Dirty Dancing

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O F F I C I A L P R O G R A M F O R B R O A D W AY I N D E T R O I T A T T H E F I S H E R T H E A T R E


Photos (Broadway cast): Joan Marcus and Chris Callis

The sTory of f r a n k ie Va l l i & The foUr seasons

November 17-December 6 Fisher Theatre

Get tickets now! Fisher theatre box oFFice • ticketmaster.com inFo: broadwayindetroit.com & 313-872-1000

Groups (10+): email Groups@broadwayindetroit.com (subject: jersey boys) or call 313-871-1132 sunday, november 22 oc 7:30pm


A LIFETIME OF HITS… SEALED WITH A HANDSHAKE By David Freeland

ersey Boys, the Tony and Grammy JtheAward-winning Broadway musical about spectacular rise of pop icons Frankie

Valli & The Four Seasons, has been seen worldwide by over 22 million people, all of them captivated by the dazzling recreations of classic 1960s hits such as “Sherry,” “Big Girls Don’t Cry,” and “Can’t Take My Eyes Off You”—set within a gripping rags-toriches story. But for many, the show’s most unforgettable moment comes when Frankie Valli, as lead singer, decides to enter into a business partnership with the group’s keyboardist and songwriter, Bob Gaudio. “So should we have somebody draw up a contract?” Gaudio asks. Frankie responds by offering his hand. “You want a contract? Here—a Jersey contract.” Their handshake becomes a pact, cementing a relationship that has endured for close to 50 years. “The story of the friendship between Frankie Valli and Bob Gaudio is something that just makes my heart melt every time I think about it,” says Pat Prescott, popular host on Los Angeles radio station 94.7 The Wave and a longtime Jersey Boys fan. “When I think about that handshake and what it has meant,” Ms. Prescott observes, “how we as a society have so much gotten away from those values of real friendship, of loyalty, of consistency in relationships—it stands out to me tremendously.” “This is a man’s show,” asserts Ms. Prescott. “Sometimes when I go to the theater, especially musicals, my boyfriend says, ‘Why don’t you take one of your girlfriends?’ And when I first went to Jersey Boys, I did go with a girlfriend. Afterward, I told my boyfriend, ‘You have got to see this show. You’re going to love it.’ And he actually went with me twice.” O t h e r husbands and boyfriends have Above: (l to r) Aaron De Jesus and Drew become just Seeley; top: (l to r) Keith Hines, Matthew as enthused. Dailey, Aaron De Jesus and Drew Seeley. Before Jersey Photos: Jeremy Daniel. Boys, Dale

Skarl was a self-described “Broadway novice.” Now, having seen the show more than 50 times across the U.S. and Canada, he understands why it has earned such a following with “the guys.” “It’s because of the camaraderie between the four main characters,” Skarl states. “The story is about men and men’s success and their triumph over failure. Maybe it’s like the team aspect that goes back to sports, or brotherhood and fraternity. It’s a story about not giving up.” Together Dale and his wife, Susie, administer the Jersey Boys fan site and blog. They fell in love with the show around the time it opened on Broadway, in 2005. “To be honest, I was the one who dragged Dale to Jersey Boys,” explains Susie, “because I’ve been a big fan of The Four Seasons forever. I went just because of loving the music, growing up with it.” At first, Susie recalls, the experience seemed like “your typical fun night at the theater, people having a nice time.” But then, she says, something unexpected happened. “When I actually watched the people in the audience, whether they were 60 years old or 22, everybody was bopping in their seats. I don’t know if they had a rough week at work, or else they were going back in time to high school, but you would have thought they didn’t have a care in the world. If they could have gotten up and danced they would have.” “We’ve noticed this on multiple occasions, with many different audiences,” Dale adds. “You’ll look over to your left or right, and you’ll see someone that’s sobbing because the music takes them back to a place that they remember so well and has meaning for them. In the end everybody’s on their feet and everyone loves the show.” Jersey Boys is at the Fisher Theatre Nov. 17–Dec. 6. For tickets, please see our ad to the left. 3


A SQUARE DEAL & A FAIR SHAKE:

THE TRUE STORY BEHIND NEWSIES BY MICHAEL LASSELL

Original company, North American tour of Newsies. ©Disney. Photo: Deen van Meer.

“I

n July of 1899, when Joseph Pulitzer and his cronies decided to up the price they charged the New York City paperboys called newsies for their ‘papes,’ a boy named Kid Blink threw down his stack of The World and called for a strike,” recounts Thomas Schumacher, president of Disney Theatrical Productions and the man behind all of Disney’s Broadway hits. “This was a time of widespread child labor, and the rights of those boys and girls were seriously abused. Kid Blink, who is the basis of Newsies’ Jack Kelly, didn’t want much. He just wanted a square deal and a fair shake.” And miraculously, after just two weeks, the paperboys won. Pulitzer capitulated. A compromise was reached, and a step was taken on the road to protecting children in the workforce. Almost a hundred years later the husband and wife duo of Bob Tzudiker and Noni White concocted an original screenplay, inspired by the real-life newsboys strike, as a David and Goliath tale of plucky street kids taking on the giants of newsprint. At the time Disney was reinventing animation under the leadership of Michael Eisner and Jeffrey Katzenberg, fusing animation with the showbiz pizzazz of Broadway musical. Thanks to the creative genius of Howard Ashman and Alan Menken, Katzenberg decided to recast Tzudiker & White’s Newsies script as a musical, much to the shock and awe of its writers. The film, starring a teenaged Christian Bale, was made at a cost of $15 million and earned less than $3 million in its initial release which came at a low point of moviegoer interest in musicals. The all-singing, alldancing story faded into history. Or did it? 4

Newsies, it turns out, has a massive fan base among twenty- and thirty-somethings who know the movie and who grew up with Disney’s animated musicals. “We suddenly had a whole new generation who seemed not to find it remotely unusual that someone should just break into song,” Schumacher explains. “So without really intending it, Disney’s animated films were creating theatregoers of the future.” But it wasn’t until larger-than-life Harvey Fierstein joined the Newsies creative team that the story was ready for the stage. “He not only came up with a new love story,” remembers Schumacher, “he fixed a lot of problems and structured it like a musical, which was very important.” Disney coproduced a short run at the venerated Paper Mill Playhouse in Milburn, New Jersey which soon moved to Broadway for a limited run. “We were going to do it for 10 weeks,” Schumacher remembers. “Then due to overwhelming fan support, we extended it through the summer, and then just let it run open-ended.” “I think the success of Newsies is also the times we live in,” says Schumacher. “When this show opened on Broadway, I realized how much more appropriate it was for our times than for 1992. These desperately poor working kids were just asking for a square deal and a fair shake. And, today, people all over the world are coming together in their towns and cities and demanding a fair shake. It’s an interesting alchemy, the success of this show, but I think it has a lot to do with basic American notions of fairness. That’s what makes people feel so good about Newsies.” Newsies is at the Detroit Opera House Dec. 15–27. For tickets, please see our ad on page 6.


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THEY DELIVERED THE PAPERS, UNTIL THEY MADE THE HEADLINES...

2012 WARD® TONY A

! R E N WBESITNSCOREREOGRAPHY

© Disney

O BEST CH

Detroit Opera House December 15–27

ticketmaster.com, 800-982-2787; Fisher Theatre & Opera House box offices. Info: BroadwayInDetroit.com, 313-872-1000. Groups (20+): Groups@BroadwayInDetroit.com or 313-871-1132. Open-captioned performance 6:30PM Dec. 20.


AMBER JACOBSEN, NETWORKS PRESENTATIONS LLC, GROVE ENTERTAINMENT, COL JOYE IN ASSOCIATION WITH LIONSGATE AND MAGIC HOUR PRODUCTIONS present

By

ELEANOR BERGSTEIN with

CHRISTOPHER TIERNEY

GILLIAN ABBOTT

DOUG CARPENTER  JEROME HARMANN-HARDEMAN  RYAN JESSE  GARY LYNCH  SCOTT McCREARY HERMAN PETRAS  ALEX SCOLARI  MARGOT WHITE  MARK ELLIOT WILSON  JENNY WINTON JOHN ANTONY  RACHEL MARIE BELL  RACHEL BOONE  JOSH DRAKE RASHAAN JAMES II  JOSHUA KEITH  KATELYN PROMINSKI  AMY QUANBECK  ALANA RANDALL SEAN ROZANSKI  JENNLEE SHALLOW  PAUL VICTOR  DEVAN WATRING Set Designer

Lighting Designer

Costume Designer

Sound Designer

STEPHEN BRIMSON LEWIS

TIM MITCHELL

JENNIFER IRWIN

BOBBY AITKEN

Video & Projection Designer

Hair Designer

Ballroom & Latin Choreographer

JON DRISCOLL

BERNIE ARDIA

CRAIG WILSON

Associate Set Designer Associate Lighting Designer Associate Costume Designer

CHRISTINE PETERS

VIVIEN LEONE

Associate Director

Associate Choreographer

KASEY RT GRAHAM DAVID SCOTCHFORD Associate Sound Designer Associate Video Designer

DANA BURKART

SIMON KING

Music Director

Music Coordinator

ALAN J. PLADO

JOHN MILLER

EMILY HARDING

Production Stage Manager

Tour Booking

Company Manager

Marketing Direction

Casting

JACK MCLEOD

THE ROAD COMPANY

JAMEY JENNINGS

ANNE RIPPEY

LAURA STANCZYK CASTING

General Managers

Executive Producer

Production Managers

GENTRY & ASSOCIATES GREGORY VANDER PLOEG

SETH WENIG

JASON JUENKER LAURA DIELI

Special Thanks to JIMMY IENNER Music Supervisor and Orchestrations

CONRAD HELFRICH Choreography by

MICHELE LYNCH Original Chroreography by

KATE CHAMPION Director

JAMES POWELL Originally Produced by Jacobsen Entertainment, 18 November 2004, Theatre Royal, Sydney, Australia

