structure on the choruses.
Swift continues with another magnificent original, “Severed Heads,” a gentle bossa containing snarky, amorous lyrics. Again Swift’s brilliance as an arranger radiates through the melody, which incorporates fragments of Giacomo Puccini’s “Perché Tarda la Luna?” from his 1924 opera, Turandot (originally adapted from the popular Chinese folk song, “Mo Li Hua (Jasmine Flower Song).”
She demonstrates her mastery at singing in French and Portuguese, respectively, with her spine-tingling readings of Charles-François Gounod’s aria “Je Veux Vivre,” from his 1867 opera, Roméo et Juliette, and Antônio Carlos Jobim and Vinícius de Moraes’ 1957 bossa nova gem “Chega de Saudade.”
Swift returns to the hard rock canon with a winning cover of Queen’s 1973 anthem “Keep Yourself Alive” before closing the multifaceted album with a punk rendition of Bob Merrill and Jule Styne’s “Don’t Rain on My Parade” from the 1964 musical Funny Girl.
Swift first gained major international attention in 2015 when she won second place in the Thelonious Monk Institute of Jazz International Vocals Competition. Four years later, Mack Avenue Records released her acclaimed album Confessions when she was only 25
years old. She demonstrated her flair for conceptual song cycles on her follow-up album, This Bitter Earth, which not only gave glimpses of her rock influences but thematically touched upon some of the harder truths of being a woman, particularly when it comes to domestic abuse.
Swift says that for her new album she’d been exploring her “transgenre” concept for about two-and-half years. During the Covid-19 pandemic, she strategized the unveiling of this more artistically naked version of herself to the public while being mindful of how conservative the mainstream jazz industry can be.
“Often times, I’ve experienced blowback from some of the more “purist” members of the jazz community when exploring outside the parameters of straightahead. Early on, (well-meaning) people wanted to dress me in flowy gowns and make me this torchbearer of the Great American Songbook, but I’ve traded in the frocks for fringe bodysuits.”
She forged and refined most of the material for Veronica Swift on the road. Much to her delight, audiences enthusiastically welcomed the new direction. “My live concerts have been the experiment by which I am seeing the readiness of the audience to embrace the full scope of who I am, and it’s encouraging to know I can continue to push myself creatively and invite people into the fold along the way.”
“I remind people that any exploration of music outside of straight-ahead jazz is an addition, not a subtraction,” Swift continues. “I just hope this album helps people embrace every aspect of who they are, and let it guide their own self-expression.”

THE MANY WONDERFUL PEOPLE IN OUR COMMUNITY WHO SUPPORT THE MISSION OF THE NON-PROFIT GALLO CENTER FOR THE ARTS.
CENTER CIRCLES
As of March 1, 2024
Laureate’s Circle ($100,000+)
John S. & June A. Rogers*
Chairman’s Circle ($25,000+)
James E. Coleman
Norma Foster Maddy
Bob Gallo*
Joseph & Ofelia Gallo
Mary C. Gallo
Katy & Ken Menges
David & Gloria Mraz
The Honorable Hugh & Willie Rose
Director’s Circles ($10,000+)
Carl & Carole Boyett
Melvin & Barbara Bradley
The Caron Family
Central Valley Trees and Landscape Services Inc.
