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European Art & Old Masters 06/18/13


European Art & Old Masters 06/18/13

European Art & Old Masters

Exhibitions:

Bidding:

Sale 1463 (lots 1-172) Tuesday, June 18 at 11am

Friday, June 14 10am-5pm

Inquiries:

Saturday, June 15 12 noon-5pm

Bridgette Bonner 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com

Alasdair Nichol 267.414.1211 anichol@freemansauction.com

David Weiss

Monday, June 17 10am-5pm Catalogue: $35 in the Gallery

267.414.1214 dweiss@freemansauction.com

Andrew Huber 267.414.1210 ahuber@freemansauction.com

Inside Front Cover: Lot 163 (detail) Inside Back Cover: Lot 127 (detail) Color images of every lot are available at www.freemansauction.com

Printing by Brilliant Studio Exton, Pennsylvania


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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment

Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


Old Masters


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1 131601/1 REMBRANDT VAN RIJN (dutch 1606-1669) “THE DESCENT FROM THE CROSS” 1633. Etching and engraving 20 13/16 x 15 7/8 in. (52.9 x 40.3cm) [Bartsch, Hollstein 81; Usticke’s fifth state of 5] provenance: Bellette Hofmann Fine Art, New York, New York. Private Collection, Maryland. $3,000-5,000

2 122472/46 REMBRANDT VAN RIJN (dutch 1606-1669) OLD MAN WITH BEARD, FUR CAP AND VELVET CLOAK 1632. Etching and drypoint, unframed 5 7/8 x 5 3/16 in. (14.9 x 13.2cm) [Bartsch, Hollstein 262; Usticke’s third state of 3] provenance: Private Collection, Pennsylvania. $1,000-1,500

3 131574/1 REMBRANDT VAN RIJN (dutch 1606-1669) SELF PORTRAIT DRAWING AT A WINDOW 1648. Etching and drypoint 6 3/16 x 5 1/8 in. (15.7 x 14.9cm) [Bartsch, Hollstein 22; Usticke’s seventh state of 8] provenance: Private Collection, Princeton, New Jersey. $3,000-5,000


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4 131601/2 REMBRANDT VAN RIJN (dutch 1606-1669) “CHRIST DRIVING THE MONEYCHANGERS FROM THE TEMPLE” 1635. Etching with drypoint 5 3/8 x 6 5/8 in. (13.7 x 16.8cm) [Bartsch, Hollstein 69; Usticke’s second state of 7] provenance: Bellette Hofmann Fine Art, New York, New York. Private Collection, Maryland. $3,000-5,000

5 131601/5 REMBRANDT VAN RIJN (dutch 1606-1669) “JAN UYTENBOGAERT, PREACHER OF THE REMONSTRANTS” 1635. Etching and drypoint 8 7/8 x 7 3/8 in. (22.5 x 18.7cm) [Bartsch, Hollstein 279; Usticke’s fifth state of 6] provenance: Private Collection, Maryland. $2,000-3,000

6 122472/47 REMBRANDT VAN RIJN (dutch 1606-1669) “JOSEPH AND POTIPHAR’S WIFE” 1634. Etching and drypoint, unframed 3 11/16 x 4 1/2 in. (9.4 x 11.4cm) [Bartsch, Hollstein 39; Usticke’s fifth state of 5] provenance: Private Collection, Pennsylvania. $1,000-1,500


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7 131550/17 ALBRECHT DÜRER (german 1471-1528) “THE MARTYRDOM OF SAINT CATHERINE” c. 1498. Woodcut [Bartsch 120; A Meder 236, F or G impression (17th century) with unidentified watermark] 15 1/4 x 11 1/16 in. (38.7 x 28.1cm) provenance: Private Collection, New York. $3,000-5,000

8 131610/5 ALBRECHT DÜRER (german 1471-1528) “THE ANNUNCIATION” from ‘the life of the virgin’ c. 1503. Before the Latin text edition of 1511. Woodcut 11 3/4 x 8 5/16 in. (29.8 x 21.1cm) [Bartsch 83] provenance: Private Collection, Princeton, New Jersey. $3,000-5,000

9 131443/2 ADRIAN JANSZ VAN OSTADE (dutch 1610-1685) “THE WOMAN SPINNING” 1652. Etching 5 3/8 x 6 3/4 in. (13.7 x 17.1cm) [Bartsch, Holland 31; an 18th century impression] provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500


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10 131610/16 ATTRIBUTED TO GIOVANNI BATTISTA CASTELLO (italian 1547-1637) THE MADONNA AND CHILD HOLDING A BIRD AND FRUIT Inscribed ‘F.A.N.T.’ verso, bodycolor heightened with gold on vellum 5 1/2 x 4 7/8 in. (14 x 12.4cm) provenance: Christie’s London, sale of July 6, 2004, lot 34. Private Collection, Princeton, New Jersey. $1,500-2,500

12 131610/7 ATTRIBUTED TO CARLO MARATTA (italian 1625-1713) SAINT KNEELING BEFORE ANGELS Inscribed verso, pen and brown ink and wash on cream paper 10 3/16 x 7 1/2 in. (25.9 x 19.1cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

11 131550/12 OTTAVIO MARIA LEONI (italian 1578-1630) HEAD OF A YOUNG MAN Inscribed indistinctly bottom left, pencil with white and color chalk on paper 8 7/16 x 6 in. (21.7 x 15.2cm) provenance: Ackerman & Son, Ltd. Chicago, Illinois. Private Collection, New York. $4,000-6,000


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13 131610/8 GIOVANNI DOMENICO TIEPOLO (italian 1727-1804) STUDY OF AN UPTURNED HEAD Red chalk on cream paper with sketch verso 8 1/8 x 5 5/8 in. (20.6 x 14.3cm) provenance: Sotheby’s London, sale of July 8, 1998, lot 103. Private Collection, Princeton, New Jersey. note: Dr. Bernard Aikema previously lent his opinion that this drawing is a ricordo by Giovanni Domenico after Giovanni Battista. $3,000-5,000 15 131610/15 CIRO FERRI (italian 1634-1689) ALLEGORY OF KNOWLEDGE Signed ‘Di Ciro Feri’ in ink bottom right, also stamped ‘RH.’, black chalk with traces of white chalk on tan paper laid to thin card 11 7/8 x 7 5/8 in. (30.2 x 19.4cm) provenance: Private Collection, Princeton, New Jersey. $2,500-4,000

14 131610/3 FRENCH SCHOOL (17th - 18th century) HEAD OF A WOMAN Inscribed ‘93’ bottom left, black and red chalk on tan paper 4 7/16 x 3 7/8 in. (11.6 x 9.8cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500


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16 131610/20 ITALIAN SCHOOL (17th - 18th century) HOLY FAMILY WITH SAINTS Pen and brown ink with gray wash on cream paper. Inscribed in ink ‘N. 261’ and ‘Carlo Dolci’ on the mount, unframed 10 1/16 x 7 3/4 in. (25.6 x 19.7cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

17 131099/3 ATTRIBUTED TO GAETANO GANDOLFI (italian 1734-1802) CROUCHING MAN with SAINT ALOFT ON A CLOUD Two red chalk drawings heightened with white chalk on tan paper 14 1/4 x 17 3/8 in. (36.2 x 44.1cm) 17 1/4 x 14 1/2 in. (43.8 x 36.8cm) (2) provenance: The Breakers, Newport, Rhode Island. Acquired from the above, 1980’s. By descent in the family. Private Collection, Delaware. $1,000-1,500 18 131610/11 ITALIAN SCHOOL (17th - 18th century) SACRIFICE BEFORE THE ALTAR Pen and Brown ink heightened with white gouache on blue-gray paper, unframed 12 7/16 x 10 7/8 in. (31.9 x 27.6cm) together with CONTINENTAL SCHOOL (17th - 18th century) LANDSCAPE WITH COTTAGE Inscribed ‘(Ve)?ronese morto circa il 1600’ in ink and ‘Creduti di(?) Francis R**ien’ in red chalk verso, pen and brown ink and was on cream laid paper 5 13/16 x 8 7/16 in. (14.8 x 21.7cm) and

ITALIAN SCHOOL (c. 1800) HEAD OF A CLASSICAL WOMAN Inscribed ‘al la villa/Albani’ bottom left,pen and brown ink and wash over pencil on laid paper 6 x 4 7/8 in. (15.2 x 12.4cm) (3) provenance: Private Collection, Princeton, New Jersey. $1,200-1,800


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19 131610/6 ITALIAN SCHOOL (17th-18th century) VIRGIN AND CHILD WITH ANGEL IN WOODED LANDSCAPE Pen and brown ink with gray wash on tan laid paper 9 x 12 in. (22.9 x 30.5cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