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Christopher Tierney

Doug Carpenter

Jerome Harmann-Hardeman

Ryan Jesse

Gary Lynch

Scott McCreary

Herman Petras

Alex Scolari

Margot White

Mark Elliot Wilson

Jenny Winton

John Antony

Rashaan James II

Rachel Marie Bell

Joshua Keith

Sean Rozanski 8

Gillian Abbott

Rachel Boone

Katelyn Prominski

Jennlee Shallow

Paul Victor

Josh Drake

Amy Quanbeck

Alana Randall

Devan Watring


CAST (in order of appearance) Frances “Baby” Houseman ������������������������������������������������������������������������������������GILLIAN ABBOTT Elizabeth / Singer ����������������������������������������������������������������������������������������������� JENNLEE SHALLOW Dr. Jake Houseman. ������������������������������������������������������������������������������������ MARK ELLIOT WILSON Marjorie Houseman ����������������������������������������������������������������������������������������������� MARGOT WHITE Lisa Houseman. ������������������������������������������������������������������������������������������������������������ ALEX SCOLARI Billy Kostecki / Singer ���������������������������������������������������������������������������������������� DOUG CARPENTER Max Kellerman ���������������������������������������������������������������������������������������������������������������� GARY LYNCH Neil Kellerman ��������������������������������������������������������������������������������������������������������������������RYAN JESSE Penny Johnson. ��������������������������������������������������������������������������������������������������������� JENNY WINTON Johnny Castle �������������������������������������������������������������������������������������������� CHRISTOPHER TIERNEY Mr. Schumacher ����������������������������������������������������������������������������������������������������� HERMAN PETRAS Robbie Gould ��������������������������������������������������������������������������������������������������������� SCOTT McCREARY Tito Suarez............................................................................... JEROME HARMANN-HARDEMAN Vivian Pressman ��������������������������������������������������������������������������������������������� RACHEL MARIE BELL Moe Pressman ������������������������������������������������������������������������������������������������������������� JOHN ANTONY Ensemble...................................... JOHN ANTONY, RACHEL MARIE BELL, RACHEL BOONE, RASHAAN JAMES II, JOSHUA KEITH, KATELYN PROMINSKI, SEAN ROZANSKI, JENNLEE SHALLOW, DEVAN WATRING

SPECIALTIES

This Magic Moment Soloist ������������������������������������������������������������������������������� JENNLEE SHALLOW Do You Love Me? Soloist ���������������������������������������������������������������������������������������������JOHN ANTONY We Shall Overcome Vocalists ��������������������������������������������������������������������������� JENNLEE SHALLOW Sheldrake Emcee ����������������������������������������������������������������������������������������������������������JOHN ANTONY De Todo Un Poco Soloist ���������������������������������������������������������������������������������������������JOSHUA KEITH

SWINGS

JOSH DRAKE, AMY QUANBECK, ALANA RANDALL, PAUL VICTOR

UNDERSTUDIES

Understudies never substitute for the listed players unless a specific posting or announcement is made at the time of the performance. For Frances “Baby” Houseman: RACHEL BOONE, DEVAN WATRING; for Johnny Castle: JOSH DRAKE, PAUL VICTOR; for Penny Johnson: KATELYN PROMINSKI, AMY QUANBECK; for Dr. Jake Houseman: JOHN ANTONY, GARY LYNCH; for Marjorie Houseman: RACHEL MARIE BELL, AMY QUANBECK; for Lisa Houseman: RACHEL BOONE, DEVAN WATRING; for Billy Kostecki/Singer: RYAN JESSE, SCOTT McCREARY; for Max Kellerman: JOHN ANTONY, HERMAN PETRAS; for Neil Kellerman: SCOTT McCREARY; for Tito Suarez: RASHAAN JAMES II, JOSHUA KEITH; for Mr. Schumacher: JOHN ANTONY; for Elizabeth/Singer: RACHEL BOONE, ALANA RANDALL; for Vivian Pressman: KATELYN PROMINSKI, AMY QUANBECK; for Robbie: JOSH DRAKE, PAUL VICTOR; for Moe Pressman: JOSH DRAKE, PAUL VICTOR; for “This Magic Moment” Soloist: RACHEL BOONE, ALANA RANDALL; for “Do You Love Me?” Soloist: JOSH DRAKE, PAUL VICTOR; for “We Shall Overcome” Vocalists: JOSH DRAKE, RASHAAN JAMES II, JOSHUA KEITH, PAUL VICTOR; for Sheldrake Emcee: JOSH DRAKE, PAUL VICTOR; for “De Todo Un Poco” Soloist: JOSH DRAKE, PAUL VICTOR Dance Captain: AMY QUANBECK

Assistant Dance Captain/Fight Captain: JOSH DRAKE

THERE WILL BE ONE 20-MINUTE INTERMISSION

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It’s Your Turn to Dance!! Learn the dances you watched in the Show!!

Introductory Dance Package ♥ ♥ ♥

(3) Introductory Lessons (3) Beginner Group Lessons (1) Practice Party

*Must be used in 2-Consecutive weeks, new students only. Offer expires December 1st, 2015. No partner required.

(248) 454-1715 2172 Franklin Rd., Bloomfield Hills, Michigan 48302 www.fadsmichigan.com bloomfieldhills@fredastaire.com


MUSICAL NUMBERS ACT ONE Opening/This Magic Moment Merengue Time of My Life (Incidental) You Do Something to Me You’re the Cream in My Coffee There Will Never Be Another You Johnny’s Mambo Do You Love Me? Love Man Honey Love Infectious Cha Cha An Original Waltz/Penny’s Waltz Viva La Quince Brigada This Land Is Your Land/We Shall Overcome Stubborn Kind of Fellow De Todo Un Poco/Wipeout Hungry Eyes Overload Hey! Baby! Time of My Life (Incidental)/Johnny’s Tango To the Sheldrake De Todo Un Poco Maybe The Way Life Goes These Arms of Mine Cry to Me

ACT TWO Dawn Interlude Besame Mucho Save the Last Dance for Me If You Were the Only Girl Magic Hour Serenade Duke of Earl Love Is Strange You Don’t Own Me Nunca Lisa’s Hula Yes! In the Still of the Night (I’ll Remember) Summertime (Incidental) Nocturnado (Fragment) Someone Like You She’s Like the Wind Kellerman’s Anthem (I’ve Had) The Time of My Life A number of songs Eleanor Bergstein tried very hard and unsuccessfully to obtain for the movie we have been able to obtain for our production and put in the places originally intended, including “Save the Last Dance for Me” (The Drifters) and “Stubborn Kind of Fellow” (Marvin Gaye).

DIRTY DANCING ORCHESTRA Conductor/Keyboard: Alan J. Plado Associate Conductor/Keyboard: Julie Homi Guitar: Matt Brown Saxophone: Brian Krock Drums: Rick Donato Percussion: Miles Lassi Bass: Brad Lovelace Trumpet: Andy Tichenor 11


WHO’S WHO CHRISTOPHER TIERNEY (Johnny Castle) has danced with Hubbard Street Dance Chicago, Les Ballet Jazz du Montreal and Houston Ballet. First national tour of Movin’ Out and the North American premiere of Dirty Dancing. Original cast on Broadway in Spiderman: Turn Off The Dark. Off Broadway credits include I Am The Wind (The One) and Downward Facing Debbie (Tate). Featured actor in Across The Universe with Julie Taymor. All my heart to mom, dad, Patrick and Natalie for their love and support. GILLIAN ABBOTT (Frances “Baby” Houseman) humbly makes her National Tour debut as “Baby.” Recently made her television debut on HBO’s “Boardwalk Empire,” performed in choreographer Stacey Tookey’s Moments Defined and The Metropolitan Opera’s Prince Igor. Proudly graduated from The Juilliard School after beginning her professional career in Cirque du Soleil’s Beatles LOVE show. Blessed to begin her journey in Calgary, Alberta among family, friends and mentors. Thanks be to God! GillianAbbott.com. DOUG CARPENTER (Billy Kostecki / Singer). BM in Voice from UNLV, MM in Voice from UCLA. Regional: South Pacific (Cable, Papermill Playhouse), Most Happy Fella (Joey, Goodspeed), Camelot (Lancelot, Pasadena Playhouse/Carnegie/Lyceum), Oklahoma (Curly, Penn Shakes), Cloak and Dagger (Signature), and Miss Saigon (Chris, Moonlight Amphitheater). Doug is the only singer to win both the American Traditions Competition and the Lotte Lenya Competition. JEROME HARMANN-HARDEMAN (Tito Suarez). Previous credits include: Broadway, Off Broadway, National Tours, International: SWING the musical, Kiss of The Spiderwoman with Chita Rivera, The Full Monty with Elaine Stritch, Dreamgirls (Curtis), The Fantasticks (Bellomy), Ragtime (Coalhouse), Cats, Joseph and the Amazing Technicolor Dreamcoat (Simeon), Once On This Island (Agwe), Smokey Joe’s Café (Adrian), Kiss Me Kate (Paul). JHarmann-Hardeman.com. RYAN JESSE (Neil Kellerman; u/s Billy). Broadway: Jersey Boys (Bob Gaudio); 1st National Tour: Jersey Boys (Bob Gaudio); Int’l Tour: Cinderella starring Lea Salonga (Prince u/s); Regional: Grey Gardens (Joe Kennedy, Jr./Jerry) at Portland Center Stage; New York Musical Theater Festival: The Last Starfighter (Blake/Zur), Coming of Age (Young Man). An Arizona native, Ryan holds a B.A. in Musical Theater from University of Northern Colorado. Proud AEA member. Thanks to 12

