OPERA THEATER • DANCE • MUSIC • FILM • SPIEGELTENT and THE 28TH BARD MUSIC FESTIVAL Chopin and His World
June 30 – August 20, 2017
June 30 – August 20, 2017
New York City Ballet MOVES opens with the work of the choreographer most associated with Chopin, Jerome Robbins’s sublime Dances at a Gathering. The program traces City Ballet’s choreographic lineage, including George Balanchine’s Duo Concertant, set to Stravinsky, and prodigy Justin Peck’s electrifying In Creases.
Bard SummerScape and the Bard Music Festival present Chopin and His World
SummerScape 2017 also presents the world premiere of The Wooster Group’s tribute to Polish visionary artist and stage director Tadeusz Kantor, A PINK CHAIR (IN PLACE OF A FAKE ANTIQUE). The Wooster Group is a legendary downtown theater ensemble, which for more than 40 years has been famed for its fast-paced, fractured performances. This year’s film
During his relatively short life, Fryderyk Chopin (1810–49) was celebrated as the poet of the
series, Chopin and the Image of Romanticism, explores the influence of the composer’s
piano. His profound compositions and virtuosic playing—emotionally deep, delicate, and
music on directors as disparate as Ingmar Bergman and Polish filmmakers Aleksander Ford,
melodic—captured the essence of the instrument he loved and secured his stature among
Roman Polanski, and Krzysztof Kies´lowski.
classical music’s greats. It also ensured his continuing relevance, influence, and popularity, making this Romantic icon’s life and times a compelling subject for the 28th Bard Music
Then there’s the Spiegeltent, hosted for the fourth time by the inimitable Mx. Justin Vivian
Festival (BMF). The BMF lies at the heart of the 2017 Bard SummerScape—seven weeks of
Bond, a Tony-nominated performer who promises an unforgettable array of art and spectacle.
opera, dance, music, theater, film, and cabaret, all thematically tied to the Slavic roots of
Performances take place in the spectacular, Frank Gehry–designed Richard B. Fisher Center
Chopin and His World.
for the Performing Arts and other venues on Bard’s beautiful Hudson River campus.
Slavic history and culture infuse this year’s opera presentation of Dimitrij, by the Czech-born Antonín Dvorˇák. Taking up where Modest Mussorgsky’s Boris Godunov leaves off, it focuses on the real-life events and power struggles of early 17th-century tsarist Russia. This four-act grand opera, directed by Anne Bogart ’74 and conducted by Leon Botstein, is a dramatically powerful and musically thrilling study of entangled personal and political histories.
SummerScape is made possible through the generous support of Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, the Board of The Richard B. Fisher Center for the Performing Arts at Bard College, the Board of the Bard Music Festival, Fisher Center and Bard Music Festival members, as well as grants from the National Endowment for the Arts and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Above: Chopin’s Polonaise (Ball in Hotel Lambert in Paris), 1859, Teofil Kwiatkowski, National Museum, Pozna´n, Poland. Lebrecht Music & Arts. Cover: Wildflower, 1845, Louis Janmot, Museum of Fine Arts of Lyon, France. ©LyonMBA/Alain Basset.
New York City Ballet MOVES Dances at a Gathering by Robbins, and other works by Balanchine and Peck With all-live music Peter Martins, ballet master in chief No choreographer is more associated with Chopin than Jerome Robbins, who set several major works to his music. The centerpiece of this program is Dances at a Gathering, accompanied by 18 of Chopin’s mazurkas, waltzes, and études. The piece premiered in 1969 and became an instant classic, hailed for its invention, virtuosity, and constantly shifting emotions. This program traces the choreographic lineage of New York City Ballet, including George Balanchine’s Duo Concertant, set to Stravinsky, and In Creases, the first work created for the company by the prodigious new talent Justin Peck, with music by Philip Glass. The program is performed by MOVES, a select group of New York City Ballet principal dancers, soloists, corps de ballet members, and musicians.
sosnoff theater Friday, June 30 and Saturday, July 1 at 7:30 pm Saturday, July 1 and Sunday, July 2 at 2 pm tickets
“The foremost creative ballet troupe in the world.”
$25–65 opening night reception for members Friday, June 30
—new york times
post-performance conversation Saturday, July 1, afternoon pre-performance talk Sunday, July 2 at 1 pm summerscape coach from new york city July 2
New York City Ballet with George Balanchine (left) and Jerome Robbins rehearsing Pulcinella, 1972, photo by Martha Swope. ©The New York Public Library for the Performing Arts.
The Wooster Group A PINK CHAIR (IN PLACE OF A FAKE ANTIQUE) Directed by Elizabeth LeCompte The Wooster Group is one of America’s most daring and imaginative theater companies. As the New York Times writes, “throughout its almost 40 unceasingly fertile years of existence, this genre-bending troupe has taken theatergoers through twisting labyrinths of productions, in which reality and its representations are splintered by technology and irony.” Now The Wooster Group engages the work of visionary artist and stage director Tadeusz Kantor, whose theater was born from the fractures of 20th-century Poland and spoke to the world about imagination and history. A Pink Chair is an homage to Kantor and his actors, and a self-reflective take on The Wooster Group’s own ecstasy, despair, nostalgia, and memory.
luma theater Thursday–Saturday, July 13–15 and 20–22 at 7:30 pm Sunday, July 16; Wednesday, July 19; Saturday, July 22; and Sunday, July 23 at 2 pm tickets
“When it comes to striking sparks from crashing art forms and time zones, nobody beats The Wooster Group at the top of its game”
$25–65 opening night reception for members Saturday, July 15 pre-performance talk Sunday, July 16 at 1 pm post-performance conversation
—new york times
Wednesday, July 19 summerscape coach from new york city July 15, 16, and 23 The production was co-commissioned by the Adam Mickiewicz Institute, Poland, as part of a program celebrating the 100th anniversary of the birth of Tadeusz Kantor.
