DEAN’S MESSAGE
Dear Friends,
Welcome to the 2025-26 season of the Florida State University Opera. We are grateful that you are joining us for Jules Massenet’s fairy tale opera, Cendrillon, and I hope that we will see you later this season for Mozart’s Così fan tutte in the spring and Dark Sisters by Nico Muhly and Stephen Karam this summer. It is a pleasure knowing that our students and faculty can take on such challenging repertoire – especially of such different styles – and perform it well for our local audiences.
This summer I had the pleasure to visit the Santa Fe Opera, one of the most prestigious opera companies in the United States and the world. I went specifically to see one of this school’s most successful alumni, Ryan Speedo Green, who made his debut as Wotan in Wagner’s Die Walküre. We have had the pleasure of inviting Ryan to work with our students several times in the recent past, and it is remarkable to see how a singer that once sang the roles of Don Basilio, Bottom, and Publio here in Tallahassee would make his way into the center of the operatic universe in nearly 15 years.
While not every student may be as fortunate as Ryan has been, I certainly like to believe that we are preparing our students to move into the competitive, modern opera industry. Productions like this are a testament to that goal, combining a large principal cast, chorus, orchestra, and modern theater technology into a compelling experience that any audience can enjoy.
We are pleased to welcome back DJ Pike, Sara Oldford, and Melanie Steele for this production of Cendrillon. Their contributions as designers, in addition to Christina Marullo’s work in costumes, helps these stories come to life. I also look forward to the work being presented by James Marvel in his second year here at Florida State in addition to Bernard McDonald, who enters his third season of work here in Tallahassee.
Please accept my sincere gratitude for your patronage. Your time, attention, and financial support helps make art like this possible, and I truly hope that we can offer you an entertaining and moving evening at the opera in return.
Sincerely,
M. Todd Queen
FLORIDA STATE OPERA presents
Cendrillon
Music by Jules Massenet | Libretto by Henri Caïn
Conductor ............................................. Bernard McDonald
Stage Director ................................................. James Marvel
Scenic and Projection Designer................................DJ Pike
Lighting Designer ............................................ Sara Oldford
Costume Designer .................................. Christina Marullo
Wig and Makeup Designer .......................... Melanie Steele
Language and Musical Preparation ................ Kaitlyn Barr Bernard McDonald Natalie Sherer Valerie M. Trujillo
Production Stage Manager ........................... Matt Cooksey
Assistant Conductor .................................. Augusto Girotto
Chorus Master ............................................ Augusto Girotto
Assistant Directors ........... Matt Cooksey, Jenna Moynihan
Assistant Stage Manager .................................. Kate Bishop
Cast
(in order of appearance)
Pandolfe
Joe Decker
Sebastian Quintero*
Madame de la Haltière
Katherine Anne Ledbetter
Leah Shewmaker*
Noémie
Olivia Bahmer
Jasmine Merriweather*
Dorothée
Jackeline Petichakis*
Meg Schiliro
Cendrillon
Caitlin Ecuyer*
Anna Low
La Fée
Hope Goodman
Kylie Painter*
Ryan Austin
Lexi Barton
Talia Boudjemaa
Graham Brooks
Morgan Cerra
Athalia Eugene
Emily Folsom
Spirits
Lexi Barton
Talia Boudjemaa
Athalia Eugene
Emily Folsom
Kendall Ruyle
Annabelle Wellschlager
Le Prince Charmant
Alissa D’Alton
Jabari Lewis*
Le Doyen de la Faculté
Graham Brooks
Le Surintendant des plaisirs
Kalani Yen
Le Premier Minstre
Troy Sleeman
Le Roi
Brandon Mecklenburg
Chorus
Jill Galvin
Grace Hafer
Lauren Haggard
Brandon Mecklenburg
Paul Niu
Jacob Parker
Kendall Ruyle
Drew Shapard
Troy Sleeman
Samuel Stevenson
Annabelle Wellschlager
Luke West
Kalani Yen
* Performing October 30 and November 1
University Symphony Orchestra
Alexander Jiménez, Music Director and Conductor
Violin I
Ioana Popescu‡
Javaxa Flores
Keat-Chen Cheong
Elizabeth Milan
Abigail Jennings
Ilayda Ilbas
Samuel Ovalle
Violin II
Rachel Lawton*
Sobin Son
Amanda Marcy
Alexa Dinges
Mariana Parra
Quinn French
Viola
Noel Medford*
Maya Johnson
Emelia Ulrich
Tyana McGann
Harper Knopf
Nathan Oyler
Cello
Turner Sperry*
Abbey Fernandez
de Castro
Thu Vo
Natalie Taunton
Sydney Spencer
Tia Stajkowski
Bass
Jarobi Watts*
Joshua Dennis
Caleb Duden
Flute
Samuel Malave*
Paige Douglas