Laura Stanczyk casting and Avalon Artists. ryanjesse.com. GARY LYNCH (Max Kellerman; u/s Jake). Broadway: Les Misérables (Jean Provaire/ Javert), Mamma Mia! Original Cast, North American & US Premieres/1st National (Sam Carmichael); 2 time National Broadway Award nominee, Dirty Dancing Original Cast - US Premiere/1st National (Moe Pressman). Numerous Credits include: Off Broadway, Regional, International, Stock, TV and Film. Gary serves on the board of directors and teaching staff at the New Jersey School of Dramatic Arts. Proud member AEA SAG/ AFTRA. gGaryLynchActor.com. SCOTT McCREARY (Robbie; u/s Billy, Neil) is thrilled to make his theatrical debut with Dirty Dancing! TV: NBC’s “The Sing-Off.” Opera: The Marriage of Figaro (Count Almaviva); Giasone (Hercules). Cellist: Cabaret (Broadway), New Haven Symphony, MM Rice University. Former Yale Whiffenpoof. Ironically for Robbie, an Eagle Scout. Thanks to Catherine, Mom, Dad, Helen, and everyone at Laura Stanczyk! HERMAN PETRAS (Mr. Schumacher; u/s Max) has performed in Camelot (Merlyn; Pellinore U/S), She Loves Me (Mr. Maraczek), Beauty and the Beast (Maurice), and has toured Europe and Southeast Asia with West Side Story (Doc), logging in nearly 200 performances. National tours include the dual role in Kiss Me, Kate (Harry/Baptista), Fame: The Musical (Mr. Scheinkopf) and Hello, Dolly (Horace Vandergelder) opposite Carol Channing. He is a proud member of Actors’ Equity. ALEX SCOLARI (Lisa Houseman) is thrilled to make her National Tour debut with Dirty Dancing! Regional: Jason Robert Brown’s 13 (Mark Taper Forum), Los Angeles Premiere of Big: The Musical. Training: BFA from University of Michigan, RADA. Huge thank you to everyone on the creative team and at Laura Stanczyk. So much love to Mom, Fred, BBR, and the rest of my family and friends! MARGOT WHITE (Marjorie Houseman). Touring Debut; Broadway/Off-Broadway: Constellations (MTC); Aaron Sorkin’s The Farnsworth Invention; Rosmersholm (The Pearl, opp. Austin Pendleton); The Traveling Lady (E.S.T., Dir. Horton Foote); Pericles (Red Bull); Love Goes to Press! (Mint Theatre); Unspeakable (Harlem’s Apollo); TACT (company member). Regional: Marshall Mason’s revival of Talley’s Folly at The McCarter with Richard Schiff; A.C.T., Studio Theatre (DC), CATF. TV/Film: “Unforgettable,” “Law & Order,” “Law & Order: Criminal Intent,” “Blue Bloods,” “Black Box,” “Ugly Betty,” “Four Sin-


gle Fathers.” Many thanks to casting, family & friends! MARK ELLIOT WILSON (Dr. Jake Houseman). Film: Experimenter, Sam & Amira, The Girl in the Book, We Need to Talk About Kevin, Pistol Whipped, World Trade Center, Noise, The Theory of Love, Personal Vendetta. Television: “Elementary,” “White Collar,” “Damages,” “Fringe,” “The Bronx is Burning,” “Law & Order (CI, SVU),” “Dream On,” “Flying Blind,” “Love Street,” “All My Children.” Theatre: Salomé (with Al Pacino), Ghosts, Unidentified Human Remains, Love Talker, Rebecca, and Summer Shorts. JENNY WINTON (Penny Johnson) was born in San Francisco, CA. She trained at the San Francisco Ballet School under Lola de Avila, Pascale Leroy, Gloria Govrin, and Shannon Breshnahan. She danced for Pennsylvania Ballet II in 2008 and in 2009 joined the Joffrey Ballet under the artistic leadership of Ashley Wheater. Upon finishing her fifth season with Joffrey, she was invited to the 2014 USA IBC where she competed as a Senior Soloist. JOHN ANTONY (Moe Pressman, Ensemble; u/s Jake, Max, Mr. Schumacher) most recently appeared in Stephen Sondheim’s Passion directed by John Doyle at the Classic Stage Company, New York. Broadway & Broadway tours: White Christmas, 42nd St., Titanic, Sunset Blvd, Annie Get Your Gun, Passion. Off-Broadway & Regional: Aida, The King & I, Legally Blonde, Chicago, Footloose, Dangerous Beauty. RACHEL MARIE BELL (Vivian Pressman, Ensemble; u/s Marjorie) is thrilled to make her national tour debut with Dirty Dancing! Favorite credits include The Merry Widow (Dodo/Clo-Clo Swing) at The Metropolitan Opera, A Chorus Line (Kristine) at The John W. Engeman Theater. TV: “Flesh and Bone”, “America’s Got Talent.” BFA Dance Performance from UC Irvine. Immeasurable love and thanks to Doug, my parents, and everyone at Laura Stanczyk! RachelMarieBell.com. RACHEL BOONE (Ensemble; u/s Baby, Lisa, Elizabeth) is delighted to be on the road with this amazing production! National Tours: CATS. Regional: NC Theatre, Cape Playhouse, Westchester Broadway Theatre, TBTS, and MSMT. BFA from FSU. All my love and thanks to my beautiful family! To God be the glory. JOSH DRAKE (Swing, Assistant Dance Captain, Fight Captain; u/s Johnny, Robbie, Moe). Touring debut! Top theatre credits include: Dreamgirls, Chicago The Musical, A Chorus Line, Les Misérables. Huge thanks to everyone involved with this timeless project! Let’s have

the time of our lives! This is for mom and “Boo Boo.” Training: The American Musical and Dramatic Academy (NYC). RASHAAN JAMES II (Ensemble; u/s Tito) attended the University at Buffalo for a BFA in Musical Theatre. Favorite credits: Joseph… Dreamcoat at DTC (Naphtali), Dreamgirls with Jennifer Holliday (Tru-Tone/5 Tuxes), West Side Story International Tour, South Pacific 1st National Tour (Swing/Henry u/s) and the 42nd Street National Tour. Thanks to HC, MG and Mom for your love and support! Facebook.com/RashaanJames2. JOSHUA KEITH (Ensemble; u/s Tito) is thrilled to be joining the Dirty Dancing Family! A Christmas Carol (NSMT), In The Heights (Walnut Street Theatre), All Shook Up (NSMT), A Chorus Line (MSMT), Cutman (Goodspeed Musicals), Debbie Allen’s Oman! Oman! (Kennedy Center). Joshua 1:8. KATELYN PROMINSKI (Ensemble; u/s Penny, Vivian). Washington, DC native! Tour: First National: Flashdance the Musical (Ballet Dancer). Regional: The Kennedy Center: Little Dancer (Étoile), Reagle Music Theatre: Singin’ in the Rain (Girl in the Green Dress). Danced with Boston Ballet, Pennsylvania Ballet, & Suzanne Farrell Ballet. Training: Washington Ballet & San Francisco Ballet. Love & thanks to Mom & family, MBaud, Marianne Wells, & CTG! @KEP1228. AMY QUANBECK (Swing, Dance Captain; u/s Penny, Marjorie, Vivian) grew up in Plymouth, MN and graduated from University of California, Irvine with her B.F.A. in Dance Performance. She’s excited to join Dirty Dancing! NYC: Then She Fell. National Tours: Wicked, Radio City’s Christmas Spectacular (Clara). Regional: West Side Story. Thanks to family, Jono, DDO and Laura Stanczyk! AmyQuanbeck.com. ALANA RANDALL (Swing; u/s Elizabeth). Toronto, Ontario native and ecstatic to be a part of this iconic show! Select credits include Off-Broadway: The Vagina Monologues; National Tour: The Wizard Of Oz; Regional: West Side Story (Consuela), Footloose (Rusty), Ain’t Misbehavin’ (Charlayne Woodard), High School Musical (Taylor McKessie), The Wizard Of Oz; Mirvish Ent: Hairspray, Hair; TV: Series regular on “Hellcats” (CW Network). RAPA and NYFA grad. Much gratitude to parents, agents at TH and Laura Stanczyk Casting! SEAN ROZANSKI (Ensemble) has danced national and international with America’s original jazz company: Giordano Dance Chicago. He is grateful to make his musical theatre debut in Dirty Dancing! This would not 13