Mann mit Schirm, 1949, Tadeusz Kantor ©Maria Kantor and Dorota Krakowska, Muzeum Narodowe, Warsaw. akg-images
Dimitrij By Antonín Dvorˇák American Symphony Orchestra, conducted by Leon Botstein, music director Directed by Anne Bogart ’74 Acclaimed at its 1882 premiere for strong dramatic moments, original melodies, and masterful choral writing, Antonín Dvorˇák’s Dimitrij was widely regarded as one of the most significant works created for the Czech operatic stage. Based on events of 17th-century Russia, Dimitrij resumes where Mussorgsky’s Boris Godunov leaves off—vividly depicting the uncertainty, tribal loyalties, and struggles for power in the wake of the revered tsar’s death. Distinguished director Anne Bogart ’74 brings this grand opera to life in a thrilling new production with set design by David Zinn, costumes by Constance Hoffman, and rising young tenor Clay Hilley in the title role. Performed in Czech with English supertitles
sosnoff theater Friday, July 28 and August 4 at 7:30 pm Sunday, July 30; Wednesday, August 2; and Sunday, August 6 at 2 pm tickets
“Some of the most important summer opera experiences in the U.S. are not at the better-known festivals but at Bard SummerScape.”
$25–95 opening night reception for members Friday, July 28 opera talk with leon botstein Sunday, July 30 at noon summerscape coach from new york city
July 28, 30, and August 6
“A tragic story that Shakespeare could hardly have bettered.”
Special support for this program is provided by Emily H. Fisher and John Alexander.
Melissa Citro and Clay Hilley, photo by Todd Norwood
bard music festival
Chopin and His World By the end of the 19th century, Fryderyk Chopin’s compositions had come to represent music as an expressive medium. Already recognized in his lifetime as a unique phenomenon, Chopin became known as the supreme poet of the piano, the instrument for which he composed almost exclusively. To this day, listeners and performers find in his music an emotional depth and intensity that mirror our subjective response to the human experience. The richness of Chopin’s melodic invention and harmonic usage help explain his broad popularity and influence. The 2017 Bard Music Festival explores Chopin’s complex and enigmatic sides. He rose to international fame as the voice of an oppressed Poland, a once-powerful nation that had been dismembered decades before his birth in 1810. A child prodigy who grew up in Warsaw, Chopin spent the second half of his life in Paris, where he was lionized as a pianist, composer, and teacher. He was not only a leading figure in the distinguished Polish émigré community of Paris but also interacted with the aristocracy and cultural luminaries such as Franz Liszt, Felix Mendelssohn, Heinrich Heine, Honoré de Balzac, and Eugène Delacroix. His personal life, notably his relationship with George Sand, became the stuff of gossip, intrigue, and legend. Chopin left behind a powerful legacy that helped shape the future of music, which is explored in programs featuring Johannes Brahms, Serge Rachmaninoff, Claude Debussy, and Alexander Scriabin, among others. The music of Chopin’s Warsaw teachers and contemporaries—Józef Elsner, Wilhelm Würfel, and Maria Szymanowska—and predecessors such as Ferdinand Ries, Carl Maria von Weber, and Johann Nepomuk Hummel help put his career in context. Other programs feature the work of contemporaries including Robert Schumann, Ignaz Moscheles, Louis Spohr, Gioachino Rossini, and Ferdinand Hiller. Chopin lived in the years between the Congress of Vienna of 1814–15 and the watershed revolutions of 1848. It was an era of Romanticism in literature and painting, and also of intense philosophical ferment and striking political and social change. Music was at the center of this cultural world, not only in concert halls and opera houses but also in the semipublic milieu of the salon. Through concerts, panels, and lectures, the festival addresses how attitudes to the composer have changed since his death in 1849, how we hear Chopin today, and, most important, why he still matters. This season is made possible in part through the generous support of the Board of the Bard Music Festival and the Friends of the Bard Music Festival, as well as grants from The Andrew W. Mellon Foundation, the National Endowment for the Arts, and the New York State Council on the Arts. Additional underwriting has been provided by Jeanne Donovan Fisher, James H. Ottaway Jr., Felicitas S. Thorne, Helen and Roger Alcaly, Bettina Baruch Foundation, and Michelle R. Clayman. Special support has also been provided by the Mrs. Mortimer Levitt Endowment Fund for the Performing Arts. All programs and performers are subject to change. Chopin with a fragment of the Nocturne, Op. 62, No. 1, after 1849, Ary Scheffer. Fryderyk Chopin Museum, Warsaw
Friday, August 11 (continued) program one
The Genius of Chopin sosnoff theater 7:30 pm preconcert talk: Leon Botstein 8 pm performance: Benjamin Hochman, piano; Katarzyna Sa˛dej, mezzo-soprano; Orion Weiss, piano; The Orchestra Now, conducted by Leon Botstein; and others Fryderyk Chopin (1810–49), Variations on “Là ci darem la mano,” Op. 2 (1827); Piano Concerto in F Minor, Op. 21 (1829); Preludes, Op. 28 (1831–38); Fantasy-Polonaise, Op. 61 (1845–46); songs Tickets: $25 –60 Bard Music Festival opening night toast sponsored by Mionetto
Saturday, August 12 panel one
Chopin: Real and Imagined olin hall 10 am – noon Free and open to the public
Chopin and Warsaw
Chopin in the Salon of Prince Anton Radziwill, 1890, Henryk Siemiradzki The State Russian Museum, St Petersburg/akg-images
olin hall 1 pm preconcert talk: Jeffrey Kallberg 1:30 pm performance: Danny Driver, piano; Horszowski Trio; Jesse Mills, violin; Anna Polonsky, piano; members of The Orchestra Now; and others Fryderyk Chopin (1810–49), Trio for Piano, Violin, and Cello in G Minor, Op. 8 (1828); Polonaise in B-flat Minor, Op. posth. (1826); Johann Nepomuk Hummel (1778–1837), Piano Concerto in A Minor, Op. 85 (1816); Wilhelm Würfel
(1790–1832), Grande fantaisie lugubre, Op. 18 (1818); Karol Lipinski (1790–1861), Violin Concerto No. 3 (c. 1835);
Chopin, the Piano, and Musical Culture of the 19th Century Friday, August 11 2017 Bard Music Festival Opening Night Dinner
works by Józef Elsner (1769–1854), Karol Kurpin´ski (1785–1857), and Maria Szymanowska (1789–1831) Tickets: $40
From the Opera House to the Concert Hall sosnoff theater 7 pm preconcert talk: James Parakilas 8 pm performance: Nicole Cabell, soprano; Issachah Savage, tenor; Jenni Bank, mezzo-soprano; Alexandra Knoll, oboe; American Symphony Orchestra, conducted by Leon Botstein, music director; and others
spiegeltent 5:30 pm
Fryderyk Chopin (1810–49), Fantasy on Polish Airs, Op. 13 (1828); Louis Spohr (1784–1859), Overture to Faust
Tickets include a pre-performance dinner in the Spiegeltent and a premium seat for the evening’s concert.
