MY LITTLE PROJECT BOOK THE SEVEN MILESTONES AT A GLANCE: 2019-2024
PORTFOLIO MAGAZINE
1ST EDITION 07/2024
TU DARMSTADT
DARMSTADT, GERMANY
Portfolio? As an illustrated book, portfolio, or collection... No, as a MAGAZINE: That is right - it is supposed to be a magazine - and it is one just for you. At this moment you are holding the first edition of my PORTFOLIO magazine in your hands. Produced directly on site, utterly detached as a process of progressive and creative development, the experiences surrounding my studies and social interaction.
EDITORIAL & GRAPHICS
Fitore Delija
PRINT
Printing pool TU Darmstadt - Faculty 15 Architecture
Published on behalf of the editorial team
July 2024
a short overview... about me
fitore delija
My name is Fitore Delija, and I am a student at the Technical University of Darmstadt (Master of Science). I completed my Bachelor‘s thesis in the winter semester 2020/2021. In general, I am a very open-minded and sociable person who enjoys working in a team in every respect. Working in larger groups is therefore not a problem for me. In addition to my artistic and creative skills, I am also very open-minded, adaptive and curious, so I can learn new things quickly and quickly immerse myself in the design atmosphere. It is interesting to learn new things, especially in architecture and other branches this field offers. Alongside my studies, I would like to gain further experience so that I can gain a better insight into the life of an architect and thus have the opportunity to develop personally and academically in this field. The following designs include projects that were created in the context of my Bachelor‘s and Master‘s degree programmes at the Technical University of Darmstadt and will give you an insight into the development of my creative skills.
Someone once said: „We really need something with passion in this industry!“ - and a lot has happened in my student career since then. More than seven years lie behind the beginnings of my architecture studies: As an edition of this seventh anniversary of my time at TU Darmstadt and the new drafts that regularly appear, this issue looks back on the history of my studies and the experiences I have gained. Whilst there have been some challenging times in our beloved house, I can now look back with amazement and pride at how far we have really come. Starting from the beginning of my studies, the magazine features seven projects, each at a different point in time and semester of my studies: These describe These describe my past years‘ experiences, development and creative skills. Each of them is important and led my development in this industry in a new direction.
That is why I am delighted to present my first and latest issues, full of enthusiasm and attention to detail. Curious? If you want to find out more, then open the next few pages and become part of my small, beautiful, contrasting, and long journey.
I hope you enjoy leafing through it.
Cortile degli Uffizi
Design: Metamorphosis
(IN) Sight From the Outside
Design: Design V - Urban planning
Core of versatility
Design: Bachelor-Thesis - Hybrid building
Curriculum Vitae
Curriculum vitae, Skills, Interests and Contact
Reconnect. a new interface for mannheim Design: Urban planning
Das Jugendwerk am Tagger the new identity of the youth Design: Building construction
General higher education entrance qualification with the subjects Art and English
Technische Universität Darmstadt (B.Sc.)
Bachelor‘s degree in Architecture
Final grade: 1.76
Technische Universität Darmstadt (M.Sc.)
Master‘s degree programme in architecture
Semester abroad, Università degli Studi di Firenze, Florence, Italy
professional activities
Student assistant, Department Visual Design, Prof. Katharina Immekus
Skills languages
interests and hobbies
Since June 2020 Since June 2021
November 2023
2024-June
internships
Student assistant, Department Design and Open Space Planning, Prof. Dr. -Ing. Jörg Dettmar
Public relations, Foundation Hofgut Oberfeld
Working student, Lichtelandschaften, Freelance landscape architect BDLA Teresa Burmester
Graphic design for Straba Späti Neu-Isenburg
Working student, Studio GGP, Dominik Groebler
Student assistant, Department Design and Building typology, Prof. Elke Reichel
Selma Lagerlöf Primary School
Sasa Mitrovic Services and cable pulling work
VOLUNTARY WORK
Project: „Living responsibility“
Voluntary tutoring
Basic tutor training at the Faculty of Architecture
2021/22-
2023/24
Nursing home for the elderly „An den Plantanen“ Permanent student representative, Master
Speaker at the International Day at the BiZ Aschaffenburg
Temporary student representative, Master Foundation Hofgut Oberfeld
Additional qualifications
2016
2021-2022
Winter 2022/23
July 2023
Scholarship from the Sparkasse Foundation Langen-Seligenstadt, Goetheschule Neu-Isenburg
Deutschlandstipendium, Technische Universität Darmstadt Erasmus scholarship, Technische Universität Darmstadt 3rd prize, Ernst May Prize 2023, Technische Universität Darmstadt, Department of Design and Housing
Construction
ECDL certificate (2014)
Example: Design and painting of the graduation wall
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
METAMORPHOSis
for more information please turn to the next pages
Cortile degli uffizi
DESIGN AREA - UFFIZI FLORENCE, ITALY
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence (Italy) is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the construction. Originally intended to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The façade of the building can be perceived as a constantly repeating sequence. It is made of „pietra serena“ (a cool-looking, greyish stone).
