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Photographs & Photobooks 10/21/11


Photographs & Photobooks 10/21/11

Auction: Friday, October 21, 2011 at 10am Sale 1412 Exhibitions: Sunday October 16 12pm-4pm Monday October 17 through Thursday October 20 10am-4pm Inquiries: Kate Molets 267.414.1228 kmolets@freemansauction.com Aimee Pflieger 267.414.1221 apflieger@freemansauction.com Bidding: bids department Bridget Bonner tel: 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com Catalogue $25 Inside Front Cover: Lot 267 Inside Back Cover: Lot 236

Freeman’s 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400 www.freemansauction.com

Color images of every lot are available at www.freemansauction.com Printing by Brilliant Studio Exton, Pennsylvania


Important Information for Buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before lots will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by October 4 at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


Photographs lots 1–301


4 free≤an’s photographs & photobooks

10/21/11

1 11-1947/6 SOUTHWORTH AND HAWES (americans, working 1843-1863) OF A GENTLEMAN Circa 1850, half plate daguerreotype in a period black leather case with elliptical embossed brass mat. provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 $4,500-6,500

2 11-1947/7 SOUTHWORTH AND HAWES (americans, working 1843-1863) OF A GENTLEMAN Circa 1855, quarter plate daguerreotype in a period black leather case with oval embossed brass mat. provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 $2,000-3,000

3 11-1947/26 SOUTHWORTH AND HAWES (americans, working 1843-1863) PORTRAIT OF A YOUNG WOMAN Circa 1948, sixth plate daguerreotype in period black leather case with elliptical brass mat. provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 $1,000-1,500


5 free≤an’s photographs & photobooks

10/21/11

4 11-1947/25 SOUTHWORTH AND HAWES (americans, working 1843-1863) SEATED ELDERLY WOMAN Circa 1848, sixth plate daguerreotype in period black leather case with elliptical brass mat. provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 Connecticut Historical Society $1,500-2,500

5 11-1947/8 SOUTHWORTH AND HAWES (americans, working 1843-1863) SEATED YOUNG GIRL Circa 1850, quarter plate daguerreotype with hand-coloring in black leather period case with elliptical embossed brass mat. provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 $2,500-3,500


6 free≤an’s photographs & photobooks

10/21/11

6 11-1947/3 ATTRIBUTED TO JOHN ADAMS WHIPPLE (american 1822-1891) OF A SEATED GENTLEMAN Circa 1850, whole plate daguerreotype in a large carved frame with oval mat. $2,000-3,000


7 free≤an’s photographs & photobooks

10/21/11

7 11-1947/10 ATTRIBUTED TO JOHN ADAMS WHIPPLE (american 1822-1891) REV. MR. FREDERICK T. GRAY & DEACONS OF OLD BULLFINCH STREET CHURCH Circa 1845, half plate daguerreotype in period brown leather case with embossed lining and gold oval mat. provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 $2,000-3,000 8 11-1947/24 two half-plate daguerreotypes SOUTHWORTH AND HAWES (americans, working 1843-1863) SEATED MAN AND MARBLE STATUE (POSSIBLY FROM MOUNT AUBURN CEMETERY) Circa 1850-1855, two half-plate daguerreotypes, both without cases, and the one with elliptical brass mat. [George Eastman house, catalogue numbers 1987 & 399] (2). provenance: Josiah Johnson Hawes, 1901 Edward Southworth Hawes, 1934 Holman’s Print Shop, Boston, early 1940s David Feigenbaum, 1998 Private collection, Philadelphia $2,000-4,000


8 free≤an’s photographs & photobooks

10/21/11

9 11-1947/27 four daguerreotypes ATTRIBUTED TO SOUTHWORTH AND HAWES (americans, working 1843-1863) MRS. JOHN SEWRY, MRS. ELIZA H. WHITE, ELLEN SOPHIA BIGELOW & A GENTLEMAN SITTER Circa 1950, sixth plate daguerreotypes, all with period leather cases and and oval embossed brass mats. (4). $1,500-2,500 10 11-1947/2 WHOLE PLATE DAGUERREOTYPE boston school OF A GENTLEMAN Circa 1850, whole plate daguerreotype in a period leather case with oval brass mat. provenance: Private collection, Chicago, Illinois $2,000-3,000 11 11-1947/9 JEREMIAH GURNEY (american 1812-1886) SEATED WOMAN IN A DRESS AND BONNET Circa 1850, with photographer’s stamp in the mat. Half plate daguerreotype with hand-coloring in a period brown leather embossed case with brass elliptical embossed mat. $1,500-2,500


9 free≤an’s photographs & photobooks

10/21/11 12 11-1947/5 GROUP OF NINE DAGUERREOTYPES DEPICTING MEN, WOMEN AND CHILDREN Circa 1848, all sixth plates, in brown leather period cases with brass mats. (9). provenance: Uriah Boyden Estate (Brother of Seth Boyden), Massachusetts $1,000-1,500

13 11-1947/18 MARCUS A. ROOT (american 1808-1888) TWO WOMEN Circa 1848, quarter plate daguerreotype with embossed period brown leather case and elliptical brass mat with photographer’s stamp. $2,000-3,000

14 11-1947/21 two quarter plate daguerreotypes MARCUS A. ROOT (american 1808-1888) EACH OF A FEMALE SITTER Circa 1850, each a quarter plate daguerreotype in brown leather embossed cases with embossed elliptical brass mats. One with photographer’s stamp in the mat. (2). $2,000-3,000


10 free≤an’s photographs & photobooks

10/21/11 15 11-1687/14 GROUP OF FOUR CASED IMAGES attributed to relatives of samuel b.f. morse Circa 1850, three sixth plate and one quarter plate daguerreotypes. INCLUDING: Adeline Plainted Morse, Wife of S.A. Morse, December 1849; Lucy Hinkley, wife of Isaac Prescott, Boston; Stephen Noyes Morse and his wife Elizabeth Gordon Morse, Parents of Stephen Ambrose Morse; A gentleman. (4). $300-500


11 free≤an’s photographs & photobooks

10/21/11 16 11-1947/12 MARCUS A. ROOT (american 1808-1888) MORRISON FOSTER, BROTHER OF STEPHEN FOSTER Circa 1850, sixth plate daguerreotype in period brown leather case with embossed oval brass mat with photographer’s stamp. provenance: Estate of Morrison Foster, by descent in the family $1,500-2,500

17 11-1947/20 MARCUS A. ROOT (american 1808-1888) OF A YOUNG BOY Circa 1850, quarter plate daguerreotype in a period brown leather embossed case with elliptical brass mat and photographer’s stamp. $800-1,200


12 free≤an’s photographs & photobooks

10/21/11

18 11-1970/5 ATTRIBUTED TO ELLWOOD GARRETT (working in wilmington, delaware, 1850-1860) OF A YOUNG GIRL IN A FLOWERED DRESS WITH LANDSCAPE BEHIND Circa 1850, sixth plate daguerreotype in a period embossed brown case with photographer’s stamp on the interior pillow, and an oval brass mat. $100-300

19 11-1970/2A SIXTH PLATE DAGUERREOTYPE OF A GENTLEMAN HOLDING A NEWSPAPER Circa 1850, sixth plate daguerreotype with period brown leather case and elliptical brass mat. $80-120 20 10-1777/3 QUARTER PLATE DAGUERREOTYPE OF A CLERGYMAN Circa 1850, quarter plate daguerreotype in a period blue velvet embossed cased with elliptical brass mat. $200-400


13 free≤an’s photographs & photobooks

10/21/11

21 11-1970/3A JESSE HARRISON WHITEHURST (american 1820-1875) EMMOT MORRISON & HIS ESTER(sic) HANNA Circa 1848, sixth plate daguerreotype with photographer’s stamp in the mat, in a period embossed brown leather case with elliptical brass mat. $200-400

22 11-1970/2 SIXTH PLATE DAGUERREOTYPE MR. D. MARSH OF SHEBOYGAN FALLS, WISCONSIN March 19, 1853, inscribed In the case in pencil. Sixth plate daguerreotype with period brown leather case and elliptical brass mat. $100-300 23 11-1970/3 TWO SIXTH PLATE DAGUERREOTYPES OF A WOMAN AND OF A MAN Circa 1850, both sixth plate daguereotypes in period brown leather embossed cases with elliptical brass mats. (2). $80-120


14 free≤an’s photographs & photobooks

10/21/11

24 11-1687/65 JACOB SHEW & HARVEY MARKS (working in baltimore, 1848-1850) ELLEN TRIMBLE Circa 1849, quarter plate daguerreotype in original brown leather embossed case with elliptical brass mat. $200-400


15 free≤an’s photographs & photobooks

10/21/11

25 11-1947/23 SIXTH PLATE DAGUERREOTYPE SAMUEL BROADBENT Circa 1848, sixth plate daguerreotype in a brown leather Shew case with oval brass mat. $800-1,200


16 free≤an’s photographs & photobooks

10/21/11

26 11-1970/4 QUARTER PLATE DAGUERREOTYPE OF A FAMILY Circa 1849, quarter plate daguerreotype in a period brown leather embossed case with arched brass mat. $80-120

27 11-1970/1 TWO SIXTH PLATE DAGUEREOTYPES OF CHILDREN OF A BOY & OF TWO YOUNG GIRLS Circa 1850, sixth plate daguerreotypes, both in period brown leather embossed cases with elliptical brass mats. (2). $80-120


17 free≤an’s photographs & photobooks

10/21/11

28 11-1687/64 GROUP OF 32 CASED IMAGES DEPICTING FAMILIES (LATE 1840s-1850s) Mostly sixth plate daguerreotypes, each depicting families in various poses including men, women and children. Some with partial cases and original seals. (32). $500-700


18 free≤an’s photographs & photobooks

10/21/11

29 11-1687/5 GROUP OF 23 CASED IMAGES OF WOMEN (LATE 1840s-1850s) Mostly sixth plate daguerreotypes each depicting women in various poses. Some with partial cases and original seals. (23). $300-500


19 free≤an’s photographs & photobooks

10/21/11

30 11-1687/62 GROUP OF 35 CASED IMAGES OF MEN (LATE 1840s-1850s) Mostly sixth plate daguerreotypes each depicting men in various poses. Some with partial cases and original seals. (35). $500-700


20 free≤an’s photographs & photobooks

10/21/11

31 11-1947/22 SIXTH PLATE DAGUERREOTYPE SHAKESPEAREAN ACTOR Circa 1848, sixth plate daguerreotype in thermoplastic case with elliptical brass mat. literature: America & the Daguerreotype, John Wood, p. 5 provenance: Jack Naylor Collection, Guernsey’s, October 21, 2007 $2,000-3,000

32 11-1687/63 SIXTH PLATE AMBROTYPE BATTERSEA PARK STATION, LONDON Circa 1867, sixth plate ambrotype. Depicting crowd outside Battersea Park Station, London, with photographer’s cart visible in the background. $200-400


21 free≤an’s photographs & photobooks

10/21/11

33 11-1947/4 ATTRIBUTED TO JOSEPH PHILIBERT GIRAULT DE PRANGEY OR JOHN RUSKIN (french 1804-1892 & british 1819-1900) EARLY PANORAMIC DAGUERREOTYPE OF SWISS ARCHITECTURAL LANDSCAPE Circa 1845, whole plate panoramic daguerreotype in a period wood frame. $5,000-7,000


22 free≤an’s photographs & photobooks

10/21/11

34 11-1970/4A QUARTER PLATE TINTYPE OF A YOUNG BOY Circa 1852, quarter plate handcolored tintype in a period brown embossed leather case with heavily embossed brass oval mat. $80-120

35 11-1687/17 two ambrotypes DR. W. BARR & A.B. TUBBS (harrisburg, pa) PORTRAITS OF LADIES Circa 1850, sixth plate ambrotypes in period brown leather cases with elliptical brass mats. (2). $80-120


23 free≤an’s photographs & photobooks

10/21/11

36 10-1777/29 SIXTH PLATE AMBROTYPE WITH ALBUM OF MINIATURE TINTYPES OF A YOUNG GIRL AND MEMBERS OF THE NEWELL FAMILY 1850s, the ambrotype of a young girl is hand-colored in a period black leather case with heavily embossed oval brass mat. and TINTYPE ALBUM Consisting of 39 miniature tintypes of members of the Newall family, housed in a red leather and gold embossed album. (2). $80-120

37 10-2278/1 TINTYPE PHOTO ALBUM OF AFRICAN-AMERICANS Circa 1880-1890, with 43 tintype portraits of prosperous AfricanAmerican men, women and children. $1,500-2,500

38 11-1569/1 NINETEEN TINTYPES OF FAMILIES 1860s, studio and outdoor family portraits. Various sizes, the largest 5 1/2 x 3 3/4 in. (14 x 9.5cm) All unframed and unsealed. (19). $200-400


24 free≤an’s photographs & photobooks

10/21/11

39 11-1209/1 VICTORIAN PHOTOGRAPH ALBUM Late 19th century, with a moss green velvet album cover and silver plated accents. Includes cabinet cards of the Beecher family of Pottstown and Norristown, Pennsylvania. provenance: An estate in Cape May, New Jersey $80-120

40 11-1452/9 THREE ALBUMS OF CABINET CARDS PORTRAITS OF MEN, WOMEN AND CHILDREN 1880s, from makers in New Jersey and Pennsylvania. Including: Philadelphia, Reading & Pittsburgh. (3). $100-300


25 free≤an’s photographs & photobooks

10/21/11

41 10-1919/8 SEVEN 19TH CENTURY STEREOVIEWS Centennial Exhibition, interior views of technology, agriculture & the fine arts. Centennial; Philadelphia, Photographic Co., 1876. With stereo viewer. (8) $60-90


26 free≤an’s photographs & photobooks

10/21/11

42 11-1996/1 ATTRIBUTED TO LÉOPOLD ERNEST MAYER AND PIERRELOUIS PIERSON (french, 19th century) PORTRAIT OF A WOMAN IN GREEK COSTUME Circa 1857, salt print. 11 1/2 x 9 in. (29.2 x 22.8cm) Unframed. $1,500-2,500

43 11-1996/2 ATTRIBUTED TO LÉOPOLD ERNEST MAYER AND PIERRELOUIS PIERSON (french, 19th century) PORTRAIT OF A GENTLEMAN IN GREEK COSTUME Circa 1857, salt print. 11 1/2 x 9 in. (29.2 x 22.8cm) Unframed. $1,500-2,500


27 free≤an’s photographs & photobooks

10/21/11

44 11-1996/3 GIACOMO CANEVA (italian, 1810-1865) FISHERMAN, ROME, ITALY Circa 1852, Salt print. 8 x 4.3 in. (20.3 x 10.9cm) Mounted on paper. Unframed. $2,000-4,000

45 11-1656/5 five albumen prints AUGUSTE GIRAUDON (french 19-20th century) FRENCH ARTIST STUDIES FOR PAINTERS Circa 1875, each numbered in the plate and photographer’s stamp verso. Albumen prints. 6 3/4 x 4 3/4 in. (17.1 x 12.1cm) Each mounted on board, unframed (5). $400-600


28 free≤an’s photographs & photobooks

10/21/11

46 11-1673/1 three prints framed together BARON WILHELM VON GLOEDEN (german 1856-1931) TWO NUDE BOYS ON A ROCK Salt print. 8 1/2 x 61/2 in. (21.6 x 16.5cm) and TWO PORTRAITS OF WOMEN Salt prints. 8 1/2 x 6 1/2 in. (21.6 x 16.5cm) $800-1,200

