Page 1

SE7EN Craig Andrew Fitzpatrick (ASCAP) 2011

Original music inspired by the Seven Deadly Sins

Part 1: Introduction and "Pride" Driving q = 162

 

       

 

        

  

 

 

            

    

  

  



 



 

  

 

       

 



   Trumpet in Bb 1 

  

 

        

   

 

    

            

 

    

 

   

 

 

     Flute 1, 2   ff

Clarinet in Bb 1

Clarinet in Bb 2, 3





ff

   ff

Bass Clarinet in Bb

ff

Alto Sax. 1, 2

Tenor Sax.

 

ff

ff

Baritone Saxophone



ff

ff

Trumpet in Bb 2, 3

ff

Mello in F 1, 2

ff

Low Brass 1

ff

Low Brass 2

ff

Tuba

    

           

  

  

      

Piano

 

Synth.

Vibes 1

Vibes 2

Mallet 1 (bells, crotales)

Mallet 2 (xylo.)

Marimba 1

Marimba 2

Chimes

Drumset

         ff       

f

Rack Combo B

Latin Combo





  

     

 



 







   

 

 

 

   

 

 

 

  







  

  







   

 

   







   

 







  

 

   

   







   

  

  







   

  

   







  

 

   







   

 

  







       

    

 

 

 

 

                     





                                



       mp

  













  













  

 

mf

   

      

       



   

         

       



f

    



f

    

 

                                                                            f

    



                                                                              f

    



   

   













f

f

mp

                                                                                                                                                         

  

 

  

mp

mp

mp

mp

mp

































  



  







         

Splash cym.

Rack Combo A



     

ff

Timpani

 

  

ff

  1

 

  2

 



   3

  



  4

 



   5



shaker

mf

Congas

         mf

6

7


13

2

Fl. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

    





















  





















  





















  









       



mf

  

       



  

       



  

 

 

 

 

 

 

 

 

 

 

  





















  









        

            

            



    





















  





















  

















 

   









   

 

 

 

 

Tba.

   









Timp.

   

 

    



   



A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Piano

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

mp

   



 

mf

   

mf

        

         

         



         

              

              

 

       

            

               



     

  

 

mf

mf

mf

          

        

     





































  



 



 



 



 



 



 

  



 



 



 

    





















    





















    

 

 

 

 

 

 

 

 

 

 

    





















    

  

   

            

            

       

   

       

   



   

  

   

             

             

       

   

       

   

 

   

 

 

 

 

 

 

 

 

 

 

mf

mf























RackA























RackB

                                                                                                    

Latin



Dr.Set

                                         8

9

10

11

12

                13

14

                15

16

    17


3

Fl. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

    

  

     





 





mf

                                                                    mf

 

                                                                         

                                                                     mf

  

  

  

                       







  

    





 





 



fp

 

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

     

   



   



    



    

    

    

f







 

  



fp

 



           

fp

f

 





        

                                 

  

         

  

Tba.



        

f

 

  

fp

   

 

          

mf

 

Synth

        



                             



      

L.B. 2



         

  

      

Piano

  

 

      

       



     

mf



Timp.

 

                                                                      

                            

L.B. 1



mf

mf



                                                                         

                                 



 

f

      

         

fp

fp





         



        

 

         



        









  

f

   





 

  

         



                                                                          mp

 

 





 







    











    











                     







 

  

   

   

mf





               

                                                                     mp

               

     

   

 





 

   

 



   

   



                

         

   

  

 

 

 

   

  

 

 

   



    

 

 

 

 

 

 

 

 

 



















RackA



















RackB

                                          

Latin



Dr.Set

           18

                19

20

 21

 

 

          

             22

 23

 

 

         

             24

 25

  


31

Drum Break

4

Fl. 1, 2

        



           







ff

Cl. 1

ff

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

            ff

  

   ff     ff

Ten. Sax.

Bari. Sax.

  

 ff

    ff

Tpt. 1

     

 

 



ff

Tpt. 2, 3

    

 

ff

Mello

ff

L.B. 1

     



    



ff

L.B. 2

  

       

 

 

ff

Tba.

     

































































































 





  



 





    

 

  

 

 





 





  

 

 



 





   



  

  



  

  

  

   ff

ff

ff



  ff   

  

ff

   

  

ff

   ff   

 

ff

    

 

ff

  

  

ff

ff

ff



           



                                                                          



   



     



 



ff

Piano

     

ff

Timp.



ff









f

















     

    









    ff 

    













                                           f

 

                                                                            f



Mar. 1

      





Mar. 2

    

 

 

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Chim.

Dr.Set

RackA

RackB

Latin

      



             

    





  



 

                                                         f                                             





































  

f

 



Splash cym.

ff



       

26

27













 28









 29



  





                                   



hi-hat

mf

30



 31



 32


5

       Fl. 1, 2    Cl. 1

    

 



   

     

 

   

   

       



            

            fp

Piano

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

 

   

      



  

     

  



  

     



   



   

   

   

    

  

  



 

   

 

    

   



ff

 

 

    

 

  

  



 

    





 

   



    



  





  

 

   

 

 



  

       



  



  

     



  



   

 

  

   

   

 

             ff

            

 

    

fp

Timp.

 

 

    

Tba.



    

Bari. Sax.

L.B. 2



 

   

L.B. 1



               ff

     

Mello

 

     

Ten. Sax.

