CHARLOTTE & BOB OTTO
BLOOD KNOT SEPT. 16 - OCT. 9 THE BLACK BOX SERIES new initiativesfund
Jan & Pete Richards Scott & Amy Donaldson Kim & Dave Hinkelman

MISSION STATEMENT:
Flat Rock Playhouse, The State Theatre of North Carolina, is committed to fostering a diverse, equitable and inclusive community of artists, patrons, volunteers, students, partners, and supporters where everyone is welcome.
FLAT ROCK PLAYHOUSE’S COMMITMENT TO DIVERSITY, EQUITY AND INCLUSION:

At Flat Rock Playhouse, all people – whatever their gender, race, ethnicity, national origin, age, sexual orientation or identity, religion, education, or ability – are valued and respected. As storytellers, we strive to tell stories that reflect and illuminate the diversity of our shared humanity. We are grateful to our community and our audience members for joining us in this shared spirit of inclusion and equity for all.
Flat Rock Playhouse, The State Theatre of North Carolina, enriches lives through the art of theatre by sustaining production excellence, nurturing talent, and inspiring creativity in an inclusive safe haven for artistic vision, life-long learning, and creative risk.

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HEAR THEHOWDIFFERENCETOUSE:Easy as 1,2,3! 1.Attach headphones. 2.Press the green button to turn on. 3.Press the Black “T” button for the Hearing Loop. Adjust volume with the (+) and (-) buttons Info on Hearing Loop: •About 1 in 4 Americans —some 8.4 million—have hearing aids, according to a 2018 poll. •A hearing loop magnetically transfers the microphone or TV sound signal to hearing aids and cochlear implants that have a tiny, inexpensive “telecoil” receiver. This transforms the instruments into in-the-ear loudspeakers that deliver sound customized for one’s own hearing loss. •69% hearing models—including in-the-ear models and conventional behind-the-ear models. •A form of assistive listening, including hearing loops, come with portable receivers and headsets. •What is a telecoil? -A tiny coil of wire around a core that will induce an electric current in the coil when its in the presence of a changing magnetic field. Normally, a hearing aid "listens" with its microphone, then amplifies what it “hears”. -A telecoil “hears” a magnetic signal which represents sound. -On telecoil-equipped hearing aids and CIs, the wearer must “turn on or “switch to” telecoil mode. Some users prefer a mode that only uses the telecoil and not the microphones when they are in telecoil mode, and other users prefer a combination of telecoil and microphones. Major Benefits: •Can use your own hearing aid that is geared to your particular needs. • Don’t have to take extra time to go find hearing aid assistance or configure it to work best for you. Check it out: Hear The Difference! http://www.americanhearingloop.com/ Scroll down the page and listen to the two audio clips. SPECIAL THANKS TO: SPECIAL THANKS TO ASHEVILLE EAR NOSE & THROAT




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TheInformationPlayhouseLeimanMainstage P.O. Box 310 2661 Greenville Hwy Flat Rock, NC 28731 Admin Office: 828.693.0403 Box Office: 828.693.0731 Toll Free: 866.732.8008 Box Office Hours Monday - Friday 10AM - 5PM and 90 min. prior to all showtimes. FLATROCKPLAYHOUSE.ORG@FRPlayhouse A small group of volunteer gardeners led by the Hendersonville Master Gardener program started creating the current gardens at The Playhouse in 2008. Contact Tamsin Allpress for more information tallpress@tamsinandcooke.comatThankYouMASTERGARDNERS

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But all of that ‘magic’ requires care and feeding. That is where your continued generosity is so import ant. Ticket prices alone cannot (and do not) support all the costs of production. So, we still need your welcomed and continued contributions to keep your “Western Carolina Broadway” vibrant and magical for Thanks,you.
David
Joseph LarryTomLeePegLaughterLuyMandellMarshallMcGaughy Dot MichaelJanetteCharlotteMoyerOttoTurnerRouseEmilyRussellSullivanSullivanMichaelWeitzelSandyWilliams FLAT
for your caring, thanks for your patronage and support, and thanks for your continuing generosity. Now, sit back and let us entertain you!
A MESSAGE FROM JOE IPPOLITO PRESIDENT, FLAT ROCK PLAYHOUSE BOARD OF TRUSTEES

