EUROPEAN ART & OLD MASTERS JANUARY 23, 2017
www.freemansauction.com EUROPEAN ART & OL D M ASTE R S
1808 Chestnut Street Philadelphia Pennsylvania 19103
JA NUA R Y 23 , 2 01 7
EUROPEAN ART & OLD MASTERS
AUCTION Sale 1562 Monday, January 23, 2017 at 10am 1808 Chestnut Street, Philadelphia PA 19103 Cover Image: Lot 136, Inside Front Cover: Lot 43, Inside Back Cover: Lot 160
EUROPEAN ART & OLD MASTERS DEPARTMENT David Weiss Senior Vice President | Specialist dweiss@freemansauction.com 267.414.1214
Alasdair Nichol Vice Chairman | Head of Department anichol@freemansauction.com 267.414.1211
EXHIBITIONS Thursday, January 19
10:00am-5:00pm
Friday, January 20
10:00am-5:00pm
Saturday, January 21
12:00pm-5:00pm
Sunday, January 22
12:00pm-5:00pm
By appointment only on the morning of the sale
CLIENT SERVICES Mary Maguire Carroll Director | Client Services mmaguire@freemansauction.com 267.414.1236
Lot 186 (detail)
Melissa Arundel Bidding Registration marundel@freemansauction.com 267.414.1208
Lily Liu Cataloguer | Department Administrator lliu@freemansauction.com 267.414.1253
EUROPEAN ART & OLD MASTERS lots 1-224
Lot 125 (detail)
6 www.freemansauction.com
1 160792/29 REMBRANDT VAN RIJN (dutch 1606-1669) “LANDSCAPE WITH A SQUARE TOWER” 1650. Etching and drypoint Image size: 3 1/2 x 6 3/16 in. (8.9 x 15.7cm) Sheet size: 3 5/8 x 6 1/4 in. (9.2 x 15.9cm) [Bartsch 218; New Hollstein 250, late impression of the third state of three] provenance: Harlow, McDonald & Co., New York. From the Estate of former Pennsylvania Governor William W. Scranton and First Lady Mary L. Scranton. note: Rembrandt created twenty-six landscape etchings between 16401653, usually produced in his studio on the basis of preparatory drawings made during countryside walks. $25,000-35,000
www.freemansauction.com 7
2 151858/12 JEAN FRANÇOIS MILLET (french 1814-1875) “LA GRANDE BERGÈRE” 1862. Signed ‘J.F. Millet’ bottom left, etching Image size: 12 5/8 x 9 3/8 in. (32.1 x 23.8cm) Sheet size: 14 x 12 3/16 in. (35.6 x 32.5cm) [Delteil 18] together with: PAUL CÉZANNE (french 1839-1906) “PORTRAIT DE CÉZANNE PAR LUI-MÊME” C. 1898. Edition of circa 100. Lithograph on MBM paper. Image size: 12 7/8 x 11 in. (27.9 x 62.9cm) Sheet size: 24 3/4 x 18 1/2 in. (62.9 x 47cm) Auguste Clot, Paris: Publisher. [Cherpin 8]
together with: PIERRE-AUGUSTE RENOIR (french 1841-1919) “TROIS ÉQUISSES DE MATERNITÉ” (THREE SKETCHES OF MOTHERHOOD) C. 1886. Edition of 1000. Heliogravure. Image size: 8 3/16 x 9 3/4 in. (20.8 x 24.5cm) Sheet size: 10 1/16 x 12 7/8 in. (25.6 x 32.7cm) (3) provenance: Private Collection, Ohio. $1,500-2,000
(part lot) 3 151858/15 MARC CHAGALL (french/russian 1887-1985) “DER VATER” (FROM ‘MEIN LEBEN’) 1922. Edition of 110. Pencil signed and numbered ‘54/110’ in the margin, etching and drypoint on laid paper Image size: 10 13/16 x 8 7/16 in. (27.5 x 21.4cm) Sheet size: 17 1/2 x 13 3/4 in. (44.5 x 34.9cm) [Kornfeld 1] Paul Cassirer, Berlin: Publisher. provenance: Private Collection, Ohio. $1,500-2,000
4 151858/16 HENRI MATISSE (french 1869-1954) “LA LECTURE, NU DE PROFIL” 1913. Edition of 50. Signed with initials and numbered ‘50/50’ in ink bottom right, lithograph on light tan imitation Japan paper Image size: 19 11/16 x 10 1/16 in. (50 x 25.5cm) Sheet size: 19 13/16 x 12 15/16in. (50.3 x 32.9cm) [Duthuit 408] provenance: Private Collection, Ohio. $2,000-3,000
8 www.freemansauction.com
5 151858/11 HENRI DE TOULOUSE-LAUTREC (french 1864-1901) “LE PETIT TROTTIN” 1893. Color lithograph Image size: 11 1/8 x 7 1/2 in. (28.3 x 19.1cm) Sheet size: 13 15/16 x 10 5/8 in. (35.4 x 27cm) [Adhemar 18; Adriani 36; Delteil 27] together with: “JANE HEADING” 1898; from “Treize Lithographies”. Edition of c. 400. Color lithograph Image size: 11 3/8 x 9 1/2 in. (28.9 x 24.1cm) Sheet size: 15 1/4 x 12 3/8 in. (38.7 x 31.4cm) [Adhemar 168; Adriani 272; Delteil 162]
together with: “MARY HAMILTON” 1893; from “Le Café Concert”. Edition of c. 525. Color lithograph Image size: 10 1/2 x 6 3/8 in. (26.7 x 16.2cm) Sheet size: 17 7/16 x 12 9/16 in. (44.4 x 31.6cm) together with: “MADAME ABDALA” 1893; from “Le Café Concert”. Edition of 550. Color lithograph Image size: 10 5/8 x 7 7/8 in. (27 x 20cm) Sheet size: 17 5/16 x 12 1/2 in. (44 x 31.8cm) [Adhemar 35; Adriani 21; Delteil 33] L’Estampe Originale, Paris: Publisher.
Freeman’s is pleased to offer the following work, and two subsequent works (lots 160 and 161) by James Ensor in this auction. These works have descended in the family from patriarch Albert Croquez, a venerable lawyer, historian, writer and art connoisseur. Albert was an accomplished figure, who, in addition to having a successful law career, wrote extensively on French history and was the recipient of awards from institutions including the Académie Française. Amongst his closest friends were Félix Labisse, Moïse Kisling, and James Ensor. An active collector of Ensor’s work, Albert Croquez authored the first monograph on Ensor as a printmaker. His fine, discerning eye for art led Croquez to build an extensive and important collection, and we are honored to present a part of that legacy.
6 160883/7 JAMES ENSOR (belgian 1860-1949) “LA CATHÉDRALE” Signed and dated ‘James Ensor 1886’ in the margin, etching on simili Japan paper, tondo Image size: 9 3/4 x 7 1/2 in. (24.8 x 19cm) Sheet size: 15 11/16 x 11 1/4 in. (39.8 x 28.6cm) [Delteil 105] provenance: The Artist. Collection of Albert Croquez, Paris, France. By family descent. Private Collection, Pennsylvania $3,000-5,000
together with: “CADIEUX-PETIT CASINO” 1893; from “Le Café Concert”. Edition of 500. Color lithograph Image size: 10 5/8 x 8 7/16 in. (27 x 21.5cm) Sheet size: 17 5/16 x 12 5/8 in. (23.8 x 32.1cm) [Adhemar 36; Adriani 23; Delteil 35] L’Estampe Originale, Paris: Publisher. (5) provenance: Private Collection, Ohio. $1,500-2,500
www.freemansauction.com 9
7 151858/18 GIORGIO DE CHIRICO (italian 1888-1978) “AUTORITRATTO IN COSTUME” 1969. Edition of 99. Pencil signed in the margin, color lithograph Image size: 25 1/4 x 19 1/2 in. (64.1 x 49.5cm) Sheet Size: 27 1/2 x 21 1/8 in. (70 x 53.7cm) provenance: Private Collection, Ohio. $1,000-1,500
8 160171/29 CIRCLE OF DONATO CRETI (italian 1671-1749) WOMAN AND CHILD Inscribed ‘Partuloze’ (?) bottom left, pen and brown ink on paper Sheet size: 6 7/8 x 5 1/8 in. (17.5 x 13cm) together with: SIENNESE SCHOOL (late 16th century) ADORATION OF CHRIST BY MARY, JOSEPH AND PEASANTS IN THE MANGER Inscribed ‘PV’ Woodbury sale no. 1083/17’ verso, pen and brown wash on paper Sheet size: 8 1/8 x 6 1/4 in. (20.5 x 16cm) together with: NORTHERN ITALIAN SCHOOL (18th century) SEATED SAINT Pen and brown ink and wash on paper Sheet size: 8 x 6 15/16 in. (20.7 x 16.8cm) (3) provenance: Prof. V. Blum, Vienna (Creti). Private Collection, Washington, D.C. $1,500-2,000
(part lot)
9 160967/2 ATTRIBUTED TO GUIDO RENI (italian 1575-1642) STUDY OF HANDS Black chalk heightened with white chalk on (faded) blue-green paper, inscribed in graphite ‘Guido Reni’ verso Sheet size: 15 7/8 x 10 7/8 in. (40.4 x 27.5cm) provenance: Ex-collection Albertina, Archduke Von Habsburg, with no. 3-1234. Private Collection, California. $2,000-3,000
10 www.freemansauction.com
10 161101/38 CIRCLE OF DONATO CRETI (italian 1671-1749) STUDY OF A KNEELING WOMAN Red chalk and brown ink on paper with: STUDY OF CLASSICAL BUILDINGS Verso, inscribed ‘A No 106’, red chalk with brown ink on paper Sheet size: 11 1/4 x 7 in. (28.6 x 17.8cm) provenance: Ex-collection of ‘AM’ (unidentified 19th century collector’s mark) Private collection, Maryland. $1,000-1,500
(part lot) 11 160967/7 GIOVANNI BATTISTA DELLA ROVERE (italian 1561-1630) DEATH OF A SAINT Inscribed in brown ink verso, pen and brown ink with brown wash on paper Sheet size: 10 7/16 x 5 in. (26.5 x 12.7cm) provenance: Private Collection, California. note: The composition of this drawing relates to the right portion of the drawing, “Death and Burial of St. Dionysus,” Christies London, sale of July 6, 1999, lot 45. $1,000-1,500
12 161101/34 ITALIAN SCHOOL (17th century) CHERUBIC STUDIES Pen and ink on laid paper with: STUDY OF A MAN HOLDING A STAFF verso, with unidentified watermark Sheet size: 8 1/2 x 9 5/16 in. (21.6 x 23.7cm)
(part lot)
together with: ATTRIBUTED TO LUDOVICO MAZZANTI (italian 1686-1775) LANDSCAPE WITH BRIDGE AND CASTLE Inscribed ‘Raffaello Mazzanti’ along bottom edge of sheet (outside drawn image), brown pen and ink on laid paper, tondo Sheet size: 7 3/4 x 7 9/16 in. (19.7 x 19.2cm) (2) provenance: Private Collection, Maryland. $1,000-2,000
www.freemansauction.com 11
13 161088/4 ITALIAN SCHOOL (17th century) ASCENTS INTO HEAVEN, SCENES FROM THE BIBLE Inscribed ‘Del Grano’ bottom right, pen and brown ink with brown wash over black chalk on paper Sheet size: 9 1/8 x 11 1/16 in. (23.2 x 28.1cm) provenance: Private Collection, Florida. $1,000-1,500
14 160967/3 GIUSEPPE PIATTOLI (italian 1743-1823) DEPOSITION Inscribed ‘G. Piattoli inventi’ bottom center; also with pencil inscriptions verso, pen and brown ink with brown wash heightened with white gouache on laid paper, with watermark ‘A’ Sheet size: 11 1/8 x 7 5/8 in. (28.3 x 19.4cm) together with: FLORENTINE SCHOOL (16th century) STUDY OF ALLEGORICAL FIGURE (FLORA) AND OTHER FIGURES Inscribed ‘Rafaele’ bottom center, pen and brown ink with brown wash on paper, laid down Sheet size: 8 1/4 x 4 7/8 in. (21 x 12.4cm) (2) provenance: O.P. Reed (per inscription on backing of Piattoli). Private Collection, California. note: For comparable drawings by Piattoli, see Ugo Ruggieri, “Drawings by Giuseppe Piattoli,” Master Drawings, 1978, vol. 16, no. 4, pp. 414-418, pls. 27-37. $1,000-2,000 (part lot)
12 www.freemansauction.com
15 161161/4 ATTRIBUTED TO JACOPO PALMA IL GIOVANE (italian c. 1548-1628) SAINT FRANCIS WITH TWO ANGELS Inscribed ‘Jacopo Palma il Giovane’ along bottom edge, pen and brown ink, brown wash, red wash, heightened with white on paper, laid down, unframed 10 1/2 x 8 in (26.7 x 20.3cm) provenance: Private Collection, New Jersey. $1,500-2,000