20 131610/10 NORTHERN EUROPEAN SCHOOL (17th century) LAOCOÖN with ALLEGORY OF THE CONQUEST OF EVIL verso Pen and black ink on cream paper, double sided drawing 7 1/16 x 11 5/8 in. (17.9 x 29.5cm) provenance: Private Collection, Princeton, New Jersey. $2,500-4,000

recto

verso

21 131577/1 FRENCH SCHOOL (18th century) DRINKING AT DE CLERMONT’S WELL Extensively inscribed and dated ‘September 1787’ in the margin, pencil on paper 10 7/8 x 16 3/8 in. (27.6 x 41.6cm) $1,000-1,500


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22 131610/1 ATTRIBUTED TO GIOVANNI FRANCESCO ROMANELLI (italian 1610-1662) VIRGIN AND CHILD Red chalk on cream laid paper, unframed 4 1/8 x 3 1/2 in. (10.5 x 8.9cm) together with ITALIAN SCHOOL (18th century) CHERUB WITH REEDED INSTRUMENT Red chalk with white chalk highlights on pale green paper 7 3/4 x 6 1/16 in. (19.7 x 15.4cm) (2) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

23 131610/12 BOLOGNESE SCHOOL (17th century) SAINT DOMINIC Bears signature 'Spranger' bottom right, pen and brown ink on tan laid paper 6 7/16 x 4 3/8 in. (16.7 x 11.1cm) provenance: Ex collection according to notation verso, 'H. Hamel.' Christie's sale of January 15, 1992, lot 47 (according to label verso). Private Collection, Princeton, New Jersey. $1,000-1,500

24 131610/18 ITALIAN SCHOOL (17th - 18th century) ASCENSION OF THE VIRGIN Pen and black ink with gray wash on shaped cream paper, unframed 7 3/4 x 4 1/2 in. (19.7 x 11.4cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500


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25 131610/2 NORTHERN ITALIAN SCHOOL (17th century) THE ANNUNCIATION Brown pen and ink with brown wash heightened with white bodycolor on cream paper 7 5/8 x 9 3/4 in. (19.4 x 24.8cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

26 131610/23 CIRCLE OF PARMIGIANINO (italian 1503-1540) “FORTITUDE” Brown pen and ink on blue-gray paper, unframed 5 1/16 x 6 1/16 in. (12.9 x 15.4cm) provenance: John Skippe. Christie, Manson & Woods, London. Sale of November 20, 1958, lot 145(A) as ‘After Parmigianino, corresponding with the etching from which it is copied (Bartsch XVI, p.23)’. Private Collection, Princeton, New Jersey. note: Another drawing given to Parmigianino on the same mount when originally offered at the 1958 auction is not included in this lot. $1,000-1,500

27 131610/24 ITALIAN SCHOOL (17th century) CHRIST BEFORE THE APOSTLES Pen and brown ink and wash on tan paper, unframed 8 1/16 x 10 7/8 in. (20.5 x 27.6cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500


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28 131610/14 FRENCH SCHOOL (circa 1800) MILITARY ACCOUTREMENTS Two drawings, pen and brown ink and wash on cream paper, mounted together One: 4 5/8 x 6 in. (11.7 x 15.2cm) One: 4 5/8 x 5 9/16 in. (11.7 x 14.1cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

29 131610/13 CIRCLE OF PIETRO BERRETTINI; CALLED PIETRO DA CORTONA (italian 1596-1669) VENUS AND MARS Inscribed ‘Caristi’ (?) in ink verso, pen and brown ink and wash 3 1/8 x 4 1/2 in. (7.9 x 11.4cm) together with ATTRIBUTED TO LUCA CAMBIASO (italian 1527-1585) FEMALE SAINT WITH CHERUBS Pen and brown ink on tan wove paper 13 5/16 x 9 1/4 in. (33.8 x 23.5cm) (2) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

30 138021/21 ATTRIBUTED TO BARBARA REGINA DIETZSCH (german 1706-1783) pair gouaches on paper NARCISSUS AND BUTTERFLY and TULIP AND BEETLE Each: 10 7/8 x 7 7/8 in. (27.6 x 20cm) (2) provenance: Georges Mayer, Paris, France. Private Collection, Virginia. $2,500-4,000


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31 131593/1 three oils on panel TUSCAN SCHOOL (mid 16th century) SAINT JAMES, SAINT PETER and SAINT BARTHOLOMEW Oil on panel, each in engaged frames. Two: 17 1/8 x 8 1/8 in. (43.5 x 20.6cm) One: 17 3/8 x 8 1/8 in (44.1 x 20.6cm) (3) $10,000-15,000


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32 122038/2 MANNER OF GIOVANNI DI PAOLO (italian active circa 1420-1482) A TRIPTYCH: THE CENTRAL PANEL, VIRGIN AND CHILD WITH GOD THE FATHER ABOVE, CENTERED BY THE VIRGIN ANNUNCIATE; THE LEFT PANEL, SAINT PETER; THE RIGHT PANEL, SAINT PAUL Tempera on panel with gold ground 25 1/4 x 14 in. (64.1 x 35.6cm) (center panel) 27 7/8 x 8 1/8 in. (70.8 x 20.6cm) (left panel) 27 7/8 x 7 5/8 in. (70.8 x 19.4cm) (right panel) 27 7/8 x 32 13/16 in. (70.8 x 83.3cm) (overall, including space created between panels with later hardware) provenance: Private Collection, Pennsylvania. $3,000-5,000

33 121924/1 MANNER OF MATTEO DI GIOVANNI DI BARTOLO, CALLED ‘MATTEO DA SIENA’ (italian 1430-1495) A TRIPTYCH: THE CENTRAL PANEL, VIRGIN AND CHILD WITH SAINTS; THE LEFT PANEL, POSSIBLY THE ARCHANGEL MICHAEL; THE RIGHT PANEL, AN APOSTLE Tempera on panel with gold ground 19 3/4 x 13 7/8 in. (50.2 x 35.2cm) (center panel) 20 x 6 7/8 in. (50.8 x 17.5cm) (left panel) 19 3/4 x 6 3/4 in. (50.2 x 17.1cm) (right panel) 20 x 27 5/8 in. (50.8 x 70.2cm) (overall) provenance: Collection of Irving Francis Impink, one of the original founders of the Reading Museum. Thence by descent in the family. Private Collection, Lancaster, Pennsylvania. note: A variation by Di Giovanni is in the Pinacoteca Nazionale, Sienna. $5,000-8,000


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34 131589/5 ALBERT RITZBERGER (austrian 1853-1915) VIRGIN AND CHILD Signed and dated ‘A. Ritzberger 1889’ bottom left; also with (partial) ‘Hugo ARNOT, GEMALDE-SALON’ label verso, and inscribed ‘Albert Ritzberger’ verso, oil on panel 21 3/16 x 14 5/8 in. (54.1 x 37.1cm) provenance: Private Collection, New York, New York. An Estate, North Carolina. By descent in the family. Private Collection, Pennsylvania. $1,000-1,500

36 131555/10 SCHOOL OF THE VENETO (early 16th century) SUPPER AT EMMAUS Oil on panel 14 x 18 in. (35.6 x 45.7cm) provenance: Private Collection, Santa Fe, New Mexico. Acquired from the above by present owner. $3,000-5,000

35 122368/3 SPANISH SCHOOL (16th century) CHRIST CARRYING THE CROSS Inscribed ‘COLVMNE EIDVCIAE MEAE’ upper left, oil on canvas 29 1/4 x 23 1/4 in. (74.3 x 59.1cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania. A Main Line Estate. $1,000-1,500


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37 122591/8 NORTHERN ITALIAN SCHOOL (16th century) A MALE SAINT Oil on octagonal shaped panel 16 x 11 in. (40.6 x 28cm) $1,000-1,500

38 138043/1 NORTHERN ITALIAN SCHOOL (16th century) PORTRAIT OF A GENTLEMAN Oil on canvas 19 1/2 x 15 1/2 in. (49.5 x 39.4cm) provenance: Private Collection, Florida. $3,000-5,000

39 131555/11 FLORENTINE SCHOOL (late 17th century) PORTRAIT OF CARAVAGGIO Oil on canvas 15 x 11 in. (38.1 x 27.9cm) provenance: Private Collection, New York, New York. Acquired from the above by present owner. $1,000-1,500


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40 131170/3 MANNER OF GIOVANNI BATTISTA SALVI (IL SASSOFERRATO) (italian 1609-1685) THE MADONNA AT PRAYER Oil on canvas 24 3/4 x 20 3/8 in. (62.9 x 51.8cm) provenance: Private Collection, New York, New York. $1,000-1,500

41 131499/1 AFTER ANDREA DEL SARTO (italian 1486-1530) THE YOUNG SAINT JOHN Oil on canvas 36 x 26 3/8 in. (91.4 x 67cm) provenance: Private Collection, Rittenhouse Square, Philadelphia, Pennsylvania. note: This painting is after the original in the Uffizi Gallery, Florence, Italy. $1,000-1,500

