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Craig Andrew Fitzpatrick (ASCAP) 2013

FLIGHT

Narration: "Last night, I dreamt I was flying!"

Part 1: "Dreaming of Flight" slowly q = 80

  Flute 1, 2   Clarinet in Bb 1





 

 



 

 



 

 

mp

 mp

Clarinet in Bb 2, 3

 mp

Bass Clarinet in Bb

  

 

  

   

  

  

 

  

  

  

 

  

mp

Alto Sax. 1, 2

Tenor Saxophone

Baritone Sax.

Trumpet in Bb 1

Trumpet in Bb 2, 3

Mello in F 1, 2

Baritone 1

Baritone 2

Tuba

Piano

Synth

Vibes 1

Vibes 2

Mallet 1 (bells, crotales)

Mallet 2 (xylo.)

Marimba 1

Marimba 2

Chimes

Percussion 1 (rack A)

mp

 

mp

mp

                                            p



 

 

  



 

mp

  

   mp    

    

      

  

    







  

 

    

  

  

       



  

mp

 

  

 

 

 

 

  

 

sus. strings patch

 

 

   

 

mp

      mp

   

    

   

     

 

 

  



  

  

 

 

  

    

    

    

                                            p

                                             p

   

   

   

 

f

 

 

 

    

mp

  

sus. cym.

     

 

  

mp

mp

  

mp



 

mp

 

                                           p                                            p                                       p

 

sus. cym.

Percussion 2 (rack B)

 

                                          p                                                                            p                                                  p

 

f

wind chimes

Percussion 3 (rack B)



mf

 

5 1

2

3

4

6

7

8

9

10


11

2

driving q = 160

Fl. 1, 2

    

   

Cl. 2, 3

B. Cl.

  

ff

Ten. Sax.

Bari. Sax.



   

 

Tpt. 2, 3

Mello 1, 2

 

Bar. 2

 

 

 

 

ff

    

   

   

   

   

   

   

   

   

   

   

   

   

n

n

n

     

 

 

 

 

 

 

n

3

n

ff

n

  

   

ff

Tba.

n

 

n

ff

ff

Bar. 1

 

ff

n

ff Tpt. 1

3

ff

   

n

 

ff

ff

A. Sax. 1, 2

 

n

 

3

ff

Cl. 1

 

n

ff

n

3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                              

Piano

 

3

ff

 

Synth

Vibes 1

Mallet 1

Mallet 2

Mar. 1

3

3

Perc. 1

Perc. 2

Perc. 3

3

3

3

3

3

3

       

  

  

  3

3

            3

3

           

3

 

3

 

    

  3

    3

   

n 3

3

            3

3

           



 

 

mf







 





 

mp

mf



mp

mf

  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3                               mp

                                                                          ff

Chim.

3

ff

Mar. 2

mp

       

ff

3

3

3

3

  3

   

3

ff

     

3

   

ff

Vibes 2

3

3

    

 



3

3

3

3

ff

     

   

 

3

3

3

  

ff

ff

Tam-tam B.D.

3

3

3

3

3

3

 

 

 

 

 

 

p

3

3

3

3

mp

3

3

3

3

3

3

3

3

   

   

 

   

 

n



mf



f

3

3

 

p

f

11

12

13

14

15

16

17

3


19 3

  Fl. 1, 2   Cl. 1

Cl. 2, 3

   

 

 

       

3

f

  

3

fp

     



3

fp

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

 

   



 

3



      

3

f

 

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

 

3



 

 

  

    

 

3

f

    3



      3

fp

 

3

3



3

ff



 



 

ff

 

   



  

       

ff



 

  



3

ff

 



 

 

ff

fp

3

ff

        

 

fp

3



fp

3

  

ff

           

fp

      

 

3

  



ff

     

 



  

3



       

ff

3



fp

  

ff

        



   

 

3



fp Tpt. 1

  



  



3

ff

fp



 

ff

3

fp

fp

3

         

 

fp

B. Cl.

  



 



ff

3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                          

Piano

Synth

3

3

3

3

3

3

3

3

3

f

3

3

3

 

 

   Vibes 1  

Vibes 2

    

Mallet 1

    

 

Mar. 1

3

 

  f 

Mallet 2

3

  

  

 

 

ff

3 3   3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3 3                                 

f

Mar. 2

                                                                          3

Chim.