Oboe
Rebecca Johnson*
Rebecca Keith
Clarinet
Jariel Santiago*
Dawson Huynh
Bassoon
Cailin McGarry*
Timothy Schwindt
Horn
Kate Warren*
Jeason Lopez
Trumpet
Avery Hoerman*
Nathan Read Trombone
Connor Altagen
Timpani and Percussion
Jordan Brown
Caitlin Magennis
Harp
Margaret Anne Altagen * Principal
Synopsis
Act I
Lucette – hereafter referred to as Cendrillon – is unhappy in a dysfunctional home. Her father Pandolfe has married a fiery countess – Madame de la Haltière – and her new stepmother only cares for her two biological daughters’ advancement in life. Pandolfe is constrained in what he can provide Cendrillon, and so he leaves her behind as they go to the ball to hopefully gain the favor of Prince Charming. Cendrillon is alone and she wishes for some way to experience the ball for herself. A great fairy hears her wish and chooses to grant this favor as long as Cendrillon will not reveal her name and return home by midnight. Cendrillon agrees and is bestowed with a beautiful dress and glass slippers. She then quickly heads for the ball.
Meanwhile, Prince Charming is beset by court nuisances. It is clear that he is not enamored with the life that his father, the King has laid out before him. A parade of eligible bachelorettes is brought before the Prince, including Cendrillon’s sisters, Noémie and Dorothée, but the party is brought to a standstill when Cendrillon arrives. Everyone marvels at this unknown woman’s beauty, and Prince Charming takes the opportunity to get to know her better. She maintains her secret identity, but has to run away when the clock strikes twelve. She leaves only a slipper behind, and Prince Charming makes it his mission to encounter her again.
Act II
Back at home, Cendrillon overhears her family discussing the aftermath following her departure. Her stepmother tells her daughters that the Prince rejected the unknown beauty, but Cendrillon does not know that this is untrue. Pandolfe is deeply embarrassed by his new family’s behavior and tells Cendrillon that they will return to there more simple country home where her mother passed away. However, Cendrillon’s heart is broken and she runs off into the forest to die of grief.
Cendrillon and the Prince make their way separately through an enchanted forest. Fairies draw the pair near the base of a magic oak tree, and the two are comforted by the sounds of each other’s voice. In the ecstasy of love, the fairies allow the two to come together and fall into a magical sleep.
The following morning, the Prince’s search for the unknown woman continues. Though many women offer their foot for the Prince’s hand, only Cendrillon’s fits the slipper. The piece concludes as all fairy tales do with a happy ending.
Director’s
Notes
Jules Massenet’s Cendrillon offers us a magical and poignant retelling of Charles Perrault’s beloved Cinderella tale, a story that has captured imaginations for centuries. What makes this work so remarkable is its dual nature—at once whimsical and deeply human. With music of refined elegance and luminous charm, Massenet transports us to a world of enchantment, but beneath its sparkling surface lies a heartfelt exploration of resilience, longing, and transformation.
Composed at the turn of the 20th century, Cendrillon reflects the spirit of the French Belle Époque, a time of both cultural opulence and psychological exploration. Its score moves effortlessly between moments of courtly splendor and scenes of intimate vulnerability. The opera is not simply a fairy tale of love found, but a human story about overcoming adversity,discovering self-worth, and redefining one’s place in the world.
In this production, I have sought to embrace both sides of the opera’s identity— the shimmering dreamworld of fantasy and the emotional depth of lived experience in which kindness, sincerity, and emotional depth are rewarded with genuine love. DJ Pike’s brilliant video projections invite the audience to travel between these realms, underscoring the tension between illusion and reality with the aim of illuminating the opera’s emotional and symbolic power. Christina Marullo’s evocative costumes, Melanie Steele’s whimsical wigs, and Sara Oldford’s luminous lighting design further enrich this vision, bringing texture, color, and atmosphere to Massenet’s world of enchantment. As you experience Cendrillon, I invite you to delight in its magic while also reflecting on the deeper truths it conveys. Beneath the sparkle lies a timeless story of identity, resilience, and hope—qualities that resonate just as strongly today as they did in Massenet’s time.