42 122213/11 NEAPOLITAN SCHOOL (17th century) CERES Oil on canvas 38 1/4 x 28 5/8 in. (97.2 x 72.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000


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43 131107/4 ITALIAN SCHOOL (17th century) MIXED FLOWERS IN A VASE UPON A STONE LEDGE WITH LANDSCAPE BEYOND Oil on canvas, unframed 21 7/8 x 30 in. (55.6 x 76.2cm) provenance: Private Collection, Maryland. $1,200-1,800

44 131555/5 NEAPOLITAN SCHOOL (late 17th century) STILL LIFE WITH FLOWERS AND URN Oil on canvas laid on tin 18 x 13 1/4 in. (45.7 x 33.7cm) provenance: Private Collection, Miami, Florida. Acquired from the above by present owner. $1,200-1,800

45 11-2246/7 CONTINENTAL SCHOOL (19th century) MIXED FLOWERS IN AN URN; LANDSCAPE BEYOND Oil on canvas 63 1/2 x 48 in. (161.3 x 121.9cm) provenance: Philippe Farley Antiques, New York, New York. Acquired from the above. Private Collection, New York. $2,000-3,000


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46 131209/2 FOLLOWER OF FRANCESCO GUARDI (italian 1712-1793) CAPRICCIO WITH RUINED ARCH Oil on canvas 8 1/8 x 6 1/2 in. (21.6 x 16.5cm) provenance: Private Collection, New York, New York. $1,000-1,500

47 131551/1 ATTRIBUTED TO GIOVANNI BATTISTA BORRA (italian 1713-1770) THE RUINS OF PALMYRA Oil on canvas laid on board 41 x 26 1/2 in. (104.1 x 67.3cm) provenance: Private Collection, Florida. note: The source subject for the present work is Robert Wood’s etching & engraving of the same subject, executed in 1753. Wood surveyed the Palmyra ruins with his draughtsman Giovanni Battista Borra. Along with Borra, Wood was amongst the first to document the ancient Roman ruins of Palmyra and Baalbek. Wood’s The Ruins of Palmyra, otherwise Tedmor, in the Desart (sic). London, comprised 59 etched and engraved plates after Borra. $2,000-3,000


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48 131555/1 ROMAN SCHOOL (17th - 18th century) ARCADIAN LANDSCAPE WITH SHEPHERD AND HERD Oil on canvas 33 x 55 3/4 in. (83.8 x 141.6cm) $12,000-18,000


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49 131591/2 ITALIAN SCHOOL (17th - 18th century) CHERUBS WITH FLOWERS Oil on canvas, oval 36 3/4 x 28 in. (93.3 x 71.1cm) provenance: An Estate, Ohio. $1,000-1,500

50 131529/1 CIRCLE OF MICHELANGELO MAESTRI (italian died c. 1812) PUTTO Signed indistinctly with initials bottom right, oil on canvas, tondo 16 3/8 x 16 3/8 in. (41.6 x 41.6cm) provenance: Private Collection, Florida. $1,500-2,500

51 121526/1 ROMAN SCHOOL (17th century) BACCHUS AND ARIADNE Oil on canvas 26 x 34 in. (66 x 86.4cm) provenance: Private Collection, Virginia. $1,200-1,800


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52 131408/1 STUDIO OF GUIDO RENI (italian 1575-1642) CLEOPATRA Oil on canvas, unframed 38 3/8 x 30 3/4 in. (97.5 x 78.1cm) provenance: Collection of Nelson Shanks, Pennsylvania. $5,000-8,000

53 131555/2 BOLOGNESE SCHOOL (early 17th century) PORTRAIT OF A GENTLEMAN Oil on canvas 23 1/2 x 19 3/4 in. (59.7 x 50.2cm) provenance: Osuna Gallery, Washington DC. Private Collection, Washington DC. exhibited: ‘Wealth of Cities: Italian Painting in the 17 and 18th centuries.’ Osuna Gallery, Washington, DC. February March 1987, no 10 as ‘Agostino Carracci.’ $3,000-5,000


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54 131555/7 FRENCH SCHOOL (18th century) THE SIEGE OF LILLE Oil on canvas 42 x 52 1/2 in. (106.7 x 133.3cm) provenance: Private Collection, New England. Acquired from the above by present owner. $5,000-8,000

55 131555/9 ITALIAN SCHOOL (late 18th century) THE VIOLINIST and PONTIFICATING IN THE SQUARE Pair oils on canvas Each:48 x 42 1/2 in. (121.9 x 108cm) (2) provenance: Morganstern Fine Art, Coral Gables, Florida. Bonhams, New York. (n.d.) Acquired from the above by present owner. $3,000-5,000


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56 121692/19 AFTER LUCIANO BORZONE (italian 1590-1645) BLIND BELISARIUS BEGGING oil on canvas 37 x 40 in. (94 x 101.6cm) provenance: An Estate, Pennsylvania. note: This painting is after the original in Chatsworth House, England. $1,000-1,500

57 131408/2 MILANESE SCHOOL (17th century) MALE SAINT Oil on canvas, unframed 39 x 29 3/16 in. (99.1 x 74.1cm) provenance: Collection of Nelson Shanks, Pennsylvania. $2,500-4,000

58 122407/2 pair set of three self portraits CONTINENTAL SCHOOL (19th century) SIR PETER PAUL RUBENS, REMBRANDT VAN RIJN AND SIR ANTHONY VAN DYCK; AND TITIAN, RAPHAEL AND MICHELANGELO Each set of three portraits framed together in giltwood Florentine frames, all oil on board Two outer paintings: 8 1/2 x 7 in. (21.6 x 17.8cm), oval Central paintings: 7 3/4 x 6 1/8 in. (19.7 x 15.6cm), octagon (2) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500


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59 122308/1 FOLLOWER OF FRANCIS COTES (british 1726-1770) SHEPHERDESS Oil on canvas 30 1/8 x 24 3/4 in. (76.5 x 62.9cm) provenance: Private Collection, Newport, Rhode Island. $1,000-1,500

60 131557/13 CIRCLE OF THOMAS LAWRENCE (british 1769-1830) “CHARLES BARRINGTON” Oil on canvas, painted in the oval 22 x 20 in. (55.9 x 50.8cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

61 122461/1 CIRCLE OF THOMAS LAWRENCE (british 1769 - 1830) “PARTIAL PORTRAIT OF ANNE, LADY ELLENBOROUGH” Oil on canvas 36 1/8 x 28 in. (91.8 x 71.1cm) provenance: Mrs. Louis C. Gerry. Private Collection, Pennsylvania. note: A ‘Museum of Fine Arts. T.L. ‘4584’.’ label is affixed verso. The sitter was the daughter of Captain George Phillips Towry, R.N. She married Edward Law, later 1st Baron Ellenborough in 1789. $3,000-5,000


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62 131099/2 FOLLOWER OF GEORGE ROMNEY (british 1732-1802) A BRITISH OFFICER Inscribed ‘T. Tidwell 1747 UFIRL(?)’ verso, oil on canvas 45 3/4 x 30 1/2 in. (116.2 x 77.5cm) provenance: Private Collection, Delaware. $1,500-2,500

64 131408/3 DUTCH SCHOOL (19th century) PORTRAIT OF A GENTLEMAN, THREE QUARTER LENGTH Oil on canvas, unframed 39 1/4 x 31 7/8 in. (100 x 81cm) provenance: Collection of Nelson Shanks, Pennsylvania. $1,000-1,500

63 131099/8 FOLLOWER OF JOSHUA REYNOLDS (british 1723 - 1792) AN ELEGANT LADY Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, Delaware. $1,000-1,500


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65 131522/2 FOLLOWER OF MELCHIOR DE HONDECOETER (dutch 1636-1695) ROOSTER AND TURKEY QUARRELING Oil on canvas 35 x 43 in. (88.9 x 109.2cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

66 131209/7 FOLLOWER OF JACQUES COURTOIS, CALLED ‘IL BORGOGNONE’ (french 1621-1676) CAVALRY SKIRMISH Oil on cradled panel 12 1/4 x 17 7/8 in. (31.1 x 45.4cm) provenance: Private Collection, New York, New York. $1,500-2,500

67 131610/4 CIRCLE OF JACQUES WILLEM VAN BLARENBERGHE (dutch 1679-1742) JUNO AND IO Bodycolor (?) on panel 10 3/8 x 17 3/4 in. (26.4 x 45.1cm) provenance: Private Collection, Princeton, New Jersey. $1,200-1,800


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68 131555/3 DAVID TENIERS THE YOUNGER (flemish 1610-1690) PEASANTS OUTSIDE AN INN Signed with monogram ‘DT.F.” bottom right, oil on panel 6 3/4 x 9 5/8 in. (17.1 x 24.4cm) provenance: Sotheby’s, New York (n.d.) Private Collection, Norfolk, Virginia. Acquired from the above by present owner. $10,000-15,000