Flat Rock Playhouse owes each of you and many others a very big THANK YOU for your support during the hiatus that marked 2020 and 2021. We thank you for your wonderful generosity during our Rock Solid Campaign last year. Your trust and dedication to the arts and FRP are cherished and cheered. You exhibit the can-do Vagabond Spirit that inhabits this Playhouse.
We are back! Perhaps that makes me a “cockeyed optimist” akin to Rogers and Ham merstein’s Nellie Forbush in South Pacific. Uncertainty about the pandemic indeed lingers. Still, we all need to return to some semblance of normality in our lives. So, it is far too difficult for me to be anything but excited about Flat Rock Playhouse’s 2022 season. With great pleasure as President of the Board of Trustees, I welcome you back to the Rock. We are happy to see you – and we have missed you!
I assure you that the entire Playhouse Staff and Board are excited to be back as well. And we are back with the same professionalism and delightful productions you expect from this compa ny of outstanding thespians. Nothing has changed—the excellence you have come to expect is still the watchword around here.
Still, we must not rest on the success of the Rock Solid Campaign alone. Live theater is a costly business. We seek to produce “magic” for our audience and transport you to different places and eras, all of which we do with lights, scenery, costumes, sound, props, facilities and administrative support, and superb actors. What goes on behind the scenes is not unlike the magic of the rabbit in the magician’s hat. Yes, we all know the rabbit was put there by the magician, but we still are charmed and entertained when the rabbit magically appears from the magician’s empty hat. And like the magician, it’s our job to keep the secrets of our work away from you to surprise and dazzle you from show to show.
Allen Connie Backlund Bird Bartlett Connie Herbst Bergman Cam Boyd HarryDeannaDiBellaEllisGrymes
Bob
Sherri Holbert Ippolito Leiman ROCK PLAYHOUSE BOARD OF DIRECTORS
Joseph
A MESSAGE FROM LISA K. BRYANT, ARTISTIC DIRECTOR


THANK YOU TO OUR SEASON SPONSORS





As it has all over the world, the global pandemic has had its way with ‘The ROCK’ too. The live arts were particularly challenged since having folks gather indoors en masse was a deep concern for health experts, not to mention the complex process involved behind the scenes in putting a live show together and ensuring the safety of the team, as well as meeting the requirements of the Actors Equity Association. BUT! We’re here now and overjoyed to get back to doing what we do—for You! And honestly, we’re ready to remind everyone just how special The State Theatre of North Carolina is and that there is nowhere else in Western North Carolina that offers world-class entertainment quite like the Playhouse does.
Welcome (back) to Flat Rock Playhouse! If I hadn’t lived it every day, it would be nearly impossible for me to believe that FRP’s doors were completely shut for 19 months, (572 days,) or that the 2022 season opener Catch Me If You Can would be the first professional play we’ve produced since the Fall of 2019. Either way—it has been a long time! We missed all of our patrons and artists and the thrill of producing live theatre more than I can express.
Thank you for coming back to the theatre! Without you, there [literally] is no Flat Rock Playhouse. Our gratitude for the unwavering support of Playhouse and theatre lovers knows no bounds, and we just want to thank you over and over with production excellence that brings joy and light to your lives and to everyone who ventures out to the ROCK for decades more to come.
With love and gratitude, Lisa K. Bryant, Producing Artistic Director