Perc. 1

Perc. 2

Perc. 3

3

3

3

3

    

 

 



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

f

3

3

3

3

3

3

3

   

   

f

f

18

19

20

21

22

23

24

3


4

      Fl. 1, 2  Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

      

    

       

       

       



        

 

fp







 

 

  

  

 

 

 

  

 

 

 



    

   

       

       

 

 

 

fp

fp



 





 

  

   

      

   



   



    

 

fp

           

 

 



       



   

 

ff

  

 

ff

 

 

 

 

 

 

 

fp

 

 

fp

 

 

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Perc. 1

Perc. 2

 

  

  

  



 

  



 

ff

 

3

        

ff

 

 

ff

 

 

ff

3

p

3

3

3

3

3

3

3

  

 



       

ff

3

ff

 

    

  

  





  

fp

  

 

 

3

3

            

3

3

            

  





  

  

ff

3

3

3

3

3



ff

 ff

3

        3

      3

  

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3         ���                                                                           p 3

ff

3 3 3 3 3 3                                                                                        

  

3

3

3

3

3

p3

3

3

3

3

3

3

3

3

3

3

3

ff



ff



3

3

 

 

 

 

 

 

 

p Perc. 3

 

 

3

Chim.

3

  

3

3

 

 

3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                                         3 3

Piano

3       

ff

  



   

fp

3

ff

 

 

     

fp



 

ff

 



  

fp

 

3

ff

fp

 

      

ff

 

 



ff

  fp 

           

       



    

fp

  

fp

      

  

           

      3

  

   

  

ff

ff

25

26

27

28

29

30

31

32

33


38     Fl. 1, 2  

 

 

 

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

Piano

 

  

 

 

 

 

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

 

   

 

   

   

    fff    

 

fff

fff

fff

solo

   



mp

   

 



   

 

  

fff

 

  

  

    

 

   

 

 

fff



fff

fff

    

fff

    fff

        mp

 

 

mf

  

  

string bass patch

   

 

     

 

   

 

   

    

 

   

 

  

                     

          

            

 



 

mf

   

mf

fff

   

fff

   

     

  ff

  ff

   

 

 

 

 

 

 

 

   



fff

 

 



fff

 

Synth

fff

 

 

fff

 

5

Part 2: "Planning" swing q = 144

    fff

p

   

ff

   

 

  

ff

f

 

  

  

mf

ff

ride cym.

Perc. 3



                                          

mp

34

35

36

37

38

39

40

41

42

43

44

45

46


BRASS BACKFIELD

56

6

Fl. 1, 2

Cl. 1

Cl. 2, 3

  

 mp

 mp

mp

B. Cl.

mp

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

Piano

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

mp

 

 

mp

mp

 



 

                            

f



 

 

  

 mp

 mp

mp

     

 

 

mp

  

       

   

                               

                   

   

      

 



  

     



           

   

   

      

  



  



  





                   

f

  

 

Perc. 2

Perc. 3



Mar. 2

Chim.

Perc. 1

                     

f

                 47

48

49

    50

 

      51

   52

  

        53

  

    54

   

mf

        55

    56


64    Fl. 1, 2  

     



    

Cl. 1

 



 



7

           

        

f

  



 



                 

f

Cl. 2, 3

B. Cl.

A. Sax. 1, 2



     



 

Ten. Sax.

Bari. Sax.



Tba.