47 11-1656/12 four collotypes EADWEARD MUYBRIDGE (american/british 1830-1904) FROM ANIMAL LOCOMOTION plates: 301, 258, 357 & 287 1887, Each with photographer’s copyright, series title and plate number on the mount. Collotypes. 6 x 18 in.; 7 x 16 1/2 in.; 9 1/4 x 11 1/2 in.; 6 x 18 in. (15.2 x 45.7; 17.7 x 41.2; 23.5 x 29.2; 15.2 x 45.7cm) Unframed (4). $1,500-2,500


29 free≤an’s photographs & photobooks

10/21/11 48 11-1687/23 NINE ALBUMEN PRINTS OF YALE & NEW HAVEN, CONNECTICUT ANONYMOUS PHOTOGRAPHER Circa 1860, titled in ink on the mounts. Albumen prints. INCLUDING: The Art Building, Mr. Sheffield’s residence in New Haven Connecticut, Sheffield Scientific School, Yale College, Temple Street, The Library at Yale College, View of Yale College #1. Each 5 x7 in. (12.7 x 17.7cm). Each mounted on board, unframed (9). $300-500

49 11-1687/33 FORTY GELATIN SILVER PRINTS MOUNTED TO BOARD VIEWS OF GETTYSBURG BATTLEFIELD August, 1900. Two photos mounted on each board totaling approximately 64 photographs mounted on 40 boards. With descriptions in the print. 3 3/4 x 4 1/2 in.(8.2 x 11.4cm) Each mounted on board, unframed. (40). $80-120

50 11-1687/15 127 mounted photographs ANONYMOUS PHOTOGRAPHER (19th century) SCENES OF PHILADELPHIA AND SURROUNDING COUNTIES 1890s, with approximately 160 photographs mounted on 127 boards. Most dated and titled on the mount. Gelatin silver prints. INCLUDING: Berks County, Dauphin County and Philadelphia. Various image sizes, the largest: 4 3/4 x 6 3/4 in.(12 x 17.1cm) Each mounted on board, unframed (127). $200-400


30 free≤an’s photographs & photobooks

10/21/11 52 11-1656/23 ROBERT S. REDFIELD (american 1849-1923) “ROCKS AT SEA HARBOR, MT. DESERT, MAINE” Circa 1890s, ink signed and inscribed verso. Albumen print. 5 x 6 3/4 in. (12.7 x 17.1cm) Mounted on board, unframed $800-1,200

51 11-1656/20 HENRY TROTH (american late 19th/ early 20th century) “A GLIMPSE OF THE SEA” Circa 1898, photographer’s stamp and pencil signed verso. Platinum print. 7 1/2 x 9 1/2 in. (19.1 x 24.1cm) Unframed exhibited: The Philadelphia Salon at Pennsylvania Academy of Fine Arts, 1898 illustrated: Pictorial Photography in Philadelphia: The Pennsylvania Academy Salons 1898-1901 $500-700


31 free≤an’s photographs & photobooks

10/21/11 53 11-1959/4 LEWIS J. FITLER (american 20th century) “THE FIRST ICE” Signed, titled and numbered 18 on the mount, dated verso in unknown hand 1908. Gelatin silver print mounted on black paper, on card with printed wood grain and again on gray woven paper. 2 7/16 x 5 7/8 in. (6.2 x 14.9cm) Unframed $200-400 54 11-1656/37 WILLIAM B. POST (american 1857-1925) SNOW TREE Circa 1900, pencil signed recto. Platinum print. 9 3/4 x 7 1/2 in. (24.7 x 19.1cm) Mounted on board, unframed $1,000-3,000 55 11-1656/14 WILLIAM B. POST (american 1857-1925) TREE TRUNK Circa 1910, pencil signed on the mount. Platinum print. 9 3/4 x 7 3/4 in. (24.7 x 19.7cm) Mounted on board, unframed $1,000-3,000


32 free≤an’s photographs & photobooks

10/21/11 56 11-1656/38 HENRY TROTH (american late 19th/ early 20th century) “THE LOG BRIDGE, WHITE MOUNTAINS, NEW HAMPSHIRE” Circa 1900, photographer’s stamp verso. Platinum print. 6 1/4 x 8 1/4 in. (15.9 x 21cm) Unframed $400-600

57 11-1656/21 JOHN C. BROWNE (american 1838-1918) “RED BRIDGE ON THE WISSAHICKON” plate 13 Circa 1870s, ink signed and titled on the mount. Albumen print. 6 x 8 in. (15.2 x 20.3cm) Mounted on board, unframed $500-700

58 11-1656/22 DR. CHARLES MITCHELL (american 19-20th century) PHILADELPHIA AREA WATERFALL Circa 1890s, salt print. 7 5/8 x 9 1/2 in. (19.4 x 24.1cm) Unframed $500-700


33 free≤an’s photographs & photobooks

10/21/11

59 11-1656/24 FRANCES & MARY ALLEN (americans 19th century) “BROUGHTONS POND” Circa 1900-1910, photographer’s stamp verso. Platinum print. 8 1/2 x 6 1/2 in. (21.6 x 16.5cm) Unframed $600-1,000 60 11-1656/11 GEORGE BARKER (american 1844-1894) “OCKLAWAHA RIVER FLORIDA” July, 1890, photographer’s stamp on the mount and verso. Albumen print. 9 1/2 x 7 5/8 in. (24.1 x 19.4cm) Mounted on board, unframed $700-1,000 61 11-1656/19 JOHN C. BROWNE (american 1838-1918) “FROM POLYPUS ISLAND LOOKING EAST, ABOVE WEST POINT” Circa 1870s, ink signed and titled on the mount. Albumen print. 6 x 8 in. (15.2 x 20.3cm) Mounted on board, unframed $400-600


34 free≤an’s photographs & photobooks

10/21/11

62 11-1654/8 EDWIN HALE LINCOLN (american 1848-1938) “BETULA LUTEA, YELLOW OR GRAY BIRCH” wild flowers of new england, photographed from nature plate 303 1914, tItled on the mount. Platinum print. 9.5 x 7.5 in. (24.1 x 19.1cm) Mounted, unframed $300-500

63 11-1654/7 EDWIN HALE LINCOLN (american 1848-1938) “TAPHYLEA TRIFOLIA, AMERICAN BLADDER NUT” wild flowers of new england, photographed from nature plate 312 1914, titled on the mount. Platinum print. 9.5 x 7.5 in. (24.1 x 19.1cm) Mounted, unframed $400-600


35 free≤an’s photographs & photobooks

10/21/11

64 11-1654/6 EDWIN HALE LINCOLN (american 1848-1938) “WILD ROSEMARY” wild flowers of new england, photographed from nature plate 90 1908, titled on the mount. Platinum print. 9.5 x 7.5 in. (24.1 x 19.1cm) Mounted, unframed $400-600


36 free≤an’s photographs & photobooks

10/21/11

65 11-1687/66 GROUP OF FIFTEEN ASSORTED GLASS PLATE SLIDES 1860s, Lantern slides depicting various scenes including Chautauqua Lake & Old Penn Mansion. (15). $80-120

66 11-1687/99 THREE SALT PRINTS TOGETHER WITH ALBUMEN PRINT PHILADELPHIA AREA DOMESTIC SCENES Circa 1859, three small salt prints depicting home exterior and women in the garden. Pencil dated on verso. Each 3 x 3 in. (7.6 x 7.6cm) and; Albumen print depicting women and children in front of a home with horse and carriage. 6 3/4 x 8 3/4 in. (17.1 x 22.2cm) Mounted on board, unframed (4). $100-300


37 free≤an’s photographs & photobooks

10/21/11

67 11-1687/16 eight gelatin silver prints WILLIAM H. RAU (american 1855-1920) SCENES OF PHILADELPHIA’S FOUNDER’S DAY PARADE, OCTOBER 9, 1908 1908, four signed and one blind stamped with titles in print. Gelatin silver prints. 8 x 10 in. (20.3 x 35.4cm) Unframed (8). $400-600

68 10-1777/31 seven panoramic scenes of the american west ANONYMOUS PHOTOGRAPHER Circa 1900-1910. Toned gelatin silver prints. 5 x 12 in. (12.7 x 30.5cm) Unframed (7). $300-500


38 free≤an’s photographs & photobooks

10/21/11

69 11-1687/4 two albumen prints FRANCIS FRITH (british 1822-1898) TWO LANDSCAPES “SNOWDON FROM CARNARVON ROAD, LLANBERIS” 1860s. Albumen print. 5 x 7 in. (12.7 x 17.8cm) Unframed and “SITE OF CAPERNAUM, SEA OF GALILEE” 1860s. Albumen print. 5 x 7 in. (12.7 x 17.8cm) Unframed (2). $300-500

70 11-1654/4 PETER HENRY EMERSON (british 1856-1936) “RICKING THE REED” from life and landscape on the norfolk broads series 1886, Plate XXVII. Platinum print. 9 1/2 x 11 1/4 in. (24.1 x 28.6cm) Mounted on board, unframed $3,000-5,000


39 free≤an’s photographs & photobooks

10/21/11

71 11-1888/6 ED BROGI (italian late 19th-20th century) RUINS AT POMPEII Circa 1890, photographer’s name and “5021 Pompeii, Tembeodi Venere” printed across the bottom of the print. Albumen print. 8 x 10 in. (20.3 x 25.4cm) Mounted on board $300-500

73 11-1656/29 five albumen prints CARLO PONTI (italian 1820-1893) ITALIAN SCENES OF VENICE AND NAPOLI Circa 1865, four with photographer’s stamp on mount. Albumen prints. Each 14 x 10 1/2 in. (35.6 x 26.7cm) Each mounted on board and unframed (5). $800-1,200

72 11-1656/10 GAETANO D’AGATA (italian 1883 - 1949) VIEW OF SICILY Circa 1900, ink signed recto and photographer’s stamp verso. Platinum print. 6 1/4 x 8 1/2 in. (15.9 x 21.6cm) Unframed $600-800


40 free≤an’s photographs & photobooks

10/21/11

74 11-1656/2 A. GODARD (swiss 19th century) “GARE DU CHEMIN DEFER ET MONUMENT DE CHRISTOPHE COLUMB A GENES” Circa 1860s, photographer’s stamp and title on the mount. Albumen print. 7 3/4 x 9 1/2 in. (19.7 x 24.1cm) Mounted on board, unframed $300-500


41 free≤an’s photographs & photobooks

10/21/11

75 11-1656/33 A. GODARD (swiss 19th century) “RUE BALBI A GENES” Circa 1860s, photographer’s stamp and title on the mount. Albumen print. 10 x 7 1/2 in. (25.4 x 19.1cm) Mounted on board, unframed $300-500

76 11-1656/32 A. GODARD (swiss 19th century) “TORTAIL DE S. LAURENT (CATHEDRAL DE GENES)” Circa 1860s, photographer’s stamp and title on the mount. Albumen print. 7 1/2 x 10 in. (19.1 x 25.4cm) Mounted on board, unframed $300-500


42 free≤an’s photographs & photobooks

10/21/11

77 11-1687/26 six albumen prints ANONYMOUS PHOTOGRAPHER TRAVEL SCENES OF EUROPE INCLUDING MONTE CARLO Six albumen prints, some titled in the print. Each 11 x 14 in. (27.9 x 35.6cm) Each mounted on board, unframed (6). $200-400

78 11-1656/25 two albumen prints CHARLES CLIFFORD (british 1819-1863) SPANISH ARCHITECTURAL VIEWS Circa 1858, one print with photographer’s blind stamp. Albumen prints. 17 x 12 in. & 14 x 10 in. (43.2 x 30.5cm & 35.6 x 25.4cm) Each mounted on board and unframed (2). $1,000-2,000


43 free≤an’s photographs & photobooks

10/21/11 79 11-1656/4 three albumen prints SAMUEL BOURNE (british 1834-1912) VIEWS OF INDIA 1860s, two signed recto. Albumen prints. 9 1/2 x 11 1/2 & 9 1/4 x 11 1/4 in. (24.1 x 29.2cm & 23.5 x 28.6cm) Unframed (3). $800-1,200


44 free≤an’s photographs & photobooks

10/21/11

80 11-1656/1 three albumen prints ANONYMOUS PHOTOGRAPHER JAPANESE LANDSCAPES Circa 1890, hand colored albumen prints. Image size: 8 1/4 x 10 1/2 in. & 7 3/4 x 9 1/2 in. (20.9 x 26.7cm & 19.7 x 24.1cm) including: “View of Hakone Lake”, “British Naval Depot at Yokohama” & “Yu Cascade” Each mounted on board and unframed (3). $300-500


45 free≤an’s photographs & photobooks

10/21/11

81 11-1656/1B ATTRIBUTED TO RAIMUND VON (BARON) STILLFRIED-RATHENITZ (austrian 1839-1911) SLEEPING GEISHA Circa 1870s. Hand colored albumen print. 9 x 7 in. (22.9 x 17.8cm) Mounted on board, unframed $300-500 82 11-1656/1A two albumen prints ANONYMOUS PHOTOGRAPHER TWO JAPANESE PORTRAITS Circa 1890, hand colored albumen prints. 9 3/4 x 7 3/4 in. & 9 1/2 x 7 1/2 in. (24.8 x 19.7cm & 24.1 x 19.1cm) including: Portrait of two Japanese ladies & A Japanese traveler Both mounted on board and unframed (2). $300-500


46 free≤an’s photographs & photobooks

10/21/11

83 11-1646/1 FRATELLI ALINARI (italian founded 1854) PAIR OF ALBUMS WITH SCENES FROM FLORENCE, ITALY Circa 1900, With 113 albumen prints of views of Florence, Italy. Each photograph is mounted on cardboard pages and housed in a brown, gold stamped leather album. Each 8 x 10 in. (20.3 x 25.4cm). (2). $200-400


47 free≤an’s photographs & photobooks

10/21/11

84 11-1646/2 GIORGIO SOMMER (italian 1834-1914) PHOTOGRAPH ALBUM OF SWITZERLAND AND HOLLAND Circa 1880, with sixty-two albumen prints of views of Switzerland & Holland. Each photograph mounted on cardboard pages and housed in a brown, gold stamped leather album. $800-1,200

85 11-1228/1 KOZMATA FERENCZ (hungarian 1846-1902) PHOTOGRAPH ALBUM OF BUDAPEST Late 19th century, with 30 albumen prints depicting scenes of Budapest. In a period embossed leather album. $80-120


48 free≤an’s photographs & photobooks

10/21/11

86 11-1656/15 ELIAS GOLDENSKY (american 1867-1943) PORTRAIT OF A WOMAN Circa 1910, initialed in the print. Toned gelatin silver print. 8 x 6 in. (20.3 x 15.2cm) Unframed $600-800

87 11-1656/30 DORA KALMUS (german 1881-1963) “MADAME D’ORA” Circa 1900, photographer’s blindstamp on the print. Gelatin silver print. 8 x 5 3/4 in. (20.3 x 14.6cm) Unframed $600-800


49 free≤an’s photographs & photobooks

10/21/11

88 11-1861/1 ALFRED CHENEY JOHNSTON (american 1884-1971) “FANNY BRICE” 1918. Signed, titled and with photographer’s stamp verso. Gelatin silver print. 13 1/4 x 10 in. (33.7 x 25.4cm) Unframed $2,500-3,500


50 free≤an’s photographs & photobooks

10/21/11

89 11-1861/2 ALFRED CHENEY JOHNSTON (american 1884-1971) “FLORENCE LA BADIE” 1918. Signed on the mount bottom right and with photographer’s stamp verso. Gelatin silver print. 11 3/4 x 9 5/8 in. (29.8 x 24.4cm) Mounted on board, unframed $1,500-2,500


51 free≤an’s photographs & photobooks

10/21/11

90 11-1959/1 ALFRED CHENEY JOHNSTON (american 1884-1971) DOROTHY FLOOD Printed ca. 1920-30, with photographer’s stamp verso. Gelatin silver print. 13 1/8 x 9 7/8 in. (33.3 x 25.1cm) Unframed $1,500-2,500


