Lewitt audio- Catalogue 2014

Product Catalog

LEWITT GmbH Mooslackengasse 17, 1090 Vienna // AUSTRIA info@lewitt-audio.com www.lewitt-audio.com www.facebook.com/lewitt.audio

The LEWITT Sound Booth is the perfect place to compare all our microphones with each other and for testing them on several applications. www.lewitt-audio.com/sound_booth

STEVE AOKI // ATLANTIC RECORDS // PERCY BADY // CHRIS BAUTISTA // BETA RECORDS // BJ „THE CHICAGO KID“ // BMI // JOHNNY BRITT // JULIAN BUNETTA // PETER BUNETTA // HOLT VAUGHN // CALIFORNIA ROAD STUDIOS // CALI SWAG // RICK CAMP // DYLAN CHARBENEAU // MIKE CITY // BRIAN CULBERTSON // JAMES RAYMOND & DAVID CROSBY // BOOTSY COLLINS // COMPOUND ENTERTAINMENT // HECTOR DELGADO // ERICA DENNARD // KEVIN DORSEY // BRYAN DUNCAN // ECHO BAR STUDIOS // NOEL EDWARDS // EJYPTSIAN QUEEN // RANDY EMATA // PETER MICHAEL ESCOVIDO // FAITH EVANS // TIM FAGAN // ANDREW FRAMPTON // DAN FRAMPTON // MOSES GALLART // TRAVIS GARLAND // JARED GOSSELIN // ERIK GRIGGS // CARMEN GRILLO // MAX GOUSSE // ANDREW GOUCHE // KEITH HARRIS // DONALD HAYES // KAVIN HOO // BOB HORN // DAVE HOLLISTER // CHAUN HORTON // WARREN HUART // LUKE HUBBARD // MARK ISHAM // CHRIS JOHNSON // MARTIN JONES // JESSE JOSEFSSON // CRAIG KALLMAN // PHIL KEAGGY // OM‘MAS KEITH // JASON LA ROCCA // ALICIA LAWRENCE // JENNY LAWS // ED LEARNED // STEVE LU // CORRINE MAY // JUSTIN MERRILL // MIGHTY YOUNG // ELAN MORRISON // TERRA NAOMI // J.P. NEGRETE // GRANT NICHOLAS // CHARLES NORRIS // COLBY O‘DONIS // ON POINT // OOMPH! // ROSS PALLONE // SCOTT SHAVONI PARKER // DAN PENN // NEIL POUGE // BOB REYNOLDS // AUGUST RIGO // ELVIN ROSS // TONY RUSSELL // SERENITY EAST, SANCTUM SOUND // SEA + AIR // SERENITY WEST // FLETCHER SHERDAN // DREW SIMPSON // BRYANT SIONO // SY SMITH // STEPHANIE SPRUILL // CHRISTIAN STALNECKER // CHARLES STREETER // MARK STEPHENS // STEREOTYPES // TIM STEWARD // MIKE STEVER // DOREONNE STRAMLER // SWING HOUSE // TANK // ALEX TEAMER // ALEX TODOROV // DJ TRENTINO // TUCK & PATTI // BRIAN VIBBERTS // ERICK WALLS // ASAPH WARD // AYSHA WEBB // MICHAEL WHITE // LOUIS WHITE // JOEL WHITLEY // ALLEE WILLIS // KENNETH H. WILLIAMS // SEAN WINCHESTER // DERRICK WRIGHT // WRIGHTRAX // FRANK ZAPPA STUDIOS ... ... ALL OF THEM AND MANY MORE GREAT ARTISTS AND STUDIOS TRUST IN LEWITT MICROPHONES.

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03

OUR STORY

OUR BELIEF

Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply

Music deserves to be heard.

involved in microphone development with some of the industry's top brands and was

Unaltered. Authentic. Memorable.

for many years Senior Buyer & Project Manager for one of Austria's leading LEWITT has dedicated itself to supporting music aficionados, artists and

microphone companies.

audio engineers around the globe in getting the best out of every single The design & research team located in Vienna, Austria – recognized as a world-

creative idea and every project - with microphones that set new standards

leading centre of excellence in professional microphone development – does all the

in terms of sound quality, technology and reliability.

product development including all software and electronic engineering. This backs on

We

know

about

the

claim

to the company's own 45.000-sqm facility

for perfection that forms the basis of

in

every studio recording, every stage

China

exclusively

designed

for

manufacturing microphones. The state-of-

performance, every voice recording. It

the-art

is the same claim for perfection

production

base

with

+1000

employees includes its own die casting,

characterizing our products. We also

clean room capsule assembly, anechoic

know that every voice is unique and are

chambers, the latest SMT and soldering

passionate about emphasizing this

equipment etc., to cover all aspects of

uniqueness with authentic, unaltered

engineering, testing and production. As

sound.

such, LEWITT is delivering its own unique innovations with its own technology in high

International

research

and

quality propositions at reasonable prices

development know-how, cutting-edge

and thus is a truly rare combination.

technology and a think tank of leading

All of the microphones sport the "LEWITT

technology allow for products lending

minds in the field of audio science and

Roman Perschon CEO and Co-Founder

look" that signals modernity, individuality

your project a distinctive, unparalleled

and technical professionalism and all have

s o u n d . A ny w h e re . A ny t i m e . A n d

the "LEWITT feel" that exudes ruggedness, an appealing design and a quality

Feedback from Bryant Siono

without compromise.

Musical Director of Jennifer Lopez‘

capable of fulfilling the LEWITT promise of unaltered crystal clear transmission of

„Dance Again“ world tour

your sound, making it authentic and memorable.

DTP 340 TT // “These mic’s are

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LCT 340 // “I was immediately

LCT 940 // “Now this one is like

great. I tried them on toms and

impressed by those mics. I used

a chameleon. I used it on Vocals

percussion and got awesome

t h e m a s ove r h e a d s o n d r u m s

first and started in FET mode.

results – great low end without

in X /Y position and was really

It had great presence without

being muddy. I also loved the

surprised at how smooth they

being harsh. Later we were

clarity on them, they picked up

sounded without losing the fullness

recording a nylon acoustic guitar

the attack of the drum really well.

of the cymbals and entire

on the 12th fret facing the center

I love a mic that gets the ‘smack’

drum kit. I‘ve been tracking so

of the hole and put it right in

on drums and that is exactly what

much drums lately that I don‘t

the middle between Tube and

this mic does. They are definitely

even want to touch them. I’m

FET. Just sweet sounding, big

in the same league with mic’s

sure these microphones will be

and full. This is my new favorite

three times there price.“

with me for life.”

microphone.”

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CONTENTS

THE LCT AUTHENTICA SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08 LCT 140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 LCT 240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 LCT 340 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 LCT 540 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 LCT 640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 LCT 840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 LCT 940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

THE MTP PERFORMANCE SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 MTP 240 DM / DMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 MTP 340 CM / CMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 MTP 440 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 MTP 540 DM / DMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 LEWITT Lounge // NAMM 2013

Ejyptsian Queen

MTP 840 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 MTP 940 CM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Ethan Farmer

Terra Naomi

THE DTP PERCUSSION SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 DTP 340 TT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 DTP 340 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 DTP 640 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 DTP Beat Kit 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 DTP Beat Kit Pro 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

THE LTS WIRELESS SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 LTS 240 Dual C+D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 LTS 240 Diversity C+D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

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LCT 140

EMPHASIZE THE

GENUINE

LCT 240

IN YOUR LCT 340

LCT 840

SOUND. THE LCT AUTHENTICA SERIES With the LCT Authentica Series, LEWITT introduces a new generation of highly versatile wired condenser microphones that all aim for setting new benchmarks of technology, sound quality and user-friendliness in both professional studio recording and onstage use.

The microphones of the LCT Authentica Series stand for unaltered sound and

LCT 540

innovative features: llluminated Settings, Noiseless Push Buttons, Automatic Attenuation with Clip Detection and History all ensure error-free sonic perfection and peerless ease of use for today’s demanding recording artists and engineers.

LCT 640 08

LCT 940 09

"WE ARE CONSTANTLY SEARCHING FOR STATE-OF-THE-ART GEAR."

"With the rebirth of Atlantic Studios, we are constantly searching for state-of-the-art gear to bring out the best in our artists’performances. The LEWITT LCT 940 has been a fantastic addition to our audio arsenal. It not only has a full, rich low end and crystal clear highs, but its combination of sonic flexibility and transparency is truly exceptional."

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Craig Kallman CEO Atlantic Records (Bruno Mars, Flo Rida, Jason Mraz, Missy Elliott, ... ) 11

LCT 140

SPECIFICATIONS

The LCT 140 is an extremely versatile, easy-to-use, compact 2/3-inch backelectret condenser microphone, perfectly suited for quality-conscious casual users.