16 161087/4 ATTRIBUTED TO LUCA ANTONIO COLOMBA (italian 1674-1737) AENEAS IN OLYMPIA; AND THE OVERTHROW OF THE TITANS: DESIGN FOR A CUPOLA Red chalk with white highlights on blue paper, oval 25 1/2 x 22 in. (64.8 x 55.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-4,000
17 160914/1 ITALIAN SCHOOL (18th century) GENTLEMAN HOLDING STAFF Inscribed ‘Pelegrino Tibaldi’ in brown ink upper right; also inscribed ‘no 13’ verso, black chalk on brown paper Sheet size: 16 3/4 x 11 9/16 in. (42.6 x 29.4cm) provenance: Private Collection, Oklahoma. $1,500-2,000
18 160622/4 MANNER OF FRANCESCO GUARDI (italian 1712-1793) VENETIAN VIEWS WITH FIGURES Four brown pen and ink drawings on paper Sheet sizes: FIGURES ALONG A BRIDGE: 10 15/16 x 7 9/16 in. (27.8 x 19.2cm) FIGURES BY A QUAY: 10 15/16 x 7 1/2 in. (27.8 x 19.1cm) FIGURES BY A COLUMN: 10 15/16 x 7 1/2 in. (27.8 x 19.1cm) FIGURES BEFORE A CHURCH ENTRANCE: 10 7/8 x 7 7/16 in. (27.6 x 18.9cm) (4) provenance: Private Collection, New Jersey. $1,000-2,000
www.freemansauction.com 13
(part lot) 19 160967/4 ATTRIBUTED TO FRANCESCO SALVATOR FONTEBASSO (italian 1709-1769) THE THREE MAGI Pencil inscribed in German verso, pen and ink with gray wash over black chalk on paper, laid down Sheet size: 14 7/8 x 10 1/4 in. (37.8 x 26cm) provenance: Private Collection, California. note: For comparable drawings by Fontebasso, see James Byram Shaw, “The Drawings of Francesco Fontebasso” in Arte Veneta, viii (1954), pp. 317-325. $1,000-1,500
20 160171/28 BOLOGNESE SCHOOL (18th century) STUDY OF A BUILDING Pen and brown ink with gray wash on paper Sheet size: 5 7/8 x 9 3/4 in. (14.9 x 24.6cm) together with: EUROPEAN SCHOOL (19th century) ITALIAN RUINS Pen and brown ink wash heightened with gray and white washes Sheet size: 16 x 21 1/4 in. (40.5 x 54cm)
together with: GERMAN/SWISS SCHOOL (19th century) ALPINE VIEW Graphite on paper Sheet size: 13 1/4 x 15 3/8 in. (33.3 x 39.2cm) together with: DUTCH SCHOOL (19th century) RIVER SCENE WITH BRIDGE Brush and brown, gray and black ink, gray and brown wash on paper Sheet size: 11 7/8 x 16 5/16 in. (30.2 x 41.4cm);
21 160967/1 ATTRIBUTED TO FEDERICO BAROCCI (italian 1528-1612) STUDY OF CHRIST HOLDING A CROWN OF THORNS; AND A PROFILE Inscribed 'Fed Barocci' bottom left, pen and brown ink with wash on paper Sheet size: 7 1/2 x 4 5/16 in. (19.1 x 10cm) provenance: Private Collection, California. note: The drawing and calligraphic lines on the verso relate to rapid pen and wash studies executed by Carocci, see The Virgin and Child with Attendant Figures, 1567, pen and brown ink and wash, 14.7 x 16.8cm, Nicholas Turner, Federico Barocci, Paris 2000, p. 43, fig. 28. See also Stonethrower for the Martyrdom of St. Vitalis, c. 1582, pen and brown ink and wash, 20.3 x 16.2cm, Art Gallery of South Australia, inv. 707D10. $2,000-3,000
together with: LOMBARD SCHOOL (19th century) HARBOR LANDSCAPE WITH BOATS Pen and dark brown ink, brush and light brown ink on paper Sheet size: 11 1/2 x 16 3/8 in. (29.8 x 41.5cm) (5) provenance: Private Collection, Washington, D.C. $1,500-2,000
14 www.freemansauction.com
22 161088/2 NORTHERN EUROPEAN SCHOOL (18th century) SEATED SAINT IN THE WILDERNESS; KNEELING SAINT IN THE WILDERNESS Pair red chalk drawings heightened with touches of white on laid paper Each (sheet size; approx): 16 1/4 x 9 5/8 inches (40.7 x 24.5cm) (2) provenance: Private Collection, Florida. $2,000-3,000
23 161088/5 BRITISH SCHOOL (18th century) THE MARTYRDOM OF A FEMALE SAINT; THE DEPOSITION The former inscribed in brown ink ‘B.A.G.’ recto and verso, and inscribed ‘part of a painting behind altar’ verso; the latter inscribed ‘Cassolani in a Church’ bottom left, pair red chalk drawings heightened with white chalk on paper Larger (sheet size): 22 x 16 7/8 in. (55.8 x 42.8cm) (2) provenance: Private Collection, Florida. $2,000-4,000
(part lot)
24 160622/3 CIRCLE OF FRANÇOIS BOUCHER (french 1703-1770) CHERUBIC STUDIES Pair red chalk drawings on paper One, sheet size: 9 13/16 x 11 1/2 in. (24.9 x 29.2cm) One, sheet size: 9 3/16 x 11 5/8 in. (23.3 x 29.5cm) (2) provenance: Private Collection, New Jersey. $2,000-3,000 (part lot)
www.freemansauction.com 15
25 160171/32 ATTRIBUTED TO NICOLAS DE LARGILLIÈRE (french 1656-1746) PORTRAIT OF THE SCULPTOR PIERRE LEGROS WITH HIS MODEL OF SAINT BARTHOLOMEW AT SAN GIOVANNI IN LATERANO, ROME Red chalk with stumping (a possible counter proof to a lost drawing) on paper; also with Fleur de Lys watermark in a double circle Sheet size: 17 7/8 x 12 3/8 in. (44.8 x 31.1cm) provenance: Private Collection, Washington, DC. $2,000-3,000
26 161088/8 FRENCH SCHOOL (18th century) A YOUNG WOMAN STANDING WITH HANDS ON HER HIPS With ‘P.F. ALBY’ watermark, red chalk on paper Sheet size: 9 3/4 x 6 7/8 in. (24.9 x 17.4cm) provenance: Private Collection, Florida. $1,000-1,500
27 161088/7 FRENCH SCHOOL (18th century) A CHILD’S HEAD Red chalk with touches of white chalk on paper with: STUDY OF A YOUNG MAN verso, black chalk on paper Sheet size: 12 1/16 x 8 1/2 in. (30.6 x 21.6cm) provenance: Private Collection, Florida. $1,000-1,500
16 www.freemansauction.com
28 161101/33 FRENCH SCHOOL (18th century) CEILING DESIGN WITH DRAPED WOMAN, HAND OUTSTRETCHED Red chalk on laid paper Sheet size: 11 1/16 x 10 7/8 in. (28.1 x 27.6cm) together with: DUTCH SCHOOL (18th century) SEATED WOMAN with ‘GR’ watermark, red chalk on laid paper Sheet size: 10 1/4 x 8 in. (26 x 20.3cm) (2) provenance: Private Collection, Maryland. $1,000-1,500
(part lot)
29 160171/33 FRENCH SCHOOL (18th century) SAINT ANDREW BEING LED TO HIS MARTYRDOM Inscribed in brown ink ‘N. Lancret’ bottom left, red chalk heightened with white on paper Sheet size: 17 x 11 1/4 in. (43.1 x 28.2cm) provenance: John F. Dunne (inscription on mount). Private Collection, Washington, D.C. $1,000-2,000
30 161088/9 ATTRIBUTED TO JACQUES PHILIPPE CARESME (french 1734-1796) TWO YOUNG WOMEN MAKING A CONFIDENCE NEAR A FOUNTAIN, AND A SURPRISED YOUNG MAN LOOKING OVER AT THEM Pen and brown ink with gray washes on paper, laid down Sheet size: 11 1/8 x 8 7/8 in. (24.9 x 22.5cm) provenance: Comte A.G.P. de Bizemont Prunélé (1752-1837), his mark (Lugt 128), probably his sale, March 27, 1856 (as Caresme). Private Collection, Florida.
note: This drawing was attributed to Jacques-Philippe Caresme in the collection of Comte A.G.P. de Bizemont Prunélé. See E. Davoste, Le Comte de Bizemont: artisteamateur Orleanais, Son oeuvre et ses collections, Orléans: 1891, p. 153, no. 737. However, there is also an old attribution to Jean-Baptiste Mallet and an annotation which describes this illustration from the tales of ‘La Fontaine’ $1,500-2,000
www.freemansauction.com 17
31 161101/36 FRENCH SCHOOL (18th century) HAULING IN THE CATCH Red chalk on laid paper Sheet size: 4 7/8 x 7 9/16 in. (12.4 x 19.2cm) together with: FRANZ GAREIS (german 1775-1803) WOMAN AND CHILD WITH BASKET Signed ‘F. Gareis’ bottom left, pencil on laid paper Sheet size: 8 x 6 3/16 in. (20.3 x 15.7cm)
together with: FRENCH SCHOOL (early 19th century) SEATED WOMAN Charcoal on blue-gray paper Sheet size: 7 1/4 x 5 1/4 in. (18.4 x 13.3cm) (3) provenance: Private Collection, Maryland. $1,000-1,500
32 160958/1 ATTRIBUTED TO THÉODORE GÉRICAULT (french 1791-1824) STUDY OF A HORSE’S HEAD Pencil on paper Sheet size: 9 5/16 x 10 5/8 in. (23.7 x 27cm) provenance: Knoedler Gallery, New York, New York (label verso). Private Collection, Pennsylvania. $1,000-2,000
33 160867/1 ATTRIBUTED TO EUGÈNE DELACROIX (french 1798-1863) “ÉTUDE DE CHEVAL ARABE” Bears signature with initials ‘E. D.’ bottom right; also with two unidentifiable handwritten labels verso, oil with traces of white chalk on paper Sheet Size: 11 3/8 x 8 11/16 in. (28.9 x 22.1cm) provenance: Private Collection, Maryland. $2,000-3,000
18 www.freemansauction.com
34 161088/10 ATTRIBUTED TO HUBERT ROBERT (french 1733-1808) CAPRICCIO WITH ELEGANT FIGURES; AND A COMPANION Each with unidentified label on verso with typed inscription: ‘HUBERT ROBERT/”RUINS”’, pair gouaches on paper Each (approx): 19 x 16 1/8 in. (48 x 38.8cm) (2) provenance: Private Collection, Florida. $4,000-6,000
36 141383/12 ATTRIBUTED TO GIOVANNA GARZONI (italian 1600-1670) STILL LIFE WITH MIXED FRUITS IN A RETICULATED BASKET Tempera on paper Sheet size: 14 x 19 3/8 in. (35.6 x 49.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000
35 161223/2 ATTRIBUTED TO TOMMASO BIGATTI (italian act. c. 1800) ARCH OF CONSTANTINE Gouache on paper Image size: 7 3/4 x 13 7/8 in. (19.7 x 35.2cm) Sheet size, with decorated border: 8 3/8 x 15 3/8 in. (21.3 x 39.1cm) provenance: Private Collection. Memphis, Tennessee. $1,500-2,500
www.freemansauction.com 19
37 160758/2 EUGÈNE DELACROIX (french 1798–1863) “CICERO ACCUSING VERRES”: STUDY FOR A PENDENTIVE IN THE CUPOLA OF THE LIBRARY IN THE PALAIS BOURBON c. 1838-1842. With estate stamp ‘ed’ in red bottom left; also with offwhite rectangular label at top center on old backing inscribed ‘ADOLPHE BEUGNIET/RUE LAFFITTE No. 10/à Paris/SPECIALITÉ/Vente et location/de Tableaux/Dessins/Aquarelles/REST AURATION DE TABLEAUX/EXPOSITION AU REZDE-CHAUSSÉE/Atelier de Borduires en tous genres/RUE LAFFITTE No 10/à Paris/D’ENCADREMENTS/Déport/ de Lithographies/Gravures/et Eaux Fortes/Nettoyage de Gravures’, pencil on off-white wove shaped paper hexagon-form Sheet size: 9 1/16 x 10 3/8 in. (23 x 26.4cm) provenance: Private Collection, New Jersey. exhibition and reference: Shepherd Gallery, New York, ‘The French Neoclassic and Academic Tradition 1800-1900: Figurative and Compositional Paintings, Oil Sketches, and Works on Paper,’ Winter exhibition, cat. no. 18, (illustrated). related literature: The Paintings of Eugene Delacroix, A Critical Catalogue, Vol. V (The Public Decorations and their Sketches), Oxford: 1989, pp. 33-42; Vol. VI,
The Deputies Library, Palais Bourbon, 1838-1847, pl. 33, no. 522; Other preparatory sketches: Vol. V, pp. 51-52, no. 535 (see pl. 22, Vol. VI); fig. 25. Frank Anderson Trapp, ‘The Attainment of Delacroix,’ Baltimore and London 1971, p. 275, fig. 170.