  



 

mp

Vibes 2

Mallet 1

Mallet 2

Mar. 1

f

                               



                  

                  

      

      

       

       

       

        

mf

mp

mp

      

   

  

        

   

   

       

mf

mf

f

f

       

    



  



 

  





  

mf

mp

 



mp

mf

                      

    

        

mp

           

mf

mf

   

 

Vibes 1

      

  

 

Synth

        

f

mf

Piano



Bar. 2

       

Bar. 1

        



Mello 1, 2

     



 

Tpt. 2, 3

 



f

mf

mf

Tpt. 1

  

mf

                   

      

  

  

  

  

  

   

  

f

              

  

       f

     

      

   

  

   

      

     

       

      

  

   

       

       

      

       

mf

      

                      

  

mf

                  

f

                  

f

                    

                    

 

 

Perc. 2

Perc. 3



Mar. 2

Chim.

Perc. 1

f

       57

   58

    59

f

  

  60

    61

  

   62

    63

  

 64

 

     65


70

8

                         Fl. 1, 2 

                  

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

 

                      

                                        

 

                  

                  



 

Synth

 

 



  



 

  



  

ff



ff

 

 

  

      

 

 

 

      



         

 

  

     

ff



ff

 

  

fp

          

 

ff

 

ff

            

ff

fp

 

ff

         

  

 

 

ff

     





  



 

 

             

 

      

 

ff

                              

fp

ff

fp

ff

  

          

      

 



    

        

 



    

       

 

 

    

        

 

ff



ff

 

Piano

       

ff



ff

                      

 

 

 

  

  

     



   

 

ff

                 

                      

                      

 

ff

  

 

            

  

sus. string patch

     

        

         

  Vibes 1  



  

  

  

Vibes 2

Mallet 1

Mallet 2

Mar. 1



                    

f

  

 

Perc. 2

Perc. 3



Mar. 2

Chim.

Perc. 1

                    

f

   66

  

 

  

      

67

   68

  

  

ff

     

69

  70

 

     71

  72

 

  73

  

  74


85      Fl. 1, 2   Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

       

Synth

Vibes 1

   

        



 



fp

      

        



fp

  

fp

          

   

    

   

 

fp



fp

  

 



   

 

         

         

           

    

           

 

 

 

 

fp

 

 

 

ff

 

  

Mallet 2

Mar. 1

 

 

  

 

ff

    ff    

 

 

   

ff

  ff

  

 

 

 

  

ff

 

 

 

 

   

 

solo

ff

  

mf

ff

  

 

ff

  

                        



    

       

ff

                       

   

    

 

ff

           

mf

 sus. string patch

        ff

     

   

  

      

 

   

   

 

mf

   

   

ff

ff

  

  

  

  

 

Perc. 2

Perc. 3



Perc. 1

  

ff

                  

                      

f

Chim.

ff

f

Mar. 2

 



f

Mallet 1

ff

f

Vibes 2

 

 

ff

f

ff

 

   

string bass patch

   

ff

f

ff

ff

 

ff

ff

fp

           

  

fp

  



ff

        



fp

ff

fp

   

    

fp

          

ff

        

ff

          

 

 

ff

   

  

 

fp

  

 

ff

           

        



fp

 

Piano

   

9

 

  75

 

  

  

76

77

78

79

   

    80

  

        81

   82

   

ff

  

   

ff

                      

ff

                   

  

ff

     83

  

 

 

mf

84

85


10

  



Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.



Fl. 1, 2

Tpt. 1

solo

 

Tpt. 2, 3

 

   

  

    

Piano

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

    











  



 



           

                     

 

  

                     

                     



  

  

  

   



 

 

 

 

 

 

     

   

  

     

   

  



      

 

   

      

 

   



mf

   

mp

  

  

  



  



  







mf

mf

                 

                   mp

                       

                       

 

Perc. 2

Perc. 3



Perc. 1



 

  

 

Chim.

f

Mar. 2

 

Bar. 2

Tba.

  mf

Bar. 1

   



mf

solo

Mello 1, 2

f

 

     86

  87

  88

mp

  

  89

     90

  91

 

  92

 

  

 

   93

       94


95 Fl. 1, 2

Cl. 1

Cl. 2, 3

   