WHO’S WHO be possible without the love and support from his parents, brother, friends and casting! JENNLEE SHALLOW (Elizabeth / Singer, Ensemble). A native of Trinidad & Tobago. The Lion King (Nala) Germany/Australia, Ragtime (Sarah) The Kennedy Center, and Lead-Singer in Cirque Du Soleil’s Viva Elvis Las Vegas and Franco Dragone’s Taboo Macau-China, including recent national Honeywell commercial starring John Slattery. JennleeShallow.com. PAUL VICTOR (Swing; u/s Robbie, Johnny, Moe). Saturday Night Fever (Tony Manero, RCCL), Pop! with Anthony Rapp and Billy Porter (Ondine, Pgh City Theatre), Phantom (Oberon, PCLO). B.F.A. Musical Theatre, Point Park University. Thrilled to make his National Tour debut with Dirty Dancing! DEVAN WATRING (Ensemble; u/s Baby, Lisa) is ecstatic to make her national tour debut with Dirty Dancing! A native of Kansas City, MO, she studied at Oklahoma City University, and is a protégé of Robert L. Reed. TV: NBC’s “America’s Got Talent,” ABC’s “Dancing with the Stars.” Other Credits: Disney, Herschend Family Entertainment. A special thanks to Laura Stanczyk Casting. Endless love and gratitude to my Mom, Dad, Madi, Cory, Shari, Tom, and Phil for your unbelievable support. I’m having the time of my life! ELEANOR BERGSTEIN (Writer) is a novelist, screenwriter, producer and director. Her stories have been published in national magazines, ranging from Transatlantic Review to Redbook and Cosmopolitan. Her first novel, Advancing Paul Newman, about women and politics in the 1960s, was published by the Viking Press, and her first movie script was It’s My Turn, starring Jill Clayburgh and Michael Douglas. Her second novel, Ex-Lover, about sexual obsession, was published by Random House. She has worked on a variety of film projects, including the final script revision of Sister Act. She then wrote and directed Let It Be Me, which starred Campbell Scott, Jennifer Beals, Leslie Caron and Patrick Stewart. Her most famous project was one of the most successful independent films of all time, Dirty Dancing. It was the unique continuing response to the story over the years that made her decide to reimagine Dirty Dancing as a stage event. The multiple viewings by audiences all over the world made her suspect that what the audiences really wanted was to be more physically involved in the story. This would mean that its ultimate form should be one that combined dance and story and music 14

onstage in a new way. It was also her chance to add new scenes not in the movie, as well as songs she had wanted for the movie and been unable to obtain. Ms. Bergstein, through her company Magic Hour Productions, is at work on a new stage musical set in London in the late 1960s, a new work of fiction, and preparing a film to be shot in Rome as well as film to be shot in Slovenia. JAMES POWELL (Director) most recently directed the hugely popular re-imagined Cameron Macintosh production of Les Misérables, which began in the UK and then a US tour, Spain, Canada, Japan, Korea, Australia, and Broadway. As an Associate Director, James has mounted 1st class productions of Cameron Macintosh and Disney’s Mary Poppins throughout the world. He is delighted to be back at the helm of Dirty Dancing, after directing this version in London, Toronto, Holland, Germany, and now the USA. KATE CHAMPION (Original Choreographer) is the Artistic Director and founder of the Sydney based dance-theatre company Force Majeure. She has also worked variously as a director/choreographer/performer for Sydney Theatre Company, DV8 Physical Theatre, Australian Dance Theatre, Opera Australia, Belvoir, Legs on the Wall, NIDA and The English National Opera. In 1996, Kate was awarded the Robert Helpmann Scholarship for Choreographic Excellence enabling her to create her first solo work Face Value which was awarded a Green Room and a MO Award. In 1997 she directed Under the Influence for Legs on the Wall, which premiered in Sydney and toured to the Edinburgh Fringe and Riverside Studios, London. In 2001 she created a new solo show About Face and in 2002 directed Same, Same But Different for Force Majeure. Both these productions won Helpmann Awards. Kate choreographed the world premiere of the stage version of Dirty Dancing, which opened in Sydney November 2004 and has subsequently toured to Europe, UK and USA. Since 2005 Kate has directed Already Elsewhere, Tenebrae 1 and 11, The Age I’m In, Not In A Million Years, Never Did Me Any Harm, a co-production with Sydney Theatre Company) and Food, a co-production with Belvoir) for Force Majeure. In 2010 Kate choreographed the premier production of Opera Australia’s Bliss which subsequently toured to the Edinburgh Festival and Spring Awakening for Sydney Theatre Company. Kate was Associate Director of Opera Australia’s 2013 production of Wagner’s Ring Cycle. MICHELE LYNCH (Choreographer) is thrilled to be a part of Dirty Dancing. Broadway: Everyday Rapture, The Coast of Utopia,


Hairspray (assoc. choreo), The Full Monty (asst. choreo), Urinetown (asst. choreo). OffBroadway: Little Miss Sunshine, Everyday Rapture, We The People. Opera: Showboat at the Kennedy Center, Chicago Lyric Opera, Houston Grand Opera, and San Francisco Opera. National Tours: Little House on the Prairie, Happy Days. Film: Camp, Joyful Noise, The Last Five Years (coming to theaters Feb 14th, 2015). World Tour: Dolly Parton 2011. STEPHEN BRIMSON LEWIS (Set Designer) has designed Dirty Dancing internationally, including shows in the West End, Europe and USA. Broadway Credits include Waiting For Godot, No Man’s Land and Indiscretions, for which he received Tony and Drama Desk nominations. National Theatre credits include A Little Night Music and Les Parents Terribles, for which he won an Olivier Award. He is an associate artist for the Royal Shakespeare Company. TIM MITCHELL (Lighting Designer) lit the original West End production and subsequent international productions of Dirty Dancing. Other West End credits include: Singin’ In The Rain, Yes, Prime Minister, A Chorus of Disapproval, Crazy For You, Rosencrantz and Guildenstern Are Dead, Noises Off and The Play What I Wrote. Tim is an associate artist at

the RSC and Chichester and has lit numerous theatre, dance and opera productions internationally and in the UK. JENNIFER IRWIN (Costume Designer). Jennifer’s career spans 35 years designing for drama, opera, film & in particular dance & ballet. Jennifer designs regularly for all the major Australian companies including The Sydney Theatre Company, The Australian Ballet, Belvoir Theatre Company, Bangarra Dance Theatre, Sydney Dance Company & Opera Australia. Jennifer has designed the largest scale spectacular productions ever staged in Australia: Sydney 2000 Olympic Opening and Closing Ceremonies, The Official Commemorative Ceremony marking the Centenary of Australian Federation, The Olympic Arts ‘Festival of the Dreaming’ Opening. Jennifer designed the costumes for the Original Production of Dirty Dancing 2004. BOBBY AITKEN (Sound Designer). Ghost, Dirty Dancing, Mamma Mia!, We Will Rock You, Grease, Lennon, Blast!, Return To the Forbidden Planet, Five Guys Named Moe. Bobby was the Sound Designer for the ceremonies of the London 2012 Olympic Games. Bobby works to create techniques to deliver

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WHO’S WHO credible sound reinforcement for large scale, in-the-round opera productions. JON DRISCOLL (Video & Projection Designer). Earthquakes in London (Evening Standard Award for Best Design), Nation, The Power of Yes, All’s Well That Ends Well, The Observer, Gethsemane, Her Naked Skin, Fram, A Matter of Life and Death and The Reporter (National Theatre); Ghost the Musical (Piccadilly); The Wizard of Oz (Palladium); Birdsong (Comedy); Love Never Dies (Adelphi); Richard III, Complicit and The Prisoner of Second Avenue (Old Vic); Enron for Headlong (West End and Broadway)—Olivier Award nomination for Best Design; Separate Tables and The Last Cigarette (Chichester); Frost/Nixon (Donmar Warehouse, West End and Broadway); Brief Encounter for Kneehigh (West End and Broadway). OBIE, Evening Standard Award and Critics’ Circle Award for Best Design, Olivier Award nomination for Best Design. BERNIE ARDIA (Hair Designer) has enjoyed a 30-year career, starting in television. Mr. Ardia has designed over 75 productions including the currently running Canadian Company of Cameron Mackintosh’s Les Misérables. Other credits: NETworks’ tour of Billy Elliot; Ragtime, The Kennedy Center; Kiss of the Spider Woman with Chita Rivera; Starlight Express, The Las Vegas Hilton; Cinderella with Eartha Kitt and Debbie Gibson. Has worked with Jeanne Cooper, Ramin Karimloo, Anita Gilette, Mary Wilson, Makenzie Phillips, Melody Thomas Scott and even Judge Judy! Author of Barbra Streisand in New York City. He is excited to be a part of NETworks’ new production of Dirty Dancing. CONRAD HELFRICH (Music Supervisor and Orchestrations). Music Director for Dirty Dancing (2004) Music Supervisor and Orchestrator (since 2006) for Hamburg, London, Toronto, Utrecht, U.S. Tour, Berlin, Oberhausen, Stockholm, German Tour. Others: The Full Monty (Australia), Singin’ In the Rain (Australia and Southeast Asia), The Man From Snowy River (Australia) Jolson (Australia), Me And My Girl (Australia and New Zealand), The New Rocky Horror Show (Australia and Southeast Asia), Blues In The Night (Australia), Nine (Australia), Me and My Girl (Australia). Co-produced cast albums for Dirty Dancing productions in Australia, Germany, United Kingdom and North America. ARIA Awards for Nine (Australia 1989) and The Man From Snowy River (Australia 2003). ALAN J. PLADO (Music Director) is ecstatic to be working on Dirty Dancing! Broadway 18

