God Of Carnage by flatrockplayhouse.org

CHARLOTTE & BOB OTTO

Jan & Pete Richards Scott & Amy Donaldson Kim & Dave Hinkelman

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GOD THECARNAGEOFSEPT.15-OCT.8BLACKBOXSERIES

Flat Rock Playhouse, The State Theatre of North Carolina, is committed to fostering a diverse, equitable and inclusive community of artists, patrons, volunteers, students, partners, and supporters where everyone is welcome.

MISSION STATEMENT:

Flat Rock Playhouse, The State Theatre of North Carolina, enriches lives through the art of theatre by sustaining production excellence, nurturing talent, and inspiring creativity in an inclusive safe haven for artistic vision, life-long learning, and creative risk.

FLAT ROCK PLAYHOUSE’S COMMITMENT TO DIVERSITY, EQUITY AND INCLUSION:

At Flat Rock Playhouse, all people – whatever their gender, race, ethnicity, national origin, age, sexual orientation or identity, religion, education, or ability – are valued and respected. As storytellers, we strive to tell stories that reflect and illuminate the diversity of our shared humanity. We are grateful to our community and our audience members for joining us in this shared spirit of inclusion and equity for all.

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HEAR THEHOWDIFFERENCETOUSE:Easy as 1,2,3! 1.Attach headphones. 2.Press the green button to turn on. 3.Press the Black “T” button for the Hearing Loop. Adjust volume with the (+) and (-) buttons Info on Hearing Loop: •About 1 in 4 Americans —some 8.4 million—have hearing aids, according to a 2018 poll. •A hearing loop magnetically transfers the microphone or TV sound signal to hearing aids and cochlear implants that have a tiny, inexpensive “telecoil” receiver. This transforms the instruments into in-the-ear loudspeakers that deliver sound customized for one’s own hearing loss. •69% hearing models—including in-the-ear models and conventional behind-the-ear models. •A form of assistive listening, including hearing loops, come with portable receivers and headsets. •What is a telecoil? -A tiny coil of wire around a core that will induce an electric current in the coil when its in the presence of a changing magnetic field. Normally, a hearing aid "listens" with its microphone, then amplifies what it “hears”. -A telecoil “hears” a magnetic signal which represents sound. -On telecoil-equipped hearing aids and CIs, the wearer must “turn on or “switch to” telecoil mode. Some users prefer a mode that only uses the telecoil and not the microphones when they are in telecoil mode, and other users prefer a combination of telecoil and microphones. Major Benefits: •Can use your own hearing aid that is geared to your particular needs. • Don’t have to take extra time to go find hearing aid assistance or configure it to work best for you. Check it out: Hear The Difference! http://www.americanhearingloop.com/ Scroll down the page and listen to the two audio clips. SPECIAL THANKS TO: SPECIAL THANKS TO ASHEVILLE EAR NOSE & THROAT

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TheInformationPlayhouseLeimanMainstage P.O. Box 310 2661 Greenville Hwy Flat Rock, NC 28731 Admin Office: 828.693.0403 Box Office: 828.693.0731 Toll Free: 866.732.8008 Box Office Hours Monday - Friday 10AM - 5PM and 90 min. prior to all showtimes. FLATROCKPLAYHOUSE.ORG@FRPlayhouse A small group of volunteer gardeners led by the Hendersonville Master Gardener program started creating the current gardens at The Playhouse in 2008. Contact Tamsin Allpress for more information tallpress@tamsinandcooke.comatThankYouMASTERGARDNERS

David

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JoeSincerely,IppolitoClyde

But all of that ‘magic’ requires care and feeding. That is where your continued generosity is so import ant. Ticket prices alone cannot (and do not) support all the costs of production. So, we still need your welcomed and continued contributions to keep your “Western Carolina Broadway” vibrant and magical for Thanks,you.