ASSIGNMENT
Historical and contemporary building types were presented in the lecture „Building Theory II“. For the „Spatial Design II“ exercise, these were first modelled in a mimetic way and then transformed into an independent metamorphosis of a spatial model. Analytical drawings and partial models are intended to define the interdependence of location, programme, type and space-defining shell. The metamorphosis is understood as an independent (short) design that distils something familiar and different from the model and unfolds the possibility of redefining the existing building in a variety of ways with different elements.
CONCEPT
The Mimesis focuses on the large inner courtyard and the façade of the building complex. The concept defines the exterior and interior façade and develops into a definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard, which is enclosed by a colonnade, is located in the centre of the building. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
the inventory
third angle projection
the Metamorphosis
ground floor
derivation
first floor
second floor
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
urban planning Design V
(IN)sight from the outside
DESIGN AREAPALLASWIESENVIERTEL, DARMSTADT
The design area is located in the western part of Darmstadt and forms a clear peripheral area due to its location. Neighbouring areas include the Johannisviertel and the Waldkolonie to the west. In addition, the proximity to the city centre and the main railway station with its immediate motorway connection is a significant attraction for commuters and workers. However, the area‘s charm is marred by the intensive traffic and the nearby sewage treatment plant, resulting in high levels of immissions. The absence of an overarching building structure and the predominant commercial sector (services and retail) highlight the need for a more diverse mix of uses in this area.
ASSIGNMENT
The task involves the design of a new and mixed urban neighbourhood. Living and working, as well as short distances, are essential components of the design, which will act as a prelude to the new western city. To this end, a forward-looking cityscape with an independent and experimental character is to be developed for the neighbourhood. At the same time, the challenges and restrictions of the site, such as noise pollution from the railway line, the motorway feeder road, the sewage collector and the existing uses that must be integrated, must be dealt with in the design process. This should formulate a statement on address formation at the entrance to Weststadt.
CONCEPT
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(A) view from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood will be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked inside and outside and thus interact with each other, so that community is the clear focus.
Facing Mobility
EXPANSION OF SUSTAINABLE TRANSPORT
DEVELOPMENT OF STRENGTHS
SHARING CONCEPT
MINIMISATION OF CAR TRAFFIC - EXPANSION OF CYCLE AND PEDESTRIAN PATHS
WESTERN RAILWAY STATION AND TRAM FOR STRENGTHENING INNER AND OUTER CITY CONNECTIONS - EFFICIENT PUBLIC TRANSPORT
CAR-SHARING AND RIDE & BIKE OPTIONS
- FACILITATING THE FUTURE TRANSITION TO SUSTAINABLE FORMS OF TRANSPORT
Facing Productivity
SOCIAL WORKSPACES
PUBLICLY EFFECTIVE LOCATIONS
CREATIVE GET-TOGETHER
CREATIVITY AND CREATION - PROMOTION THROUGH CUSTOMISED WORKSPACES FOR START-UPS AND EXISTING BUSINESSES
START-UPS OR EXISTING BUSINESSES BENEFIT FROM PUBLICLY EFFECTIVE LOCATIONS AND HAVE A GREATER REACH
CREATIVE GET-TOGETHER - ADDITIONAL STRENGTHENING OF THE COMMUNITY
Facing Community
PRINCIPLE HANG
URBAN GARDENING
SHARED LIVING
DEVELOPMENT FROM THE SLOPE - OFFER OF PUBLIC SPACE AND RECREATION ZONE
URBAN GARDENING AND ALLOTMENT GARDENS - ADDITIONAL PROMOTION OF THE COMMUNITY - EFFICIENT REUTILISATION
COMMUNAL KITCHENS OR WORKING SPACES, FOR EXAMPLE - STRENGTHENING THE SOCIAL FABRIC AMONG THE RESIDENTS
GräfenhäuserStraße
Pallaswiesenstraße
Deeping section
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
Prof. i.V. Sebastian Thaut, Silvia Schellenberg-Thaut
hybrid building
for more information please turn to the next pages
core of versatility
DESIGN AREAMARKET PLACE BENSHEIM
The design area is centrally located in the eastern part of Bensheim city centre in southern Hessen. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered the town‘s centre and „heart“and is also defined as the „stone“ old town due to its medieval character. The market square is characterised by its steeply rising topography. Furthermore, the Bensheim market square is considered a square area with an articulation function and a central axis with a connecting function. A wide variety of mixed uses are strongly represented on Bensheim‘s market square, from residential areas with many small retail spaces. The „Schorschblick“ is also part of this place.
