GalerĂa Marta Cervera
Jonathan Lasker / Pieter Schoolwerth
C/ Valencia 28 28012 Madrid tel. + 34 913105036 info@galeriamartacervera.com www.galeriamartacervera.com Lasker / Schoolwerth
Galería Marta Cervera Ashley Minyard, “Frameshift at Denny Gallery,” MuseeMagazine.com, June 24, 2014
6/30/2014
Frameshift at Denny Gallery | Musee
6/30/2014
Frameshift at Denny Gallery | Musee ABOUT US MAGAZINE FEATURES CULTURE ASTROLOGY CONTACT PRESS TRAVEL SUPPORT
June 24, 2014 ABOUT US MAGAZINE FEATURES CULTURE ASTROLOGY CONTACT PRESS TRAVEL SUPPORT
June 24, 2014
FRAMESHIFT AT DENNY GALLERY FRAMESHIFT AT DENNY GALLERY 13
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Denny Gallery presents “Frameshift,” curated by useful pictures, an artist-run investigation into the future of photographic practice.1 “Frameshift” focuses on the blending of classic photography and the digital world. 13 The images are each manipulated via encoding, scanning, embedding or altering context. Artists featured andinto Wendy White. include Barry Stone, Lorne Blythe, Heather Cleary, Erinpictures, O’Keefe,anPieter Schoolwerth Denny Gallery presents “Frameshift,” curated by useful artist-run investigation the future of photographic practice. “Frameshift” focuses on the blending of classic photography and the digital world. Barryimages Stone are alters the manipulated coded data itself pulled from a digital embedding photographorinaltering order tocontext. corrupt Artists the original The each via encoding, scanning, featured image. Lorne Heather use mundane and disrupting typical and Wendy the White. include Barry Blythe Stone,and Lorne Blythe,Cleary Heather Cleary, Erin objects, O’Keefe,decontextualizing Pieter Schoolwerth line of vision to make them indistinguishable. Erin O’Keefe takes geometrical forms and arranges them in a Wendy White use paintings to mind-boggling manner to interrupt the spatial Barry Stone alters the coded data itself pulledplane. from aPieter digitalSchoolwerth photographand in order to corrupt the original disrupt photography. Pieter creates paintings that study objects, the human form in constantand motion, attempting to pin image. Lorne Blythe and Heather Cleary use mundane decontextualizing disrupting the typical down single White stages withgeometrical painting structures in forced cohabitation. line of avision to form. makeAnd themWendy indistinguishable. Erinphotographs O’Keefe takes forms and arranges them in a mind-boggling manner to interrupt the spatial plane. Pieter Schoolwerth and Wendy White use paintings to The exhibition runs until July 20. disrupt photography. Pieter creates paintings that study the human form in constant motion, attempting to pin down a single form. And Wendy White stages photographs with painting structures in forced cohabitation. Text by Ashley Minyard The exhibition runs until July 20. Photographs by Antonio Williams Text by Ashley Minyard Photographs by Antonio Williams
Lasker / Schoolwerth
http://museemagazine.com/culture/art-out/frameshifts-at-denny-gallery/
GalerĂa Marta Cervera
Lasker / Schoolwerth
GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
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GalerĂa Marta Cervera
Lasker / Schoolwerth