ARUSI SANTI* (MORRIS) is excited to join this production and to make his Flat Rock Playhouse debut. Regional Theatre credits include: SOMEWHERE OVER THE BORDER (Syracuse Stage, Geva Theatre), A CHRISTMAS CAROL (Guthrie Theater), ON YOUR FEET (Au rora Theatre), IRONBOUND (B Street Theatre, Moxie Theatre), ONCE (Craig Noel Award), CHAPS! (Lamb’s Players Theatre), CINDERELLA EATS RICE AND BEANS (New Village Arts), ANNIE GET YOUR GUN, THE LIAR, BOOMTOWN (Creede Repertory Theatre), CLANDESTINO (Wilhelm Bros. & Co./Mixed Blood Theatre). UK: MUCH ADO ABOUT NOTHING (Edinburgh Fringe Festival). MEXICO: LA ALONDRA (Teatro UNAM). TV: “Naomi”, “El Hotel de los Secretos”, “A que no me dejas”, “Hasta que te conocí.” Arusi has also helped develop plays at La Jolla Playhouse, The Guthrie Theater, Cygnet Theatre, and Moxie Theatre. Training: University of Minnesota/Guthrie Theater BFA Actor Training Program. Proud member of AEA. Represented by Pantera/Murphy the Agency. Gracias a la vida, que me ha dado tanto. www.arusisanti. com IG: @arusi.santi


ODERA ADIMORAH* (ZACHARIAH) is thrilled to be cast in Flat Rock Playhouse’s production of BLOOD KNOT. Other theatre credits include: Arizona Theater Company’s production of MASTER HAROLD AND THE BOYS, Classical Theater of Harlem’s production of ROMEO AND JULIET, Columbia Stages production of IN THE RED and BROWN WATER (Sango), FUNNYHOUSE OF A NEGRO (Patrice Lumumba) and UNPACKING: A GHOST STORY at the Here Arts Center. I feel blessed to go on on this journey and to bring this ever relevant story to life.

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FLAT ROCK PLAYHOUSE STAFF Producing Artistic Director.............................................................................................Lisa K. Bryant Artistic Associate........................................................................................................Matthew Glover Resident Music Director..............................................................................................Ethan Andersen Production Manager..................................................................................................Adam Goodrum Associate Production Manager.......................................................................................Josh Stewart Education Programs Manager....................................................................................Lauren Hopkins Major Gifts Officer.......................................................................................................Kim Hinkelman Development Manager..................................................................................................Olivia Palmer Development Associate.................................................................................................Debra Nelson Graphic + Media Designer.........................................................................................Christy Souther Social Media Coordinator......................................................................................................Emily Gill Videographer.....................................................................................................................Jeb Purcell Finance Director.......................................................................................Samantha Yaeger Goodrum Business Manager......................................................................................................Andrea Cochran Box Office Manager.......................................................................................................Stephanie Orr Assoc. Box Office Manager...........................................................................................Jade Anastasia Customer Service Representative................................................................................Meredith King Customer Service Representative.................................................................................Alyson Gooch House Managers.........................................Emmett Casey, Vicki Leeds, Jessica Casey, Libby Morris Facilities Manager.............................................................................................................Paul Feraldi Assistant Facilities Manager + Concessions...................................................................Bryan Taylor Head of Lighting.............................................................................................................Ben Hamann Head of Sound Kurt Davis Resident Costume Designer / Costume Shop Manager.....................................Ashli Arnold Crump

PRODUCTION Production Manager.....................................................................................................Adam Goodrum Assoc. Production Manager...........................................................................................Joshua Stewart Production Stage Manager....................................................................................................Bill Muñoz Asst. Production Stage Manager......................................................................................Lizzie Komosa Scenic Design......................................................................................................................Luke Atkison Asst. Scenic Designer.........................................................................................................Morgan Shea Head Carpenter...................................................................................................................Mike Sarisky Carpenter................................................................................................................Deborah Samuelson Scenic Charge ................................................................................................................Steph Charaska Scenic Charge ....................................................................................................................Shaly Farmer Sound Designer.....................................................................................................................Kacie Wilis Associate Lighting Designer..............................................................................................Ben Hamann Lead Electrician ................................................................................................................Troy Morelli Staff Electrician ............................................................................................................Dariyn Ferguson Costume Shop Manager..........................................................................................Ashli Arnold Crump Costume Designer............................................................................................................Azalea Fairley Assistant Costume Shop Manager....................................................................................Lindsey Jones Head Wardrobe...................................................................................................................Amy PropsAssistantPropsAudioHeadCostumeCostumeStitcher.................................................................................................................................BettyPavelkaMillerOverhite.................................................................................................................ErinJusticeShopVolunteer..................................................................................................KathrynWellsofAudio..........................................................................................................................KurtDavisEngineer.......................................................................................................................RyanCookManager......................................................................................................................SamGainerPropsManager............................................................................................RebeccaXhajankaIntern..........................................................................................................................DorianLeto CLICK HERE DONATE TODAY!