Its low-mass diaphragm delivers an exceptionally clear and natural sound, making it the perfect fit for a wide range of live and studio applications including drums and percussion, acoustic instruments or even vocal ensembles.

Acoustical operating principle: pressure gradient transducer, permanently polarized Transducer Ø: 17 mm / 0,67 inch Directional pattern: cardioid Frequency range: 30 to 20.000 Hz Sensitivity at 1 kHz into 1 kohms: 8 mV / Pa (-42 dBV) Rated impedance: < 150 ohms Rated load impedance: > 1.000 ohms Max. SPL for 0,5 % THD: 143 dB, 0 dB pre-attenuation 153 dB, 10 dB pre-attenuation 163 dB, 20 dB pre-attenuation Equivalent noise level (IEC 61672-1): 19 dB-A, cardioid Signal / noise ratio: 75 dB-A Dynamic range of the microphone amplifier: 124 dB-A Pre-attenuation pad: 10 dB, 20 dB, switchable Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 300 Hz Supply voltage (IEC 61938): 48 V +/- 4 V Current consumption (IEC 61938): 5,3 mA Connector: gold plated 3-pin XLR Dimensions: 24 dia. x 160 mm / 0,94 dia. x 6,3 inch Net weight: 195 g / 6,88 oz.

Thanks to its uniform cardioid pickup pattern that effectively suppresses off-axis sound, a wide dynamic range of 124 dB and its very low self-noise, the LCT 140 adds transparency and distortion-free detail to every sound recording. Its transformerless output design makes it immune to electromagnetic interference.

The LED display can optionally be switched on and off for better handling in different environments. In short, the LCT 140 is an extremely versatile all-rounder microphone.

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Neutral frequency response for natural reproduction Cardioid polar pattern for effective background noise rejection Wide dynamic range of 124 dB and very low self-noise level 3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling extremely high sound pressure levels (SPLs) Illuminated user interface for quick and easy handling even in dark environments Rugged black all metal construction for reliable performance onstage and in the studio Hexagonal ruthenium-galvanized steel mesh grille to prevent wear and abuse Immune to electromagnetic interference thanks to transformerless preamplifier circuitry Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers; includes DTP 40 Mts shock mount, LCT 40 Ws windshield and DTP 40 Lb artificial leather bag

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Acoustic instruments // piano, guitar, drums, percussion, strings...

Overhead miking // drums percussion, cymbals...

Room ambiance // guitar amplifier, drums...

Wind instruments // brass and woodwinds...

Home and studio recording

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LCT 240

SPECIFICATIONS

With the LCT 240 2/3-inch diaphragm condenser microphone, LEWITT introduces a high precision multi-purpose tool that sets new benchmarks in terms of performance and ease of use. Designed for use in live performances as well as (home) studio recordings, the LCT 240 will leave a lasting impression with users expecting accurate and unaltered tracking of speech, vocals and instruments.

Acoustical operating principle: pressure gradient transducer, permanently polarized Transducer Ø: 17 mm / 0,67 inch Directional pattern: cardioid Frequency range: 20 to 20.000 Hz Sensitivity at 1 kHz into 1 kohms: 8 mV / Pa (-42 dBV) Rated impedance: < 150 ohms Rated load impedance: > 1.000 ohms Max. SPL for 0,5 % THD: 146 dB, 0 dB pre-attenuation 156 dB, 10 dB pre-attenuation 166 dB, 20 dB pre-attenuation Equivalent noise level (IEC 61672-1): 16 dB-A, cardioid Signal / noise ratio: 78 dB-A Dynamic range of the microphone amplifier: 130 dB-A Pre-attenuation pad: 10 dB, 20 dB, switchable Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 300 Hz Supply voltage (IEC 61938): 48 V +/- 4 V Current consumption (IEC 61938): 4,7 mA Connector: gold plated 3-pin XLR Dimensions: 138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inch Net weight: 310 g / 10,9 oz.

The LCT 240 is equipped with a highperformance back-electret capsule delivering a warm, distortion-free and natural sound. The very low self-noise and a wide dynamic range ensures a detailed sound reproduction in any setting. Like all models of the Authentica series, the LCT 240 also features a transformerless circuitry which makes it immune to electromagnetic interference.

Technological improvements such as automatic attenuation and clipping history, as well as an illuminated user interface and pushbuttons that allow for noiseless switching, make this sturdy all-rounder a highly convenient and reliable choice.

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2/3-inch small-diaphragm capsule with ultra-thin externally biased, gold-layered low mass diaphragm for powerful and natural sound reproduction Neutral frequency response for authentic sound onstage or in the studio Cardioid polar pattern for effective isolation of the main sound source Low self-noise and a total dynamic range of 130 dB provides an outstanding acoustic presence and powerful yet authentic sound 3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling extremely high sound pressure levels and 3-position high-pass filter Illuminated user interface for quick and easy handling even in dark environments Noiseless pushbuttons for quick and easy attenuation and high-pass filter selection Clipping history, automatic attenuation and key-lock provide error-free recording and unparalleled ease of use Rugged black all-metal construction for durable performance onstage and in the studio Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections Immune to electromagnetic interference thanks to transformerless preamplifier circuitry Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers; includes DTP 40 Mts shock mount, LCT 40 Wx windshield and DTP 40 Lb artificial leather bag

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Lead and background vocals Acoustic instruments // piano, guitar, drums, percussion, strings...

Overhead miking // drums, percussion...

Room ambiance pick-up // guitar amplifier, drums...

Wind instruments // brass and woodwinds...

Live and studio applications Podcasting Recording, home recording

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LCT 340

SPECIFICATIONS

LEWITT’s LCT 340 is a 0.8-inch externally polarized condenser microphone that excels at capturing acoustic and percussion instruments, drums and vocals, and is perfectly suited for sophisticated live and studio applications.

Two interchangeable capsules allow for quick and easy switching of patterns, ensuring greater flexibility without changing microphones.

Acoustical operating principle: pressure & pressure gradient transducers, externally polarized Transducer Ø: 20,32 mm / 0,8 inch Directional pattern: cardioid, omni Frequency range: 20 to 20.000 Hz Sensitivity at 1 kHz into 1 kohms: 9 mV / Pa (-41 dBV), cardioid 8 mV / Pa (-42 dBV), omni Rated impedance: < 150 ohms Rated load impedance: > 1.000 ohms Max. SPL for 0,5 % THD: 139 dB, 0 dB pre-attenuation 145 dB, 6 dB pre-attenuation 151 dB, 12 dB pre-attenuation 157 dB, 18 dB pre-attenuation Equivalent noise level (IEC 61672-1): 15 dB-A, cardioid 16 dB-A, omni Signal / noise ratio: 79 dB-A Dynamic range of the microphone amplifier: 124 dB-A Pre-attenuation pad: 6 dB, 12 dB, 18 dB, switchable Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 150 Hz 6 dB / octave at 300 Hz Supply voltage (IEC 61938): 48 V +/- 4 V Current consumption (IEC 61938): 6,6 mA Connector: gold plated 3-pin XLR Dimensions: 24 dia. x 160 mm / 0,94 dia. x 6,3 inch Net weight: 200 g / 7,05 oz.

The LCT 340 is equipped with fourposition low-cut filter and pre-attenuation slide switches, dual-color LED indicators and a convenient snap closure. It offers a dynamic range of 124 dB and stands out for its extremely low self-noise of 15 dB. Last but not least, its transformerless output makes this ruggedly designed promic resistant to electrical interference and a first-class pick for true sound enthusiasts.

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0.8-inch small-diaphragm capsule with ultra-thin externally biased, gold-layered low mass diaphragm for ultra-precise and neutral sound reproduction Flat frequency response for natural, authentic sound Interchangeable capsules for cardioid and omnidirectional pattern selection ensuring maximum flexibility and an undisturbed workflow Wide dynamic range of 124 dB and low self-noise level of 15 dB for ear-catching realism and distortion-free sonic depth 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filter Illuminated user interface for quick and easy handling even in dark environments Rugged black die-cast full-metal body ensures long life Hexagonal ruthenium-galvanized steel mesh grille to prevent wear and abuse Immune to electromagnetic interference thanks to transformerless preamplifier circuitry Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers; includes DTP 40 Mts shock mount, LCT 40 Ws windshield, DTP 40 Lb leather bag and an optional omnidirectional true condenser transducer

Overhead miking // drums, percussion...

Ensembles // choral or orchestral Acoustic instruments // piano, guitar, drums, percussion, strings...

Wind instruments // brass and woodwinds...