This project has been supported by a First Year Assistant Professor (FYAP) Grant from the Council on Research and Creativity at Florida State University. That support has allowed me to approach this production with the imagination and depth it requires, and I am especially grateful to Dr. Marcía Porter and Dr. Sarah Eyerly for their invaluable guidance in helping me to secure this grant. I would also like to extend my heartfelt thanks to stage directors Matt Cooksey and Jenna Moynihan, whose generosity, artistry, and dedication have been invaluable in elevating every aspect of this production
James
Marvel
Cast
Olivia Bahmer, Noémie
Soprano, Bachelor of Music in Voice Performance (Senior)
Hometown: Tallahassee, FL
Past roles at FSU: Chorus, Hänsel und Gretel; Amore, Orfeo ed Euridice
Alissa D’Alton, Prince Charmant
Soprano, Master’s Program – Performance (2nd year)
Hometown: Orlando, FL
Past roles at FSU: Chorus, Die Zauberflöte; Mother, Hänsel und Gretel (outreach); Chorus, Il barbiere di Siviglia, Chorus, Príhody lišky Bystroušky; Hänsel, Hänsel und Gretel; Orfeo, Orfeo ed Euridice Other credits: Dorabella, Così fan tutte; Meg, Falstaff (scene), FSU
Opera Scenes Program; Carmen, Carmen (scene), FSU Opera Scenes Program
Joseph Decker, Pandolfe
Bass-baritone, Master of Music in Performance (1st year)
Hometown: Niceville, FL
FSU Debut
Caitlin Ecuyer, Cendrillon
Soprano, Doctoral Program – Performance (2nd year)
Hometown: New Orleans, LA
Past roles at FSU: Ensemble, Le nozze di Figaro; Stella Kowalski, A Streetcar Named Desire; Older Alyce, Glory
Denied Other credits: Suor Angelica, Suor Angelica, Varna International Musik Academy
Hope Goodman, La Fée
Soprano, Masters Program – Performance (2nd year)
Hometown: Rockledge, FL
Past roles at FSU: Chorus, The Rake’s Progress; Fury, Orfeo and Eurydice Other credits: Gilda, Rigoletto (scene), FSU Opera scenes; Sophie, Der Rosenkavalier, Tokyo International Vocal Arts Academy; Lakmé, Lakmé, University of South Florida
Katherine Anne Ledbetter, Madame de la Haltière
Mezzo-soprano, Master of Music in Performance (Alumna)
Hometown: High Point, NC
Past roles at FSU: Berta, Il barbiere di Siviglia; Mrs. Páskova, Příhody lišky Bystroušky; Witch, Hänsel und Gretel; Baba the Turk, The Rake’s Progress Other credits: Marcellina, Le nozze di Figaro, and Donna Elvira, Don Giovanni, Lyric Opera Studio Weimar; Maddalena, Linda di Chamounix, A.J. Fletcher Opera
Jabari Lewis, Prince Charmant
Tenor, Masters of Arts Administration (1st year)
Hometown: Kissimmee, FL
Past roles at FSU: Steve Hubbel, A Streetcar Named Desire; Don Curzio, Le nozze di Figaro Other credits:Tito, The House on Mango Street, The Glimmerglass Festival; Sellem (cover),The Rake’s Progress, The Glimmerglass Festival; George (cover), American Apollo, Des Moines Metro Opera
Anna Low, Cendrillon
Soprano, Master of Music in Performance (2nd year)
Hometown: Orem, UT
Past roles at FSU: Anne Trulove, The Rake’s Progress
Other credits: Contessa, Le Nozze di Figaro, Musica Proibita Management; Valencienne, The Merry Widow, Brigham Young University
Jasmine Merriweather, Noémie
Soprano, Master of Music – Performance (2nd year)
Hometown: Jacksonville, FL
FSU debut
Kylie Painter, La Fée
Soprano, Master of Music – Performance (2nd year)
Hometown: Downers Grove, IL
Past roles at FSU: Ensemble, Hänsel und Gretel; Queen of the Night, The Magic Flute (outreach) Other credits: Adele (cover), Die Fledermaus, Franklin Light Opera
Jackeline Petichakis, Dorothée
Mezzo-soprano, Bachelor of Music in Voice Performance (Senior)
Hometown: Miami, FL
Past roles at FSU: Ensemble, The Rake’s Progress; Ensemble, Orfeo ed Euridice Other credits: Ensemble, Don Giovanni, Music OnSite, Inc.
