ABOUT DIGITAL PROGRAMS
The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you!
WHY YOUR SUPPORT MATTERS
The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.
LEARN MORE AT GALLOARTS.ORG/SUPPORTUS.
ABOUT THE CENTER
HOW TO BUY TICKETS
In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
TICKET OFFICE HOURS
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm Closed Sundays
Ticket Office opens two hours prior to all events
EMAIL LIST
Sign up at GalloArts.org and receive e-news about events, added performances, and special offers!
GENERAL INFORMATION
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.
The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.
PATRON EVENT INFORMATION
• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.
• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons,
please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS CHURCH OUTINGS CLUBS AND ORGANIZATIONS
BUS TOURS
CORPORATE ENTERTAINMENT
SENIOR CENTER OUTINGS
HOLIDAY, ANNIVERSARY & BIRTHDAY PARTIES
…AND MORE!
ONE CALL DOES IT ALL!
Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.
September 26, 2025
BIO
Noah Reid has earned a permanent place in the music industry as a result of his powerful vocals andhonest delivery. Evident on his debut album Songs from a Broken Chair (2016), sophomore album Gemini. (2020) and his highly-anticipated third album Adjustments (2022), which collectively have garnered over180 million streams, two nominations at the 2022 Canadian Folk Music Awards in the ‘Songwriter of theYear’ and ‘New/Emerging Artist of the Year’ categories and landed Noah on four Billboard charts. Reid’s songwriting style is reminiscent of singer-songwriters of the seventies but with a contemporary twist, resulting in a signature polished, albeit slightly rusted over, tone. As an actor, Reid is best known for playing ‘Patrick’ in the Emmywinning comedy series Schitt’s Creek, for which he won a Screen Actors Guild Award, along with the cast, for ‘Best Ensemble.’ In 2022 he was seen in Brian Watkins’ Amazon series Outer Range opposite Josh Brolin, Imogen Poots and Lewis Pullman and wrapped up his Broadway debut as the lead of Tracy Letts’ Tony-nominated play The Minutes, which received rave reviews.
On his third album Adjustments, singersongwriter Noah Reid documents the kind of minor schisms and major upheavals that leave our lives forever altered. Endlessly revealing the nuance and character of his voice, the Torontobred artist imbues his incisive storytelling with
a potent expression of unease and frustration and ineffable wonder—an emotional complexity perfectly echoed in the album’s elegantly orchestrated yet unpredictable form of altrock. At a time when turmoil feels strangely commonplace, Adjustments ultimately allows for a moment of quiet transcendence within the chaos, wholly transforming the very texture of our experience.
“I wrote this album during a transitional period where a lot of tectonic shifts were taking place in my life,” says Reid, also an accomplished actor known for his role as Patrick on the award-winning series Schitt’s Creek. “I was getting married, Schitt’s Creek was coming to an end, the pandemic was beginning— some of the changes were more internal and others were more at the societal level, but they all involved a shift in my thinking about the world around me.” Recorded live at Toronto’s Union Sound Company and produced by Juno Award nominee Matthew Barber (who also helmed Reid’s 2016 debut album Songs from a Broken Chair and its 2020 follow-up Gemini), Adjustments came to life over a series of sessions with musicians like guitarist Christine Bougie (Bahamas, Amy Millan), drummer Joshua Van Tassel (Great Lake Swimmers, Amelia Curran), and trumpet player Bryden Baird (Feist, Ron Sexsmith). On the albumopening lead single “Everyday,” Reid offers a sublime introduction to the expansive sonic world of Adjustments, sharply contrasting the song’s heavy-hearted mood with bright guitar tones and effervescent melodies. “I wrote that
song in the early days of the pandemic, when I’d look out the window at this park that’s usually full of kids and families but now was totally desolate,” says Reid. “It came from a feeling of being forced into a sort of loneliness, and not really knowing what to do about that.” With its ethereal textures and swooning steel guitar, the piano-driven “LeftBehind” speaks to the bittersweet freedom of living life at your own unhurried pace. Meanwhile, on “RiversUnderground,” Reid presents a gorgeously tender meditation on love and luck and risk, amplifying thetrack’s intensity with a luminous string arrangement courtesy of Drew Jurecka (a Grammy-nominated composer who’s worked with Buffy Sainte-Marie and The Weather Station). “My wife Clare and I have talked at various points about how easy it would’ve been for us not to find our way to each other,” says Reid. “Writing that song, I was thinking about how Toronto’s built on all these underground creeks and rivers, and how that’s a good metaphor for the strangeness of human connection—these waters trying to find their way out to the lake, flowing together or ending up apart.” One of the most galvanizing moments on Adjustments, “Statue’s in the Stone” begins as a weary lament for the state of the human heart (“We treat it like it’s all infinite/And we throw it all away”), then unfolds into a soul-stirring anthem lit up in lush harmonies and incandescent horns. “We live in a very judgmental time, where social media really highlights this urge to tear each other down,” says Reid. “But I think if we looked inside ourselves with any kind of honesty, we’d realize that what we need is within us, and
we’d be able to lead with a little more love and kindness.” Several songs later, Adjustments closes out with the thrilling catharsis of “Everything’s Fine”: an eight-minute epic that reaches an ecstatic frenzy at its gloriously sprawling, guitar-drenched bridge. “Over the past few years it seems like we’re simultaneously being told everything’s fine and absolutely nothing is fine, and it can be so hard to tell what’s real,” says Reid. “That song came from the confusion of that, and in the studio we decided to just to let the band rip and completely burn the house down.” A longtime musician who began composing melodies on piano as a child and later developed his songcraft while studying at the National Theatre School of Canada, Reid infuses all of Adjustments with the clarifying directness of a close conversation—yet unfailingly demonstrates a poet’s ability to draw immense meaning from the most granular details. As a result, the album abounds with warmly delivered wisdom—an element that’s illuminating for both audience and artist alike. “Sometimes a line will jump out of my mouth when I’m out on a walk or driving or alone in my house playing piano or guitar, and I’ll just to try to follow that line wherever it takes me,” says Reid in discussing his creative process. “I often don’t really understand what I’m saying as I’m saying it, but then I’ll listen back later on and go, ‘Oh, okay—that was useful.’ This record has definitely done that for me, and I hope it will keep on talking to me over time.”
