Gabrielle Marinello
Major: LSU Architecture
Minor: LSU Interior Design
Table of Contents
First Year Architecture
- Clone
- Stairs Drawing
- Defining Space
Second Year Architecture
- Body and Soul
- Scott’s Bluff Wildlife and Botony Exhibit
Third Year Architecture
- LSU Library + Learning Commons
Fourth Year Architecture
- Uhambo Lokuphila
- Miami-Dade County Restoration
- Candela Stadium
Interior Design
- Medical Suite Reflected Ceiling Plan
- Medical Suite Furniture Plan
- LSU Library + Learning Commons
Interior Renderings
- Medical Suite Material Board
- Co-housing Material Board
1st Year Architecture
1st Year LSU Architecture
1st Year LSU Architecture
1st Year LSU Architecture
2nd Year Architecture
Body and Soul
The intent of this project was for us students to listen to a song and create what we feel. The song I chose was Body and Soul by Amy Winehouse and Tony Bennet. To me, this song described the pain often endured by love, which is why I incorperated the color blue. The movement of the blue throughout the model also represents the fluidity of the song. The black paneling on the bottom represented a music sheet, and the arches represent the ripples in melody at the beginning of the song.
2nd Year LSU Architecture
2nd Year LSU Architecture
2nd Year LSU Architecture
Scott’s Bluff Wildlife and Botony Exhibit
This project is located on Scott’s Bluff on Southern University’s campus. The proposed building is oriented in a way that allows for interaction with the Mississippi River. The primary space located in the center of a building serves as an informative area focused primarily on the wildlife in Lousiana. The secondary space serves to inform people of the plant life living on and around the site. From the first floor primary space, one can look onto the river through windows located underneath the mezzanine level. The mezzanine level opens up to a botnical garden balcony space that is interactive for guests.
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N 20 50 100 0
Gabrielle Marinello Project 2.2 Arch 2002
space a view of about the dressing the river each matter.
Leon Netterville Dr
HardingBlvd
Roosevelt Steptoe Dr
Scott’s Bluff Wildlife and Botany Exhibition
2nd Year LSU Architecture
Floor Plans N 0 10 20 50 First Floor Second Floor Third Floor Section 50 20 10 0 Section
2nd Year LSU Architecture
This assignment was created to expand our knowledge and show there are more than one way to express our designs. The architect I chose to influence my drawing was Douglas Darden. Darden utilizes the technique of shading to show depth and texture.
Scott’s Bluff Wildlife and Botony Exhibit
3rd Year Architecture
A1.13 FIRST FLOOR DN SECOND FLOOR 1/32" 1'-0" THIRD FLOOR 1/32" 1'-0" FIRST FLOOR 0' - 0" SECOND FLOOR 18' - 0" THIRD FLOOR 36' - 0" FOURTH FLOOR 54' - 0" B/ PARAPET 72' - 0" A1.16 1 FIRST FLOOR 0' - 0" SECOND FLOOR 18' - 0" THIRD FLOOR 36' - 0" FOURTH FLOOR 54' - 0" B/ PARAPET 72' - 0" FIRST FLOOR 0' - 0" SECOND FLOOR 18' - 0" THIRD FLOOR 36' - 0" FOURTH FLOOR 54' - 0" B/ PARAPET 72' - 0"
Ground Floor Second Floor Third Floor Fourth Floor
3rd Year LSU Architecture LSU Library + Learning Commons
3rd Year LSU Architecture
Circulation Diagram
4th Year Architecture
4th Year LSU Architecture
Uhambo Lokuphila
“The Journey of Life”
I wanted to create an imersive spiritual experience for all people across the world.
To provide the Zulu decendants with a spiritual space where they can teach others.
With
locally
timber, I will construct a lattice structure.
1" = 10 -0" 1 E eva on 1 8 1 -0 1 Sec on 1" = 100 -0" 1 FLOOR PLAN
- Journey of the Men - Journey of the Women - Childhood - Before Marriage - After Marriage - Afterlife - The Farming Ground - The Hunting Ground - The Meeting Place Paths: The Womens Path: The Mens Garden: How
use of
sourced
the
What Why
4th Year LSU Architecture
Gabrielle Marinello
Uhambo Lokuphila Architecture Year 4
A personal battle of crossing a line
Creating a spiritual space
Looking into the history of interior design
Coming into this semester, I did not understand what it meant to decolonize design. I was not aware of how design has imposed one idea throughout history as a means on colonization.