Bob

Still, we must not rest on the success of the Rock Solid Campaign alone. Live theater is a costly business. We seek to produce “magic” for our audience and transport you to different places and eras, all of which we do with lights, scenery, costumes, sound, props, facilities and administrative support, and superb actors. What goes on behind the scenes is not unlike the magic of the rabbit in the magician’s hat. Yes, we all know the rabbit was put there by the magician, but we still are charmed and entertained when the rabbit magically appears from the magician’s empty hat. And like the magician, it’s our job to keep the secrets of our work away from you to surprise and dazzle you from show to show.

Joseph

A MESSAGE FROM JOE IPPOLITO PRESIDENT, FLAT ROCK PLAYHOUSE BOARD OF TRUSTEES

Flat Rock Playhouse owes each of you and many others a very big THANK YOU for your support during the hiatus that marked 2020 and 2021. We thank you for your wonderful generosity during our Rock Solid Campaign last year. Your trust and dedication to the arts and FRP are cherished and cheered. You exhibit the can-do Vagabond Spirit that inhabits this Playhouse.

I assure you that the entire Playhouse Staff and Board are excited to be back as well. And we are back with the same professionalism and delightful productions you expect from this compa ny of outstanding thespians. Nothing has changed—the excellence you have come to expect is still the watchword around here.

for your caring, thanks for your patronage and support, and thanks for your continuing generosity. Now, sit back and let us entertain you!

Allen Connie Backlund Bird Bartlett Connie Herbst Bergman Cam Boyd HarryDeannaDiBellaEllisGrymes

We are back! Perhaps that makes me a “cockeyed optimist” akin to Rogers and Ham merstein’s Nellie Forbush in South Pacific. Uncertainty about the pandemic indeed lingers. Still, we all need to return to some semblance of normality in our lives. So, it is far too difficult for me to be anything but excited about Flat Rock Playhouse’s 2022 season. With great pleasure as President of the Board of Trustees, I welcome you back to the Rock. We are happy to see you – and we have missed you!

Sherri Holbert Ippolito Leiman ROCK PLAYHOUSE BOARD OF DIRECTORS

Thank you for coming back to the theatre! Without you, there [literally] is no Flat Rock Playhouse. Our gratitude for the unwavering support of Playhouse and theatre lovers knows no bounds, and we just want to thank you over and over with production excellence that brings joy and light to your lives and to everyone who ventures out to the ROCK for decades more to come.

With love and gratitude, Lisa K. Bryant, Producing Artistic Director

Welcome (back) to Flat Rock Playhouse! If I hadn’t lived it every day, it would be nearly impossible for me to believe that FRP’s doors were completely shut for 19 months, (572 days,) or that the 2022 season opener Catch Me If You Can would be the first professional play we’ve produced since the Fall of 2019. Either way—it has been a long time! We missed all of our patrons and artists and the thrill of producing live theatre more than I can express.

THANK YOU TO OUR SEASON SPONSORS

As it has all over the world, the global pandemic has had its way with ‘The ROCK’ too. The live arts were particularly challenged since having folks gather indoors en masse was a deep concern for health experts, not to mention the complex process involved behind the scenes in putting a live show together and ensuring the safety of the team, as well as meeting the requirements of the Actors Equity Association. BUT! We’re here now and overjoyed to get back to doing what we do—for You! And honestly, we’re ready to remind everyone just how special The State Theatre of North Carolina is and that there is nowhere else in Western North Carolina that offers world-class entertainment quite like the Playhouse does.