Robert & Cheryl Fantazia
Ernest J. Gallo & Ryan Roth Gallo
The Mayol Family & Team PSC
David & Jeanne Olson
Reed Foundation,
Jeff & Margaret Reed and Matthew & Jamie Reed
Jason, Beki, & Stephen Rush
Chris & Stephanie Tyler
Julie Gallo Vander Wall
Doug & Kim Vilas
James & Alice Yip*
Billee S. Zanker
Anonymous (1)
Ambassador’s Circle ($5,000+)
James Beard
Rob & Dianne Burkett
John & Bianca Casey
Tom & Kelly Cook
Dawn Cunningham & Philip Trompetter*
Paul Michael Eger & Kim Cabassi
Jim & Carole Enochs*
Dr. Clarke & Stacey
Stanislaus Food Products
Ronald V. “Bud” & Patricia J. Stone
Gary & Ann Stone
Storer Family
Joe & Ann Swain
Jeff & Renee Swank
T & M Farms
Suzanne S. Tubman
Bruce & Grace Valentine
Babette Nunes Wagner & Gary Wagner MD*
Phyllis Walden
Ella Webb & Shelley Dameron
Gary & Barbara West
Linda G. West*
Gary & Helen Wick
Partner’s Circle ($1,200+)
Hytham Abou Youssef & Marifel Magsino
Cynthia & John Alba
Steven Anderson & Beth Nagle
Thomas Anderson
Ron & Sherry Angin
Angelica J. Anguiano Esq
George & Marie Bairey*
Margaret J. Barker*
Victor & Marisela Barraza
Allen & Carol Beebe
The Begouns
Bryan Bell
Gary & Helen Bell
Dave & Kathy Benn
Joyce Bienvenu*
George & Anna Boodrookas
Kirstie Boyett & Alan Zacharias
Catherine Rhee & Jill Braaten
Braden Farms
Anne & George Britton*
David & Cheryl Brown
Tony Bruno
Clifton & Sherri Butler
Barbara Van Overbeek
Tom & Diane VanderVeen
Burt & Polly Vasche*
Chick & Lynda Venturini
Steven & Arlene Vilas
Nancy Von Gunten
Marsha Waggoner
Hans & Carla Wagner
Jean Walker Lowell
Karen Somers & Carolyn Ward
Steve & Jennifer Ward
Austin & Jayne Waters
The Richard Waycott Family
Jim Weaver & Shannon Gilbert-Weaver
Donald & Alison Wenstrand
Matthew & Sandra Weston-Dawkes
Mark & Laura Wharff*
Dr. Spencer & Nathan Whatcott
Reagan & Sherry Wilson
Susan Windemuth & Tom Holliday
Henry & Susan Winters
Winton-Ireland, Strom & Green Insurance Agency
Terry & Christen Withrow*
Geoff & Virginia Wong
Howard & Debbie Wright
Capt. Kevin E. Young
Lynn & Sue Zwahlen
Anonymous (4)
*Charter Donors
Friends of the Center & Amigos of the Center
As of March 1, 2024
Associate ($750+)
Dr. R. J. Moriconi & Mr. Tony Alonzo
Norman E. Rusca, Jr. & Gloria Bracco
Gary & Sharon De Vries
Tim Diaz & Donna Barbera-Diaz
& Sandra Goodman
Curtis & Nancy Grant
Ron & Rhonda Grider
Scott & Alene Griffin
Carol Grose
Mr. Robert Guidotti*
Donna L. Haight
Bud & Kay Haley
Julio & Rosa Hallack
Dave & Kathy Halsey
Carol Hannen*
Tod & Mary Hansen
James C. Hanson Jr
Chuck & Elizabeth Harvey
Dyan Hawkins-Hayes
Herbert & Norma Helbig
Dr. José Salvador Hernández
Franciso & Mona Hernandez
Wayne & Susan Hickman
Elaine M. Hill
Mary & Jim Hill
Robert & Sherrill Hillberg
Dirk Hoek*
Alan Holowich
Larry & Patti Hughes*
Sam & Marie Hussain
Duane & Deanna Hutton
Andrew Mendlin & Valli Israels
Cindy Jackson
Darryl & Shelli Johnson
Stephen & Donna Jones
William Jones
Joe & Cindy Jordao
Jeff & Tara Kahler
Ken & Valerie Karn
William & Mary Kaska
Blanche Keener
Helen Kennedy
Merv & Barbara King
Mildred Kinser
Mrs. Leslie Shaw Klinger
Anna Roberts & Bruce Klovsky
Grant & Pam Knepper
Birgitta Knudsen
Sonja Knutsen
Dr. Peter & Vicki La Torre
Sue Larson
Mr. & Mrs. Travis Laughlin
Shannon LeDuc
Ray & Louise Leverett
Joseph & Patricia Lima
Kathleen Line
Barbara Linthicum
Mike & Betty Loche
Brian Lorenzo
Duane & Linda Lovaas
Larry Lovelady
Raymond & Frances Luna
Edward & Diana Lyons
Wendeln
John & Jacqueline Wetzler
Robert & Janet White*
Suzanne Wilke
Randy & Sue Winter
Ron Winter
Ginger Wong
Bobby & Karen Yamamoto
Barbara Young
Michael & Chris Zeppa
Mike & Linda Zoslocki
Anonymous (10)
Supporter ($150+)
Abney Carpet
G. Abney Carpet
Mel & Judy Abrew
Lesa Acquaviva
Leslie Adair
Araceli Adame-Mendoza
Pamela & Raymond Aguilar
Delores Aguiniga
Chris & Jackie Ake
Teresa Alkas
Robert & Susan Allaire
Juan & Veronica Allala
Elizabeth Allen
Louie Ambriz
American Pallet, Inc.