52 free≤an’s photographs & photobooks

10/21/11

91 11-1959/2 two prints DWIGHT A. DAVIS (american 1852-1944) WOMAN ON A HILL Gum over silver print 9 3/8 x 7 1/2 in. (23.8 x 19.1cm) and “TEA TIME” Platinum print 8 x 6 3/8 in. (20.3 x 16.2cm) Unframed $600-1,000


53 free≤an’s photographs & photobooks

10/21/11

92 11-1545/1 ALFRED STIEGLITZ (american 1864-1946) CAMERA WORK NO. 12, 1905 With eleven total prints, including ten photogravures on Japan tissue and one half-tone on original tissue mount. Seven photogravures and one halftone by Alfred Stieglitz, including: “Going to the Start”, “Spring”, “Nearing Land”, “Katherine”, “Miss Sophie Raab”, “Ploughing”, “Gossip-Katwyk” & “Horses”. Three photogravures by Benedict F. Herzog, including: “Angela”, “The Tale of Isolde” & “Marcella”. note: In a special insert in No. 12, Stieglitz points out these photogravures on tissue were chosen to hang in the 1904 exhibition of the Societe L’Effort in Brussels. These photogravures are all from original negatives and printed on the Japan tissue which was believed to better hold the tonal qualitites of the original. $2,000-4,000


54 free≤an’s photographs & photobooks

10/21/11

93 11-1656/16 two gelatin silver prints ARNOLD GENTHE (american 1867-1943) JULIA MARLOW AS LADY MACBETH Circa 1905, each pencil signed on the mount. Gelatin silver prints. 9 1/2 x 5 1/2 in. (24.1 x 14cm) Each mounted on board and unframed (2). $2,000-3,000

94 11-1656/9 CHARLES SCHENK (american 19-20th century) DANCE STUDIES plate 12 Circa 1910. Gelatin silver print from collotype negative, printed as one plate. Each 6 3/4 x 4 3/4 in. (17.1 x 12.1cm) Mounted on the mat, unframed $400-600


55 free≤an’s photographs & photobooks

10/21/11

95 11-1687/1 BENJAMIN A. GIFFORD (american 1859-1936) “POP-KIO-WINA” Circa 1899, printed later. Gelatin silver print. 15 7/8 x 20 in. (40.3 x 50.8cm) $200-400

96 11-1687/3 DETROIT PHOTOGRAPHY “WOMAN POTTER MOKI PUEBLO, ARIZONA” 1899, stamped and titled in the print. Color photograph. 7 x 9 in. (17.8 x 22.8cm) Mounted on board, framed $80-120


56 free≤an’s photographs & photobooks

10/21/11

97 11-1515/1 CHARLES SHEELER (american 1883-1965) PHOTOGRAPH OF A PORTRAIT Circa 1912, presented in a paper sleeve with photographer’s stamp. Gelatin silver print. 8 1/2 x 7 in. (21.6 x 17.8cm) Unframed note: As a student and young artist, Charles Sheeler photographed portraits and artwork for local Philadelphia famillies. $300-500


57 free≤an’s photographs & photobooks

10/21/11

98 10-2277/1 MATHILDE WEIL (american 1872-1918) MATHILDE WEIL AND STUDENTS Signed, dated and inscrbed ‘Philadelphia/15’ bottom left and accompanied by photographer’s label. Platinum print. 15 x 20 in. (38.1 x 50.8cm) exhibited: After only six lessons, Mathilde Weil took up photography as a full-time profession in the late 1890s and established herself as a successful commercial studio photographer in Philadelphia. $120-180


58 free≤an’s photographs & photobooks

10/21/11

99 11-1687/36 five prints ANONYMOUS PHOTOGRAPHER SCENES OF DAVENPORT POTTERY WORKS Circa 1900, titled “Davenport” on the mount. Gelatin silver prints. Each 7 1/2 x 9 1/2 in.(17 x 24.3cm) (5). $100-300

100 11-1574/1 JOHN P. MUDD (american 1888-1955) PORTRAIT OF A MAN Circa 1930, pencil signed on mount and with photographer’s stamp verso. Gelatin silver print. 12 x 10 1/4 in. (30.5 x 26cm) Mounted on board, unframed exhibited: The Gallery of The Photographic Society of Philadelphia, April 1934. $800-1,200


59 free≤an’s photographs & photobooks

10/21/11

101 11-1574/2 JOHN P. MUDD (american 1888-1955) “BIG BORING LATHE” Circa 1934, pencil signed on mount, titled and with photographer’s stamp verso. Gelatin silver print. 10 1/4 x 13 1/2 in.(26 x 34.3cm) Mounted on board, unframed exhibited: Salon International d’Art Photographique de Bruxelles, May 5June 3, 1934. American Society for Metals, Philadelphia Chapter, September 26, 1935. $800-1,200


60 free≤an’s photographs & photobooks

10/21/11

102 11-1846/11 O. WINSTON LINK (american 1914-2001) “NW333 LUBRICATOR CHARLES WADE ATTENDS TO THE RODS OF CLASS E2A 578 AT THE LUBRITORIUM IN BLUEFIELD” 1955, printed later, pencil signed by the artist on verso with copyright credit reproduction limitation stamp on the verso. Gelatin silver print. 19 1/2 x 15 1/4 in. (49.5 x 38.7cm) Unframed $3,000-5,000


61 free≤an’s photographs & photobooks

10/21/11

103 11-1888/4 O. WINSTON LINK (american 1914-2001) TRAIN NO. 17 CROSSES BRIDGE 201, WURNO SIDING Circa 1957, printed later. Signed, dated, numbered ‘NW 1603’ and copyright credit reproduction limitation stamp on the verso. Gelatin silver print. 15 1/2 x 19 1/2 in. (39.2 x 49.4cm) $5,000-7,000


62 free≤an’s photographs & photobooks

10/21/11 104 11-1656/3 PAUL STRAND (american 1890-1976) “FROM THE EL, NEW YORK” from “paul strand: the formative years, 1914-1917” 1917, photogravure. Published by Aperture, New York. 13 x 9 1/2 in. (33 x 24.1cm) Unframed $400-600

105 11-1656/35 PAUL STRAND (american 1890-1976) “YAWNING WOMAN, NEW YORK” from “paul strand: the formative years, 1914-1917” 1916, photogravure. Published by Aperture, New York. 13 x 9 1/2 in. (33 x 24.1cm) Unframed $400-600


63 free≤an’s photographs & photobooks

10/21/11

106 11-1656/34 PAUL STRAND (american 1890-1976) “FIFTH AVENUE, NEW YORK” from “paul strand: the formative years, 1914-1917” 1915, photogravure. Published by Aperture, New York. 13 x 9 1/2 in. (33 x 24.1cm) Unframed $400-600


64 free≤an’s photographs & photobooks

10/21/11

107 11-1434/4 W. EUGENE SMITH (american 1918-1978) “RHYTHM OF THE STREET CORNER” With estate stamp verso that reads ‘This authenticated photograph was in the private collection of W. Eugene Smith at the time of his death- October 15, 1978,’ inscribed ‘MAIN/(illeg.)’ and ‘AW-27-A.’ Gelatin silver print. sheet: 9 x 13 5/8 in. (22.9 x 34.1cm) $7,000-10,000


65 free≤an’s photographs & photobooks

10/21/11

108 11-1846/14 ALFRED EISENSTAEDT (american 1989-1995) “FUTURE BALLERINAS OF THE AMERICAN BALLET THEATRE, NEW YORK CITY” 1937/1991, signed in ink by the artist on the mount and numbered 69/250. Gelatin silver print. 12 x 17 1/2 in. (30.5 x 44.4cm) Unframed literature: Eisenstaedt: Remembrances, Bullfinch Press, 1990, p.35. $10,000-15,000


66 free≤an’s photographs & photobooks

10/21/11

109 11-1656/36 IRVING CANNER (american 1924-1998) FIFTH AVENUE Circa 1950, later print, photographer’s stamp verso. Gelatin silver print. 10 3/4 x 10 3/4 in. (27.3 x 27.3cm) Unframed $1,000-1,500

110 11-1656/8 IRVING CANNER (american 1924-1998) CROSSING FIFTH AVENUE Circa 1950, later print, photographer’s stamp verso. Gelatin silver print. 10 3/4 x 10 3/4 in. (27.3 x 27.3cm) Unframed $1,000-1,500


67 free≤an’s photographs & photobooks

10/21/11

111 11-1846/21 ANDREAS FEININGER (american/french 1906-1999) “QUEEN ELIZABETH IN NEW YORK HARBOR” 1958/1998, signed on the mount and pencil titled, dated and numbered 2/40 verso. Gelatin silver print. 16 3/4 x 12 1/2 in. (42.5 x 31.8cm) Unframed $4,000-6,000

112 11-1846/22 ANDREAS FEININGER (american/french, 1906-1999) “S.S. UNITED STATES, NEW YORK HARBOR” 1952/1997, signed on the mount and pencil titled, dated and numbered 3/10 verso. Gelatin silver print. 11 x 14 in. (27.9 x 35.6cm) Unframed $3,000-5,000


68 free≤an’s photographs & photobooks

10/21/11

113 11-1434/2 EUGENE OMAR GOLDBECK (american 1892-1986) NEW YORK CITY Circa 1930, signed and stamped on print. Panorama gelatin silver print. 9 x 52 1/2 in. (22.9 x 133.4cm) $800-1,200

114 11-1755/1 BEN ROSE (american 1916-1980) “HARLEM RIVER BRIDGES I” Printed ca.1953-56, titled verso. Gelatin silver print. 9 3/16 x 47 1/8 in. (23.3 x 119.7cm) provenance: By descent in family to present owner. Peter Rose, Philadelphia, Pennsylvania. $4,000-6,000


69 free≤an’s photographs & photobooks

10/21/11

115 11-1755/2 BEN ROSE (american 1916-1980) MODEL IN CENTRAL PARK Printed ca.1953-56. Gelatin silver print. sight size: 9 1/8 x 48 in. (23.2 x 121.9cm) provenance: By descent in family to present owner. Peter Rose, Philadelphia, Pennsylvania. $4,000-6,000


70 free≤an’s photographs & photobooks

10/21/11

116 11-8004/18 CECIL BEATON (british 1904-1980) FOUR INTERIOR SCENES Circa 1950. Photographer’s stamp verso. Gelatin silver prints Each 9 1/2 x 9 1/2 in. (24.1 x 24.1cm) Unframed (4). $800-1,200


71 free≤an’s photographs & photobooks

10/21/11

117 11-1654/1 EDWARD WESTON (american, 1886-1958) “POINT LOBOS” 1946, printed later by Cole Weston. Pencil signed, titled and dated by Cole Weston and stamped on verso. Gelatin silver print. 9 1/2 x 7 1/2 in. (24.1 x 19.1cm) Mounted on board, unframed $2,000-4,000


72 free≤an’s photographs & photobooks

10/21/11

118 11-1654/2 HARRY CALLAHAN (american 1912-1999) UNTITLED 1965, printed before 1973, pencil signed recto. Gelatin silver print. 7 1/4 x 7 1/4 in. (18.4 x 18.4cm) Unframed $1,500-2,500


73 free≤an’s photographs & photobooks

10/21/11

119 11-1434/6 ALFRED EISENSTAEDT (american 1898-1995) “TREES IN SNOW, ST. MORITZ SWITZERLAND, 1947” 1947/1986, signed bottom right, with Time Life stamp verso and titled, dated and numbered 1/50 verso. Gelatin silver print. 10 7/8 x 11 in. (27.6 x 27.9cm) $2,000-3,000


74 free≤an’s photographs & photobooks

10/21/11

120 11-1656/26 PAUL WALL (american/ german 1903-1988) QUEDLINBURG, GERMANY Circa 1940, gelatin silver print. 12 x 16 in. (30.5 x 40.6cm) Mounted on board, unframed $1,000-2,500

121 11-1656/13 LOTTE JACOBI (american 1896-1990) KÄTHE KOLLWITZ Ca. 1930/ca. 1980, signed bottom right. Gelatin silver print. 9 3/8 x 7 in. (23.8 x 17.7cm) $1,000-2,000


75 free≤an’s photographs & photobooks

10/21/11

122 11-1846/4 WILLY RONIS (french 1910-2009) “LE NU PROVENÇAL, GORDES” 1949, printed 1995. Signed bottom right, dated, titled and stamped verso. Gelatin silver print. 12 3/4 x 10 1/4 in. (32.4 x 26cm) Unframed provenance: Peter Fetterman Gallery, Santa Monica, California. $3,000-5,000


76 free≤an’s photographs & photobooks

10/21/11

123 11-1803/102 HARRY CALLAHAN (american 1912-1999) ELEANOR Printed 1957, image #28. Gelatin silver print. Together with the “Student Independent” portfolio from the Institute of Design, Chicago, Illinois. 7 3/4 x 9 1/2 in. (19.7 x 24.1cm) Unframed $3,000-5,000


77 free≤an’s photographs & photobooks

10/21/11

124 11-1262/1 two prints framed together HARRY CALLAHAN (american 1912-1999) WEED AGAINST SKY, DETROIT 1948, printed before 1965. Gelatin silver print mounted to card. 7 3/4 x 7 1/2 in. (19.7 x 19.1cm) and “ELEANOR, CHICAGO” 1947, printed before 1965. Gelatin silver print mounted to card. 4 3/8 x 2 1/8 in. (11.1 x 5.4cm) (2). provenance: The artist. James Miho, Bethesda, Maryland. note: This lot will be accompanied by a postcard from the artist to the current owner, who befriended the artist while working at advertising agency Needham, Harper & Steers in Chicago in the 1960’s. $10,000-15,000


78 free≤an’s photographs & photobooks

10/21/11

125 10-1592/3 ALFRED WERTHEIMER (american b. 1929) “A BREAK IN THE SESSION” 1956/2006. Signed bottom right and signed, titled, dated, inscribed and with photographer’s copyright stamp verso. Gelatin silver print. 10 x 15 in. (25.4 x 38.1cm) $1,000-2,000

126 10-1592/2 ALFRED WERTHEIMER (american b. 1929) “ELVIS CONTEMPLATES SINGING TO THE HOUND DOG” 1956/2006. Signed bottom right and signed, titled, inscribed, dated and with the photographer’s copyright stamp verso. Gelatin silver print. 10 x 15 in. (25.4 x 38.1cm) $1,000-2,000


79 free≤an’s photographs & photobooks

10/21/11

127 11-1628/2 TERRY O’NEILL (british b. 1938) “LAURENCE OLIVIER CORSET” 1962/1986, With photographer’s stamp verso. Gelatin silver print. 15 3/8 x 9 1/2 in. (39.1 x 24.1cm) $400-600

128 11-1662/8 PHILIPPE HALSMAN (american 1906-1979) PAUL NEWMAN CHOPPING WOOD Inscribed #12-10 verso and with photographer’s stamp. Gelatin silver print. 10 1/4 x 14 in. (26 x 35.6cm) $600-800


80 free≤an’s photographs & photobooks

10/21/11

129 11-1861/3 ROY SCHATT (american 1919-2002) JAMES DEAN Signed, inscribed ‘J.D. A21’ and dated 12.29.54 bottom left and signed, dated 1955 and with photographers stamp verso. Gelatin silver print. 13 1/2 x 10 5/8 in. (34.3 x 27cm) Unframed provenance: The artist. Private Collection. $1,500-2,500

129 A 11-1861/3 ROY SCHATT (american 1919-2002) JAMES DEAN Signed, inscribed ‘J.D. B2’ and dated 12.30.54 bottom right in white and signed, dated 1955 and with photographers stamp verso. Gelatin silver print. 13 3/8 x 10 1/2 in. (33 x 26.7cm) Unframed provenance: The artist. Private Collection. $1,500-2,500