Demanding live and studio applications A/B and X/Y stereo miking

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LCT 540

SPECIFICATIONS

The LCT 540 Authentica exhibits a combination of qualities that will undoubtedly make it a studio favorite among audio engineers and professional musicians. Designed to complement modern recording techniques and meet the expectations of ever-demanding sound professionals, this versatile large-diaphragm condenser microphone offers outstanding performance in miking lead vocals, drums and percussion instruments, brass and woodwinds, classical music ensembles.

Acoustical operating principle: pressure gradient transducer, externally polarized Transducer Ø: 25,4 mm / 1 inch Directional pattern: cardioid Frequency range: 20 to 20.000 Hz Sensitivity at 1 kHz into 1 kohms: 16 mV / Pa (-36 dBV) Rated impedance: < 150 ohms Rated load impedance: > 1.000 ohms Max. SPL for 0,5 % THD: 143 dB, 0 dB pre-attenuation 153 dB, 10 dB pre-attenuation 163 dB, 20 dB pre-attenuation Equivalent noise level (IEC 61672-1): 8 dB-A Signal / noise ratio: 86 dB-A Dynamic range of the microphone amplifier: 135 dB-A Pre-attenuation pad: 10 dB, 20 dB, switchable Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 300 Hz Supply voltage (IEC 61938): 48 V +/- 4 V Current consumption (IEC 61938): 5,1 mA Connector: gold plated 3-pin XLR Dimensions: 158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch Net weight: 425 g / 14,9 oz.

The LCT 540's cardioid 1-inch capsule, enclosed by an extra-large hexagonal grille, captures elaborate, exceptionally nuanced sonic details and optimizes isolation of the main sound source by rendering off-axis sounds. The LCT 540 features three levels of attenuation and three switchable high-pass filters, twocolor LEDs as well as pushbuttons for noiseless handling. A dynamic range of 135 dB and an extremely low self-noise of 8 dB round off the features of this exceptional microphone.

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1-inch dual-system externally biased capsule with an active front and ultra-thin, gold-layered low-mass diaphragm for superior transient response Tailored frequency response for rich and authentic sound onstage or in the studio Cardioid polar pattern for effective isolation of the main sound source Extremely low self-noise of 8 dB and max SPL of 143 dB for an impressive total dynamic range of 135 dB providing a maximum of acoustic presence and clarity 3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling extremely high sound pressure levels and 3-position high-pass filter Illuminated user interface for quick and easy handling even in dark environments Noiseless pushbuttons for quick and easy attenuation and HPF selection Clipping history, automatic attenuation and key-lock provide error-free recording and unparalleled ease of use Rugged all-metal construction for reliable performance onstage and in the studio Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections Immune to electromagnetic interference thanks to transformerless preamplifier circuitry Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a black carrying case; includes LCT 40 SHx shock mount, LCT 40 Wx windshield and DTP 40 Lb artificial leather bag

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Lead and background vocals Acoustic instruments // piano, guitar, drums, percussion, strings...

Overhead miking // drums, percussion...

Ensembles // choral or orchestral Room ambiance pick-up // guitar amplifier, drums...

Wind instruments // brass and woodwinds...

Demanding live and studio applications

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LCT 640

SPECIFICATIONS

LEWITT’s LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones.

This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably rich and exceptionally nuanced sound, and exhibits a remarkable set of qualities that enthuses even the most discerning users.

The LCT 640 excels in a variety of demanding studio applications and stands for unrivalled performance in miking lead and background vocals, drums, percussion instruments, grand pianos, brass and woodwinds, classical music ensembles.

Acoustical operating principle: pressure gradient transducer, externally polarized Transducer Ø: 25,4 mm / 1 inch Directional pattern: omni broad-cardioid cardioid super-cardioid figure-8 Frequency range: 20 to 20.000 Hz Sensitivity at 1 kHz into 1 kohms: 13 mV / Pa (-38 dBV), cardioid 10 mV / Pa (-40 dBV), omni 9 mV / Pa (-41 dBV), figure-8 Rated impedance: < 150 ohms Rated load impedance: > 1.000 ohms Max. SPL for 0,5 % THD: 145 dB, 0 dB pre-attenuation 151 dB, 6 dB pre-attenuation 157 dB, 12 dB pre-attenuation 163 dB, 18 dB pre-attenuation Equivalent noise level (IEC 61672-1): 10 dB-A, cardioid 12 dB-A, omni 13 dB-A, figure-8 Signal / noise ratio: 84 dB-A Dynamic range of the microphone amplifier: 135 dB-A Pre-attenuation pad: 6 dB, 12 dB, 18 dB, switchable Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 150 Hz 6 dB / octave at 300 Hz Supply voltage (IEC 61938): 48 V +/- 4 V Current consumption (IEC 61938): 5,5 mA Connector: gold plated 3-pin XLR Dimensions: 158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch Net weight: 430 g / 15,2 oz.

In addition to the standard omnidirectional, cardioid and figure-8 polar patterns, the LCT 640 offers a widecardioid and super-cardioid characteristic.

It offers a dynamic range of 135 dB and stands out for its extremely low self-noise of 10 dB. In combination with a 4-level high-pass filter and 4-level switchable preattenuation, the LCT 640 provides maximum versatility in all recording situations. Automatic attenuation, keylock, clipping history, push buttons and a light-up user interface round off the features of this outstanding microphone.

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Superior transient response from ultra-thin externally biased, gold-layered low-mass diaphragms for earcatching realism and authentic sound Flat frequency response for natural, authentic sound Five consistent directional characteristics – cardioid, omnidirectional, figure-8, broad cardioid and supercardioid – for maximum flexibility in a wide variety of recording applications 10 dB self-noise and max SPL of 145 dB for an impressive total dynamic range of 135 dB, providing maximum acoustic presence 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filter Illuminated user interface for quick and easy handling even in dark environments Noiseless pushbuttons for quick and easy attenuation and HPF selection Clipping history, automatic attenuation and key-lock provide error-free recording and unparalleled ease of use Rugged all metal construction for reliable performance onstage and in the studio Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections Immune to electromagnetic interference thanks to transformerless preamplifier circuitry Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a black carrying case; includes LCT 40 SHx shock mount, LCT 40 Wx windshield and DTP 40 Lb artificial leather bag

Lead and background vocals Acoustic instruments // piano, guitar, drums, percussion, strings...

Overhead miking // drums, percussion...

Ensembles // choral or orchestral Room ambiance pick-up // guitar amplifier, drums...

Wind instruments // brass and woodwinds...

Demanding live and studio applications

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"THEY SOUND BOTH CURRENT AND CLASSIC."

Steve Catizone (Songwriter // Music Producer, Serenity West Recording) "I track a lot of vocals and I usually have to tweak the EQ a ton to get that sparkle, but not with the LCT 940. Like all LEWITT microphones they sound both current and classic."

Leo Mellace (Songwriter // Music Producer, Serenity West Recording) "LEWITT mics are up all over my studio and never come down. If I'm getting vocals or laying down some guitars they are always ready to deliver. I just got the LCT 940 and love it, the edge and crispness I naturally get from it is incredible."

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Cameell Hanna (Manager // Booking Director, Serenity West Recording) "As a studio manager I book a crazy cross section of different artists from Adele to Snoop. I love Lewitt's ethos and my clients appreciate the incredible capture that they deliver, and they're pretty damn handsome mics to boot. The LCT 940 is a vocal mic that I am offering up first to all of our clients."

Serenity West Recording is a haven for recording artists like Adele, Rihanna, Justin Timberlake, Sean Combs, Shakira, Faith Evans, Will.I.Am and many more.

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LCT 840

SPECIFICATIONS

LEWITT’s LCT 840 is a premium-class externally polarized dual-diaphragm tube microphone designed to excel in a variety of demanding applications. Equipped with a precision-engineered 1-inch capsule, the LCT 840 stands for exceptionally warm and classic, solid vintage sound. Perfectly suited for miking vocals and instruments, this rugged multi-purpose microphone allows for highly nuanced and authentic sound reproduction in the studio and even on stage. Five switchable polar patterns – omni-directional, cardioid, figure-8, widecardioid and super-cardioid – make the LCT 840 a highly versatile tool for professional audio engineers and performers looking for true and authentic tube sound.