Tpt. 2, 3



ff

   

Tpt. 1

  



    

A. Sax. 1, 2

   

           

fp

B. Cl.

    

     fp

Cl. 2, 3

    

 

 



fp

 

fp

 

  



 

  

  



   

  

 

 

 

 

 

 

ff

ff





     

  



 

 

   

 

 

 

 

      



 

 

 

  



 fp

 

fp

 

 

  

   

   

  

 

 

  



  

  

  





    



 

 

  

   





   

ff

   

  





 





   

 

ff

 

 

   

 



       



 





     



 

 

 

    

 







 

 

 

 

 

 

 















     

     

 



  

 



 

 

 

     

 

 

 

    















    















    















    















   















    



































 

  



RackA



RackB

                                                                                                                                

Latin



Dr.Set





   

 33



  



 34



 35



 36





   

 37



 







 38







   

 39








43 6

Cl. 1

Cl. 2, 3

drum focus 6/8 feel

   

    

    

  

 

     

   

    

  Fl. 1, 2    

 

  

            



     

 

fp

fp

mp

mp

        













        



























fp

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

Piano

Synth

  

      

  

  

     

      

      

     

   

    



   

  

     

   

   

        

 

  

  

  

  

  







   

   

      

     

      



































fp

fp















     



fp





fp

fp

        

      

     

fp

 

        

  



fp

   

fp

 

   



fp

  

 

fp

        

    

      

        

   

  

fp

  

      



fp

    

         



 

 

 

 

  

 

  Vibes 1    

    

    

 

 

 

    





 

    





 

   





 

   





 



 

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.





 

mf

   mf





RackA





RackB

                                          



 

42

43

44

45

46

47

48

49

50

Dr.Set

Latin



 40





 41

  



 







                  p


Drum Fill Fl. 1, 2

Cl. 1

Cl. 2, 3

    

       

       



       

       

       

 

 

               

    



 

 

 

 

 

ff

 

  fp

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3



 

mp

 

 

 

 

    

 

 

fp

               

fp

   

 

 

 

   





fp



  

 









  

Timp.

  

  

  

  

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

   

   

ff

   

   

   

   

   

   

   

ff

Tba.

Vibes 1



fp

Synth

    

ff

 

Piano

ff

ff



L.B. 2

   

ff

  

L.B. 1

ff

ff

fp

Mello

ff

mp B. Cl.

       

fp

ff

 

fp

ff

 

  pp

 

fp

 

ff

ff

                                 

p

    

    

       

  

f

mf

 

     

  

                                 

   

   

   

  

  

RackB

Latin



p

mf

               

mf

               

mf

                mf

RackA

7













 

                                                                               

51

52

53

54

55

56


8

  Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.











  



 

  

  

  

  

    

                  

    

   

 

    

          

         

          

    

          

 



                   

     

         

  

  

  

    

Synth

  

 

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

 

    mf

  

          

       

                

    

          

    

           

 

fff

fff

 

       

  

 

  

      

  

  

  

         



     

           

 

 

   

             

fff

   

 

  fff  

   

 

 

             

 

   

 

 

fff

   

         fff        

        

             

fff

                      mf

          

fff



         

  

fff

          fff              

       

fff

             

fff

    



   

           

fff







 

   

  







                                            fff

  









                  

fff

 

























                

 

 

 

                           

                







                          

  Vibes 1    Vibes 2



                   

               

Piano

mf

                  

  

  

                       

                           

          

         

         

 

                                                

          

fff

                                                          fff



















   

          

62

63

64

65



 

 

 





      

RackA

RackB

                             

Latin



  

57

                58

59

60

61





      


Imagine a show off sort of section each section watches the others with Envy. I will keep a little of the feel from part one, to create some flow between movements

68

74

Percussion transition...line focus / front ensemble focus later in section

Part 2: Envy slightly slower q = 152

9

   





Cl. 1







Cl. 2, 3







B. Cl.























  











 





L.B. 1

  





L.B. 2

  





Tba.

  





Timp.

  

    

    

Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

Piano

p

  

  

       Vibes 1   

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

     

   

  p 

   

  

ff

                 

  f

  

 

   

 

   

 

   

 

 

 

 

f

   

   

   

  

  

 

f

             

f

     

            

RackA

RackB



66

67

 

 

 

 



               

68

   69

 







   



 

      



  

 

 

 

   







 

    

70





 71

72

73

74

75

76

  

  

 

 



                                 

   





 

                 

 

               

mp

        

 



                

 

  

 

            

f

     

 

                                 

f

Latin

     

  



f

Dr.Set

f

Synth

Vibes 2



 

  

 







          

ff


10

   





Cl. 1







Cl. 2, 3







B. Cl.























  











 





L.B. 1

  





L.B. 2

  





Tba.

  





Timp.

  

       



  





  









Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

Piano

p

      Vibes 1   



Synth

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

RackA

RackB

Latin



 

 

      

 

 

       

 

 

      

 

    

f

 

    

  mp

   

  





   

 

 

   





   





  





  









  



        77











 

p

                                                                                    

p

78

79

80

81

   

   

ff

       

                    

ff

82

83



84

85




86   Fl. 1, 2    Cl. 1

Cl. 2, 3

 

11

   

 

          

A. Sax. 1, 2

Ten. Sax.

  

 

   

  

                                           

mf





  mf

  

mf B. Cl.