130 11-1662/9 FLOYD MCCARTY (american 1913-1999) “JAMES DEAN” With Warner Bros. stamp and photographer’s notes verso. Gelatin silver print. 9 1/2 x 7 5/8 in. (24.1 x 19.4cm) $600-800


81 free≤an’s photographs & photobooks

10/21/11

131 11-1846/9 ROBERT DOISNEAU (french, 1912-1994) “KEN OGATA” Circa 1950. Signed bottom right. Gelatin silver print. 13 3/4 x 9 1/2 in. (34.9 x 24.1cm) $1,500-2,500


82 free≤an’s photographs & photobooks

10/21/11

132 11-1932/9 WILLIAM KLEIN (american b. 1928) “GIRL DANCING IN BROOKLYN, NEW YORK” 1955/2001, signed, titled and dated, from the edition of 500. Iris print. 12 1/2 x 10 3/8 in. (31.8 x 26.4cm) $300-500

133 11-1932/10 WILLIAM KLEIN (american b. 1928) “3 KIDS + FLAG, NEW YORK” 1955/2001, signed, titled and dated, from the edition of 500. Iris print. 14 1/4 x 9 1/4 in. (36.2 x 23.5cm) $300-500


83 free≤an’s photographs & photobooks

10/21/11 134 11-1932/11 WILLIAM KLEIN (american b. 1928) “I LOVE SECRETARIES, NEW YORK” 1955/2001, signed, titled and dated, from the edition of 500. Iris print. 14 1/4 x 9 3/4 in. (36.2 x 24.8cm) $300-500 135 11-1932/12 WILLIAM KLEIN (american b. 1928) “MIGHTY MOUSE, NEW YORK” 1955/2001, signed, titled and dated, from the edition of 500. Iris print. 14 1/4 x 10 1/2 in. (36.2 x 26.7cm) $300-500 136 11-1932/13 WILLIAM KLEIN (american b. 1928) “7 UP, NEW YORK” 1955/2001, signed, titled and dated, from the edition of 500. Iris print. 14 1/4 x 11 1/4 in. (36.2 x 23.5cm) $300-500


84 free≤an’s photographs & photobooks

10/21/11 137 11-1662/4 MILTON H. GREENE (american 1922-1985) “MARILYN MONROE” from “the black sitting” 1956/1978, signed, dated and with the artist’s copyright stamp verso. Gelatin silver print. 15 7/8 x 19 7/8 in. (40.3 x 50.5cm) Unframed $1,500-2,500

138 11-1662/7 PHILIPPE HALSMAN (american 1906-1979) “DALI SCULPTURE WITH LIGHT” 1949/1981, with the Halsman/Dali stamp and numbered 132/250 verso. Gelatin silver print. 12 7/8 x 9 7/8 in. (32.7 x 25.1cm) Unframed $400-600


85 free≤an’s photographs & photobooks

10/21/11

139 11-1662/5 PHILIPPE HALSMAN (american 1906-1979) “PEEP SHOW” 1950, titled, dated and with the photographer’s copyright stamp verso. Gelatin silver print. 13 1/2 x 10 5/8 in. (34.3 x 27cm) Unframed $500-700

140 11-1662/6 PHILIPPE HALSMAN (american 1906-1979) “PEEP SHOW” Titled, dated 1950 and with photographer’s stamp verso. Gelatin silver print. 13 5/8 x 10 11/16 in. (34.6 x 27.1cm) $500-700


LOTS 141–186 WITHDRAWN


122 free≤an’s photographs & photobooks

10/21/11

187 11-1953/2 ELLIOT ERWITT (american b. 1928) “USA” Signed, titled and dated 1962 verso. Gelatin silver print. 12 x 17 3/4 in. (30.5 x 45.1cm) $2,000-3,000 188 11-1434/5 W. EUGENE SMITH (american 1918-1978) ERNEST CERIANI (FROM ‘COUNTRY DOCTOR’ FOR LIFE MAGAZINE) 1948, printed later, with estate stamp verso that reads ‘This authenticated photograph was in the private collection of W. Eugene Smith at the time of his death- October 15, 1978’ and with several numerical pencil inscriptions. Gelatin silver print. 8 1/2 x 6 in. (21.6 x 15.2cm) $2,000-3,000


123 free≤an’s photographs & photobooks

10/21/11

189 11-1434/3 HANK WALKER (american 20th century) “JOHN F. KENNEDY AND ROBERT F. KENNEDY, 1960” 1960/1986, signed, titled and dated verso and with Time Inc. label on the mount. Gelatin silver print. 12 3/8 x 7 1/4 in.(32.7 x 18.4cm) Unframed $1,000-3,000


124 free≤an’s photographs & photobooks

10/21/11

190 11-1846/5 DANNY LYON (american b. 1942) “DOMINOES” 1979, signed, numbered and stamped verso. Gelatin silver print. 8 3/4 x 13 in. (22.2 x 33cm) Unframed $3,000-5,000


125 free≤an’s photographs & photobooks

10/21/11

191 11-1846/7 DANNY LYON (american b.1942) “THE WALLS” 1968, pencil signed, dated and titled verso. Gelatin silver print. 10 x 10 in. (25.4 x 25.4cm) Unframed $2,000-4,000


126 free≤an’s photographs & photobooks

10/21/11

192 11-1860/1 LARRY BURROWS (american 1926-1971) VIETNAM 1966. Dye transfer print. 15 1/8 x 23 1/4 in. (38.4 x 59.1cm) Unframed $1,200-1,800


127 free≤an’s photographs & photobooks

10/21/11

193 11-1997/1 LEIF SKOOGFORS (american/swedish b. 1940) PROTESTORS IN PHILADELPHIA 1963, signed and dated by the artist verso. Gelatin silver print. 8 3/4 x 13 in. (22.2 x 33cm) Unframed $400-600


128 free≤an’s photographs & photobooks

10/21/11

196 11-1954/1 JAHMANI PERRY (american 20th century) “I’M READY FOR MY CLOSE UP” from “asphalt spirits” Titled and signed verso. Gelatin silver print. 9 3/8 x 14 in. (23.8 x 35.5cm) Unframed note: Jahmani Perry has been photographing on the streets of New York since 1978. An award-winning photographer and filmmaker, his work examines the social and political landscape of America, questioning human nature and and our country’s future. $500-700 194 11-1262/16 GEORGE KRAUSE (american b. 1937) “FOUNTAINHEAD” 1970. Gelatin silver print. 6 1/8 x 4 1/8 in. (15.6 x 10.5cm) provenance: The artist. James Miho, Bethesda, Maryland. $600-800

195 11-1861/9 MILTON ROGOVIN (american 1909-2011) WEDDING Signed verso and inscribed ‘LWS 92-4.’ Gelatin silver print. 5 1/2 x 4 7/8 in. (14 x 12.4cm) Unframed $1,500-2,500


129 free≤an’s photographs & photobooks

10/21/11

197 11-1846/28 WILLIAM KLEIN (american b. 1928) “SORTIE D’ ECOLE, DAKAR (SCHOOL OUT)” 1963/1992, pencil signed, titled and dated by the artist on verso. Gelatin silver print. 12 x 17 3/4 in. (42.5 x 31.8cm) Unframed literature: William Klein, Pacific Press Service, 1991, cover illustration. $2,000-4,000

198 11-1262/5 PHILIPPE HALSMAN (american 1906-1979) SELF PORTRAIT 1979. Gelatin silver print mounted to board. 13 1/2 x 10 1/2 in. (33 x 26.6cm) provenance: The artist. James Miho, Bethesda, Maryland. note: In 1979, Philippe Halsman was the subject of a one-man show at the International Center for Photography in New York. James Miho, the design director for publishing company Champion International, was responsible for putting together the catalogue for the exhibition. Miho and Halsman became friends during the production and Miho received this print as a gift for his work- the same image that was used for the cover illustration for the catalogue. $400-600


130 free≤an’s photographs & photobooks

10/21/11

199 11-1846/23 RENE BURRI (swiss b. 1933) “SAO PAULO” 1960, pencil signed and titled by the artist on verso. Gelatin silver print. 11 x 7 1/2 in. (27.9 x 19.1cm) Unframed $3,000-5,000

200 11-1654/10 WILEY SANDERSON (american 1905-1990) “LATE LIGHT POST” 1978, signed, titled and dated verso. Pinhole camera photograph. Platinum print from paper negative. 7 1/2 x 4 3/4 in. (19.1 x 12.1cm) Unframed $300-500


131 free≤an’s photographs & photobooks

10/21/11

201 11-1888/1 TOM BARIL (american b. 1952) “SQUARE DINER NYC, 1979” 1979. Toned gelatin silver print. 15 1/2 x 19 1/2 in. (39.4 x 49.5cm) $2,000-4,000


132 free≤an’s photographs & photobooks

10/21/11

202 11-1262/13 two prints RAEANNE GIOVANNI-INOUE (american b. 1947) “QUEEN HOTEL, OCEAN GROVE, NJ” AND “BAGATELLE GARDEN, PARIS” Ca. 1975, each signed verso. Gelatin silver prints mounted to card. 8 1/2 x 12 1/2 in. (21.6 x 31.8cm) and 8 3/8 x 12 5/8 in. (21.3 x 32.1cm) (2). provenance: The artist. James Miho, Bethesda, Maryland. $400-600


133 free≤an’s photographs & photobooks

10/21/11

203 11-1262/10 STEVE SHIPPS (american 20th century) “MODULAR PHOTOGRAPH #2: FIELD STUDY” Each signed, titled, numbered 5/24 and dated 1976 verso. Gelatin silver prints. 9 1/4 x 9 1/4 in. (23.5 x 23.5cm) (14). provenance: The artist. James Miho, Bethesda, Maryland. $400-600


134 free≤an’s photographs & photobooks

10/21/11

204 11-1262/9 JOHN GRUEN (american b. 1926) PIPES Signed and dated 1979 verso. Gelatin silver print. 15 3/4 x 19 1/2 in. (40 x 49.53cm) provenance: The artist. James Miho, Bethesda, Maryland. $300-500

205 11-1654/5 JED DEVINE (american b. 1944) UNTITLED (2 APPLES AND WOODEN BOWL) Circa 1985, pencil signed recto. Platinum palladium print. 7 1/2 x 9 1/2 in. (19.05 x 24.1cm) Unframed $200-400


135 free≤an’s photographs & photobooks

10/21/11

206 11-1656/18 RICHARD LORENZ (american 1858-1915) “AUTHURIUM ON PLATE” 1980, pencil signed, dated and titled verso. Gelatin silver print. 15 1/2 x 15 1/2 in. (39.4 x 39.4cm) Unframed $1,000-1,500

207 11-1997/2 TOM MAHER (american b. 1949) “SCREEN” 2001. Toned gelatin silver print. 19 x 11 1/4 in. (48.2 x 28.6cm) Mounted on board, unframed $300-500


136 free≤an’s photographs & photobooks

10/21/11

208 11-1888/3 DOUGLAS MELLOR (american b. 1947) “STILL LIFE WITH ONION” 2004. Gelatin silver print. 13 1/2 x 17 1/4 in. (34.3 x 43.8cm) Mounted on board $1,000-3,000


137 free≤an’s photographs & photobooks

10/21/11

209 11-1947/28 JERRY SPAGNOLI (american b. 1956) “THISTLES” 2003, signed and dated verso. Modern framed whole plate daguerreotype. provenance: The artist. Private collection, Philadelphia, Pennsylvania $2,000-3,000


138 free≤an’s photographs & photobooks

10/21/11

210 11-1654/3 CURT RICHTER (american 20th century) “DIVERS IN MAINE” 1984, pencil signed, dated, titled and numbered 2/13 recto. Platinum palladium print. 7 1/2 x 9 1/2 in. (19.1 x 24.1cm) Unframed $500-700

211 11-1654/9 CURT RICHTER (american 20th century) “EARL’S POOL” 1982, pencil signed, dated, titled and numbered 2/13 recto. Platinum palladium print. 7 1/2 x 9 1/2 in. (19.1 x 24.1cm) Unframed $400-600


139 free≤an’s photographs & photobooks

10/21/11

212 11-1655/1 JUDITH JOY ROSS (american b. 1946) UNTITLED from “eurana park, weatherly pa” 1982. Gelatin silver print. sheet: 8 x 10 in. (20.3 x 25.4cm) provenance: The artist. Private Collection, California. $3,000-5,000

213 11-1846/1 EMMET GOWIN (american b. 1941) “EDITH, DANVILLE, VIRGINIA” 1980, pencil signed and inscribed “For Kathy with my deepest thanks for everything. You have been all the difference in our year— With affection, Emmet and Edith May ‘03’”on the mount and pencil signed verso. Gelatin silver print. 6 1/4 x 6 1/4 in. (15.9 x 15.9cm) Unframed $2,000-4,000


140 free≤an’s photographs & photobooks

10/21/11

214 11-1449/1 JOEL STERNFELD (american b. 1944) “BLIND MAN IN HIS GARDEN, HOMER ALASKA, JULY 1984” 1984/1992, signed, titled, dated and numbered 18/50 on verso. Chromogenic print. 13 1/2 x 17 in. (34.3 x 43.2cm) literature: American Prospects, Joel Sternfeld, 1987, p. 51. $2,000-4,000


141 free≤an’s photographs & photobooks

10/21/11

215 11-1846/17 JOEL STERNFELD (american b. 1944) “COEBURN, VIRGINIA, APRIL” 1983/1986, signed, titled, dated and numbered 2/40 on verso. Chromogenic print. 14 x 17 in. (35.6 x 43.2cm) Unframed literature: American Prospects, Joel Sternfeld, 1987, p. 22. $2,000-4,000


142 free≤an’s photographs & photobooks

10/21/11

216 11-1861/6 three prints JOEL MEYEROWITZ (american b. 1938) “EMPIRE STATE SERIES: TIMES TOWER, 12TH AVE 38ST AND 11TH AVE 55 ST” Each signed, titled and dated 1979 verso. C-prints. Each 15 1/2 x 19 1/2 in. (39.4 x 49.5cm) Each unframed (3). $1,500-2,500


143 free≤an’s photographs & photobooks

10/21/11

217 11-1861/5 MARK KLETT (american b. 1952) “STEPH BENEATH THE GREAT SANDSTONE ARCH” Titled and dated 6/21/82, signed and dated verso, printed in 1983. Dye transfer print. 15 1/4 x 19 5/8 in. (38.7 x 49.8cm) Unframed $800-1,200

218 11-1861/10 MITCH EPSTEIN (american b. 1952) “PEGASUS, BOBALI GARDENS, FLORENCE” Signed, titled and dated 1977 verso. Ektacolor print. 14 1/2 x 21 5/8 in. (36.8 x 54.9cm) $400-600


144 free≤an’s photographs & photobooks

10/21/11

219 11-1947/30 JOCK STURGES american, b. 1947 “RAPHAELLE, MONTALIVET, FRANCE” 1993, pencil signed, dated and numbered 23/40 verso. Gelatin silver print. 19 x 15 in. (48.3 x 38.1cm) Unframed $800-1,200

220 11-1947/11 JOCK STURGES (american, b. 1947) “VALENTIN, CLEMENTFERRAND FRANCE 1991” 1991, pencil signed, dated and numbered 2/40 verso. Gelatin silver print. 18 x 14 1/4 in. (45.7 x 36.8cm) Unframed $800-1,200


145 free≤an’s photographs & photobooks

10/21/11

221 11-1947/31 JOCK STURGES (american b. 1949) “VANESSA” 1998, pencil signed, dated and numbered 4/40 verso. Gelatin silver print. 18 3/4 x 14 1/4 in. (47.6 x 36.8cm) Unframed $800-1,200

222 11-1947/29 JOCK STURGES (american b. 1947) “GAELE, MARINE, VALENTIN, ET MARIE-CLAUDE, MONTALIVET, FRANCE 1987” 1987, pencil signed, dated and numbered 5/40 verso. Gelatin silver print. 18 x 14 1/4 in. (45.7 x 36.8cm) Unframed $1,000-2,000


146 free≤an’s photographs & photobooks

10/21/11

In 2004, Jock Sturges and his first and long-time dealer Paul Cava produced a commemorative portfolio of prints comprising ten of the most notable images created during Sturges’ prolific career. For years Sturges has worked in Montalivet, France and California among communities of naturists, capturing beautiful images of the individuals and their families over time. Many images contained in this limited edition portfolio of 11x14” gelatin silver prints are not otherwise available as they have long since sold out in other format sizes. Sturges announced in 2011 that he would transition from gelatin silver printing to digital production, making this portfolio of gelatin silver prints a unique opportunity to acquire ten of Sturges’ most captivating images.