Acoustical operating principle: pressure gradient transducer, externally polarized Transducer Ø: 25,4 mm / 1 inch Directional pattern: omni, broad-cardioid, cardioid, supercardioid, figure-8, selectable on remote control Frequency range: 20 to 20.000 Hz Sensitivity: 23 mV / Pa (-33 dBV), cardioid 20 mV / Pa (-34 dBV), omni 23 mV / Pa (-33 dBV), figure-8 Signal / noise ratio: 85 dB-A Equivalent noise level (IEC 61672-1): 9 dB-A, cardioid 10 dB-A, omni 9 dB-A, figure-8 Dynamic range of mic. amp.: 130 dB-A Max. SPL for 0,5 % THD: 139 dB, 0 dB pre-attenuation 149 dB, 10 dB pre-attenuation 159 dB, 20 dB pre-attenuation Pre-attenuation pad: 10 dB, 20 dB, selectable on remote control Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 300 Hz Rated impedance: < 200 ohms Rated load impedance: > 1.000 ohms Supply voltage: custom power supply unit, 230 V, 50 Hz / 110 V, 60 Hz Current consumption: 120 mA Connector: gold plated 11-pin XLR Cable: 8 m (26 ft), 11-pin audio cable, oxygen-free copper Dimensions (Mic): 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch Dimensions (PSU): 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch Net weight (Mic): 662 g / 23,3 oz.

Net weight (PSU): 1894 g / 66,8 oz.

Like all LEWITT mics, the LCT 840 stands out for its extremely low self-noise of 9 dB and effective rejection of off-axis sounds.

The microphone features three levels of attenuation and three switchable highpass filters, LEDs and pushbuttons for noiseless handling on the power supply unit (PSU).

Apart from user-friendly operating controls and advanced technological features so essential to memorable recordings, the LCT 840 also makes an eye-catching design statement: The microphone is equipped with a plexiglass inspection window on the front side of the body, so the illuminated tube itself is fully exposed.

The inside window surface is coated with a highly conductive, yet transparent film preventing electromagnetic interference.

In short: The unique combination of innovative design, high-end technology and tube-typical sound quality ensures magic takes.

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Ultra-thin 1-inch externally biased, gold-layered lowmass diaphragms combined with a dual triode tube ensures accurate transient response while providing smooth, warm and airy tube sound Five consistent directional characteristics – cardioid, omnidirectional, figure-8, broad cardioid and supercardioid – offer maximum flexibility Superior dynamic range of 130 dB-A (Tube) and extremely low self-noise of 9 dB-A for ear-catching realism and distortion-free sonic depth 3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling extremely high sound pressure levels and 3-position high-pass filter Illuminated user interface and jog dials for easy handling even in dark environments Noiseless pushbuttons for quick and easy attenuation and HPF selection Unique features like clipping history and automatic attenuation provide error-free studio recording and unparalleled ease of use Solid die-cast metal body with a stylish, oversized tube inspection window specially coated for maximum protection against electromagnetic interference Custom PSU 840 power supply unit with sturdy fullmetal housing and brushed, anodized black aluminum front Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a black case; includes PSU 840 power supply unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable with gold-plated 11-pin XLR connectors and LCT 40 Wxx windscreen

Lead and background vocals Acoustic instruments // piano, guitar, drums, percussion, strings...

Wind instruments // brass and woodwinds...

Demanding studio applications

25

LCT 940

SPECIFICATIONS

Sound professionals naturally rely on a set of different high-end microphones in order to get the best out of their sound. But changing microphones and adjusting settings takes valuable time, the creative flow of a session is interrupted. With its new Authentica series flagship LCT 940, LEWITT now introduces a microphone that will revolutionize modern studio recording procedures and help engineers and artists to react more quickly to a desired change of style and sound.

Acoustical operating principle: pressure gradient transducer, externally polarized Transducer Ø: 25,4 mm / 1 inch Directional pattern: omni, broad-cardioid, cardioid, supercardioid, figure-8 and four additional intermediate pattern, selectable on remote control Frequency range: 20 to 20.000 Hz Sensitivity: 23 mV / Pa (-33 dBV), cardioid 20 mV / Pa (-34 dBV), omni 23 mV / Pa (-33 dBV), figure-8 Signal / noise ratio (FET): 86 dB-A Signal / noise ratio (Tube): 82 dB-A Equivalent noise level (FET) (IEC 61672-1): 8 dB-A, cardioid; 9 dB-A, omni; 8 dB-A, figure-8 Equivalent noise level (Tube) (IEC 61672-1): 12 dB-A, cardioid; 13 dB-A, omni; 12 dB-A, figure-8 Dynamic range of FET mic. amp.: 135 dB-A Dynamic range of Tube mic. amp.: 128 dB-A Max. SPL for 0,5 % THD (FET): 143 dB, 0 dB pre-attenuation 149 dB, 6 dB pre-attenuation 155 dB, 12 dB pre-attenuation 161 dB, 18 dB pre-attenuation Max. SPL for 0,5 % THD (Tube): 140 dB, 0 dB pre-attenuation 146 dB, 6 dB pre-attenuation 152 dB, 12 dB pre-attenuation 158 dB, 18 dB pre-attenuation Pre-attenuation pad: 6 dB, 12 dB, 18 dB, selectable on remote control Bass cut filter slope: 12 dB / octave at 40 Hz 6 dB / octave at 150 Hz 6 dB / octave at 300 Hz selectable on remote control Rated impedance: < 200 ohms Rated load impedance: > 1.000 ohms Supply voltage: custom power supply unit, 230 V, 50 Hz / 110 V, 60 Hz Current consumption: 170 mA Connector: gold plated 11-pin XLR Cable: 8 m (26 ft), 11-pin audio cable, oxygen-free copper Dimensions (Mic): 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch Dimensions (PSU): 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch Net weight (Mic): 662 g / 23,3 oz.

Net weight (PSU): 1930 g / 68,1 oz.

The LCT 940 combines the specific characteristics of a premium largediaphragm FET condenser microphone and a top-notch tube microphone in one housing. Basically, users can choose between the two main settings "FET" and "Tube".

"Tube" delivers the classic, warm and rich tube sound, while "FET" stands for the clear, exceptionally rich and nuanced sound LEWITT condenser microphones are renowned for. However, the LCT 940 offers another unique feature that true recording enthusiasts will swoon over: As the characteristics of the two main settings can be mixed and merged continuously variable, the LCT 940 opens up huge creative possibilities for artists and producers.

Furthermore, the LCT 940 features a total of nine different polar patterns – our five "standard" polar patterns omni-directional, cardioid, figure-8, wide- and supercardioid and four additional intermediate patterns. The microphone features four levels of attenuation and four switchable high-pass filters, LEDs and push buttons for noiseless handling on the PSU. Automatic attenuation and clipping history round off the feature list of the LCT 940.

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Combines the sonic characteristics of a tube and a FET mic in one single housing for maximum creative freedom and an undisturbed workflow Continuously variable switching and merging of tube and FET sound via rotating potentiometer 1-inch externally biased, dual-system capsule with ultra-thin, gold-layered low-mass diaphragms combined with a dual triode tube ensures accurate transient response while providing smooth, warm and airy tube sound Nine consistent directional characteristics – cardioid, omnidirectional, figure-8, broad cardioid, supercardioid and four intermediate patterns – for maximum flexibility in a wide variety of recording applications Superior dynamic range of 128 dB-A (Tube) / 135 dB-A (FET) and exceptionally low self-noise of 12 dB-A (Tube) / 8 dB-A (FET) for ear-catching realism and distortionfree sonic depth 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB and 18 dB) for handling extremely high sound pressure levels and 4-position high-pass filter Illuminated user interface and jog dials for easy handling even in dark environments Noiseless pushbuttons for quick and easy attenuation and HPF selection Unique features like clipping history and automatic attenuation provide error-free studio recording and unparalleled ease of use Custom PSU 940 power supply unit with sturdy full-metal housing and brushed, anodized black aluminum front Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a black carrying case; includes PSU 940 power supply unit with sturdy full-metal housing and milled, anodized black aluminum front, LCT 40 SHxx shock mount, LCT 40 Tr audio cable with gold-plated 11-pin XLR connectors and LCT 40 Wxx windscreen

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Wind instruments // brass and woodwinds...

Demanding studio applications

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"A WELCOMED ADDITION TO MY COLLECTION."

"When I'm recording a full band in the studio, I want to put up mics that I can rely on. There's limited time to achieve the quality of sound that I want. I need tools that I can trust. Therefore, the band can play while they are still fresh. LEWITT microphones are innovative and productive."

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Brian Vibberts Recording Engineer (participation in 250 Grammynominated and 65 Grammy-awarded projects) 29

ADD MORE MTP 240 DM / DMs

POWER TO YOUR

MTP 340 CM / CMs

MTP 840 DM

TUNES. THE MTP PERFORMANCE SERIES Music professionals know that it’s often the smallest details that make all the difference in vocal and instrumental recordings.

With our MTP series, we aim to exceed artists’ and audio engineers’ expectations of reproduction accuracy and isolation of the main sound source. The new flagships among LEWITT's performance microphones – the MTP 840 DM and the 940 CM

MTP 440 DM

are true milestones of audio technology.

All MTP microphones are professional-quality handheld dynamic and condenser performance microphones have been developed specifically for the authentic, crystal-clear reproduction of vocals and are also well-suited for instrumental applications.

