Architecture Portfolio 2021 - Preview

a rc h i te c t u re portfolio

GABRIELLA ARGAMOSA

University of Nebraska - Lincoln

GABRIELLA ARGAMOSA

curriculum vitae

gabbrgamosa@gmail.com 308.279.1101

Hayward, CA

EDUCATION

2017 - 2021

EXPERIENCE

2016 - 2017

University of Nebraska - Lincoln Bachelor of Science in Design (BSD) - ARCH Minor in Product Design Minor in Human Rights + Humanitarian Affairs Graduation : May 2021 Morrill County Community Hospital data entry clerk

2019 - 2021

Starbucks certified barista

2021 - 2021

The Schemmer Associates architectural intern

INVOLVEMENT

2017 - 2018

Teaching And Sharing Skills to Enrich Lives (TASSEL) member | Phonics teacher

2018 - 2019

American Institute of Architecture Students (AIAS) member

2018 - Present

Alpha Rho Chi Professional Fraternity (APX) member | executive board officer | social media coordinator

2020 - Present

UNL College of Architecture student ambassador | peer mentor

2020 - Present

Habitat for Humanity - East Bay / Silicon Valley volunteer

EXHIBITIONS

2018

Park(ing) Day

SKILLS

Revit Rhinoceros 3D SketchUp Lumion Enscape Grasshopper Adobe : Photoshop, Illustrator, InDesign, Premiere Pro Graphic Design Lasercutting 3D Printing Shop Work

REFERENCE

Michael Sinclair Architect - Shareholder, The Schemmer Associates msinclair@schemmer.com 402.431.6208

TABLE OF CONTENTS UNDERGRADUATE + PROFESSIONAL NUANCE

01

SPRING 2021 | ARCH 411 : INTEGRATE

02

FALL 2019 | ARCH 310 : ORGANIZE

03

FALL 2018 | ARCH 210 : REPRESENT

01

PROJECT MARKETING TREEHOUSE APARTMENTS

THE SPINE

HIDEAWAY

FALL 2021

02

AIA DESIGN AWARDS

SUMMER 2021

UNDERGRADUATE

01

Spring 2021

ARCH 411 : INTEGRATE

the occupants

Concept Illustration | User Story the artist has become distant from the art, hours of perfecting is casually passed to a stranger promising grand rewards but in actuality just needs enough to pay from last month’s rent. what was once treasured now lays at the clearance section of a t.j. maxx. the middle man although despised for increasing costs, is the key element in the development of greater artist/consumer relationships.

8

Spring 2021

01

ARCH 411 : INTEGRATE

NUANCE Benson, Omaha, Nebraska | Instructors : Ryan Hier + Ashley Byars Partner : Olenka Yarmolyuk

We follow the man who once sold the art of the overworked artists. Traditionally, he was known as the middle man, i.e., the auctioneer, art broker, and salesman; now, as society attempts to remove him, he weasels himself into multiple platforms. As technology develops, how artists sell their art must too. Many attempts are made to remove any barrier between the artist and consumer; however, any attempt to remove the middle man will be unsuccessful.

The middle man is no more the physical being that provides the direct connection but has manifested himself to be a subconscious connection that can never be removed.

Rather than removing the middle man, the building embraces him. Similar to a stop motion film - the louvers act as frames encapsulating a moment of space, creating a fragment of the subtle connection the building forms between artists and consumers. As occupants walk past the louvers, it creates a visual perception called the moiré effect - this occurs when a set of lines are developed next to another set of lines subtly dividing and connecting the elements. These moments created by the louvers, subconsciously continue to divide and connect the artist and consumer just like how the middle man used to.

9

PARCEL

Currently, the parcel line stretches to the edge of the region. Once the site is redeveloped and given the 15’ setback with an additional 10’ sidewalk, the parcel line would be redrawn and contained within these new developments.

OUTLINE

Once the buildable area is established, manipulation of that outline can occur.

Using a push and pull strategy allows for near maximization of the entire site without extending directly into the parcel line.

FILL

ATTACH

0 4 8

16

Section A:AA 10

32’

After the outline manipulation, the edge can now be extruded into a volume.

Because of the program requirements, the entire first floor stands at 15’ - 0”, allowing for large work to be easily developed and transported within the building.

The same method of pushing and pulling occurred to create a second floor and remain within the designated square footage.

32

64’

1 : Storage / Logistics Office 2 : Storage 3 : Art Shop 4 : Exhibition Room 5 : Open Exhibition 6 : Makerspace 7 : Welding Booths 8 : Shop Equipment 9 : Offices 10 : Lobby 11 : Art Studio 12 : Classroom 13 : Storage Space 14 : Kiln Room

BB

0 8 16

6 1

UP

2 7

8

3 A

UP

1 4 10

5 9

AA

12

14 13

Ground Floor Plan

1

2

1 : Storage 2 : Mechanical Room 3 : Makerspace 4 : Open Space 5 : Shop Equipment 6 : Studio Space

5 DN

3 6 4

AA

A DN

Second Floor Plan

B

7

Section B:BB 11

12

(above) Louver Diagrams (top) : Solar Study (bottom) : Exploded Detail

(left) Renders (top) : Exterior - front (middle) : 2F Studio (bottom) : Open Exhibition 13

02

Fall 2019

Concept Illustration | Spine Promenade

6

ARCH 310 : ORGANIZE

Fall 2019

02

ARCH 310 : ORGANIZE

THE SPINE Sheldon Museum of Art, Lincoln, NE | Instructor : David Newton

The Spine is an addition to the Sheldon Museum of Art, fostering the creation of art. The addition stimulates the space allocated for permanent and any other fine art galleries. The flow of circulation will be prominent, which is embodied by a central promenade. With circulation interweaving with various programs, views differentiate what is public and private (observational and reserved).