A MESSAGE FROM LISA K. BRYANT, ARTISTIC DIRECTOR

MARCY MCGUIGAN* (VERONICA) is thrilled to be making Theatre back at the Rock. Once a Vagabond always a Vagabond. Marcy recently appeared as Tallulah Bankhead in a critically acclaimed per formance of LOOPED at the Human Race Theatre Company and the World Premier of Greg Lam’s LAST SHIP TO PROXIMA CENTAURI at Portland Stage Company. Flat Rock favorites include ANNIE, 9 TO 5, CLUE, SEPARATE BEDS, VANYA AND SONIA AND MASHA AND SPIKE, DIXIE SWIM CLUB and FOX ON THE FAIRWAY. Other credits include STEEL MAGNOLIAS and INTO THE BREECHES at Alabama Shakespeare Festival; SWINGTIME CANTEEN at Arrow Rock Lyceum; ONCE at Ivo ryton Playhouse; RING OF FIRE at Stages Rep; THE SISTERS ROSENS WEIG at Capital Rep; OTHER DESERT CITIES at The Fulton Theatre and DayTony nominated MARIE IN LOMBARDI at the Human Race. NYC: THE DIVINE SISTER, THE PIPER, MEET ME IN ST. LOUIS, SHANGHAI MOON, SWINGTIME CANTEEN. Nat’l Tour: 42ND STREET (Carbonelle Nomination). TV/Film: HUMOR ME, INSIDE AMY SCHUMER, PEOPLE IN NEW JERSEY, GTA 4, GHOST STORIES.

RACHEL BURTTRAM* (ANNETTE) is thrilled to be making her Flat Rock Playhouse debut here in beautiful western NC! She fell in love with theater and live performance as a teenager in Asheville, NC, un der the watchful eye of her high school drama teacher, Mrs. Jeannie Gooch, and is forever grateful. NYC credits: Actors’ Studio, Vital The atre Company. Regional credits: Geva Theatre Center, Kitchen The atre Company, Gloucester Stage Company, Riverside Theatre, Actors’ Theatre of Louisville, Penobscot Theatre Company, Florida Repertory Theater, The Hippodrome. Online: Alabama Shakespeare Festival @Home 2020, tiny_Theatre. TV/Film: The Right Stuff on Disney+ as recurring role of Betty Grissom, Emma’s Fine as Emma. Favorite roles include June in the world premiere of Pulitzer Prize Nominee ALABASTER by Audrey Cefaly, Rosemary in OUTSIDE MULLINGAR by John Patrick Shanley, Jesse in UGLY LIES THE BONE by Lindsey Fer rentino and anytime she can play opposite her real-life partner in crime, Brendan Powers. She and Brendan are co-creators of tiny_ Theatre, a little idea that was sparked during the pandemic that has now produced over 275 play readings from playwrights around the globe. BIG thanks to Lisa & the fabulous folks at FRP for the warm welcome! www.RachelBurttram.com

BRENDAN POWERS* (ALAN) Longtime FRP playgoers may re member Brendan from numerous shows in the 2000s including WOMAN IN BLACK, MAGGIE’S GETTING MARRIED, ARSENIC AND OLD LACE, STATE FAIR, SELF HELP and AROUND THE WORLD IN 80 DAYS. He also directed FRP’s productions of SIX DANCE LESSONS IN SIX WEEKS and the American Premiere of REAL ESTATE. Other recent regional theatre credits include MILLION DOLLAR QUARTET (Sam Phillips), A DOLL’S HOUSE PART 2 (Torvald), DOUBT (Father Flynn), OUTSIDE MULLINGAR (Anthony), OUR TOWN (Stage Manager) and AUGUST OSAGE COUNTY (Bill). TV credits include Bloodline (Netflix), Graceland (USA) and numerous commercials including several for Alabama Tourism’s Road Trips campaign. In 2020, he and his wife, actress and producer Rachel Burttram, dealt with the Covid shut down of arts venues by turning their bedroom closet into a tiny theatre and presenting live, playwright-approved play readings on Facebook Live, which earned them a feature article in American The atre Magazine. When not performing around the country, they pres ent kooky online interactive murder mysteries out of their home for audiences around the globe (www.tiny-theatre.com). Thank you to Lisa Bryant for this special opportunity to come back to “The Rock.” Enjoy the show!