ASSIGNMENT
In the historic centre of the small town of Bensheim in southern Hessen, on the Bergstraße, the former „Haus am Markt“ is to be rebuilt in the form of a new modern building in a prominent location on the central market square. On the one hand, the new building is intended to provide new impetus for the market square while simultaneously blending in with the historic structures of the old town as a sensitive urban building block. The aim is to find an answer for contemporary construction dealing with existing historical buildings. The usage programme in the unique hybrid building comprises a restaurant, including ancillary rooms, an information centre including a multifunctional and exhibition room, as well as administration and sanitary facilities.
CONCEPT
In the course of analysing the area, particular attention was paid to the large and flexible spaces created by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable layouts beame a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passers-by. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid. The concept The core of versatility aims to create a place that attracts diverse residents and people from outside to the building.
groundplan basement
exploded drawing
groundplan ground floor
groundplan first floor
groundplan second floor
section south
view south
view north
angle projection
third
urban planning model
construction model
HALF-TIME!
And now a little break...
You have now seen the first projects representing my personal experiences in my Bachelor‘s degree. From my first experiences with Photoshop and Archicad to experiences on the small to the enormous scale: from small projects to bigger projects, from small hurdles to bigger and bigger ones. Above all, these projects show my personal development. They show how I started: From the question of what architecture even means to develop an understanding of architecture, what space means and, above all, atmosphere. The Bachelor‘s programme was an instructive time for me to learn what it means to design architecture. What do we have to pay attention to and what is essential for the realisation? Which standards are relevant, and, above all, how can I put my thoughts and ideas on paper? These shirts have helped me shape my future projects, immortalise my style and thoughts and learn what I want for the future. In the next section, you will see projects from my time in my Master‘s programme. I want to show you how my way of working, my way of thinking and my projects have evolved. Perhaps with a „personal touch“ too.
With this in mind, have fun on my second adventure.
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site structures. The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and offers were to be examined for their residential joker should be the transJokerZimmer. The „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difhousing and services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
urban planning
for more information please turn to the next pages
Prof. Dr. -Ing. Martin Knöll
reconnect. a new interface for mannheim
DESIGN AREA- SPIEGELFABRIK MANNHEIM
The design area is located in the northern part of the polycentric city of Mannheim. The area is part of the Waldhof district. In the immediate vicinity of the Old Rhine, the old Rhine harbour was built, creating an ideal interface to freight transport on the water, which led to the mirror factory and the Saint-Gobain glassworks settling in this location. In general, the settlement is characterised by the wide range of facilities that make community life possible. The closure of the former mirror factory in 2020 now offers far-reaching opportunities for a new modern structure in a location characterised by conurbations.
ASSIGNMENT
This masterplan in Mannheim aimed to investigate the extent to which the idea of the historic garden city with its social, ecological, functional and urban design approaches can be transformed into the present day. Modern Visions and alternative urban structures for a new, integrated and forward-looking neighbourhood were to be developed by examining historical models. The aim is to create sustainable concepts for the transformation of the former industrial site that take into account its historical identity and innovative visions for a diverse, sustainable, urban and yet green neighbourhood.
CONCEPT
A mixed-use neighbourhood is being created on the old industrial site appropriately, combining living, working, culture, leisure and education in a socially acceptable way and uniting the industrial charm of the site with new residential structures. The design aims to build on the difficulties of avoiding clusters of use, create new spaces of identity and give them back to the residents. Based on the detailed analysis of the Werksviertel-Mitte in Munich, the new ReConnect neighbourhood also offers decisive impulses for „unusual living“, which are strongly linked to the interlocking of public and private life.
the analysis
Analysis: Waldhof islands of utilisation
the prelude
Phase plan
Inspiration: Isometric drawing, Lockerwiese
Inspiration: Isometric drawing, Werksviertel Mitte
Concept and realisation
Pictograms:
13.07.2022
Spiegelfabrik Mannheim
EINE URBANE SCHNITTSTELLE
Brochure for the Prelude
SCHNITTSTELLE FÜR MANNHEIM
VERANSTALTUNG
Versammlung für die Vorstellung der erarbeiteten
Machbarkeitsstudien für die Spiegelfarbik Mannheim
WAS SIE ERWARTET
Spiegelfabrik - eine neue Gartenstadt für Mannheim
Auf einem Baugebiet in Mannheim, Stadtteil Luzenberg, wurde 1853 eine Spiegelmanufaktur des Unternehmens Saint-Gobain errichtet. Das Gebiet zählt zum Stadtbezirk Waldhof. Im Zuge der Errichtung der Manufaktur ist ebenfalls ein unmittelbar südlich des Fabrikgeländes liegendes Wohngebiet für ihre Arbeiter und deren Familien entstanden. Umgeben ist die ehemalige Spiegelmanufaktur von großen Nutzungsballungsgebieten, die primär gewerbliche Nutzungen und Wohnen ausmachen.
