Peter Doig Important Editions 1996 - 2016

PETER DOIG Important Editions: 1996 - 2016

GALERIE MAXIMILLIAN M O D E R N

&

C O N T E M P O R A RY

F I N E

A R T

602 East Cooper Avenue • Aspen, CO 81611 • 970-925-6100 art@galeriemax.com • www.galeriemax.com

On the occasion of our first IFPDA New York Fine Art Print Fair, Galerie Maximillian is pleased to present an important collection of editions by Peter Doig. This body of work has been acquired over the past 12 years and includes the artist’s most iconic imagery.

Peter Doig is one of the most important representational painter/printmakers working today.

His art is characterized by a combination of figures and landscapes exuding a captivating, dreamlike quality. His paintings consistently sell for between 15 and 25 million dollars and are in the permanent collections of important museums worldwide. Doig’s retrospective at the Tate Britain in 2008 sealed his reputation as one of Great Britain’s leading artists.

Original printmaking is an integral part of his overall practice. Sometimes, the subject of an etching precedes a painting and other times it follows the composition of a completed work.

Doig uses a wide variety of printmaking techniques including etching, aquatint, photogravure, hardground, softground, spitbite, sugarlift and others. His approach to printmaking has evolved from small, intimate subjects to larger, more expressive works using painterly strokes and washes. These rich and captivating techniques, executed directly onto the printmaking surface by the artist, result in some of the most compelling prints created over the past 20 years.

This collection features some of his earliest print projects including Ten Etchings, Grasshopper, Blizzard ‘77 and 100 Years Ago. An avid skier, many subjects are inspired by childhood ski trips in Canada. In other works his ideas are informed by images from film, travel magazines, postcards and his own photographs. The most recent print projects are a visual diary interpreting his daily life on the Island of Trinidad where Doig moved with his family in 2002.

Since 1997, Galerie Maximillian, located in Aspen, Colorado, has been an internationally recognized dealer of important 19th century, modern and contemporary fine prints. We hope you enjoy this exhibition of work by Peter Doig that represents only a small portion of our extensive inventory. We are thrilled to be sharing our works with you here in New York and look forward to seeing you in our gallery in the near future.

Albert Sanford President

Anne Chapman Director

Red House, from Ten Etchings, 1996 Hardground and aquatint, 5 7/8 x 8 in.

Signed and numbered Edition of 35

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Concrete Cabin, from Ten Etchings, 1996 Etching and aquatint, 6 3/4 x 10 7/8 in.

Signed and annotated B.A.T. (Bon Ă tirer) Apart from the edition of 35

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From ‘Pond Life’ from Ten Etchings, 1996 Hardground on woodgrain chine collé, 6 3/4 x 10 7/8 in.

Signed and annotated B.A.T. Apart from the edition of 35

Rosedale House from Ten Etchings, 1996 Hardground and aquatint, 6 7/8 x 10 7/8 in.

Signed and numbered Edition of 35

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Blizzard ’77, 1997 Suite of 8 etchings with aquatint, various sizes Each signed and annotated A.P. I (Artist’s proof) Apart from the edition of 17

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Daytime Astronomy, from Grasshopper, 1997 Hardground, aquatint and burnishing, 7 3/4 x 11 3/4 in.

Signed and annotated I P.P. (Printer’s proof) Apart from the edition of 35

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Reflection (What does your soul look like?), from Grasshopper, 1997 Softground, sugarlift and hardground, 11 3/4 x 7 7/8 in.

Signed and annotated I P.P. Apart from the edition of 35

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Ski Lift, from Grasshopper, 1997 Sugarlift and hardground, 6 5/8 x 10 3/4 in.

Signed and annotated I P.P. Apart from the edition of 35

Ski Hill, from Grasshopper, 1997 Sugarlift, 10 3/4 x 15 3/4 in.

Signed and annotated I P.P. Apart from the edition of 35

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Camp Forestia, from Grasshopper, 1997 Open-bite, hardground, and aquatint, 10 3/4 x 6 5/8 in.

Signed and annotated I P.P. Apart from the edition of 35

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Window Pane, from Grasshopper, 1997 Spitbite, sugarlift, and hardground, 11 3/4 x 7 7/8 in.

Signed and annotated I P.P. Apart from the edition of 35

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Canoe Lake, from Grasshopper, 1997 Softground, hardground, and aquatint, 10 3/4 x 15 3/4 in.

Signed and annotated I P.P. Apart from the edition of 35

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Lunker, from Grasshopper, 1997 Spitbite and sugarlift, 6 7/8 x 10 3/4 in.