SCOTT TREADWAY* (MICHAEL) This is Scott’s 38th consecutive season as a Vagabond. Favorite roles include Man in Chair (Drowsy Chaperone), Tony (Dial M for Murder), Tom (The Glass Menagerie), multiple residents of Tuna, Texas, among bunches of others. But his favorite role, by far, is the role “Ava’s Dad.” Scott dedicates his work this season to his dear late Mama Doots who made it all possible.

JOHN D. VEAZEY

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FLAT ROCK PLAYHOUSE STAFF Producing Artistic Director.............................................................................................Lisa K. Bryant Artistic Associate........................................................................................................Matthew Glover Resident Music Director..............................................................................................Ethan Andersen Production Manager..................................................................................................Adam Goodrum Associate Production Manager.......................................................................................Josh Stewart Education Programs Manager....................................................................................Lauren Hopkins Major Gifts Officer.......................................................................................................Kim Hinkelman Development Manager..................................................................................................Olivia Palmer Development Associate.................................................................................................Debra Nelson Graphic + Media Designer.........................................................................................Christy Souther Social Media Coordinator......................................................................................................Emily Gill Videographer.....................................................................................................................Jeb Purcell Finance Director.......................................................................................Samantha Yaeger Goodrum Business Manager......................................................................................................Andrea Cochran Box Office Manager.......................................................................................................Stephanie Orr Assoc. Box Office Manager...........................................................................................Jade Anastasia Customer Service Representative................................................................................Meredith King Customer Service Representative.................................................................................Alyson Gooch House Managers.........................................Emmett Casey, Vicki Leeds, Jessica Casey, Libby Morris Facilities Manager.............................................................................................................Paul Feraldi Assistant Facilities Manager + Concessions...................................................................Bryan Taylor Head of Lighting.............................................................................................................Ben Hamann Head of Sound Kurt Davis Resident Costume Designer / Costume Shop Manager.....................................Ashli Arnold Crump CLICK HERE DONATE TODAY!

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PRODUCTION Production Manager.....................................................................................................Adam Goodrum Assoc. Production Manager...........................................................................................Joshua Stewart Production Stage Manager............................................................................................Amelia Driscoll Asst. Production Stage Manager......................................................................................Lizzie Komosa Scenic Design............................................................................................................Dennis C. Maulden Asst. Scenic Designer.........................................................................................................Morgan Shea Head Carpenter...................................................................................................................Mike Sarisky Carpenter................................................................................................................Deborah Samuelson Scenic Charge ................................................................................................................Steph Charaska Scenic Charge ....................................................................................................................Shaly Farmer Head of Lighting and Projections.......................................................................................Ben Hamann Lead Electrician ................................................................................................................Troy Morelli Staff Electrician ............................................................................................................Dariyn Ferguson Costume Shop Manager..........................................................................................Ashli Arnold Crump Assistant Costume Shop Manager....................................................................................Lindsey Jones Head Wardrobe...................................................................................................................Amy CostumeCostumeCostumeStitcher.................................................................................................................................BettyPavelkaMillerIntern.......................................................................................................................AmyWertOverhite.................................................................................................................ErinJusticeShopVolunteer..................................................................................................KathrynWells Hair/Makeup Designer........................................................................................................Jami Brooks Head of Audio..........................................................................................................................Kurt Davis Audio Engineer.......................................................................................................................Ryan Cook Props Manager......................................................................................................................Sam Gainer Assistant Props Manager............................................................................................Rebecca Xhajanka Props Intern..........................................................................................................................Dorian Leto CLICK HERE DONATE TODAY!

ADAM GOODRUM (PRODUCTION MANAGER) Adam graduated from UNC School of the Arts in with a B.F.A. in Technical Direction. After graduating he went to Goodspeed Opera House where he spent 3 years climbing the ranks from a Carpenter, Lead Welder, Master Carpenter to their Assistant Technical Director 2007. He then moved to DC to become Signature Theatre’s Technical Director. After a year with Signature he returned to Goodspeed to take over as their Technical Director where he stayed from 20092013. In 2013 Adam moved closer to home and joined the Flat Rock Playhouse staff where he took on the position of Technical Director, and in 2014, he moved up to be the Production Manager. Adam is happy to have found his place back in his home state of NC where he is closer to family and friends and where he and his wife, Samantha welcomed their first child Ryden to the Vagabond Family in 2018.