When trying to decide what kind of project was going to tackle, found information of the Zulu way of building their huts. Because they were colonized and no longer live in their huts, I wanted to find a way to bring them back. After persuing this idea, I reached a dead end with the lack of passion for this kind of idea. felt like I could not ask these people to go back to living in a hut after experiencing a modern way of living.
I then explored the idea of creating a spiritual reflection space for the Zulu people. This idea only led me so far because the experience at the site was not compelling enough for people to travel from outside of KwaZulu-Natal.
My own spiritual journey
The Catholic religion believes that no human is above nature or another human, therefore we should not want to dominate. When the earth is seen as a source of profit and gain, humanity is at risk of inequality. I think this is important for reflection because of how so many civilaztions are only remembered by decendants because of colonization.
Experiencing the life of the Pueblo people
On our class trip to Mesa Verde, Colorado, I felt detached from society for the first time. I was able to experience the beauty in their simplistic way of living. I realized that innovation has given us a lot, but it has taken away our connection to nature.
Understanding how to decolonize design
We were asked to lock our own ideas away so we can truly dive into another culture and think the way they do. It was difficult for me to stray away from my way of thinking and planning through the semester project.
Crossing a line
When exploring a new idea for my project, I realized how attracted to the Zulu spirituality was. found connections between their traditional religion and mine. I wanted to explore this and in doing so I realized I was creating a building for me rather than honoring them.
Creating a journey
I landed on the idea of taking people on a journey of how Zulu people traditional made specific items based on the land around them. One journey takes you down the timeline of beadwork, and the second journey takes you down a path to experience the plant life that was important to the Zulu’s way of living. These two journeys resemble the path of life. As you go down the path, you are continuing to age until you reach the point of reflection. This reflection space will allow travelers to reflect on their journey throughout the site, reflecting their journey throughout life.
4th Year LSU Architecture
EXECUT VE MiamiLakes Opa-Locka almSprings Es ate - V llage M amiSpring HialeahEstates H eah INTERNATIONAL Flagami ameda CoralGa b les HARDY PARK Sunr seHarbor nd SouthMiam ESTATE CHAPMAN KingsBay scayne Gardens N rthMiami NorthMiami Beach Miami Gardens Miam Shores All ap tah LittleRiver Lib rtySquare Bue aVist CHPARK ePines Oce iew Shenandoah M am PARK KeyB scayne BayHarbo ysto land SunnyIsles Beach NorthBay Village VIRGI AKE MiamiBeach Miami-Dade County, FDEP, Esri, HERE, Garmin, SafeGraph, GeoTechnologies, Inc, METI/NASA, USGS, EPA, NPS, USDA 2.5 5 1.25 Miles Legend: Hospital FireStation Police Station Gas Station Hurricane Shelter Hurricane Evacuation Zones Primary Evacuation Routes Roads and Streets RESILIENCE MIAMI, FLORIDA: 25° 45' 42.0516'' N , 80° 11' 30.4368'' W DECLAN WILKERSON/GABRIELLE MARINELLO/ARCH 4002 M m e ag EM m E H m G b e M G N M M m h A q a g M m B N g M B h Miami-Dade County, FDEP, Esri, HERE, Garmin, SafeGraph, GeoTechnologies, Inc, METI/NASA, USGS, EPA, NPS, USDA 2.5 1.25 Miles Legend: Major Shopping Center Public School Private School Hotel Bus Stop MetroRail Bus Route Park Land Use: Single-Family Two-Family Duplex Single-Family Vacant Privately Owned, Unprotected Commercial, Shopping Centers, Stadium Townhouses Parks, Preserves, Conservation Areas Office Parks, Preserves, Conservation Areas Inland Waters Inland Waters Parks, Preserves, Conservation Areas Inland Waters Ocean, Bay Waters Ocean, Bay Waters Parks, Preserves, Conservation Areas Inland Waters Airports, Ports Inland Waters Ocean, Bay Waters Ocean, Bay Waters Ocean, Bay Waters Ocean, Bay Waters CULTURE MIAMI, FLORIDA: 25° 45' 42.0516'' N , 80° 11' 30.4368'' W DECLAN WILKERSON/GABRIELLE MARINELLO/ARCH 4002
Miami-Dade County Restoration
4th Year LSU Architecture
*Group project. Site plan shown for context.
Architectural Drawings of the Remodeled Stadium
Candela Stadium
Elevations
This assignment aimed to acknowledge environmental vulnerabilities around the Miami-Dade county, and address the problems on the Island of Virginia Key.