national tours: Legally Blonde, Elf The Musical, Memphis, Disney’s Beauty and the Beast. Off-Broadway: We’re Still Hot, Just a Matter of Time. Alan serves as the Music Supervisor for Menopause The Musical, and internationally, was the music director and arranger for the show on the West End (Shaw Theater) and in Dublin, Ireland (Tivoli Theater). Thanks to Conrad, John, and NETworks. JOHN MILLER (Musical Coordinator). Broadway (over 100 shows, including): Les Misérables; Rocky; Beautiful: The Carole King Musical; Pippin; Once; Jersey Boys; Newsies; Rock of Ages; Jesus Christ Superstar. Musician (bass): Leonard Cohen, Eric Clapton, Frank Sinatra, Carly Simon, Michael Jackson, Peter Paul & Mary, BB King, Bette Midler, Bob Dylan, Mose Allison. His album Stage Door Johnny—John Miller: Takes on Broadway is available on PS Classics Records. JohnMillerBass.com. KASEY RT GRAHAM (Associate Director/ Resident Director). Directing credits include Into the Woods, Spelling Bee, Songs for a New World (Pennsylvania Centre Stage), Pump Boys and Dinettes, The Wizard of Oz (Coeur d’Alene Summer Theatre) and Sylvia (The Theatre Barn). Music Direction credits include the national tours of Oklahoma!, The Producers and Spring Awakening. MFA: Penn State. @KaseyRT. DAVID SCOTCHFORD (Associate Choreographer). Choreographer: Dirty Dancing Stockholm, Sweden 2012; Carousel, Oklahoma University; Oklahoma City Philharmonic; In The Heights, Kean University; Wonderland, Ice Factory Festival NYC. Associate Choreographer / Additional Choreography: Dirty Dancing West End London, Berlin, Oberhausen. Associate Choreographer: Dirty Dancing, 1st US Tour 2008, Toronto, Utrecht; David is a regular guest teacher at Steps On Broadway and Broadway Dance Center in New York. Originally from Australia, David is now a proud New Yorker. DavidScotchford.com. JACK McLEOD (Production Stage Manager) holds an M.F.A. in Theater, seven Broadway productions and eighteen years of international touring including Kinky Boots, Jersey Boys, Hedwig and the Angry Inch, Avenue Q, White Christmas, Chitty Chitty Bang Bang, Boeing-Boeing, Grease, Smokey Joe’s Café and Cats. Love to Frederick and Oliver. Jack-McLeod.com. CAROLINE WALKER (Stage Manager). Tours: We Will Rock You (First National), Shrek The Musical (National & Asia). Regional: Williamstown Theatre Festival, Des Moines Metro Opera. To my incredible family


and friends, love y’all to the moon and back! All glory to God! Colossians 3:17. KELSEY TIPPINS (Assistant Stage Manager) is thrilled to be hitting the road with this beautiful production! National Tours: Disney’s Beauty and the Beast (PSM), Elf the Musical (PSM), Shrek the Musical (ASM). Regional favorites: Weston Playhouse (You’re a Good Man, Charlie Brown - PSM), Piedmont Opera (H.M.S. Pinafore—ASM). Education: UNCSA—BFA in Stage Management. Thanks and love to her family & NETworks! JAMEY JENNINGS (Company Manager) is thrilled to be spending an extended summer at Kellerman’s! National Tours: We Will Rock You, Mary Poppins, Les Misérables, La Cage Aux Folles, Young Frankenstein. International Tours: Cinderella starring Lea Salonga, Hairspray. His favorite roles include Mama Rose and Sally Bowles. THE ROAD COMPANY (Tour Booking) was founded in 1997 by Stephen Lindsay and Brett Sirota. In addition to Dirty Dancing— The Classic Story on Stage, current representation includes Wicked, After Midnight, If/ Then, The Sound of Music, Kinky Boots, Once, The Illusionists, Annie, Elf, Camelot, Ragtime and Donny and Marie. The Road Company is made possible by Shawn Willett, Magaly Barone, Jenny Kirlin, Justine Spingler, Didi Perez and Garrett Holtz. ANNE RIPPEY (Marketing Direction) is the Chief Marketing Officer for Key Brand Entertainment, where she is responsible for the company-wide marketing strategy, working in tandem with both its theatrical and interactive divisions. Prior to this appointment in 2013, Anne concurrently served as President of the two companies she founded, Type A Marketing in 2008 and The Marketing Division in 2009, and she continues to provide strategic supervision for both. She is the recipient of The Broadway League’s 2005 award for Outstanding Achievement in Road Marketing. Anne is a graduate of Harvard College. LAURA STANCZYK CASTING (Casting). Broadway, Off-Broadway and Tours: After Midnight, A Night With Janis Joplin, Follies, Lombardi, Ragtime, Impressionism, Fetch Clay Make Man, Me, Myself & I, The Seafarer, Radio Golf, Coram Boy, Translations, Damn Yankees, The Glorious Ones, Cripple Of Inishmaan, Tryst, Flight, Urinetown. AWARDS: Nominated for six Artios Award for Excellence in Casting, won for Follies. SETH WENIG (Executive Producer) has been with NETworks since its inception in 1995. He spearheaded the international tours of

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WHO’S WHO Fosse starring Ben Vereen and Ruthie Henshall. Seth has produced The Lincoln Center Theatre’s Production of Rodgers and Hammerstein’s South Pacific, Disney’s Beauty and The Beast and The National Theatre’s War Horse. Together with Cameron Mackintosh, Seth served as Executive Producer for both the US and UK tours of the National Theatre’s My Fair Lady, The 25th Anniversary US tour of Les Misérables and the new The Phantom of the Opera tour. He is most proud of his greatest productions—Marlo and Camden. AMBER JACOBSEN (Producer) started working for her father (Col Joye) as the head of touring and executive producer in Australia. She was responsible for touring artists including Barbra Streisand, Bruce Springsteen, Elton John, the Bee Gees, Pearl Jam and Usher as well as executive producing Fame, SHOUT, The Man From Snowy River and Long Way to the Top. Amber was the executive producer for the original production of Dirty Dancing and has produced all productions since 2010. NETWORKS PRESENTATIONS LLC (Producer) from its inception nearly 20 years ago has been an industry leading producer and manager of touring musical theatre productions and remains committed to delivering quality entertainment to audiences worldwide. Having toured over 60 productions throughout North America, NETworks is now expanding its tours into many international markets including South America, Greece, Italy, Turkey and South East Asia. Current touring productions include Cameron Mackintosh’s The Phantom of the Opera, Disney’s Beauty and the Beast domestic and international productions, Dirty Dancing, Blue Man Group, Elf the Musical, Bullets Over Broadway, Love Letters, Once the Musical and an international tour of Shrek the Musical. GROVE ENTERTAINMENT (Producer) is a production company dedicated to developing, producing and presenting new work. Helmed by producer Beth Williams, the Grove partners include producers Mindy and Bob Rich, Jeremiah J. Harris, Darren P. DeVerna and Allan Williams. Current and upcoming productions include Tuck Everlasting, On Your Feet! The Story of Emilio and Gloria Estefan, The Blonde Streak, Bull Durham, the tour of Dirty Dancing and the upcoming tour of The Sound of Music. Grove has also presented Harry Connick, Jr. in Concert at Avery Fisher Hall and currently has three new projects under commission. Prior to founding Grove, Ms. Williams helped launch Key Brand Entertainment in the United States and was 20

the CEO—Theater Division for Broadway Across America. COL JOYE (Producer) has had No. 1 hits, recorded 15 Top 10 albums and was the first inductee into the Australian Hall of Fame (ARIA). He has numerous platinum and gold albums and hundreds of awards and toured extensively throughout Australia. Col was awarded an Order of Australia (AM) for his contribution to music and charity on behalf of Queen Elizabeth II. Col was chosen to run with the Olympic Torch for the Sydney Olympics’ and recently received his own postage stamp. Col has been a producer of every production of Dirty Dancing worldwide. LIONSGATE (Producer) is a premier next generation global content leader with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, family entertainment, digital distribution, new channel platforms and international distribution and sales. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world. Lionsgate.com. MAGIC HOUR PRODUCTIONS (Producer) was founded by Eleanor Bergstein in 1994 to develop and produce works by herself and others for print, film, and stage. Magic Hour Productions has been involved in the development and production of the stage musical of Dirty Dancing since its inception, including the first staged workshop in New York in 2001. Currently, Magic Hour Productions is working to bring Dirty Dancing to new territories around the world, including Greece and Japan. In addition to Dirty Dancing, Magic Hour Productions is developing a new musical by Ms. Bergstein set in late 1960s London, a film to be shot in Rome, and a romantic comedy film to be shot in Slovenia. Magic Hour’s team includes Tomoko Minami, who has worked with Ms. Bergstein since 2001, and Robin Nahas. The company is based in New York City. MUSIC CREDITS BESAME MUCHO (Velasquez/Skylar). © Peer International Corp. CRY TO ME (Russell) by Solomon Burke;© Sloopy II Music and SonyATV Music Publishing LLC. Licensed by Mana Music Productions Pty Ltd on behalf of Warner Music Australia Pty Ltd. DAWN INTERLUDE (Helfrich/Bergstein). DE TODO UN POCO. Words and Music by Louis A. Lou Perez © UNIVERSAL MUSICA, INC. ON BEHALF OF FANIA SONGS (ASCAP). DO YOU LOVE ME? (Gordy Jr.); © Jobete Music Co. Inc. DUKE OF EARL. Written by Earl Edwards/Bernice Williams/Eugene Dixon. Performed by Gene Chandler. Published by Conrad Music, A Dvision of Arc Music Corp (BMI)/BMG Platinum Songs (BMI). Used by permission. All rights reserved. Licensed by Mana Music Productions Pty Ltd on behalf of Warner Music Australia Pty Ltd. HEY BABY! (Channel/Cobb) by Bruce Channel; © EMI Unart Catalog Inc.; Licensed Courtesy Universal Music Australia Pty Ltd. HONEY LOVE. (CLYDE MC