Sebastian Quintero, Pandolfe
Baritone, Master of Music in Voice Performance (2nd year)
Hometown: West Palm Beach, FL
Past roles at FSU: Chorus, Die Zauberflöte; Chorus, Le nozze di Fígaro; Papageno, The Magic Flute (outreach tour); Pablo Gonzalez, A Streetcar Named Desire; Hannah Younger, As One; Figaro, Il barbiere di Siviglia; Older Jim Thompson, Glory Denied; Father, Hänsel und Gretel
Other credits: Judas, The Saturday’s Sorrow, DaSean Stokes; Chorus, Messiah (Handel), Tallahassee Symphony Orchestra; Don Giovanni (scene), Don Giovanni, Si Parla Si Canta
Meg Schiliro, Dorothée
Soprano, Master of Music in Performance (2nd year)
Hometown: Elmhurst, IL
Past Roles at FSU: Hänsel, Hänsel und Gretel; Angelina, La Cenerentola (outreach); Mother Goose, The Rake’s Progress Other credits: Eugenia, Il filosofo di Campagna, Festival of International Opera; Johanna (cover), Sweeney Todd, University of Kansas Opera; Countess Rosina Almaviva, Le nozze di Figaro, Opera Lucca
Leah Shewmaker, Madame de la Haltière
Hometown: Smithfield, VA
Mezzo-soprano, Doctor of Music in Voice Performance (1st year)
Past roles at FSU: Lapák, Příhody lišky Bystroušky; Mother, Hänsel und Gretel; Baba the Turk, The Rake’s Progress Other credits: Soloist, Missa in angustiis, and Elijah, Tallahassee Community Chorus; Siebel, Faust, James Madison University
Staff
Kate Bishop, Assistant Stage Manager, Assistant Director
Stage Director, Master of Music in Opera Production (2nd year)
Hometown: Denton, TX
Past work at FSU: Assistant Director/ASM, Hänsel und Gretel; Director, La Cenerentola (outreach); Assistant Director, The Rake’s Progress
Other credits: Assistant Director, Die Walküre, Dramatic Voices Midwest; Rossweisse, Die Walküre, Dramatic Voices Midwest; Donna Elvira, Don Giovanni, Opera Arlington
Matt Cooksey, Assistant Director Opera Program Manager
Hometown: Nashville, TN
Past work at FSU: Masetto, Don Giovanni; Papageno, The Stolen Princess (outreach); Ottone, L’incoronazione di Poppea; Production Stage Manager, La traviata; Assistant Director, Prince of Players; Production Stage Manager, Candide; Stage Director, The Prodigal Child; Production Stage Manager, Orfeo ed Euridice Other credits as Stage Director: L’elisir d’amore, Florida Grand Opera; La bohème, Florida Grand Opera; Il barbiere di Siviglia, Florida Grand Opera
Augusto Girotto, Chorus Master
Chorus Master, Master of Music in Performance (Choral Conducting, 2nd year)
Hometown: São Paulo, Brazil
Past work at FSU: Chorusmaster, Hänsel und Gretel; Chorusmaster, The Rake’s Progress Other credits: Conductor/Orchestrator/Translator, Betly, São Paulo State University Opera Program; Semifinalist, International Choir Conducting Competition “Towards Polyphony,” Karol Lapinski Academy; Assistant Conductor, Carmina Burana, Londrina’s International Music Festival
Christina Marullo, Costume Designer
Assistant Shop Manager
Hometown: Tallahassee, FL
Recent work as Costume Designer at FSU: A Streetcar Named Desire; Luisa Fernanda/As One; Il barbiere di Siviglia; Příhody lišky Bystroušky; Hänsel und Gretel; Orfeo ed Euridice Other credits: Designer, Macbeth, Southeast Missouri State; Designer, St Nicholas, Dorset Theater Festival; Draper, Glimmerglass Festival (2016-2019 seasons)
James Marvel, Stage Director
Stage Director of FSU Opera
Hometown: New Orleans, LA
Past work as Director at FSU: Hänsel und Gretel; The Rake’s Progress Other credits as Director: Cendrillon, North Carolina Opera; Cendrillon, Opera Orlando; Tosca, Indianapolis Opera
Bernard McDonald, Conductor Director of Opera Activities
Hometown: Dumbarton, Scotland
Past work as Conductor at FSU: Il barbiere di Siviglia; Hänsel und Gretel; The Rake’s Progress, Orfeo ed Euridice Other credits as Conductor: The Magic Flute, Mobile Opera; Le nozze di Figaro, Indianapolis Opera; Don Giovanni, Opera Orlando
Jenna Moynihan, Assistant Director