Die Stilllegung der ehemaligen “Spiegelfabrik” im Jahre 2020 bedeutet für viele Bewohner des Stadtteil Luzenbergs einen Verlust von einer über Jahrzehnte Identität stiftende Geschichte.
Ziel der Stadt Mannheim ist es nun, dieses ca. 40ha große Areal wieder zu öffnen und im Zuge der Nachverdichtung, unter Bedacht von Aspekten wie Nachhaltigkeit und Zukunftsfähigkeit, ein neues Quartier für Mannheim zu schaffen
Sind Sie gespannt, wie sich die Planungen zu der Spiegelfabrik seitdem weiterentwickelt haben?
Dann sollten Sie diese Veranstaltung nicht verpassen!
SAVE THE DATE
WANN? 13.07.2022 13-17Uhr
WO? Spiegelfabrik 314, 68305 Mannheim
Wir informiren Sie und beantworten ihre Fragen.
Achtung! Ihr Ticket ist in diesem Flyer enthalten
Phase 1
Phase 1
Perspective West Entrance
Utilisations of phase 1
Perspective of the plastic and labour yard
Pictogram:
Interface West Campus
Phase 2
Phase 2
Utilisations of phase 2
Pictogram:
Perspective residential courtyard in the HeimatDorf
Deepening groundplan, HeimatDorf
Phase 3
Utilisations of phase 3
Pictogram: Phase 3
Perspective Pavilion GreenZipper
Perspective GreenHouse
interface centre, GreenZipper
Phase 4
Utilisations of phase 4
Pictogram:
Perspective Spiegelbad
Deepening groundplan, HeimatFabrik
Phase 5
Phase 5
Utilisations of phase 5
Pictogram:
Perspective Boulevard
Perspective Spiegelufer
Interface East, GreenZipper
plan
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
residential building
information please turn to the next pages
cooperative. productive. living.
DESIGN AREA - WIESBADEN
KLARENTHAL
The design area is located on the north-western edge of the Rheingau district of the rural town of Wiesbaden. The area is part of the Wiesbaden Klarenthal district. The Klarenthal estate, which contributes to the history of Ernst May, is directly adjacent to Wiesbaden‘s city centre, as is the Kohleck estate. With a few exceptions, the estate is mainly characterized by its unique composition of tower blocks and terraced buildings of varying heights mainly running in a north-south direction and adjoining the gently sloping eastern slope. Angled buildings mediate between the two directions. At the highest point of the historic estate, the highest development ends on the highest topographic point with point tower blocks.
ASSIGNMENT
In this master plan, the future of the large housing estate was to be developed from its structure. The existing deficits were to be uncovered and identified, and the structural and open space typological offers were to be examined for their potential for change. The residential joker should be the transformation of the JokerZimmer. The „Wohnjoker“ transfers the strategy to the urban structural scale, creating a house full of flexibility and offerings. It should be a hybrid of flexible and diverse offers on different levels: Forms of housing and services that are not currently available and urgently to attract a socially broader and more diverse population. Flexibility and diversity are, therefore, significant.
CONCEPT
„Good architecture needs active residentsit needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two structures are used: the large productive halls for the public and the small 22.09 square metre residential units, which are connected to each other. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal.
black plan
communication
interweaving site plan
Pictogramme
Pictogram
Ground floor plan with surrounding area
section A-A
section B-B
view east
deepening groundplan and section
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site
The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
building construction
for more information please turn to the next pages
Jugendwerk am tAGGERTHE NEW IDENTITY OF THE YOUTH
DESIGN AREA- TAGGERWERKE, GRAZ AUSTRIA
The design area is located in the southern part of the Capital of Culture Graz, in the south of Graz, adjacent to a slaughterhouse in the north, a waste disposal company in the west and an administration building of an energy provider with a gas-fired combined heat and power plant in the south. Within the urban fog zone, Hans Tagger leased the former municipal mill in 1926, expanded the grain mill and developed the site into a feed mill until the 1990s. In 2004, the production and storage of pesticides, fertiliser, concentrated feed and nutrients at the Taggerwerke was discontinued. Today, the site is defined as a partially vacant factory site. Some areas of the silo facilities have been converted and are used as part of the idea of a multifunctional business, cultural and sports centre. Facilities such as fitness studios, a bouldering hall and a publishing house are always present here. There is also a shooting range and administrative areas for cultural organisations, as well as studios and offices.