Signed and annotated I P.P. Apart from the edition of 35

Night Fishing, from Grasshopper, 1997 Sugarlift and hardground, 6 3/4 x 10 3/4 in.

Signed and annotated I P.P. Apart from the edition of 35

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Figure in a Mountain Landscape, from Grasshopper, 1997 Spitbite and sugarlift, 11 3/4 x 7 7/8 in.

Signed and annotated I P.P. Apart from the edition of 35

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Almost Grown, 2001 Photo-etching with aquatint, 27 1/8 x 32 in.

Signed and annotated A.P. Apart from the edition of 28

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100 Years Ago, from 100 Years Ago, 2001 Spitbite, sugarlift and aquatint, 37 5/8 x 23 3/4 in.

Signed and numbered Edition of 46

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Drifter, from 100 Years Ago, 2001 Etching, 35 1/4 x 57 1/4 in.

Signed and numbered Edition of 46

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Pinto, from 100 Years Ago, 2001 Photo-etching, 34 3/8 x 51 3/4 in.

Signed and numbered Edition of 46

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Muldenberg, from 100 Years Ago, 2001 Photo-etching, open-bite and aquatint, 28 1/2 x 44 7/8 in.

Signed and numbered Edition of 46

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Big Sur, from 100 Years Ago, 2001 Photo-etching and aquatint, 35 1/2 x 54 1/2 in.

Signed and numbered Edition of 46

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Country Rock, from 100 Years Ago, 2001 Photo-etching and aquatint, 27 3/8 x 39 1/8 in.

Signed and numbered Edition of 46

Haus der Bilder, from 100 Years Ago, 2001 Aquatint etching, 26 1/4 x 34 1/2 in.

Signed and numbered Edition of 46

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Surfer, from 100 Years Ago, 2001 Photo-etching and aquatint, 55 7/8 x 35 ¼ in.

Signed and numbered Edition of 46

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Unititled, 2013 Suite of 12 etchings with aquatint Each signed and numbered Edition of 20

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Paragrand, 19 13/16 x 15 7/8 in.

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Drunk & Disorderly (Always in Custody) Mighty, 9 3/4 x 13 13/16 in.

Sea Lots, 9 3/4 x 13 7/8 in.

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Owl (Boscoe), 13 13/16 x 9 13/16 in.

Towards Venezuela, 13 3/4 x 9 13/16 in.

Beach (Cricket), 17 1/2 x 14 ½ in.

Maracas (Speaker Box), 13 13/16 x 9 13/16 in.

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Owl in a Neem Tree, Boscoe's House, 13 13/16 x 9 13/16 in.

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Cave Boat Bird, (Saut d'Eau), 9 15/16 x 14 in.

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Corbeaux, 9 7/8 x 13 7/8 in.

Black & White, 9 15/16 x 13 ¾ in.

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Cricket (Paragrand), 28 3/4 x 15 9/16 in.

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Untitled (Yellow Lion), 2016 Etching with gravure, spitbite, hardground, sugarlift and silkscreen, 32 3/8 x 19 1/4 in.

Signed and numbered Edition of 30

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Painting A Cloud On A Wall, 2016 Etching with gravure, aquatint, spitbite, open-bite and hardground, 17 1/2 x 30 in.

Signed and numbered Edition of 40

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Lion in the Road, 2016 Etching with gravure, aquatint, open-bite, spitbite and hardground, 16 x 30 in.

Signed and numbered Edition of 40

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Two People at Night (indigo), 2016 Etching with gravure and spitbite, 37 1/4 x 25 in.

Signed and numbered Edition of 30

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NOTES: All works of art are guaranteed to be as described and are in excellent condition unless otherwise stated.

Measurements are given in inches, height preceding width.

Intaglio print measurements describe the distance between platemarks, those for lithographs and screenprints, the distance to the widest points of the image.

Prices are in U.S. dollars and available upon request.

All works of art are subject to prior sale.

This book represents only a small selection of our fine print inventory.

Please make your specific wants known to us.

GALLERY HOURS Monday – Saturday 11:00 – 8:00 p.m., Sunday 11:00 – 7:00 p.m. and by appointment.

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GALERIE MAXIMILLIAN M O D E R N

&

C O N T E M P O R A RY

F I N E

A R T

602 East Cooper Avenue • Aspen, Colorado 81611 970-925-6100 • Fax: 970-925-1111 E-mail: art@galeriemax.com • www.galeriemax.com Graphic Design by Michael Bonds / Studio MB Text by Albert Sanford • Anne Chapman • Elizabeth Iacullo Printed by Peczuh Printing Company President, Albert Sanford All rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without the written permission of the publisher.

Copyright © Galerie Maximillian, Ltd., 2018