Sections Plans
Our intent was to enhance the existing Marine Stadium by converting it into a farmers market by day, and concert hall by night.
DN UP UP 1" = 30 -0 MAIN LEVEL UP DN 1" = 30 -0 SECOND LEVEL 1" = 10 -0 SECTION 1 1" = 30 -0 SECTION 2 1" = 30 -0 ELEVATION 1 1" = 10 -0 ELEVATION
Reef Balls - Erosion Protection Tampa Bay, FL
Site Plan and Site Orientation State Level Regional Level Local Level Island Level Arial View
Site Plan
4th Year LSU Architecture
Architectural Drawings of the Remodeled Stadium
Candela Stadium
My role in this assignment was to model the existing structure in Revit, and rennovate it to fullfill our design intent.
DN UP UP 1" = 30 -0 MAIN LEVEL UP DN 1 - 3 1" = 30 -0 SECOND LEVEL 1" = 10 -0 SECTION 1 1" = 30 -0 SECTION 2 1" = 30 -0 ELEVATION 1 1" = 10 -0 ELEVATION 2
Elevations
Plans View
Sections
Interior Design
LSU Interior Design Minor
10' - 0" 10' - 0" 10' - 0" 10' - 0" 10' - 0" METAL, ACOUSTIC CEILING TILE FIBERGLASS, ACOUSTICAL CEILING TILE GYPSUM BOARD CEILING ACOUSTIC CEILING TILE 24 x 48 NURSE STATION 103 CLOSET 104 EXAM 1 105 EXAM 2 106 REST ROOM 107 EXAM 3 108 OFFICE 109 CLOSET 110 TREATMENT 111 TREATMENT 112 REST ROOM 113 CORRIDOR 102 CORRIDOR 102 WAITING 101 TYP. 0' - 2" TYP. 0' - 5 5/32" L-1 L-2 L-3 L-4 Scale 3/16" = 1'-0" A103 Johnson
3/16" = 1'-0" 1 REFLECTED CEILING PLAN KEY#MANUFACTURERDESCRIPTION: ITEM #: L-1COOPER LIGHTING NEO-RAY DEFINE UV-C DIRECT LED SUSPENDED AT 2 FT. SATIN FLUSH. 3128.1 LMS. 26.3 W C375D835C4JBB4F0-2-UDD-FR-W-WAA L-2COOPER LIGHTING FARALLON 6" LED DOWNLIGHT WITH DECORATIVE GLASS TRIM. 340-6B15D010 L-3BETA CALCO MICRO RING II 3D SUSPENDED BY STAINLESS STEEL CABLES. 3500K. L-4COOPER LIGHTING FABRIQUE 144-P LED WIDE CONICAL SHAPED PENDANT. 3500K. 79W. L5/827-UNV-MW24 LIGHTING LEGEND KEY #MANUFACTURERDESCRIPTION: ITEM #: C-1ARMSTRONG CEILING FELTWORKS FIBERGLASS ACOUSTICAL CEILING BLADES 6370RCE0004 C-2ARMSTRONG CEILING METAL, ACOUSTICAL CEILING CLIP-ON PANELS 7140 C-3SHERWIN WILLIAMSGYPSUM CEILING PAINTEDSW 9542 CEILING LEGEND SPRINKLER AIR VENT KEY:
Dermatology Office
Johnson Dermatology
LSU Interior Design Minor
Johnson Dermatology Johnson Dermatology Office
WA T NG 101 CLOSET 104 EXAM 1 105 EXAM 2 106 REST ROOM 107 EXAM 3 108 OFFICE 109 CLOSET 110 TREATMENT 111 TREATMENT 112 REST ROOM 113 NURSE STAT ON 103 CORR DOR 102 CORR DOR 102 101 102 103 104 105 106 107 108 109 110 111 112 113 18 18 18 18 CH - 1 CH - 1 CH - 1 CH - 1 T-1 CH-2 CH-2 CH-3 T-2 T-3 T-3 CH-5 CH-5 CH-5 CH-4 CH-4 CH-3 CH-3 CH-3 CH-2 CH-2 CH-2 CH-2 CH-2 Sca e 3 16" = 1 -0" A102
3/16" = 1'-0" 1 FIRST FLOOR
LSU Interior Design Minor
Triad Colors
Triad Colors
Triad Colors
Split-Complementary Colors
LSU Interior Design Minor