     





                         

    mf

     

  mf              

  

 

mf

 

       

 

    

 

            

          

     

                        

 

           



 

   

  

 

   



 

  

     

  

 

      

 

      

  



 

L.B. 1

  

L.B. 2

  

Tba.

  

Timp.

  

Tpt. 2, 3

Mello

mf

     

Piano

mf

   

  

      Vibes 1   

Mallet 1

Mallet 2

Mar. 1

 

Dr.Set

RackA

RackB

Latin

       

  

           

  

            

   

    

     

  

   

               

   

 

mf

            mf

           

      

       

      

          

   

     

       

     

                        

       

                      

    

     

mf

Chim.

     

mf

Mar. 2

       

Synth

Vibes 2

       

Tpt. 1





Bari. Sax.

   

   

  



  

  

  

  

mp

                      

                    

          

           

 

  



          

  

mp

 

       

mp

86

87

     88

  89

 90



 91

 

 92


98

12

                                                 Fl. 1, 2   ff

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.



      



fp







 

 

 

 

 

 

  

 

 

 

   



















ff

                               

  

ff

             

                                               fp

ff

 

   ff                               fp                                           

fp

ff

 



             



ff





    

ff

fp

ff

ff

                               

ff Bari. Sax.

   

  

fp

ff

fp

ff

                            

ff

  

Start with solo tpt for first 2 bars, then ad in those that can get it.

                          

  









 

 

 

 

  



             

L.B. 2

 

 

 

 

Tba.

  







     







         













Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

Timp.

        

  

f

   

 

     

   

  

   

  

  

 

 

  

 

   

 Vibes 2    

   

  

Synth

Vibes 1

Mallet 1

Mallet 2

Mar. 1

     

 

     

   

   

  

     

 

    

   

  

  

f

Mar. 2

f

Chim.

Dr.Set

RackA

RackB

   

mf

  

 

 

   

mf







 

 









 

 

 







 

 

         

 

 

 

 

 

         

























               

 

      

   

 

      







  



 

 









96

97

98

f Latin

mf

mf

Piano



 93

 

94

              

 95

 

99

100


13

Fl. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

    















  















  















  















  















  















  















                                                                                                  f

Tpt. 2, 3

Mello

L.B. 1

  

  

                                                                                  f

          

                    

                    

          

                                                                                                        f

L.B. 2

Tba.

Timp.

Piano

Synth

   

   

  

mf

 



mf



 

Mar. 1

Mar. 2

Chim.

Dr.Set

RackA

RackB

Latin

      

      

  





   



  



       

       

       

  



       

  



   



       

  

  

     

  



f

f

   















   

 

 

 

 

 

 

 

     

  

mf

     

    



 Vibes 2     

Mallet 2



Mallet 1

     

   

Vibes 1



   

  



 

    

    

   



 





    

         

    



 





 



  





 

 

 





















 

 

 

 

 

 







































      



      



      

      



















  

mf

mf

101

f

  102

103

  

  104



f

105





       

 

 

         

  

f

  



 106



 107






112 14

Push tempo ahead q = 170

  Fl. 1, 2    



    

   

    



  



   

  

   



  



    

  

    



  







        

 

      



  



    

  

   



  





        

      



         



 



    

  

    



    





    

   

    





    

   





    

   

    





    

   





   



accel.

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

     

     

 

fp

Tpt. 2, 3

fp

Mello

L.B. 1

L.B. 2

              

            ff            ff

     

ff

   

    

  

     

   

ff

ff

          

ff

ff

Tba.

   

Timp.

   

   

   



   



            mf  





Piano

Synth

 

        Vibes 1   

   Vibes 2      Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

RackA

 

         mf

 

     

  

ff

       

mf

 

     

ff



                                                          f

mp

            ff

 

            mf 





            ff

 

  



    

 

 

    



                                                         

    



   



   













  



 

 

 



  

 

 

f

mp

f

mp

                                                                                                                    mp

f

crash cym.



 

ff





                                                                                              mf

RackB

Latin







 

108

109

110

  111



ff

112

113

114

115




15

      Fl. 1, 2   

   

    

  

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

    

          

     

  

    

    

  

     

    

     

   

   

Synth

Vibes 1

   

 

  



 

 

 





  

             

ff

 

 



 



    

       



    







  

 

Chim.

Dr.Set

RackA

  

 

 

fp







  fp

fp





 

 

fp

fp





 

  

 

fp

  

 

 

fp







fp







 

fp

 

fp

 

fp



                                          



fp



   



    

  

    

  

 

 

 

 

   

 

 

 

 

 

 

 

 

   

 

 

 

 

 

ff

 

ff

             

        

       



 

              

        

       





             

        

       



                                     

      

       

        



ff

Mar. 2

 

ff

Mar. 1

 

   

ff

Mallet 2

  

fp

mp Mallet 1



fp

mp

Vibes 2













 

        



 

 

            

Piano

 

   

ff

    

 

RackB

Latin



 



fp



                                     fp







120

121

122

splash cym.

                  



To Crot.

116



         

117



        

118



         

119




125 16

  Fl. 1, 2   

Cl. 2, 3



B. Cl.





A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.









 



 



 



    







fff



Cl. 1

    

    

fff

      fff     fff       fff

     

fff



 



 

  

  

     fff       fff

   fff

fff

    

fff

   

fff

  

I imagine the snareline on brushes in this section

Part 3: Gluttony slower q = 106 swing

   fff 

 

solo

 



mf

Timp.

