New Work: LIZ BARBER, 2023
Spring Petals 10 acrylic paint, ink, watercolor and graphite
48 x 60 inches
Daisies 3 acrylic paint, ink, watercolor and graphite
48 x 48 inches
acrylic paint, ink, watercolor and graphite
48 x 48 inches
Delicate Blooms 1
acrylic paint, ink, watercolor and graphite 48 x 72 inches
Rose Petals
Blue Petals 1 acrylic paint, ink, watercolor and graphite
30 x 30 inches
x 72 inches
Dahlias 2 acrylic paint, ink, watercolor and graphite 48
Spring Wind 1 acrylic paint, ink, watercolor and graphite
30 x 30 inches
Spring Tulips 3 acrylic paint, ink, watercolor and graphite
48 x 72 inches
Please be in touch to reserve your painting today Call Andrea at 505-690-9604 or email andrea.w@gaiacontmporary.com
LIZ BARBER, 2022
Summer
24" x 30" inches
Garden 2 acrylic paint, ink, watercolor and graphite
Delphinium 1 & 2 acrylic paint, ink, watercolor and graphite
36" x 48" inches
48"
x 48" inches
Crocus 5 acrylic paint, ink, watercolor and graphite
Water Lilies 5 acrylic paint, ink, watercolor and graphite
40"
x 40" inches
Water Lilies 4 acrylic paint, ink, watercolor and graphite
40"
x 40" inches
Azalea Bloom 3 & 4 acrylic paint, ink, watercolor and graphite
24"
x 36" inches
48"
x 48" inches
Water Bloom 1 acrylic paint, ink, watercolor and graphite
Spring Promise 2 acrylic paint, ink, watercolor and graphite
36"
x 36" inches
Shadow Petals
48" x 48" inches
11 acrylic paint, ink, watercolor and graphite
Pink
48"
x 72" inches
Peony acrylic paint, ink, watercolor and graphite
Garden View 8
48" x 48" inches
acrylic paint, ink, watercolor and graphite
Emblematic of Barber’s paintings are the organic layered forms and textural variations visible on the painting’s surface. For the most part, Barber’s poured paint process is spontaneous, allowing for incidental reactions to occur between the various mediums utilized. Graphite and oil pastel mark making is visible among the organic shapes whose color palettes are inspired by the seasonal changes.
In the artist’s own words “There is always abstraction in my paintings no matter what the subject matter is. Nature provides organic, compelling shapes. Usually, drawing is the starting point consisting of ambiguous elements that add depth to the painting.”