147 free≤an’s photographs & photobooks

10/21/11

223 11-1656/39 JOCK STURGES (american b.1937) “JOCK STURGES: TWENTY-FIVE YEARS” the complete set of ten prints Published in 2004 by Paul Cava Fine Art. Each signed, titled and numbered on the mount. Edition 14/25. Gelatin silver prints. INCLUDING: Minna, Northern California, 1978 Marine, Clermiont-Ferrand, France, 1889 Misty Dawn, Northern California, 1991 Arianne and Francois, Montalivet, France, 1991 Cecile, Montaliver, France, 1993 Fanny, Montaliver, France, 1995 Nikki, Montaliver, France, 1997 Vanessa, Tuscany, Italy, 1999 Maia, Vanessa and Miranda, Tuscany, Italy, 1999 Eva, La Jenny, France, 2003 Each 11 x 14 in. (27.9 x 35.6cm) Unframed and matted. Presented in a custom silk covered clamshell portfolio box. $10,000-15,000


148 free≤an’s photographs & photobooks

10/21/11

224 11-1654/11 bound portfolio of 18 photogravures LOIS CONNER (american, b. 1951) “THE RIVER FLOWS INTO THE HEAVENS” Circa 1980, pencil signed and numbered 11/55; Thomas Palmer, printer. Photogravures. Each plate: 7 1/4 x 17 1/4 in. (18.5 x 40.4cm) Each sheet: 14 7/8 x 23 5/8 in. (37.8 x 60cm) $4,000-6,000


149 free≤an’s photographs & photobooks

10/21/11

225 11-1258/3 WANG WUSHENG (chinese b. 1945) “MT. HUANGSHAN (21) - TWIN BAMBOO SHOOT PEAK, TAKEN AT THE HEAVENLY SEA” 1991, edition 5/10 Gelatin silver print. 59 x 41 1/2 in. (149.86 x 105.4cm) provenance: Barry Friedman, Ltd., New York, New York. Lehman Brothers Corporate Art Collection. $300-500


150 free≤an’s photographs & photobooks

10/21/11

226 11-1344/4 four prints PETER NAGY (american b. 1959) “CHORTENS OF LADAKH” 1983. C-prints. each: 30 x 40 in. (76.2 x 101.6cm) (4). provenance: The artist. amfAR, New York, New York. literature: “Tradition and Invention: Contemporary Artists Inerpret the Japanese Garden,” Sogetsu Plaza, Sogetsu Kaikan, September 1-11, 1995, exh. catalogue #11-14, illustrated . p. 26-29. $2,000-3,000


151 free≤an’s photographs & photobooks

10/21/11

227 11-1258/16 SEBASTIÃO SALGADO (brazilian b. 1944) “SERRA PELADA, BRASIL (CAST OF THOUSANDS)” With photographer’s embossed name in margin bottom left and signed, titled ‘Brasil’ and dated 1986 verso, printed 1991. Gelatin silver print. 11 3/4 x 17 3/8 in. (29.8 x 44.1cm) provenance: Janet Borden Inc., New York, New York. Lehman Brothers Corporate Art Collection. $3,000-4,000


152 free≤an’s photographs & photobooks

10/21/11

228 11-1258/14 SEBASTIÃO SALGADO (brazilian b. 1944) “BRASIL (BUS STOP/CUPS)” With photographer’s embossed name in margin bottom left and signed, titled ‘Brasil’ and dated 1980 verso, printed 1991. Gelatin silver print. 11 11/16 x 17 3/8 in. (29.6 x 44.1cm) provenance: Janet Borden Inc., New York, New York. Lehman Brothers Corporate Art Collection. $2,500-3,500


153 free≤an’s photographs & photobooks

10/21/11

229 11-1258/15 SEBASTIÃO SALGADO (brazilian b. 1944) “MEXICO” With photographer’s embossed name in margin bottom left and signed, titled and dated 1980 verso, printed 1991. Gelatin silver print. 16 x 20 in. (40.6 x 50.8cm) provenance: Janet Borden, Inc., New York, New York. Lehman Brothers Corporate Art Collection. $2,500-3,500


154 free≤an’s photographs & photobooks

10/21/11 230 11-1398/6 CANDIDA HÖFER (german b. 1944) “SCHLOß CECELILIENHOF POSTDAM I” Signed, titled, dated 1990 and numbered 5/6 verso. C-print. 14 1/4 x 20 5/8 in. (36.8 x 52.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-4,000

231 11-1398/2 CANDIDA HÖFER (german b. 1944) “CASTELLO DI RIVARA TURIN II” Signed, titled, dated 1989 verso, artist’s proof. C-print. 14 1/4 x 20 5/8 in. (36.8 x 52.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-4,000

232 11-1398/5 CANDIDA HÖFER (german b. 1944) “MARINE-MUSEUM LISSABON I” Signed, titled, dated 1989 and numbered 1/6 verso. C-print. 14 1/4 x 20 5/8 in. (36.8 x 52.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-4,000


155 free≤an’s photographs & photobooks

10/21/11 233 11-1398/7 CANDIDA HÖFER (german b. 1944) “AKADEMISCHE KUNSTMUSEUM BONN III” Signed, titled, dated 1991 and numbered 4/6 verso. C-print. 14 1/4 x 20 5/8 in. (36.8 x 52.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-4,000

234 11-1398/3 CANDIDA HÖFER (german b. 1944) “DEUTSCHES MUSEUM MÜNCHEN I” Signed, titled, dated 1990 and numbered 6/6 verso. C-print. 14 1/4 x 20 5/8 in. (36.8 x 52.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-4,000

235 11-1398/4 CANDIDA HÖFER (german b. 1944) “KUNSTMUSEUM DÜSSELDORF I” Signed, titled, dated 1991 and numbered 1/6 verso. C-print. 14 1/4 x 20 5/8 in. (36.8 x 52.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-4,000


156 free≤an’s photographs & photobooks

10/21/11

236 11-1888/2 JAMES BALOG (american b. 1952) “DRILL” 1989, signed, dated and numbered 3/50 in ink, recto. Ektacolor print. 20 x 18 in. (50.8 x 45.7cm) $2,000-4,000


157 free≤an’s photographs & photobooks

10/21/11 237 11-1687/95 JOHN PFAHL (american b. 1939) “BETHLEHEM #25” 1988, signed, titled and dated in ink on verso. C-print. 10 x 10 in. (25.4 x 25.4cm) Unframed $300-500

238 11-1888/5 JEFF BROUWS (american b. 1955) “PLAYLAND, RYE, NEW YORK” 1991, signed, titled, dated and numbered 11/20 verso. Archival pigment print. 20 x 24 in. (50.8 x 60.9cm) provenance: Robert Mann Gallery, New York, New York $3,000-5,000


158 free≤an’s photographs & photobooks

10/21/11

239 11-1398/114 THOMAS RUFF (german b. 1958) “CONSTELLATION” 1990. Chromogenic development print. 19 x 12 3/4 in. (48.3 x 32.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,500-3,500


159 free≤an’s photographs & photobooks

10/21/11

240 11-1398/110 JAMES WELLING (american b. 1951) “UNTITLED #3” 1989. Polacolor ER print. 40 x 32 in. (101.6 x 81.28cm) provenance: Jay Gorney Modern Art, New York, New York. Lehman Brothers Corporate Art Collection. $1,000-2,000

241 11-1398/65 JAMES WELLING (american b. 1951) “UNTITLED” from the “in a dream” portfolio Initialed, titled, numbered 9/25 and dated 1981. Platinumpalladium print. sheet: 14 x 11 in. (35.6 x 27.9cm) provenance: Lehman Brothers Corporate Art Collection. $600-800


160 free≤an’s photographs & photobooks

10/21/11 242 11-1398/107 JAN HENLE (american b. 1948) “UNTITLED II” 1983-84, signed, edition 1/6. Gelatin silver print mounted to linen. 69 3/16 x 71 3/8 in. (175.7 x 181.3cm) provenance: Lehman Brothers Corporate Art Collection. $2,500-3,500


161 free≤an’s photographs & photobooks

10/21/11 243 11-1846/24 MICHAEL KENNA (american/british b.1953) CRANE 1993, pencil signed, dated and numbered 4/45 on the mount. Gelatin silver print. 7 3/4 in. x 7 3/4 in. (19.7 x 19.7cm) Unframed $1,000-3,000


162 free≤an’s photographs & photobooks

10/21/11 244 11-1262/2 DUANE MICHALS (american b. 1932) “SAKKARA” 1978, signed and numbered 1/25 bottom right, titled bottom center. Gelatin silver print. 8 x 12 in. (20.3 x 30.5cm) provenance: The artist. James Miho, Bethesda, Maryland. $800-1,200

245 11-1398/56 CRAIGIE HORSFIELD (british b. 1949) “RYNEK GLOWNY, ZAMOSC, JULY 1974” 1990. Photograph mounted to board 48 x 44 in. (121.9 x 111.8cm) provenance: Barbara Gladstone Gallery, New York, New York. Lehman Brothers Corporate Art Collection. exhibited: “Craigie Horsfield,” Walker Art Center, Minneapolis, Minnesota, September 26, 1993-January 2, 1994, exhibition checklist #6. $2,000-4,000


163 free≤an’s photographs & photobooks

10/21/11 246 11-1398/95 LORNA SIMPSON (american b. 1960) UNTITLED from the “in a dream” portfolio 1991. Gelatin silver print. sheet: 20 x 24 in. (50.8 x 60.9cm) provenance: Lehman Brothers Corporate Art Collection. $600-1,000

247 11-1398/54 JOHN SCHABEL (american b. 1957) “PASSENGER #2” 1994-1995, from the edition of 10. Gelatin silver print. sight size: 19 x 23 1/4 in. (48.3 x 59.1cm) provenance: Lehman Brothers Corporate Art Collection. $1,500-2,500


164 free≤an’s photographs & photobooks

10/21/11 248 11-1262/3 ART KANE (american 1925-1995) WOMAN WRAPPED IN BLANKET Dedicated and signed along bottom edge. C-print. 13 1/2 x 19 3/4 in. (34.3 x 50.2cm) provenance: The artist. James Miho, Bethesda, Maryland. $500-700

249 11-1398/407 JOEL-PETER WITKIN (american b. 1939) “FEAST OF FOOLS” from “photographers and friends against aids” portfolio 1990, signed, titled and numbered 9/25 verso. Photogravure etching contained within wove paper folder printed with artist’s name. sheet: 20 x 24 in. (50.8 x 60.9cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $600-800


165 free≤an’s photographs & photobooks

10/21/11 250 11-1398/405 DAVID WALTER MCDERMOTT AND PETER THOMAS MCGOUGH) (americans, b. 1952 and 1958) “THE ANNOINTED” from “photographers and friends against aids” portfolio 1991, signed, titled, numbered 9/25 and dated 1898 on artist’s label verso. Palladium print contained within wove paper folder printed with artist’s name.. sheet: 16 1/2 x 11 3/4 in. (41.9 x 29.8cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $600-800

251 11-2013/1 HERB RITTS (american 1952-2002) “TONY AND BRIAN (STANDING WITH BLACKPAINT), LOS ANGELES” 1986, printed later, ed. 20/25 (there were 3 artist’s proofs), stamped and signed verso by Mark McKenna of the Herb Ritts Foundation. Gelatin silver print. 20 x 16 in. (50.8 x 40.6cm) provenance: Herb Ritts Foundation. $3,000-5,000


166 free≤an’s photographs & photobooks

10/21/11

252 11-1257/1 ROBERT MAPPLETHORPE (american 1946-1989) “AJITTO” 1981, ed. 12/15 (there were 3 artist’s proofs), with estate stamp verso. Gelatin silver print. 17 7/8 x 13 15/16 in. (45.4 x 35.4cm) provenance: Sean Kelly Gallery, New York, New York. illustrated: Richard Marshall, “Robert Mapplethorpe,” July 28-October 23, 1988, illus. p. 98. (another example) $8,000-12,000


167 free≤an’s photographs & photobooks

10/21/11

253 11-1369/2 ROBERT MAPPLETHORPE (american 1946-1989) “KEN MOODY” Signed and dated 1984 bottom right corner. Unique Polaroid Polacolor print mounted to aluminum. 24 x 20 in. (60.9 x 50.8cm) provenance: Robert Miller Gallery, New York, New York. $6,000-8,000


168 free≤an’s photographs & photobooks

10/21/11

254 11-1656/27 CHRISTOPHE CUFOS (american 20th century) YVES SAINT LAURENT MODEL 1993, with artist’s name inscribed verso. Gelatin silver print. 11 1/2 x 9 in. (29.2 x 22.9cm) Unframed literature: Beatrice Dupire, “Yves St. Laurent: 40 Years of Creation,” 1998, p. 121. $800-1,200

255 11-1656/28 FRANCOIS ROTGER (french b. 1973) YVES SAINT LAURENT MODEL 1993, gelatin silver print. 12 x 9 in. (30.5 x 22.9cm) Unframed literature: Beatrice Dupire, “Yves St. Laurent: 40 Years of Creation,” 1998, p. 190. provenance: Blanpied Rubini, Paris, France $800-1,200


169 free≤an’s photographs & photobooks

10/21/11

256 11-1888/9 CHRIS RAINIER (american 20th century) “AKUZA MISTRESS, TOKYO, JAPAN” Gelatin silver print. sight size: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm) literature: Ancient Marks: The Sacred Origins of Tattoos and Body Markings. Chris Rainier, p. 128 $500-700


170 free≤an’s photographs & photobooks

10/21/11

257 11-1398/34 STACEY GREENE (american 20th century) “WENDY” from “lipsticks” Signed, dated 1992 and numbered 2/3 verso. C-print. 20 x 24 in. (50.8 x 61cm) provenance: Lehman Brothers Corporate Art Collection. $1,000-1,500 258 11-1398/33 STACEY GREENE (american 20th century) “VICTORIA” from “lipsticks” Signed, dated 1992 and numbered 4/4 verso. C-print. 20 x 24 in. (50.8 x 61cm) provenance: Lehman Brothers Corporate Art Collection. $1,000-1,500

259 11-1398/32 STACEY GREENE (american 20th century) “CAROLINA” from “lipsticks” Signed, dated 1992 and numbered 2/3 verso. C-print. 20 x 24 in. (50.8 x 61cm) provenance: Lehman Brothers Corporate Art Collection. $1,000-1,500


171 free≤an’s photographs & photobooks

10/21/11

260 11-1344/11 REBECCA HORN (german b. 1944) “TRAMONTANA” Signed and dated 1993 verso on mount. Colored ink on C-print. 39 x 27 in. (99.1 x 66.8cm) provenance: The artist. amfAR, New York, New York. $600-800

261 11-1398/403 SARAH CHARLESWORTH (american b. 1947) “EGO” 1990, signed and numbered 9/25 bottom right within the artist’s embossed stamp. Laminated C-print. 23 x 18 3/4 in. (58.4 x 47.6cm) provenance: Lehman Brothers Corporate Art Collection. $1,000-1,500