    

Piano

Synth

Vibes 1

   

 Vibes 2     Mallet 1

Mallet 2

Mar. 1

 

 

       

       



      fff        



 



fff

     

 

mp

switch to string bass pizz patch

 

              

mf

   

 

  

   

   

                    

   

   

   

       

      

   

 



  

 



 

 



 



   

 

       



 fff

                     fff       Chim.   

Mar. 2

Dr.Set

     

   

The Drumline could probably be used to comp this section if you don't want a set

  choke   

              

 



mp

 



           

 

 

 

 

 

 

 

 



           

 

RackB

 



Latin



 



125

126

127

128

129

130

131

132

133

RackA

fff

123

124

 


17

   

Cl. 1



Cl. 2, 3



B. Cl.



Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1



                                    

mp

                           



 

  

  

  

  mp



mp

    

   

      

Mar. 2

Chim.

Dr.Set

  





 

  

  



  

    

   



     mp

 

mp

Mar. 1

Mallet 2



Tba.

Mallet 1

  



mp

   

Vibes 2

L.B. 2

Vibes 1

L.B. 1

Synth



  

Mello

Piano

  



mp



Tpt. 2, 3

Timp.

           

 

    

 

 

 

     

  

  

      

  

   

   

                      

  

   

 

  

  

   

                     

   

      

  

   

 

 

  

   

   

                           

   

   

   

   

   

  

  

     

   

 

              

 

 

   

   

 



           

 

 

 

 

 

 

 

 



         

RackA

RackB

Latin



134

135

136

137

138

139

140

141

142

143

144


18

Fl. 1, 2

     

  

mp

Cl. 1

 



 



 

 

 

mp

A. Sax. 1, 2

Bari. Sax.

Tpt. 1



mf

  



Timp.

Piano

Synth



   

          

  





  

f

        

f

fp

        f

       

f

fp

 





 

    

  



   

  

 

      



 

 

       f

fp

 

 

f



f

        



       



     



f

fp



f

      



fp







f

 

     



     f

fp

fp







     



fp

fp

  

fp

f

fp



 

       f

fp

f

fp

      

     

fp

    

     

f

 

f

fp

f

fp

f

fp



   

     



     



end solo

    

         

 

 

     

 



    

 

f

fp

f

fp

f

fp

     

  

  

     

   

 

 

   

  

                    

   

       

   

   f

   

       

    

      

      

f

  

    



 Vibes 2    

   

   

   

  

  

Dr.Set

               

f

       

Chim.



f

Mar. 2

        

Mar. 1

       

Mallet 2

f

   

      f

       

     

fp

 



fp

   

f

  Vibes 1   

Mallet 1



 

       

     

  

fp

f

      

      f

      

fp

fp

     

     

f

      

 

fp

f

mp

   

f

mf

Tba.



   

L.B. 2



 

                     

L.B. 1

  

Mello



                           



Tpt. 2, 3

 



 

Ten. Sax.

  

f

 

B. Cl.



f

mf

Cl. 2, 3



 

 

 

 

 

 

 

 

 

 



           

 

 



   

  

                    

 

   

 

 

 

 

            

 

 

 

 

 

  

    

   

 

RackA

RackB

Latin



145

146

147

148

149

150

151

152

153

154

155


163 

  

  

   

  Fl. 1, 2    Cl. 1

Cl. 2, 3

Part 4: Lust quasi waltz expressively h. = 50 straight

19

rit.

f

    

   

f B. Cl.

A. Sax. 1, 2

Ten. Sax.



        



         



       



   

      

  

f

fp



f

Bari. Sax.



Tpt. 2, 3

Mello

L.B. 1

fp

   

f

 

f

                f

L.B. 2

Timp.

         



          



  

Synth

fp

f

  

Piano

 

fp

f

Tba.

     

fp

            mf

        

 

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

         

  

   

Mar. 2

Chim.

Dr.Set

change to warm strings patch

  

   

       

                



Mar. 1

    

mf

   

Mallet 2

mp

Mallet 1

   

       

    

  Vibes 1    Vibes 2

To Sop. Sax.

fp

f

Tpt. 1

  



  

mp

  

  

  



             

 

 

 

   

 

mf

   

 

                

RackA

RackB

  



156

157

158

159

160

161

162

163

164

165

166

167

168

169

Latin

mp

               


20

h. = 50

h. = 50

rit.

   

Cl. 1



Cl. 2, 3



B. Cl.



Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

Piano

 

   



f







      

 

mp

Soprano Saxophone solo

 

           









                 

 



  



 

  

  

  

All Winds Backfield







    





    







mp



mp



mp

  

           

     

      

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

        Vibes 1     Synth

 

 

   

   



      

  

       

    

  

     

    

   

   

   

   

 

 

 

 

 

p

 

  

  Mallet 1   

   

   

  

  

RackA

RackB

Latin



Vibes 2

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

 Crotales

 

       

p

     

                

      

     

              

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184


187 21

q = 122

rit.

  Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

Sop. Sax.

Ten. Sax.

