Proyecto ZETA & Gabba Gallery available artworks 2019

BOOTH 241

IN COLLABORATION WITH

8333 United States

Artist 8333 showcases his signature minimalist pop style in his current series Cycle 0b1 (binary for one). His work explores themes of connection and isolation through pictograms rendered with precision, emotion, and sophistication.

8333 fuses crafts and thought processes from other disciplines with popular culture to make a distinct satirical statement. 8333 is a native of Chicago. He lives and works in the Los Angeles area.

8333

This body is a rental

2019 Aerosol, acrylic and electrostatic on panel 123 x 92.7 x 6.3 cm 48.5� x 36.5" x 2.5 “ inches

8333

So worried about the future, and obsessed with the past,

that we cannot enjoy the love that is around us in the now

2019 Aerosol, acrylic and electrostatic on panel 123 x 92.7 x 6.3 cm 48.5” x 36.5" x 2.5 “ inches

8333

Here My Voice

2019 Aerosol, acrylic, house paint, electrostatic and varnish on panel 123 x 92.7 x 6.3 cm 48.5” x 36.5" x 2.5 “ inches

8333

My World is Trying to Poison Me - 473743002018

2019 Aerosol, acrylic paint, electrostatic, acrylic plastic an house paint on Panel 123 x 92.7 x 6.3 cm 48.5” x 36.5" x 2.5 “ inches

8333

Humanity doesn't have a spokesman - 249364082018

2019 Aerosol and acrylic on panel 123 x 92.7 x 6.3 cm 48.5” x 36.5" x 2.5 “ inches

8333

8333

Doing an impression of having a conversation - 24936410

2019 Aerosol and acrylic on panel 108 x 61.5 x 6.3 cm 42.6" x 24.25" x 2.5� inches

Feelings Wanted- 15126840

2019 Aerosol, acrylic and electrostatic on panel 92.7 x 92.7 x 6.3 cm 36.5" x 36.5" x 2.5 “ inches

CHU

DOMA Argentina

Born in Buenos Aires, Argentina, CHU is a multifaceted artist who explores different media and formats. His style has developed through a process of constant experimentation, exploring various concepts and modes of expression. Since the beginning, the streets became the perfect channel for this work. Starting with DOMA Collective and later, painting characters at enormous scales to fill the grey walls of Buenos Aires.

Today his work explores abstract art and systems of geometric expression, characterized by intersections of form, color and matter. Many of his works incorporate skills he has developed as an animator, working with motion, the instant and going from the wildly expressive urban art, to the obsessive and precise studio works.

Chu's early influences come from skate culture, travel and an enduring interest in biology. His artistic philosophy is rooted in a belief of collaboration, self reliance and the power of “Do It Yourself", in addition to a constant drive towards experimentation and a belief in public action. Throughout his development as an artist he has been inspired by science, geometry and biochemistry.

He developed the main mural for the Young Olympic Games in Buenos Aires.

Argentina (2018). Has showcased his work in Argentina, Brazil, Germany and United States among other countries. Has exhibited in institutions like Centro de Arte ContemporĂĄneo PROA, Buenos Aires. Argentina (2017); the DesignExchange Museum, Toronto. Canada (2014) and MARCO Museum, Monterrey. Mexico (2014).

Chu Doma

Punto y Contrapunto

2013 Diptych: Multilayer wall object, wood and automotive lacquer 37 x 50 cm each 14,5” x 19,6” inches each

Chu Doma

Chu Doma

Algoritmo

2012 Spray paint on wood

Vigía / Watcher

2013 Multilayer wall object, wood and automotive lacquer 40 x 40 cm 15,7” x 15,7” inches

50 x 50 cm

19,6” x 19,6” inches

Chu Doma

Polar

2017 Acrylic on canvas 86 x 86 cm 34” x 34” inches

Chu Doma

Chu Doma

Triangulado

2012 Wall object, wood 26 x 40 cm 10,2” x 15,7” inches

Hongo #1

2015 Solid wood and neodymium magnets 30 x 24 x 24 cm 11,8” x 9,4” x 9,4” inches

DJ LU Colombia

Architect and Plastic Artist with specialization in photography. He has been developing proposals for urban art since 2004, using and perfecting the stencil technique supported by other means such as adhesives, posters, stamps and publications.

His Pictograms project is born of signage and is proposed as a counter-advertising gesture. Two normally unrelated elements are collided from a graphic synthesis to reveal their semiotic power and emit codes that show situations normally not revealed by the media or consciously ignored by the majority.

The “Orgullo de Calle” (street pride) series presents portraits based on photographs taken by the artist, consolidating them as a tribute to the anonymous people who live the urban space directly, and whose activities exalt the public character of the city, generating diversity and culture. In the same way, he proposes a questioning about the imposition of commercial idols brought to us by advertising.