172 free≤an’s photographs & photobooks

10/21/11

262 11-1344/16 BILLY SULLIVAN (american b. 1946) UNTITLED 1994. Unique C-print. 24 x 20 in. (60.9 x 50.8cm) provenance: The artist. amfAR, New York, New York. exhibited: Landmark Hall, Yokohama, Japan and Sogetsu Art Gallery, Tokyo, Japan, “The Artist’s Camera,” August 9-28 and September 1-7, 1994. $800-1,200

263 11-1344/13 two prints RICHARD CORMAN (american 20th century) “MICHAEL DOUGLAS” Signed, titled and dated 1993 verso and with photographer’s stamp. C-print. 15 1/2 x 15 1/2 in. (39.4 x 39.4cm) and JANE KAPLOWITZ (american 20th century) “BROOKS ADAMS” Signed verso. Color xerox print. sight size: 10 x 14 1/2 in. (25.4 x 36.8cm) (2). provenance: The artist. amfAR, New York, New York. exhibited: Landmark Hall, Yokohama, Japan and Sogetsu Art Gallery, Tokyo, Japan, “The Artist’s Camera,” August 9-28 and September 1-7, 1994. (Kaplowitz) Cinema Against AIDS Venice, 1993. (Corman) $400-600


173 free≤an’s photographs & photobooks

10/21/11 264 11-1262/4 ART KANE (american 1925-1995) “NYC VILLAGE PARADE” 1991, signed and dated bottom right, titled on mount. Gelatin silver print. 11 1/2 x 17 in. (29.2 x 43.2cm) provenance: The artist. James Miho, Bethesda, Maryland. $500-700

265 11-1656/17 RON WALKER (american 20th century) MAN WITH PEPSI CANS 1976/1979, pencil signed and dated on verso mat. Gelatin silver print. 16 x 20 in. (40.6 x 50.8cm) Unframed $400-600

266 10-2285/2 SPENCER TUNICK (american b. 1967) PHILADELPHIA Signed, dated 1998 and inscribed ‘M/P’ verso. Gelatin silver print 9 3/4 x 7 3/4 in. (24.7 x 19.7cm) $400-600


174 free≤an’s photographs & photobooks

10/21/11 267 11-1846/2 MICHAL CHELBIN (israeli b.1974) “XENIA, JANA AND ALONA IN THE WOODS, RUSSIA” 2003, signed, dated and numbered 11/30 verso. C-print. 11 x 11 in. (27.9 x 27.9cm) Unframed $1,500-2,500

268 11-1953/3 MICHAEL CHELBIN (israeli b. 1974) “ALICIA IN A GOLDEN DRESS, UKRAINE, 2005” 2005, Signed, titled, dated and numbered 8/30 verso. C-print. 11 x 11 in. (27.9 x 27.9cm) Unframed $1,500-2,500


175 free≤an’s photographs & photobooks

10/21/11

269 11-1953/1 STEVEN DAY (american 20th century) “SAM- ST. GILLES HOUSE, CRANBROOK ESTATE” 2008, Signed, titled dated and numbered 1/5 verso. C-print. 28 x 28 in. (71.1 x 71.1cm) note: Steven Day’s series “Cranbrook Estate” takes place inside Berthold Lubetkin’s 1957 modernist housing estate, once one of the most significant housing developments in post-war London. While documenting the buildings Day encountered many residents, resulting in a set of portraits at each location using natural light. $1,500-2,500


176 free≤an’s photographs & photobooks

10/21/11

270 11-1344/17 VARIOUS PHOTOGRAPHERS “AMFAR PHOTOGRAPHY PORTFOLIO 2004” 2004, edition 15/25. Porfolio of 18 signed, dated and numbered photographs curated by Jack Pierson contained within a white portfolio box. Sheet size: 16 x 20 in. (40.6 x 50.8cm) Including photographs by David Armstrong, Tina Barney, Dawoud Bey, Cecily Brown, Bill Burke, Alejondro Cesarco, Jessica Craig-Martin, William Eggleston, Marina Karella, Steven Klein, David McDermott and Peter McGough, Ryan McGinley, Marilyn Minter, Kimbra Phaler and Bruce La Bruce, Jack Pierson, Stephen Shore, Sam Taylor-Wood and Bruce Weber. (18). provenance: amfAR, New York, New York. $5,000-8,000


178 free≤an’s photographs & photobooks

10/21/11

271 11-1344/12 two prints KATSUHIKO HIBINO (ijapanese b. 1958) “THE LACHRYMAL GLAND” 1994. Unique handcut C-print 14 1/2 x 20 1/4 (36.8 x 51.4cm) and “HANDS’ POSITIONS” 1994. Unique handcut C-print 14 1/2 x 20 1/4 (36.8 x 51.4cm) (2). provenance: The artist. amfAR, New York, New York. exhibited: Landmark Hall, Yokohama, Japan and Sogetsu Art Gallery, Tokyo, Japan, “The Artist’s Camera,” August 9-28 and September 1-7, 1994. $400-600


179 free≤an’s photographs & photobooks

10/21/11

272 11-1344/14 SHINRO OHTAKE (ijapanese b. 1955) “RETINA” 1990, from the edition of 10. C-print. 11 3/4 x 9 1/8 in. (29.8 x 23.2cm) provenance: The artist. amfAR, New York, New York. exhibited: Landmark Hall, Yokohama, Japan and Sogetsu Art Gallery, Tokyo, Japan, “The Artist’s Camera,” August 9-28 and September 1-7, 1994. $800-1,200


180 free≤an’s photographs & photobooks

10/21/11

273 11-1258/12 KIMSOOJA (korean b. 1957) ONE PRINT from “the seven wishes” 2004, from the edition of 20 (there were 5 artist’s proofs). Iris print. 45 x 35 3/4 in. (114.3 x 90.8cm) provenance: Peter Blum Gallery, New York, New York. Lehman Brothers Corporate Art Collection. $2,000-4,000


181 free≤an’s photographs & photobooks

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182 free≤an’s photographs & photobooks

10/21/11

274 11-1398/121 DAVID HILLIARD (american b. 1964) “HIS PROBLEM WITH PLURALITY” 1998. Six C-prints mounted to aluminum in three parts. 15 x 134 in. overall (38.1 x 340.5cm) (6). provenance: Lehman Brothers Corporate Art Collection. $1,000-2,000

275 11-2010/8 DAVID GRAHAM (american b. 1952) “STUDIO CITY, CALIFORNIA” 2006. Chromogenic print. 19 x 19 in. (48.3 x 48.3cm) Unframed $500-700


183 free≤an’s photographs & photobooks

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184 free≤an’s photographs & photobooks

10/21/11

276 11-1932/17 two prints RICHARD MISRACH (american b. 1949) “4/11/98 7:42PM” AND “9/26/98 6:25 PM” 1998. Digital C-prints. 11 x 14 in. (27.9 x 35.6cm) (2). $800-1,200

277 11-1932/19 two prints RICHARD MISRACH (american b. 1949) “CLOUD 25” and “CLOUD 375” 1988, each signed with initials and dated 99, each from the edition of 250. Digital C-prints. 11 x 14 in. (27.9 x 35.6cm) (2). $800-1,200


185 free≤an’s photographs & photobooks

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278 11-1932/20 two prints RICHARD MISRACH (american b. 1949) “WESTERN UTAH” AND “WESTERN UTAH #3” Signed with initials, titled, dated 1999 and one numbered 140/250 verso. Digital C-prints. 11 x 14 in. (27.9 x 35.6cm) (2). $800-1,200

279 11-1888/8 RICHARD MISRACH (american b. 1949) “BATTLE GROUND POINT #22” 1999 printed in 2001, signed, titled, dated and numbered 6/25 on the mount. Chromogenic dye coupler print. 20 x 24 in. (50.8 x 60.9cm) provenance: Robert Mann Gallery, New York, New York. $4,000-6,000


186 free≤an’s photographs & photobooks

10/21/11 280 11-1932/14 three prints MICHAEL LIGHT (american b.1963) “FULL MOON” Printed 1999, each stamped with the title and dated, signed and numbered by Michael Light verso, each from the edition of 250. Digital c-prints. 12 x 12 in. (30.5 x 30.5cm) (3). including: “Astronaut’s Shadow: Photo by Harrison Schmitt, Apollo 17, 1972” “Lunar Highlands in Morning Sun: Attributed to Michael Collins, Apollo 11, 1969” “Earthrise Seen for the First Time By Human Eyes: Photo by William Anders, Apollo 8, 1968” $1,000-1,500


187 free≤an’s photographs & photobooks

10/21/11 281 11-1932/15 three prints MICHAEL LIGHT (american b.1963) “FULL MOON” Printed 1999, each stamped with the title and dated, signed and numbered by Michael Light verso, each from the edition of 250. Digital c-prints. 12 x 12 in. (30.5 x 30.5cm) (3). including: “Rover Tracks and 15,000’ Mount Hadley: Photo by James Irwin, Apollo 15, 1971” Stratocumulus Clouds Over Pacific Ocean: Attributed to Ronald Evans, Apollo 17, 1972” “Lunar Module Antares at Fra Mauro: Photo by Alan Shepard, Apollo 14, 1971” $1,000-1,500


188 free≤an’s photographs & photobooks

10/21/11 282 11-1932/16 four prints MICHAEL LIGHT (american, b.1963) “FULL MOON” Each inscribed with the title, dated 1999 (printed 2000), signed and numbered by Michael Light verso, each from the edition of 250. Digital c-prints. 24 1/2 x 24 1/2. in. (62.2 x 62.2cm) (4). including: “Whole Earth, Outbound: Photo by Harrison Schmitt, Apollo 17, 1972” “Morning Sun Near Surveyor Crater, Photo by Charles Conrad, Apollo 12, 1969” “Edward White at 17,500 mph over gulf of Mexico: Photo by James McDivitt, Gemini 4, 1965” “Hurricane Gladys Over Gulf of Mexico: Photo by Walter Cunningham, Apollo 7, 1968” $2,500-3,500

283 11-2010/6 DIANE BURKO (american b. 1945) “OVER VATNAOKULL IN JULY, #3” 2003, signed, dated and numbered 2/5. Inkjet print. 20 x 30 in. (50.8 x 76.2cm) provenance: The Print Center, Philadelphia, Pennsylvania. $800-1,200


189 free≤an’s photographs & photobooks

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284 11-1014/1 PETER LIK (australian b. 1959) “BLUSH” Signed and numbered 216/950. Fujifilm Panorama on Silver Halide paper. 19 x 57 in. (48.26 x 144.8cm) $2,000-4,000


190 free≤an’s photographs & photobooks

10/21/11 285 11-1932/1 SUSAN DERGES (british b. 1955) “RIVER TAW 16 JANUARY 1997” 1997. C-print 30 x 11 in. note: Susan Derges explores the natural world by frequently turning to camera-less photographic processes to create her imagery. The “River Taw” series was created by placing placing photographic paper on the river bed at night and allowing an image to be exposed through ambient light, aided by the use of a flash gun. $1,000-1,500

286 11-1932/2 SUSAN DERGES (british b. 1955) “RIVER TAW- 1997” 1997. C-print. 30 x 11 in. (76.2 x 27.9cm) $1,000-1,500 287 11-1932/3 SUSAN DERGES (british b. 1955) “RIVER TAW 19 JANUARY 1999” 1999. C-print. 30 x 11 in. (76.2 x 27.9cm) $1,000-1,500


191 free≤an’s photographs & photobooks

10/21/11 288 11-1932/4 SUSAN DERGES (british b. 1955) “RIVER TAW 22 JULY 1997 (ROWAN)” 1997, with artist’s name and title stamped verso, numbered 12/100. C-print. 30 x 11 in. (76.2 x 27.9cm) $1,000-1,500

289 11-1932/22 two prints SUSAN DERGES (british b. 1955) “CANOPY NO. 6” Signed, dated 2000 and numbered 31/100. Iris prints. 13 x 15 in. (33 x 38.1cm) (2). $1,000-1,500


192 free≤an’s photographs & photobooks

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290 11-2010/7 ABELARDO MORELL (american b. 1948) “CAMERA OBSCURA IMAGE OF THE PHILADELPHIA MUSEUM OF ART, EAST ENTRANCE IN GALLERY #171 WITH A DE CHIRICO PAINTING” Signed and dated 2005 verso. Unique C-print flush mounted to Dibond. 72 x 92 1/2 in. (182.88 x 234.9cm) provenance: The artist. The Print Center, Philadelphia, Pennsylvania. exhibited: “Taken With Time: A Camera Obscura Project,” The Print Center, Philadelphia, Pennsylvania, September 7 - November 11, 2006, illustrated in exhibition catalogue p. 16. (Traveled to the Marion Center for Photographic Arts at the College of Santa Fe, New Mexico.) literature: “The Photo Review,” Volume 29, Number 1, cover illustration, ref. p. 9. note: This photograph was commissioned by The Print Center for an exhibition exploring the use of the camera obscura, the simplest and oldest photographic device. Morell had been creating camera obscura images since 1991 on a smaller scale and in black and white, but was pursuaded to attempt this particular shot in color by then Print Center curator Jacqueline van Rhyn. What was intended to be the final photograph of a project involving camera obscura images in museums all over the world became the first step in a new exploration of color for the artist. This image, taken with a lens in a window that overlooks the Philadelphia Museum of Art’s east entrance, took over 6 hours to produce and is the only one that exists in this monumental size. This image represents a pivotal moment in the artist’s career in addition to being a beautiful and surreal representation of the Philadelphia Museum of Art. $20,000-30,000


193 free≤an’s photographs & photobooks

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194 free≤an’s photographs & photobooks

10/21/11

291 11-1932/5 ANDY GOLDSWORTHY (british b. 1956) “LA VALLEE DU VANÇON, CAIRN, RESERVE GEOLOGIQUE DE HAUTE PROVENCE, 2000” Signed and numbered 56/500 bottom center. Iris print on Somerset. 12 x 37 in. (30.5 x 93.9cm) $800-1,200 292 11-1932/6 ANDY GOLDSWORTHY (british b. 1956) “LA VALLEE DU VANÇON, CAIRN, RESERVE GEOLOGIQUE DE HAUTE PROVENCE, 2000” Signed and numbered 9/500 bottom center. Iris print on Somerset. 12 x 37 in. (30.5 x 93.9cm) $800-1,200

293 11-1932/7 ANDY GOLDSWORTHY (british b. 1956) “LA VALLEE DU BES, CAIRN, RESERVE GEOLOGIQUE DE HAUTE PROVENCE, 1999” Signed and numbered 14/500 bottom center. Iris print on Somerset. 12 x 37 in. (30.5 x 93.9cm) $800-1,200


195 free≤an’s photographs & photobooks

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294 11-1932/8 ANDY GOLDSWORTHY (british b. 1956) “LA VALLEE DU BES, CAIRN, RESERVE GEOLOGIQUE DE HAUTE PROVENCE, 1999” Signed and numbered 20/500 bottom center. Iris print on Somerset. 12 x 37 in. (30.5 x 93.9cm) $800-1,200

295 11-1932/23 ANDY GOLDSWORTHY (british b. 1956) “GRISE FJORD 15TH APRIL” C-print. 22 1/2 x 47 3/4 in. (57.15 x 120.24cm) $8,000-12,000


196 free≤an’s photographs & photobooks

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296 11-2010/2 ANN HAMILTON (american b. 1956) “THE FREE LIBRARY OF PHILADELPHIA, READING 5, JUNE 2006” 2006, from the edition of 7 (there were 3 artist’s proofs). Digital pigment print. sight size: 8 3/4 x 21 1/4 in. (22.2 x 55.2cm) provenance: The artist. The Print Center, Philadelphia, Pennsylvania. exhibited: “Taken With Time,” The Print Center, Philadelphia, Pennsylvania, September 7 – November 11, 2006. literature: “The Photo Review,” Volume 29, Number 1, ref. p. 8. $3,000-4,000