 



 

  

  

  

  



 





          



  

mf



         

 

  





    

  







Alto Saxophone end solo To Alto Sax.

n













   

   

 





 

 





  

         





Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

Piano

Synth

 

 







 

 

 

  

  

  

  

mf

   



   



    



















   



    









mf





   



    

    

   

 

   Vibes 1     

         

 

   

 

 

 





   

 

  









 















































 





 

 

























 

 

 

 

fp

fp

 



  

        





fp

fp

fp

mf



mf

  



fp

  

mf



fp

fp

mf



 

fp

mf

All Winds turn frontfield slowly

 

fp















fp

mf



A tempo h. = 50



mf

mf Bari. Sax.

  

mf





  

rit.





fp

 





fp

  

  

  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

       

 

              

  

 

p

   

       mf    



 

 

 

 

 

 

  

    

   

   

  

  

RackA

RackB

  

Latin



Vibes 2

Crot.

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

   

         

  

                               p

      

185

186

187

188

189

190

191

192

193

194

195

196

197

198


2 bar percussion insert and sample of a cash register "cha-ching"

205 22

  Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

















  

 

  









 

 

 

 





Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.











   







   

 

 

 

   







    



   









   

 

 

 

Synth

 

    

 

   Vibes 1      Vibes 2     Crot.

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

RackA

RackB

Latin

   

  

            





 

 

 

       

  

 

   

  



  

  

 

  

 

    

ff  

 

  

  

 

 

 





ff

ff

ff

  

   

  

ff

fff



 

 









   

 

        

  

 



           

    

  

 

  



      

   

  

 



      

   

 



    

  





           



 

           





               



 



 



 

   

 

 

 











                                                            

To Glock.

  

 

 

  

 

 

 

 

 

Glockenspiel

f

   

  

  

                                                             f

                                                               f                                              

 



























 



f

    mf    



ff

ff

 





   

        ff               



           

f

  

     

ff

fff

  

    

ff

ff

ff



  

    

  

  

           

ff

fff

 ff

 

  

fff

   

 

ff

    

ff

    

    

               

Piano

 

ff

fff

    

  

 

fff



fff



   

fff



        



  

fff



 

ff

fff Bari. Sax.



  



fff

  

 

  

fff



fff

   

       

  

fff



Part 5: Greed Driving q = 164

  

           





Splash cym.

ff



























ff

199

200

201

202

203

204

205

206

207

208

209


  Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello







     



  



 

L.B. 1

L.B. 2

Tba.

Timp.

Piano

Synth

  

         

mf

f

mf

f

mf

f

mf

f

    f

                

mf

f

mf

f

    f

f

    f

         f

f

      mf f           

                

               

mf

f

mf

f

mf

f

mf

f

    

mf

      mf f                         

   

f

        

mf

      

f

mf

  

mf

      

mf

f

mf

  

mf

mf

f

            

f

            

mf

f

mf

f

mf

  

mp

mp

f

mf

f

mf

f

             

mf

f

            

mf

f

mf

f

mf

f

mp

mf

f

mf

f

mf

f

mf

f

mp

           

mf

f

                

               

               

        



         



        



         

  

  

  

mp

  

 Vibes 2    

   

   

   

  

  

RackA

RackB

Latin

  

 

 

 



210

211

212

213

214

215

216

217

218

219



     

  

Dr.Set

  

                

mp

Chim.

  

mf

                   

Mar. 2

    

             

Mar. 1



f

Mallet 2

   

mf

   

Glock.



f

mf

Vibes 1

               

mf



     

f

f

    

    

         

mf

mf

               

    

f

mf



mf

    

  



    

f



f

    

mf

            

mp

mf

    



      

f

                       

            

                           

mf

                

23

mf

    

snare line brushes

  

f

mf



         

mf

mf

                  

215

 


225

24

  Fl. 1, 2    Cl. 1

Cl. 2, 3

    

    

        

        

                        

    

 

                

 



  

      

 

   



  

    

    

    

     

        

 

      

            

    

        

ff





    

ff

ff B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

      

Synth

Vibes 1

    

             





    

  





     

        

                     

    

   



    

    

      

mp



    

    

   

   

                                                                                          



 

ff

ff

     



    



    



       

   

    

   

  

     

   

 

 

 

   

   

 

ff

ff



ff

                        ff                

    

ff

     



    

ff

        

Mallet 2

    

ff

            

 Vibes 2    Glock.



                

mp

  

Piano



    

ff

 

mf

ff

              

    

mf

mf

ff

            

mf Mar. 1

   

mf

    

 

              

    

ff

            

     mf

    

mf

            

ff

mf

mf

ff

mf

    

  

  

RackA

RackB

Latin



220

221

222

223

224

225

226

227

Mar. 2

Chim.

Dr.Set



  



 


25

  Fl. 1, 2    

Cl. 2, 3



B. Cl.





Cl. 1

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.



Synth

Vibes 1

Vibes 2

Glock.

  



  

            



ff

                   mp     mp     

       

            mp

 

   

  

       

     

   

           

              fp

 

 

 

  

      

       ff                 

           

    

      

     



  

     ff



mp

  

  

mp

     

                   

   

    

          

   



 

mp

     

fp

 

 

  

 

                

  

 

ff

   

 

     

fp

         



    

 

    

 

      

ff



fp



fp

ff

     







fp

 

                 

mp

ff

  





  





   

 

 

   





                     







              

              

             

ff

  

                 

mp

                 

mp

                 

mp

ff

Mar. 2

 

 

              fp

ff

Mar. 1

fp

ff

Mallet 2

 

 

ff

mp



fp

fp

ff

ff



fp

             mp             

fp

mp



 

                                        

    

  

fp

mp





                              

             

Piano

  

mp

mp

  

 

mp

  

  





                 

mp











RackB





Latin







229

230

231

232

233

234

235

236

Chim.