note: The present drawing relates to a painting by Delacroix of the same subject in Cupola III ‘LA LÉGISLATION’ in the Library of the Palais Bourbon, now the National Assembly, Paris. $2,000-3,000
38 160967/5 RAYMOND DE LAFAGE (french 1656-1684) TWO SCENES OF TRIUMPHS Inscribed on verso, pen and brown ink with brown wash on paper, laid down Sheet size: 7 5/16 x 13 3/8 in. (18.6 x 34cm) provenance: Private Collection, California. $1,000-1,500
39 161230/8 MANNER OF JEAN MARC NATTIER (french 1685-1766) PORTRAIT OF A LADY, BUST-LENGTH Pastel on paper, laid down, oval 17 7/8 x 14 5/8 in. (45.4 x 37.2cm) provenance: Private Collection, Pennsylvania. $1,000-1,500
20 www.freemansauction.com
40 161206/1 ATTRIBUTED TO FRANÇOIS LEMOYNE (french 1688-1737) SEATED MALE NUDE Charcoal heightened with white chalk on tan paper Sheet size: 17 3/4 x 12 5/8 in. (45.1 x 32.1cm) provenance: Sotheby’s, New York, sale of January 13, 1988, lot 248. Private Collection, Florida. $2,000-3,000
(part lot)
42 161008/2 JEAN FRANÇOIS MILLET (french 1814-1875) “PAYSANNE REVENANT DU PUITS” Stamped ‘J.F.M’ bottom right, charcoal on faded blue paper Sheet size: 17 1/2 x 12 7/8 in. (44.5 x 32.7cm) provenance: Atelier stamp [Lugt 1640], from one of the artist’s studio sales, either May, 1875 or April, 1894. Private Collection, Minneapolis, Minnesota. note: The present drawing was executed circa 1856, and is a preparatory drawing for the painting ‘Paysanne Revenant du Puits,’ (Woman Returning from the Well), IBM Corporate Collection, New York, see Hayward Gallery, Jean Francois Millet, exhibition catalogue, London (Arts Council of Britain), 1976, pp. 135-6, no 83. Another version of the painting is in the Rijskmuseum, Amsterdam, see Chantal Georgel, Millet, Paris 2014, p. 306, no. 294. $3,000-5,000
41 151542/9 CHARLES MONGINOT (french 1825-1900) FOUR FIGURE DRAWINGS Three signed with initials ‘C.M.’, black and white chalk on paper Each, sheet size: 17 1/4 x 11 1/2 in. (43.8 x 29.2cm) (4) provenance: Private Collection, New York, New York. $1,000-1,500
www.freemansauction.com 21
43 160936/3 VENETIAN SCHOOL (16th century) SALVATOR MUNDI Oil on panel, with wax seal verso: ‘ACCADEMIA DI MILANO/PER L’ESPORTAZIONE’ with double eagle encircling letters ‘F.I.’ 14 11/16 x 14 3/8 in. (37.3 x 36.5cm) provenance: Property of a Chester County, Pennsylvania Institution. note: The present previously unknown work is property of a Pennsylvania institution, where it has remained for decades. It belongs to an important corpus of paintings in which Christ is presented as ‘Savior of the World,’ his right hand raised with crossed fingers, offering a benediction, while - in some instances, as in the present work he holds an orb, sphere or globe in his left hand. A ‘Salvator Mundi’ painting related to the present work was painted by the School of Giovanni Bellini, circa 1500-1520, and is in the Accademia Carrara in Bergamo (though Christ is depicted holding scriptures in his left hand in the Bellini picture). Other early Italian paintings of this subject were painted by Francesco Bissolo, Vincenzo Catena, Benedetto Diana, Giovanni Mansueti, Mario Marziale, Jacopo da Valenza and Alvise Vivarini. In the ‘Salvator Mundi’ paintings by the aforementioned artists, there is no orb/sphere in Christ’s left hand. Italian depictions of Christ as ‘Savior of the World’ in which an orb/sphere is held in the left hand include paintings by Vittore Carpaccio, Andrea Previtali, Cesare da Sesto, Palma Vecchio and most notably, Leonardo. The theme was also treated by important early Northern European artists, including Joos van Cleve, Michiel Coxie I and Albrecht Durer. $6,000-8,000
22 www.freemansauction.com
44 160617/44 CIRCLE OF ANDREA LOCATELLI (italian 1693-c. 1741) PASTORAL LANDSCAPE Oil on canvas 21 3/4 x 33 15/16 in. (55.3 x 86.2cm) provenance: Collection of The Colonial Dames of America, Chapter II. note: The present painting had a Philadelphia Museum of Art stretcher label identifying the work as by Locatelli, n.d. $3,000-5,000
45 161171/13 ITALIAN SCHOOL (17th-18th century) DIANA THE HUNTRESS DISCOVERING SLEEPING CHERUBS Oil on canvas, painted as a tondo 37 1/4 x 37 in. (94.6 x 93.9cm) provenance: Private Collection, New York, New York. $2,000-3,000
46 161187/1 ITALIAN SCHOOL (17th-18th century) OUTDOOR STILL LIFE WITH BIRDS Oil on canvas, unframed 37 3/4 x 49 7/8 in. (95.9 x 126.7cm) provenance: The Rosenbach Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $2,500-4,000
www.freemansauction.com 23
47 160711/1 AFTER JACOPO PALMA IL VECCHIO (italian c. 1479-1528) SAINT BARBARA Inscribed ‘Ex. opera/Jac. Palma/quod extat/Venezia’ bottom left, oil on canvas, arch-form, in a fine carved and gilded antique frame 38 7/8 x 28 1/8 in. (98.7 x 71.4cm) provenance: Private Collection, Washington, DC. note: The present painting follows the composition by Palma Il Vecchio painted circa 1523, the central image in the St. Barbara Altar, Church of Santa Maria Formosa, Venice. $2,000-3,000
48 161187/2 CIRCLE OF GINERVA CANTOFOLI (italian 1608-1672) A SYBIL Oil on canvas, unframed 34 1/4 x 28 1/4 in. (87 x 71.8cm) provenance: Private Collection, Pennsylvania. $4,000-6,000
49 160060/2 LOMBARD SCHOOL (17th century) DREAM OF SCIPIO Oil on canvas, unframed 67 x 111 in. (170.2 x 281.9cm) provenance: Private Collection, New Jersey. $6,000-9,000
24 www.freemansauction.com
50 160792/33 MANNER OF GIULIANO BUGIARDINI (italian 1475-1554) VIRGIN AND CHRIST CHILD WITH THE INFANT SAINT JOHN THE BAPTIST Oil on cradled panel 32 x 25 3/8 in. (89 x 64.5cm) provenance: From the Estate of former Pennsylvania Governor William W. Scranton and First Lady Mary L. Scranton. $3,000-5,000
51 161187/3 FOLLOWER OF AGOSTINO CARRACCI (italian 1557-1602) SUSANNA AND THE ELDERS Oil on canvas 44 5/8 x 37 1/4 in. (113.4 x 94.6cm) provenance: Private Collection, Pennsylvania. $4,000-6,000
52 161094/3 MANNER OF ARTEMISIA GENTILESCHI (italian 1593-1652) MADONNA AND CHILD Oil on canvas 47 1/2 x 37 7/8 in. (120.7 x 98.2cm) provenance: Private Collection, Pennsylvania. note: The present painting follows the composition by Gentileschi painted circa 1609, in the Galleria Corsini, Rome. $2,000-3,000
53 161094/2 SPANISH SCHOOL (18th century) DEATH OF SAINT JOSEPH Oil on canvas 34 3/8 x 48 in. (87.3 x 121.9cm) provenance: Private Collection, Pennsylvania. $3,000-4,000
www.freemansauction.com 25
54 161094/1 MANNER OF FRANCESCO ALBANI (italian 1578-1660) VIRGIN AND CHILD WITH SAINTS Oil on canvas 25 3/4 x 33 1/2 in. (65.4 x 85.1cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
55 160965/1 ITALIAN SCHOOL (18th century) SAINT CECILIA Oil on canvas 30 x 46 in. (76.2 x 116.8cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
56 161230/13 MANNER OF VIVIANO CODAZZI (italian c. 1604-1670) CAPRICCIO WITH FIGURES Oil on canvas 41 5/8 x 36 in. (105.7 x 91.4cm) provenance: Livingston Galleries, New York, New York. Private Collection, Pennsylvania. $5,000-7,000
26 www.freemansauction.com
57 160171/4 MANNER OF GIOVANNI PAOLO PANINI (italian 1692-1765) CAPRICCIO WITH RUINS AND FIGURES Oil on canvas 22 7/8 x 28 1/2 in. (58 x 72.4cm) provenance: Private Collection, Washington, DC. $2,000-3,000
58 161171/11 FOLLOWER OF PHILIP PETER ROOS (german 1657-1706) PASTORAL SCENE Oil on canvas 15 3/4 x 14 in. (40 x 35.6cm) provenance: Private Collection, New York, New York. $1,500-2,000
60 160807/4 NORTHERN ITALIAN SCHOOL (18th-19th century) SPANIEL ON A RED CUSHION; AND A COMPANION Pair oils on canvas Each: 18 1/2 x 26 3/8 in. (47 x 67cm) (2) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000 (part lot)
59 160171/14 ITALIAN SCHOOL (17th-18th century) APPROACHING STORM Oil on canvas, unframed 35 1/4 x 29 in. (89.5 x 73.7cm) provenance: Private Collection, Washington, DC. $1,500-2,000
www.freemansauction.com 27
61 160060/1 ATTRIBUTED TO CLEMENTE BOCCIARDO (IL CLEMENTONE) (italian 1620-1658) CORPUS DOMINI Inscribed ‘MENS/ARDVS (?)’ and dated illegibly bottom left, oil on canvas, unframed 121 x 76 in. (307.3 x 1.93cm) provenance: Private Collection, New Jersey. $10,000-15,000
62 161177/1 MANNER OF CANALETTO (italian 1697-1768) THE GRAND CANAL LOOKING SOUTHWEST TO THE FONDAMENTA DELLA CROCE WITH THE CHURCHES OF SAN SIMONE PICCOLO, THE SCALZI AND SANTA LUCIA; AND A COMPANION Pair oils on canvas Each (approx): 8 1/8 x 12 in. (20.6 x 30.5cm) (2) provenance: Private Collection, Maryland. $3,000-5,000
28 www.freemansauction.com
63 161008/1 MANNER OF FRANCESCO GUARDI (italian 1712-1793) SANTA MARIA DELLA SALUTE Oil on canvas 11 1/8 x 16 in. (28.2 x 40.6cm) provenance: Private Collection, Minneapolis, Minnesota. $3,000-5,000
64 160738/1 ITALIAN SCHOOL (18th-19th century) THE GRAND CANAL, VENICE; AND A COMPANION Pair oils on canvas Each: 8 1/8 x 11 5/8 in. (20.6 x 29.5cm) (2) provenance: Venable’s, Washington, DC. Private Collection, Washington, DC. $3,000-5,000
www.freemansauction.com 29
65 160171/2 DUTCH OR FLEMISH SCHOOL (18th century) EXTENSIVE VILLAGE LANDSCAPE WITH FIGURES Oil on panel 10 5/8 x 14 3/8 in. (27 x 36.5cm) provenance: Private Collection, Washington, DC. $2,000-3,000
66 160704/5 CIRCLE OF NICOLAES MOLENAER (dutch c. 1630-1676) LANDSCAPE WITH COTTAGE Indistinctly signed and dated ‘16**’ bottom left, oil on panel 18 1/8 x 24 3/4 in. (46 x 62.9cm) provenance: The Rowley Gallery, Ltd., Kensington, United Kingdom. Sotheby Parke-Bernet, sale of January 1978. Acquired from the above by Hartzig, Vienna. Private Collection, Pennsylvania. $3,000-5,000
67 160868/1 CIRCLE OF JAN HACKAERT (dutch 1629-c. 1700) DROVER WITH CATTLE Oil on canvas 24 1/4 x 20 1/2 in. (61.6 x 52cm) provenance: Private Collection, Maryland. $2,000-3,000
30 www.freemansauction.com
68 161149/1 FLEMISH SCHOOL (early 17th century) FALL OF MAN Oil on copper 14 1/4 x 11 in. (36.2 x 28cm) provenance: Christie’s, New York, sale of April 4, 1990, lot 42. Private Collection, Pennsylvania. $2,000-3,000
69 161161/1 MANNER OF HENDRICK AVERCAMP (dutch 1585-c. 1663) FIGURES ON A FROZEN WATERWAY Oil on panel 15 3/4 x 19 3/4 in. (40 x 50.2cm) provenance: Private Collection, New Jersey. $2,000-3,000
71 161087/3 FLEMISH SCHOOL (17th century) THE ASCENSION OF THE VIRGIN Oil on canvas 25 1/4 x 38 3/4 in. (64.1 x 98.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000
70 160171/16 FLEMISH SCHOOL (late 17th century) MILITARY SKIRMISH Oil on canvas, unframed 17 3/4 x 22 3/4 in. (44 x 57.8cm) provenance: Private Collection, Washington, DC. $2,000-3,000
www.freemansauction.com 31
72 161161/2 DUTCH SCHOOL (17th century) LADY WITH WHITE RUFF AND LACE CAP HOLDING AN OPEN BOOK Oil on panel 26 1/2 x 12 3/4 in. (67.3 x 32.4cm) provenance: Private Collection, New Jersey. $2,000-3,000