PHATTER/GERALD WEXLER) by THE DRIFTERS © 1954 (RENEWED) OLIMAC MUSIC (BMI) & UNICHAPPELL MUSIC INC., ALL RIGHTS ON BEHALF OF OLIMAC MUSIC (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI). ALL RIGHTS RESERVED. USED BY PERMISSION. Licensed by Mana Music Productions Pty Ltd on behalf of Warner Music Australia Pty Ltd. HUNGRY EYES. (Previte/DeNicola) by Eric Carmen. © Worldsong lnc./RU Cyrius Publishing/Knockout Music Co./Sony ATVMusic Publishing LLC. Licensed Courtesy SONY BMG MUSIC ENTERTAINMENT (AUSTRALIA) PTY LTD. IF YOU WERE THE ONLY GIRL IN THE WORLD. (NAT D. AYER, CLIFFORD GREY) © 1916 WARNER BROS. INC. (ASCAP) & REDWOOD MUSIC LTD. ALL RIGHTS RESERVED. USED BY PERMISSION. IN THE STILL OF THE NIGHT (I’LL REMEMBER) (Parris); © Llee Corporation (BMI). INFECTIOUS CHA CHA (Lloyd/D’Andrea): © Michael Music/ Scoreboard Music. I’VE HAD THE TIME OF MY LIFE Written by Franke Previte / John DeNicola / Donald Markowitz Published by Sony/ATV Tunes, LLC / Knockout Music Company / R U Cyrius Publishing / Marcu Music Company, Inc. / Calspen Music (ASCAP). All rights for Knockout Music Company and R U Cyrius Publishing administered worldwide by WorldSong, Inc. All rights for Marcu Music Company, Inc. administered worldwide by PEN Music Group, Inc. All rights for Calspen Music (ASCAP) administered worldwide by Debrawiseesq@aol.com. JOHNNY’S MAMBO (Lloyd/D’Andrea/ Bulling); © Michael Music Curb Songs/Scoreboard Music/Erich S Muic. KELLERMAN’S ANTHEM (Goldman); © Lionsgate Music Publishing LLC. LISA’S HULA (Brucker/Ortega): © Brucker/ Ortega. LOVE IS STRANGE. Words and Music by Mickey Baker, Ellas McDaniel, Sylvia Robinson, by Mickey & Sylvia © SONGS OF UNIVERSAL, INC. ON BEHALF OF BEN-GHAZI ENT, INC AND TWENTY NINE BLACK MUSIC (BMI). Licensed Courtesy SONY BMG MUSIC ENTERTAINMENT (AUSTRALIA) PTY LTD. LOVE MAN. Words and Music by Otis Redding © IRVING MUISC, INC. (BMI) MAGIC HOUR SERENADE (Helfrich/Bergstein). MAYBE (Barrett) by The Chantels. © EMI Longitude Music. Licensed Courtesy Mana Music Productions Pty Ltd on behalf of Warner Music Australia Pty Ltd.MERENGUE (Lloyd/D’Andrea/Bulling): © Michael Music/Curb Songs/ Scoreboard Music/Erich S Music. NOCTURNANDO (Cairo) by Orchestra America. © Peer International

Corporation. Licensed Courtesy Balboa Records. NUNCA (Cardenas/Lopez Mendez) lnterpreted by the vocalist of Orquesta America. © Edward B Marks Music Company. Courtesy of Tumi Music UK. tumimusic.com. ORIGINAL WALTZ (Lloyd): © Michael Music. OVERLOAD (Mark Zappocosta); © 2013 DD Rights Ltd and C. Helfrich. PENNY’S WALTZ (Lim/Helfrich). SAVE THE LAST DANCE FOR ME. (DOC POMUS, MORT SHUMAN) by the Drifters © 1960 (RENEWED) UNICHAPPELL MUSIC INC. (BMI). ALL RIGHTS RESERVED. USED BY PERMISSION. Licensed by Mana Music Productions Pty Ltd on behalf of Warner Music Australia Pty Ltd. SHE’S LIKE THE WlND (Swayze/Widelitz) (Instrumental); © Plainview Diner Music/Very Tony Music. SOMEONE LIKE YOU (Previte/ DeNicola); Worldsong lnc./RU Cyrius Publishing/Knockout Music Co. STUBBORN KIND OF FELLOW (Gordy/Gaye/Stevenson) by Marvin Gaye; © EMI April Music lnc/Jobete Music Co. Inc/Stone Agate Music. Licensed Courtesy Universal Music Australia Pty Limited. SUMMERTIME INCIDENTAL (Lim/Helfrich). THERE WILL NEVER BE ANOTHER YOU (Gordon/Warren) © Morley Music Co./Four Jays Music Publishing and Mattsam Music. THESE ARMS OF MINE. Words and Music by Otis Redding, Performed by Otis Redding © IRVING MUSIC, INC. ON BEHALF OF ITSELF AND REGENT MUSIC CORP. (BMI). Licensed by Mana Music Productions Pty Ltd on behalf of Warner Music Australia Pty Ltd. THE WAY LIFE GOES (Eleanor Bergstein/Conrad Helfrich); © 2012 DD Rights Ltd, E Bergstein and C Helfrich. THIS LAND IS YOUR LAND.Words and Music by Woody Guthrie. TRO-© Copyright 1956 (Renewed) 1958 (Renewed) 1970 (Renewed) 1972 (Renewed). Ludlow Music, Inc., New York, NY. lnternational Copyright Secured. Made in USA. All Rights Reserved Including Public Performance For Profit. Used by permission. THIS MAGIC MOMENT. (DOC POMUS, MORT SHUMAN) © 1955 (RENEWED) UNICHAPPELL MUSIC INC. (BMI). ALL RIGHTS RESERVED. USED BY PERMISSION. VIVA LA QUINCE BRIGADA (VAN DER SCHELLING) by Pete Seeger; © Stormking Music/The Royalty Network, Inc. Licensed Courtesy SONY BMG MUSIC ENTERTAINMENT (AUSTRALIA) PTY LIMITED. WE SHALL OVERCOME (Musical & Lyrical adaptation by ZilphiaHorton, Frank Hamilton, Guy Carawan and Pete Seeger). Inspired by African American Gospel Singing, members of the Food & Tobacco Workers Union, Charleston, SC, & the

F. Scott Fitzgerald’s

Adapted for the stage by

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October 30 – November 7, 2015 313-577-2972 hilberry.com

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The Great Gatsby is presented by special arrangement with Dramatists Play Service, Inc., New York.

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WHO’S WHO Southern Civil Rights Movement. TRO - © 1960 (Renewed) and 1963 (Renewed) Ludlow Music, Inc., New York, lnternational Copyright Secured. Made In USA. All Rights Reserved Including Public Performance For Profit. Royalties derived from this composition are being contributed to the We Shall Overcome Fund and The Freedom Movement under the Trusteeship of the writers Used by Permission. WIPE OUT (Fuller/Berryhill/Connolly/Wilson) by The Surfaris; © Robin Hood Music/Miraleste Music. Licensed Courtesy Universal Music Australia Pty Limited. YES! (Cavanaugh/Fryer/Graf). © Sony ATV Tunes/The Flood Music Company Inc. YOU DO SOMETHING TO ME. (COLE PORTER) © 1929 (RENEWED) The Cole Porter Musical and Literary Property Trusts. ALL RIGHTS RESERVED. USED BY PERMISSION. YOU DON’T OWN ME. (JOHN MADARA, DAVID WHITE) © 1963 (RENEWED) UNICHAPPELL MUSIC INC. (BMI). ALL RIGHTS RESERVED. USED BY PERMISSION. YOU’RE THE CREAM IN MY COFFEE. (RAY HENDERSON, LEW BROWN, B.G. DESYLVA) © 1928 (RENEWED) CHAPPELL & CO., STEPHEN BALLENTINE MUSIC & RAY HENDERSON MUSIC. BNS Canada LLC. ALL RIGHTS RESERVED. USED BY PERMISSION.

More than 270,000 upscale theatre-goers see a Broadway In Detroit show each season! Reserve space now for your ad in Newsies; contact: Alyssa Cohen, (248) 608-1884, acohen@broadwayindetroit.com; or Scott Myers, (313) 872-1177, smyers@nederlanderdetroit.com.

Must-have DD book! THE FANS’ LOVE STORY ENCORE by Sue Tabashnik stabashnik@msn.com LikeDirtyDancing.com

Portion of proceeds to Patrick Swayze Stanford Pancreatic Cancer Fund 22

DIRTY DANCING STAFF Opening Night: September 2, 2014 NATIONAL THEATRE, WASHINGTON, DC GENERAL MANAGEMENT GENTRY & ASSOCIATES, Inc. GREGORY VANDER PLOEG BOBBY MAGLAUGHLIN, TYLER SOLTIS, MARY WITTE PRODUCTION MANAGEMENT NETWORKS PRESENTATIONS LLC JASON JUENKER LAURA DIELI, HECTOR GUIVAS, DAVE BURCH COMPANY MANAGER JAMEY JENNINGS ASSISTANT COMPANY MANAGER NICOLE GEHRING TOUR MARKETING AND PUBLICITY TYPE A MARKETING Elyce Henkin DJ Martin Andrew Cole Andrew Darcey EXCLUSIVE TOUR DIRECTION THE ROAD COMPANY Stephen Lindsay Brett Sirota www.theroadcompany.com CASTING LAURA STANCZYK CASTING Laura Stancyzk, CSA Nicholas Petrovich Amanda D’Aquila Hannah Rosenthal Caleb Caudill Production Stage Manager.......................................................... Jack McLeod Stage Manager........................................................................Caroline Walker Assistant Stage Manager...........................................................Kelsey Tippins Technical Production Supervisor.............................................Michael Conlon Associate Director.................................................................Kasey RT Graham Associate Choreographer...................................................... David Scotchford Associate Set Designer............................................................Christine Peters Associate Costume Designer....................................................... Dana Burkart Hair and Makeup Supervisor........................................................Camra Fisher