(1816); Carl Maria von Weber (1786–1826), Symphony No. 1 in C Major, Op. 19 (1807; rev. 1810); Giacomo
To purchase opening night dinner tickets, contact the special events office at 845-758-7414 or email@example.com.
Meyerbeer (1791–1864), Ballet from Robert le diable (1831); Gioachino Rossini (1792–1868), Act 3 from Otello
Please note: The Spiegeltent is closed for regular dining on the evening of the dinner.
(1816); Vincenzo Bellini (1801–35), Oboe Concerto (before 1825) Tickets: $25–75
Sunday, August 13 program four
The Piano in the 19th Century olin hall 10 am performance with commentary with Piers Lane, piano Works by Fryderyk Chopin (1810–49), Serge Rachmaninoff (1873–1943), and others Tickets: $40
The Consequences of Emancipation: Chopin’s Jewish Contemporaries olin hall 1 pm preconcert talk: Leon Botstein 1:30 pm performance: Michael Brown, piano; Tyler Duncan, baritone; Simon Ghraichy, piano; Erika Switzer, piano; Orion Weiss, piano; Danny Driver, piano; members of The Orchestra Now, conducted by Benjamin Hochman Fryderyk Chopin (1810–49), Ballad No. 4, Op. 52 (1842); Waltz, Op. 64, No. 2 (1846–47); Ignaz Moscheles (1794–1870), Concerto No. 3 in G Minor, Op. 58 (1820); Henri Herz (1803–88), from Trois nocturnes caractéristiques, Op. 45 (c. 1829); Felix Mendelssohn (1809–47), Prelude and Fugue in E Minor (1827/1841); Ferdinand Hiller (1811–85), Alla memoria di Vincenzo Bellini (n.d.); Sigismond Thalberg (1812–71), Fantaisie sur Andante finale de Lucia di Lammermoor, Op. 44 (1842); Charles-Valentin Alkan (1813–88), from 25 Preludes, Op. 31 (1847); songs on texts by Heinrich Heine (1797–1856) by Giacomo Meyerbeer (1791–1864), Robert Schumann (1810–56), Franz Liszt (1811–86), and others Tickets: $40
Virtuosity and Its Discontents
The Polish Prometheus, 1831, Emile Jean-Horace Vernet Bibliotheque Polonaise, Paris/Archives Charmet/Bridgeman Images
sosnoff theater 4:30 pm preconcert talk 5 pm performance: Piers Lane, piano; Cecilia Violetta López, soprano; Dongfang Ouyang, violin; Brian Zeger, piano; The Orchestra Now, conducted by Leon Botstein; and others Fryderyk Chopin (1810–49), “Souvenir de Paganini” (1828); Fantasie Impromptu, Op. 66 (1834); Niccolò Paganini (1782–1840), “La Campanella” (1826); Friedrich Kalkbrenner (1785–1849), Concerto in D Minor, Op. 61 (1823); Adolphe Adam (1803–56), Variations on Mozart’s “Ah! Vous dirai-je maman” (n.d.); Robert Schumann (1810–56),
Originality and Influence
Violin Sonata No. 1 in A Minor, Op. 105 (1851); works by Gaetano Donizetti (1797–1848) and Franz Liszt (1811–86) Tickets: $25–60
Thursday, August 17 special event
Movement, Miniatures, and Mysticism spiegeltent 8 pm performance Bard Music West Trace the influence of Chopin’s work in the music of Les Six, Graz¯yna Bacewicz (1909–69), Witold Lutoslawski (1913–94), Henryk Górecki (1933–2010), Marta Ptaszy´nska (b. 1943), Agata Zubel (b. 1978), and others Tickets: $15–40
Friday, August 18
The Polish National Opera: Halka
The Romantic Wind Symphony sosnoff theater 5 pm performance: New York Wind Symphony
sosnoff theater 7 pm preconcert talk: Halina Goldberg 8 pm performance: Amanda Majeski, soprano; Teresa Buchholz, mezzo-soprano; Miles Mykkanen, tenor; Aubrey Allicock, baritone; Liam Moran, bass-baritone; Bard Festival Chorale, James Bagwell, choral director;
The works in this program showcase the vast range of timbre and aesthetic of which the modern wind
American Symphony Orchestra, conducted by Leon Botstein, music director; directed by Mary Birnbaum; scenic
orchestra is capable. From the elegant, almost serenade-like sensibility of Gounod to the raw emotion and
design by Grace Laubacher; lighting design by Anshuman Bhatia
power of Berlioz, listeners are in for a rare treat. Stanislaw Moniuszko (1819–72), Halka (1858) Charles Gounod (1818–93), Petite Symphonie for Winds, Op. 216 (1885); Hector Berlioz (1803–69), Grande
Symphonie funèbre et triomphale, Op. 15 (1840) Tickets: $25–40
Sunday, August 20 program seven
Chopin and the Piano sosnoff theater 7:30 pm preconcert talk: Jonathan Bellman 8 pm performance: Charlie Albright, Michael Brown, Danny Driver, Piers Lane, Anna Polonsky, piano; and
From the Sacred to the Revolutionary: Choral Music from Poland and France
olin hall 10 am performance: Bard Festival Chorale, James Bagwell, choral director
Fryderyk Chopin (1810–49), from Études, Op. 10 (1830) and Op. 25 (1832–34); Sonata in B-flat Minor, Op. 35 (1839);
Works by Bartlomiej Pe˛kiel (d.1670), Grzegorz Gerwazy Gorczycki (c. 1665–1734), Luigi Cherubini (1760–1842),
Polonaise in A-flat Major, Op. 53 (1842); Scherzo in E Major, Op. 54 (1842); Bacarolle in F-sharp Major, Op. 60
Józef Elsner (1769–1854), François-Adrien Boieldieu (1775–1834), Daniel-François-Esprit Auber (1782–1871),
(1845–46); and other works
Giacomo Meyerbeer (1791–1864), Fromental Halévy (1799–1862), Louis Lefébure-Wély (1817–69), and others
Saturday, August 19
Chopin’s Place in 19th-Century Performance Culture olin hall 10 am – noon
olin hall 1 pm preconcert talk: Richard Wilson 1:30 pm performance: Michael Brown, piano; Nicholas Canellakis, cello; Simon Ghraichy, piano; Monika Krajewska, mezzo-soprano; Piers Lane, piano; and others
