Special Project "Remembering the Seascape"

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Sense of Time Common Sense of Time Time is usually thought to be a straight line. The time just passes and it never goes back.

Remembering the Seascapes

The site profile

Park

Location

Disconnection between people and the sea.

Hiroshima Port

Industry

The site is located in the area called

Waterfronts in cities all over the world have been being rapidly transformed , and the way people interact

Seto Inland Sea. It is in the south-

with seascapes has been changing as well.

east of Japan. The site is on the

The seascape used to be essential part of daily life for food, leisure, and view. However, the seascapes

waterfront of the city of Hiroshima.

becomes disconnected from daily life for several reasons.

Cultural Sense of Time in Japan

Residential Area

In Japan, time was recognised not as a straight line,

International

but multiple circles before we introduce solar calendar and clock time in 1800s. Japanese people got this

Tokyo

"circulation" idea by observing all the natural process

Ancient Forest

Transport Hub

such as repeating four seasons and the phases of the

Aim for the Project

Moon.

Project Site

Hiroshima

(33 ha) Sand Beach

Physical Disconnection

Reclamation Types Waste Landfill

The project site is the new reclamation

One major reasons for the disconnection between people and the sea is physical disconnection. This

site designated to accept waste form

means that the sea has become physically inaccessible because of the reclemation of the land at the sea

the city and the dredged soil from the

front. In addition, waterfront area is often designated as industrial area, and it is not attractive for people

Dredged Soil

bottom of the sea.

to visit in daily life.

The reclamation has not been completed

(to be reclaimed by 2024)

yet, and i t will be completed by 2024.

The aim for the project is to explore the cultural specific water front design which makes people remember our culture with

Lunisolar Calendar System

Functions

the sea and our own sense of time.

• Public Open space

Local government of Hiroshima city is

• Private Cruising Harbour

planning to make the reclamation site

Japanese old calendar system is called "Lunisolar

into a public space where people can

calendar". The difference between the Lunisolar Calendar

• Centre for Siteseeing Industry

enjoy the seaside.

and the gragorian calendar (current global standard) is

• Ecological Value

Also, as the private cruising in the

how to define one month.

whole Seto Inland Sea area is becoming

Spiritual Disconnection

popular among foreignres, they plan to give the function as a harbour to the site.

In Japan, the change of the calendar system could be one reason that makes people feel disconnected with the sea. In solar calendar, the phases of the moon and the tide is no longer a part of the calendar. People gradually forget to care about these phenomena.

Masterplan making process

Masterplan

Tidal Range at the site

Sense of time and the Traditional Pattern

Storm Surge

+4

The Moon and Tide

+ 379 Tsunami

Japanese Traditional Pattern is one of the cultural design elements that describes the concept of

+ 360 2m sealevel ridse by 2100 ?

+3

the Japanese Sense of Time. These patterrns

Tidal change has a clear link to the phases of the Moon,

+ 440

are inspired by the shapes in nature or some

because it is caused by the gravity from the Moon. On the

conceptual ideas related to buddism or shinto

day of the new moon and the full moon, we have spring

+2

relision. People simplify the shapes and made

tide as the gravity from the moon and the sun combined

patterns which can fill any kind of fabric by

together and lift up the sea water.

repeating the shape. This 'Endlessness' is one of

Car Accsess

the key idea which is thought to be reflecting this

+ 26

These patterrns are often made with natural

mooooooooon

Spring Tide ( Jan, 2019 )

+1

world.

Tide as a Calendar

+ 179

0

process such as the growth of moss or indigo dye. These natural ptrocesses add the slight variety

- 16

within the patterns, and I saw that the variety has the link to the endlessness and variety of time in

-1

Japanese sense.

Ebb Tide ( Feb, 2019 )

-2

Aizome (Traditional Indigo Dye)

- 234

Pine Forest Viewing Terrace

Raised Walking routes

Sense of Time in Japanese Landscapes

A A

1. Gradient in Nature Concepts for Japanese gardens are often making the mother nature into small space. In order to describe

Indigo Dye is a traditional fabric in the Seto Inland Sea area. The

Experiment of a dying process showed that the pattern appears

The pattern could be seen as a plan view for a land that has interaction with

plant of indigo in Japan is different from the western indigo,

depending on the level of the infiltration of dyestuff.

tide. Assume the blue part for water and white part for land, the pattern can

and it has a special feature; the longer people use the fabric, the

the gradient from mountain top to the ocean, they use

B

Rocky pattern garden

Car Park

be made with making topography like the image above shows.

deeper and clearer the dark blue colour gets.

different kinds of rocks/ stones because the size and

C

shape represent time that each rocks has had the journey with water.

Gradient in Nature

Seascape Cafe

Port Building For the masterplan, I filled the site with the pattern that I made with several variety of shape and size.

N

Different scales fo patterns describes the process of water washing out the topography, just like rocks being washed out and eventually become particles of sand in natural process.

Private Yacht Harbour

0

50

200

100

1:2000 @ A1

2. Representation of Time with Moss Moss simbolises a long period of time and patience in Japan. Moss needs time to grow and colonise the surface of rocks so that the rocks that move frequently can never

Detail Design

area C

area B

area A

N

N

get moss grow on. Japanese people admire gardens

N

covered with moss because they can feel the time and history.

C A’

Design with Time and Tide

C’

B

A

0

10

0

20 m

B’

20 m

10

0

1:500 Scale

1:500 Scale

Dredged Soil

Rocks/ Stones (Construction Waste Material)

Oyster Gabions

surface under the sea. Some places in Japan have massive

Oyster Gabions

Oyster Gabions

Geotextile

oyster reef at sea shore.

Compacted Soil

Oyster Gabions

0.5

0

Earth

Rainforcing Bars

2m

1

0

1:50 Scale

Geotextile

20 m

1:500 Scale

Geotextile

Like moss on the land, oysters sometimes colonise the

10

0.5

1

Timber Screw

Stainless Steel Frame

Concrete Base

Screw

Geotextile

Oyster Gabions

2m 1:50 Scale

Geotextile

Compacted Soil

Earth

Earth

Compacted Soil

山路を登りながら

Hiroshima is famous for the production of oyster, and they have a lot of waste of oyster shells. In this site, all the topography will be made with gabions filled with oyster shells to utilise this waste. Especially, the baby ousters grow on top of other oystershell, Oyster Gabions can be habitat fot them and other marine creatures when

they are put in the places where tide regularly reaches.

A

A’ 0

5

10 m 1:250 Scale

Areal Perspective

As Mt.Fuji is the highest and the most beautiful mountain in Japan, this island is very symbolic landmark when people look at the Inland Sea from the city of Hiroshima.

B’ 0

Project Site

C

C’

10 m

5

1:250 Scale

0

5

10 m 1:250 Scale

Viewing the Seascapes

Aki- ko- Fuji

Viewing south direction towards the Seto Inland Sea over the project site. The closest

islands to the site is called "Aki-ko-Fuji", which means the small Mt.Fuji in Hiroshima.

B


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