Associate Lighting Designer........................................................Vivien Leone Assistant Lighting Designer........................................................Kaitlyn Breen Lighting Programmer................................................................ Andrew Davis UK Programmer.........................................................................Emily Harding Video Programmer (US)..............................................................Chris Herman Animator............................................................................Gemma Carrington Video Technical Associate...................................................................Alan Cox Systems Engineer.............................................................................Oliver Luff Sound Design Associate.................................................................Simon King Associate Sound Designer (US)..................................................... Chris Cronin Fight Director..............................................................Christian Kelly Sordelet Dance Captain.......................................................................... Amy Quanbeck Assistant Dance Captain/Fight Captain.......................................... Josh Drake Head Carpenter...........................................................................Kenneth Britt Flyman........................................................................................ Kevin Riggall Assistant Carpenter..................................................................Ashley Harman Automation Programming............................................................ Ben Neafus Automation............................................................................Andrew Cappelli Production Electrician......................................................................Eric Rimes Head Electrics................................................................................Mark Vlahos Video Engineer...........................................................................Abbey Dutton Assistant Electrics.....................................................................Kate Raymond Sound Engineer/AI.........................................................................Tylor Foster Assistant Audio...................................................................... Heather Mallory Head Props.................................................................................Michael Triolo Assistant Props......................................................................Cheryl Stansfield Props Supervisor........................................................................ Jonathan Hall Head Wardrobe............................................................................... Emily Goss Assistant Wardrobe................................................................... Emily Fauscett Costume Assistant.................................................................. Anna Stainback Head Hair & Makeup.....................................................................Shon Harper Production Assistants........................................... Lionel Christian, Chet Craft National Press Representative........................................ Adrian Bryan-Brown Music Licensing........................................................ Chris Roberts, Kim Green Physical Therapy.............................................................................Neuro Tour Physical Therapist.........................................................Jennifer Gallegos, DPT Medical Director...................................................................Dr. Craig Weil, MD Production Videographer........................................Steam Motion and Sound Production Photographer.................................................... Matthew Murphy Website...............................................................................................AKA NYC Interactive Agency...................................................... The Marketing Division Bob Bucci, Maris Smith, Danielle Migliaccio Legal Counsel.......................................................Davis Wright Tremaine LLP/ M. Graham Coleman, Andrew Owens, Jeffrey Carter Accounting..........................................................NETworks Presentations LLC Tour Accountant.....................................................................Laura Carey, CLA HR & Payroll Services....................................................Human Resources inc. Trucking...................................................................................... Clark Transfer Hotel Booking......................................................Lisa Morris, Road Concierge Cast Bus Booking............................................. Mary Botosan, Road Concierge Merchandising.......................................................................The Araca Group FOR LIONSGATE Chief Executive Officer............................................................. Jon Feltheimer Vice Chairman............................................................................Michael Burns Motion Picture Group Co-Chair..................................................Rob Friedman Motion Picture Group Co-Chair......................................Patrick Waschsberger Co-COO and President, Motion Picture Group.............................. Steve Beeks Co-COO................................................................................... Brian Goldsmith Chairman, Lionsgate Television Group.........................................Kevin Beggs COO, Lionsgate Television Group..................................................Sandra Stern General Counsel and Chief Strategic Officer................................Wayne Levin Consultant, Theatrical Stage Productions.................................. Adam Bialow FOR NETWORKS PRESENTATIONS Chief Executive Officer............................................................Kenneth Gentry Chief Operating Officer..........................................................Scott W. Jackson President........................................................................................... Orin Wolf Executive Vice President Production.............................................Seth Wenig Executive Assistant / Associate General Manager.........................Curt Owens Director of Finance..........................................................................John Kinna Controller................................................................................Jennifer Gifford

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WHO’S WHO Executive Producers.............................................Kary Walker, Angela Rowles Director of Booking......................................................... Charmaine McVicker Director of Marketing/PR............................................................ Heather Hess Senior General Manager............................................... Gregory Vander Ploeg General Managers................ Bobby MagLaughlin, Tyler Soltis, Mary K. Witte Senior Production Manager.......................................................Jason Juenker Production Managers...........................................Lauren Dieli, Hector Guivas Associate Production Manager.......................................................Dave Burch Assistant Production Manager.....................................................Shelby Stark Music Coordinator.........................................................................John Mezzio Warehouse Manager........................................................................Brad Korff Database Manager..................................................................... Siba Mahanty Office Manager.......................................................................Buddy Piccolino Administrative Assistants......................Esther Schwarzbauer, Kevin Persaud Intern............................................................................................... Anne Cape Tax & Financial Consulting, Accounting Services, IT Services CliftonLarsonAllen LLP George Wilson, Linda Rubenstein Pat Guerieri, Tim Pizza Financial Services and Banking Arrangements by SunTrust Bank CREDITS

H O L I DAY E V E N T S I N B I R M I N G H A M HOLIDAY TREE LIGHTING Wed., Nov. 25, 6 p.m., Shain Park SANTA HOUSE Weekends Nov. 25 – Dec. 20, plus the Friday after Thanksgiving, during Winter Markt and Christmas Eve. SMALL BUSINESS SATURDAY Nov. 28, Downtown Birmingham BIRMINGHAM WINTER MARKT Friday, Dec. 4–Sunday, Dec. 6 www.BirminghamWinterMarkt.org CARRIAGE RIDES Select dates Nov. 25 – Dec. 19, also during Tree Lighting, Small Business Saturday and Winter Markt. For specific dates, times and hours visit www.EnjoyBirmingham.com

PARKING HAS NEVER BEEN EASIER IN BIRMINGHAM! First 2 Hours ALWAYS FREE in the parking decks. PARKMOBILE TECHNOLOGY at ALL downtown parking meters! Pay by cell phone or mobile app. For more info and to register go to www.parkmobile.com

Scenery constructed by PRG Scenic Tecnnologies. Show control and scenic motion control featuring Stage Command Systems ® by PRG-Scenic TechEnjoyBirminghamNOW nologies A Division of Production Resource Group, L.L.C., New Windsor, NY. Automation equipment provided by PRG Scenic Technologies. Lighting equipment from Christie Lights. Sound equipment by Sound Associates. Video equipment provided by XL VIdeo. Rigging by Christie Lights. Scenic Painting by Joe Forbes and Scenic Arts Studios. Properties provided by Bham-2015HolidayEvents-qtrpgad-2.25wx3.25h.indd 1 9/24/15 3:14 PM Marcus Hall Props. Costume Shops Arel Studio, Valerie Strok, Lisa KriznerGeorge and L. Allmeier. Dr. King’s “I Have a Dream” speech license granted by Intellectual Properties Management, Atlanta, Georgia, as exclusive Licensor of the King Estate. Rehearsed at New 42nd Street Studios.

SPECIAL THANKS

NEURO TOUR - Official provider of Physical Therapy services The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

UNITY • HARMONY • ARTISTRY

The Musicians, Conductors, Music Preparation Personnel, and Librarians employed in this production are members of the American Federation of Musicians of the United States and Canada. The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. United Scenic Artists represents the designers and scenic artists for the American Theatre. This production is produced by members of The Broadway League in collaboration with our professional union-represented employees.

Updates on Broadway In Detroit shows, exclusive offers & pre-sales! 24


CritiCs’ ChoiCe! Two of Detroit’s Award Winning Restaurants – Perfect for Dining Before or After a Show. Just minutes away from the Fisher Theatre at the fabulous GM Renaissance Center. Convenient valet parking available at both locations.

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PRELUDES & ENCORES • Special places to go before & after

W

e proudly present Preludes & Encores, our recommendations for a great meal before the show, or a place to close the night’s curtain with a delicious dessert. Please consider these wonderful restaurants—and mention that you heard about them in the Broadway In Detroit program. Thanks! GUIDE: $ = <$10, $$ = $10-$25, $$$ = $25-$50, $$$$ = >$50, F=Free Parking, = Groups, P=Prix Fixe packages available, R = Reservations, S = Shuttle Service, V=Valet Parking Andiamo Riverfront • andiamoitalia.com Joe Muer Seafood • joemuer.com • page 25 Detroit Riverfront, Renaissance Center. Type of Cuisine: Italian, Seafood, Price: $$$, Amenities: R,G,V. We are proud to welcome Broadway In Detroit guests before the show, after the show and anytime at all! Enjoy a great atmosphere and professional service with incredible views along the Detroit River. Maccabees at Midtown • maccabeesdetroit.com • page 26 Midtown, 5057 Woodward Ave., Detroit MI 48202. (313) 831-9311. Type of cuisine: American bistro, Price: $$, Amenities: GRSV. In Midtown across Woodward from the DIA. Save 20% with your Broadway In Detroit ticket stub.