Dr.Set

RackA

228



   



  



  

mp



        ff


238 26

register "cha-ching"

  Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.









        

mp

 

 

  

 

 

      



      



      

      



  











  

      



      



      



      



      



      



      



      





  





  



  

 

 

 

  

 

 

Tba.

  

       mp

Timp.

  

      

  

mp

mf

 

mf

       





      



      





      



      



mf

  



      



      



mp

      

mp

mp

 

              

 

                 

 

             

  





      



      



      



      

      

f



      



          

p

 

             

p

f

             

p

 

             

        

              

 

      p

   

        f

          

    mf

    

                            

f

             

f

p

   

             

   

p

p

p

f

p

       

p

       

p

        

f

p

p

f

p

        

  

RackA

RackB



237

238

239

240

241

242

243

Chim.

Dr.Set

Latin

       

  

Mar. 2



  

  Vibes 1   

Mar. 1

 



  

Mallet 2

  

      

Glock.



  

Vibes 2



      

Synth

  



mp

 

      

 

Piano

    



L.B. 2

 



 



 

      



L.B. 1

      

 

mf

Mello



 



mf

  

Tpt. 2, 3

    

  



mf

Tpt. 1

mf



Bari. Sax.

 

mf

p

                                                                                                pp


249  

   Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.



   

 

      





    

    

             

 

       



      



      



       





   

  



    

   

 

  



    



        

  

  

 

  

f

  

f



      

f

  



      

  





ff

       



       



                 

f

 

      



      

f



      



      



      



      



 

  



    



  

   

  

  

 

f

      

Piano



f

  



  

  



      



  

  



      



      



      

      

f

      



 

  

 

  

 

   

  

  



 

      



      



  

  

      



      



f

      

      

f

ff





ff

  

             

                  

     

            

p

p

p

mf

mf

f

f

f

f

  

  Vibes 1   

 Vibes 2    

f

Mallet 2

      

f

Mar. 1

      

        f

Mar. 2

f

  

 

 

       

             

                  

p

p

f

             

p

mf

f

mf

          

f    

     

p

p

f

p

mf

f

mf

f

f

             

                              

p

        

f

p

f

p

f

p

f

f

 

     

          p

f

p

f

       

                               

mf

 

mf

RackA

RackB

Latin



Dr.Set

                                                                               

  

        

Chim.



        

      



ff

Glock.



ff

  

Synth



               

   

      

f

               

ff

  

f



         

   

 ff  

  

f

      

        

ff

  



 

   

ff

f

 

      

      

f

27



 

244

245

246

247

248

249

250




257 28

     Fl. 1, 2     Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

 

         

                                     



 

 

   

                

   

 



 

    

    

     

    

    

        Timp. 

      

 

fp

  

 



   

 

 

 

 

 

 

 

     

 

 

 

ff

                             

 

                         

 

 

 

ff

 

ff

    

 

  

 

 

fp

 

fp

 

     

 

     

 



 

     

   fp

                  

fp

 



 

 

  

 

fp

    

 

  

fp

                                                                 mf

ff

  

  

  Vibes 1   

 Vibes 2    

Synth

Glock.

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

 

                                   

                                

                     

 f

                  

  

f

mf

                               

mf

 

f

ff

                                 mf f                                  mf



   

f

f

fp

                    

Pushing ahead q = 174

 

ff

                   

Tba.

Piano

                 

accel.

 

RackA

RackB

Latin



251

252

253

254

255

256

257

               


register "cha-ching" 29

 

  Fl. 1, 2     Cl. 1

Cl. 2, 3

B. Cl.

 

 

 

  

  

  

  

 

  

  

 

  

   fff

        mp

fff

 

 

 

 

fff

Alto Sax.

 

 

 





 

 

 

 

fff

  

  

Ten. Sax.

  

 

fff

Bari. Sax.

Tpt. 1



fff

   

  

    

 

 

 

 





 

fff

L.B. 1

L.B. 2

  



 

 

 

 

 

 





 

 

  

  





Timp.

Piano

Synth

       

fff

Chim.

Dr.Set

RackA



 

fff

mf

ff

fff

mp

mf

ff

fff

       

           

      

mf

mf

mf

ff

ff

fff

fff

      

ff

fff

       

ff

mp

mf

ff

fff

       

           

mp

mf

mf

ff

ff

fff

fff

 

      

mp

  

  

  

   

       

RackB

Latin



 



  

  

 

 

   

  Glock.    

Mar. 2



mf

                                                                            

 Vibes 2     

Mar. 1

  Vibes 1    

Mallet 2

fff

mp

ff

fff

          

mp

mf

ff

fff

mp

mf

ff

                  

mp

fff

Tba.

mf

          

fff

   

           

mp

fff

Mello

mp

fff

Tpt. 2, 3

           

mp

fff

fff

mp

ff

       

mp

 

mf

  

   

  

  

  

  

 





 

 

 

 

mp

mf

ff

ff

fff

fff

       

 

    

mp

mf

ff

fff

           

mp

 

mf

 

  mp   mp

                                                                               

mf

ff

 

fff

   mf   mf

       ff fff      ff

 

fff

        mp

mf

ff

fff

 

258

259

260

261

262

263

264

265


30

rit.