Customized frequency responses, a rugged construction, high gain before feedback and extremely low handling noise make all models of the MTP series the perfect fit for any application, any performance and any setting.

MTP 540 DM / DMs 30

MTP 940 CM 31

MTP 240 DM / DMs

SPECIFICATIONS

The MTP 240 DM and MTP 240 DMs are rugged and exceptionally feedback-safe dynamic cardioid microphones tuned specifically for vocal applications. Perfectly suited for use in live performances and ambitious home studio recordings, these dynamic microphones please entry-level vocalists and professionals alike.

Acoustical operating principle: dynamic, moving coil Directional pattern: cardioid Frequency range: 60 to 18.000 Hz Sensitivity at 1 kHz into 1 kohm: 2 mV / Pa (-54 dBV) Rated impedance: < 280 ohms Connector: gold plated 3-pin XLR Dimensions: 49 dia. x 175 mm / 1,9 dia. x 6,9 inch Net weight: 335 g / 11,8 oz.

Using state-of-the-art microphone technology, the MTP 240 DM and DMs are engineered to provide sound reproduction with exceptional clarity and detail. The optional on/off switch (MTP 240 DMs) and a tough steel-mesh grille that perfectly resists wear and abuse rounds out the models’ features.

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Optimized frequency response for vocal applications Uniform cardioid polar pattern minimizes unwanted background noise Easily withstands high sound pressure levels Effective integrated acoustic pop and windshield offers excellent protection without compromising highfrequency clarity Highly durable, black all-metal construction, optimized for rough daily touring routine Minimally affected by varying load impedance The MTP 240 DMs features a convenient, recessed on/off slide switch Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box including MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag

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Lead and background vocals Live and studio applications

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MTP 340 CM / CMs

SPECIFICATIONS

Our MTP 340 CM and MTP 340 CMs are quality condenser vocal microphones with a thin diaphragm back-electret capsule which brings a high level of sonic detail to demanding vocal applications. No matter whether on stage or in the studio, the models’ tailored frequency response always allows for maximum precision and unsurpassed clarity, taking professional vocal tracking to the next level.

Acoustical operating principle: pressure gradient transducer, permanently polarized Directional pattern: cardioid Frequency range: 90 to 20.000 Hz Sensitivity at 1 kHz into 1 kohm: 3,1 mV / Pa (-50 dBV) Max. SPL for 1 % / 3 % THD: 141 dB / 150 dB Equivalent noise level (IEC 61672-1): 25 dB-A Rated impedance: < 200 ohms Rated load impedance: > 1.000 ohms Supply voltage (IEC 61938): 48 V +/- 4 V Current consumption (IEC 61938): 5,3 mA Connector: gold plated 3-pin XLR Dimensions: 49 dia. x 175 mm / 1,9 dia. x 6,9 inch Net weight: 330 g / 11,6 oz.

The uniform cardioid pickup pattern ensures noise-free transmission, with essential sound sources being effectively isolated while unwanted feedback and background noise are eliminated. These microphones’ rugged construction and hardened steel-mesh grille ensure trouble-free handling on stage and in the studio.

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Frequency response shaped specifically for vocal applications Uniform cardioid pickup pattern for minimum off-axis coloration High gain before feedback Easily withstands high sound pressure levels Effective integrated acoustic pop and windshield offers excellent protection against plosives and sibilance Highly durable, black all-metal construction, optimized for rough daily touring routine Minimally affected by varying load impedance The MTP 340 CMs features a convenient, recessed on/off slide switch Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box including MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag

Lead and background vocals Live and studio applications

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MTP 440 DM

SPECIFICATIONS

The MTP 440 DM is an exceptionally versatile, precision-engineered cardioid dynamic microphone ideally suited for upscale live sound and studio recording applications.

Featuring a highperformance capsule which delivers a remarkably bright and lively sound, the MTP 440 is perfect for miking drums, percussion instruments, brasses, woodwinds and vocals.

Acoustical operating principle: dynamic, moving coil Directional pattern: cardioid Frequency range: 60 to 16.000 Hz Sensitivity at 1 kHz into 1 kohm: 2,5 mV / Pa (-52 dBV) Rated impedance: < 500 ohms Connector: gold plated 3-pin XLR Dimensions: 39 dia. x 159 mm / 1,53 dia. x 6,25 inch Net weight: 280 g / 9,88 oz.

The MTP 440’s cardioid pattern ensures perfect off-axis rejection and exceptionally high gain before feedback. Unwanted reflections or background noise are effectively suppressed.

High-quality components and rugged construction make it a number one choice for touring professionals and artists around the globe.

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Tailored frequency response for instrument applications Highly consistent cardioid polar pattern for minimum offaxis coloration High gain before feedback Easily withstands high sound pressure levels Rock-solid full-metal, die-cast body for rough daily touring routine Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers; includes MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag

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Drums and Percussion // snare, hi-hat...

Instrument amps Wind instruments // brass and woodwinds...

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MTP 540 DM / DMs

SPECIFICATIONS

LEWITT’s MTP 540 DM and MTP 540 DMs are high-performance cardioid dynamic handheld microphones optimized for vocal applications setting new standards of sound quality in both demanding studio recordings and onstage use.

Acoustical operating principle: dynamic, moving coil Directional pattern: cardioid Frequency range: 60 to 16.000 Hz Sensitivity at 1 kHz into 1 kohm: 2 mV / Pa (-54 dBV) Rated impedance: < 300 ohms Connector: gold plated 3-pin XLR Dimensions: 49 dia. x 175 mm / 1,9 dia. x 6,9 inch Net weight: 400 g / 14,1 oz.

The MTP 540 DM and DMs combine the advanced technological features so essential to memorable and authentic vocal reproduction, providing just the kind of performance you expect in a top-notch professional dynamic microphone: the elastic shock-mount system effectively cuts down handling noise, while a built-in spherical wind and pop filter compliments specially tailored frequency response to ensure consistently rich and powerful output in any setting.

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Frequency response shaped specifically for demanding vocal applications, with brightened midrange and bass roll-off Uniform cardioid pickup pattern for maximum isolation of the main sound source Highly shock-proof capsule minimizes handling noise Easily withstands high sound pressure levels Effective integrated acoustic pop and windshield offers excellent protection without compromising highfrequency clarity Rock-solid full-metal, die-cast body for rough daily touring routine Hardened hexagonal ruthenium-galvanized steel mesh grille to prevent wear and abuse Minimally affected by varying load impedance The MTP 540 DMs features a convenient recessed on/off slide switch Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers; includes MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag

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Lead and background vocals Live and studio applications

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MTP 840 DM

SPECIFICATIONS

LEWITT puts true studio performance onstage – universally usable thanks to switchable sensitivity and a multi-step high-pass filter, infinitely durable and optimally equipped for punishing touring conditions without compromising on sound.

Acoustical operating principle: dynamic, moving coil Directional pattern: super-cardioid Frequency range: 40 to 18.000 Hz Sensitivity: 3,5 mV / Pa (-49 dBV), passive mode 7 mV / Pa (-43 dBV), active mode 14 mV / Pa (-37 dBV), active mode Signal / noise ratio: 75 dB-A Equivalent noise level: 19 dB-A, Super-cardioid (IEC 61672-1) Dynamic range, passive mode: 135 dB-A Dynamic range, active mode: 121 dB-A, 0 dB gain 115 dB-A, 6 dB gain 109 dB-A, 12 dB gain Max. SPL for 0,5 % THD, active mode: 140 dB, 0 dB gain 134 dB, 6 dB gain 128 dB, 12 dB gain Gain settings, active mode: 0 dB, 6 dB, 12 dB, switchable Bass cut filter slope: 12 dB / octave at 150 Hz 12 dB / octave at 250 Hz Rated impedance: < 600 ohms Rated load impedance: > 1.000 ohms Supply voltage: 48 V +/- 4 V (IEC 61938) Current consumption: 5,5 mA (IEC 61938) Connector: gold plated 3-pin XLR Dimensions: 51 dia. x 183 mm / 2 dia. x 7,2 inch Net weight: 336 g / 11,85 oz

Excellent transient response, refined electronics and superior capsule design make the MTP 840 DM a unique tool for onstage use. Innovative circuitry design and the highest-quality components make for low self-noise and a maximum of dynamic range when in active mode, the frequency curve, which is specially tailored for vocal recordings, provides the ultimate in sound quality. A three-step high-pass filter directly influences the proximity effect.

The built-in three-position switchable amplifier, is specially adapted to the MTP 840’s components, allowing lossless recording of even far-off sources.

The LEDs on the MTP 840 DM, which can be turned off, make checking the microphone’s numerous settings a direct and easy matter even in the dark.