102

11

Part 3: "Remember the Dream" slowly, straight time q = 80

   mf





A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

Piano

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

         

mf

  



mp

     

mf

  

mf B. Cl.



mp

mf

mp



          

mf







    

   

n

mp

 

 

 

  

 

  

  

  

  

mp

mp

    

 

    



 

    

mp

      mp

 



  

 

     

 

 

 

 

   

    

mp

 

  

   

  

   

    

 

  

      

     



 

     

mf

f

     

mf

     

     

mp

f

mf

 mf

 

mf

   

mf

 



mf

mf

mp

  

mp

mf





 



     

     

mf

    

  

     

            

   

    

     

    

   

   

   

   

   

  

  

   

103

104

105

106

   

ff

 

f

wind chimes

Perc. 3



mf

95

96

97

98

99

100

101

   102


110

12

   Fl. 1, 2    Cl. 1



 

 

 

  

  

mf

 

 

  

  

A. Sax. 1, 2



     

 

mf Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.



 



Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

  

 

     

mf

 

 

  

mp

 

  

  

 

  

      



  

 

  

  

   

  

  

 

 

 

  

    

      

 

   

   

  

   

      

      

  

mp

   

  

                              

     mp

    

    

    

       

       

       

       

       

       

       

       

mp

mp

  

mf

   

   

  



mp

 





  

Perc. 2

Perc. 3



107

108





    

                           

mp

  

                              

Perc. 1

  

   

  

Synth

 

mp

  

Piano

mf

mp

mf

mf

B. Cl.

mf

mf Cl. 2, 3

 

 









 

mf

               mf

  

mf

 

109

110

111

112

113

f


118   Fl. 1, 2    Cl. 1

  

     



  

mf

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

  

  

 

 

 

   

 

 

 







 



 



 

 





 





 

 

 

ff

mf



13

 ff







ff

 

ff



mf

  

ff

 



ff

Bari. Sax.

Tpt. 1



     

  

 

ff

mf

Tpt. 2, 3

   

ff







  







  ff

mf

Mello 1, 2

  

   

   

mf

Bar. 1

 

ff

   

 

Synth

Vibes 1

Vibes 2

Mallet 1

  

  

 

                               

                    

ff

      

ff

    

    

             

       

       

       

                  

       

       

       

  

    

   

     

ff

     

    

    

  



ff

mf

Piano

mf

Tba.

ff

mf

Bar. 2

  

  

mf

Mallet 2

Mar. 1

Mar. 2

   

                                       ff                                                                                ff

Chim.

  

  

mf

Perc. 1

Perc. 2

Perc. 3

   

f

 

   

ff

 



114

115

116

117

118

119

 

p

ff


14

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

 



   





  

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

 





  





 



 

   









  



 

 

 

 



      

 



 





 

 



      





 







   



 

  









 







 

 

 

  

 

    

 

 



 

 

     

      

     

 



      

 

 

 

    

 

  

              

      

    

    

    

  

      

  

  

Mallet 1

 

  

Vibes 2

 



 

Vibes 1

Bar. 2

Synth

 

 

   

Bar. 1

Piano

 

 

  

Tba.

 

   

    Fl. 1, 2   

   

   

   

   

   

                                                               

                                                                             

  

    

ff

  

    

ff

 wind chimes

Perc. 3



 mf

120

121

122

123

124

125

126


135 15

   

Cl. 1



Cl. 2, 3



B. Cl.







  



Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Part 4: "Building: The Dream Becomes a Reality" with energy q = 160

solo

end solo

 

Bar. 1

  

Bar. 2

 

Tba.

  

  

Mello 1, 2

Piano

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

     

mf

      

  

      

   

mp

        mp   

Synth

     

  

        mp

  

   

       

   

    

  

    

       

 

     

 

 

mp

  

  

  

  

 

 

 

 

  

 

  

 

 

 

 

 

 

 

 

 

   

 

    

 

 

  

 

 

 

  

 



  

 

 

mp

 

  

f

 

  



  

   

   

   

   

   

  

  

mp

  

mp

 

                  

mf

        

mf

  

   

  

f

shaker

Perc. 2

mf

  

break drum

Perc. 3



 127

 128

 129

 130

 131

132

   133

  

mf

134

135

136

137

 

   138



     139


16

  Fl. 1, 2    Cl. 1

Cl. 2, 3







 



                                          

          

     

            

f

                               

f

                                        

   

f B. Cl.