73 161161/5 DUTCH SCHOOL (17th century) PORTRAIT OF A LADY WITH WHITE RUFF, HALF-LENGTH, SAID TO BE CORVINA VAN HOOFT Oil on cradled panel 27 7/8 x 21 1/2 in. (70.8 x 54.6cm) provenance: Private Collection, New Jersey. $2,000-3,000
74 161184/2 CIRCLE OF ANTHONIE PALAMEDESZ (dutch 1601-1673) INTERIOR WITH FEMALE FIGURES Oil on panel Sight size: 15 1/8 x 20 5/8 in. (38.4 x 52.4cm) provenance: Ex-collection E. Roberts, Brooklyn, New York (according to label verso) Private Collection, Pennsylvania. $2,000-3,000
32 www.freemansauction.com
75 161172/6 DUTCH SCHOOL (NORTHERN NETHERLANDS) (early 17th century) SAINT SEBASTIAN Oil on cradled panel, diamond shape 23 1/4 x 23 3/8 in. (59.1 x 59.4cm) provenance: Behr Family, Amsterdam. Boot Family, Amsterdam, by 1945. Acquired from the above. The Collection of Mr. van der Schaaf. Private Collection, Europe. $7,000-10,000
76 161199/1 AFTER BAREND VAN DER MEER (dutch c. 1659-c. 1702) STILL LIFE WITH MOOR Bears signature ‘B. van der Meer f’ bottom right; also inscribed ‘R.S.’ on draped cloth, oil on canvas 50 x 45 1/2 in. (127 x 115.6cm) provenance: Private Collection, Rhode Island. note: The present work follows the composition by Barend van der Meer in the Alte Pinakothek, Munich, inv. no. 6598. $3,000-5,000
www.freemansauction.com 33
77 161087/2 ATTRIBUTED TO BAREND VAN DER MEER (dutch c. 1659-c. 1702) STILL LIFE OF GRAPES, CHERRIES, A PEACH AND AN APPLE ON A LEDGE Oil on canvas 14 x 12 in. (35.6 x 30.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
78 160642/2 CIRCLE OF JEAN GEORGE CHRISTIAN COCLERS (flemish 1715-1751) STILL LIFE OF MIXED FLOWERS IN AN URN, LANDSCAPE BEYOND Oil on canvas 34 x 26 3/4 in. (86.4 x 67.9cm) provenance: Doll & Richards, Boston. Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
79 160171/39 CONTINENTAL SCHOOL (17th-18th century) OUTDOOR STILL LIFE WITH MELONS, PEACHES, PEARS, AND MIXED FLOWERS Oil on canvas 23 3/4 x 35 in. (60.3 x 89cm) provenance: Private Collection, Washington, DC. $3,000-5,000
34 www.freemansauction.com
80 160877/1 FOLLOWER OF PAUL THEODOR VAN BRÜSSEL (dutch 1745-1795) TABLETOP STILL LIFE WITH MIXED FRUITS, FLOWERS, WALNUTS AND BIRD’S NEST ON A LEDGE Oil on cradled panel 18 3/8 x 15 9/16 in. (46.7 x 39.5cm) provenance: Private Collection, North Carolina. $2,000-3,000
81 160704/2 MANNER OF WILLEM VAN AELST AND POSSIBLY HENDRIK DE FROMANTIOU (dutch 1627-after 1687; dutch 1633-1690) TABLETOP STILL LIFE WITH VASE OF MIXED FLOWERS AND BUTTERFLY Oil on cradled panel 25 1/4 x 19 5/8 in. (64 x 49.8cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
www.freemansauction.com 35
82 160171/38 DUTCH SCHOOL (17th century) PAUL AND BARNABUS AT LYSTRA Oil on cradled panel 33 1/4 x 42 in. (84.5 x 106.7cm) provenance: Private Collection, Washington, D.C. $3,000-5,000
83 160704/1 MANNER OF ADRIAEN JANSZ VAN OSTADE (dutch 1610-1685) TAVERN INTERIOR Oil on canvas 33 1/4 x 26 5/8 in. (84.5 x 67.6cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
36 www.freemansauction.com
84 161172/4 RICHARD BRAKENBURG (dutch 1650-1702) AN INTERIOR WITH WOMAN SERVING MEAT AND WINE, CHILDREN PLAYING ON FLOOR, AND FIGURES PLAYING CARDS Signed ‘R. Brakenburg’ bottom center, oil on canvas 19 3/8 x 15 3/4 in. (49.2 x 40cm) provenance: Kunsthandel Borzo. Private Collection, Europe. $3,500-4,500
85 160171/1 DUTCH SCHOOL (17th century) PEASANTS SMOKING IN A TAVERN Bears initials ‘D.T.’ bottom right (on chair), oil on cradled panel 12 3/4 x 15 3/4 in. (32.4 x 40cm) provenance: Private Collection, Washington, DC. $1,500-2,500
86 160704/3 FOLLOWER OF JACOB VAN SPREEUWEN (dutch b. 1611) KITCHEN INTERIOR Oil on panel 27 1/2 x 23 1/2 in. (70 x 60cm) provenance: Private Collection, Pennsylvania. $2,500-3,500
87 161211/3 DUTCH SCHOOL (18th-19th century) INTERIOR WITH FIGURES Oil on cradled panel 19 x 14 1/2 in. (48.3 x 36.8cm) provenance: Private Collection, Maryland. $1,500-2,000
www.freemansauction.com 37
88 161172/11 PIETER GERRITSZ VAN ROESTRATEN (dutch c. 1630-1700) THE YOUNG THIEF Oil on canvas 33 1/2 x 27 3/4 in. (85.1 x 70.5cm) provenance: Hampel Fine Art Auctions, sale of September 21, 2007, lot 440. TEFAF, Maastricht, 2001. Private Collection, Europe. $15,000-20,000
38 www.freemansauction.com
89 161172/9 ISAAC VAN OSTADE (dutch 1621-1649) A PEASANT FAMILY PREPARING MEAT IN A BARN Signed and dated ‘I van Ostade 1638’ bottom right, oil on panel 17 5/8 x 22 7/8 in. (44.8 x 58.1cm) provenance: Ex-collection Berndt Grönblom, Helsinki, from an English Collection. Hampel Fine Art Auctions, sale of July 4, 2008, lot 180. Christie’s, London, sale of December 17, 1999, lot 154. Private Collection, Europe. note: A Haarlem based landscape and genre painter, Isaac van Ostade initially studied under his brother, fellow painter Adriaen van Ostade, before later abandoning some of his cottage-themed paintings in favor of landscapes. The present painting is believed to be the artist's earliest known work. Three other van Ostade paintings similar in theme to the present work are found in the Bayerische Staatsgemäldegalerie, Munich, painted in 1639, the Frans Hals Museum, Haarlem, painted in 1642, and the Musée des Beaux-Arts, Lille, painted in 1643. The present work has been authenticated by Dr. Bernhard Schnackenburg in a letter dated 23 June 2011, Kassel. $20,000-30,000
www.freemansauction.com 39
90 161172/2 CORNELIS PIETERSZ BEGA (dutch c. 1631-1664) THE INTERIOR OF A TAVERN WITH A FIDDLER AND PEASANTS DRINKING AND DANCING Signed and dated ‘C. Bega 1653’ center left, oil on canvas 30 7/8 x 26 1/2 in. (78.4 x 67.3cm) provenance: Ex-collection: Bert Piso, New Orleans. Hampel Fine Art Auctions, Munich, sale of September 21, 2007, lot 427. Private Collection, Europe. note: Highly regarded as a skilled genre painter, Bega excelled in depicting carousing and merrymaking peasants in interiors and taverns, market scenes with quack doctors, astrologers, alchemists, amorous couples, smokers, gamblers and other fanciful figures. He was also an accomplished etcher and draftsman. $30,000-40,000
40 www.freemansauction.com
92 160607/20 MANNER OF NICOLAS LANCRET (french 1690-1743) COURTING SCENE Oil on copper 10 5/8 x 17 in. (27 x 43.18cm) provenance: The Estate of Ruth S. Schwartz. $2,000-3,000
93 161230/11 CIRCLE OF JAN JOSEF HOREMANS THE YOUNGER (flemish 1714-1790) ELEGANT FIGURES IN A PARK Oil on canvas 39 1/8 x 47 1/2 in. (99.4 x 120.7cm) provenance: Private Collection, Pennsylvania. $6,000-8,000
91 161211/1 DUTCH SCHOOL (17th century) LADY WITH MANDOLIN Oil on panel, unframed 11 11/16 x 9 1/2 in. (29.7 x 24.1cm) provenance: Private Collection, Maryland. $1,000-1,500
www.freemansauction.com 41
94 160171/6 CONTINENTAL SCHOOL (18th century) YOUNG BACCHUS Oil on canvas laid to board, unframed 29 3/8 x 22 1/2 in. (74.6 x 57.2cm) provenance: Private Collection, Washington, DC. $2,000-3,000
95 161087/1 FOLLOWER OF NICOLAS LANCRET (french 1690-1743) FÊTE GALANTE Oil on canvas 28 7/8 x 36 3/8 in. (78.3 x 92.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-4,000
96 168072/1 MANNER OF JOSEPH MALLORD WILLIAM TURNER (british 1775-1851) CARTHAGE Oil on canvas 40 x 60 in. (101.6 x 152.4cm) provenance: Catholina Lambert. American Art Association, Anderson Galleries, sale of February 21, 1916, lot 177. H.O. Watson. Private Collection, Florida. $2,500-4,000
42 www.freemansauction.com
97 161182/2 FOLLOWER OF PIETRO BERNINI (italian 1562-1629) PAN Marble Height of marble: 7 3/4 in. (19.7cm) Height, including pedestal: 14 3/4 in. (37.5cm) provenance: Private Collection, New York, New York. $3,000-4,000
98 161182/5 MANNER OF ROMOLO DI FRANCESCO (ROMOLO DEL TADDA) FERRUCCI (italian 1544-1621) PROFILE PORTRAIT OF CHRIST Carved stone relief, framed 16 7/8 x 10 3/4 in. (42.9 x 27.3cm) with frame: 24 1/4 x 19 in. (61.6 x 48.3cm) provenance: Salander-O’Reilly Galleries, New York, New York. Private Collection, New York, New York. $2,000-3,000
99 161182/6 ITALIAN SCHOOL (possibly 17th century) PORTRAIT BUST OF CHRIST Marble Height: 12 3/4 in. (32.4cm) provenance: Private Collection, New York, New York. $2,000-3,000
100 161182/8 CONTINENTAL SCHOOL (probably 18th-19th century) MADONNA DOLENTE Terracotta Height: 21 3/4 in. (55.3cm) provenance: Private Collection, New York, New York. $2,000-3,000
www.freemansauction.com 43
101 161182/7 ATTRIBUTED TO ALESSANDRO VITTORIA (italian 1525-1608) THE EVANGELIST MATTHEW WITH ANGEL Alabaster group Height: 20 1/4 in. (51.4cm) provenance: Private Collection, New York, New York. note: A related sculpture, modeled circa 1580, was executed by Vittoria in terracotta, collection of the Art Institute of Chicago. $5,000-7,000
102 161182/1 ATTRIBUTED TO ANTONIO LOMBARDO (italian d. c. 1608) PHILOCTETES ON THE ISLAND OF LEMNOS Inscribed along bottom edge ‘VVLNERE LERNAEO DOLET HIC HERO[S]’, terracotta relief 16 1/8 x 10 5/8 in. (41x 27cm) provenance: Private Collection, New York, New York. note: A nearly identical model was executed by Lombardo in marble, ca. 1510-1515, collection Victoria and Albert Museum, London. $5,000-7,000
44 www.freemansauction.com
103 161182/4 ATTRIBUTED TO ANTONIO ROSSELLINO (italian 1427-1479) VIRGIN AND CHILD Painted stucco relief, framed 26 1/2 x 17 3/8 in. (67.3 x 44.1cm) with frame: 30 5/8 x 22 3/8 in. (77.8 x 56.8cm) provenance: Private Collection, New York, New York. $5,000-7,000
104 161182/3 MANNER OF DONATELLO (italian 1386-1466) VIRGIN AND CHILD Painted stucco relief, with gilt and polychrome architectural frame with arch-top with frame: 57 3/8 x 37 1/2 in. (145.7 x 95.3cm) provenance: Sotheby’s, London, sale of December 9, 2005, lot 48. Private Collection, New York, New York. $6,000-9,000
www.freemansauction.com 45
105 168090/1 JOSEPH VICTOR CHEMIN (french 1825-1901) HOUND WITH HARE Inscribed and signed ‘Prise du Salon 1882/Médalle D’or/CHEMIN’ on base, bronze with verdigris patina Height: 43 3/4 in. (111.1cm) Length: 50 in. (127cm) provenance: Private Collection, Virginia Beach, Virginia. note: Another cast of this identical model sold at Sotheby’s, New York, sale of May 18, 2004, lot 175. $20,000-30,000
46 www.freemansauction.com
106 161088/1 BRITISH SCHOOL (18th-19th century) PORTRAIT OF A YOUNG WOMAN IN THREE-QUARTER PROFILE; and PORTRAIT OF A LADY WITH HEADDRESS IN PROFILE Each inscribed and dated ‘Thomas Gainsborough/1727’ on verso of frame backing, pair oils on panel, each painted as a tondo 4 5/8 x 4 1/4 in. (11.8 x 10.8cm) (2) provenance: Private Collection, Florida. $2,000-3,000
107 160796/11 BRITISH SCHOOL (18th-19th century) PORTRAIT OF A SEATED LADY, HALF-LENGTH Pastel on paper laid to canvas 26 1/2 x 21 5/8 in. (67.3x54.9cm) provenance: Samuel T. Freeman & Co., sale of November 27, 1946, lot 466 (ex-collection Sir Joseph Duveen, Stotesbury sale, according to original Freeman’s bill of sale). Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