Billboard’s Emerging Artists Chart
Billboard’s Top Current Album Sales Chart
Billboard’s Top Album Sales Chart
Billboard’s Top Album Sales Canada Chart
#1 on iTunes Singer Songwriter USA
#1 on iTunes Singer Songwriter USA
#4 on iTunes Singer Songwriter Top Tracks USA
#4 on Apple Music Singer Songwriter Top Albums USA
#1 on Apple Music Singer Songwriter Canada
Zachy - bio
Zachy, an up-and-coming artist from Richmond, Virginia, is carving out his place in the indie-folk scene with his genuine and unfiltered music. As a multi-talented creator handling production, performance, mixing, and mastering, zachy’s unique sound has an innate ability to resonate with any listener. His songwriting delves into the complexities of relationships, faith, and a myriad of emotions, positioning him as one of the most raw lyricists in the indie-folk landscape. The release of his first track, “untitled,” garnered remarkable support, propelling the Virginiabased artist into the spotlight.With over 15 millions streams across streaming services, zachy has a foundation of fans who eagerly await upcoming releases. zachy has been touted as one of the leading voices in the new era of indie folk artists, as time goes on, he continues to prove the notion.
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As
As of July 23, 2025
Mistlin Honda
Arts Education
As of July 23, 2025
$25,000+
Education Foundation of Stanislaus County
U.S. Bank
$10,000+
Jean-Charles Boisset & Gina Gallo
Kaiser Permanente
Make Dreams Real Foundation
Modesto Subaru
New Bridge ManagementAdrian Harrell
Silva Injury Law, Inc.
$5,000+
Ella Webb & Shelley Dameron
Robert & Cheryl Fantazia
$2,500+
Beard Land & Investment Co.
Enterprise Mobility Foundation
Jeff Gaudio & Karen Freeborn grantLOVE project
In Memory of Caleb Hurst
Star One Credit Union
Chris & Stephanie Tyler
$1,000+
Mr. & Mrs. William Gagon
Dennis & Kathy Hoskins
Ginger & Kent Johnson
Michael & Claudia Krausnick
Dr. Alex Mari
Katy & Ken Menges
Modesto Rotary Club Foundation
Freda Motto
Shirley Schmidt
$500+ Cindy & John Alba
Melvin & Barbara Bradley Ed & Jodi Felt
Christina & Victor Gomez Cortney Hurst
Modesto Sunrise Rotary
Judith Simms
USS Balthasar
Ann M. Veneman
$300+ Corie Coleman
Grace Lutheran Church, Lutheran Women’s Missionary League
Jerry & Diane Hougland
Pam, Dave, & Jill Robert
$150+
Debra Brady & Stephen Veglia
Grace Lutheran Church
Jerry & Diane Hougland
Alice Renfroe
Bob
National
Stanislaus
The
Creative
CHECK
OUT THE BENEFITS FOR BEING A CORPORATE
SPONSOR
Each season the Gallo Center partners with some of the region’s most prestigious companies, businesses that recognize the remarkable marketing value of associating with the Center.
Below are some of the ways* we connect corporate sponsors to Gallo Center patrons. Imagine how these might impact your marketing goals.
• Six lobby monitors with rotating slides
•
• Promotional table/displays
• Verbal pre-show recognition from the stage
•
•
• Logo/ID light projection inside theater
•
• ID on front of tickets
• Lobby kiosk poster
Gallo Center
for the a r t s
BOARD OF DIRECTORS
Ginger Johnson, Chair of the Board
Marie D. Gallo, President Emerita† June Rogers, Director Emerita
Christina Gomez, Immediate Past Chair
Mel Bradley, Chair Elect
Sarah Grover
Juan Sánchez Muñoz, Ph.D. Jeff
Todd Aaronson
Angelica Anguiano
Rebeca Baeza
Victor Barraza
John C. Bellizzi
Jennifer Coehlo
Stacey Filippi
Robert Fores
Lou Friedman
Julian Gallo
Diane
Stephanie
Ann M. Veneman
Geoff Wong
BOARD OF TRUSTEES
Mani Grewal Emma Grover
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Jaime Jimenez
Brian Kline
Kevin Luttenegger
Johann Ramirez
Catherine Rhee
Rosalee Rush
Robert Soria
John Schneider
Kate Trompetter
Philip Trompetter, Ph.D. Aaron Valencia
Colleen F. Van Egmond
Julie Vander Wall
Sue Zwahlen
FOUNDING TRUSTEES
Kate
Barry Highiet†
Jeanne
M.D.
Tony Mistlin†
M.D.
Schrimp
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Doug Vilas
Carol Whiteside†
Jeremiah Williams
Alice Yip
Memoriam