A. Sax. 1, 2







 

f

   

                                                

 

           

f

Ten. Sax.





                                   

f

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

Piano

Synth

Vibes 1

Vibes 2



  



 

  

 

  

  

  

   

 

    

    

       

  

      

   

     

 

   

      

  

   

   

      

f

f

f

f

  

f

f

f

   



 



 





     

  

  

   

 

 

     

 

     

 

                                 



 

      

    

    

        

   

                              

          

f

f

Mallet 1

Mallet 2

   

   



 

     

f

     

f

Mar. 1

Mar. 2

Chim.

                            

                            

  

     

                              

     

f

f

 

              

 

   

 

splash cym.

Perc. 2

  

Perc. 3



Perc. 1

 

 





 

  

    

  

140

141

    

f



 

            

    

 

  

f

142

143

mp

144

      145

 

   

  

 146

  

f

       147

  148


157                Fl. 1, 2    

     

       

  

 

 

ff

Cl. 1

    

    



 

   



ff

A. Sax. 1, 2

    



 





           

  

 

 

      

       

 

Bari. Sax.

Tpt. 1

              

       

 



Mello 1, 2

Bar. 1

 



 

ff

Bar. 2



ff

 

  

Tba.

     

    

Piano

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

Perc. 3



   

 

    

       



       

 

  

 

 

 



 

  ff  

  

 

       

 

 



ff

 

ff

 

 

ff

 

ff

ff

 

 







 

  

 

ff

 

 

 

  

 

ff

 

    

    

 

 

  ff         ff

  

        

    

   

       

  

 

ff

 

 

 

f

    

Synth

ff

ff

   

ff

   

    

 

ff



    

ff



      ff

  

ff

ff

Tpt. 2, 3

ff

ff

Ten. Sax.

ff

ff

B. Cl.

17

ff

ff

Cl. 2, 3



Percussion Feature percussion writer has a lot freedom here!

     

stac string

 

ff

 

 

  

 

 

                   

 

ff

mf

    

    

         

         

         

         

     

        

        

f

   



 

 

               

 

 

 

    

    

 



 



  

150

f

   

152

153

    

ff

shaker



 

pp

f

  

break drum

   

f

151

 

ff

  

 

 

pp

ff

149

   

f



 

f

 

154

155

156

157

   



   

              158

159


Bass Drum Feature

Tenor Feature

18

   

Cl. 1



Cl. 2, 3



B. Cl.







  



 

Bar. 1

 

Bar. 2

  

Tba.

  

Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

    

Piano

  

  

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

Perc. 3

 

 

 

 

 

f

   

    

 

   

  

 

   

    

 

    

                                                                                     

   

   

       

         

  

f

                                                     

 



  

   

  



    

161

       

  

 



  

           

 

 

f

3

 

  



 

           

ff

   

                     160



3

162

     

ff

 

     

163

164

165

166

167

168

169


Snare Feature

Full Line

175

19

   













Cl. 1















Cl. 2, 3















B. Cl.





























 

 

 

 

 

 















  















 

 

 

 

 

 

 













Bar. 1

  













Bar. 2

 

 

 

 

 

 

 

Tba.

  













  

       

  

         



Fl. 1, 2

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Piano

mf

      

Synth

 

  

 

   

     

 

   

 

  

 

mf

                                                                                mf         Vibes 1     Vibes 2

Mallet 1

Mallet 2

Mar. 1

  

   

  

   

 

f

Chim.

