Volume 92 • Issue 12
December 8, 2023
You’re in the home stretch, Charlie Brown!
Members of the Hilltop Players performed the musical “You’re a good man, Charlie Brown” Dec. 1 and Dec.2.
Bill would make state institutions free for students By Emily Rosenberg Editor-in-Chief As a first-generation student, Evelyn Campbell works three jobs to help afford her college tuition bills every semester. This is along with being the Student Government Association president and spending hours completing weekly academic responsibilities. During the school week, she works at the Center for Academic Success and Achievement as n ASPT Tutor. During the nights and weekends, she heads to a bridal store for shifts as a sales consultant. And she also manages the so-
cial media of the store she works for. As the daughter of a single mother, a public university was the only option she considered. Campbell is only one of thousands of students at FSU who work to pay for their education and of hundreds of thousands in Massachusetts who spend the majority of their hours outside of the classroom working to pay their tuition and fees. A bill in the legislature, H.1265/S.823 - an act relative to debt-free public higher education, would essentially end this phenomenon for students who declare themselves as dependents and also free all students of the debt most
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Alexis Schlesinger / THE GATEPOST
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acquire from borrowing. The bill proposes students across BROKEN GUTTER pg. 6 the state system have their tuition INTERNATIONAL PROGRAMS pg. 7 and fees paid for by tax dollars, not including room and board. It would also provide grant money for low-income or Pell-eligible students to pay for residence housing and meal plans. The bill, non-formally called “The FIRST-GENERATION STUDENTS pg. 11 Debt Free Future Act,” was first filed in GRIEF IS FOREVER pg.12 2019 and was refiled in 2023 by Representative Natalie Higgins (D-Leominster), and Senator Jamie Eldrige (D-Marlborough). The Joint Committee on Higher
Opinions
Sports
See DEBT FREE FUTURE ACT page 4
The benefits of block building
New course explores the theory and importance of playing By Ryan O’Connell Associate Editor Fifteen students file into Dwight Hall 106. The room is divided into an outer ring and an inner circle by a semi-circle of desks, so they enter as a queue, one after another. They split to the left and pass a tall shelf holding dozens of plastic bags categorized by label maker, and along the wall. Next to them is a cork board, visible only barely through colorful construction paper labeled with age groups, board games, and more. “Childhood Toys” is a light blue, and dotted with the names of doll brands - “Bratz,” “Barbie,” and “Strawberry Shortcake” stick out.
They split to the right and cross a playmat, headed toward two huge windows against the far wall. The early afternoon sun floods the room. Sitting on the windowsills are half-built Legos. On the desks just before them, there’s an abandoned game of Hungry Hungry Hippos and a stack of colorful plastic rings, ordered largest-to-smallest. All over, there are toys that make Dwight Hall 106 feel slightly reminiscent of a pediatrician’s office. It’s messy. And even for 15, the room is small. Luckily for these students - the first ever group to be taking Theory and Practice of Play (CFST 321) at Framingham State University - the room is reserved for only their class this semester. So they don’t need to sing the clean-up
song. Dylan Pichnarcik /THE GATEPOST Theory and Practice of Play, a concentration course for the child and fam- DEAN NICHOLS pg. 13 ily studies major, was introduced this fall and is taught this semester by Laura Hudock, a professor of education, who also played a large role in the course’s development. The class, which Hudock said is adjacent to education, explores classic and contemporary “theories of play,” and their benefits to children. She added they analyze studies from different fields, such as psychology and education, and discuss the “cognitive and social, physical and emotional” growth influenced by specific types of Dylan Pichnarcik /THE GATEPOST play, as well as the impact of the enviRAENA’S ROOM REPORT pg. 20 ronment. See PLAY page 18 PAUSE 4 PAWS pg. 22
Arts & Features
INSIDE: OP/ED 10 • SPORTS 13 • ARTS & FEATURES 16