16 by Peter Svenzon
The piece 16 visualizes and investigates the individuell contra the collective. The nerve between the individuals unique identity and the groups collective unison.
Choreographer and composer PETER SVENZON/ART OF SPECTRA
Composer, choreographer, and artistic director of Art of Spectra (AOS). Peter has created dance works for institutions across Europe, including GöteborgsOperans Danskompani. He has worked as a movement director and choreographer for theatre, collaborating with directors such as Lars Norén and Vibeke Bjelke. As a composer Peter creates music for Art of Spectra, other dance and theatre productions, as well as for artists, television, and film.
Choreographer assistant Ulriqa Fernqvist/Art of Spectra
Music
Peter Svenzon Mozart
Thank you to Barbacka Music for studiotime.
Costume
Ulriqa Fernqvist/Art of Spectra with the ensemble.
Short seated break
Nine beats by Anna Ståhl
Nine Beats explores the joy of performing and yearning to be seen. The dancers navigate between play and determination until their raw desire for attention and wanting recognition becomes a craving.
Choreographer ANNA STÅHL
Director, choreographer, dancer, singer and artist. She grew up in London England and her dance degree is from Royal Academy of Dancing and Kungl. Svenska Balettskolan. Her over 30 year career has then taken her through a broad spectrum of musicals, plays, shows, tv productions and film to concerts with pop-artists and classical performances. Directing/choreographing selection: SVENSKA REVYN Scalateatern, KRETSEN Kulturhuset Stadsteatern, HEDYGENIET OCH SKÖNHETEN Kulturhuset Stadsteatern, KLUBBEN VIP Svt, ELVIRA MADIGAN Kulturhuset Stadsteatern, LISA – KVINNAN SOM ÄR JAG-LISA NILSSON Sweden, Denmark.
Music
Never let us fade ft Cam by 070 Shake, Cam. - Its Happening by Antonio Sanchez Throw Some Ass by Sofi Tukker. - Temple of Cinema by Antonio Sanches Expensive by Yarin Primak, Maiyanai. - Heartbeat by Finnolia Sound Effects Crave by Olly Alexander
Costume
Anna Ståhl, Stefan Wåhlberg and the ensemble.
Short seated break
Crack of Doom by Charlotta Öfverholm
Crack of Doom is an emotional journey for people who goes through a state of losing power of their own situation, to finding themselves with people in the same situation- and through this finding new power and a new beginning and in the end seizing the moment and living as if tomorrow might not exist!
Choreographer CHARLOTTA ÖFVERHOLM
Dancer and choreographer with a long international background. She has worked for choreographers such as Complexions/Dwight Rhoden in NYC, DV8 in London and Alexander Ekman in Stockholm. She has run her own company since 1995 as well as choreographed for others like Göteborgsoperans dancecompany, Norrdans, The Royal Opera Stockholm and more. Charlotta also runs the project Age on Stage since 2015.
Choreographer assistant Ellinor Berglund
Music
Tempête et Stress by Dictaphone - Reflejo by Murcof - Between these Hands by Asaf Avidan - Crack of doom by Tiger Lillies
Costume
Charlotta Öfverholm with the ensemble.
1 hour performance with short seated breaks.
Dancers
Theodor Adolfsson - Mathea Eriksen - Cecilie Hedin Klagenberg - Julius Hjalmarsson
Ebba Hulterström - Elida Jondal Thorsen - Maren Jondal Thorsen - Alice Jonsson
Amalie Kjeldmann - Dorthea Andreassen - Victor Lans - Sunneva Albertsdóttir
Sigrid Nord - Julia Nyström - Hilma Olofsson Sundberg - Melvin Olofsson
Nora Olsen - Adrian Omberg - Jolie Pierrou - Lisa Staaf - Elea Standal
Lucia Tagliabue - Nora Thelander - Katrine Tøttrup - Matilda von Schantz
Credit and thanks to
Principel/ Artistic director JAN ÅSTRÖM
Lightdesign PALLE PALMÈ
Tourmaneger DORTHEA ANDREASSEN
Remember to turn off the sound and the flash on your phone and camera
Our welcome into this world is the sound of a human heart pumping, a steady pulse shaping us into existence, our first introduction to life. From the moment our skin touches the air, we have to leave behind that first experience of being alive, only to spend most of our days searching for it in other places.
Again and again, we find it in music, in movement, in our pumping bodies.
Again and again, we take that reason for life, and make it our reason to live.
Being close to parting, this is our way of cherishing the individual artists that we have become.
Being close to parting, we display our gratitude for the years we’ve shared in learning.
A relation that first brought us together is now setting us off on different paths.
A relation revealing our differences, to remind us that with these last minutes together, time has come for us to Beat it.