  

  

Perc. 2

Perc. 3



  



  

 

 



f





 

       

  

 

       



 

 

  

 

 

       

 

  

  

       











 

 

 

 













 

 

 

 

 

 

        

  



         

  



       

  



        

  











 3

        

       

3

  

 

 

       



  

mf

Perc. 1



        

 

mf

Mar. 2

 

 

 

 

        

 

       

 





                               p

 

 

      

            

 

 



 

mp

170

171

172

173

174

   175

  

  176

  

    177

  

  178

    

    179




20

    

 

 

 

 

 

 

 

 

 

 

  





















  





















  





















 





















  

 

 

 

 

 

 

 

 

 

 

  





















   





















  





















  





















Bar. 1

   





















Bar. 2

   





















Tba.

   







���













Fl. 1, 2

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Piano

      



       

 



       

  

 

        

  

 

       

  



       



     

 

       

  

 

       

  

 

       

  

 

       

  

 

       























    

Synth

     

  

       

  





 

 

 

f

f

       

       

  

 

  

        

 



f

       

       

     

  

 

 

  



       

 

        

   



        

 

       





       





        

 

 

  Vibes 1    

    

    

 

 

 

 

 

 

 

 

 

 

    





















Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

Perc. 3

f

f

      



     

 



       

 



        

  



        

 



     



      



       

 



       

 



       

 



       

 



       



 



 



 



 



 



    

f

f

                                                                                            

  



 

    180

 

      181

 

  f

 182

 

mf

mp

   183



 



 

184

   185

   

 186

   

   187



 





 

188



   189

 


Percusion Feature Ends - cool visual sequential perhaps which ends with the aircraft's completion and the winds possibly forming a sort of "runway". The aircraft begins to roll down the runway at mm. 193.

193   Fl. 1, 2    

  



21

Part 5: "Take Off"

   

 





  



  



 



  

 

  



    



  

 

  



Bar. 1

   





Bar. 2

   

 



Tba.

   







3  3  3  3  3  3  3  3  3  3                                                              

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Piano

      

 

     

 

   

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

Perc. 3

     

 

     



     



    

    

      



      



    

190

 

3

    



3

mp

    

 

3

3

3

3

3

3

3

3

3

3

3





 









  

 



 



 



 

                                                  





 

 

 

  



 

  

ff

   191



 

 

mf







 

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

mp

3

3

3



3

3

3

3





mf

f

192

                                                          

 



ff

    



f

pp

   



 

mf

mp

 

   

mf

    

 

mp

 

mp

 

f

 

f



f

              

3

3

3

3

3

3

 

 

 

 

 

 

p

3

3

3

3

3

3

    

   

f

f

193

194

195

196

197

3


22

Fl. 1, 2

Cl. 1

Cl. 2, 3

     

     

3

fp

     



3

fp

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

 

  



3

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

    3

 

 

  

3

   



3

fp

 

3



      3

fp

3

fp

3



3

             

    

    

       

        

  

    

        

          

3



ff

 

 

 



 

 

 

ff

 

   





    

    

  

       

       

        

ff



 

  

  

      

 

 





 

 





 

 

 



          

3

ff





ff

fp

      

ff

       



  

ff

           

fp

    

   

3

  



ff

     

 



  

3



       

ff

3



fp

  

ff

        



   

 

3



fp

  



3

ff



fp Tpt. 1

3

fp



 

ff

           

fp

     

 

3

 

fp

B. Cl.

  





ff

3 3  3     3     3     3     3     3     3     3     3     3     3  3     3    3                                                                                              

Piano

Synth

3

3

3

3

3

3

3

 

 

     

Mar. 2

3

  

Mar. 1

3

Mallet 2

3

f

Mallet 1

3

 

  Vibes 1   Vibes 2

3

 

f

  

 

 

ff

  

  

3 3 3 3   3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3 3  3 3                                                       f

                                                                  3      3                            3

 

3

3

3

3

3

3

3

3

3

3

3

f

3

3

3

3

3

3

3

3

3

3

3

3

3

Perc. 2

Perc. 3



198

199

200

201

202

203

204

Chim.