He has taken his work of stencils, stickers, posters and stamps to Paris, Barcelona, Lima, Madrid, Lisbon, Helsinki, Stockholm, Vilnius, Prague, Amsterdam, Budapest, Buenos Aires, Bogota, La Paz, Denver, Santiago, Berlin, Munich, Kathmandu, Bangkok, Cairo, Tallinn and Riga among others. He has developed mural interventions at Carrer Art Festival, Barcelona, Spain. (2009); CHAC Gallery, Denver, USA. (2013); LatidoAmericano Festival, Lima, Peru (2014 / 2017); Basel House andFreedom Lounge, Miami, USA (2014) among others. Has participated in several local and international exhibitions, among which stand out: Proyecto Zeta, Bogotá. Colombia (2017 / 2018); Smile South Central LA, USA. (2015 / 2018), Graphies in place, Paris, France (2017); Art Walk, LA, USA (2016); A Better World, Budapest, Hungary. (2013); Sticker Expo at Windham Arts Center, Connecticut, USA (2009); BN Post it up at CSA Depistaggio, Benevento, Italy (2009) among many others

Dj Lu

Soldier. From the “Pictograms” series

2018 Framed stencil template 36 x 50 cm 14“ x 19.5”

DOMA

COLLECTIVE Argentina

Doma is an artist collective formed in 1998 in Buenos Aires, Argentina. Their production is characterized by a critical and biting view on reality’s absurdity. They focus on where contradiction and paradox reside.

Their work is formed by various formats, using different technologies. From miniature pieces to large-scale projects. Ever since their origins in urban art, collaborative work, experimentation and DIY have been the axis of their practice.

They have worked non-stop for 20 years trying to disrupt processes of symbolic perception, using the system’s own codes and looking for new viewpoints, actions and reactions. Nowadays, this collective speaks to a new process of contraction of capitalism and is devoted to producing content and work that will inspire, open people’s eyes and spread strength to cope with what’s going on in the world and what’s to come. Doma collective is currently run by Orilo Blandini and Julian Manzelli.

In 2002 they were invited to show at MALBA Museum of Contemporary Art in Argentina. That same year they won Ruth Benzacar Gallery’s "Curriculum Cero" award. Between 2004 and 2005 they became allies of the mythic experimental animation signal The Locomotion Channel. They are the creators of Coloso in Tecnópolis (Buenos Aires) and their 2007’s Kidrobot Dummy is featured in MOMA’s permanent collection. In 2011 they collaborated in projects with the artist Leon Ferrari.

Doma compiled its young actions in a premium hardcover book called “DOMA_17” published in 2015 by KBB Publishers. In 2018 they exhibited "Naturaleza Muerta" a show of 600 square meters in the Recoleta Center in Buenos Aires.

Doma Collective

Doma Collective

Freedom, from the series “No Lugares”

2018 Painting on wood insets 40 x 40 cm 15,7” x 15,7” inches

Hell, from the series “No Lugares”

2018 Painting on wood insets 40 x 40 cm 15,7” x 15,7” inches

Doma Collective

Doma Collective

Usa aid

2015 Painting on wood insets 58 x 58 cm 22.8” x 22.8” inches

Ultimate police search

2014 Hanging diorama in acrylic capsule 50 cm diameter x 50 cm diameter 19,6“ diameter x 19,6” inches diameter

Doma Collective

Artificial contact

2016 Objet / Mechanical device 75 x 30 cm diameter 29.5� x 11,8� inches diameter

JOEY FELDMAN United States

Mixed-media artist Joey Feldman works in Los Angeles, California. Feldman’s works are figurative with a frenetic, cartoonish style at their core. With line art applied to its fullest extent, Feldman’s initial, fast-sketched lines play a role in the final piece. Then, with paint and ink splatters, Feldman finishes each with a visceral urgency that captivates upon first glance. An only child who kept mostly to himself, Feldman first fell in love with art and illustrations through comic books and with Marvel pages he first taught himself to draw by tracing panels. Known for his constant sketching in grade school, Feldman would receive a special award at his grade school graduation entitled “Classroom Cartoonist,” which was created specifically to commend his budding talents as an artist.

Feldman’s first professional assignment came in 1994 when commissioned to draw a portrait of O.J. Simpson upon the verdict of O.J.’s infamous trial. Since then Feldman has provided artwork for advertising agencies, design firms, motion pictures, beverage companies, record labels and magazines. Including a not so flattering illustration of noted rapper Eminem for XXL magazine which sparked the biggest feud in XXL history. The illustration itself earned a shout out from the artist himself on the Marshall Mathers LP. Private collectors such as Jere Burns (actor, Justified, Bates Motel), Kaley Cuoco (actor, Big Bang Theory), Steve Jones (musician, Sex Pistols), Joe Manganiello (actor, Magic Mike, True Blood), among many others, feature Feldman’s singular work in their collections.

Joey Feldman

Authentic Self

2019 Diptych. Mixed Media on Archival Wooden Panel 101.6 x 76,2 x 5 cm each 40 x 30 x 2 inches each

Joey Feldman

Joey Feldman

Angry oblivious people

2019 Mixed media on archival wooden panel 76.2 x 101.6 x 5 cm 30 x 40 x 2 inches

Angry oblivious tyrant

2019 Mixed media on archival wooden panel 76.2 x 101.6 x 5 cm 30 x 40 x 2 inches

Joey Feldman

Joey Feldman

Father. son. grandson.