The new dynamic flagship MTP 840 DM transports the artist’s voice in a natural and powerful way, consistent directionality across the entire frequency spectrum makes for maximum protection against feedback, with the flexibly suspended capsule reducing structure-borne noise to a minimum.

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Proprietary dynamic capsule tuned specifically for demanding vocal applications, with brightened midrange and extended low end Uniform supercardioid pickup pattern for maximum isolation of the main sound source Optional active mode provides superior dynamic range of 121 dB-A and extremely low self-noise of 19 dB-A for ear-catching realism and distortion-free sonic depth Optional 3-position switchable amplification (0 dB, 6 dB, and 12 dB) for unrivalled signal quality in demanding environments 3-position switchable high-pass filter for direct adjustment of proximity effect according to application and artist Illuminated indication of microphone settings for quick and easy handling even in dark environments Recessed slide switches prevent unintended change of settings Effective integrated acoustic pop and windshield offers excellent protection without compromising highfrequency clarity Rock-solid full metal, die-cast body for rough daily touring routine Hardened steel mesh grille to prevent wear and abuse Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box including MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag

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Lead and background vocals Demanding live and studio applications

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MTP 940 CM

SPECIFICATIONS

Real studio performance onstage – at present, this can only be found in LEWITT’s MTP Performance Series.

Meeting the highest standards onstage and in the studio requires the world’s most technically advanced, innovative and fullfeatured handheld condenser microphone: the new MTP 940 CM – a milestone of audio technology.

Acoustical operating principle: pressure gradient transducer, externally polarized Transducer Ø: 25,4 mm / 1 inch Directional pattern: wide cardioid cardioid super-cardioid Frequency range: 20 to 20.000 Hz Sensitivity: 10 mV / Pa (-40 dBV), cardioid Signal / noise ratio: 85 dB-A Equivalent noise level: 9 dB-A, cardioid (IEC 61672-1) Dynamic range of mic. amp.: 135 dB-A Max. SPL for 0,5 % THD: 144 dB, 0 dB pre-attenuation 150 dB, 6 dB pre-attenuation 156 dB, 12 dB pre-attenuation Pre-attenuation pad: 6 dB, 12 dB, switchable Bass cut filter slope: 12 dB / octave at 80 Hz 12 dB / octave at 160 Hz Rated impedance: < 150 ohms Rated load impedance: > 1.000 ohms Supply voltage: 48 V +/- 4 V (IEC 61938) Current consumption: 5,5 mA (IEC 61938) Connector: gold plated 3-pin XLR Dimensions: 51 dia. x 183 mm / 2 dia. x 7,2 inch Net weight: 332 g / 11,71 oz

The externally biased large-diaphragm capsule of the MTP 940 CM lends the lead voice the necessary presence in an infinitely subtle, detailed and authentic way. The source comes through clearly, processed with impressive feedback resistance and with undesired breath, popping and handling noise reduced to a minimum. The MTP 940 CM boasts a 135 dB dynamic range – the widest ever achieved in a live microphone – due to its high headroom and LEWITT’s own Direct Coupling circuit design, which makes possible an unbeatably low self-noise level of just 9 dB. Thus the MTP 940 CM is also ideal for use in the studio. Three switchable polar patterns ease recording of the most diverse sources. A three-step high-pass filter makes it possible to directly influence the proximity effect and the three-position switchable attenuation pad guarantees use even in extreme SPL environments. LEDs that can be switched off if desired, make checking the mic’s numerous settings a direct and easy matter even in the dark ensuring a fast and trouble-free setup process.

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1-inch externally biased, dual-system capsule with ultrathin, gold-layered low-mass diaphragms ensure accurate transient response for nuanced and authentic sound Flat frequency response for natural sound Three consistent directional characteristics – cardioid, wide cardioid, supercardioid – for maximum flexibility in a wide variety of live and recording applications Superior dynamic range of 135 dB-A and exceptionally low self-noise of 9 dB-A thanks to innovative direct coupling technology (patent pending) for ear-catching realism and distortion-free sonic depth 3-position switchable pre-attenuation pad (0 dB, 6 dB, and 12 dB) for handling extremely high sound pressure levels 3-position switchable high-pass filter for direct adjustment of proximity effect according to application and artist Illuminated indication of microphone settings for quick and easy handling even in dark environments Recessed slide switches prevent unintended change of settings Effective integrated acoustic pop and windshield offers excellent protection without compromising highfrequency clarity Rock-solid full-metal, die-cast body for rough daily touring routine Hardened steel mesh grille to prevent wear and abuse Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box including MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag

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Lead and background vocals Demanding live and studio applications

For everyone who’s always dreamed of taking their studio mic into their hands and onstage, or of recreating a live atmosphere in the studio at an uncompromising level of quality, the MTP 940 CM is the only right choice. With the optimal synergy between versatility, innovation and sound quality, it sets a new benchmark in the world of high-end microphones.

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"I LOVE ’EM."

"I’ve used LEWITT microphones on several big tours that I just finished: one with Jennifer Lopez, the other with Chris Brown and another one with Mary J. Blidge ... and I love them." Rick changed J.Lo's drum microphone setup during her world tour. Hardly the right time for experiments. Nevertheless the perfect time for the best sound.

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Rick Camp FOH Engineer (Jennifer Lopez, Chris Brown, Madonna, Beyoncé, ... ) 45

PUT MORE DTP 340 REX

DTP 340 TT

BOOM IN YOUR

CHA. THE DTP PERCUSSION SERIES With its DTP series, LEWITT introduces a complete family of cutting-edge, high-performance wired dynamic microphones designed specifically for drums, percussion and bass instruments. These high-quality mics â&#x20AC;&#x201C; spear-headed by our masterpiece, the dual-element cardioid DTP 640 REX optimized for kick drum applications â&#x20AC;&#x201C; stand out thanks to their sonic accuracy on stage as well as in studio settings. Minimally affected by varying load impedance and designed to effectively reject off-axis sound, all models of the DTP series deliver unparalleled, memorable sound that will turn heads in any audience. Uniform cardioids and super-cardioid patterns allow for high gain before feedback and a hardened steel mesh grille effectively resists wear and abuse, making DTP microphones and Beat Kits the ultimate choice for touring professionals.

From professional drummers to discerning beat aficionados, LEWITT's DTP series lets music lovers and performers alike discover a fine-tuned, punchy sound.

DTP 640 REX 46

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DTP 340 TT

SPECIFICATIONS

With the DTP 340 TT LEWITT introduces consistently high-performing wired dynamic microphones specifically designed to accurately capture the sound of drums and percussion instruments providing a maximum of acoustic presence and clarity in live sound applications.

Acoustical operating principle: dynamic, moving coil Directional pattern: super-cardioid Frequency range: 40 to 16.000 Hz Sensitivity at 1 kHz into 1 kohm: 1,4 mV / Pa (-57 dBV) Rated impedance: < 500 ohms Connector: gold plated 3-pin XLR Dimensions: 41 dia. x 94 mm / 1,6 dia. x 3,7 inch Net weight: 165 g / 5,82 oz.

Even in high sound pressure level applications, DTP 340 TT reproduces instrumental sounds with sonic detail and character. The super-cardioid polar pattern ensures that side and rear sounds are effectively rejected. Its rugged body and a hardened steel-mesh grille make this microphone highly durable professional gear for performers and audio engineers.

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Tailored frequency response for powerful yet smooth and natural sound on percussion instruments Uniform supercardioid pickup pattern ensures high gain before feedback and maximum isolation of the desired sound source Solid full-metal, die-cast body suited for rough daily touring routine Highly durable steel mesh grille to prevent wear and abuse Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers, including DTP 40 Mts shock mount, DTP 40 Mt drum mount and DTP 40 Lb artificial leather bag

Drums and Percussion // tom tom, hi-hat...

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DTP 340 REX

SPECIFICATIONS

The ambitious DTP 340 REX developed for entry-level use and its upscale big brother designed for professional use, the DTP 640 REX, make the hearts of beat aficionados beat faster. Thanks to its cardioid polar pattern and customized frequency response, the dynamic DTP 340 REX offers everything you need to mic bass instruments: catchy, impressive sound and reliable performance on stage and in the studio.

Acoustical operating principle: dynamic, moving coil Directional pattern: cardioid Frequency range: 20 to 16.000 Hz EFR, ‘Enhanced Frequency Response’ settings: = FFR, ‘Flat Frequency Response’ + EFR, ‘Enhanced Frequency Response’ Sensitivity, = FFR: 0,4 mV / Pa (-69 dBV) Sensitivity, + EFR: 0,4 mV / Pa (-69 dBV) Rated impedance: < 500 ohms Connector: gold plated 3-pin XLR Dimensions: 71 dia. x 158 mm / 2,8 dia. x 6,2 inch Net weight: 740 g / 26,1 oz

Since 2012, the DTP 340 REX offers another innovative feature. In addition to the accustomed neutral and pure sound – developed for maximum application diversity –, the ‘Enhanced Frequency Response’ switchable right on the microphone will deliver an unbeatably impressive sound by emphasizing frequencies from 70-150 Hz and 3-5 kHz – especially optimized for use on kick drums.