Perc. 1

3


    Fl. 1, 2  

  

fp

Cl. 1







fp

Cl. 2, 3

 

 

 

 

    

  

210

  

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2



 

 

 

 

  

 

  

  fp    fp

 

   

 

 

  fp 

fp

 







 

 

fp

Bar. 2

 

 

  

 

 

fp

   

 

    

Synth

    

                 

     

           

           

    

       

   

       

ff

    

 

   

  

 

ff

ff

  

  

 

 

             

   

  

 

ff

 

   

 





  

 

 

ff

     



  



   



  

ff

  

  

 

ff

 

  



  

 



  

 



           



ff

      

     



 

    

   

    

  

ff

 

3 3 3 3 3 3 3 3                                                                                         3 3

fp

Piano

      

ff

  

fp

Tba.



    

 

    

     

ff

fp

Bar. 1

          

(opt. upper octave)

fp

   ff

fp B. Cl.

23

3

p

3

3

3

3

3

3

ff

3

 



 

 

         

    

  

 

fp

 

ff

       

3

         

  

     

3 3            ff

         

   

     

           ff

  Vibes 1  



  

 

  



Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2



  

3 3 3 3 3 3 3 3 3 3 3 3                                                      p   3  3  3   3                                          3

3

p 3

Chim.

Perc. 1

Perc. 2

  

3

3

3

3

3

3

3

3

3

3

3

3

3



3

3

3                               ff

                 3

ff



 

 

    

 

 

   

p Perc. 3

3

ff

ff

205

206

207

208

209



210

211


24

             Fl. 1, 2  

                 

                 

                                  

         

                   ff

     

Cl. 1

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

Bar. 1

Bar. 2

Tba.

Piano

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

Perc. 3

          

  

           



  



 

 

 

              

ff

  

 

fp

ff

                 

 

 

 

ff

fp

ff



  

 

fp

ff

                

 

 

 

 

 

ff



     

                            

   

   

                   

  

   





ff

 

  

ff

               

   

  

fp

 

  

 

 

  

 



  

  







 







  

fp

 





fp

  

fp

 

 

 



                 

     

 



   

fp

  



 

fp

   

   

  

 

fp

 

     







   





 

fp

  

 





fp





  

   





 

 



 

fp

 

   

  



fp

   

   



  

  

fp

     

 

fp

 

  



  

 

 

 

ff

fp

fp

         

     

ff

  fp  

fp

     

               

 

 

     

     

ff

fp

  

     

    

ff

 

 

     

 





       

       

                

    

   

  

          

         fp  

 



            

                

    

   

   

             

   



       

fp

ff

       

      

     



  





 

 



  

  



           

                            

                                     



















       

 

  

 

 



 

 





212

213

214

215

216

217

218

pp






219

25

   

    Fl. 1, 2   

     

3

f

Cl. 1

  

  

   

fp

 

ff

Cl. 2, 3

fp

  

ff

B. Cl.

  



ff

A. Sax. 1, 2

   

    

Tpt. 1

 

   

     ff     

 

ff

Tpt. 2, 3

   

  

     

    

3

f

Bar. 1

    

   

    

fp

 

 

ff

 

 

 

 

  

    

 

Piano

f

     

Synth

Vibes 1

Vibes 2

Mallet 1

Mallet 2

Mar. 1

 

3

3

3

3

3

3

 

3

3

  

ff

     

3

3

     

 

fp

3

f



  

 



 

 

ff

 

ff

 



fp

3

3

   

3

3

 

     

ff

  

3

  

    

fp

3

3

    

3

3

 

      

3

fp



3

 

fp



3

3

fp

                                                                                       3

 

ff

fp

 

fp

 

  

fp

ff



 

fp

 

ff

 

fp



fp

    

3

 



 

ff

fp

    

 ff 

fp

ff

 

fp







  

 

 

ff

Tba.

 fp 

fp

ff

Bar. 2

 

    

 



 



 

 

fp

ff

fp

ff

Mello 1, 2

fp

 

fp

f

 



fp

     

 

ff

fp

ff

Bari. Sax.

 

 

fp

 

    

ff

 

3

f

Ten. Sax.