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69 131209/3 FOLLOWER OF DIRK STOOP (dutch c.1618-c.1676) TRAVELLERS AT REST Oil on cradled panel 17 3/4 x 22 7/8 in. (45.1 x 58.1cm) provenance: Private Collection, New York, New York. $1,200-1,800

70 11-1697/3 FOLLOWER OF D. FRANCISCO BAYEU Y SUBIAS (spanish 1734 - 1795) PORTRAIT OF AN ELEGANT LADY WITH HER DOG Oil on canvas 31 x 25 in. (78.7 x 63.5cm) provenance: Private Collection, Pennsylvania. note: We would like to thank Dr. Barbara von Barghahn for her assistance in cataloguing this painting. $1,000-1,500

71 131107/5 CONTINENTAL SCHOOL (17th - 18th century) PORTRAIT OF A GENTLEMAN Oil on canvas, unframed 28 x 22 3/4 in. (71.1 x 57.8cm) provenance: Private Collection, Maryland. $1,500-2,500


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72 131170/1 AFTER SIR PETER PAUL RUBENS (flemish 1577-1640) THE INFANT CHRIST AND THE INFANT SAINT JOHN THE BAPTIST WITH TWO PUTTI IN A WOODED CLEARING Oil on canvas, unframed 32 1/2 x 47 1/2 in. (82.6 x 120.7cm) provenance: Private Collection, New York, New York. $1,500-2,500

73 131619/2 AFTER SIR PETER PAUL RUBENS (flemish 1577-1640) “THE JUDGMENT OF SOLOMON” Inscribed ‘ZAMPIERI d DOMINICHI,’ oil on copper 11 1/4 x 14 3/8 in. (28.6 x 36.5cm) provenance: Private Collection, New York. $1,000-1,500

74 11-2048/25 FOLLOWER OF SIR PETER PAUL RUBENS (flemish 1577-1640) BACCHANALE Oil on canvas 31 1/8 x 32 7/8 in. (79.1 x 83.5cm) provenance: Sotheby Parke Bernet, New York, sale of Important Old Master Paintings, June 7, 1978, lot 98. Private Collection, New York, New York. note: After the original by Rubens in the Musée Pouchkine, Moscow. $2,000-3,000


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75 131170/2 FOLLOWER OF JAN MIEL (flemish 1599-1663) SHEPHERD AND ATTENDANT WITH HERD Oil on canvas 16 1/8 x 21 3/4 in. (41 x 55.2cm) provenance: Private Collection, New York, New York. $1,000-1,500

76 139067/10 FOLLOWER OF NICOLAS BERCHEM (dutch 1620-1683) MILKMAID IN LANDSCAPE Oil on canvas 27 3/8 x 28 5/8 in. (69.5 x 72.7cm) provenance: Private Collection, Alabama. $1,500-2,500

77 131555/12 JACOB VAN DER DOES THE ELDER (dutch 1623-1673) HERDER WITH FLOCK Signed with artist’s monogram bottom right, oil on cradled panel 22 1/2 x 31 7/8 in. (57.2 x 81cm) provenance: Private Collection, Virginia. Christie’s South Kensington, sale of July 11, 2008, lot 116. Acquired from the above by the present owner. $2,000-3,000


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78 139067/8 FOLLOWER OF KAREL DUJARDIN (dutch 1626-1678) DROVER AND SHEPHERDESS WITH CATTLE IN A LANDSCAPE Oil on canvas 32 x 44 5/8 in. (81.3 x 113.3cm) provenance: Private Collection, Birmingham, Alabama. $2,500-4,000

79 131522/1 MANNER OF CHRISTIAN GEORG SCHÜZ THE YOUNGER (german 1758-1823) EXTENSIVE LANDSCAPE WITH FIGURES ON A TRACK Oil on canvas laid on board 39 1/2 x 49 in. (100.3 x 124.5cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

80 131555/6 BRITISH SCHOOL (18th century) STORMY LANDSCAPE WITH FIGURES Oil on canvas 24 3/4 x 30 in. (62.9 x 76.2cm) provenance: Private Collection, Palm Beach, Florida. Acquired from the above by the present owner. $2,000-3,000


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81 131588/1 LAURENS CRAEN (dutch c.1620 - c.1670) STILL LIFE WITH LOBSTER Signed ‘Laurens Craen f’ center left, oil on canvas 26 x 33 1/2 in. (66 x 85.1cm) provenance: Private Collection, England. $100,000-150,000


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82 121926/1 FOLLOWER OF DAVID TENIERS THE YOUNGER (flemish 1610-1690) VILLAGE KERMESSE Oil on panel 22 1/4 x 28 3/8 in. (56.5 x 72.1cm) provenance: Private Collection. note: Proceeds to benefit the Brandywine River Museum, Chadds Ford, Pennsylvania. $2,000-3,000

83 131280/1 FOLLOWER OF DAVID TENIERS THE YOUNGER (flemish 1610-1690) VILLAGE FESTIVAL Bears monogrammed signature ‘DTF’ bottom right, oil on panel 6 1/2 x 9 1/8 in. (16.5 x 23.2cm) provenance: Private Collection, Massachusetts. $1,000-1,500

84 122591/7 AFTER DAVID TENIERS THE YOUNGER (dutch 1610-1690) OUTSIDE THE TAVERN Signed with initials ‘T.S.’ bottom center, oil on panel 10 1/2 x 14 3/8 in. (26.7 x 36.5cm) $1,000-1,500

85 131209/4 FOLLOWER OF PHILIPS KONINCK (dutch 1619-1688) PANORAMIC LANDSCAPE WITH FIGURES Unidentifiable stamp on verso, oil on canvas 22 1/2 x 32 1/4 in. (57.2 x 81.9cm) provenance: Private Collection, New York, New York. By descent in the family. Private Collection, New York, New York. $2,500-4,000


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86 131524/1 JAN-BAPTISTE BOSSCHAERT (flemish 1667-c.1746) MIXED FLOWERS IN A SCULPTED STONE URN UPON A LEDGE Signed ‘Bosschaert’ bottom right, oil on canvas 33 1/2 x 26 1/4 in. (85.1 x 66.7cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

88 131209/1 FOLLOWER OF JAN STEEN (dutch 1626-1679) YOUNG MAY QUEEN Bears signature ‘JSteen’ (in ligature) bottom left, titled on label verso, oil on panel 8 5/8 x 6 5/8 in. (21.9 x 16.8cm) provenance: Private Collection, New York, New York. By descent in the family. Private Collection, New York, New York. $1,000-1,500

87 131408/4 CIRCLE OF JAKOB FERDINAND VOET (french 1639-c. 1700) PORTRAIT OF A LADY, HALFLENGTH, WEARING PEARLS Oil on canvas 28 5/8 x 24 in. (72.7 x 61cm) provenance: Collection of Nelson Shanks, Pennsylvania. $2,000-3,000


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89 131236/3 FOLLOWER OF JUSTUS SUSTERMANS (flemish 1597-1681) PRINCE WALDEMAR CHRISTIAN OF DENMARK Oil on canvas 29 1/8 x 22 in. (74 x 55.9cm) provenance: Private Collection, Pennsylvania. note: A similar example is in Stoneacre, Otham, Maidstone, Kent, England. $2,000-3,000

90 131555/8 ATTRIBUTED TO SALOMON KONINCK (dutch 1609-1656) JEREMIAH LAMENTING THE DESTRUCTION OF JERUSALEM Oil on canvas 46 x 37 in. (116.8 x 94cm) provenance: Private Collection, Miami, Florida. Private Collection, Atlanta, Georgia. Acquired from the above to the present owner. $4,000-6,000

91 131333/1 AFTER ALEXIS GRIMOU (swiss 1678-1733) PORTRAIT OF A GIRL, THREEQUARTER LENGTH, DRESSED AS A PILGRIM Oil on canvas 32 1/2 x 25 1/4 in. (82.6 x 64.1cm) provenance: Christie’s New York, sale of Tuesday April 5, 2011, lot 125. Private Collection, Pennsylvania. note: After the original by Grimou in the Uffizi, Florence. $2,000-3,000


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European Art


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92 131617/3 THOMAS ROWLANDSON (british 1756-1827) “A CONVERSATION AT THE OLD SURGEONS HALL, OLD BAILEY, LONDON” Signed ‘T. Rowlandson’ bottom left, pen and ink and watercolor on paper 8 5/8 x 12 11/16 in. (21.9 x 32.2cm) provenance: Private Collection, The Main Line, Pennsylvania. $1,500-2,500