108 161068/3 CIRCLE OF ALLAN RAMSAY (scottish 1713-1784) PORTRAIT OF A LADY IN BLUE Inscribed indistinctly in ink on unidentified stretcher label verso, oil on canvas, feigned oval 30 x 24 15/16 in. (76.2 x 63.3cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
109 161223/1 CIRCLE OF SIR PETER LELY (british 1618-1680) PORTRAIT OF A LADY, HALFLENGTH Oil on canvas, framed in the oval 20 3/4 x 25 in. (52.7 x 63.5cm) provenance: Private Collection, Memphis, Tennessee. $2,000-3,000
www.freemansauction.com 47
110 161230/14 ATTRIBUTED TO JONATHAN RICHARDSON (british c. 1665-1745) PORTRAIT OF A LADY, THREE-QUARTER LENGTH, SAID TO BE ELIZABETH D’AVENANT, DAUGHTER OF THOMAS BOOTHBY, ESQR., WITH HER DOG Inscribed on stretcher verso ‘Elizabeth daughter of Thomas Boothby, Esqr. Paternal Grandmother of Sir Corbet Bart.’, oil on canvas 50 x 40 in. (127 x 101.6cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
111 158162/4 CIRCLE OF SIR THOMAS LAWRENCE (british 1646-1723) PORTRAIT OF A LADY, THREEQUARTER LENGTH, SAID TO BE MRS. RAMSBOTTOM Oil on canvas 50 1/8 x 40 1/8 in. (127.3 x 101.9cm) provenance: Private Collection, Florida. $3,000-5,000
112 158162/5 FOLLOWER OF GODFREY KNELLER (british 1646-1723) PORTRAIT OF A LADY, THREEQUARTER LENGTH, SAID TO BE ANNA MARIA BRUERELL, COUNTESS OF SHREWSBURY, WITH HER DOG Oil on canvas 50 x 40 1/2 in. (127 x 102.9cm) provenance: Private Collection, Florida. $3,000-5,000
48 www.freemansauction.com
113 161173/1 CIRCLE OF JOHN VERELST (british d. 1734) PORTRAIT OF A GENTLEMAN WITH MUSKET, HALF-LENGTH, SAID TO BE EDWARD IVESON, AGED 18 Inscribed in ink on affixed unidentified label verso ‘Edward Iveson/aged 18/Painted 1704 by/Jo. Verelst’, oil on canvas 29 1/2 x 25 in. (74.9 x 63.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-2,000
114 161211/2 BRITISH SCHOOL (17th-18th century) PORTRAIT OF A GENTLEMAN, HALF-LENGTH Oil on canvas 29 3/4 x 24 5/8 in. (75.6 x 62.5cm) provenance: Private Collection, Maryland. $1,500-2,000
116 160574/4 CIRCLE OF WILLIAM OWEN (british 1769-1825) THE CHILDREN OF SIR WILLIAM PARSONS IN A LANDSCAPE Oil on canvas 58 1/8 x 45 7/8 in. (147.6 x 116.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-7,000
115 161211/4 BRITISH SCHOOL (18th century) PORTRAIT OF AN OFFICER, HALF-LENGTH Oil on canvas 30 x 24 3/8 in. (76.2 x 61.9cm) provenance: Private Collection, Maryland. $1,500-2,000
www.freemansauction.com 49
117 161236/1 SIR JOHN HOPPNER (british 1758-1810) PORTRAIT OF A GENTLEMAN, THOUGHT TO BE HENRY WILSON, THREE-QUARTER LENGTH, IN A GREEN COAT, STOCK AND BREECHES, HOLDING HIS HAT AND WALKING CANE, IN A LANDSCAPE Oil on canvas 50 x 40 1/8 in. (127.6 x 101.9cm) provenance: By descent through the sitter’s daughter, Mrs. Edward Wise of Ryde, until 1929. Leger Sale, sold by order of the Westhome Security Corporation. American Art Association, New York, New York, sale of March 2, 1933, lot 82. Private collection, Pennsylvania. note: The presumed sitter is Henry Wilson, second son of John Wilson, a merchant in the City of London, and himself a merchant with interests in Jamaica. He married in 1786, Amelia, daughter of Brackley Kennett, and became Lord Mayor of London. $15,000-25,000
50 www.freemansauction.com
118 161056/1 HERBERT ARNOULD OLIVIER (british 1861-1952) “NOT JUNO’S HEARTLESS FOWLS” Signed and dated ‘H.A. Olivier 95’ bottom right, oil on canvas 100 3/4 x 71 7/8 in. (255.9 x 182.6cm) provenance: Private Collection, Pennsylvania. exhibited: The Exhibition of the Royal Academy of Arts, The One Hundred and TwentySeventh, London, May-August, 1895, no. 253. $20,000-30,000
www.freemansauction.com 51
119 158162/2 ATTRIBUTED TO WILLIAM ETTY (british 1787-1849) RECUMBENT NUDE IN A LANDSCAPE Oil on canvas 19 x 28 in. (48.3 x 71.1cm) provenance: Private Collection, Florida. $2,000-3,000
120 160750/3 BRITISH SCHOOL (19th century) EXTENSIVE LANDSCAPE WITH VILLAGERS AND RAINBOW IN DISTANCE Oil on canvas 43 1/8 x 45 in. (110 x 114.3cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
121 158162/7 JOHN FAULKNER (irish 1835-1894) BREEZING UP, SHIP IN ELAGH BAY Located and signed ‘Elagh Bay/ near Lough Swilly/ John Faulkner’ bottom left, watercolor on paper Sight size: 19 1/2 x 36 1/2 in. (49.5 x 92.7cm) provenance: Private Collection, Florida. $1,000-1,500
52 www.freemansauction.com
122 152483/6 DAVID JAMES (british 1853-1904) “PORTHCRESSA BAY, SICILY” Signed and dated ‘D. James 84’ bottom right; also titled on stretcher label, oil on canvas 12 x 20 in. (30.5 x 50.8cm) provenance: with Maas Gallery, London. $2,000-3,000
123 158162/3 ATTRIBUTED TO GEORGE BARRET (british c. 1728-1784) AUTUMN LANDSCAPE WITH STREAM Oil on panel 11 7/8 x 15 1/2 in. (30.2 x 39.4cm) provenance: Private Collection, Florida. $1,000-2,000
124 160560/1 ALFRED FONTVILLE DE BREANSKI, JR. (british 1877-1955) HIGHLAND LANDSCAPE Signed ‘A. de Breanski’ bottom left, oil on canvas 24 x 18 in. (61 x 45.7cm) provenance: Private Collection, New Jersey. $1,000-2,000
www.freemansauction.com 53
125 161187/4 JAMES WEBB (british 1825-1895) PARISIAN LANDSCAPE Signed, dated and located ‘James Webb 18791880/Paris’ bottom right, oil on canvas 30 x 50 in. (76.2 x 127cm) provenance: Private Collection, Pennsylvania. $10,000-15,000
126 160713/5 DAVID JAMES (british 1853-1904) “EVENING TIDE” Signed and dated ‘James 99’ bottom right; also signed, dated and titled verso, oil on canvas 25 x 50 in. (63.5 x 127cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $3,000-5,000
54 www.freemansauction.com
127 160843/1 JAMES LODER OF BATH (british 1784-1860) HORSE IN A STABLE; AND A COMPANION Pair oils on panel Each: 10 1/4 x 13 in. (26 x 33cm) (2) provenance: Richard Green, London. Private Collection, Pennsylvania. $1,500-2,000
129 160916/3 WILLIAM GALE (british 1823-1909) “FIVE O’CLOCK TEA” (GOSSIP) Signed with conjoined initials ‘WG’ bottom left, oil on canvas 18 1/8 x 14 1/8 in. (46 x 35.9cm) provenance: Mrs. Georgina Gale. Bristol Art Gallery, England. Schillay & Rehs, Inc., New York, New York. Private Collection, Pennsylvania. $1,000-2,000
128 152570/1 JOHN GIFFORD (british d. 1900) HIGHLAND SHEEP WITH DOG Signed ‘J. Gifford’ bottom right, oil on canvas laid on masonite 46 3/4 x 36 3/4 in. (118.7 x 93.3cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
130 160916/4 GEORGE SMITH (british 1829-1901) “A MERRY TUNE” Signed and dated ‘G. Smith/ 1857’ bottom left, oil on board 10 x 6 1/4 in. (25.4 x 15.9cm) provenance: Thomas Agnew & Sons, London. Burlington Paintings, London. Private Collection, Pennsylvania. $1,000-2,000
131 161217/1 JOHN E. FERNELEY (british 1782-1860) THE QUORN HOUNDS WITH SIR HARRY GOODRICH AND GEORGE MOUNTFORD Signed ‘J. Ferneley’ bottom center right; also inscribed ‘The Melton Hunt/ with Portraits of Sir Harry Goodrich/ sketch for a large picture by Jn (?) Ferneley R.A.’ on stretcher verso, oil on canvas 18 x 23 1/2 in. (45.7 x 59.6cm) provenance: Private Collection, Pennsylvania. $8,000-12,000
www.freemansauction.com 55
132 161183/1 WALTER DENDY SADLER (british 1854-1923) “MATED” Signed ‘W. Dendy Sadler’ bottom left, oil on canvas 26 1.8 x 34 1/8 in. (66.4 x 86.7cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
134 160916/11 GEORGE SHERIDAN KNOWLES (british 1863-1931) “A LOVE SONG” (ROMANCE) Signed ‘G. Sheridan Knowles’ bottom left, oil on canvas, 24 x 36 in. (61 x 91.4cm) provenance: Schillay & Rehs, Inc., New York, New York. Private Collection, Pennsylvania. exhibited: The Exhibition of the Royal Academy of Arts, The One Hundred and FortySeventh, London, May-August, 1884, no. 658. literature: Royal Academy Pictures and Sculpture, Vol. 1915, London: 1884, p. 62 (illustrated). $6,000-8,000
133 161136/7 CHARLES MEER WEBB (british 1830-1895) SETTLING ACCOUNTS Signed and dated ‘C.M. Webb 1860’ bottom center left, oil on canvas laid on panel 30 x 47 1/8 in. (76.2 x 119.7cm) provenance: Private Collection, Virginia. $3,000-5,000
56 www.freemansauction.com
135 160916/2 GEORGE BERNARD O’NEILL (british 1828-1917) “THE FATHER OF THE REGIMENT” Signed and dated ‘G. B. O’Neill/ 77’ bottom right, oil on canvas 36 x 28 1/4 in. (91.4 x 71.7cm) provenance: Schillay & Rehs, Inc., New York, New York. Private Collection, Pennsylvania. exhibited: The Exhibition of the Royal Academy of Arts, The One Hundred and Ninth, London, May-August, 1877, no. 511. $8,000-12,000
136 161017/4 CHARLES HUNT (british 1803-1877) “ALL THE FUN OF THE FAIR” Signed and dated ‘C. Hunt 1859’ bottom center, oil on canvas 31 x 48 in. (78.7 x 121.9cm) provenance: Frost & Reed, London. Frank S. Schwarz & Son, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $5,000-7,000
www.freemansauction.com 57
137 161061/1 HENRY JOHN YEEND (british 1855-1924) GATHERING FLOWERS Signed ‘YEEND KING’ bottom right, oil on canvas 24 x 18 in. (61 x 45.7cm) provenance: Private Collection, Florida. $2,000-3,000
138 160916/7 CESARE VIANELLO (italian 1862-c. 1920) “FAMILY GROUP” Signed ‘C. Vianello’ bottom left, oil on canvas 22 x 30 in. (55.8 x 76.2cm). provenance: David David, Inc., Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $2,500-3,500
139 161223/3 EMILIO VASARRI (italian 1862-1931) NEOCLASSICAL SCENE Signed ‘E. Vasarri’ bottom right, oil on canvas 49 5/16 x 35 1/2 in. (125.3 x 90.2cm) provenance: Private Collection, Memphis, Tennessee. $3,000-5,000
140 151501/2 RICCARDO PELLIGRINI (italian 1863-1934) THE VEGETABLE SELLER Signed ‘Riccardo Pelligrini’ bottom left, oil on canvas 25 1/2 x 15 1/4 in. (64.8 x 38.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
58 www.freemansauction.com
141 161061/2 LUCIUS ROSSI (italian 1846-1913) TENDING THE FLOWERS Signed, located and dated ‘Lucio Rossi Roma 1871’ bottom right, oil on canvas 29 1/2 x 22 3/4 in. (74.9 x 57.8cm) provenance: Private Collection, Florida. $6,000-8,000
143 160050/19 ETTORE ROESLER FRANZ (italian 1845-1907) VIEW OF THE ROMAN CAMPAGNA Signed, located and ‘E. Roesler Franz/Roma/1895’ bottom right, watercolor on paperboard 15 7/8 x 30 in. (40.3 x 76.2cm) provenance: Cosmos Club, Washington, D.C. (per notation verso). Private Collection, Maryland. $1,500-2,000
142 160413/1 SANTI CORSI (italian b. 1871) PALAZZO PITTI, FIRENZE: LA SALA DI APOLLO Signed ‘S. Corsi’ bottom left, oil on canvas 51 x 42 7/8 in. (129.5 x 108.9cm) provenance: Private Collection, Pennsylvania. note: A nearly identical composition by Santi Corsi is in the Royal Collection Trust. $6,000-8,000
www.freemansauction.com 59