  Fl. 1, 2   

Cl. 1



Cl. 2, 3



B. Cl.



Alto Sax.

Ten. Sax.





  



 

L.B. 1

  

L.B. 2

  

Tba.

  

Timp.

  

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

  

Piano

                                                  f

  

  

    mf         Vibes 1   Synth

         

f

Vibes 2

Glock.

  

            f

Mallet 2

Mar. 1

   

         

                    

         

         

       

       

                

                                                       f

Mar. 2

     

                                       

f

RackA

RackB

Latin



266

267

268

269

270

271

Chim.

Dr.Set

 


Band scatters and lays down on their backs They will play this section from this position *Thought: Guard will try to get them up, but they will refuse to want to go anywhere

Fl. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

   









  



 

  

  

Tba.

  

Timp.

  

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Synth

  

Glock.

Mallet 2

Mar. 1

Mar. 2

Chim.

  

 

p

mf

n

p

mf

  

n

  

mf

   

 

 

p

 

 

 

p

mf

  

n

p

mf

  

n

p

mf

  

 

 

     

 

 

 

 

p

mf

  

n

    

 

  p

RackA

RackB

Latin



272

273

274

p

mf

mf

mf

p

mf

mf

  

      

 

To Crot.

 

p

Crotales

  

mf

 

  

mf

 

 

 

 

  

 

 

p

p

 

f

 

n

p

mf

p

p

n

n

p

p

mf

mf

mf

n

p

    p

mf

mf

   

p

p

p

p

n

p

     

p

n

mf

mf

p

p

n

mf

p

     

  

                               

 

n

Dr.Set

mf

                              

  

p

                                      

 

                          Vibes 1            Vibes 2

  

                                    

Piano

p

Tpt. 1

Part 6: Sloth slowly q = 70

p



Bari. Sax.

We may have to experiment with the pitch 31 content on the field because of balance issues

276

  

  

276

277

278

279

280

 

275

 


286 32

Fl. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

   

 

  

  

n

p



 

 

    

 



      

  mf

 mf

   

mf

   

mf

      

p

  

n

Piano

Synth

p

n

p

   

    

 

 

 

 

                

  

 

 

  

 

 

   

 

 

    

 

 

  

 

 

  





  





  





    





   





  

 

 

   





  

        

ff

p

p

p

ff

ff

ff

p

ff

p

ff

p

ff

  

n

ff

 

n



ff

p

n

ff

n

Timp.

n

ff

  

n

Tba.

p



 

 

pp

ff

ff

  

  

   

  Vibes 1   

 

 

 

mf

    

  

           

         

mf

Crot.

Mallet 2

Mar. 1

   

   

   

     

 

Chim.

Dr.Set

RackA

  

  

      

 

 

 

  

 

wind chimes

RackB

Latin

 

281

282

283

284

fff

         fff

     ff

      

ff

mf

            mf

                 mf

       

fff

  mf       mf

        fff

                 mf







              

         

 

            mf   

          





mf

       

      

wind chimes

p

ff

        

 

   

ff

          ff 

  



    

mf

Mar. 2

ff

          

              

       

            mf             mf   

mf

Vibes 2

Start with a percussion interlude Throughout this section drumline, especially bass line mimic timp and left hand of piano



ff

   

      

   

p

n

n

n

L.B. 2

n

Part 7: Wrath Intense q = 162

 285

ff

ff

 



p

ff

mf

        

fff







ff

286

287



                



fff

                                                        p

           

fff



 

       



mf

 

p

                       

288

289

290


294 33

  Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

   



  

  

 

     

   

   

  

             

    

    

        

    

    

    

   

    

  

 

        

    

     

        

     

     

 

    

   

             

    

         mp







fff

mp

fff

mp

fff

mp

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

Piano



  



 

  

  

  

    

       

     

mp

             mp

                  mp

Mar. 1

        

         mp

Chim.

Dr.Set

RackA

RackB

Latin











   

   

  

 



    

    

    

 



    

    

    

 



        

     

     

 



    

fff

fff

fff

fff





      



        

 

mp

ff

     

         mp



    



  



         

 

mp

ff

mp

ff

       mp

mp

ff

ff

 

 

   





         



         

                 

      



         mp

        



             

mp

ff

mp

ff

           mp     

   

mp

Mar. 2

 

fff





      

 

 

         

       

 

  

mp

        

  

    

mp

    

fff

mp

 

   

fff

mp

 

  

mp

    

mp

mp

Mallet 2

fff

mp

                    Vibes 1     

Crot.

fff

mp

Synth

Vibes 2

fff

mp







mp



mp

 

mp



mp









  



    



                                    



 

   



   

291

292

293



mp

ff

294

295

296

297

298

299





                 

mp

mp

 300


302

34

  Fl. 1, 2   

     





 

 

 

   





  

Cl. 1



      

Cl. 2, 3



 

B. Cl.





Alto Sax.

Ten. Sax.



    

       



     

 

 



 





 



 

      



  

 

    

L.B. 1

  

  





L.B. 2

  

   



Tba.

  



Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

Timp.

            

 

ff

Piano

             ff

mf

   

  

  

  



 

   

    

     

 

 

   

  

    







    



     

 

   

  

 

  

 

  

   

 









 





   

 

 



  







  

  

 





 



 





 

 

 

 



          



              

 

 

 

 



      

 

  

ff

  

mf

          

          

ff

 



f

           

  

mf

                                           



  

mf

Synth

Vibes 1

      

 Vibes 2     Crot.