93 131550/13 THOMAS ROWLANDSON (british 1756-1827) HEAD STUDIES Ink and color washes on paper 8 1/4 x 5 3/8 in. (21 x 13.7cm) provenance: Mrs. Henry Lovejoy. By descent in the family. Private Collection, New York. exhibited: ‘Milwaukee Collects.’ Milwaukee Art Center, Milwaukee, Wisconsin. $2,000-3,000

94 131330/9 EDWARD BURNE-JONES (british 1833-1898) STANDING FEMALE NUDE with FEMALE HEAD STUDY verso Pencil on paper 13 7/8 x 10 in. (35.2 x 25.4cm) provenance: Private Collection, Maryland. $3,000-5,000


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95 131617/1 EDWARD LEAR (british 1812-1888) NICE FROM THE VILLAFRANCA ROAD Inscribed with notation on mount, watercolor 7 x 10.2 in. (17.8 x 25.8cm) provenance: Garick Fine Arts, Inc. Philadelphia, Pennsylvania. Acquired from the above, 1970. Private Collection, The Main Line, Pennsylvania. note: This lot will be accompanied by the bill of sale from Garick Fine Arts dating March 11, 1970. $1,500-2,500

96 131617/4 ATTRIBUTED TO JOHN MARTIN (british 1789-1854) SHIPWRECK Inscribed in pencil ‘John Martin’ verso, watercolor and bodycolor with scratching out on paper 5 x 7 5/8 in. (12.7 x 19.4cm) provenance: Private Collection,The Main Line, Pennsylvania. $1,000-1,500

97 131617/2 SAMUEL PALMER (british 1805-1881) VIEW OF A ROCKY SHORE WITH A SAILBOAT Watercolor and body color on paper 11 1/4 x 16 in. (28.6 x 40.6cm) provenance: Collection of A.H. Palmer. The Richmond Family. Collection of Jeremy Maas. Collection of Stephen Spector. Davis Galleries, New York, New York. Acquired directly from the above, 1968. Private Collection, The Main Line, Pennsylvania.

exhibited: ‘19th Century English Watercolors.’ Davis Galleries, New York, New York. no. 32. note: This drawing was used to illustrate a lecture given by Lord David Cecil entitled ‘Visionary and Dreamer, Two Poetic Painters; S. Palmer and E. Burne-Jones’, A.W. Mellon Lecture at the National Gallery in Washington DC, to be published in a book of the same title, Princeton University Press, also by Lord David Cecil. We would like to thank Davis & Langdale Company, Inc., for their assistance in cataloguing this watercolor. $3,000-5,000


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98 131533/1 WILLIAM ETTY (british 1787-1849) MALE NUDE Oil on paper laid on board 27 x 19 3/8 in. (68.6 x 49.2cm) provenance: The Philadelphia Museum of Art. Collection of Walter Stuempfig. By descent in the family. Private Collection, Pennsylvania. $2,500-4,000

99 131557/1 EDWARD HUGHES (british 1832-1908) PORTRAIT OF A WOMAN IN A RED DRESS Signed and dated ‘Edward Hughes 1906’ lower left, oil on canvas 67 x 42 1/4 in. (170.2 x 107.3cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

100 121341/69 CHARLES BAXTER (british 1809-1879) “THE THREE GRACES” Inscribed on stretcher label, oil on canvas 36 1/4 x 28 1/4 in. (92.1 x 71.8cm) provenance: Private Collection, New York, New York. $2,000-3,000


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101 131649/1 WALTER HEATH WILLIAMS (british 1835-1906) A DIFFICULT LANDING Signed and dated ‘W.H. Williams 1867’ bottom left, oil on canvas 30 x 49 3/4 in. (76.2 x 126.4cm) provenance: The Perfect Touch, Chicago, Illinois. Acquired from the above, 1986. Private Collection, New Jersey. $5,000-8,000

102 121341/78 JAMES AUMONIER (british 1832-1911) LANDSCAPE WITH FIGURES Signed ‘J. Aumonier’ bottom right, oil on board 10 3/4 x 21 in. (27.3 x 53.3cm) provenance: Private Collection, New York, New York. $1,000-1,500

103 126044/1 PATRICK NAYSMITH (scottish 1787-1831) BRICK HOUSE ON THE RIVER Signed and dated ‘Patrick Nasmyth/18**’ lower left, oil on board 8 x 10 in. (20.3 x 25.4cm) provenance: Charles Roberson & Co. London (according to label verso). Private Collection, New York. $1,000-1,500

104 121921/1 JAMES PATERSON (scottish 1854-1932) GIRL IN A RED DRESS ON THE BANK OF A RIVER Signed and dated ‘James Paterson A.R.S.A. 1905’ lower middle, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Pennsylvania. $1,500-2,500


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105 131427/3 REUBEN WARD BINKS (british 1880-1950) “THE WOODLAND PYTCHLEY” Signed ‘R. Ward Binks’ bottom left, oil on canvas 36 x 54 1/2 in. (91.4 x 138.4cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $10,000-15,000

106 128089/1 pair oils on panel EDWARD BENJAMIN HERBERTE (british 1857-1893) HORSE RIDING SCENES Each signed and dated ‘E.B. Herberte 1892’ one bottom right, one bottom left, oil on board Each: 9 x 12 in. (22.9 x 30.5cm) (2) provenance: Private Collection, Virginia. $1,500-2,500


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107 131014/1 LOUIS BOSWORTH HURT (british 1856-1929) “BRAES AT ORCHY, ARGYLSHIRE” Signed and dated ‘Louis B. Hurt 1896’ bottom right, oil on canvas 50 x 39 3/4 in. (127 x 101cm) provenance: An Estate, The Main Line, Pennsylvania. $25,000-40,000


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108 131595/1 WILLIAM G. BECKER (british 19th century) STILL LIFE OF MIXED FRUIT AND NUTS Signed ‘W.G. Becker’ bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

109 131388/1 MARIAN CHASE (british 1844-1905) “LAURESTINUS” Signed ‘Chase’ bottom left, also titled on label verso, oil on panel 11 5/8 x 15 7/8 in. (29.5 x 40.3cm) provenance: Private Collection, Canada. $2,500-4,000

110 131613/2 CHARLES ROBINSON (british 1870-1937) FOUR NYMPHS AND SHEPHERD Inscribed on verso, watercolor over traces of pencil on paper 15 7/8 x 21 1/2 in. (40.3 x 54.6cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000


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111 131581/1 WILLIAM RUSSELL FLINT (scottish 1880-1969) “PORTRAIT OF ISOBEL” Signed 'W. Russell Flint' bottom right; also pencil signed and titled verso, watercolor 20 x 27 in. (50.8 x 68.6cm) provenance: Daniel Rees, Jackson, Michigan. Acquired directly from the above, October 22, 1949. By descent in the family. Private Collection, The Main Line, Pennsylvania. note: This lot will be accompanied by the bill of sale dating October 22, 1949. $20,000-30,000


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112 128088/1 AURELIO ZINGONI (italian 1853-1922) THE CHIMNEY SWEEP’S LUNCH Signed and dated ‘A. Zingoni 1882’ bottom right, oil on canvas 42 x 32 1/2 in. (106.7 x 82.6cm) provenance: Private Collection, Virginia. $5,000-8,000

113 131164/8 CESARE AUGUSTE DETTI (italian 1847-1914) NEWS FROM HOME Signed ‘C. Detti’ lower left, oil on canvas 16 1/4 x 10 3/8 in. (41.3 x 26.4cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $3,000-5,000


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114 121341/70 E. GARGUILLO (italian 19th century) “MOUNT ETNA FROM THE GREEK THEATER” Signed ‘E. Garguillo’ bottom right, oil on canvas 13 3/4 x 22 1/4 in. (34.9 x 56.5cm) provenance: Private Collection, New York, New York. $1,200-1,800

115 122417/25 GIUSEPPE VIZZOTTO ALBERTI (italian 1862-1931) THE DECORATOR’S PRESENTATION Signed ‘G. Vizzotto-Alberti’ bottom left, watercolor 13 1/2 x 10 1/8 in. (34.3 x 25.7cm) provenance: From the estate of Thomas C. Shea, Sr. $1,000-1,500

116 126049/7 ADRIANO BONIFAZI (italian 1858-1914) MAIDEN Signed, ‘A. Bonifazi’ upper left and located and dated, ‘Assisi 1884’ upper right, oil on board Sight size 11 3/4 x 9 1/4 in. (29.8 x 23.5cm) provenance: Private Collection, Virginia. $800-1,200


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117 131619/1 ANTONIO MARÍA DE REYNA MANESCAU (spanish 1859-1937) VENICE Signed and located ‘A. Reyna Venezia’ bottom right, oil on canvas 13 1/2 x 29 1/2 in. (34.3 x 74.9cm) provenance: Private Collection, New York. $8,000-12,000

118 131427/5 EMO MAZZETTI (italian 1870-1955) VENETIAN VIEW WITH ST. MARKS Signed ‘E. Mazzetti’ bottom left, oil on canvas 14 x 30 in. (35.6 x 76.2cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $1,500-2,500