297 11-2010/1 ANN HAMILTON (american b. 1956) “THE ROSENBACH MUSEUM AND LIBRARY: READING 4, JUNE 2006” 2006, from the edition of 7 (there were 3 artist’s proofs). Digital pigment print. sight size: 9 x 21 1/2 in. (22.8 x 54.6cm) provenance: The artist. The Print Center, Philadelphia, Pennsylvania. exhibited: “Taken With Time: A Camera Obscura Project,” The Print Center, Philadelphia, Pennsylvania, September 7 - November 11, 2006. (Traveled to the Marion Center for Photographic Arts at the College of Santa Fe, New Mexico.) literature: “The Photo Review,” Volume 29, Number 1, ref. p. 8. $3,000-4,000


197 free≤an’s photographs & photobooks

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298 11-2010/3 ANN HAMILTON (american b. 1956) “THE ROSENBACH MUSEUM & LIBRARY, SPEAKING 1” 2006. Digital pigment print. sight size: 5 1/2 x 4 1/2 in. (14 x 11.4cm) provenance: The artist. The Print Center, Philadelphia, Pennsylvania. exhibited: “Taken With Time: A Camera Obscura Project,” The Print Center, Philadelphia, Pennsylvania, September 7 - November 11, 2006. (Traveled to the Marion Center for Photographic Arts at the College of Santa Fe, New Mexico). literature: “The Photo Review,” Volume 29, Number 1, ref. p. 8. $1,500-2,500


198 free≤an’s photographs & photobooks

10/21/11

299 11-2010/4 ANN HAMILTON (american b. 1956) “GLORIA DEI CHURCH, CONGREGATION 1” 2006, from the edition of 5 (there were 2 artist’s proofs). Digital pigment print. sight size: 8 3/4 x 21 1/4 in. (22.2 x 54cm) provenance: The artist. The Print Center, Philadelphia, Pennsylvania. exhibited: “Taken With Time,” The Print Center, Philadelphia, Pennsylvania, September 7 – November 11, 2006. literature: “The Photo Review,” Volume 29, Number 1, ref. p. 8. $3,000-4,000


199 free≤an’s photographs & photobooks

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300 11-2010/5 ANN HAMILTON (american b. 1956) “THE ROSENBACH MUSEUM AND LIBRARY, AUDIENCE I, BLOOMSDAY 2006” 2006, from the edition of 5 (there were 2 artist’s proofs). Digital pigment print. sight size: 9 x 21 1/2 in. (22.8 x 54.6cm) provenance: The artist. The Print Center, Philadelphia, Pennsylvania. exhibited: “Taken With Time: A Camera Obscura Project,” The Print Center, Philadelphia, Pennsylvania, September 7 - November 11, 2006, illustrated in exhibition catalogue, p. 6. (Traveled to the Marion Center for Photographic Arts at the College of Santa Fe, New Mexico). literature: “The Photo Review,” Volume 29, Number 1, ref. p. 8. $3,000-4,000


200 free≤an’s photographs & photobooks

10/21/11

301 11-1888/7 MICHAEL EASTMAN (american b. 1947) “FIDEL’S STAIRWAY #2” from “cuba” 2001/2007, edition 1/25. Digital chromogenic print. Sight size: 16 3/4 x 12 3/4 in. (38.1 x 40.8cm) provenance: Charlotte Jackson Fine Art Inc., Santa Fe, New Mexico $3,000-5,000


Photobooks lots 302–344


202 free≤an’s photographs & photobooks

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302 11-1755/5 CAMILLE RECHT DIE ALTE PHOTOGRAPHIE First edition. With 144 sepia-toned plates of European portraits and landscapes. With foldout pamphlet of captions bound inside the rear cover. Forward by Iwan Goll. Paris: Henri Jonquieres, 1931. $200-400 303 11-1370/15 TWO PHOTOBOOKS SCOTTISH SCENES AND PHOTOGRAPHERS THOMAS ANNAN, Photographs of the Old Closes and Streets of Glasgow. New York: Dover Publications, 1977. GRAHAM OVENDEN, Editor, Hill and Adamson Photographs. London: Academy Editions, 1973. (2). $100-300

304 11-1687/51 TWO PHOTOBOOKS AMI GUICHARD, Publisher. Boyhood Photos of J.H. Latrigue: The Family Album of a Guilded Age. Switzerland: Edita S.A. and J.H. Latrigue, 1966. Queen Alexandra’s Christmas Gift Book: Photographs from my Camera. The Daily Telegraph, 1908. (2). $200-400 305 11-1755/4 DANS L’INTIMITE DE PERSONNAGES ILLUSTRES 12 VOLUMES 1890, each with twelve cardstock pages, three photographic reproductions mounted on each page of various notable literary and artistic figures including: Hugo, Toulouse-Lautrec, Baudelaire, Rimbaud, Braque & Gauguin. Pages held in binding by silk ribbon tied at spine. Published in numerous printings between 1890 and 1950. $300-500


203 free≤an’s photographs & photobooks

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306 11-1370/2 GROUP OF EIGHT ASSORTED PHOTOBOOKS ROBERT FRANK, Robert Frank. New York: Aperture, 1976. GEORGE KRAUSE, George Krause. Signed and inscribed by the artist. Haverford: Toll & Armstrong, 1972. DOROTHEA LANGE, Dorothea Lange. With introduction by George P. Elliott. New York: MoMA, 1966. MICAHEL MATHERS, Riding the Rails. Houghton Mifflin Company, 1973. JJACOB A. RIIS, Photographer & Citizen. Preface by Ansel Adams. New York: Aperture, 1974. PAUL STRAND, A Retrospective Monograph: Volume I, 19151946. New York: Aperture, 1971. PAUL STRAND, A Retrospective Monograph: Volume II, 19501968. New York: Aperture, 1971. WALKER EVANS, American Photographs. New York: East River Press, 1975. (8). $400-600

307 11-1846/25 ROBERT FRANK (american b. 1924) THE LINES OF MY HAND Signed on the title page “Robert Frank”. First revised American edition. Originally published by Yugensha in a limited Japanese edition in 1972. Illustrated with black and white reproductions, contact sheets, and montages. New York: Pantheon Books. Robert Frank, 1989. $1,000-1,500 308 11-1656/6 GEORGE HENRY FOX (american 1846-1937) “PHOTOGRAPHIC ILLUSTRATIONS OF SKIN DISEASES” New York: E.B. Treat, 1885. 90 hand-colored collotypes on 48 sheets. $400-600


204 free≤an’s photographs & photobooks

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309 11-1370/14 GROUP OF SEVEN ASSORTED PHOTOBOOKS DAVID R. PHILLIPS, The West: An American Experience. Chicago: Henry Regnery Company, 1973. OLIVER JENSEN, JOAN PATERSON KERR & MURRAY BELSKY, American Album. American Heritage Publishing Company, 1968. A Vision Shared: A Classical Portrait of America and its People. New York: St. Martin’s Press, 1976. The Editors of Look: Look at America. Boston: Houghton-Mifflin Co., 1946. PHILIP M. STERN, The Shame of a Nation. New York: Ivan Obolensky Inc., 1965. SUSAN KISMARIC, American Children: Photographs from the Collection of The Museum of Modern Art. New York: MoMA, 1980. The Consolidated Freightways Inc. Collection. Signed and inscribed in an unknown hand. Palo Alto: Consolidated Freightways Inc.,1988. (7). $100-300

310 11-1370/17 GROUP OF THREE ASSORTED PHOTOBOOKS The Family of Woman. New York: Grosset and Dunlap, 1979. The Family of Man. New York: MoMA, 1955. MICHAEL LESY, Time Frames: The Meaning of Family Pictures. New York: Pantheon Books, 1980. (3). $80-120 311 11-1687/48 GROUP OF FOUR PHOTOBOOKS Native American Images. Washington D.C.: The Smithsonian Institution, 1992. ALLEN COHEN & RONALD L FILIPPELLI, Times of Sorrow and Hope: Documenting Everyday Life in Pennsylvania during the Depression and World War II. University Park: Pennsylvania State University Press, Keystone Book, 2003. JOHN C VAN HORNE WITH EILEEN E DRELICK, editors, Traveling the Pennsylvania Railroad: The Photographs of William H Rau. Philadelphia: University of Pennsylvania Press, 2002. MARTIN W SANDLER, American Image: Photographing 150 Years in the Life of a Nation, Chicago: Contemporary Books Inc., 1989. (4). $100-300


205 free≤an’s photographs & photobooks

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312 11-1370/9 GROUP OF THREE ASSORTED PHOTOBOOKS BILL BRANDT, Shadow of Light. New York: Da Capo Press, 1977. MANUEL ALVAREZ-BRAVO, Aperture #147: Manuel AlvarezBravo: Photographs and Memories. New York: Aperture, 1997. EDWARD WESTON, Aperture #140: Edward Weston Portraits. New York: Aperture, 1995. (3). $80-120 313 11-1861/11 DOROTHEA LANG (american 1895-1965) AN AMERICAN EXODUS, A RECORD OF HUMAN EROSION Signed by the artist on the title page. First edition. Text by Paul Taylor. With 112 black and white photographs and original blue cloth and original photo illustrated dust jacket. New York: Reynald Hitchcock, 1939. $1,500-2,500

314 11-1970/9 EDWARD & CHARIS WILSON WESTON (american 1886-1958 & 1914-2009) CALIFORNIA AND THE WEST Illustrated with 96 photographs by Edward Weston. First Edition. Black cloth boards with silver title. New York: Duell, Sloan and Pearce, 1940. $100-300


206 free≤an’s photographs & photobooks

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315 11-1603/7 ANSEL ADAMS (american 1902-1984) YOSEMITE AND THE RANGE OF LIGHT First edition, signed by the artist. With 116 full page illustrations including: Clearing Winter Storm, Yosemite Valley, 1944, Moon and Half Dome, Yosemite Valley, 1960, and Winter Sunrise, Sierra Nevada, from Lone Pine, 1944. New York: Little Brown & Company, 1979. $300-500

316 11-1687/85 GROUP OF FOURTEEN PHOTO REFERENCE BOOKS 20th century HERBERT J SELIGMANN, Alfred Stieglitz Talking: Notes on Some of his Conversations 1925-1931. Yale University Library, Carl Purlington Rollins Printing Office at Yale University Press, 1966. Photography Annual 1976. Ziff-Davis Publishers, 1975. C.W. CANFIELD, The American Annual of Photography & Photographic Times Alabama for 1889. Scovill Manufacturing Company with Irving Adams,Agent. EDWARD STEICHEN, The Family of Man, New York: MoMA, 1955. DICK SUMMER, Together. Signed in an unknown hand. Framingham: Subway Productions Inc. 1971. Ansel Adams: An Autobiography with Mary Alinder. Boston: Little Brown & Co., 1985. BEAUMONT NEWHALL, The Daguerreotype in America. New York: Duell, Sloan & Pearce 1961. STEFAN RICHTER, The Art of the Daguerreotype. Penguin Group, 1989. HELMUT & ALLISON GERNSHEIM, LJM Daguerre: The History of the Diorama & the Daguerreotype. New York: Dover Publications Inc., 1968. BEAUMONT NEWHALL, The Daguerreotype in America. New York: Duell, Sloan & Pearce, 1961. Galerie Municipale du Chateau d’Eau, Daguerreotypes, Collotypes de la Region, Place Laganne Rulase. Jean Dieuzaide, 1989. W.I. LINCOLN ADAMS, In Nature’s Image: Chapters on Pictorial Photography. New York: The Baker & Taylor Company, 1898. EATON S LOTHROP JR., A Century of Cameras. First edition. Morgan & Morgan Inc., 1973. BRIAN COE AND MARK HAWORTH-BOOTH, A Guide to Early Photographic Processes. London: The Victoria and Albert Museum, 1983. (14). $200-400


207 free≤an’s photographs & photobooks

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317 11-1603/6 IRVING PENN (american 1917-2009) MOMENTS PRESERVED Introduction by Alexander Liberman. Hard cover with slip case and dust jacket. With 167 pages of illustrations in black and white and color, depicting subjects taken between 1947 and 1958 in France, Barcelona, Italy, Morocco, England, Cuzco, New York. New York: Simon And Schuster, 1960. $400-600

318 11-1370/6 GROUP OF SEVEN ASSORTED PHOTOBOOKS JUDITH GUTMAN, Lewis Hine 1874-1940: Two Perspectives. New York: Grossman Publishers, 1974. LEWIS HINE, America & Lewis Hine Photographs 1904-1940. New York: Aperture, 1977. BRUCE DAVIDSON, Subsistence U.S.A. New York: Holt, Rinehart, Winston, 1973. BERENICE ABBOTT, The World of Atget. New York: Horizon Press, 1964. BERENICE ABBOTT, New York in the Thirties. New York: Dover, 1967. VICKY GOLDBERG, Margaret Bourke-White: A Biography. New York: Harper & Row, 1989. MARGARET BOURKE-WHITE & ERSKINE CALDWELL, Say, This is the USA. New York: Da Capo Press, 1969. (7). $80-120


208 free≤an’s photographs & photobooks

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319 11-1370/3 GROUP OF FIVE ASSORTED PHOTOBOOKS ANNE GEDDES, Until Now. New Zealand: Photogenique Publishers, 1999. FAY GODWIN, The Edge of the Land. London: Jonathan Cape, 1995. FAY GODWIN, Land, Boston: Little, Brown & Co., 1985. TONY RAY-JONES, A Day Off. New York: New York Graphic Society, 1974. DIANE ARBUS, Diane Arbus: An Aperture Monograph. New York: Aperture, 1972. (5). $1,500-2,500 320 11-1370/1 TWO PHOTOBOOKS GEORGE FORSS, New York Masterworks of a Street Peddler. New York: McGraw Hill, 1984. PETER MENZEL, Material World: A Global Family Portrait. San Francisco: Sierra Club Books, 1994. (2). $50-80

321 11-1370/8 GROUP OF TEN ASSORTED PHOTOBOOKS BEN SHAHN, The Photographic Eye of Ben Shahn. Boston: Harvard University Press, 1975. ROBERT SILVERS, Photomosaics. New York: Henry Holt, 1997. MAX WALDMAN, Waldman on Theater. New York: Doubleday, 1971. SUSAN MEISELAS, Carnival Strippers. New York: Farrar, Strauss and Giroux, 1976. CATHERINE MILINAIRE, Celebrations. New York: Harmony Books, 1981. JOYCE RAVID, Here and There: Photographs. Signed. New York: Alfred A. Knopf, 1993. JACQUES-HENRI LARTIGUE, Jacques-Henri Lartigue. New York: Aperture, 1976. ANNIE LEIBOVITZ, Olympic Portraits: USA. Canada: Bullfinch Press, 1996. MICHAEL LESY, Real Life: Louisville in the Twenties. New York: Pantheon, 1976. STEPHEN KING, F-stop Fitzgerald: Nightmares in the Sky. New York: Viking Book Studios, 1988. (10). $100-300


209 free≤an’s photographs & photobooks

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322 11-1603/1 GROUP OF FIVE PHOTOBOOKS SALVADOR DALI AND PHILIPPE HALSMAN, Dali’s Mustache. New York: Photogravure and Color Company & H. Wolf Book Mfg. Company, 1954. PETER POLLACK, The Picture History of Photography. New York: Harry N. Abrams, Inc. 1977. JACQUES LOWE, Portraits: The Emergence of John F. Kennedy. New York: Bramhall House & McGraw-Hill Book Company, Inc. 1961. MICHAEL BUSSELLE, Take Better Photographs. London: Octopus Books Limited, reprinted 1981. HARVEY V. FONDILLER, EDITOR, The Best of Popular Photography. New York: Ziff-Davis Publishing Company, 1979. (5). $80-120

