Folio Vol. 38, Issue 3

Page 31

“NOTHING BEATS A FAILURE BUT A TRY” DR. SHAUN POWELL AND THE RITZ WRITERS Words by Mallory Pace

“Nothing beats a failure but a try,” echoed the words of Shaun Powell through-

The first cohort consisted of about eight people and they successfully put on

out the lobby of the Ritz Theatre and Museum. She had just finished giving

a comedy play called “One Funny Christmas.” From beginning to end, the pro-

me a grand tour of the intricate museum halls, backstage, VIP areas and all,

cess took about four months of learning the ins and outs of theater produc-

providing historical and detailed information about each sector as we walked.

tion. Some were more interested in writing, some wardrobe, some directing, but the experience itself is the biggest lesson.

“What’s funny is,” Powell said over her shoulder, “I don’t even work here! I just kept showing up until they gave me a desk.”

The biggest challenge, Powell explained, is the Ritz Writers not knowing they can do it and being so nervous about it. But the biggest reward is the produc-

Powell earned her doctorate from St. Thomas Christian University in Christian

tion and getting to the other side with a standing ovation.

counseling, but one of her passions always remained in writing. In 2017, after coming down with the flu, Powell sat in her room, fever running high, and

“You’re seeing the smile on their face and they’re just emotional that they did

started writing a play. The words flowed and never stopped; she wrote an en-

it,” she said. “That’s the rewarding part.”

tire play in one weekend that was incredible enough to sell out 400 seats at the Ritz Theatre, making her the first African-American woman in Ritz history

Powell advises any aspiring writers or anyone who wants to know more about

to sell out the theatre with an original play.

theater, the Ritz Writers is a great start to that education and getting a valuable hands-on experience.

Since then, her love and talent for playwriting blossomed, as she continued writing not just plays, but movies, and putting on productions at the Ritz The-

The transition from being completely new to the realm of theater production

atre. She said what first gravitated her toward the Ritz is its history.

has been both challenging and rewarding for Powell. Trying something new and giving it your all will always be scary, but like she says, nothing beats a

“Once I came in and took the tour, I couldn’t leave. I just felt a connection to

failure but a try. If there’s something you want to do, do it, she said. Give it

it, which I still do today,” Powell said. “I’m drawn to The Ritz.”

100% and keep going.

Her sold-out production of “The Wrong Man” in 2017 was her very first time

As for the future of the Ritz Writers, Powell hopes to continue expanding it in

playwriting, directing, casting, all of it. But with the help of [the other Ritz

all aspects. She plans to grow the Ritz Writers and the Ritz Theater as a hub

workers], not only was the show a hit, but Powell knew this was something the

for writers, actors and filmmakers to be able to learn and take part in every

community could come together and be a part of.

part of the process.

“I was nervous, but it just seemed like something I was supposed to be do-

This year marks the 25th anniversary of The Ritz since it was constructed in

ing,” she said. “Have you ever had that feeling? Even though I may not know

1999 on the site of the 1929 Ritz Theatre movie house in Jacksonville’s histor-

what I’m doing, I’m supposed to be here?”

ic African-American community of La Villa. To commemorate such a historical landmark, Powell and the Ritz Writers plan to create a documentary of its

Year after year, Powell continued writing and directing plays at the Ritz The-

history using the museum’s archives.

atre until she decided this could be used as an opportunity to teach other aspiring writers about the process of putting on a production. As someone

Friends and co-workers of Powell know her to be a passionate, kind and

who was once an aspiring writer and director herself, she wanted to create

hardworking leader who continues to do everything she can to give back

a one-stop-shop for people to learn all parts of the process, from writing to

to her community and city she was born and raised in. Her work with the

producing to managing. Thus, the Ritz Writers was born.

Ritz Theatre and Museum has only just begun. To think, what started as a flu-induced playwright for Powell has turned into her being a part of The Ritz

The challenge went from navigating how to put on a play to trying to teach

Theatre history.

other people how to put on a play.

31


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Articles inside

Read It and Weep

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pages 76-77

Seeing St. Augustine, One Bar At A Time

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pages 70-74

The Hunt: Finding the Best Tiramisu in Town

1min
pages 66-67

The Couples Guide To Valentine's Day

1min
pages 64-65

Valentine's Day Inspired Bevs

1min
pages 61-63

Who We Saw, What We Thought

1min
pages 48-49

Cliff Dorsey, Small-Town Hero with a Southern Heart

1min
pages 40-41

Are Relationships Taking A Turn For the Robot?

1min
pages 38-39

The Straight Man: 'My Show, My life' Returns Jan. 29

1min
page 37

Neighborhood Picasso

1min
pages 34-35

"Nothing Beats A Failure But a Try" Dr. Shaun Powell and the Ritz Writers

1min
page 31

'Not Your Mothers' Mean Girls Review

1min
pages 28-29

What the Singles Are Watching This Season

1min
pages 24-25

Love Languages, What's Yours?

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pages 20-21

Sportsmanship and Sore Losers

1min
pages 18-19

Jacksonville Jaguars: A Season In Review

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pages 12-13

Folio's Ins & Outs For 2024

1min
page 11

A League of Vibrant Energies: Breaking The Glass Ceiling One Kismet Track At A Time

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pages 1, 51-54
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