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119 131534/3 CARLOS DE HAES (spanish 1826-1898) FIGURES AND WATERING CATTLE ALONG A STREAM BANK Signed and dated ‘C. de Haes 185(1?)’ bottom left, oil on canvas 15 x 21 in. (38.1 x 53.3cm) provenance: Private Collection, Pennsylvania. note: We would like to thank the Museo Nacional del Prado for their assistance in cataloguing this painting. They note that this work is typical of the work of a young Carlos de Haes during his formative years in Belgium. $6,000-10,000


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120 131413/1 LEON FORTUNSKI (slovakian 1859-1895) GIRL IN INTERIOR Signed ‘Leon Fortunski’ bottom right, oil on canvas 18 1/2 x 13 3/4 in. (47 x 34.9cm) provenance: Private Collection, Illinois. $6,000-10,000

121 131164/4 H.T. CHELMINSKY (russian b. 1895) CONTINENTAL STREET SCENE, WINTER and FIGURES IN A STREET Both signed ‘HT Chelminsky’ bottom right, both oil on board Each: 13 1/2 x 9 1/2 in. (34.3 x 24.1cm) (2) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,000-1,500


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122 131164/5 GEORGE GREGORY (british 1849-1938) A BUSY CONTINENTAL MARKET Signed and dated ‘Geo Gregory 1886’ bottom left, oil on canvas 24 x 20 in. (61 x 50.8cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,500-2,500

123 131164/7 PIERRE LE BOEUFF (french 19th century) BY THE CATHEDRAL Signed ‘Pierre le Boeuff’ bottom left, oil on canvas 23 1/4 x 19 1/4 in. (59.1 x 48.9cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,000-1,500

124 131164/2 EMILE ANTOINE FRANCOIS HERSON (french 1805-1873) STREET SCENE WITH FIGURES AND WINDMILLS Signed ‘E. Herson’ bottom right, watercolor 12 1/2 x 17 1/2 in. (31.8 x 44.5cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,000-1,500


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125 131164/19 GEORGE JULES ERNEST BINET (french 1865-1949) MARCHÉ À CAUDEBEC-EN-CAUX Signed ‘Georges Binet’ bottom right, oil on canvas 28 1/4 x 38 3/4 in. (71.8 x 98.4cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. exhibited: Salon du Artistes, Paris, France. 1909. $5,000-8,000

126 131164/13 FRANCOIS NICOLAS AUGUSTIN FEYEN-PERRIN (french 1826-1888) FRUITS DE MER Signed ‘Feyen-Perrin’ bottom left, oil on canvas 27 3/8 x 35 in. (67.7 x 88.8cm) provenance: Freeman’s sale of American & European Paintings, June 4, 2000, lot 26. Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,500-2,500


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127 131164/6 FRANÇOIS JEAN LOUIS BOULANGER (french 1819-1873) GAND Signed ‘FJL Boulanger’ bottom right, oil on panel 27 1/8 x 34 3/4 in. (68.9 x 88.3cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $20,000-30,000


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128 131523/1 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) REVIEWING THE PLANS Signed and dated ‘E. Berne-Bellecour 1893’ bottom left, oil on cradled panel 13 1/8 x 18 1/2 in. (33.3 x 47cm) provenance: Private Collection, Oklahoma. $2,000-3,000

129 122213/14 LOUIS EMILE BENASSIT (french 1833-1902) MOUNTED CAVALRYMEN Signed ‘E. Benassit’ bottom left, oil on panel 13 3/4 x 10 1/2 in. (34.9 x 26.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

130 122213/15 LOUIS EMILE BENASSIT (french 1833-1902) APPROACHING CAVALRYMEN Signed ‘E. Benassit’ bottom right, oil on panel 13 3/4 x 10 5/8 in. (34.9 x 27cm) provenance: Private Collection, Pennsylvania. $1,000-1,500


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131 122213/12 CHARLES EUPHRASIE KUWASSEG (french 1838-1904) BUSY HARBOR Signed and dated ‘C. Kuwasseg. fils 72’ bottom left, oil on canvas laid to masonite 12 1/2 x 20 1/4 in. (31.8 x 51.4cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

132 131427/6 JEAN FERDINAND MONCHABLON (french 1854-1904) PASTORAL LANDSCAPE WITH FIGURES Signed ‘JAN-MONCHABLON’ bottom right, oil on cradled panel 15 5/8 x 21 7/8 in. (39.7 x 55.6cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

133 121341/71 PASCAL ADOLPHE JEAN DAGNAN-BOUVERET (french 1852-1929) WOMAN Signed ‘PAJ. DAGNAN-B’ bottom left and dated ‘26(?) Juin (?) 97’ bottom right, pastel on paper Sight size: 14 3/4 x 19 7/8 in. (37.5 x 50.5cm) provenance: Collection of E. Blumenstein. Private Collection, New York, New York. $2,000-3,000


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134 122458/3 CHARLES EDOUARD EDMOND DELORT (french 1841-1895) THE YOUNG PICKPOCKET Signed ‘C. DELORT’ bottom left, oil on canvas 16 1/8 x 13 1/16 in. (41 x 33.2cm) provenance: Private Collection, New York, New York. $2,000-3,000

135 121341/73 EMILE RENOUF (french 1845-1894) GATHERING TWIGS Signed ‘E. Renouf’ bottom left, oil on canvas 44 1/8 x 34 in. (112.1 x 86.4cm) provenance: Private Collection, New York, New York. $2,500-4,000

136 131505/2 OCTAVE DENIS VICTOR GUILLONNET (french 1872-1967) SITTING ROOM INTERIOR WITH PAIR FAUTEUILS Signed ‘E. ODV. Guillonnet’ bottom right, oil on canvas 22 x 18 in. (55.9 x 45.7cm) provenance: Wally Findlay Galleries, Chicago, Illinois. Private Collection, Rhode Island. $2,500-4,000


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137 131164/20 ALEXANDRE-MARIE GUILLEMIN (french 1817-1880) “GRANDMA’S PET” Signed ‘A. Guillemin’ bottom center left, oil on panel 24 x 32 in. (61 x 81.3cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania. Estate of Ann B Ritt, Haverford, Pennsylvania and Scottsdale, Arizona. exhibited: ‘Philadelphia Collection VII.’ Frank S. Schwarz & Son, Philadelphia, Pennsylvania. May 1979, catalogue # 44. $6,000-10,000


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138 10-2333/1 VICTOR PIERRE HUGUET (french 1835-1902) AT THE WELL Signed ‘V. Huguet’ bottom left, oil on canvas, unframed 21 3/4 x 18 1/4 in. (55.2 x 46.4cm) provenance: Private Collection, New Jersey. $5,000-8,000

139 131589/1 JACQUE FRANCOIS CARABAIN (belgian 1834-1933) “PORTA SETTIMIANA” Signed ‘J. Carabain’ bottom right; also signed inscribed and with artist’s label verso, oil on canvas 21 x 14 1/4 in. (53.3 x 36.2cm) provenance: Private Collection, New York, New York. An Estate, North Carolina. By descent to the present owner. Private Collection, Pennsylvania. $2,000-3,000


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140 131209/8 CONSTANT TROYON (french 1810-1865) COW IN A LANDSCAPE Signed ‘C. TROYON’ bottom left, oil on canvas laid on cradled panel 14 5/8 x 21 3/8 in. (37.1 x 54.3cm) provenance: Private Collection, New York, New York. $2,000-3,000

141 122439/4 pair gouaches PAUL PASCAL (french 1832-1903) OXCART; AND ALONG THE RIVER Gouache on paper The former: 8 3/4 x 13 in. (22.2 x 33cm) The latter: 8 1/2 x 12 7/8 in. (21.6 x 32.7cm) (2) provenance: Private Collection, Pennsylvania. $1,000-1,500

142 131209/5 MAURITS NIEKERK (dutch 1871-1940) VASE OF FLOWERS WITH BUTTERFLY and MIXED FLOWERS The Former signed ‘M. NIEKERK’ bottom right; the latter signed and dated ‘Niekerk 1914’ bottom left; also inscribed on label verso, both oil on canvas laid on board, oval The former: 24 5/8 x 38 1/8 in. (62.5 x 96.8cm) The latter: 21 7/8 x 18 in. (55.6 x 45.7cm) (2) provenance: Private Collection, New York, New York. $3,000-5,000


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143 138037/1 JOHANN MONGELS CULVERHOUSE (dutch 1820-1891) BOATING IN THE MOONLIGHT Signed and dated ‘J.M. Culverhouse 1877’ bottom left, oil on canvas 6 7/8 x 10 1/2 in. (17.5 x 26.7cm) provenance: Private Collection, Virginia. $1,000-1,500