144 160813/1 GREGOIRE JOHANNES BOONZAIER (south african 1909-2005) SOUTH AFRICAN COTTAGES Signed ‘Gregoire’ bottom left, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Arizona. $5,000-8,000
146 160686/2 LUIS JIMENEZ Y ARANDA (spanish 1845-1928) MOTHER AND CHILD IN THE FIELDS Signed ‘Luis Jimenez’ bottom left, oil on canvas 26 x 19 1/2 in. (66 x 46.53cm) provenance: Private Collection, New Jersey. $4,000-6,000
145 160747/1 NICHOLAS MACSOUD (syrian/american 1884-1972) CEDARS OF LEBANON Signed ‘Nicolas S. Macsoud’ bottom right, oil on canvas 28 x 36 in. (71.1 x 91.4cm) provenance: Private Collection, Pennsylvania. $2,500-3,500
60 www.freemansauction.com
147 161172/5 FEDERICO DEL CAMPO (peruvian 1837-1927) FEEDING THE PIGEONS OUTSIDE SAINT MARCO’S BASILICA, VENICE Signed ‘Campo’ bottom right, oil on panel 11 1/8 x 7 in. (28.3 x 17.8cm) provenance: Arthur Tooth & Sons, London. MacConnal-Mason & Son, London. Phillips, London, sale of November 24, 1992, lot 235. Purchased from the above by C.W. van Blijenburgh, 1993. By descent in the family to his grandson. Private collection, Europe. $10,000-15,000
www.freemansauction.com 61
148 161017/1 EMILIO GRAU SALA (spanish 1911-1975) SEATED GIRL WITH FLOWERS AND FRUIT Signed ‘Grau Sala’ bottom left; also inscribed and dated ‘GRAU SALA/PARIS 1963’ verso, oil on canvas 21 1/4 x 25 1/2 in. (54 x 65cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
150 160171/5 CONTINENTAL SCHOOL (probably 19th century) YOUNG WOMAN AS FLORA Oil on canvas 17 1/2 x 14 1/8 in. (44.45 x 36cm) provenance: Private Collection, Washington, DC. $1,500-2,500
151 161171/1 F. PARFONRY (continental 19th century) SETTLING ACCOUNTS Signed ‘F. Parfonry’ bottom right, oil on panel 23 7/8 x 17 9/16 in. (60.6 x 44.6cm) provenance: Private Collection, New York, New York. $1,000-1,500
152 161171/14 CONTINENTAL SCHOOL (19th century) FAMILY PORTRAIT Oil on canvas 28 x 33 in. (71 x 83.8cm) provenance: Private Collection, New York, New York. $1,500-2,000
149 160746/1 NORTHERN EUROPEAN SCHOOL (19th century) INTERIOR WITH PEASANTS Oil on panel 6 7/8 x 9 1/2 in. (17.5 x 24.1cm) provenance: Private Collection, Florida. $1,200-1,800
62 www.freemansauction.com
153 161212/1 PAUL JOSEPH CONSTANTIN GABRIËL (dutch 1828-1903) FISHERMAN IN THE POLDER Signed ‘Gabriel f’ bottom right, oil on canvas laid to panel 10 5/8 x 18 1/2 in. (27 x 47cm) provenance: W.J. Van Wisselingh & Co., Amsterdam. Private Collection, New York, New York. $1,500-2,000
155 160916/1 FERDINAND DE BRAEKELEER THE ELDER (belgian 1772-1883) DOMESTIC INTERIOR Signed ‘Ferd. De Braekeleer’ bottom left, oil on panel 6 3/8 x 8 in. (16.2 x 20.3cm). provenance: Private Collection, Pennsylvania. $1,000-2,000
154 160523/3 REMIGIUS ADRIANUS VAN HAANEN (dutch 1812-1894) FIGURES IN A MARSH Signed ‘R.H.’ and indistinctly dated bottom right, oil on canvas 9 3/8 x 16 3/8 in. (23.8 x 41.6cm) provenance: Private Collection, Pennsylvania. $1,000-1,500
156 161161/6 FRANS MOORMANS (dutch 1832-1893) PLAYING A MELODY Signed, located and dated ‘Frans Moormans Paris 1887’ bottom left, oil on panel 18 1/8 x 14 3/4 in. (46 x 37.5cm) provenance: Private Collection, New Jersey. $2,000-3,000
157 161212/3 ANTON MAUVE (dutch 1838-1888) FEEDING TIME Signed ‘A Mauve f’ bottom left, watercolor on paper 10 3/4 x 16 3/4 in. (27.3 x 42.6cm) provenance: Ritchie’s, Toronto, sale of June 8, 2006, lot 3060. Private Collection, New York, New York. $5,000-7,000
www.freemansauction.com 63
158 160883/6 JAMES ENSOR (belgian 1860-1949) “LAVEUSE” Signed and dated ‘J. Ensor/80’ bottom right; also titled bottom left, charcoal on paper Sheet size: 29 1/4 x 21 7/8 in. (74.3 x 55.6cm) provenance: The Artist. Collection of Albert Croquez, Paris, France. By family descent. Private Collection, Pennsylvania. $3,000-5,000
159 160883/5 JAMES ENSOR (belgian 1860-1949) “UN CHARBONNIER” Signed and dated ‘Ensor 1882’ bottom right; also titled, inscribed and located ‘Un charbonnier/à mon ami Albert Croquez/Ostende’ bottom left, charcoal on paper Sheet size: 28 15/16 x 23 1/16 in. (73.5 x 58.6cm) provenance: The Artist. Acquired as a gift from the above. Collection of Albert Croquez, Paris, France. By family descent. Private Collection, Pennsylvania. exhibited: Koninklijk Museum voor Schoone Kunsten in Antwerp, n.d. “James Ensor, 1860-1949, Retrospective Centenary Exhibition”, Marlborough Fine Art Ltd, London, April-May, 1960, cat. no. 104. $3,000-5,000
64 www.freemansauction.com
160 160939/1 ISIDOR KAUFMANN (austrian/hungarian 1853-1921) IN THE SYNAGOGUE Signed ‘Isidor Kaufmann’ bottom left, oil on panel 22 1/4 x 17 3/4 in. (56.5 x 45.1cm). provenance: Private Collection, Vienna, Austria. By descent in the family. Private Collection, East Coast, USA. note: Isidor Kaufmann began painting at a young age, studying under Joseph Matthäus Aigner and Josef Mathias von Trenkwald. Kaufmann travelled throughout Eastern Europe and is widely considered the most important painter of Jewish figures, including Chassidim, Rabbis, Talmudic students and Kabbalists. He painted his subjects with great attention to detail and in a manner that reveals their personalities. $30,000-50,000
www.freemansauction.com 65
161 161062/1 WILLEM ALEXANDER KNIP (dutch 1883-1967) THE MINT TOWER, AMSTERDAM Signed ‘W.A. Knip’ bottom left, oil on canvas 33 5/8 x 30 in. (85.4x76cm) provenance: Prestige Art Galleries, Inc., Baltimore, Maryland. Private Collection, Florida. $3,000-5,000
162 161171/12 GERM GERIN DE JONG (dutch 1886-1967) TOWNSCAPE Signed and dated ‘GERM.DE.JONG.1921’ bottom left, oil on canvas 37 5/8 x 47 1/4 in. (95.5 x 120cm) provenance: Private Collection, New York, New York. $2,000-3,000
163 161136/6 ALOIS HEINRICH PRIECHENFRIED (austrian 1867-1953) SEATED GIRL Signed ‘APriechenfried’ upper right, oil on canvas 20 3/4 x 16 9/16 in. (52.7 x 41.9cm) provenance: Private Collection, Virginia. $3,000-5,000
66 www.freemansauction.com
164 160764/130 HANS ZATZKA (austrian 1859-1945) MAIDENS IN A GLADE, CUPID ONLOOKING Signed ‘H. Zatzka’ bottom right; also inscribed verso, oil on canvas 31 x 22 1.2 in. (78.74 x 57.15cm) provenance: Property from a Kinnelon, New Jersey estate. $4,000-6,000
165 160764/148 HANS ZATZKA (austrian 1859-1945) “EINTRETT VERBETEN” Signed ‘H. Zatzka’ bottom left, oil on canvas 27 x 18 1/2 in (68.6 x 47cm) provenance: Property from a Kinnelon, New Jersey estate. $2,000-3,000
www.freemansauction.com 67
166 161170/1 RUDOLPH BARTHELMESS (german 19th-20th century) THE FATAL LETER Signed ‘R. Barthelmess’ bottom right, oil on canvas laid on board Sight size: 31 x 25 in. (78.8 x 63.5cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
167 160916/6 LUDWIG GEDLEK (austrian 1847-1904) THE VICTORIOUS HOMECOMING Signed and located ‘L. Gedlek Wien’ bottom right, oil on canvas 16 5/8 x 27 in. (42.2 x 68.6cm) provenance: Private Collection, Pennsylvania. $4,000-6,000
68 www.freemansauction.com
168 161241/1 WILHELM FRIEDRICH KUHNERT (german 1865-1926) LIONS AT REST Signed ‘Wilh. Kuhnert’ bottom right, oil on canvas 19 7/8 x 31 7/8 in. (50.5 x 81cm) provenance: Private Collection, Germany. note: The present painting has been authenticated by Dr. Angelika Grettmann-Werner. A copy of her letter of authenticity dated October 28, 2012 will accompany this lot. $20,000-30,000 169 161172/7 DIETZ EDZARD (german 1893-1963) GIRL WITH RED HAIR Signed ‘D. Edzard’ bottom left, oil on canvas 18 x 15 in. (45.7 x 38.1cm) provenance: Christie’s, Amsterdam, sale of December 2, 2008, lot 109. Kunsthaus Bühler. Private Collection, Europe. note: The authenticity of the present painting has been confirmed by Christine Goodwin, née the painter’s daughter. $3,000-4,000
www.freemansauction.com 69
170 160760/3 HANS ERNI (swiss 1909-2015) three drawings WOMAN WITH HORSE Signed ‘Erni’ and inscribed ‘17*78’ bottom right, pencil on paper Sheet size: 16 3/4 x 11 7/8 in. (42.5 x 30.2cm) together with: LOVERS Signed ‘Erni’ bottom right and inscribed with ‘17*78’ along outer left edge, pencil on paper Sheet size: 16 3/4 x 11 3/4 in. (42.5 x 29.8cm) together with: SEATED MAN Signed ‘Erni’ and inscribed with ‘17*78’ bottom right, ink on paper Sheet size: 10 3/4 x 8 7/8 in. (27.3 x 22.5cm) (3) provenance: Private Collection, Pennsylvania. $1,000-2,000
171 161061/3 VICTOR DANGON (continental 1845-after 1899) ROSES Signed and dated ‘V. Dangon 9 ber (?) 1894’ bottom right, oil on canvas laid to masonite 22 1/4 x 18 1/8 in. (56.5 x 46cm) provenance: Private Collection, Florida. $3,000-4,000
172 161172/1 PHILIPP BAUKNECHT (german 1884-1933) SUNFLOWERS ON A TABLE IN FRONT OF THE WINDOW Signed ‘Ph. BAUKNECHT’ bottom left, oil on canvas 31 3/4 x 27 3/4 in. (80.6 x 70.5cm) provenance: The Artist. Galerie Monet, Amsterdam. Collection Overtoom, Soest. Christie’s, Amsterdam, sale of April 10, 1989, lot 319. Private Collection, Europe. $12,000-18,000
70 www.freemansauction.com
173 151552/3 LESSER URY (german 1861-1931) “IN THE WOODS” Signed and dated ‘L. Ury 1895’ bottom left; also with (Goldenberg) catalogue entry affixed to verso of framing, as “In the Woods,” lot 83; also with two labels affixed to verso of framing: ‘NACHLASS LESSER URY,’ inscribed ‘661’ in blue crayon; and printed artist’s label, numbered ‘205’ verso, pastel on paper 18 7/8 x 13 3/5 in. (47.9 x 34.5cm) provenance: Ex-Collection, Mr. and Mrs. James and Vivian Tyrrell, Los Angeles, California. Roy J. Goldenberg Galleries, Beverly Hills, California, exhibition and sale, December 7, 1949, no. 83. Private Collection, California, by descent in the family to the present owner. note: The authenticity of this work has kindly been confirmed by Dr. Sibylle Gross. This lot will be accompanied by the original catalogue for the 1949 Goldenberg Galleries exhibition. $10,000-15,000
174 161225/2 LOUIS ALEXANDRE CABIE (french 1854-1939) BEACH SCENE Signed ‘L. Cabie’ bottom left, oil on panel 10 3/8 x 19 in. (26.4 x 48.3cm) provenance: Private Collection, New York, New York. $1,500-2,000
175 160974/1 ALFRED SAINT-MARIE (french 1825-1890) FARM HORSES WITH ATTENDANT Signed ‘A. St. Marie’ bottom left, oil on canvas 17 1/2 x 29 1/2 in. (44.5 x 75cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
www.freemansauction.com 71
176 161212/2 PHILIP JAMES DE LOUTHERBOURG (french 1740-1812) HERDERS WITH THEIR FLOCK CROSSING A STREAM Signed ‘L**f’ bottom left; also inscribed ‘P. Loutherbourg pinx’ verso, oil on canvas 13 3/4 x 18 1/2 in. (34.9 x 47m) provenance: Private Collection, New York, New York. $5,000-7,000
177 151542/2 JEAN JULES ANTOINE LECOMTE DU NOÜY (french 1842-1923) “LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNE-ALPS)” Titled on stretcher verso, oil on canvas 8 1/4 x 12 1/4 in. (21 x 31cm) provenance: The Artist. By descent in the family. Private Collection, New York, New York.