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Switchable “Enhanced Frequency Response” specifically tailored for a powerful kick drum sound Perfectly suited for recording bass instruments and percussion Uniform cardioid pickup pattern for maximum isolation of the main sound source Outstanding gain before feedback Rock-solid full metal die-cast body suited for rough daily touring routine Integrated stand adapter for secure mounting and easy positioning Corrosion-resistant gold-plated 3-pin XLR output connector Comes in a cardboard box with foam layers and DTP 40 Lb artificial leather bag

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Low frequency instruments // double bass, electric bass, kick drum...

Live and studio applications

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DTP 640 REX

SPECIFICATIONS

Thanks to variably controlled dual element technology and fine tuned frequency responses, our flagship among drum microphones, the DTP 640 REX, offers unparalleled and powerful sound that will delight professional drummers and sound engineers alike. The DTP 640 REX is equipped with a high quality dynamic element and a condenser element – the dynamic element ensures accurate reproduction of the bass drum kick, while the condenser element optimally captures the rich low frequency sound of the drum’s shell. In order to guarantee full control over the two elements, they can be separately mixed on their own channels.

Acoustical operating principle: dynamic, moving coil condenser, permanently polarized Transducer Ø (dynamic): 31,7 mm / 1,25 inch Transducer Ø (condenser): 22,4 mm / 0,88 inch Directional pattern: cardioids, condenser and dynamic Frequency range: 20 to 16.000 Hz, dynamic, depending on EFR setting EFR, ‘Enhanced Frequency Response’ settings: = // = FFR, ‘Flat Frequency Response’ + // = Dynamic EFR, ‘Dynamic Enhanced Frequency Response’+ // + Dual EFR, ‘Dual Enhanced Frequency Response’ Sensitivity, = // = FFR: 0,4 mV / Pa (-69 dBV) dynamic 2 mV / Pa (-54 dBV) condenser Sensitivity, + // = Dynamic EFR: 0,4 mV / Pa (-69 dBV) dynamic 2 mV / Pa (-54 dBV) condenser Sensitivity, + // + Dual EFR: condenser and dynamic matched at 1 mV / Pa (-60 dBV) Equivalent noise level: 28 dB-A (IEC 61672-1), condenser, FFR Dynamic range of mic. amp.: 122 dB-A, condenser Max. SPL for 0,5 % THD: 150 dB, 0 dB pre-attenuation 160 dB,10 dB pre-attenuation 170 dB, 20 dB pre-attenuation Pre-attenuation pad: 10 dB, 20 dB switchable Rated impedance: < 500 ohms, dynamic < 200 ohms, condenser Supply voltage: 48 V +/- 4 V (IEC 61938) Current consumption: 2 mA (IEC 61938) Connector: gold plated 3-pin and 5-pin XLR Cable: 1,5 m (4,95’) dual shielded Y-cable, 5-pin XLR into two 3-pin XLRs Dimensions: 71 dia. x 158 mm / 2,8 dia. x 6,2 inch Net weight: 755 g / 27,3 oz

Since 2012, the DTP 640 REX offers two more features. The dynamic element emphasizes frequency ranges relevant for the kick drum in the ‘Dynamic Enhanced Frequency Response’ setting switchable right on the microphone, while the condenser element captures the sound neutrally. With ‘Dual Enhanced Frequency Response’, the character of the sound can be shaped even more individually – with this setting, the condenser element focuses on frequencies from 70 to 150 Hz and delivers a full body sound. The dynamic element provides the necessary power by focusing on the range between 3 and 5 kHz. The combination of these features with the comprehensive tonal freedom of dualelement technology greatly increases the range of use, turning the DTP 640 REX into a universal tool for bass-heavy applications.

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Innovative dual-element design (dynamic and backelectret condenser) accurately captures the sharp attack of the beater as well as the round tonalities of the shell for unrivaled realism 3-position switchable "Enhanced Frequency Response" provides various tailored frequency responses on separate channels for maximum creative freedom Frequency response specifically tuned for kick drum applications and bass instruments 3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling extremely high sound pressure levels Hardened hexagonal ruthenium-galvanized steel mesh grille to prevent wear and abuse Integrated stand adapter for quick and easy mounting and positioning Corrosion-resistant gold-plated 5-pin XLR output connector Comes in a cardboard box with foam layers; includes DTP 40 Trs cable and DTP 40 Lb artificial leather bag

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Low frequency instruments // double bass, electric bass, kick drum...

Live and studio applications

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DTP Beat Kit 6 The DTP Beat Kit 6 is a conveniently packaged start-up selection of dynamic and condenser drum and percussion microphones and mounts, designed to offer performers and audio engineers of all experience levels everything needed for expert live sound reinforcement, home recording and studio recording.

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The 6-piece drum kit includes one DTP 340 REX and three DTP 340 TT super-cardioid dynamic drum mics, two LCT 140 condenser mics, windshields and drum- and shock mounting systems, and comes in a convenient black aluminium carrying case. Thanks to carefully tailored frequency responses optimized for drum and percussion applications, as well as precision dynamic capsules and uniform directional pickup patterns ensuring high gain before feedback, the DTP 340 REX and the DTP 340 TT deliver fine-tuned drum sound with extraordinary detail and impact onstage and in the studio.

LEWITT’s highly versatile and compact condenser all-rounder, the LCT 140, allows for accurate and clear sound capture of cymbals. Its transformerless design makes it immune to electromagnetic interference, and convenient LED displays and recessed slide switches make it a perfect fit for live applications.

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6 piece starter drum kit containing one DTP 340 REX, three DTP 340 TT and two LCT 140 microphones All microphones feature frequency responses specifically tailored for drum and percussion instruments Extremely durable gear for professional live and studio applications The LCT 140 features a transformerless design which makes it immune to electromagnetic interference All models are equipped with corrosion-resistant gold-plated 3-pin XLR output connectors ensuring reliable signal paths Comes in a black carrying case with double foam layers and artificial leather faces for easy travel and secure storage Includes two LCT 40 Ws windshields, five DTP 40 Mts shock mounts and three DTP 40 Mt drum mounts

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

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DTP Beat Kit Pro 7 The DTP Beat Kit Pro 7 is an elite full-spectrum drum set designed for an ever growing number of professional drummers and sound engineers looking for a high-performance all-rounder kit that allows for reproducing authentic, powerful sound full of detail in any setting. From upscale studio projects to big live acts, the DTP Beat Kit Pro 7 provides just the kind of reliable premium gear you need for a memorable performance.

This 7-piece pro-kit contains our drum mic masterpiece, the dual-element cardioid DTP 640 REX, three dynamic DTP 340 TT mics, two LCT 340 condenser mics and one cardioid dynamic MTP 440 DM mic, as well as a selection of shock and drum mounts. All these pro-quality, precision-engineered microphones feature a tailored frequency response designed specifically for miking drums, percussions and bass instruments. The complete package exhibits fantastic SPL handling and off-axis sound rejection, delivering remarkably bright, smooth and balanced sound – anytime, anywhere.

The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.

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7-piece quality drum kit containing one DTP 640 REX, three dynamic DTP 340 TT microphones, two LCT 340 condenser microphones and one dynamic MTP 440 DM All microphones feature frequency responses specifically tailored for drums and percussion instruments Highly durable all-metal constructed bodies and hardened steel mesh grilles for reliable performance onstage and in the studio The LCT 340 provides interchangeable 0.8-inch smalldiaphragm capsules for cardioid and omnidirectional (optional) pattern selection, convenient snap closure, transformerless output and dual-color LEDs The DTP 340 TT features a uniform supercardioid pickup pattern for high gain before feedback and maximum isolation of the desired sound source The MTP 440 DM is a cardioid dynamic microphone featuring a precision-engineered capsule for effective isolation of the intended sound source, perfectly suited for miking snare drums The DTP 640 REX combines a high-performance backelectret and a dynamic capsule in one mic for a highly balanced, rich and powerful drum sound All models are equipped with corrosion-resistant gold-plated 3-pin XLR output connectors ensuring reliable signal paths and low noise Comes in a black carrying case with double foam layers and artificial leather faces for easy travel and secure storage Includes two LCT 40 Ws windshields, five DTP 40 Mts shock mounts, four DTP 40 Mt drum mounts and one MTP 40 MCs shock mount

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"IT REALLY CAPTURES THE TRUE SOUND OF WHATEVER I AM RECORDING."