JOSHUA STEWART (ASSOCIATE PRODUCTION MANAGER) Prior to joining Flat Rock Playhouse for the 2022 season, Joshua served as the assistant production manager for the Theater Department at Rutgers University, Mason Gross School of the Arts. He has also worked as a stage manager across the US for companies such as Florida Grand Opera, the Atlanta Opera and Piedmont Opera, among others. Joshua holds a Master of Fine Arts in Stage Management from the University of Illinois Urbana-Champaign, a Bachelors of Science in Theatre Production from Illinois State University, and is a member of the Amer ican Guild of Musical Artists.
VICKIE WASHINGTON (DIRECTOR) is a theatre artist and cultural worker who directs, acts, produces, and teaches. Selected directing credits include What to Send Up When It Goes Down, The Mountaintop, The Great Lonely Roamer, Schoolgirls; or the African Mean Girls Play, Last Stop on Market Street, Are you now, or have you ever been…, Harriet Jacobs, Fences, Passing Strange, The Ballad of Jane Elkins, Single Black Female, Sunset Baby, Four Little Girls: Birmingham 1963, Fabulation, Angela’s Mixtape, Sizwe Bansi is Dead, Speech and Debate, and The Little Tommy Parker Celebrated Colored Minstrel Show. Her directing work has garnered two Irma P. Hall Black Theatre Awards and recognition from the Dallas Observer for Best Director of the world premiere of Jonathan Norton’s Mississippi Goddamn. Acting credits include on-camera work in Random Acts of Flyness (HBO); Indie films, They Charge for the Sun, Swimming in Your Skin Again (official Sundance selection); and Steps of Faith. Selected theatre acting credits include A Raisin in the Sun, Dreaming Emmett, Primer for a Failed Superpower directed by Ra chel Chavkin, Crowns, …and Jesus Moonwalks the Mississippi, for colored girls…, Joe Turner’s Come and Gone, Piano Lesson, Contribution, From the Mississippi Delta, and The Tempest. Vickie is the found er and producing director of r. t. w ~ reading the writers, a readers theatre performance organization. A proud member of Actors Equity, she deeply values the gift of theatre and the powerful ways in which it can be utilized to tell the stories of the African Diaspora. #onandup
ADAM GOODRUM (PRODUCTION MANAGER) Adam graduated from UNC School of the Arts in with a B.F.A. in Technical Direction. After graduating he went to Goodspeed Opera House where he spent 3 years climbing the ranks from a Carpenter, Lead Welder, Master Carpenter to their Assistant Technical Director 2007. He then moved to DC to become Signature Theatre’s Technical Director. After a year with Signature he returned to Goodspeed to take over as their Technical Director where he stayed from 20092013. In 2013 Adam moved closer to home and joined the Flat Rock Playhouse staff where he took on the position of Technical Director, and in 2014, he moved up to be the Production Manager. Adam is happy to have found his place back in his home state of NC where he is closer to family and friends and where he and his wife, Samantha welcomed their first child Ryden to the Vagabond Family in 2018.
BILL MUÑOZ* (PRODUCTION STAGE MANAGER AND FIGHT CHOREOGRAPHER) Words are hard to find to express the gratitude and happiness Bill feels to be able to return to work at this wonderful organiza tion after two years of pandemic survival. Being able to call himself an active member of the Vagabond community is a very high honor. Celebrating his 31st season, it’s a feeling of rebirth. A time to look forward and be a part of a positive movement. Special thanks to those who support live theatre and make the arts an important contribution to society. Much love to his wife and daughter, the two most important people of his life.
AZALEA FAIRLEY (COSTUME DESIGNER) is a New Orleans born, New York based designer and is excit ed to work with Flat Rock Playhouse! Their recent NYC design work includes Downtown Stories, What Lies Beneath, TJ Loves Sally Forever (NYT Critics Pick), Hurricane, and Under the Overture. Regional: By the Way, Meet Vera Stark (Colorado Fine Arts Center), 10x10 Play Festival (Barrington Stage MA), Schoolgirls (Theater Squared AR). Broadway assistant credits include: A Strange Loop and Hamilton. Off Broadway Assisting credits: A Strange Loop (Wooly Mammoth DC), The Vagrant Trilogy (Public Theater), The Road We Came (On Site Opera). Film design credits include The Rainbow Experiment, Murderer, and Paris in Harlem. They received their BA from DePaul University (degree in African Diaspora Studies and Theater) and later attended the Fashion Institute of Technology in NYC. azalea-fairley.com