ASSIGNMENT
In this design, the idea of a youth centre is to be developed further. A contact point is to be created in the free-standing silo tower of the former Taggerwerke, which will represent added value and enrichment for the city and its residents through participatory processes. The very different backgrounds of the local residents should also promote social dialogue and interaction. The idea is a contemporary, sustainable and progressive youth centre in the south of Graz. The design should aim to offer young people a safe and supportive space in which they can develop freely and discover their potential and interests. The aim is to create an open centre that is accessible to all young people. It should be a place where diversity and tolerance are encouraged. It is both a leisure and educational centre. Counselling services should also be provided here. Sustainability should play an important role here in teaching young people how to deal with the issue as a matter of course.
CONCEPT
Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but failed due to selfadministration. Today, these youth centres define themselves as a protected space where young people can unfold, pursue their interests and develop their personalities creatively and uniquely. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process reversing the design development principle. The users thus become part of the concept and the process. This enables the building to develop and transform itself in a unique way. This design is defined as a social community project, creating a unique, progressive, cooperative and contemporary youth centre.
BY FAR MY FAVOURITE...
This project is very important to me. I have learnt a lot from this project: to use the opportunity to develop freely, to give free rein to my creativity and, above all, to become more confident with my own ideas and concepts. The design was, is and remains a project that has shown me the luxury of possibilities we have, and that architecture can also be combined with graphic design to get to the heart of statements and ideas in equal measure. Each of us has our own way of working, interests, concepts and skills, and this project brings everything together. Through this design, I have learnt to trust myself more, be it in my abilities or in the ideas and visions I have for this project. I was also able to develop my growing interest in graphic design further and take on new challenges, which allowed me to broaden my spectrum. The tremendous social aspect also reinforced these visions, and I am happy to present this design to you with complete joy and passion.
So, with this in mind, have fun browsing through my latest and favourite project.
You read that right - this is supposed to be a magazine - and it is one just for you. At this moment you are holding the 10th edition of the successful Tagger MAGAZINE in your hands. perfect and just in time for the anniversary of our beloved TAGGERHAUS. Produced directly on site, utterly detached as a process of progressive and social social development, the events surrounding the TAGGERHAUS and social togetherness.
Someone once said to me: „We really need something with passion in this city!“ and who knows, maybe that will be our passion in the future.
shy people can also be perceived as loud in the room without raising their voice. This would be possible with a properly adapted room structure. We need to organise this building so that everyone can have their say.
Dann wollen wir mal...
EBENE 1: Der Bestand
Uns ist ein sensibler Umgang mit dem Bestand enorm wichtig! Vielleicht behält man alles so bei, wie es ist....
EBENE 2: Die Konstruktion
Wir brauchen etwas, was transformierbar/ veränderbar ist und auch eine Vielfalt bieten kann. Es muss auch einfach zu bauen sein... vielleicht Holz?
EBENE 3: Die raumbildenden Elemente
Hmm... ich denke wir brauchen auch eher was offenes, etwas flexibles dafür sollten wir die Materialien auch so auswählen, dass wir dies tun können.
EBENE 4: Die Nutzer
nicht zu vergessen: WIR natürlich! Wir sind die wichtigste Instanz in diesem Projekt, ohne uns passiert hier nämlich gar nichts!
„I‘ve never worked with wood before, but that‘s exactly why I took part in this workshop. It was a really welcome change from my usual work at university, where sit at my desk day after day, hour after hour, doing my usual computer work.“
3:kreativwerk
bitte nächste Seite aufschlagen...
„...Since we also change over time, be it our wishes, our goals, our ideas of what happens to this house, we have to find a way in which the architecture can offer us exactly that and take into account the changes of the users over the years.“
raumprogramm
GEMEINSCHAFTSWERK
Fix‘N‘Drive (EG/1.OG) Café Nullpunkt T0 (EG/1.OG) The Market to Be (EG/1.OG)
Gemeinschaftsgalerie (5./6./7.OG) Gemeinschaftsküche (8.OG) TaggerFORUM (11.OG) (VisionBoard am Tagger)
To better understand what materials were needed to make this particular wooden construction in the future, the users took the opportunity to look again at what materials they had been able to collect in the materials workshop. The warehouse was full of materials that were easy to lose track of, so Alex, a 15-year-old pupil, started taking photos of the materials we all thought were important. He then created a collage of these photos for us. He printed them out, cut out everything necessary from the images and then glued them onto a large sheet of paper. In this way, everyone involved in the project received all the essential information about the necessary and usable materials. What was written in capital letters here: IMPROVISATION. Of course, we had to improvise a lot. As none of us were specialists, we naturally had to think about alternatives and deal with the topic of constructive building. However, we were aware from the outset that we wouldn‘t be able to come up with any clear structural solutions, so we thought about how we could use leftover car tyres, old mineral fibre insulation, buckets, bags, carpets and much more to create something that would enable us to make a long-term impact in this building. Of course, not all of the materials were used for the building in the end, but it helped us to make a more narrow decision so that we could also access the materials we found in the collage flexibly and quickly in our practice.