KURT DAVIS (SOUND DESIGNER) graduated from The University of Mississippi, receiving a B.F.A. in Theatrical Design & Production with an emphasis in Sound Design. After graduating, he moved to DC to work at the Shakespeare Theatre Company as a Sound Operator from 2015 to 2018. He then returned to his hometown of Jackson, MIssissippi and worked with New Stage Theatre for a season-and-a-half as the Sound Engineer. While there, he designed several productions, including The Diary of Anne Frank, Sweat, Bright Star, and Matilda: The Musical. In February of 2020, Kurt moved to Brevard, NC to serve as Brevard College’s Campus Event Technical Director and Brevard Music Center’s Head of Audio. Recently, he co-designed 2021’s A Flat Rock Playhouse Christmas and soon after became Head of Audio for the playhouse. He is thrilled to be here at The Rock for it’s 2022 season!

LIZZIE KOMOSA (ASSISTANT STAGE MANAGER) is very excited to be Stage Managing her first show at the playhouse, Mozart to Pop Chart. Lizzie is from Madison, WI, and graduated last spring from the Uni versity of Wisconsin- Eau Claire with a bachelor’s degree in theatre and a certificate in arts administra tion. Other shows that she has done at the playhouse include West Side Story (Assistant Stage Manager), and Million Dollar Quartet (Assistant Stage Manager).

LISA K. BRYANT (PRODUCING ARTISTIC DIRECTOR / DIRECTOR) Lisa has directed over 25 productions at FRP. After a two-year pandemic hiatus, it is an honor and privilege to be back in the creative trenches with such remarkable talent on stage and off. Deepest gratitude to every artist and artisan who left their own mark on this production. And huge thanks to you, the audience, for supporting the arts and espe cially for supporting Flat Rock Playhouse. There is no FRP without our dedicated patrons and donors.

AMELIA DRISCOLL* (PRODUCTION STAGE MANAGER) is thrilled to be back at Flat Rock Playhouse working on another fantastic production. In 2012, she graduated from UNC Wilmington with a BFA in Creative Writing and a minor in Theatre. Since then, she has worked as an Production Stage Manager or Assistant Stage Manager for theatres in North Carolina, South Carolina, and California. She would like to thank the cast, crew, production team, and everyone at FRP for making this a wonderful experience. Finally, to her friends and family, a huge thank you for their endless support and love.

JOSHUA STEWART (ASSOCIATE PRODUCTION MANAGER) Prior to joining Flat Rock Playhouse for the 2022 season, Joshua served as the assistant production manager for the Theater Department at Rutgers University, Mason Gross School of the Arts. He has also worked as a stage manager across the US for companies such as Florida Grand Opera, the Atlanta Opera and Piedmont Opera, among others. Joshua holds a Master of Fine Arts in Stage Management from the University of Illinois Urbana-Champaign, a Bachelors of Science in Theatre Production from Illinois State University, and is a member of the Amer ican Guild of Musical Artists.

J. TAYLOR WRIGHT (ASSISTANT DIRECTOR) is a multi-disciplinary artist from Texas currently based in Pittsburgh, PA. Select credits: A Chorus Line (Nt’l Tour, Chinese Premiere, The Cape Playhouse, The Wick Theatre), afterglow (Off-Bway), The View UpStairs (Uptown Players), Godspell (New London Barn Play house), Mary Poppins (New Bedford Festival Theatre, Northern Stage). Education: Coastal Carolina BFA Musical Theatre, SITI Company Intensive, Hangar Theatre Lab Company. Special thank you to my Aunt B who brought me to Flat Rock Playhouse in 2009 to see Man of La Mancha… full circle baby! J-tw.com

SAM GAINER (PROPS MANAGER) is from Charlotte, NC. In May 2022 he graduated from the University of North Carolina at Greensboro where he got his degree in Design and Technical Production. This is his first job out of college and he could not be more excited! His previous FRP credits include West Side Story, Letterland Alive! and Greetings from North Carolina.