Tom Ankeney & Dawn Piscitello
Mary Applebaum
Scott & Dawn Arbogast
Albert Arcure Jr
Manuel Ares
Gilbert Arias DDS
Laura Arnold
Daniel Arthur
Gary & Becky Asai
Wes & Gini Asai
Steve Auldridge
Jeff & Robyn Austin
Casey & Daniel Aviles-Chavez
George & Helen Badal*
Carl & Judi Baggese
Julie & Phil Bailey
Noreen Baker
Baking Memories
David Baltz
Blanca A. Banuelos
Trisha Barkman
Rich & Denise Barrios
Victoria A. Bates
Don & Vera Baumgratz
David & Melissa Beach
Christine Beckstrom
James L. Bedell
Gerard & Loretta Begen
John Belo
Catherine Beltran
Donald & Cynthia Belyeu
Lisa Benge
Julianne & Michael Benisch
Robert Berkenkamp
James Berry
Kathryn Berta
Debbie Bice & Sam Autry
Jim & Betty Bickner
Mike & Karen Biglow
Denise Bingham
William & Danelle Bishop
Christine Bobbitt
Taide Zamora
Kristy & Mike Zane
John & Marcia Zeliff
Jessica Zifer
Luis Zubiate
Anonymous (6)
*Charter Donors
Sponsors
2023/24 PREMIER PARTNER
Doctors Medical Center
2023/24 SEASON SPONSORS
Boyett Petroleum
Kaiser Permanente
Mercedes-Benz of Modesto
University of California, Merced
Suite 52 Living
Silva Injury Law, Inc.
City of Modesto
The Save Mart Companies
Visit Modesto
U.S. Bank
Beard Land & Investment Co.
Oak Valley Community Bank
Tio Francisco
Hilmar Cheese Company
DoubleTree by Hilton Modesto
Modesto Subaru
Yogurt Mill
McDonald’s
The Graspointner Family
Reed Family Companies
The Macdonald Group
Paradigm Construction
Vintage Car Wash
Ceres Pipe & Metal
Downtown Modesto Partnership
Individual Sponsors
2023/24 SEASON SPONSORS
Katy & Ken Menges
Chris Johnson & Ed Nelson
Dawn Cunningham & Philip Trompetter
Bruce & Grace Valentine
Law Offices of Gary C. Nelson
Jeff Gaudio & Karen Freeborn
CORPORATE PATRONS
As of March 1, 2024
The Mayol Family & Team PSC
Daniel Del Real – Del Real Group
Stanislaus Food Products
The Graspointner Family
Modesto Toyota
Braden Farms
Gianelli | Friedman | Jeffries
Sodhi Law Group
Winton-Ireland, Strom & Green Insurance Agency
Mistlin Honda
Arts Education
As of March 1, 2024
$25,000+
Alfred Matthews
California Arts Council
Education Foundation of
Stanislaus County
U.S. Bank Foundation
Anonymous (1)
$10,000+
Make Dreams Real Foundation
Modesto Subaru
Porges Family Foundation Fund
Silva Injury Law, Inc.
$5,000+
Kaiser Permanente
Anonymous (1)
$2,500+
Beard Land & Investment Co.
Ella Webb & Shelley Dameron
Jason, Beki, & Stephen Rush
$1,000+
Enterprise Holdings Foundation
Cathy Jennison
Modesto Rotary Club Foundation
Modesto Sunrise Rotary
The Save Mart Companies
CARES Foundation
Anonymous (1)
$500+
USS Balthasar
Cortney Hurst
Anonymous (1)
$300+
Ceres Pipe & Metal, Inc.