Free and open to the public
Fryderyk Chopin (1810–49), Sonata for Cello and Piano, Op. 65 (1846); works by Robert Schumann (1810–56), Johannes Brahms (1833–97), Henryk Wieniaswski (1835–80), Edvard Grieg (1843–1907), Gabriel Fauré
(1845–1924), Moritz Moszkowski (1854–1925), Ignacy Paderewski (1860–1941), Claude Debussy (1862–1918),
Chopin and the Salon
Alexander Scriabin (1872–1915), Serge Rachmaninoff (1873–1943), and Karol Szymanowski (1882–1937)
olin hall 1 pm preconcert talk: Byron Adams 1:30 pm performance: Michael Brown, piano; Nicholas Canellakis, cello; Monika Krajewska, mezz0-soprano; Anna Polonsky, piano; Bard Festival Chamber Players; members of The Orchestra Now; and others Fryderyk Chopin (1810–49), Introduction and Polonaise brillante, Op. 3 (1829–30); Ballade No. 2, Op. 38 (1839); waltzes; Ferdinand Ries (1784–1838), Concerto No. 3 in C-sharp Minor, Op. 55 (1812); Louis Spohr (1784–1859), Octet, Op. 32 (1814); works by John Field (1782–1837), Auguste Franchomme (1808–84), Pauline Viardot (1821–1910), and Clara Wieck (1819–96) Tickets: $40
Shared Passions, Different Paths sosnoff theater 3:30 pm preconcert talk: Christopher H. Gibbs 4:30 pm performance: Danny Driver, piano; Tamara Mumford, mezzo-soprano; Bard Festival Chorale, James Bagwell, choral director; The Orchestra Now, conducted by Leon Botstein; and others Fryderyk Chopin (1810–49), Andante spianato and Grande Polonaise, Op. 22 (1830–35); Hector Berlioz (1803–69), Roméo et Juliette, symphonie dramatique, Op. 17 (1839) Tickets: $25–75
Chopin and the Image of Romanticism The 2017 SummerScape Film Series explores the cinematic legacies of Romantic icon Fryderyk Chopin. It addresses the mythology surrounding the composer’s biography by presenting both a celebrated American Technicolor drama and a Polish film directed by Aleksander Ford, who helped to rebuild the country’s postwar film industry as head of Film Polski. Two of Ford’s students, Andrzej Wajda and Roman Polanski, used Chopin’s music to highlight the ambiguities of nationhood and art during the Second World War. Similar concerns informed filmmakers Krzysztof Zanussi and Krzysztof Kie´slowski, who connected Chopin’s music to the crises of the 1970s. Chopin’s music was also a reference point for the chamber dramas of Ingmar Bergman. Thursday, July 27
Thursday, August 10
Roman Polanski, 2002, France/Germany/ Poland/United Kingdom, 150 minutes
Krzysztof Kie´slowski, 1979, Poland, 112 minutes
Sunday, August 13 Sunday, July 30
Kanal Andrzej Wajda, 1957, Poland, 96 minutes and
Ashes and Diamonds
Smiles of a Summer Night Ingmar Bergman, 1955, Sweden, 108 minutes and
Camouflage Krzysztof Zanussi, 1977, Poland, 100 minutes
Andrzej Wajda, 1958, Poland, 103 minutes
Thursday, August 17 Thursday, August 3
A Song to Remember
Charles Vidor, 1945, USA, 113 minutes
Ingmar Bergman, 1978, Sweden/West Germany, 99 minutes
Sunday, August 6
Sunday, August 20
Cries and Whispers
Aleksander Ford, 1952, Poland, 121 minutes
Ingmar Bergman, 1972, Sweden, 106 minutes
jim ottaway jr. film center Thursdays and Sundays, July 27 – August 20 at 7 pm tickets $10 Members may reserve up to four complimentary tickets for the film series. To make your reservation, please call 845-758-7900.
A Song to Remember, 1945. Columbia Pictures/Photofest
“The tent of dreams . . . unique, intoxicating, wild and wonderful.” —Edinburgh Fringe Magazine
“Caustic wit and witchy charisma . . . Justin Vivian Bond is one of New York’s essential performers.” —Time Out New York Mx. Justin Vivian Bond, photo by Tammy Shell
The Spiegeltent June 30 – August 19
Cabaret and After Hours Hosted by Mx. Justin Vivian Bond One of the country’s most acclaimed cabaret venues, this enchanted and historic tent of mirrors offers unforgettable evenings of entertainment from world-class performers, and after hours parties with New York’s hottest DJs. For the fourth year running, Tony-nominated performer Mx. Justin Vivian Bond hosts a season of mischief, glamour, and wicked delights.
Clockwise from top left: John Waters, photo by Greg Gorman; Sandra Bernhard, photo by Maro Hagopian; Meow Meow, photo by Karl Giant; Toshi Reagon, photo by Kevin Yatarola
Cabaret Fridays and Saturdays at 8:30 pm Tickets start at $25
Special support for the Spiegeltent is provided by Andrew E. Zobler and Manny Urquiza.
John Waters This Filthy World
Jazz through the Looking Glass with Catskill Jazz Factory
Friday, July 7 at 6 pm and 8:30 pm Legendary filmmaker and comedian John Waters (Cry-Baby, Pink Flamingos, Female Trouble, and Hairspray) launches the Spiegeltent season with his phenomenal one-man show. Part confession, part vaudeville, This Filthy World takes on taboos with charisma and charm, resulting in a hilarious and uncensored evening with an American treasure.
Catskill Jazz Factory presents a tour of five decades of jazz, performed by New York’s top young talents and established favorites. The thematic concert series is an unconventional look at defining moments of the genre, from Roaring Twenties big band to gospel, bebop, cool jazz, and the swinging sixties.