LIZZIE KOMOSA (ASSISTANT STAGE MANAGER) is very excited to be Stage Managing her first show at the playhouse, Mozart to Pop Chart. Lizzie is from Madison, WI, and graduated last spring from the Uni versity of Wisconsin- Eau Claire with a bachelor’s degree in theatre and a certificate in arts administra tion. Other shows that she has done at the playhouse include West Side Story (Assistant Stage Manager), and Million Dollar Quartet (Assistant Stage Manager).
BEN HAMANN (HEAD OF LIGHTING AND PROJECTIONS) Ben first joined the FRP family in 2019 as the lead electrician and in 2022, he stepped into a new role as the head of lighting and projection. He is a North Carolina native and holds both a BA and MA in Theatre Arts from Bob Jones University. His favorite shows to work on at FRP have been The Lion, The Witch, & The Wardrobe, All Shook Up, and Turn of the Screw. His other lighting design credits include Guys & Dolls, Mary Poppins (Overshadowed Theatrical Productions); Christmas Cabaret (Younts Center). He would like to thank his friends and family for their love and support and a special thanks to CJ Barnwell for his guidance and mentorship these past few years.
LUKE ATKISON (SCENIC AND LIGHTING DESIGNER) is from Kansas City, Missouri and a graduate of Texas Christian University. Atkison was previously the resident scenic, lighting, and projections designer for Titusville Playhouse in the Orlando, FL area, designing over 100 productions in his time there. Other companies on his resume include Stage West (Fort Worth, TX), Watertower Theatre (Addison, TX), Theatre TCU (Fort Worth, TX), The Henegar Center (Melbourne, FL), and Tarrant County Colleges (Arlington, TX). Recent credits include Kinky Boots (Titusville Playhouse), What To Send Up When It Goes Down (Stage West), The Who’s Tommy (Titusville Playhouse), Big Fish (Titusville Playhouse), and Ghost: The Musical (Titusville Playhouse). You may visit his website for his full resume and a portfolio of his work at lukeat kisondesign.com.
SAM GAINER (PROPS MANAGER) is from Charlotte, NC. In May 2022 he graduated from the University of North Carolina at Greensboro where he got his degree in Design and Technical Production. This is his first job out of college and he could not be more excited! His previous FRP credits include West Side Story, Letterland Alive! and Greetings from North Carolina.
LAURA RIKARD, (INTIMACY CHOREOGRAPHER) is an intimacy choreographer/director and coordinator, director, actor, and professor. She is Co-Founder and Head Faculty of Theatre Intimacy Education. She choreographs, consults, and teaches workshops on best practices for staging intimacy for professional and educational theatre and film nationally and internationally. Intimacy Choreographer credits include: Spring Awakening; Heathers, Indecent, Tick Tick Boom Scenes From an Execution; among others. Intimacy Coordinator credits include: Harlem; Mother’s Instinct; Interview With A Vampire; Ramy; Anne Rice’s Mayfair Witches; and Billy Porter’s Anything’s Possible. She is a contributor to the first book on theatre intimacy, Staging Sex: Best Practices, Tools and Techniques for Theatrical. As a director and actor, she has worked in film and television, NYC, regionally, on national tours, internationally and devised solo productions. She is an Assistant Professor of Theatre at the University of South Carolina Upstate. She is a recipient of the Best Acting award at the Virginia Film Festival and has been named by Academic Keys as a “Who’s Who in Fine Arts Education” Festival, the Kennedy Center Medallion for contribution to Intimacy Direction, and the Faculty Teaching Award at USC Upstate. She is based in Asheville, NC and the Mom of 3 year old twins.
KACIE WILLIS (SOUND DESIGNER) is an audio artist, podcaster and creator based in Atlanta. After participating in the 2019 Spotify Sound Up accelerator program she formed the production company Could Be Pretty Cool whose mission is to produce unique creative experiences to inspire community building through the arts. In 2022 she was named one of the “40 Under 40 in Podcasting” by Podcast Magazine and will serve as a fellow in the Arts and Social Justice program at Emory in the fall. Kacie is a professional member of the Theatrical Sound Designers and Composers Association, The Podcast Academy and the Creativity Coaching Association. Say hi on IG @couldbeprettycool
J. TAYLOR WRIGHT (ASSISTANT DIRECTOR) is a multi-disciplinary artist from Texas currently based in Pittsburgh, PA. Select credits: A Chorus Line (Nt’l Tour, Chinese Premiere, The Cape Playhouse, The Wick Theatre), afterglow (Off-Bway), The View UpStairs (Uptown Players), Godspell (New London Barn Playhouse), Mary Poppins (New Bedford Festival Theatre, Northern Stage). Education: Coastal Carolina BFA Musical Theatre, SITI Company Intensive, Hangar Theatre Lab Company. Special thank you to my Aunt B who brought me to Flat Rock Playhouse in 2009 to see Man of La Mancha… full circle baby! J-tw.com

