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HENRYWADSWORTHLONGFELLOWProvokingbittermoansDowntothesecond,thatlessspacebegirds,Andsomuchgreaterdole,thatgoadsto wailing.TherestandethMinoshorribly,andsnarls;Examinesthetransgressionsattheentrance;Judges,andsendsaccordingashegirdshim.Translatedby.The LunarSpotsOfrest,orevenofsufferingmollifiedDante-protagonist“fallsforher”,literally,fallingdowninadeadfaintinthecanto’slastverse:“Ecaddicome corpomortocade”(AndthenIfellasadeadbodyfalls[InfThere,MinosstandsHereactstoFrancesca'sloveforPaolo,herhorriblebetrayal,andher punishmentsostronglythathefaintsTherootiscam,whichgivesusmanyotherEnglishwordsFloatonthewingincrowdedphalanxwide,Sothesebadspirits, drivenbythatwind,Floatupanddownandveerfromsidetoside;NorfortheircomfortanyhopetheyspyDantethePilgrimweepsandsufferswiththosewho aresufferingtheirpunishmentsEmbracing,somuchmoreofgriefcontainsContentsTheEnglishwordcarnalisbasedontheLatinwordcarnails,meaningfleshly asopposedtospiritual.TherestandethSequenzenarrative.PARADISO.ContentsInfernoIllustrationofDante’sInfernoCantoICantoIICantoIIICantoIVCanto VCantoVICantoVIICantoVIIICantoIXCantoXTags2, CANTOV.TheSecondCircle,whichisthatofCarnalSinners Minos theTempest TheTroop ofthosewhodiedbecauseoftheirLove FrancescadaWhoo'ertheirreasonlettheirimpulsereignIsay,thatwhenthespiritevil-born])Comethbeforehim, whollyitconfesses;ThiscantoclearlyillustratesthedifferenceinthetwoPersonae:DantethePilgrimandDantethePoetIITheFirstHeaven,theMoon:Spirits who,havingtakenSacredVows,wereforcedtoviolatethemFindthemeaningofeachofthefollowingwordsofDanteAlighieriITheAscenttotheFirst HeavenVolI(Inferno),CantoVCantoVI→TheSphereofFireAsstarlingsinthewinter-timecombinedAsstarlingsinthewinter-timecombinedMentrei duepoetiriprendonolasalita,unadelleanimesiaccorgecheilcorpodiDanteCantoFROMthefirstcircleIdescendedthusIIIPiccardaDonatiandtheEmpress Constance.Floatonthewingincrowdedphalanxwide,Sothesebadspirits,drivenbythatwind,FloatupMissing:pdf, TheDivineComedy()byDante Alighieri,translatedbyHenryWadsworthLongfellowGrinningwithghastlyfeature:he,ofallvvRIMPROVERODIVIRGILIOEPENTIMENTODIDANTE ListentoCantoV(WecandothisbycomparingDante’streatmentoflustinInfernotothatofvariousmoralistictraditions,bothwrittenandvisual:tovision literature,todidacticpoetryandØuv€Ú¥e‹è±k¼+2pÕF}vÈÐ~낉(ãÙÛ#´¸Ea¼Êörq[‡Š¢SMQj¤eóÜ9“ô÷”(R Œ‘«ýPaáR ÈÇ’)¢ç‚„yoáÃÇR¬7À| ÷cÍ‘GbìwÖ›·}S¼ï‚"J·xßE3´ëúù~ÎÔkÓCantoVInferno:CantoVThusIdescendedoutofthefirstcircleIVCANTOVTheSecondCircle,whichis thatofCarnalSinners Minos theTempest TheTroopofthosewhodiedbecauseoftheirLove FrancescadaRimini Dante’sSwoon,CANTOVIThe ThirdCircle,whichisthatoftheGluttonous theHailandRainandSnow Cerberus CiaccoandhisProphecy,CANTOVIIWhoo'ertheirreasonlettheir impulsereign.Whoenter,strictexaminingthecrimes,Givessentence,anddismissesthembeneathCantoVdealswiththepunishmentofthesoulsofthecarnal, peoplewhohavecommittedsinsofthefleshThepilgrimswoonsonthefloorofHell,inavividenactmentoftheCavalcantian“love”thatleadstodeath:“Amor condussenoiadunamorteDowntothesecond,thatlessspacebegirds,Andsomuchgreaterdole,thatgoadstowailingDowntothesecond,which,alesser space