Spiegeltent Cabaret and After Hours performances may contain nudity, and are for mature audiences only. Cabaret admission is restricted to those over 18 years old unless accompanied by a parent or guardian. No one under 21 is permitted during After Hours. 20
Sandra Bernhard Sandra Monica Blvd: Coast to Coast Saturday, July 8 at 6 pm and 8:30 pm Sandra Bernhard is heading east on Route 66 to bring Sandra Monica Blvd: Coast to Coast to New York. Traversing the country, Bernhard takes you on a journey to find the soul of America via the back roads and byways on a gas station map, with a soundtrack you might find on an AM radio station.
Toshi Reagon and BIGLovely Friday, July 14 Toshi Reagon is a versatile singer-songwriter who moves audiences everywhere with her big-hearted blend of R&B, country, and folk. The New York Times raves, “Her vocal style ranges from a dirty blues moan to a gospel shout to an ethereal croon.” Reagon returns to the Spiegeltent with her band BIGLovely to celebrate all that is progressive and uplifting in American music.
Meow Meow Saturday, July 15 The cat is back. . . . Purr-fect post-postmodern diva Meow Meow’s unique brand of kamikaze cabaret kitsch and performance art exotica has hypnotized, inspired, and terrified audiences worldwide. The spectacular crowd-surfing queen of song returns to the Spiegeltent for another explosive evening of music, politics, mayhem, and magnificence, dragging “cabaret kicking and screaming into the 21st century.” (Time Out New York)
Ms. Lisa Fischer & Grand Baton— A Dance Party Friday, July 21 Tickets: $40 general admission (Limited seating—plan to dance!) Lisa Fischer steps into the spotlight at last. After four decades singing backup for icons such as the Rolling Stones, Tina Turner, and Nine Inch Nails, Fischer shot to fame as the soulful center of the Oscar-winning documentary 20 Feet from Stardom. Now fronting her own band, this inventive and heartfelt interpreter of rock and soul invites you to a one-of-a-kind dance party.
Susanne Bartsch presents BARTSCHLAND AT THE SPIEGELTENT 2017 SummerScape Gala After Party Saturday, July 22 Starts at 9 pm Tickets: $75 A sumptuous and exclusive party hosted by nightclub legend Susanne Bartsch. For more than three decades, Susanne's astounding soirées have been the place to see and be seen for a trendsetting group of New Yorkers. Transcending uptown and downtown, gay and straight, chic and street, Barstchland provides a venue for countless creative souls to come together, express themselves, and forget the humdrum of the every day.
Suzan-Lori Parks: Sula and the Noise Friday, July 28 Pulitzer Prize winner Suzan-Lori Parks is a dazzling contemporary playwright and screenwriter. She is also a brilliant songwriter, vocalist, and guitar player with her band, Sula and the Noise. Parks, Julian Rozzell Jr., and Christian Konopka make music with an Afro-Americana vibe, exploring the roots, triumphs, and struggles of life in contemporary America.
Karen Elson Saturday, July 29 English singer-songwriter and guitarist Karen Elson is one of the most sought-after models in the world, having appeared on the covers of Vogue, Elle, and W magazines. She is also a self-taught musician. Her first album, The Ghost Who Walks, recorded with Jack White, was praised as “a 20th-century-Americanalaced gothic song cycle, shot through with blues and folk references” (Interview). Her Spiegeltent debut coincides with the release of her anticipated follow-up album, Double Roses.
Mx. Justin Vivian Bond’s House of Whimsy Friday, August 4 and Saturday, August 5 Welcome back to the House of Whimsy—an alluring, edgy, and irreverent evening of divas and deviants from the downtown performance scene—selected and introduced by Mx. Justin Vivian Bond. Established Spiegeltent favorites mingle with talented newcomers in a program of variety acts that will ravish, provoke, and astound.
Joan Osborne: The Songs of Bob Dylan Friday, August 11 Joan Osborne has earned a reputation as one of the great voices of her generation—a commanding, passionate performer and an evocative songwriter. A multiplatinum recording artist and seven-time Grammy nominee, she has performed alongside Bob Dylan, Luciano Pavarotti, Stevie Wonder, and Emmylou Harris, among others. She makes her Spiegeltent debut with her acoustic trio, covering songs of the 2016 Nobel Prize winner in literature, Bob Dylan.
BACK TO (ab)NORMAL Rebecca Havemeyer, Dane Terry, and CHRISTEENE Saturday, August 12 A snapshot of the best of today’s queer performance, with soulful piano balladeer Dane Terry and actor Paul Soileau, who performs his alter egos Rebecca Havemeyer, “Austin’s finest bingo hostess,” and Christeene, feral princess of punk. Christeene is a gender-blending, R-rated nightclub star, not for the faint of heart. Dane Terry, a “millennial Cole Porter,” wowed the Spiegeltent in last summer’s House of Whimsy.
Joan As Police Woman Friday, August 18 Indie rock darling Joan Wasser, a.k.a. Joan As Police Woman, has been arresting audiences since 2003 with her sultry, slow-burning sound. Her songs “remind us of a time when pop tunes wound up in jazz clubs without losing anything in translation” (Pitchfork). Having toured and recorded with Lou Reed, Rufus Wainwright, Antony and the Johnsons, and others, Wasser brings the best of her first five albums to this Spiegeltent debut.
Mx. Justin Vivian Bond Shows Up Saturday, August 19 A perfect finale for the Spiegeltent season, Mx. Bond bids adieu to summer with an evening of songs, stories, and surprises, selected from 25 years of legendary performances.
Clockwise from top left: Aaron Johnson, photo by Candid Music Group; Brianna Thomas, photo courtesy of the artist; Vuyo Sotashe, photo by Lauren Desberg; Veronica Swift, photo courtesy of the artist
Jazz through the Looking Glass with Catskill Jazz Factory Thursdays at 8 pm Tickets start at $25
1920s: Birth of the Big Band Vince Giordano & the Nighthawks July 13 Hear the music of an era of bootlegged booze, the foxtrot, and Jazz Age decadence in an evening of vintage swing by Grammy Award–winning Vince Giordano & the Nighthawks.