Works of artists are showcased to the public and engage audiences.

GREAT HALL

SPINE SPINE

7

Exterior

Section Perspective (A) 8

0 4 8

16

32’

UP

8

7

6

9

5

4

3 UP

1

2

UP

UP

10

12

11

13

14 UP

UP

B

A

Ground Floor Plan 1 : Lobby 2 : Coat Check 3 : Cafe 4 : Cafe / Catering Kitchen 5 : Storage 6 : Event Space 7 : Maker Space / Exhibition 8 : Storage 9 : Workstation 10 : Administration 11 : Lounge 12 : Permanent Gallery 13 : Shop 14 : Storage

PROGRAM COMPONENTS A. General Public Spaces | 3,732 sq. ft. 13% B. Gallery | 17, 226 sq. ft. 58% C. Event/Community Space | 3,988 sq. ft. 13% D. Preparation + Storage | 800 sq. ft. 3% E. Faculty / Staff | 2,555 sq. ft. 9% F. Service Spaces | 1,225 sq. ft. 4% TOTAL | 29,726 sq. ft.

9

Section Wall Detail (B) 1 : Polycarbonate Cladding 2 : Airgap 3 : Aluminum Support Structure 4 : Rubber-based seal 5 : Waterproof Membrane 6 : Thermal Insulation 7 : Concrete 8 : Roof Runoff 9 : Soundproofing Membrane 10 : Gypsum Board 11 : Interior Finish 12 : Aluminum Finish 13 : Double-glazed Glass 14 : Polycarbonate Wrap 15 : Concrete Footing

8 1 2 3 4 5 6 7

9 10 11

14 15

Interior 10

12 3 4 5 6 7

0 4 8

16

< Lower Level Floor Plan

32’

1 : Art Transport 2 : Mechanical Room 3 : Storage

UP

1

2 3 UP

Second Level Floor Plan > 1 : Flexible Space 2 : Blackbox 1 3 : Artist Workstation 4 : Studio 5 : Gallery 6 : Study Room 7 : Lounge 8 : Artist Workstation 9 : Studio 10 : Blackbox 2 11 : Artist Workstation 12 : Gallery 13 : Gallery 14 : Flexible Gallery 15 : Artist Gallery

DN

6

5

4

2 DN

3 8

1

11

14

7 9

10

12

DN

B

13

DN

15

A 11

03

Fall 2018

Warm Bath Model Photo

12

ARCH 210 : REPRESENT

03

Fall 2018

ARCH 210 : REPRESENT

HIDEAWAY Woods Park, Lincoln, NE | Instructor : Peter Olshavsky

Hideaway explores the concept of nesting in bathhouse design. Behind the array of trees and detached enclosures seclude bathers from the outside. Each pocket of space is linked to one another through pathways encompassing the entire bathhouse. Through alignments and juxtaposition the bathhouse follows a linear visit to each bath, embarking from the cold bath to the hot to the warm to approaching the terrace and completing the loop. The flow is suggested and can be followed vice versa. Difference in elevation also separates bathers’ experience in each atmospheric bath.

INDOOR TENNIS COURTS

OUTDOOR TENNIS COURTS

OUTDOOR TENNIS COURTS

S 33rd St

INDOOR TENNIS COURTS

OUTDOOR TENNIS COURTS

OUTDOOR TENNIS COURTS

POOL

POOL HOUSE

J St

13

OUTDOOR TENNIS COURTS

OUTDOOR TENNIS COURTS

POOL HOUSE

POOL HOUSE

30 Degree Alignments | Building

30 Degree Alignments | Trees

Exploded Axonometric Cold Bath

14

Warm Bath

Hot Bath

0 2 4

8

16’ B

1

2

4

DN

A

DN

DN

3

AA

5

DN

6 DN

DN

DN

BB

Plan 1 : Lobby 2 : Locker Room 3 : Terrace 4 : Cold Bath 5 : Hot Bath 6 : Warm Bath

15

Exterior

Perspectives Cold Bath

Warm Bath

Hot Bath

Warm Bath

Hot Bath

Model Photos Cold Bath

16

0 2 4

8

16’

North Elevation

0 2 4

8

16’

Section A:AA

0 2 4

8

16’

Section B:BB

17

PROFESSIONAL

Fall 2021

01

PROJECT MARKETING TREEHOUSE APARTMENTS For my last project at my internship, I worked on the design development phase of Treehouse Apartments. I was also tasked to produce site renders as a basis for both project and marketing presentations.

20

PROFESSIONAL

Fall 2021

01

PROFESSIONAL

21

Summer 2021

02

AIA DESIGN AWARDS ARCHITECTURE During my current architectural internship role at the Schemmer Associates, I was not only responsible to assist in architectural drawings, but to provide graphics for their existing projects to be entered in design awards. As a result, my entries received two People’s Choice Awards.

PEOPLE’S CHOICE FOR ARCHITECTURE : POST LOFTS

22

PROFESSIONAL

Summer 2021

02

PROFESSIONAL

23

gabbrgamosa@gmail.com