As the entire project currently consisted purely of collections and donations, it was clear that not all the necessary materials and equipment would be available for this project. Once it was clear which materials were available and could be put to good use, it was also necessary to think about which items were not yet available and which were still needed. After much discussion, a final shopping list was drawn up for those without or contact with this topic. To make things easier, Fitore properly documented everything. She created a shopping list with names and pictures so everyone knew directly what to look for. At the same time, she sorted everything by category so that there weren‘t a thousand question marks in the heads of the DIY store users. Recommendations were also given regarding which DIY stores, workshops, or model shops you could go to so that all you had to do was stick to this shopping list. So, in principle, it was actually quite simple.
To make the whole thing even more accessible, a step-by-step how-to guide was also created for users and work groups to explain to users how the construction is built step by step, what is required and how everything comes together. Several sections were recorded and documented. Of course, everyone was aware at the time that this was all a theoretical guide and would work 100% in most cases, but the topic of improvisation in practice was also a big issue here. The aim was to make this construction so simple that really ANYONE could be involved in it and work on it without any prior knowledge. You could compare it to an IKEA instruction manual. It‘s just simple and compact. So, with this in mind: If you are interested in developing a construction like this or simply want to know how it all came about step by step, I will be happy to give you a short introduction to how this construction works. Then turn to the following pages, where we will provide you with a detailed xx-step how-to guide with great attention to detail and, of course, in a balanced, chaotic sense.
UND EIN KLEINER REMINDER…
Einkaufsliste…
UND EIN KLEINER REMINDER… EIN KLEINER ÜBERBLICK…
WELCHE MATERIALIEN DU BENÖTIGST…
KONSTRUKTION DIE -
HOLZVERBINDUNG
FUSSBODEN LÄNGSVERBINDUNG
GELÄNDER WANDANSCHLUSS
DECKE MIT SCHALLSCHUTZ
Die Innenwand
The Uffizi Gallery (Italian: Uffizi „offices“) in Florence is an ancient building complex that was built between 1559 and 1581. The current building was designed by Giorgio Vasari. After his death, Bernardo Buontalenti and Alfonso Parigi the Younger finally completed the building. Originally designed to house ministries and offices, the architectural work now serves as a museum for art exhibitions. The square connects Piazza della Signoria and the banks of the River Arno. The task was to mimetically analyse and metamorphose a spatial model. Analytical drawings and models were to define the interdependence of place, programme, type and space-defining shell. The metamorphosis is understood as an independent design and focuses on the large inner courtyard and the façade of the building complex. The con-
cept defines the exterior and interior façade and develops into a clearly definable structure. The previously long and infinite building is thus summarised in a symmetrical and square floor plan. The inner courtyard is located in the centre of the building, which is enclosed by a colonnade. Clear and defined lighting is created by the closed outer façade, which further emphasises the concept of the inner courtyard. The height of the building also creates a new atmosphere and emphasises its inner courtyard through the shading.
Based on the newly constructed Westbahnhof railway station in conjunction with the unused slope and its representative function to the outside, the concept „(In) sight from the outside“ is divided into three key themes. With the help of the key themes of mobility, community and productivity, the neighbourhood is to be transformed from a colourful cluster into a structured, community-based urban space. In schematic terms, the Mobility and Productivity areas form an outer zone around the heart of the area, with the Community area forming the end. All areas are linked with each other both inside and outside and thus interact with each other, so that community is the clear and main focus of the project.
The design area is located in the city Mannheim. A mixed-use neighbourhood on the old industrial site in an appropriate living, working, culture, leisure acceptable way and uniting the with new residential structures. ild on the difficulties of avoiding spaces of identity and to give new ReConnect neighbourhood „unusual living“, which is closely public and private life.