1930s: The Magic of Mahalia The Brianna Thomas Quintet July 20 The “best young straight-ahead jazz singer of her generation” (Wall Street Journal) draws on two titans of gospel, Mahalia Jackson and Thomas Dorsey, in this modern take on the remarkable songs that reshaped America’s sacred music.
1940s: Yardbird to Freebird Walking Distance July 27 Sharing their passion for bebop and the music of master saxophonist Charlie “Yardbird” Parker, members of the vanguard jazz quartet Walking Distance present this Catskill Jazz Factory debut of their upcoming sophomore release, Freebird.
1950s: Hollywood and Vine: Jazz Goes West Aaron Johnson Ensemble, featuring Veronica Swift August 3 Experience a retrospective of 1950s West Coast jazz, where the frenetic sounds of bebop met the laid-back cool of sun and surf in the golden age of Hollywood.
1960s: Songs of Protest and Reconciliation Vuyo Sotashe Ensemble August 10 South African jazz vocalist Vuyo Sotashe performs the politically charged songs of artists who expressed the cultural revolution of 1960s America through pop, rock, soul, and jazz.
The Spiegeltent, photo by Cory Weaver
Spiegeltent Special Events
Summertime Swing with Got2Lindy Eight to the Bar
The Porch: Where Great Stories Are Told
Sunday, July 16 Doors open at 6 pm, dance instruction at 6:30 pm, dancing until 10 pm Tickets: $25 These Spiegeltent favorites return for a night of swing dancing. Eight to the Bar is known for its outstanding instrumentalists and colorful mix of tunes and vocals that will have you up and swinging in no time!
Friday, June 30 at 8 pm Tickets: $20 The Porch is an intimate evening of true stories (no notes allowed!) told by your neighbors. Launched last year by Red Hook resident Joey Shavelle and hosted by John Nathan of Rhinecliff, The Porch at the Spiegeltent spins local yarns that are sure to amuse and inspire. Hope you can join us—we’ll leave the light on!
Spirit Family Reunion Saturday, July 1 at 8:30 pm Tickets: $20 Raise your spirits and kick off the summer season with Spirit Family Reunion, a young Americana band from Brooklyn. Featuring Maggie Carson ’07 and Or Zubalsky MFA ’17, the band makes its Spiegeltent debut with raw, high-energy, open-door gospel songs, reminiscent of bluegrass and Appalachian music that “translate perfectly into foot-stomping singalongs” (NPR) in a new, old-fashioned way.
Summertime Swing with Got2Lindy Professor Cunningham & His Old School Sunday, July 2 Doors open at 6 pm, dance instruction at 6:30 pm, dancing until 10 pm Tickets: $25 Kick off your holiday week with a night of swing dancing to the fabulous music of Professor Cunningham & His Old School performing a sweeping repertoire deeply steeped in New Orleans jazz traditions.
John Cage’s Musicircus Sunday, August 13, 6:30–9:30 pm Presented by the Bard College Conservatory of Music and the John Cage Trust Free and open to the public Befitting a circus, this celebratory performance of a historically significant and gloriously anarchic work features chance-determined performances by more than 40 musicians—often simultaneous, always surprising—both inside and outdoors. This familyfriendly, free event commemorates the 25th anniversary of Cage’s death and his ongoing legacy.
After Hours Fridays and Saturdays from 10 pm to 12:30 am Open to patrons age 21 and up Tickets: $12, or free with your ticket to another same-day SummerScape event.* (*not included in the Create Your Own Series) Dance away your weekend nights with top DJs, including returning favorites Sammy Jo, JD Samson, Johnny Dynell, Jonjon Battles, and more! Visit the website for dates and details. SummerScape Gala 2016, photo by Karl Rabe
CELEBRATION AT MONTGOMERY PLACE
TO BENEFIT THE RICHARD B. FISHER CENTER FOR THE PERFORMING ARTS
SATURDAY, JULY 22 performances and dinner at montgomery place after party by susanne bartsch at the spiegeltent gala chairs carolyn marks blackwood and gregory quinn stefano ferrari and lilo zinglersen andrew e. zobler and manny urquiza fishercenter.bard.edu/gala or 845-758-7414
4 7:30 pm Dimitrij SOS 8:30 pm Mx. Justin Vivian Bond’s House of Whimsy SPT 10 pm After Hours SPT
11 5:30 pm BMF Opening Night Dinner SPT 7:30 pm Preconcert Talk SOS 8 pm BMF Program One SOS 8:30 pm Joan Osborne: The Songs of Bob Dylan SPT 10 pm After Hours SPT
18 5 pm BMF Special Event SOS 7:30 pm Preconcert Talk SOS 8 pm BMF Program Seven SOS 8:30 pm Joan As Police Woman SPT 10 pm After Hours SPT
3 7 pm A Song to Remember FILM 8 pm 1950s Holllywood and Vine: Jazz Goes West Aaron Johnson Ensemble, featuring Veronica Swift SPT
10 7 pm Camera Buff FILM 8 pm 1960s: Songs of Protest and Reconciliation Vuyo Sotashe Ensemble SPT
17 7 pm Autumn Sonata FILM 8 pm BMF Special Event SPT
2 2 pm Dimitrij SOS
SOS Sosnoff Theater
RES Resnick Studio
10 am BMF Panel Two OLIN 1 pm Preconcert Talk OLIN 1:30 pm BMF Program Eight OLIN 7 pm Preconcert Talk SOS 8 pm BMF Program Nine SOS 8:30 pm Mx. Justin Vivian Bond Shows Up SPT 10 pm After Hours SPT
10 am BMF Panel One OLIN 1 pm Preconcert Talk OLIN 1:30 pm BMF Program Two OLIN 7 pm Preconcert Talk SOS 8 pm BMF Program Three SOS 8:30 pm BACK TO (ab)NORMAL Rebecca Havemeyer, Dane Terry, and CHRISTEENE SPT 10 pm After Hours SPT
8:30 pm Mx. Justin Vivian Bond’s House of Whimsy SPT 10 pm After Hours SPT
8:30 pm Karen Elson SPT 10 pm After Hours SPT
2 pm The Wooster Group LUMA 6 pm SummerScape Gala MP 7:30 pm The Wooster Group LUMA 9 pm Susanne Bartsch Gala After Party SPT
FILM Jim Ottaway Jr. Film Center
7:30 pm Dimitrij SOS 8:30 pm Suzan-Lori Parks: Sula and the Noise SPT 10 pm After Hours SPT
7 pm The Pianist FILM 8 pm 1940s: Yardbird to Freebird Walking Distance SPT
OLIN Olin Hall
LUMA LUMA Theater
7:30 pm The Wooster Group LUMA 8:30 pm Ms. Lisa Fischer & Grand Baton—A Dance Party SPT 10 pm After Hours SPT
7:30 pm The Wooster Group LUMA 8 pm 1930s: The Magic of Mahalia The Brianna Thomas Quintet SPT
2 pm The Wooster Group (with post-performance conversation) LUMA
7:30 pm The Wooster Group LUMA 8:30 pm Meow Meow SPT 10 pm After Hours SPT