Keith Harris trusts in LEWITT microphones. He may be best known as the drummer and a producer for multi-platinum selling, The Black Eyed Peas and Fergie. His album credits include Michael Jackson, Mary J. Blige, Mariah Carey, Christina Aguilera, Chris Brown, Pussy Cat Dolls, Earth Wind and Fire, John Legend and many more.

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Keith Harris Producer // Drummer (Multi Grammy Award Winner) 59

GET MORE LTS 240 Diversity C+D

LIVE INTO YOUR

SHOW. THE LTS WIRELESS SERIES Reasonably priced, sophisticated and yet easy-to-use wireless vocal systems which deliver solid, distortion-free sound and excel in a variety of semi-professional studio and live applications. That's what LEWITT's tech-engineers had in mind when they created the LTS series. No matter whether at small live gigs, conferences, regional events or karaoke performances, LTS wireless systems are the first choice for ambitious entry- and mid-level users looking for the perfect combination of consistent performance, smart operation and remarkable audio quality.

Users can choose between systems with condenser or dynamic capsules, and all LTS sets feature handheld transmitters and full metal half-rack receivers.

Unplug and dive into a great new wireless experience.

LTS 240 Dual C+D 60

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LTS 240 Dual C+D

SPECIFICATIONS

State-of-the-art wireless technology, solid construction, reliable performance and quality audio transmission at an extraordinary price-performance ratio – that’s what LEWITT’s LTS 240 Dual C & LTS 240 Dual D wireless start-up kits stand for. Designed for entry-level users, these versatile, compact wireless systems offer artists and engineers easy-to-use wireless technology, delivering natural and distortion-free sound on small stages, at events or karaoke performances.

Transmitters Transmission principle: UHF, FM Directional pattern: cardioid Available channels: 2 fixed Modulation: FM (25 kHz max. deviation), compander system with pre- and de-emphasis Audio bandwidth: 70 to 18.000 Hz THD: < 0,5 % typical Signal / noise ratio: > 80 dB-A typical RF radiation: 10 mW Battery life: 2 pcs AA size dry batteries: 10 hours typ.

Dimension: 50 dia. x 262 mm / 1,96 dia. x 10,3 inch Net weight: 255 g / 9,0 oz.

Users can choose between systems with condenser (LTS 240 Dual C) or dynamic capsules (LTS 240 Dual D). Each set contains two high-quality handheld transmitters featuring a convenient LED display indicating battery status, a quickacting screw thread closure and two AA batteries for up to 10 hours continuous use, as well as a rugged half-rack receiver with a sturdy metal housing.

Simply unplug and rock!

Receiver Audio outputs: balanced 3-pin XLR; unbalanced TS 1/4" jack Gain adjustment range: 0 - 6 dB Dimensions: 160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch Net weight: 540 g / 19,0 oz.

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LTS 240 Dual C and D wireless systems are the perfect choice for entry-level users looking for reliable gear that delivers distortion-free, natural sound in live and karaoke performances The LTS 240 Dual C kit includes two handheld transmitters featuring quality condenser capsules and a half-rack receiver The LTS 240 Dual D kit includes two handheld transmitters featuring quality dynamic capsules and a half-rack receiver Four-part RF- and AF-level LED display Transmitters are equipped with two AA batteries for up to ten hours of continuous performance, a convenient LED display indicating battery status and an On/Off/Mute switch Receiver features pre-programmed frequencies, FM modulation, UHF antennas, XLR and unbalanced (6,3 phone plug) outputs Volume level control Solid handheld transmitters with a hexagonal side grille and a stylish matte black finish Half-rack metal-case receiver with a matte black finish Comes in a cardboard box with foam layers; includes LTS 40 MCs shock mount

Lead and background vocals

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LTS 240 Diversity C+D

SPECIFICATIONS

With the LTS 240 Diversity C and the LTS 240 Diversity D systems, LEWITT introduces rugged, reliable and easy-touse wireless systems designed to add a remarkable quality to performances of ambitious entry-level users. Perfectly suited for use on small stages, at club gigs, regional events or in houses of worship, these reasonably priced wireless systems withstand the rigors of regular stage use and deliver reliable performance in any setting. Convenient and easy setup makes these wireless systems the perfect choice for young bands, entertainers and karaoke professionals.

Transmitters Transmission principle: UHF, FM, diversity Directional pattern: cardioid Available channels: 4 selectable channels Modulation: FM (25 kHz max. deviation), compander system with pre- and de-emphasis Audio bandwidth: 70 to 18.000 Hz THD: < 0,5 % typical Signal / noise ratio: > 85 dB-A typical RF radiation: 10 mW Battery life: 2 pcs AA size dry batteries: 10 hours typ.

Dimension: 50 dia. x 262 mm / 1,96 dia. x 10,3 inch Net weight: 258 g / 9,1 oz.

Users can choose between systems with condenser (LTS 240 Diversity C) or dynamic capsules (LTS 240 Diversity D).

Each set contains a quality handheld transmitter featuring a convenient LED display indicating battery status, a quickacting screw thread closure and a rotary switch for frequency selection, as well as a rugged diversity half-rack receiver featuring four pre-programmed frequencies selectable via pushbuttons.

In short, the LTS 240 Diversity C and the LTS 240 Diversity D systems offer everything that users expect from versatile, modern and durable entry-level wireless systems.

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Receiver Audio outputs: balanced 3-pin XLR; unbalanced TS 1/4" jack Gain adjustment range: 0 - 6 dB Squelch: Yes Dimensions: 160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch Net weight: 540 g / 19,0 oz.

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LTS 240 Diversity C and Diversity D wireless systems are a top choice for ambitious entry-level users and performances in various acoustic environments The LTS 240 Diversity C set includes one handheld transmitter featuring a quality condenser capsule and a half-rack receiver with a sturdy metal housing The LTS 240 Diversity D set includes one handheld transmitter featuring a quality dynamic capsule and a half-rack receiver with a sturdy metal housing Four-part RF- and AF-level LED display Transmitters are equipped with two AA batteries for up to ten hours of continuous performance, an LED display indicating battery status and an On/Off/Mute switch and a rotary switch for frequency selection Receiver features four pre-programmed frequencies selectable via pushbuttons, FM modulation, UHF antennas, XLR and unbalanced (6,3 phone plug) outputs Squelch and volume level controls Hardened hexagonal steel mesh grille to prevent wear and abuse Half-rack all-metal case receiver with a matte black finish Set comes in a cardboard box with foam layers and includes LTS 40 MCs shock mount

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Lead and background vocals

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LCT Shock Mount

LCT Windscreen

Shock mount for studio microphones. Attenuates noise, shock and vibration transmitted through mic stands, booms and mounts. Quick-acting screw thread closure permits fast and easy setup. Compatible with 3/8" and 5/8" threads.

High-quality, ultraviolet radiation resistant foam windscreen. Prevents loud pops from occurring when aspirated air from spoken or sung consonants like "p" and "t" hits the microphone's diaphragm.

LCT 40 SHxx Suitable for ■ ■

LCT 40 Wxx

LCT 40 Wx

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Suitable for

High perfromance 11-pin audio cable. Oxygen free copper, an extremely low resistance and a tight cable shielding ensures best signal transmission. Cable length is 8m.

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MTP 40 MCs

LCT 40 M2 Stereobar for accurate positioning Compatible with 3/8" and 5/8" thread.

LCT 840

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mics.

Small snap-in handheld microphone mount. Compatible with 3/8" and 5/8" threads.

Suitable for

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LTS 40 MCs

DTP 40 Mts

Snap-in handheld microphone mount. Compatible with 3/8" and 5/8" threads.

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Rubber microphone mount. Provides firm grip and attenuates structure borne noise. Compatible with 3/8" and 5/8” threads.

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DTP 40 Tr / Trs

Rack hardware for LTS 240 wireless systems. Suitable for mounting up to two receivers in a 1U 19 inch rack.

High performance 5-pin audio cable. Oxygen free copper, extremely low resistance and a tight cable shielding ensures best signal transmission (4 m and 1,5 m length).

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DTP 40 Lb

Adjustable drum microphone mount. Compatible with 3/8" and 5/8" threads.

Cushioned leather bag. Spray water proof.

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DETAILS MAKE A

SO MAKE YOURSELF HEARD. UNALTERED. AUTHENTIC. MEMORABLE.

DIFFERENCE TO THE EARS OF YOUR AUDIENCE.

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Music moves people.

Music is passion. Inspiration. Messenger.

And music deserves to be heard. Unaltered. Authentic. Memorable.

LEWITT has dedicated itself to supporting music aficionados, artists and audio engineers around the globe in getting the best out of every single creative idea and every project â&#x20AC;&#x201C; with microphones that set new standards in terms of sound quality, technology and reliability.

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