Stage Director, Master of Music in Opera Production (1st year)
Hometown: Raleigh, NC
FSU debut Other credits: Production Stage Manager, An Evening of Operetta, Janiec Opera Company; Madame de Croissy, Dialogues des Carmelites, University of Tennessee Opera Theatre; Cherubino, Le nozze di Figaro, Trentino Music Festival
Sara Oldford, Lighting Designer
Lighting Designer
Hometown: Knoxville, TN
Past work at FSU: Lighting Designer, Hänsel und Gretel Other credits as Lighting Designer: Gianni Schicchi, Knoxville Opera; Dialogues of the Carmelites, UT Opera Theatre; Cendrillon, UT Opera Theatre
DJ Pike, Scenic and Projection Designer
Scenic and Projection Designer
Hometown: Greeley, CO
Past work at FSU: Scenic and Projection Designer, Hänsel und Gretel; Projection Designer, The Rake’s Progress Other credits: Scenic and Projection Designer, Measure for Measure, University of Northern Colorado; Projection Designer, Disney’s Frozen, Rocky Mountain Rep; Scenic and Projection Designer, Sunday in the Park with George, University of Northern Colorado
Natalie Sherer, Vocal Coach
Assistant Professor of Vocal Coaching & Collaborative Artist
Melanie Steele, Wig and Makeup Designer
Wig and Makeup Designer
Hometown: Atlanta, GA
Past work at FSU: The Rake’s Progress, Wig and Makeup Designer Other credits as Wig and Makeup Designer: Cendrillon, North Carolina Opera; Carmen, Charleston Opera Theater; Così fan tutte, Florida State University
Anthony Zamora, Rehearsal Pianist
Doctor of Music – Piano Performance
Hometown: Rushsylvania, OH
FSU Debut Other credits: Pianist, Hansel and Gretel, The University of Alabama; Pianist, L’elisir d’amore, The University of Alabama
OPERA STAFF
Dean, Executive Producer M. Todd Queen
Director of Opera Activities Bernard McDonald
Stage Director/Director of Opera Workshop ........................ James Marvel
Director of Orchestra Activities Alexander Jiménez
Opera Program Manager Matt Cooksey
Technical Director .................................................................
Ken Frederickson
Orchestra and Band Administrative Assistant Chelsea Blomberg
Orchestra Manager .................................................................... Za’Kharia Cox
Orchestra Stage Manager Carlos Cordero Mendez
Orchestra Librarians Guilherme Rodrigues
Thomas Roggio
Library Bowing Assistant Mitchell George
Ioana Popescu
Musical Coaching Kaitlyn Barr
Bernard McDonald
Natalie Sherer
Valerie M. Trujillo
Rehearsal Pianists ................................................................... Augusto Barbieri
Anthony Zamora
Scenic Artists Amanda Holton
Assistant Technical Director/Master Carpenter ............ Cameron Hanmer Carpenters
Scott Freese
Rob Holloway
Props Special Thanks Tallahassee State College Theater
Ruby Diamond Concert Hall Support Staff
Ruby Diamond Crew
Grace Atkins
Nick Smith
Ethan Bigelow
Russ Marsh
Mike Shapiro
Eugene McGuinness
Evan Wood
Daniel Ascanio
Wesley Bellow
Sydney Nichols
Dante Souverain
Ray Hattaway
Ethan Bigelow
Wajira Amarakoon
Additional Crew ........................................................................
David Bernstein
Raeed Gangat
Priscilla Gonzalez
Avery Howard
Noa Michaels
Costume Shop Manager Julia Matteson Bradley
Assistant Shop Manager Christina Marullo
Wardrobe Supervisor Liana Rieger
Wardrobe Crew
Marjorie Jerez
Sophia Katsigiannis
Roy Nishimoto-Rivera
Stitchers Kate Bishop
Abigail Jennings
Liana Rieger
Toby Sponsler
Wig & Makeup Crew Erica Dowling
Barbara Roberts
Supertitle Operator ................................................................. Mitchell George
Program Design Wendy Smith
Cover Artwork ..............................................................................
Marketing Team
Laura Chacon
Megan Mowery
Wendy Smith
Director of Special Programs........................................................ Kim Shively
Thank
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