DENNIS C. MAULDEN (SCENIC DESIGNER) Apprenticed with the Playhouse in 1967 and continued for 11 years as Equity Stage Manager and Scenic Artist. He became Resident Scenic Designer in 1985 and joined the full-time staff in 2000. With an MFA degree from UNC-Greensboro in 1977 and membership in United Scenic Artists, New York Local #829, Maulden has designed standard and classical repertory works, experimental projects, new plays, operas, and musicals in regional, university, and New York theatres. Proud to have contributed to the theatre’s physical and aesthetic growth, artistic production quality, and strong educational development, Dennis feels particularly blessed to be a part of the Play house family. denniscmaulden.com

ASHLI ARNOLD CRUMP (RESIDENT COSTUME DESIGNER / COSTUME SHOP MANAGER) No introduction needed, Ashli has been a Vagabond for 30 years and has led the costume department for over a decade. What a long, strange trip it’s been. A graduate of the former FRP Theatre for Young People Conservatory program. She has a degree in Theatre Design and Technology from Appalachian State University. As the Resident Costume Designer she has designed countless FRP productions. Some of her favorites include South Pacific, All Shook Up, Annie, Joseph…Dreamcoat, Chasing Rainbows, Million Dollar Quartet, 9 to 5, The Music Man, Miss Saigon, Les Miserables, Hank Williams Lost Highway, The Little Prince, Peter Pan, and A Christmas Story. Ashli has also worked for New Stage Theatre, Florida Repertory Theatre, Mill Mountain Theatre, South Carolina Children’s Theatre, Blowing Rock Stage Com pany, The Opera Company of NC, Brevard Music Center, Brevard College, and Sapsis Rigging. You can also see Ashli’s handcrafted jewelry and designs at The Garage on 25 in Fletcher, NC.

BEN HAMANN (HEAD OF LIGHTING AND PROJECTIONS) Ben first joined the FRP family in 2019 as the lead electrician and in 2022, he stepped into a new role as the head of lighting and projection. He is a North Carolina native and holds both a BA and MA in Theatre Arts from Bob Jones University. His favorite shows to work on at FRP have been The Lion, The Witch, & The Wardrobe, All Shook Up, and Turn of the Screw. His other lighting design credits include Guys & Dolls, Mary Poppins (Overshadowed Theatrical Productions); Christmas Cabaret (Younts Center). He would like to thank his friends and family for their love and support and a special thanks to CJ Barnwell for his guidance and mentorship these past few years.

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David and Sharon first came to Flat Rock Playhouse in 2016 for the all-star hit production, Million Dollar Quartet. We are honored and overjoyed to call this dynamic duo part of the Flat Rock Playhouse team of patrons, donors, and volunteers.

Find peace and tranquility in this new garden of remembrance.

THE LEIMAN

David and Sharon Leiman donated this hallowed ground in memory of the six million Jews and millions of other men, women, and children murdered by Nazi Germany. The garden invites us all to remember, learn, reflect and NEVER FORGET.

Flat Rock Playhouse’s founder, Robroy Farquhar, settled in this beautiful mountain region to celebrate the joys of nature and create a safe haven to practice his craft. In 2021, we continue to embrace the quiet serenity of our beautiful surroundings with The Leiman Garden of Remembrance.

FLAT ROCK PLAYHOUSE INDIVIDUAL DONORS:

THANK YOU TO OUR DONORS

As a 501(c)(3) nonprofit professional theater and arts education organization, Flat Rock Playhouse relies on tax-deductible donations to support our programming.

We are abundantly grateful for the generous support of our donors who ensure that the show will go on. Together we can preserve, ignite, and revitalize the arts in Western North Carolina.