6 pm Sandra Bernhard Sandra Monica Blvd: Coast to Coast SPT 8:30 pm Sandra Bernhard Sandra Monica Blvd: Coast to Coast SPT 10 pm After Hours SPT
7:30 pm The Wooster Group LUMA 8:30 pm Toshi Reagon and BIGLovely SPT 10 pm After Hours SPT
6 pm John Waters This Filthy World SPT 8:30 pm John Waters This Filthy World SPT 10 pm After Hours SPT
MP Montgomery Place
10 am BMF Program Ten OLIN 1 pm Preconcert Talk OLIN 1:30 pm BMF Program Eleven OLIN 3:30 pm Preconcert Talk SOS 4:30 pm BMF Program Twelve SOS 7 pm Cries and Whispers FILM
10 am BMF Program Four OLIN 1 pm Preconcert Talk OLIN 1:30 pm BMF Program Five OLIN 4:30 pm Preconcert Talk SOS 5 pm BMF Program Six SOS 6:30 pm John Cage’s Musicircus SPT 7 pm Smiles of a Summer Night and Camouflage FILM
2 pm Dimitrij SOS 7 pm Chopin’s Youth FILM
Noon Opera Talk SOS 2 pm Dimitrij SOS 7 pm Kanal and Ashes and Diamonds FILM
2 pm The Wooster Group LUMA
1 pm Pre-performance talk RES 2 pm The Wooster Group LUMA 6 pm Summertime Swing with Got2Lindy Eight to the Bar SPT
2 pm New York City Ballet MOVES (with 1 pm Pre-performance talk SOS post-performance conversation) SOS 2 pm New York City Ballet MOVES SOS 7:30 pm New York City Ballet MOVES SOS 6 pm Summertime Swing with Got2Lindy 8:30 pm Spirit Family Reunion SPT Professor Cunningham & His Old 10 pm After Hours SPT School SPT
7:30 pm The Wooster Group LUMA 8 pm 1920s: Birth of the Big Band Vince Giordano & the Nighthawks SPT
7:30 pm New York City Ballet MOVES SOS 8 pm The Porch: Where Great Stories Are Told SPT 10 pm After Hours SPT
accessibility All our venues and restrooms are wheelchair accessible. The Fisher Center utilizes golf carts to assist patrons with disabilities between the parking lot and the Center. If you need any additional assistance, please call 845-758-7928. Infrared assistive listening devices are available in the Fisher Center and Olin Hall. Receivers may be borrowed on request at the box office.
summerscape dining the spiegeltent The Spiegeltent is the SummerScape festival’s oasis, a place to enjoy seasonal, local food and drink before and after performances. The lovely outdoor garden provides the perfect spot to relax in the company of friends and festival artists. To review our dining calendar, explore our lunch, dinner, After Hours, and beverage menus, and make reservations, please visit fishercenter.bard.edu/visit/eatstay. If you are attending a mainstage performance, we recommend you dine with us at least an hour before curtain. Pietro Mascagni’s Iris, SummerScape 2016, photo by Cory Weaver
spiegel picnics These picnics are an ideal way to enjoy our spectacular Hudson Valley setting. Choose from a
tickets, transportation, and dining how to order your tickets Online: visit fishercenter.bard.edu By phone: 845-758-7900 In person: Our main box office is located in the lobby of the Sosnoff Theater. Hours are
variety of delicious menus and a wonderful selection of wine. Bring a blanket and we’ll provide everything else. Order online at least five days prior to your visit. theater concessions Quick concession savories, sweets, and beverages are available one hour prior to curtain and during intermission at all Fisher Center events and at Olin Hall on August 12, 13, 19, and 20.
10 am – 5 pm, Monday–Friday, and two hours prior to each scheduled event. Ticketing fees
subscriptions and dining packages
support our box office infrastructure and apply to single tickets and subscriptions regardless
Guarantee great seats in advance. Our package options make it easier than ever to
of purchase method.
experience SummerScape with your own preferences and schedule in mind.
subscribe and save
Special discounts and services are available to groups of 10 people or more.
Create your own series—buy four or more events and save 25%
Visit fishercenter.bard.edu/groups for details.
SummerScape mainstage series—buy dance, theater, and opera events and save 30% Jazz at the Spiegeltent series—buy all five Thursday evening concerts and save 25%
getting here The Richard B. Fisher Center for the Performing Arts at Bard College is located at 60 Manor
spiegeltent dining packages
Avenue, Annandale-on-Hudson, New York, 12504. Our venue is accessible by car, train, and
Out-of-Town Package—includes mainstage ticket, round-trip bus from New York City, and
SummerScape Coach. Detailed directions and parking information will be mailed with your
three-course meal. Save up to 23%
tickets and are also available online at fishercenter.bard.edu/visitor. For best parking, please
Night Out Package—includes mainstage ticket and three-course meal. Save up to 15%
try to arrive at least 30 minutes before show time. This will allow you ample time to park and make your way to the theater. SummerScape Coach—$40 round-trip! Visiting us from the New York metro area? The SummerScape Coach provides transportation for select performances from Manhattan’s Upper West Side to the Fisher Center. Fresh box meals are available for advance purchase for your return trip to New York City. For details visit fishercenter.bard.edu/transportation. 28
Available for select performances. Ticketing fees apply; gratuity and beverages not included. For complete information and to order tickets and subscription packages, visit fishercenter.bard.edu or call the Fisher Center box office 845-758-7900. Programs, dates, times, and venues are subject to change without notice. All sales are final and normal processing fees apply. If you are unable to use your tickets we will make every effort to offer a comparable exchange, subject to availability, or issue a credit. You may also choose to donate your tickets in support of the Fisher Center.
join us! become a friend of the fisher center
JAZZ AT LINCOLN CENTER’S
Individual supporters are essential to sustaining the Richard B. Fisher Center for the Performing Arts and Bard Music Festival as a vital part of cultural life in the Hudson Valley. Our members
SUMMER JAZZ ACADEMY
support world-class performing arts and enjoy a variety of discounts and benefits through our
PERFORMANCES AT BARD OPEN TO THE PUBLIC!
