FILM CULTURE IN TRANSITION
– Tom Gunning, University of Chicago – ISBN 90-5356-635-X
IN TRANSITION
THOMAS ELSAESSER [ ED. ]
“With a penetrating and critical intelligence Farocki probes ambiguities as well as deceptions, revealing both actions taken and the way actions are pre-determined by social practices. If you are looking for a model for a radical documentary practice, pass by the television smart talk … and engage with the powerful and demanding work of Harun Farocki.”
FILM CULTURE
HARUN FAROCKI
For more than thirty years Harun Farocki has been active as a filmmaker, documentarist, film-essayist and installation artist. What he makes us see are images from life, and even more so: the life of images, as they surround us in the newspapers, the cinema, in history books, user manuals, on posters and in advertising. His vast oeuvre of over seventy titles includes feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar/In Your Eyes: Vietnam), internationallyacclaimed essay films (e.g. Images of the World and Inscription of War, Videograms of a Revolution), critical media-pieces, experimental work, children’s features for television, film-historical film-essays (e.g. on Peter Lorre, Workers leaving the Factory), ‘learning-films’ in the tradition of Brecht and installation pieces (e.g. Still Life, exhibited at the Documenta X, Kassel and I Thought I was Seeing Convicts). In this monograph – the first critical publication on Farocki in English – leading scholars from the United States, France and Germany assess his work from differing perspectives, bringing to bear a range of theoretical and political concerns as well as reflecting on his exemplary biography as a film director, artist and media theorist. The analytical essays are complemented by interviews, a selection of writings by Farocki himself and an extensive filmography.
Harun
Farocki Working on the Sight-Lines EDITED BY
9 789053 56635X
Amsterdam University Press WWW.AUP.NL
THOMAS ELSAESSER Amsterdam University Press