178 160974/2 FRÉDÉRIC CHARLES VIPONT EDE (canadian 1865-1943) “CHEVAUX A LA BARRIERE” Signed ‘FREDERIC. EDE’ bottom left, oil on canvas 28 7/8 x 36 in. (73.3 x 91.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
exhibited: “From Homer to the Harem: The Art of Jean Lecomte du Noüy,” Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004. literature: “From Homer to the Harem: The Art of Jean Lecomte du Noüy,” Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004, Exhibition Catalogue, p. 154, cat. no. 62, fig. 35, p. 33 & 35, (illustrated). $1,500-2,500
72 www.freemansauction.com
179 161172/3 EUGÈNE BOUDIN (french 1824-1898) “ÉTUDE DE JEUNES BRETONNES” C. 1880-1885. Stamped ‘E.B.’ bottom right; also inscribed ‘Marc; 46/27’ and ‘No. 17’ verso, watercolor over traces of pencil on paper 5 7/8 x 4 3/8 in. (14.9 x 11.1cm) provenance: Hampel Fine Art Auctions, Munich, sale of June 16, 2010, lot 940. Sotheby’s, Olympia, sale of July 12, 2007, lot 49. Private Collection, Europe. note: Manuel Schmit has authenticated the present work in a letter dated May 18, 2007, Paris (reference number CL 7477). $5,000-7,000
180 160733/9 ATTRIBUTED TO CHARLES LEPEINTRE (french 1785-1803) “L’ENFANT AU TAMBOUR” Oil on panel 13 7/8 x 11 in. (35. 24 x 27.94cm) provenance: Christie’s, n.d. Private Collection, New York, New York. $2,000-3,000
181 160686/1 GUSTAVE JEAN JACQUET (french 1846-1909) “LOOKING BACK” Signed ‘G. Jacquet’ bottom left, oil on cradled panel 13 7/8 x 10 5/8 in. (35.24 x 27cm) provenance: Private Collection, New Jersey. $2,000-3,000
www.freemansauction.com 73
182 161101/29 MAURICE LELOIR (french 1853-1940) LOVERS BY A POOL Signed and dated ‘Maurice Leloir 1880’ bottom right, oil on panel 25 3/4 x 19 3/4 in. (65.4 x 50.2cm) provenance: Private Collection, Maryland. $5,000-8,000
184 161101/31 LOUIS JOSEPH RAPHAEL COLLIN (french 1850-1916) LADY WITH PARASOL PICKING FLOWERS Signed ‘R. Collin’ bottom right, oil on panel 23 3/4 x 13 5/8 in. (60.3 x 34.6cm) provenance: Private Collection, Maryland. $4,000-6,000
183 160764/207 HENRI PIERRE PICOU (french 1824-1895) “CUPID’S ARROW” Signed ‘Henry Picou’ bottom right, oil on canvas 24 3/8 x 19 3/4 in (61.9 x 50.1cm) provenance: Waterhouse and Dodd, London. Property from a Kinnelon, New Jersey estate. $2,000-3,000
74 www.freemansauction.com
185 161174/1 THEOPHILE-LOUIS DEYROLLE (french 1894-1923) WASHERWOMEN Signed and dated ‘A. Deyrolle 1907’ bottom right, oil on canvas 33 1/2 x 25 7/8 in. (85.1 x 65.7cm) provenance: Private Collection, Pennsylvania. $2,500-4,000
186 161101/32 ALEXANDRE CABANEL (french 1823-1889) WOMAN ON A BALCONY Signed and dated ‘Alex. Cabanel 183*’ bottom left; also with ‘Pottier, Paris’ exposition lablel verso (n.d.), oil on panel 23 7/8 x 13 1/2 in. (60.6 x 34.3cm) provenance: Private Colletion, Maryland. $8,000-12,000
187 160686/3 ÉTIENNE PROSPER BERNE-BELLECOUR (french 1838-1910) READING THE NEWS Signed and dated ‘E. Berne Bellecour 1903’ bottom left, oil on cradled panel 14 5/8 x 10 1/2 in. (37.15 x 26.7cm)
together with: AT THE SIGNPOST Signed and dated ‘J. Berne Bellecour 1909’ bottom right, oil on cradled panel 17 5/8 x 13 9/16 in. (44.7 x 33.97cm) (2) provenance: Private Collection, New Jersey. $3,000-5,000
www.freemansauction.com 75
188 160916/5 HIPPOLYTE BELLANGÉ (french 1800-1866) “PAUSE FOR REFRESHMENT” Signed and dated ‘H.te Bellangé. 1861’ bottom left, oil on panel 8 1/2 x 10 9/16 in. (21.6 x 26.8cm) provenance: Schillay & Rehs, Inc., New York, New York. Private Collection, Pennsylvania. exhibited: “Exposition de Petits Maîtres du XIXe siècle”, Galerie Georges Petit, Paris, June 16 - July 13, 1913. $1,000-2,000
189 160686/4 PAUL EMILE LÉON PERBOYRE (french 1851-1929) “MILITARY MANEUVERS” Signed ‘Perboyre’ bottom left; also inscribed ‘PB’ on verso, oil on panel 12 1/2 x 15 5/8 in. (31.75 x 39.7cm) provenance: Private Collection, New Jersey. $2,000-3,000
190 160764/73 PAUL PROSPER TILLIER (french b. 1834) WOMAN HOLDING HAND MIRROR Signed ‘Paul Tillier’ bottom left, oil on canvas 60 1/2 x 36 5/8 in (153.7 x 93cm) provenance: Property from a Kinnelon, New Jersey estate. $3,000-5,000
191 160916/9 SUZANNE HUREL (french 1876-1956) REVERIES Signed ‘S. Hurel’ bottom right, oil on canvas 46 7/8 x 35 1/6 in. (119.1 x 89.3cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. literature: Frank S. Schwarz & Son, European Paintings: Philadelphia Collection XXVII, May 1985, plate 31. $5,000-7,000
76 www.freemansauction.com
192 151501/1 EDOUARD LÉON LOUIS EDY-LEGRAND (french 1892-1970) “GIRL IN GREEN DRESS” Signed and dated ‘Edy Legrand/ 29’ bottom right, oil on canvas 39 1/2 x 32 in. (100.3 x 81.3cm) provenance: Marie Sterner Gallery, New York. Private Collection, Pennsylvania. exhibited: Lawrence Rill Schumann Art Foundation, Boston, Massachusetts, n.d. California Palace Legion of Honor, n.d. $5,000-7,000
193 161159/1 HENRI RONDEL (french 1857-1919) PORTRAIT OF A WOMAN IN AN ELEGANT INTERIOR Signed and dated ‘HRondel (with conjoined letters)/1890’ bottom right, oil on canvas 49 x 56 1/2 in. (125.5 x 143.5cm) provenance: Private Collection, Montana. $8,000-12,000
www.freemansauction.com 77
194 168084/1 FRÉDÉRIC SOULACROIX (french 1858-1933) THE SUITOR’S GLANCE Signed and located ‘F. Soulacroix Florence’ bottom right, oil on canvas 24 3/8 x 16 3/4 in. (62 x 42.5cm). provenance: Private Collection, Virginia. $7,000-9,000
195 160916/8 HENRIETTE (SOPHIE) BOUTEILLER BROWNE (french 1829-1901) “LE DUCAT” Signed and dated ‘Henriette Brown/ 1876’ bottom left, oil on canvas 46 x 35 1/2 in. (116.8 x 90.2cm) provenance: The Galbreaith Collection, Art Gallery of Hamilton, Canada. Schillay & Rehs, Inc., New York, New York. Private Collection, Pennsylvania. $7,000-10,000
78 www.freemansauction.com
196 161058/1 ANTONIO DE LA GANDARA (french 1862-1917) PORTRAIT OF A FAMILY WITH THEIR COLLIE Signed ‘A de la Gandara’ bottom right, oil on canvas 79 1/2 x 46 in. (201.9 x 116.8cm) provenance: Christie’s, New York, sale of November 1, 1995, lot 21. Private Collection, North Carolina. $25,000-40,000
www.freemansauction.com 79
197 160764/10 LOUIS PRIOU (french b. 1845) ALLÉGORIE À L’AMOUR Signed ‘Louis Priou’ bottom right, oil on canvas 32 1/2 x 18 1/4 in. (82.6 x 46.4cm) provenance: Waterhouse & Dodd, London. Property from a Kinnelon, New Jersey estate. $2,000-3,000
198 161172/8 WILLIAM MALHERBE (french 1884-1952) BOUQUET OF CHRYSANTHEMUMS IN A VASE, TWO APPLES AND A TEA CUP Signed and dated ‘William Malherbe 1913’ bottom right, oil on canvas 28 3/4 x 21 1/4 in. (73 x 54cm) provenance: Morelle & Marchandet, sale of December 11, 1999, lot 112. Private Collection, Europe. $3,000-5,000
199 161017/2 ÉLISÉE MACLET (french 1881-1962) “RUE DE MONTMARTRE” Signed ‘Maclet’ bottom left, oil on canvas 18 1/8 x 21 5/8 in. (46 x 54.9cm) provenance: Wally Findlay Galleries, New York, New York, October, 1966. Private Collection, Pennsylvania. $2,000-3,000
80 www.freemansauction.com
200 161222/1 ANDRÉ LHOTE (french 1885-1962) STILL LIFE C. 1917. Signed ‘A. LHOTE.’ upper left, oil on canvas 13 1/2 x 22 3/4 in. (34.3 x 57.8cm) provenance: Mary and Nelle Mullen, Personal Secretary and Public Relations Director to Dr. Albert C. Barnes, founder of The Barnes Foundation, Merion, Pennsylvania. Nelle Mullen to Marion Frings, Pennsylvania, 1955. By descent in the Frings family. By descent in the family from George Frings to the late husband of the present owner. Private Collection, Pennsylvania. note: A French painter and sculptor, Lhote was a true Modernist whose work was initially associated with the Fauvist movement, and later with Cubism. After learning wood carving at the age of 12, he enrolled in the École des Beaux-Arts in Bordeaux before setting
up his own painting studio. His first one-man show was held at the Galerie Druet in 1910. His work was exhibited at the Salon des Independents in that same year. Two years later, Lhote joined the ‘Section d’Or’ group - a collective of painters, poets and critics based in the Paris suburbs, which included fellow artist Albert Gleizes, Fernand Leger, Jean Metzinger and Francis Picabia. Lhote was a teacher at the Académie Notre-Dame des Champs, the Académie de la Grande Chaumière, and at his own school in Montparnasse. Amongst his better known students was the famed artist Tamara de Lempicka. Lhote was also an author whose writings appeared in ‘Nouvelle Revue Française’ and in other important journals, and who wrote important monographs on the artists Georges Seurat and Jean-Baptiste-Camille Corot. We would like to thank Dominique Bermann Martin from the Association André Lhote, who has confirmed the authenticity of the present painting. $15,000-20,000
www.freemansauction.com 81
201 161203/6 CONSTANTIN KLUGE (french 1912-2003) “LE PONT, PARIS” Signed ‘C. Kluge’ bottom left, oil on canvas 32 1/4 x 45 3/4 in. (81.9 x 116.2cm) provenance: Wally Findlay Galleries, Chicago, Illinois. From the Estate of Judith Auritt Klein. $3,000-5,000
202 160915/2 ANTOINE BLANCHARD (french 1910-1988) PLACE DE LA MADELEINE Signed ‘Antoine Blanchard’ bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm). provenance: Private Collection, New York. $3,000-5,000
203 160713/4 MARCEL DYF (french 1899-1985) “CERES” Signed ‘Dyf’ bottom right, oil on canvas 36 x 28 1/2 in. (91.4 x 72.4cm) provenance: Frost and Reed, London. Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $5,000-7,000
82 www.freemansauction.com
204 161190/1 EDOUARD LÉON CORTÈS (french 1882-1969) CAFÉ DE LA PAIX Signed ‘EDOUARD CORTÈS’ bottom right, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Private Collection, Oklahoma. $15,000-20,000
205 161017/3 HENRI JEAN GUILLAUME MARTIN (french 1860-1943) “LA MOISSON” Signed ‘Henri Martin’ bottom left, oil on board 14 3/4 x 17 1/2 in. (37.5 x 44.5cm) provenance: Wally Findlay Galleries, New York, New York, May, 1966. Private Collection, Pennsylvania. note: We wish to thank Marie-Anne G. Destrebecq-Martin who has confirmed the authenticity of the present painting. It will be included it in the forthcoming Catalogue Raisonné of the artist’s work. $12,000-18,000
www.freemansauction.com 83
206 161161/3 PETR IVANOVICH PETROVICHEV (russian 1874-1947) VIEW ALONG A RIVERBANK Signed in Cyrillic bottom right, oil on canvas 19 x 25 in. (48.3 x 63.5cm) provenance: Private Collection, New Jersey. $3,000-5,000
207 161262/1 KONSTANTIN SEMIONOVICH VYSOTSKY (russian 1864-1938) FLOWERS BY AN OPEN WINDOW Signed in Cyrillic bottom right, oil on canvas 29 x 26 in. (73.7 x 66cm) provenance: Private Collection, Tennessee. $4,000-6,000
208 161262/2 KONSTANTIN SEMIONOVICH VYSOTSKY (russian 1864-1938) FISHING Signed and dated ‘K. Visotsky/34’ bottom right, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, Tennessee. $3,000-5,000
84 www.freemansauction.com
209 161204/1 VASILI IVANOVICH SHUKHAEV (russian 1887-1972) MIXED FLOWERS Signed and dated ‘B. Shoukhaeff/1934’ bottom right, tempera on canvas 30 3/4 x 23 1/2 in. (78.1 x 59.7cm) provenance: Private Collection, Pennsylvania. $8,000-10,000
211 160956/2 VASILY KAFANOV (russian b. 1952) TEMPLE ENTRYWAY Signed ‘KAFANOV’ bottom right; also signed verso, oil on canvas 44 1/8 x 50 1/8 in. (112.1 x 127.3cm) provenance: Private Collection, New York, New York. $1,500-2,000