 

3

f



   

 

 

    

fp

     

   

   

    

   

   3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3  3   3                           

                                                                                       

f

Mar. 2

f3

Chim.

Perc. 1

   

3

          

  

3

f

3

3

3

3

3

3

  

ff

Perc. 3

3

fff

Perc. 2

3

3

  

 

pp

3

3

 

3

3

3

3

 

       

ff

 

pp

3

3

3

f

  

ff

3

  

ff

3

3

    

 

3

3

 

 

pp

 

      

 

ff

pp

219

220

221

222

223

224

225

226


227

26

 

 

  

 





 



 

 

  

 

   







 

 

 









  

 

 

  





 

 

 

  

 

 

 

   Fl. 1, 2  



 



 

 

 









 

 

 







ff

Cl. 1

Cl. 2, 3

B. Cl.

  

ff

 

ff



ff

A. Sax. 1, 2

 

 

 



 

 

 

 





 

 

 





  

 

 

 

   

        

 

     

 

    

 





 

 









 

 

 

 



 

 

 

 

   

 

   

 

   

 

    

ff

Ten. Sax.

Bari. Sax.

ff

ff

Tpt. 1

   

 

ff

Tpt. 2, 3

Mello 1, 2

ff

ff

Bar. 1

Bar. 2





ff

   



 

 

 

 

 



  

 

  

 



 



 



 

 

 

 

ff

Tba.

     ff

 

                                                                                       

Piano

Synth

3

3

3

3

3

3

3

3

3

Mallet 2

Mar. 1

Mar. 2

Perc. 1

Perc. 2

Perc. 3

3

3

3

3

3

3

 

3

3

3

3

3

3

3

3

  

 

 

 

 

  

                  3

3

3

3

3

3

3

3

3

        

3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3                                                            

  

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3  3                                                              

  

                                                      

      3      3      3      3      3      3      3      3      3         

3

3

3

3

Chim.

3

3

Mallet 1

3

3

 

            ff                              Vibes 1       Vibes 2

3

 



3

3

  

3

3

3

 

3

3

3

    

3

3

3



3

3

3

 

3

3

3



3

3

3

 

3

3

3



3

3

3

 

3

 







 

 

 



    

ff

ff

 

 

 

 

 

227

228

229

230

231

232


27

     Fl. 1, 2  

  



 

 

Cl. 2, 3

B. Cl.

A. Sax. 1, 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2, 3

Mello 1, 2

  

 

  fp    

    

  

  ff  

Synth

Mallet 1

Mallet 2

Mar. 1

Mar. 2

Chim.

Perc. 1

Perc. 2

Perc. 3

 

 

 

 

 

 

   





 

    

 

 

3

 

ff

fp

 

 

 

 

 

   

 

 

 

 

    

 

 





 

 

 

    

fp

  

 

   

  

   

 

   

 

    

 

 

 

fp

ff

 

ff

   ff

 

 

 

ff



 



3

 

ff

  ff

   ff          3

3

        

3

3

3

        

3

3

3

        

3

3

3

3

 

 

 

  Vibes 1   Vibes 2

 

 

  

 

Piano

 

fp

Tba.

 

 

fp

Bar. 2

 

 

ff

ff

fp

Bar. 1

 

fp

 

    

  

ff

 



3

ff

fp

Cl. 1

 

 

  

fp

  

     

    

    

    

      

      

      

      

         

         

           

ff

3

3

3

3

3

3

3

3

3

3

3

     

 

 

3

  

         

  

 

  

                                     

  

                                     

  

 3 3 3 3                                                 

 

      

3

3

3

3

3

3

 

3

 

 

 

 

p

   

 

 

  

  

3

3

3

3

3

    

3

3

  

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

    

 

 

 

 

 

p

ff

3

     3

3

3

3

  3

3

3

3

  

3

3

ff

3

3

3

ff

 

 

3

3

3

 

ff

 



3

3

3

3

3

ff

 

ff

233

234

235

236

237

238

239


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