$150+
Jerry & Diane Hougland
John & Mary Ann Sanders
Seth Simas
Penny & Wendell White Fund
FOUNDATION GIVING
Bob and Marie Gallo Foundation
California Arts Council
Costa Family Foundation
National Endowment for the Arts
Stanislaus Community Foundation
The Ernest Gallo Foundation
The Julio R. Gallo Foundation
Porges Family Foundation Fund
Raymus Foundation
U.S. Bank Foundation
WESTAF
PERPETUAL MEMORIAL GIFTS HAVE BEEN MADE FOR
Thomas K. Beard
Randall Stanley Behr
Carl Boyett
Robert J. Cardoza
Herman Costa
Matthew Everett Davis
Ryan Hunter Dickerson
Homer & Margaret Fair
Albion Fenderson
Marie Gallo
Orlena Hawkins
Dennis Hoskins
Linda Johnson
Chuck Kilgore
Angela & Francis Lemos
Grace Lieberman
Clara Marie Machado
Elizabeth Maino
John E. Plummer
Bette Belle Smith
David James Terra
Sara Marie Terra
Ethel Marie Terra
Dr. & Mrs. Archie N. Tonge
Delmar Tonge
Elizabeth “Betty” Toschi
Bob Tubman
David G. Vander Wall
Jesse Lee Woodson
Jason Latrelle Woodson
Legacy Circle
Dr. Grant & Colleen Bare
Waqar H. Bhatti, Ph.D. & Martha Carter-Bhatti, Ph.D.
Carl & Carole Boyett
Clark & Marion Bradford
Martha & Gary Connor
Ron & Lynn Dickerson
George L. Farrell
Jacqueline E. Foret
Dennis & Kathy Hoskins
Dean & Cathy Jennison
Horton & Barbara Karker
Robert & Marilyn Morey
D.F. Ritchie
The Harry Swanson Family
Randy Wayne Summers
Mr. & Mrs. Joe Swain
Helen Trombetta
This listing is updated quarterly. Every effort has been made to ensure our list of supporters is accurate. It is possible that a name may have been misspelled or omitted. If so, please accept our sincere apology and kindly notify our Development Department at (209) 338-5013, so that we may make the appropriate change to our records.

Below are some of the ways* we connect corporate sponsors to Gallo Center patrons. Imagine how these might impact your marketing goals.
Gallo Center for the a r t s
BOARD OF DIRECTORS
Christina Gomez, ChairoftheBoard
Marie D. Gallo, PresidentEmerita†
Alex Mari, M.D., ImmediatePastChair
Ginger Johnson, ChairElect
Mel Bradley
Sarah Grover
Chad Hilligus
Michael Krausnick
Michelle Lewis
Katy Menges
Juan Sánchez Muñoz, Ph.D.
Duncan Reno
Todd Aaronson
Angelica Anguiano
Victor Barraza
Elliot Begoun
Lorraine Cardoza
Clifford Cooper
Ismael Covarrubias
Kathryn Davis
Daniel Del Real
Paul Michael Eger
Robert Fantazia
Fallon Ferris
Robert Fores
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Louis Friedman
Tina Rocha
June Rogers
Brant Scott
Stephanie Gallo Tyler
Ann M. Veneman
Geoff Wong
Nicole Larson, SCFNextGenFellow
BOARD OF TRUSTEES
Julian Gallo
Ryan Roth Gallo
Diane Gilbert
Emma Grover
Sabrina High
Doug Highiet
Linda Hischier
Ronald Hoffmann
Jose Ibarra
John Jacinto
Jaime Jimenez
Brian Kline
Jay Krishnaswamy
Danielle Lau
Kevin Luttenegger
Virginia Madueno
Roberto Martinez
Trent Mayol
Yolanda Meraz
Chris Murphy
Sharilyn Nelson
Bill Nunes Jr.
Richard Ogle, Ph.D.
Gino Patrizio
Rose Marie Reavill
Jeffrey Reed
FOUNDING TRUSTEES
Dianne Gagos
Barry Highiet†
Randy Jalli
Chris Johnson
Grace Lieberman†
Roy Levin, M.D.
Alexandra Loew
Bill Mattos
Tony Mistlin†
Kate Nyegaard
Ruthann Olsen
Catherine Rhee
Susan Rich
Christine Roberts
John Schneider
Michael Joe Silva
KT Staack
Kate Trompetter
Philip Trompetter, Ph.D.
Aaron Valencia
Colleen F. Van Egmond
Doug Vilas
Jeanne Perry
John C. Pfeffer, M.D.
Norm Porges
Chris Reed
James Reed
Sue Ellen Ritchey
Delsie Schrimp
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Carol Whiteside†
Jeremiah Williams
Alice Yip
†In Memoriam