323 11-1370/10 GROUP OF FOUR ASSORTED PHOTOBOOKS BRASSAI, The Secret of Paris of the 30s. New York: Pantheon Books, 1976. HENRI CARTIER-BRESSON, Photographer. New York: New York Graphic Society, 1979. HENRI CARTIER-BRESSON, The Face of Asia. New York: Viking, 1972. HENRI CARTIER-BRESSON, Henri Cartier-Bresson. New York: Aperture, 1976. (4). $700-1,000 324 11-1603/8 GROUP OF THREE HENRI CARTIER-BRESSON PHOTOGRAPHIC BOOKS HENRI CARTIER-BRESSON & HAN SUYIN, From One China to The Other. New York: Universe Books, 1956. HENRI CARTIER-BRESSON, The Europeans. New York: Simon & Schuster, 1955. Paris: Henri Cartier Bresson, Verve & Simon & Schuster, 1955. HENRI CARTIER-BRESSON, The Decisive Moment. New York: Henri Cartier Bresson, Verve & Simon & Schuster, 1952. (3). $1,000-1,500


210 free≤an’s photographs & photobooks

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325 11-1687/81 DAVID HOCKNEY (british b. 1937) Cameraworks First American edition. With 122 full color illustrations and 53 illustrations in the text. Cloth boards with dust jacket. New York: Alfred A Knopf, 1984. $200-400

327 11-1687/53 ROBERT RAUSCHENBERG (american 1925-2008) Photos In + Out City Limits Forward by Colta Ives with 70 black and white illustrations and bound in white linen cloth and housed in a matching slipcase. New York: ULAE Inc., 1982. $100-300

326 11-1370/7 GROUP OF THREE ANDRE KERTESZ PHOTOBOOKS ANDRE KERTESZ, Distortions. New York: Alfred A. Knopf, 1976. ANDRE KERTESZ, Of New York. New York: Alfred A. Knopf, 1976. ANDRE KERTESZ, Sixty Years of Photography, 1912-1972. New York: Grossman, 1972. (3). $200-400

328 11-1656/31 HART CRANE the bridge Photographs by Richard Benson #1880/2000, signed by the photographer, with slip case. 70 pages. New York: Limited Editions Club, 1981. $80-120 329 11-1687/50 JOEL STERNFELD (american b. 1944) American Prospects First edition. Introduction by Andy Grundberg with afterword by Anne W. Tucker. With 55 full page color Illustrations. Houston: Museum of Fine Arts & Times Books, 1987. $400-600


211 free≤an’s photographs & photobooks

10/21/11

330 11-1846/27 CANDIDA HÖFER (german b. 1944) Hamburg First edition, first printing. Pencil signed and numbered 65/100 by Candida Höfer. Soft cover. 120 pages with 36 full page color illustrations. Stiff wrappers with dust jacket and glassine wrapper. Essay in English and German, “The Physiognomy of Public Interiors: Notes on Candida Höfer’s City Images,” by Michael Diers, translated by Sinèad Butler.Köln: Verlag der Buchhandlung Walther König, 2002. with “SPEICIABUSDAT, HAMBURG, 2000” Pencil signed and numbered 65/100 verso. Chromogenic print. 8 1/2 x 8 1/2 in. (21.6 x 21.6cm) Unframed $1,500-2,000

331 11-1846/26 BERND & HILLA BECHER (german, 1931-2007 & b. 1934) BERND AND HILLA BECHER: INDUSTRIEL LANDSCHAFTEN (INDUSTRIAL LANDSCAPES) First German edition, first printing. Limited slipcased edition and hand-numbered 99/100 copies. Unpaginated with 180 full page illustrations. Hard Cover with cloth boards and dust jacket. Munich: Schirmer/Mosel, 2002. with ‘MONCEAU FONTAINE NO. 18, CHARLEROI, BELGIEN, 1975.” Printed in 2002, pencil signed and numbered verso. Gelatin silver print. 9 x 6/1/2 in. (22.9 x 16.5cm) Unframed $2,000-3,000


212 free≤an’s photographs & photobooks

10/21/11

332 11-1370/18 TWO PHOTOBOOKS YVA MOMATIUK AND JOHN EASTCOTT, This Marvelous Terrible Place. Ontario: Camden House, 1988. El Salvador: The Work of Thirty Photographers. New York: Writers and Readers Publishing Cooperative, 1983. (2). $50-80

334 11-1656/7 LIONEL WENDT (sri lankan 1900-1924) CEYLON First edition. With 120 photogravure illustrations and 255 pages. Original full black cloth boards. London: LincolnsPrager, 1950. $300-500

333 11-1370/11 COLLECTION OF FOUR SEBASTIÃO SALGADO PHOTOBOOKS SEBASTIÃO SALGADO, Migrations. New York: Aperture, 2000. SEBASTIÃO SALGADO, Workers. Signed by the artist. New York: Aperture, 1993. SEBASTIÃO SALGADO, An Uncertain Grace. New York: Aperture, 1990. SEBASTIÃO SALGADO, Other Americans. New York: Pantheon Books, 1986. (4). $500-700

335 11-1687/47 GROUP OF THREE PHOTOBOOKS ELIOT PORTER, In Wildness is the Preservation of the World. San Francisco: The Sierra Club, 1962. ESSAYS BY WILHELM KLEIN, PREFACE BY WADE DAVIS, In Search of Dignity, Photographs by Gunter Pfannmiller, New York: Aperture Foundation, 2002. STEVE MCCURRY, Looking East, Portraits by Steve McCurry. New York: Phaidon Press, 2006. (3). $100-300


213 free≤an’s photographs & photobooks

10/21/11

336 11-1370/5 TWO PHOTOBOOKS NANCY HELLEBRAND, Londoners. London: Lund Humphries, 1974. JOSEF KOUDELKA, Gypsies. New York: Aperture, 1975. (2). $300-500 337 11-1370/16 GROUP OF FIVE ASSORTED PHOTOBOOKS TOM MOLONEY, US Camera. First edition. New York: Duell, Sloan & Pearce, 1945. CORNELL CAPA, The Concerned Photographer. New York: Grossman Publishers,1968. ESTELLE JUSSIM AND ELIZABETH LINDQUIST-COCK, Landscape as Photograph. New Haven: Yale University Press, 1985. BEAUMONT AND NANCY NEWHALL, Masters of Photography. New York: George Braziller Inc., 1958. Vogue Book of Fashion Photography, 1919-1979. New York: Conde Nast Publications, 1979. (5). $80-120

338 11-1687/89 GROUP OF SEVEN PHOTOBOOKS DEBORAH BULL & DONALD LORIMER, Up the Nile: A Photographic Excursion: Egypt. New York: General Publishing Company Ltd., 1979. FRANCOISE REYNAUD, CATHERINE TAMBRUN & KIM TIMBS, Paris in 3D: From Steroscopy to Virtual Reality 18502000. Booth-Clibborn Editions In Association with the Musee Carnavalet, Museum of the history of Paris, 2000. BAHATTIN OZTUNCAY, James Rovertson Pioneer of Photography in the Ottoman Empire. Turkey: Muhittin Salih Eren, 1992. VICTOR BURGIN, Voyage to Italy. In conjunction with an exhibition at Galarie Thomas Zander, Cologne. Germany: Hatje Cantz Verlag, 2006. PETER MILLER, The First Time I Saw Paris: Photographs and Memories of the City of Lights. New York: Time Books, 1999. Photographs Then and Now. National Geographic Society, 1998. EDITOR’S OF LIFE, LIFE’s Picutre History of World War II. New York: Time Incorporated, 1950. (7). $100-300


214 free≤an’s photographs & photobooks

10/21/11

339 11-1370/4 TWO PHOTOBOOKS EMMET GOWIN, Exhibition catalogue. Petra. New York: Pace/ MacGill Gallery, 1986. JOHN K. HILLERS, The Western Photographs of John K. Hillers: Myself in the Water. Washington D.C.: Smithsonian, 1989. (2). $300-500 340 11-1687/67 GROUP OF FIVE PHOTOBOOKS PAM ROBERTS, Photo Historica Landmarks in Photography: Rare Images from the Collection of the Royal Photographic Society & Co. Bear Productions Ltd., 2000. SF SPIRA WITH EATON S LOTHROP JR AND JONATHAN B SPIRA, The History of Photography As Seen by the Spira Collection. New York: Aperture. ROBERT TAFT, Photography and the American Scene: A Social History 1839-1888. New York: The Macmillan Company, 1938. PETER POLLACK, The Picture History of Photography. New York: Harry N. Abrams, Inc. 1969, revised & enlarged edition. BEAUMONT NEWHALL, The History of Photography: from 1839 to the Present Day. New York: MoMA 1964, revised and enlarged edition. (5). $100-300

341 11-1370/12 GROUP OF FOUR PHOTO REFERENCE BOOKS RICHARD J. WALKER AND ROBERT E. WALKER, Exploring Photography. Illinois: Goodheart-Wilcox Company Inc., 1987. NAOMI WEISSMAN AND DEBRA HEIMERDINGER, SelfExposures: A Workbook in Photographic Self-Portraiture. New York: Harper & Row Publishers, 1979. ELEANOR LEWIS, Darkroom. Rochester: Lustrum Press Inc., 1977. RONALD SPILLMAN, Darkroom Techniques. Hertfordshire: Fountain Press, 1976. (4). $100-300 342 11-1370/13 GROUP OF TEN LIFE PHOTOBOOKS Memorable LIFE Photographs, New York: Time Inc. and MoMA, 1951. PHILIP B. KUNHARDT, The Joy of LIFE. New York: Time Inc., 1989. LIFE Library of Photography, Time-Life Books. including: Light and Film, The Camera, The Great Themes, Photography as a Tool, Color, Documentary Photography, The Print, Photography Year 1975. (10). $100-300


215 free≤an’s photographs & photobooks

10/21/11

343 11-1687/88 THE DAGUERREIAN ANNUAL INCLUDING YEARS: 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2001, 2002, 2003, 2004. Edited by Mark S. Johnson and Dawn Patton. Out of an edition of 1,300 soft cover copies and 100 hard cover copies. The Daguerrian Society. (14). $100-300

344 11-1370/19 COLLECTION OF ASSORTED PHOTO MAGAZINES AND PAMPHLETS 36 pieces, including seven volumes of The Photo Review, three volumes of Aperture, two volumes from LEICA and numerous photographic pamphlets and journal editions. (36). $400-600


Upcoming at Auction

Modern & Contemporary Art Auction 11/06/11

Exhibition: November 3 through November 5 Anne Henry 267.414.1220 ahenry@freemansauction.com Aimee Pflieger 267.414.1221 apflieger@freemansauction.com

www.freemansauction.com

PABLO PICASSO (spanish 1881-1973) TETE DE FEMME; TETE DE GARCON TWO DRAWINGS Both signed and dated 4.9.66 upper right, one dedicated "Pour Edouard and Joanne Steichen," the other "Pour Steichen" in green ink upper center. each: 11 3/4 x 10 3/4 in. (29.7 x 27.2cm) note: These works are drawn on the frontispiece page and preceding it in the book Picasso: Notre Dame de vie, H. Parmelin, Editions Cercle d'art, Paris, 1966. provenance: Steichen Estate, New York, New York. $8,000-12,000


Fine American & European Paintings & Sculpture Auction 12/04/11

Upcoming at Auction

JAMES ABBOTT MCNEILL WHISTLER (american 1834-1903) "BLUE AND OPAL - THE PHOTOGRAPHER" Watercolor on paper, laid down on card. Painted circa 1885 4 x 8 in. (10.2 x 20.3cm) $150,000-250,000 (detail)

Alasdair Nichol 267.414.1211 anichol@freemansauction.com

provenance: Howard Mansfield Harlow McDonald & Co., New York Mrs. Cornelius J. Sullivan Macbeth Gallery, New York E.A Seasongood Sold at Parke – Bernet auction, New York, 5-6th November, 1951, lot 304 Private Collection Macbeth Gallery, New York Private Collection, Amherst, MA Macbeth Gallery, New York Hirschl & Adler, New York Acquired from the above in 1959 Private Collection, Pennsylvania Estate of the above.

exhibition: London, Dowdeswell, 1886 Possibly Paris, 1887 New York, 1889 (where purchased by Howard Mansfield) Boston, Copley Society, Memorial Exhibition of the Works of Mr. Whistler, 1904 New York, 1984 ‘James McNeill Whistler: Retrospective Exhibition, 1994-95’ Touring Exhibition Tate Gallery, London, UK, October 12, 1994 – January 8, 1995 Reunion des Musees Nationaux (Musee d’Orsay), Paris, France, February 6 - April 30, 1995 National Gallery of Art, Washington, D.C., May 28 – August 20, 1995

David Weiss 267.414.1214 dweiss@freemansauction.com

www.freemansauction.com


The Photo Review Auction 10/22/11 To benefit The Photo Review Auction Saturday, October 22 at 4pm At Freeman’s Exhibition Sunday, October 16 12pm–4pm Monday, October 17 through Friday, October 21 10am–4:30pm Saturday, October 22 11am–3pm

Tom Baril Three Pears 2002, silver print from collodion wet plate negative, 18 x 14in. $1,000–$2,000

Pamela Ellis Hawkes “Floral Arrangement #7” 2011, cyanotype print, signed verso, 22.5 x30 in. $1,000–$2,000


“One of the top 100 hotels in the world” Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proud to announce our new partnership with Freeman’s. We are pleased to offer Freeman’s clients a preferred rate. Please contact Jill Heim to arrange your accomodations. 215-790-2541, jheim@rittenhousehotel.com


220 free≤an’s photographs & photobooks

10/21/11

Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.


Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale. 8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require.

Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


Directory specialist departments

depart≤ents

officers

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii amy parenti whitney bounty

Appraisals anita heriot sa≤uel ≤ free≤an ii james e buckley donald e walter kate molets

chair≤an samuel ≤ freeman ii

American Silver samuel ≤ free≤an ii amy parenti

Appraisal Services heather burke natalie difeliciantonio lauren peck

Asian Arts robert waterhouse richard cervantes nicholas clarke English & Continental Furniture, Silver & Decorative Arts david walker ben fisher nicholas clarke Fine Jewelry kate waterhouse samuel ≤ free≤an ii madeline mccauley Fine Paintings & Sculpture alasdair nichol david weiss maya o’donnell-shah aimee pflieger david edevane Fine Prints anne henry david weiss aimee pflieger maya o’donnell-shah Old Master Paintings & Works of Art david weiss maya o’donnell-shah david edevane Photography & Photobooks kate molets aimee pflieger david edevane Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger david edevane Pop Culture simeon lipman, consultant kerry-lee jeffery Oriental Rugs & Tapestries richard cervantes david weiss Rare Books, Manuscripts, & Ephemera david j bloom joe huenke

Consignments samuel h cooper james e buckley ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll fran nicosia jessica carter bethany mobbs susannah henderson marianne dages bridget bonner Operations nathan norley gerald lightfoot marlon glover michael fredricks andrew zajack gerald davis alex hampshire Finance jeffrey miller Business Development & ≤arketing tara theune davis thomas b. mccabe iv mary knapp christopher browne Trusts & Estates samuel t freeman iii thomas b. mccabe iv natalie difeliciantonio Photography elizabeth field elizabeth schultz thom clark

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry robert waterhouse samuel t. freeman iii representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345 colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011 kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400 robert and kate waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226 john jones Mountain Brook, AL jjones@freemansauction.com Telephone: 205.803.4949


www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

Photographs & Photobooks  

Photographs & Photobooks Auction 10/21/11

Photographs & Photobooks  

Photographs & Photobooks Auction 10/21/11