The design area is centrally located in the eastern part of Bensheim city centre in southern Hesse. Due to its history, the area has a homogeneous old town structure and is characterised by half-timbered houses (mostly cultural monuments). The market square is considered as the „heart“ of the town. The new building is intended to give the market square a new impetus, while at the same time blending in with the historic structures of the buildings as a sensitive urban building block. In the course of analysing the area, particular attention was paid to the large and flexible areas formed by the spacious market square. Based on various resident surveys, the guiding theme of flexible and changeable floor plans became a primary factor. The Schorschblick and Glatzer Platz in the upper part of the area are key features here. This creates a variety of spatial situations that are spatially enclosed and thus recognisable to passersby. The design also refers to the structured geometry resulting from the conditions of the location, giving the building a clearly defined structure that fits into a grid.
The area is located edge of the Rheingau The area is part district. The Klarenthal butes to the history adjacent to Wiesba Kohleck estate. which mainly run
In this masterplan, the future of to be developed from its own were to be uncovered and identified, open space typological offers potential for change. The residential formation of the JokerZimmer. strategy to the urban structural flexibility and offerings. It should ferent levels: Forms of housing rently available and are urgently socially broader and more diverse to be found that would make future
the northern part of the polycentric neighbourhood is being created appropriate manner, combining leisure and education in a socially the industrial charm of the site The aim of the design is to buavoiding clusters of use, to create new them back to the residents. The neighbourhood offers decisive impetus for closely linked to the intermeshing of
„Good architecture needs active residents - it needs active co-thinkers and co-creators among those who are not architects themselves.“
The design focuses on the participatory creative work of the residents and the Klarenthal district. Two different structures are used for the residential building: the large productive halls for the public and the small living space of 22.09 square metres, which are connected to each other and serve the residents. The size of the residential modules allows for different types of living and overcrowding of the residential building in order to bring diverse people from outside into the building. However, the focus is on the public structures that run through the residential building and attract the residents of Klarenthal. These are connected to the residential structures so that they are in constant interaction which also allows to develop future forms of living. This is intended to reinforce the theme of community and productivity in relation to living and thus forms a core element of this design.
pursue their interests and develop their personalities. This is precisely where the design is intended to build on the fact that the building lives from its users (possibility of appropriation). The building is understood as a process, which reverses the principle of design development. The users thus become part of the concept and the process. This enables the building to develop and transform itself. This design is defined as a social community project, creating a progressive and contemporary youth centre.
located on the north-western Rheingau district of Wiesbaden. part of the Wiesbaden Klarenthal Klarenthal estate, which contrihistory of Ernst May, is directly Wiesbaden‘s city centre, as is the estate. The estate consists of buildings run in a north-south direction.
of the large housing estate was own structure. The existing deficits identified, and the structural and were to be examined for their residential joker should be the transThe „Wohnjoker“ transfers the structural scale, creating a house full of should be a hybrid of offers on difand services that are not cururgently needed in order to attract a diverse population. A solution had future living possible.
A youth center as contact point is to be created in the freestanding silo tower of the former Taggerwerke, which will represent enrichment for the city and its residents through participatory processes. Based on the growing youth movement of the 1960s, which was characterised by a great desire for self-determination and freedom, work was carried out against authoritarian structures. In the past, young people were also involved in youth centres, which they organised and financed, but which failed due to the self-administration. Today, these youth centres define themselves as a protected space in which young people can unfold,
Here is a small collection of catalogues, magazines and drawings that I produced during my time at university and which also helped me to develop my skills and my interest for graphic design.
At the same time, these small projects show how diverse my interests are and what I have already been able to achieve professionally through my creativity and my skills. This should also reflect my adaptability, as I can enter and work in different fields.
MAGAZINE HERE, MAGAZINE THERE...
Publication of the „Blaupause Magazin“ as part of the magazine seminar in the summer semester 2023
Carlotta Sauer
Moritz Schmidt
THEN LET‘S TAKE THE SECOND ONE WITH US...
AUSGABE
Nr.3
1 Editorial
Allen guten Dinge sind drei! Und daher sind wir vom FB15 auch in diesem Semester wieder für EUCH da, um
Euch mit unserer dritten Ausgabe des studentischen Magazins „BLAUPAUSE“ zu versorgen,
Auch dieses Mal gibt es ein breites Spektrum an Beträgen von Studierenden, die alle für sich ganz individuell gestaltet sind - in dieser Ausgabe jedoch unter einem gemeinsamen Thema:
„Leidenschaft und Verschwendung“
Wie die vorherigen Ausgaben zeigen, ist die Entwicklung des Magazins ein kontinuierlicher Prozess des Ausprobieren. Wir möchten Studierende zum Nachdenken, aber auch zum Mitmachen und Experimentieren anregen. Daher findet Ihr in dieser Ausgabe nicht nur spannende Inhalte des Magazin-Teams, sondern auch Gastbeiträge aller Art von Mitstudierenden.