Friends and Patrons programs, including: • Advance ticket access • Members-only discounts
JULY 22, 7 PM • JULY 23, 2PM
• Invitations to exclusive events
WYNTON MARSALIS OCTET
Membership benefits start at just $75. For more information about how to become a Friend or Patron of the Fisher Center or Bard Music Festival, call 845-758-7987 or visit fishercenter.bard.edu/support.
OPENING PERFORMANCE FEATURING STUDENT COMBOS Featuring Wynton Marsalis, Marcus Printup, Ted Nash, Vincent Gardner, Helen Sung, James Chirillo, Rodney Whitaker, and Ali Jackson TICKETS: $45, $60
Major support for the Fisher Center’s programs has been provided by:
JULY 29, 7PM
Jamie Albright and Stephen Hart
Asher ’06 and Mati Gelman
New England Foundation for the Arts
Helen and Roger Alcaly
Helena and Christopher H. Gibbs
New York State Council on the Arts
The Andrew W. Mellon Foundation
Carlos Gonzalez and Katherine Stewart
Jim and Talila O’Higgins
Fiona Angelini and Jamie Welch
Mr. and Mrs. James H. Ottaway Jr.
JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
The Ann & Gordon Getty Foundation
Dr. Terry S. Gotthelf
QualPrint Foundation Fund of BTCF
Matthew M. Guerreiro and
The Rebecca & Nathan Milikowsky
Joshua J. Aronson
Amy and Ronald Guttman
Drs. M. Susan and Irwin Richman
Thomas and Bryanne Hamill
Amanda J. Rubin
Alexander and Margaret Bancroft
Eliot D. and Paula K. Hawkins
Ted Ruthizer and Jane Denkensohn
Barbara Bell Cumming Foundation
David A. Schulz
Dr. Miriam Roskin Berger ’56
Thomas Hesse and Gwendolyn Bellmann
Schwab Charitable Fund
Berkshire Taconic Community
Elena and Fred Howard
David E. Schwab II ’52 and
Anne E. Impellizzeri
Ruth Schwartz Schwab ’52
Bessemer National Gift Fund
Jane W. Nuhn Charitable Trust
Bettina Baruch Foundation
The J. M. Kaplan Fund, Inc.
Denise S. Simon and
Carolyn Marks Blackwood
Dr. Harriette Kaley
Anne Donovan Bodnar and
Rachel and Dr. Shalom Kalnicki
Sarah and Howard Solomon Martin T. and Toni Sosnoff
Susan and Roger Kennedy
David and Sarah Stack
Lydia Chapin and David Soeiro
Dr. Barbara Kenner
Dr. Sanford B. Sternlieb
Michelle R. Clayman
Joan and Robert Costa
Edna and Gary Lachmund
Allan and Ronnie Streichler
Daniel Shapiro Charitable Fund of the NPT
Alison L. and John C. Lankenau
Joan K. Davidson
Alfred J. Law and Glenda A. Fowler Law
Felicitas S. Thorne
Alicia Davis and Steve Ellis
Dr. Nancy Leonard and
Dr. Elisabeth F. Turnauer-Derow
Dr. Lawrence Kramer
Takemi Ueno, Esq.
Amy K. and David Dubin
Chris Lipscomb and Monique Segarra
Toby Usnik and Harlan Bratcher
Robert C. Edmonds ’68
Doris J. Lockhart
Illiana van Meeteren
The Educational Foundation of America
Bonnie Loopesko and Daniel Shapiro
Olivia van Melle Kamp
Elizabeth W. Ely ’65 and
Amy and Thomas O. Maggs
Margo and Anthony Viscusi
Dr. Siri von Reis
ESP Performing Arts Center
Martin and Toni Sosnoff Foundation
Aida and Albert Wilder
Barbara Ettinger and Sven Huseby
Mid Atlantic Arts Foundation
Wilder Consolidated Enterprises, Inc.
Beverly Fanger and
Nathan M. and Rebecca Gold Milikowsky
The Wise Family Charitable Foundation
Millbrook Tribute Garden, Inc.
Millie and Robert Wise
Stefano Ferrari and Lilo Zinglersen
The Morningstar Foundation
Britton and Melina Fisher
John and Debra Morrison
Bill Zifchak and Maggie Evans
Catherine C. Fisher
Martin L. and Lucy Miller Murray
Andrew E. Zobler
Emily H. Fisher and John Alexander
Nancy & Edwin Marks Family Foundation
Jeanne Donovan Fisher
National Endowment for the Arts
Jonathan K. Greenburg
Dr. Herbert S. Chase Jr.
42 of the top high school jazz musicians in the country will perform timeless jazz standards TICKETS: $15
PHOTO BY FRANK STEWART
Jane and Richard Katzman
Johan de Meij and Dyan Machan
SUMMER JAZZ ACADEMY BIG BAND FINALE
Dr. Leon Botstein and Barbara Haskell
James L. Bodnar
JULY 30, 1PM
List current as of March 16, 2017
venue olin hall, bard college
box office fisher center for the performing arts, bard college
PO Box 5000 Annandale-0n-Hudson, NY 12504-5000
The Richard B. Fisher Center for the Performing Arts at Bard College, photo: ©Peter Aaron ’68/Esto
Tickets on sale now. Buy three or more events and save! fishercenter.bard.edu | 845-758-7900
June 30 – August 20, 2017
Nonprofit Organization U.S. Postage Paid Bard College
June 30 – August 20 Described as “part boot camp for the brain, part spa for the spirit” (New York Times) and a “highbrow hotbed of culture”...
Published on Apr 19, 2017
June 30 – August 20 Described as “part boot camp for the brain, part spa for the spirit” (New York Times) and a “highbrow hotbed of culture”...