2019 Mixed media on archival wooden panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

Bellow the surface

2019 Mixed Media on Archival Wooden Panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

Joey Feldman

Joey Feldman

Backyard beasties

2019 Mixed Media on Archival Wooden Panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

The ones that didn’t get in

2019 Mixed media on archival wooden panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

Joey Feldman

Joey Feldman

My reoccurring dream in technicolor

2019 Mixed media on archival wooden panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

Piece of your heart

2019 Mixed media on archival wooden panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

Joey Feldman

Joey Feldman

Red dot on calendar

2019 Mixed Media on Archival Wooden Panel 60,9 x 60,9 x 3,8 cm 24 x 24 x 1.5 inches

Evacuation

2019 Mixed media on archival wooden panel 101.6 x 76,2 x 5 cm 40 x 30 x 2 inches

Joey Feldman

Joey Feldman

Gamblers gambling

2019 Mixed Media on Archival Wooden Panel 61 x 46 x 4 cm 24” 18” x 1.5” inches

Journey

2019 Mixed Media on Archival Wooden Panel 35,5 x 28 x 4 cm 14” x 11” x 1.5” inches

Joey Feldman

Snapper

2019 Mixed Media on Archival Wooden Panel 35,5 x 28 x 4 cm 14” x 11” x 1.5” inches

LESIVO

BESTIAL Colombia

Printer and graphic artist who, at the end of 2004, began his urban art project, using the image as an element of visual communication reproduced in spaces of public access allowing a more plural approach to his work.

Stencil and silkscreen, as well as being his trade, are the techniques with which he creates murals and prints, stickers and posters, enabling a dynamic of autonomy in the creation, production and dissemination of his proposal.

Some of the issues addressed in his work are: militarism, education, work, politics, the media, the consumer society, the environmental crisis, among others. Likewise, the creation of its characters, part of assemblies made of catalogs, magazines, dictionaries, instructions and brochures inspired by advertising aesthetics from the 30's to 60’s.

Lesivo Bestial

Música y contenido / diptych

2018 Spray and acrylic on canvas 70 x 140 cm 28“ x 56“ inches

Lesivo Bestial

Capture y difunda

2018 Acrylic paint and stencil on canvas 70 x 70 cm 28� x 28� inches

Lesivo Bestial

Lesivo Bestial

Vanidad a 1.080 expuesta

2018 Spray and acrylic on canvas 70 x 70 cm 28” x 28” inches

Art is a fight

2018 Spray and acrylic on canvas 70 x 70 cm 28" x 28” inches

A.J MASTHAY United States

“Priding myself on being as much of a craftsman as an artist, I create my concert art or “gig prints” using the medium of reduction block printing, also known as “Suicide Prints”. In an industry where digital design is considered best practice, my hand carved linoleum block prints have a visual quality which instantly set my work apart from my colleagues. What many would consider posters, I’ve always treated as fine art, bringing materials and techniques traditionally reserved for a gallery setting into the concert arena.

My work is heavily influenced by nature, developed through a deep love of life drawing and the figure. The graphic elements of my work are derived from vintage sign painters of the early 1900’s with a touch of 60’s pin striping. My intention is to engage the viewer both by creating a narrative in the subject matter and also through the use of dynamic compositions. Commissions will often include specific references based around the band, city or venue, further connecting with the viewer.

I feel it is the blending of these traditional techniques with my love of live music which has made me one of today’s most prominent figures in the rock art industry.”

Born in 1975, AJ Masthay has lived in Connecticut his entire life. He attended the Hartford Art School where he majored in printmaking with an art history minor, graduating with a Bachelor of Fine Arts in 1997. Masthay established his own letterpress studio in 2001 and is currently based out of Hartford, CT. Clients include The Grateful Dead, Black Sabbath, Dead and Company, Foo Fighters, South Park, Queens of the Stone Age, The Jerry Garcia Estate, Widespread Panic, Umphrey’s McGee and many more.

A.J Masthay

A.J Masthay

Changeling

2019 Charcoal and Pastel on Stonehenge Hot Press Paper Unframed: 56 x 38 cm Framed: 70 x 52 cm Unframed: 22" x 15” inches Framed: 27.5” x 20.5” inches

Animus

2019 Charcoal and Pastel on Stonehenge Hot Press Paper Unframed: 76.2 x 56 cm Framed: 89 x 70 cm Unframed: 30” x 22” inches Framed: 35.2” x 27.5” inches

A.J Masthay

Anima

2019 Charcoal and pastel on Stonehenge hot press paper Unframed: 76.2 x 56 cm Framed: 89 x 70 cm Unframed: 30” x 22” inches Framed: 35.2” x 27.5” inches

BOOTH 241

IN COLLABORATION WITH

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