144 121235/1 CORNELIS CHRISTIAAN DOMMERSEN (dutch 1842-1928) “VLISSINGUE - ENTRANCE TO THE SCHELDE; A THREE MASTED MERCHANT SHIP TAKING IN THEIR PILOT” Signed and dated ‘Chr Dommershuizen 1890’ bottom right; also signed and inscribed with title and dated verso, oil on canvas, unframed 20 1/2 x 28 in. (52 x 71cm) provenance: Private Collection, North Carolina. $1,500-2,500

145 122062/191 FRANÇOIS-ÉTIENNE MUSIN (belgian 1820-1888) FISHERFOLK AT LOW TIDE Signed ‘F. Musin’ bottom right, oil on canvas 31 x 50 1/4 in. (78.7 x 127.6cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $4,000-6,000


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146 131475/1 GÉRARD JOZEF PORTIELJE (belgian 1856-1929) A TOAST Signed ‘Gerard Portielje’ bottom left, oil on canvas 18 3/4 x 25 in. (47.6 x 63.5cm) provenance: Private Collection, Pittsburgh, Pennsylvania. By descent to the present owner. Private Collection, Virginia. $15,000-25,000


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147 131427/8 ROBERT FERDINAND VERHEYEN (dutch 1877-1960) DUTCH RIVERSCAPE Signed ‘ Rob Verheyen’ bottom right, and inscribed ‘painted in Holland’ verso, oil on canvas 19 7/8 x 23 7/8 in. (50.5 x 60.6cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

148 131115/2 HENRIETTE RONNER-KNIP (dutch 1821-1909) DOG STUDIES Signed ‘H. Ronner’ bottom right, oil on canvas 9 x 7 11/16 in. (22.9 x 19.2cm) provenance: Private Collection, Florida. $2,000-3,000

149 122213/1 FREDERIK HENDRIK KAEMMERER (dutch 1839-1902) THE GIFT Signed ‘FH KAEMMERER’ bottom left, oil on canvas 12 x 9 5/8 in. (30.5 x 24.4) provenance: Private Collection, Pennsylvania. $2,500-4,000


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150 122213/2 FREDERIK HENDRIK KAEMMERER (dutch 1839-1902) ELEGANT WOMAN WITH BONNET IN A LANDSCAPE Signed ‘FH KAEMMERER’ bottom right, oil on canvas 22 x 15 in. (55.9 x 38.1cm) provenance: Private Collection, Pennsylvania. $15,000-25,000


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151 131164/21 FRANS MORTELMANS (belgian 1865-1936) WHITE ROSES Signed ‘F. Mortelmans’ bottom left, oil on canvas 17 1/4 x 14 1/4 in. (43.8 x 36.2cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania and Scottsdale, Arizona. $4,000-6,000

152 131466/6 ALFRED STEVENS (belgian 1823-1906) “SUNRISE” Signed in ligature “A. Stevens” bottom left, oil on canvas 10 3/4 x 8 1/2 in. (27.3 x 21.6cm) provenance: Collection of A. Donatis. Parke-Bernet, New York, New York. Acquired from the above by the present owner’s grandfather. By descent to the present owner. Private Collection, Ohio. $2,000-3,000


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153 131533/2 GABRIEL VON MAX (czech/german 1840-1915) “THE MARTYRDOM OF ST. LUDMILA” Signed and dated ‘G. MAX 1864’ bottom center left, oil on canvas 35 1/4 x 39 1/4 in. (89.5 x 99.7cm) provenance: The Philadelphia Museum of Art. Collection of Walter Stuempfig. By descent in the family. Private Collection, Pennsylvania. $6,000-10,000

154 131635/1 CHRISTIAN SCHUSSELE (american/french c.1824-1879) A SUNDAY FAREWELL Signed and dated ‘C. Schussele 1866’ bottom right, oil on canvas 41 x 29 in. (104.1 x 73.7cm) provenance: Private Collection, New Jersey. $5,000-8,000


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155 131397/1 FRIEDRICH RITTER VON MALHEIM FRIEDLÄNDER (austrian 1825-1901) TELLING A TALE Signed ‘Fried. Friedlander’ bottom left, oil on panel 11 1/2 x 8 5/8 in. (29.2 x 21.9cm) provenance: Private Collection, The Main Line, Pennsylvania. $1,500-2,500

156 131427/9 ADOLF HUMBORG (austrian 1847-1921) MIDDAY RESPITE Signed ‘HUMBORG’ upper left, oil on panel 13 1/2 x 10 3/8 in. (34.3 x 26.4cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

157 131373/1 ROSA HOHENBERG (german b. 1852) CHILDREN AT PLAY Signed ‘R. Hohenberg’ bottom right, oil on canvas 34 x 36 in. (86.4 x 91.4cm) provenance: Private Collection, Pennsylvania. $2,000-3,000


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158 131164/1 GEORG SCHIRMER (german 1816-1880) GENTLEMAN IN HIS STUDY Signed ‘G. Schirmer’ bottom center, oil on canvas, painted in the oval 25 1/2 x 20 1/4 in. (64.7 x 51.4cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,500-2,500

160 121903/1 KARL KAUFMANN (german 1843-1901) “DUTCH CITY WITH SMALL BOATS ON A RIVER” Signed with artist’s pseudonym ‘L. Van Howe’ bottom right, also inscribed indistinctly on stretcher, oil on canvas 41 1/4 x 27 in. (104.8 x 68.6cm) provenance: Private Collection, Virginia. $2,000-3,000

159 131427/10 JOHANN HAMZA (german 1850-1927) “THE PRINT COLLECTOR” Signed and located ‘J. Hamza Wien” bottom right, oil on panel Sight size: 7 1/2 x 6 in. (19.1 x 15.2cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $2,500-4,000


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161 131099/1 pair oils on panel L. EDLINGER (german 19th - c. 20th century) TABLETOP STILL LIFES Each signed and inscribed ‘L. Edlinger Munch(en)’, pair oils on panel 6 1/4 x 9 3/8 in. (15.9 x 23.8cm) 6 1/4 x 9 3/4 in. (15.9 x 24.8cm) (2) provenance: Private Collection, Delaware. $1,500-2,500

162 131164/22 AUSTRIAN SCHOOL (late 19th/early 20th century) TABLETOP STILL LIFE WITH WAX SEAL, BOOKS AND ORIENTAL VASE Indistinctly signed bottom left, oil on panel 19 1/2 x 23 1/2 in. (49.3 x 59.7cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania and Scottsdale, Arizona. $2,000-3,000

163 131272/1 JOHANN WILHELM PREYER (german 1803-1889) STILL LIFE WITH CHAMPAGNE FLUTE AND GRAPES Signed in ligature and dated ‘J.W. Preyer 1859’ bottom right, oil on canvas 14 1/8 x 13 in. (35.9 x 33cm) provenance: Private Collection, Florida. $50,000-80,000


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164 131427/7 KARL EDUARD ONKEN (german 1846-1934) “ON THE YBBS” Signed ‘C. Onken’ bottom left and inscribed in ink on unidentified stretcher label, oil on canvas 14 3/8 x 18 1/2 in. (36.5 x 47cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

165 131397/3 ADOLF KAUFMANN (austrian 1849-1916) THE YOUNG CLAM DIGGERS Signed ‘A. Kaufmann’ and inscribed indistinctly bottom left, oil on canvas 22 x 27 in. (55.9 x 68.6cm) provenance: Private Collection, The Main Line, Pennsylvania. $1,200-1,800

166 131397/2 GUSTAV AUGUST HESSL (austrian 1849-1926) CAVALIER WITH MAIDENS Signed and dated ‘G.A. Hessl 1895’ bottom left, oil on panel 13 x 10 in. (33 x 25.4cm) provenance: Private Collection, The Main Line, Pennsylvania. $2,000-3,000


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167 131523/3 HEINRICH FREDERIC SCHOPIN (german 1804-1880) SLEIGHING WITH WOLVES IN PURSUIT Signed ‘H. Schopin’ bottom left, oil on canvas 17 5/8 x 23 in. (44.8 x 58.4cm) provenance: Private Collection, Oklahoma. $4,000-6,000

168 131427/4 LUDWIG GEDLEK (austrian 1847-1904) SOUNDING THE BUGLE Signed and located ‘L. Gedlek Wien’ bottom right; also titled verso, oil on canvas 16 5/8 x 26 7/8 in. (42.2 x 68.3cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $4,000-6,000


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169 131164/9 ALBERT SCHWENDY (german 1820-1902) GOING TO MARKET Signed and dated ‘A. Schwendy 1851’ bottom left, oil on canvas 24 3/8 x 19 5/8 in. (61.9 x 49.8cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania. Collection of Dr. James Rush & Phoebe Ann Ridgeway. Library Company of Philadelphia. Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $4,000-6,000