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Mario’s • mariosdetroit.com • page 26 Midtown, 4222 Second St., Detroit, MI 48201. Publication: Broadway in Detroit (313) 832-1616. Type of cuisine: Italian, Price: $$$, program for “xxxxxxxxxxx” Amenities: GPRSV. Complimentary shuttle to & from the theatre. Show your tickets and receive 10% off food on your Run dates: xxxxxxxxxxxx performance date. Afterglow specials too! Party with the Size:who1/4perform. pg. vert. (2-1/4” x 3-1/4”) people

Proof:Burger xxxxxxBar • mercuryburgerbar.com • page 27 Mercury Corktown, 2163 Michigan Ave. Detroit MI. 48216, For: Nederlander (313) 964-5000. Type of Detroit cuisine: American, Price: $. Classic American bar, gourmet burgers, hot dogs, grilled (Fisherburger Theatre & others) bologna, tater tots, Guernsey dairy milk shakes, Michigan craftAgency: beers, fullSMZ bar. advertising

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Design: Bach, • page 27 Ottava Via •Frank ottavavia.com Bach &1400 Associates; Corktown, Michigan Ave. Detroit MI. 48216, (313) 962-5500. Type of cuisine: Casual/Rustic Italian, Phone 313-822-4303, Price: $$, Amenities: FR. Stone fired pizza, small plates, frank@frankbach.com pasta, Italian entrees, gelato, outdoor seating, bocci ball in season, full bar. ☛ listings continue on page 28

Updates on Broadway In Detroit shows, exclusive offers & pre-sales! 26



PRELUDES & ENCORES • Special places to go before & after The Rattlesnake Club • rattlesnakedetroit.com • page 28 300 River Place Drive, Detroit, MI 48207. (313) 567-4400. Type of cuisine: American, Price $$$ GRV. The Rattlesnake Club celebrates over 25 years in Detroit! Chef Chris Franz’s innovative cuisine, our attentive service and award-winning wine list await on Detroit’s Riverfront! Traffic Jam & Snug • trafficjamdetroit.com • page 28 511 W. Canfield St., Detroit MI, 48201. (313) 831-9470. Type of cuisine: American, Price: $$, Amenities: FGR. Featuring an eclectic menu of vegetarian items, burgers, fresh fish, pastas & salads. Decadent house-made desserts. Free, guarded parking. Minutes from the Fisher Theatre. Union Street • unionstreetdetroit.com • page 29 Midtown, 4145 Woodward Ave, Detroit, MI 48201. (313) 831-3965. Type of cuisine: American, Price: $$, Amenities: GR. 15% off when you bring in your ticket to this show! Serving lunch, dinner, desserts and Sunday brunch. Kitchen open late. Large group tours welcomed. Minimum of 2 entrees must be ordered. Must be used within one week of performance date. 300 River Place Dr | Detroit | 313-567-4400 | rattlesnakedetroit.com

Canfield at Second • Detroit trafficjamdetroit.com 313-831-9470 Restaurant Brewery Dairy Bakery Handcrafted & Homemade Since 1965

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Three restaurants in The Westin Book Cadillac Downtown Detroit, 1128 Washington Blvd. at Michigan Ave., Detroit MI 48226 • page 31: ● Roast • roastdetroit.com, (313) 961-2500. Type of cuisine: American, Price: $$$, Amenities: RV. The Detroit Free Press recently named Iron Chef Michael Symon’s Roast Restaurant of the Year. ● 24 Grille • spa1924grille.com, (313) 964-3821. Type of cuisine: American, Price: $$$, Amenities: RV. Features Executive Chef Christian Borden’s interpretation of classic American dishes. Take 10% off your entire bill with your theatre ticket. ● Motor Bar • bookcadillacwestin.com, (313) 442-1600. Type of cuisine: American, Price: $$, Amenities: V. On the second floor, a comfortable location for a classic late night cocktail, dessert or appetizer after the show. The Whitney • thewhitney.com • page 16 Midtown, 4421 Woodward Ave., Detroit MI 48201. (313) 832-5700. Type of cuisine: American, Price: $$$, Amenities: GPRV. Detroit’s most romantic restaurant. Experience our Prix Fixe Theatre Menu before your next show or join us anytime for dinner or an elegant dessert seven nights a week. Call for reservations during intermission or after tonight’s performance!

If it’s about Michigan theaters, it’s here: • show listings • theater news • reviews • interviews • podcasts • audition info • more!

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Show your ticket for

15% off

the day of the performance

Proof: 2; 8/13/12; 12:02PM Union Street Publication: Broadway in Detroit program for 2012–2013 season Run dates: 9/4/12 thru 5/19/13 Size: 1/4 pg. vert. (2-1/4” x 3-1/4”) For: Nederlander Detroit (Fisher Theatre & others) Agency: SMZ advertising Design: Frank Bach, Bach & Associates; Phone 313-822-4303; frank@frankbach.com

Connect with

Lunch • Dinner • Sunday Brunch

Group tourS welcome! 4145 woodward Avenue Midtown Detroit 313.831.3965 www.unionstreetdetroit.com

Follow us Theatre fans, staff, cast and crew talk about the latest shows.

TicketExchange Buy and sell theater tickets online. Buyers: print guaranteed tickets directly from subscribers. Subscribers: enjoy automatic payment and ticket delivery. Get a My Broadway In Detroit account at BroadwayInDetroit.com or by calling Subscriber Services at 313-872-1180.

Visit BroadwayInDetroit.com

Facebook: BroadwayInDetroit Twitter: @BroadwayDetroit Instagram: @BroadwayInDetroit YouTube: BroadwayInDetroit

Get E-lerts! The latest updates, pre-sales, show previews, behind-the-scenes news, contests and more in your e-mail inbox. Sign up today! Text FISHER to 22828 or visit BroadwayInDetroit.com and use the sign-up form on our home page. Above: Gillian Abbott (Baby) & Christopher Tierney (Johnny) in the North American tour of Dirty Dancing—The Classic Story On Stage, photo Matthew Murphy

29


Spotlight Room AT T H E F I S H E R T H E AT R E An elegant, private environment with many amenities including private bar service, coat closet, rest room, & catering services. Reservations available now for Group dining and events with Jersey Boys • Nov. 17–Dec. 6. Individual VIP dining packages also available for select fall performances. Visit BroadwayInDetroit.com or call (313) 872-1177 for dates & details.

BROADWAY IN DETROIT The Program for the Fisher Theatre Volume 54, Number 1 October 20–November 1, 2015 Fisher Theatre • Fisher Building 3011 W. Grand Blvd., Detroit, MI 48202 BroadwayInDetroit.com Under the Management of Nederlander Detroit, LLC Executive Director............................................. Alan N. Lichtenstein Assistant to Mr. Lichtenstein.......................................... Nancy King Director, Corporate Sales/Marketing..............................Scott Myers Senior Director, Marketing........................................... Alyssa Cohen Advertising Director.....................................Debbie Michelson, SMZ Press Agent................... Brendy Barr, Brendy Barr Communications Program Design................................Frank Bach, Bach & Associates THE FISHER THEATRE Business Office Staff Accounting..................................................................Barbara Jones House Staff Theatre Manager.....................................................James Manduzzi House Manager............................................................Reuben Perez Box Office Treasurer.....................................................Mirena Cantu Group Sales Manager........................................................Amy Yokin Subscription Manager..................................................Gwen Harden Lost and Found........................................................... Robin Teachey Production Staff Head Stage Technician...................................................... Sam Aluia Head Lighting Technician..................................... Suzanne Johnston Head Propman................................................................. Joe Achatz Head Sound Technician..............................................J. B. Ralbovsky Head Scenery Technician................................................Ronald Ivey Wardrobe Supervisor........................................ Kristyn Pinky Mahle Musical Director........................................................ Paul McCaffrey The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theater without the written permission of the management is prohibited by law. Violations may be punishable by ejection and may render the offender liable for money damages.

UNITY • HARMONY • ARTISTRY

The Musicians of the Fisher Theatre Orchestra employed in this production are members of the Detroit Federation of Musicians, Local 5. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E).

AGE LIMIT As a courtesy to our patrons, it is the policy of Broadway In Detroit not to admit children under the age of 5. This policy may be altered from time to time based on Shows and Show content. You will be made aware of particular age restrictions during your purchase. Some shows make further age appropriate recommendations and Broadway In Detroit will provide those on its website; however, judgment of the content for each show should be made on an individual basis prior to purchase. When available, Broadway In Detroit provides links to show websites for further information. All patrons, regardless of age, must have a ticket. 30

Articles found in the theater will be held for 30 days only. Lost article inquiries should be made by phone to (313) 872-l000 between 10:00 a.m. and 4:00 p.m. Fisher Theatre Offices................................................ (313) 872-1000 Broadway In Detroit Season Ticket Office & Subscription Information...........................................(313) 872-1180 Group Sales Information............................................(313) 871-1132 If you expect emergency phone calls please leave your seat location with the ticket taker. For emergencies only during performances.............. (313) 872-1111 New handicap (wheelchair) facilities now located in the main floor lobby near elevators.


LOCAL InSPIRATIOn Hit the city’s greatest cultural and entertainment destinations, enjoy award-winning cuisine from Celebrity Chef Michael Symon at ROAST, a multiple HOUR Magazine “Best of Recipient,” and see how great it feels to stay well at a Westin. Treat yourself to a refreshing getaway and go home with a whole new outlook. FOR MORE INFORMATION OR TO MAKE A RESERVATION, VISIT WESTIN.COM/BOOKCADILLAC OR CALL 313.442.1600.

©2011–2012 Starwood Hotels & Resorts Worldwide, Inc. All Rights Reserved. Preferred Guest, SPG, Westin and their logos are the trademarks of Starwood Hotels & Resorts Worldwide, Inc., or its affiliates. For full terms & conditions visit westin.com/bookcadillac.


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22,990

3

SEE YOUR LOCAL CHRYSLER DEALER FOR CURRENT INCENTIVES (1) ALL-WHEEL DRIVE (AWD) SYSTEM IS OPTIONAL. BASED ON THE LATEST AVAILABLE COMPETITIVE INFORMATION AND THE FCA US LLC STANDARD MIDSIZED SEDAN SEGMENT. (2) EPA ESTIMATED MPG WITH 2.4L ENGINE AND NINE SPEED AUTOMATIC TRANSMISSION. EPA EST. 29 MPG HWY ON MODEL SHOWN. ACTUAL MILEAGE MAY VARY. (3) MSRP OF 200C MODEL SHOWN: $36,615. TO GET FULL PRICING DETAILS, SEE YOUR DEALER. MSRP EXCLUDES TAX, TITLE, LICENSE AND REGISTRATION FEES. STARTING AT PRICE REFERS TO THE BASE MODEL, OPTIONAL EQUIPMENT NOT INCLUDED. PRICING MAY CHANGE AT ANY TIME WITHOUT NOTIFICATION. CHRYSLER AND UCONNECT ARE REGISTERED TRADEMARKS OF FCA US LLC.


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