212 160956/3 VASILY KAFANOV (russian b. 1952) “PLAYER” Signed ‘VASILY KAFANOV’ bottom right; also with tiled on stretcher verso, oil on canvas 50 1/8 x 40 1/8 in. (127.3 x 101.9cm) provenance: Private Collection, New York, New York. $1,500-2,000
210 161221/1 GEORGI ALEXANDROVICH LAPCHINE (russian 1885-1950) STILL LIFE WITH VASE OF ROSES AND FRUIT Signed ‘G. Lapchine’ bottom left, oil on canvas 21 7/8 x 17 7/8 in. (55.6 x 45.4cm) provenance: Private Collection, Netherlands, Amsterdam. $2,500-3,500
www.freemansauction.com 85
213 160876/1 KNUD LARSEN BERGSLIEN (norwegian 1827-1908) THE BOATING PARTY Signed and dated ‘K. Bergslien 65’ bottom right; also inscribed ‘A.M. Mitchell/ Bergen/ Norway/ July/ 1870’ verso, oil on canvas 15 x 19 in. (38.1 x 48.3cm) provenance: Private Collection, Kansas. $5,000-7,000
214 160974/3 ANSHELM SCHULTZBERG (swedish 1862-1945) “INSNOAD KOLBARTEN” Signed ‘A. Shultzberg’ bottom left, oil on canvas 27 x 41 1/2 in. (68.6 x 105.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
86 www.freemansauction.com
215 161172/12 HAN YUCHEN (chinese b. 1954) A KAHM MAN Signed in Chinese ‘[Han Yuchen]’ and dated ‘2012.3’ upper left, oil on canvas 39 1/4 x 31 1/4 in. (99.7 x 79.4cm) provenance: Private Collection, Europe. $35,000-45,000
www.freemansauction.com 87
216 161172/13 ZHENG ZHIMING (chinese b. 1963) TIBETAN MAN WITH HORSE Signed in Chinese ‘[Zhiming]’ and in English ‘Z. Ming’ bottom right, watercolor on paper 29 1/2 x 21 5/8 in. (74.9 x 54.9cm) provenance: Private Collection, Europe. $5,000-7,000
88 www.freemansauction.com
217 161171/2 HENRI MAIK (french b. 1922) “FLEURS DES CHAMPS” Signed and dated ‘MAIK 81’ bottom right, oil on canvas 29 x 36 1/2 in. (73.7 x 92.7cm) together with: “DEUX PETITS CHATS” Signed and dated ‘Maik 75’ bottom right, oil on canvas 13 x 9 1/2 in. (33 x 24cm) (2) provenance: Wally Findlay Galleries, New York, New York Private Collection, New York, New York. $2,000-3,000
218 161203/1 NOÉ CANJURA (french 1925-1973) “EVOCATION FLORALE” Signed ‘CANJURA’ bottom right, oil on canvas 45 7/8 x 32 in. (116.5 x 81.3cm) provenance: Wally Findlay Galleries, Chicago, Illinois. From the Estate of Judith Auritt Klein. $4,000-6,000
219 161171/7 GUSTAVO NOVOA (chilean b. 1941) “CHEETAH COUPLE” Signed and dated ‘G. Novoa 71’ bottom left, oil on board 22 1/2 x 19 in. (57.2 x 48.3cm) provenance: Wally Findlay Galleries, New York, New York. Private Collection, New York, New York. $2,000-3,000
220 161203/5 WALASSE TING (american/chinese 1929-2010) THREE FISHES Stamped with artist’s seal, ink and color on paper Sight size: 24 3/4 36 1/2 in. (62.9 x 92.7cm) provenance: From the Estate of Judith Auritt Klein. $1,500-2,500
www.freemansauction.com 89
221 161172/10 IRVING PETLIN (american b. 1934) “MARRIAGE” Signed, located and dated ‘I. Petlin/Paris 1963’ verso; also with title on stretcher, oil on canvas 82 x 78 5/8 in. (208.3 x 199.7cm) provenance: Dr. Matthys Godshuislaan, Gent. Private Collection, Europe. exhibited: La Continentale Menkés, Brussels, n.d. $12,000-18,000
90 www.freemansauction.com
222 161203/3 WALASSE TING (american/chinese 1929-2010) SEVEN PARROTS Stamped with artist’s seal, ink and color on paper Sight size: 35 1/8 x 70 1/4 in. (89.2 x 178.4cm) provenance: From the Estate of Judith Auritt Klein. $8,000-12,000
223 161203/4 WALASSE TING (american/chinese 1929-2010) WOMEN WITH PARROTS Stamped with artist’s seal, ink and color on paper Sight size: 14 3/16 x 19 1/8 in. (37.6 x 48.6cm) provenance: From the Estate of Judith Auritt Klein. $3,000-5,000 END OF SALE
www.freemansauction.com 91
Index Albani, F., 54 Avercamp, H., 69 Barocci, F. 21 Barret, G., 123 Barthelmess, R., 166 Bath, J., 127 Bauknecht, P., 172 Bega, C.P., 90 Bellangé, H., 188 Bergslien, K.L., 213 Berne-Bellecour, E.P., 187 Bernini, P., 97 Bigatti, T., 35 Blanchard, A., 202 Bocciardo, C., 61 Bolognese School, 20 Boonzaier, G.J., 144 Boucher, F., 24 Boudin, E., 179 Brakenburg, R., 84 Breanski, A.F., Jr., 124 British School, 23, 106, 107, 114, 115, 120 Browne, H.B., 195 Bugiardini, G., 50 Cabanel, A., 186 Cabie, L.A., 174 Canaletto, 62 Canjura, N., 218 Cantofoli, G., 48 Caresme, J.P., 30 Carracci, A., 51 Cézanne, P., 3 Chagall, M., 3 Chemin, J.V., 105 Coclers, J.G.C., 78 Codazzi, V., 56 Collin, L.J.R., 184 Colomba, L.A., 16 Continental School, 79, 94, 100, 150, 152 Corsi, S., 142 Cortès, E.L., 204 Creti, D., 8, 10 Dangon, V., 171 de Braekeleer, F., The Elder, 155 de Jong, G.G., 162 de la Gandara, A., 196 de Lafage, R., 38 del Campo, F., 147 Delacroix, E., 33, 37 Della Rovere, G.B., 11 Deyrolle, T.L., 185
di Chirico, G., 7 Donatello, 104 Du Noüy, J.J.A.L., 177 Dutch Or Flemish School, 65 Dutch School, 20, 30, 72, 73, 75, 82, 85, 87, 91 Dyf, M., 203 Ede, F.C.V., 178 Edy-Legrand, E.L.L., 192 Edzard, D., 169 Ensor, J., 6, 158, 159 Erni, H., 170 Etty, W., 119 European School, 20 Faulkner, J., 121 Ferneley, J.E., 131 Ferrucci, R.F., 98 Flemish School, 68, 70, 71 Florentine School, 14 Fontebasso, F.S., 19 Franz, E.R., 143 French School, 26, 27, 28, 29, 31 Gabriël, P.J.C., 153 Gale, W., 129 Gareis, F., 32 Garzoni, G., 36 Gedlek, L., 167 Gentileschi, A., 52 Géricault, T., 32 German/Swiss School, 20 Gifford, J., 128 Grau Sala, E., 148 Guardi, F., 18, 63 Hackaert, J., 67 Hoppner, J., 117 Horemans, J.J., The Younger, 93 Hunt, C., 136 Hurel, S., 191 Italian School, 12, 13, 17, 45, 46, 55, 59, 64, 99 Jacquet, G.J., 181 James, D., 122, 126 Jimenez Y Aranda, L., 146 Kafanov, V., 211, 212 Kaufmann, I., 160 Kluge, C., 201 Kneller, G., 112 Knip, W.A., 161 Knowles, G.S., 134
Kuhnert, W.F., 168 Lancret, N., 92, 95 Lapchine, G.A., 210 Largillière, N., 25 Lawrence, T., 111 Leloir, M., 182 Lely, P., 109 Lemoyne, F., 40 Lepeintre, C., 180 Lhote, A., 200 Locatelli, A., 44 Lombard School, 20, 49 Lombardo, A., 102 Loutherbourg, P.J., 176 Maclet, E., 199 Macsoud, N., 145 Maik, H., 217 Malherbe, W., 198 Martin, H.J.G., 205 Matisse, H., 4 Mauve, A., 157 Mazzanti., L., 12 Millet, J.F., 3 Millet, J.F., 42 Molenaer, N., 66 Monginot, C., 41 Moormans, F., 156 Nattier, J.M., 39 Northern European School, 22, 149 Northern Italian School, 8, 60 Novoa, G., 219 Olivier, H.A., 118 O'neill, G.B., 135 Owen, W., 116 Palamedesz, A., 74 Palma, J., Il Giovane, 15 Palma., J. Il Vecchio, 47 Panini, G.P., 57 Parfonry, F., 151 Pelligrini, R., 140 Perboyre, P.E.L., 189 Petlin, I., 221 Petrovichev, P.I., 206 Piattoli, G., 14 Picou, H.P., 183 Priechenfried, A.H., 163 Priou, L. 197 Ramsay, A., 108 Reni, G., 9 Renoir, P.A., 3
Richardson, J., 110 Robert, H., 34 Rondel, H., 193 Roos, P.P., 58 Rossellino, A., 103 Rossi, L., 141 Sadler, W.D., 132 Saint-Marie, A., 175 Schultzberg, A., 214 Shukhaev, V.I., 209 Siennese School, 8 Smith, G., 130 Soulacroix, F., 194 Spanish School, 53 Tillier, P.P., 190 Ting, W., 220, 222, 223 Toulouse-Lautrec, H., 5 Turner, J.M.W., 96 Ury, L., 173 van Aelst, W. and de Fromantiou, H., 81 van Brüssel, P.T., 80 van der Meer, B., 76, 77 van Haanen, R.A., 154 van Ostade, A.J., 83 van Ostade, I., 89 van Rijn, R., 1 van Roestraten, P.G., 88 van Spreeuwen, J., 86 Vasarri, E., 139 Venetian School, 43 Verelst, J., 113 Vianello, C., 138 Vittoria, A., 101 Vysotsky, K.S., 207, 208 Webb, C.M., 132 Webb, J., 125 Yeend, H.J., 134 Yuchen, H., 215 Zatzka, H., 164, 165 Zhiming, Z., 216
92 www.freemansauction.com
Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
names
Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
attributed to
Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.
studio of
Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.
circle of
Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.
follower of
Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.
manner of
Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.
school of
School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.
after an artist
signatures & dates
After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.
measurements
Dimensions are given height before width.
PURCHASE REMOVAL, SHIPPING AND OFFSITE STORAGE INFORMATION To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email Darren Joyner at djoyner@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property. Annie Hauls Jules Smith Doylestown, PA 18901 215.230.8123 email@anniehauls.com Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts Catherine Erickson New York, NY 10011 212.741.2024 / Fax: 212.741.5513 shipping@crozierarts.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com
Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net The Packaging Store ‡ Alex Long 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com UPS Store 3263 ‡ Colin McCarry Philadelphia, PA 19103 auctionpackship@gmail.com 484.879.6678 U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com FURNITURE & LARGE ITEMS For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.freightquote.com ‡ Shippers that can fulfill international deliveries
IMPORTANT INFORMATION FOR BUYERS Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.
v4.2016
TERMS & CONDITIONS All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.
1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency
in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.
13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.
v2.2016
bidding & registration form sale no
bidder no
name
1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com
client no
business name
address city
state
zip code
phone (primary)
phone (secondary)
country
fax
resale / tax identification
state
A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.
lot no
description
maximum bid
please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,500 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion
bank reference bank name
account no
contact name
telephone
I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.
signed
q id confirmed
(signature required to execute your bids) v2.2016
DIRECTORY Officers
Specialist Departments
Representatives
Samuel M. Freeman II Chairman
20th Century Design Tim Andreadis tandreadis@freemansauction.com
New England Kelly Wright kwright@freemansauction.com
Alasdair Nichol Vice Chairman Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer
Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Susannah McGovern smcgovern@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Stephanie Parker sparker@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com
American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com Asian Arts Benjamin Farina bfarina@freemansauction.com Books, Maps & Manuscripts Benjamin Truesdale btruesdale@freemansauction.com
Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Thomas McCabe tmccabe@freemansauction.com
British & European Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Frederick Oster foster@freemansauction.com Oriental Rugs & Carpets Michael Farmer mfarmer@freemansauction.com Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu Nicholas B. A. Nicholson nnicholson@freemansauction.com
v4.2016
EUROPEAN ART & OLD MASTERS JANUARY 23, 2017
www.freemansauction.com EUROPEAN ART & OL D M ASTE R S
1808 Chestnut Street Philadelphia Pennsylvania 19103
JA NUA R Y 23 , 2 01 7