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693-7136 305 S. King Street, Hendersonville You can’t be home all the time. Our Security Systems provide 24/7 Monitoring so you can sit back, relax, and enjoy the show! Hope you are enjoying the show! yourwatchingWho’shome... For a complete array of services visit our website at Kanuga.org | 828.692 .9136 Playbill 2019 Permanent Pages.indd 43 3/4/19 3:57 PM








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David and Sharon Leiman donated this hallowed ground in memory of the six million Jews and millions of other men, women, and children murdered by Nazi Germany. The garden invites us all to remember, learn, reflect and NEVER FORGET.
David and Sharon first came to Flat Rock Playhouse in 2016 for the all-star hit production, Million Dollar Quartet. We are honored and overjoyed to call this dynamic duo part of the Flat Rock Playhouse team of patrons, donors, and volunteers.
THE LEIMAN
Find peace and tranquility in this new garden of remembrance.
Flat Rock Playhouse’s founder, Robroy Farquhar, settled in this beautiful mountain region to celebrate the joys of nature and create a safe haven to practice his craft. In 2021, we continue to embrace the quiet serenity of our beautiful surroundings with The Leiman Garden of Remembrance.
THANK YOU TO OUR DONORS
We are abundantly grateful for the generous support of our donors who ensure that the show will go on. Together we can preserve, ignite, and revitalize the arts in Western North Carolina.
FLAT ROCK PLAYHOUSE INDIVIDUAL DONORS:
As a 501(c)(3) nonprofit professional theater and arts education organization, Flat Rock Playhouse relies on tax-deductible donations to support our programming.

THANK YOU TO OUR DONORS

THANK YOU TO OUR DONORS

THANK YOU TO OUR DONORS

THANK YOU TO OUR DONORS

THANK YOU TO OUR DONORS


CHARLOTTE & BOB OTTO
Jan & Pete Richards Scott & Amy Donaldson Kim & Dave Hinkelman
BLOOD KNOT SEPT. 16 - OCT. 9 THE BLACK BOX SERIES new initiativesfund