Wir möchten uns besonders bei Marie Lautsch bedanken. die eine sehr goßzügige Summe an uns für dieses Projekt gespendet hat. In Absprache wird das verbleibende Geld für weitere Spenden verwendet werden.
Und wenn Ihr nun neugierig geworden sein, dann schlagt doch einfach bitte die nächsten Seiten auf. Wir wünschen dir viel Spaß beim Durchblättern.
REDAKTION & GRAFIK
Ece Akcay / Şeyma Atay / Fitore Delija / Sarah Espenhain / Julia Fabian / Sibel Gazi / Saliha Haşimoğlu / Sophie Heß / Katharina Hoff / Olga Hoppe / Toka Mohamed / Aslihan Taktak / Melike Tütüneken / Elif Yavuz DRUCK Riso-Druck
Herausgegeben im Namen des Magazin-Seminars des Fachgebiets Bildnerisches Gestalten bei Kai Ruhland April 2024
Ece Akcay
AUSSTELLUNG
Der
KATALOG
MIGRATION MAL ANDERS: THEODOR WIEDERSPAHN UND BRASILIEN MIT EINFÜHRUNG VON PROF. RENATO HOLMER FIORE PhD ANFÄNGE IN WIESBADEN NEUSTART IN PORTO ALEGRE BAUTEN FÜR DIE WIRTSCHAFT BAUTEN FÜR DIE „DEUTSCHE KOLONIE“ BEI WIEDERSPAHN ZUHAUSE VILLEN UND PRIVATHÄUSER DEUTSCHE UNTER DRUCK EPILOG: LUTHER IN DER LEPRASTATION
VI WIEDERSPAHN ZUHAUSE
VI.1
Theo Wiederspahns BUro in Porto Alegre
FAMILIE UND DELFOS PUC-RS/ privatnachlass wiederspahn 1920-1949
Theos Arbeitstag begann, so erzählt man sich in der Familie, täglich um 5h. Er war ein virtuoser Zeichner, unermüdlicher Planer, genauester Buchführer und erfindungsreicher Bauleiter, der nötige Arbeitsgeräte teilweise selbst entwarf und herstellte. Zu Beginn seiner Selbstständigkeit führte er sein erfolgreiches Architektur- und Ingenieur-Büro im Zentrum der Stadt, an einem pulsierenden Platz, im zweiten Stock neben Rathaus und Mercado Publico, praktisch und schön für ihn gelegen, da er nach allen Himmelsrichtungen von eigenen Bauwerken umgeben war. Er beschäftigte über die Jahre einen ganzen Stab von wechselnden, hauptsächlich in Deutschland ausgebildeten Architekten, die immer wieder neue Impulse in den Stil seiner Arbeit brachten.
Später verlagerte er sein Büro ins Hinterhaus seines Wohnhauses, das er ganz in der Nähe der Brauerei Bopp gebaut hatte. Als leidenschaftlicher Fotograf schickte er Bilder der Innenräume an seinen Sohn Heinz-Willi, der damals an der TH Darmstadt studierte. Auf einem dieser Bilder sieht man seine Schreibgeräte auf dem Tisch stehen, auf einem anderen Foto hängen die Pläne zum Wettbewerb der Lutherischen Kirche in Cachoeira do Sul zum Trocknen an der Leine.
Zum Ende seiner Laufbahn, degradiert zum construtor licenciado, der nicht zeichnungsbefugt war, arbeitete er im Vorort Novo Hamburgo (unter den Deutschen Hamburger Berg genannt) mit seinem Kompagnon Herrn Rhoden oder in seinem idyllischen Haus auf der Ponta Grossa, mit Blick auf den Guaiba-Fluss.
Petite Palais - Paris, Watercolour drawing, 48cmx36cm
Louvre - Paris, Watercolour drawing, 48cmx36cm
Fontana di Trevi - Rome, Watercolour drawing, 48cmx36cm
St. Paul‘s Cathedral - London, Watercolour drawing, 48cmx36cm
Assignment for the course „Disegno dell‘Architettura“ at the Università degli Studi di Firenze, Florence, Italy
Drawing for the Department of Design and Open Space Planning, Prof Jörg Dettmar
Visualisation drawing for a competition in the office for landscape architecture, Lichtelandschaften
Visualisation drawing for a competition in the office for landscape architecture, Lichtelandschaften
made for private occasion
Visualisation,
If you‘ve made it to this page, congratulations! You have experienced the last seven years of my studies in the literary and creative sense down to the last detail. I hope my development has inspired you and awakened an interest in you, whether for small projects or paintings.
If you are interested in the projects that I have been developing here for years and would like to have me on your team to support you, you will find all the important information below: address, number, and so on. I am always available, and of course, I am always looking forward to new, motivated, and creative beginnings.