Mallet 2

Mar. 1

Mar. 2

Chim.

   

    

   

   

f

       

       

 

ff

   



  



f

Dr.Set

RackA

RackB

 



 





  

  

   

  

 



                              





                            



 

 

 

 

crash cym.



ff





302

303

304

305

306

mf                                                         ff

ff

Latin



 

                    

f

 

   

  

ff

  

                   

 

  

  



 ff

 

 301


35

   Fl. 1, 2    Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.

Timp.

  

   

  









   

  

  

 

fp

 



 



 



 



   

  

  

 

  

  

  

 



  

 



   



ff

fp

ff

   

  

  

   

   

       

 

  

 

fp

ff

  

fp

ff

fp

 

   

   



   



  

 

   





    

  

 

  

 





 

 

        

 

 

 

   

  

    



 

 

 

        

  

  

 







     

 



   

     

ff

 

    

fp

fp



  

  

     

  

fp

fp

 

ff

 

fp

 

ff

ff

ff

ff

fp



 

ff

 

fp

    

  

 



    

  

 

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

 

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ff

 

   p

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fp

ff



Piano

 

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accel.

ff

ff

                                                                                      ff                                     f ff   ff

Synth

Vibes 1

Vibes 2

Crot.

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

RackA

    

  

   

   

       

  

  



  

  

  

 

 

   

               

  



                                        

 

 

 

    

           

ff

             

f

                                                       

  

   

ff

   



             

mp

ff

mp

ff

                   

RackB

Latin



                                                                                                        

307

308

309

310

311

312

313


314 36

out of control q = 176

       Fl. 1, 2    Cl. 1

   

    

  

   

     

     



ff

Cl. 2, 3

ff

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

        

               

     

L.B. 1

L.B. 2

Tba.

Timp.

      

        

  

   

   

       

ff

Mello

    

ff

Tpt. 2, 3

   

      

     

     

       

  

  

         

       

        

          

         mp

       

mp

mp

mp

       

           mp

        

       

         mp                  

           

mp

    

   

    

   



         

         mp         

  

      

  

   

   

   

       

ff

Synth

Vibes 1

Vibes 2

Crot.

Mallet 2

f

             mf   

   

  

   

           ff

 

Dr.Set

          mp

       

 

      

        

       

ff

RackB

ff

 



 

mp

mp

mp

    



 

p



           



p





p









                 

mf

314

315



              

316

317

 



p



                                                                     

mp

            mp     

                 

ff Latin

          

                                                                    

ff RackA

           mf 

f

Chim.

 

mp

f

Mar. 2

  

       

mp

mf

f

Mar. 1

           

        

                

mp

       

mp

mf

Piano

     

         mp

   

  

         





p

                                    

p

318

319


37

           Fl. 1, 2   

        



       

       



          

        

       

       

       

       



       

        



       

        

  

       

       



       

       

           

          

Cl. 1

Cl. 2, 3

B. Cl.

Alto Sax.

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello

L.B. 1

L.B. 2

Tba.



         

ff

ff

Piano

Synth

Vibes 1

Vibes 2

     

Crot.

Mallet 2

Mar. 1

Mar. 2

Chim.

Dr.Set

RackA

 

mf

ff

  

ff

mf

   mf   

ff

ff

 

mf

   

 

   

 

  

  

  

mf

ff

mf

ff

       

ff

mf

        

ff

mf

mf

        

mf

ff

mf

 

      

ff

                                

mp

                   

  

 



ff

          

   

   mf

           

ff

       

  

   mf

          

          

 

mf

ff

Timp.

   



           







ff

   

ff









 





 





   

ff

            mf      

  

      

ff

  

 

   



  

   

   













 





 

ff





   

RackB

Latin





 





   

ff

 



mp

        mp

  



   

 

mp











 





 





 

ff

crash cym.

   ff



                                                                   ff        320

321

322

323

324

325


38

      Fl. 1, 2  

  

 

f

Cl. 1

Cl. 2, 3

B. Cl.

  

ff

 

Ten. Sax.

Bari. Sax.

  

  

f

Tpt. 2, 3

  

  

  

 

f

 

f

         

    

   

    

    

mf

 

 

 

 

  ff   

       mf  Synth       Vibes 1  

   

  

  

   

 

mf

 

   

  

 

 

   

Mar. 1

Mar. 2

Chim.

Dr.Set

 

 

RackA

 

RackB

Latin



 

 

 

 

ff

   

  

ff

    

ff

 

                                                                

fff

                                                                                                                                  

  

  



  

Mallet 2

  

  

 Vibes 2     Crot.

fff

   

ff

 



mf

  

fff

                                                              

Piano

fff

ff

ff

  

 

 

  

fff

 

 

 fff  

 

 

 

  

fff

ff

fff

 

  

 

fff

ff

fff

ff

f

Timp.

 

ff

f

Tba.

  

  

 

  



ff

f

L.B. 2

ff

f

L.B. 1

 

ff

 

fff

ff

f

f

Mello

 

ff

 

fff

  

 

f

Tpt. 1



ff

f

fff

 

f

Alto Sax.

  

 

 

 

 

ff

ff

ff

 

 

 

 

 

 

 

 

 

 

 



                                                    

326

327

328

329

330

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