170 131164/11 LEON DELACHAUX (swiss 1850-1919) INTERIOR AT GREZ, FRANCE Signed and dated ‘L. DELACHAUX 1884’ bottom right, oil on canvas 23 x 27 1/4 in. (58.4 x 69.2cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. note: We would like to thank Dr. Barbara von Barghahn for her assistance in cataloguing this painting. $4,000-6,000


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171 131427/2 EDOUARD LÉON CORTÈS (french 1882-1969) RUE DU TEMPLE, PARIS Signed ‘EDOUARD CORTÈS’ bottom right, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $20,000-30,000


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172 131427/1 EDOUARD LÉON CORTÈS (french 1882-1969) LE THÉÂTRE DU CHATELET Signed ‘EDOUARD CORTÈS’ bottom right, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: The current owner’s father. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $20,000-30,000 END OF SALE


Index Alberti, G.V., 115 Aumonier, J., 102 Austrian School, 162

Di Bartolo, M.D.G., 33 Di Paolo, G., 32 Dietzsch, B.R., 30 Dommersen, C.C., 144 Dujardin, K., 78 Dürer, A., 7, 8 Dutch School, 64

Bxter, C., 100 Bayeu y Subias, D.F., 70 Becker, W.G., 108 Benassit, L.E., 129,130 Berchem, N., 76 Berne-Bellecour, E.P., 128 Berrettinni, P., 29 Binet, G.J.E., 125 Binks, R.W., 105 Bolognese School, 23, 53 Bonifazi, A., 116 Borra, G.B., 47 Borzone, L., 56 Bosschaert, J.P., 86 Boulanger, F.J.L., 127 British School, 80 Burne-Jones, E., 94

Edlinger, L., 161 Etty, W., 98 Ferri, C., 15 Feyen-Perrin, F.N.A., 126 Flint, W.R., 111 Florentine School, 39 Fortunski, L., 120 French School, 14, 21, 28, 54 Friedländer, F.R.V.M., 155

Cambiaso, L., 29 Carabain, J.F., 139 Castello, G.B., 10 Chase, M., 109 Chelminsky, H.T., 121 Continental School, 18, 45, 58, 71 Cortès, E.L., 171,172 Cotes, F., 59 Courtois, J., 66 Craen, L., 81 Culverhouse, J.M., 143 Dagnan-Bouveret, P.A.J., 133 De Haes, C., 119 De Hondecoeter, M., 65 Delachaux, L., 170 Del Sarto, A., 41 Delort, C.E.E., 134 Detti, C.A., 113

Gandolfi, G., 17 Garguillo, E., 114 Gedlek, L., 168 Gregory, G., 122 Grimou, A., 91 Guardi, F., 46 Guillemin, A.M., 137 Guillonnet, O.D.V., 136 Hamza, J., 159 Herberte, E.B., 106 Herson, E.A.F., 124 Hessl, G.A., 166 Hohenberg, R., 157 Hughes, E., 99 Huguet, V.P., 138 Humborg, A., 156 Hurt, L.B., 107

Ritzberger, A., 34 Robinson, C., 110 Roman School, 48,51 Romanelli, G.F., 22 Romney, G., 62 Ronner-Knip, H., 148 Rowlandson, T., 92, 93 Rubens, P.P., 72 , 73, 74

Kaemmerer, F.H., 149, 150 Kaufmann, A., 165 Kaufmann, K., 160 Koninck, P., 85 Koninck, S., 90 Kuwasseg, C.E., 131 Lawrence, T., 60,61 Le Boeuff, P., 123 Lear, E., 95 Leoni, O.M., 11

Salvi, G.B., 40 Schirmer, G., 158 School of the Veneto, 36 Schopin, H.F., 167 Schussele, C., 154 Schüz the Younger, C.G., 79 Schwendy, A., 169 Spanish School, 35 Steen, J., 88 Stevens, A., 152 Stoop, D., 69 Sustermans, J., 89

Maestri, M. 50 Manescau, A.M.D.R., 117 Maratta, C., 12 Martin, J., 96 Mazzetti, E., 118 Miel, J., 75 Milanese School, 57 Monchablon, J.F., 132 Mortelmans, F., 151 Musin, F.C., 145 Naysmith, P., 103 Neapolitan School, 42,44 Niekerk, M., 142 Northern European School, 20 Northern Italian School, 25, 37, 38 Onken, K.E., 164 Palmer, S., 97 Parmigianino, 26 Pascal, P., 141 Paterson, J., 104 Portielje, G.J., 146 Preyer, J.W., 163

Teniers the Younger, D., 68,82,83,84, Tiepolo, G.D., 13 Troyon, C., 140 Tuscan School, 31 Van Blarenberghe, J.W., 67 Van Der Does the Elder, J., 77 Van Ostade, A.J., 9 Van Rijn, R., 1,2,3,4,5,6 Verheyen, R.F., 147 Voet, J.F., 87 Von Max, G., 153 Williams, W.H., 101 Zingoni, A., 112

Italian School, 16, 18, 19, 22, 24, 27, 43, 49, 55

Reni, G., 52 Renouf, E., 135 Reynolds, J., 63

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names

attributed to

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

signatures & dates

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.


Fine Asian Works of Art Wednesday, 12th June, 2013 33 Broughton Place, Edinburgh EH1 3RR

BO YUN (CHINESE b. 1948) TRIPTYCH, “MORNING LIGHT” the reverse depicting a pair of huntsmen on horseback Signed and dated 1995 Oil on canvas 183cm wide x 169cm high

Enquiries Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com

Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

£8,000-12,000 ($12,800-19,200)


Photographs & Photobooks Auction 09/2013 Aimee Pflieger 267.414.1221 apflieger@freemansauction.com

DAVID LACHAPELLE (american b. 1964 "FAIR LIKENESS" (detail) 2001, signed on artist's label verso, edition 1/3. Digital C-print. 50 x 60 in. (127 x 152.4cm) $25,000-35,000

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Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


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Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 610.397.0488 866.397.0488 Fax: 610.397.0878 philly@cratersandfreighters.com

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 717.786.8809 Fax: 717.786.2978 info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 mastroccomovers@snip.net Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

Mr. C’s Contact: Charles Cohen 267.977.9567 mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com


bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

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RESALE

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/

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A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

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I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED


www.freemansauction.com 83

Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii whitney bounty American Silver samuel ≤ free≤an ii Asian Arts richard cervantes robert waterhouse (consulting specialist) tianhan gao andrew zajack English & Continental Furniture & Decorative Arts david walker benjamin fisher ann glasscock Silver & Objet de Vertu david walker ann glasscock Fine Jewelry & Watches samuel ≤ free≤an ii madeline mccauley allia dhody natalie difeliciantonio American Art alasdair nichol david weiss andrew huber candace vivian

Prints anne henry david weiss aimee pflieger andrew huber candace vivian fred frederick European Art & Old Masters alasdair nichol david weiss andrew huber candace vivian Photographs & Photobooks aimee pflieger candace vivian fred frederick Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger candace vivian fred frederick Oriental Rugs & Tapestries richard cervantes david weiss Books, Manuscripts, Maps & Ephemera david j bloom kerry-lee jeffery

depart≤ents

officers

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter amy parenti laura cox

chair≤an samuel ≤ freeman ii

Consignments samuel h cooper james e buckley jeffery miller ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll jessica carter bethany mobbs bridgette bonner mallory malkasian jocelyn olsen-accad susannah mcgovern Operations nathan norley gerald lightfoot marlon glover tim lambert herbert drayton gerald davis darryll byram

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss tara theune-davis chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry samuel t. freeman iii

Finance mark beckerman karen bajczyk Business Development & ≤arketing tara theune davis melissa geller thomas b mccabe iv christopher browne

representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

robert waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1239

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096

john jones Mountain Brook, AL jjones@freemansauction.com Telephone: 205.803.4949

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

katherine van dell Wayne, PA koldiges@freemansauction.com Telephone: 610.254.9700

Trusts & Estates samuel t freeman iii thomas b. mccabe iv holen miles lewis amy parenti laura cox jeffrey miller Photography elizabeth field elizabeth schultz thom clark ryan buckwalter

v2.2013


The Collection of Robert & Barbara Safford Auctions September 25 & 26 Freeman’s is pleased to offer this outstanding collection of Continental furniture and decorative arts, rare books and European paintings We hope you will join us in September. For more information please contact: David Walker 267.414.1216 dwalker@freemansauction.com

CESARE MACCARI (italian 1840-1919) 'MUSIC HATH CHARMS' Signed, inscribed and dated 'Maccari Roma 1876' top right, inscribed with title on stretcher verso, inscribed on label verso, oil on canvas 44 3/4 x 35 3/4 in. (113.7 x 90.8 cm). and a companion 'Fond Memory,' a pair (2). Please call 267.414.1256 to order a catalogue or subscription.

www.freemansauction.com


www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236


European Art & Old Masters