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Chair Jeanne Donovan Fisher President Leon Botstein Director Tambra Dillon


A Florentine Tragedy (Eine Florentinische Tragödie) Music by Alexander von Zemlinsky Libretto by the composer, after the play by Oscar Wilde Translated by Max Meyerfield

The Dwarf (Der Zwerg) Music by Alexander von Zemlinsky Libretto by Georg Klaren, after Oscar Wilde’s story “The Birthday of the Infanta” Two one-act operas with American Symphony Orchestra Conductor Leon Botstein, Music Director Director Olivier Tambosi Set and Costume Design McDermott & McGough Lighting Design Robert Wierzel Choreography Warren Adams Chorus Master Sharon Bjorndal Music Preparation and Coach Curt Pajer Sung in German with English supertitles S O S N O F F T H E AT E R

July 27, August 2 and 4 at 8 pm July 29, August 5 at 3 pm


The Richard B. Fisher Center for the Performing Arts at Bard College

Running time is approximately 2 hours and 45 minutes with one intermission. The use of recording equipment or the taking of photographs during the performance is strictly prohibited. Alexander von Zemlinsky. Eine Florentinische Tragödie. Opera in one act, after the play by Oscar Wilde, in the German translation by Max Meyerfield. Alexander von Zemlinsky. Der Zwerg (Der Geburtstag der Infantin). A tragic tale with music in one act, freely adapted by Georg Klaren after Oscar Wilde’s “The Birthday of the Infanta.” Both works used by arrangement with European American Music Distributors LLC, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

Cast A Florentine Tragedy Guido Bardi, Prince of Florence

Bryan Hymel

Simone, a merchant

James Johnson

Bianca, his wife

Deanne Meek

The Dwarf The Dwarf

Jeffrey Dowd

Donna Clara, Infanta of Spain

Sarah Jane McMahon

Ghita, her favorite maid

Hanan Alattar

Don Estoban, the Chamberlain

Thomas Goerz

First Maid

Melissa Wegner

Second Maid

Maghan Stewart

Third Maid

Vanessa Conlin

First Playmate

Chanel Wood

Second Playmate

Julie Anne Miller

Chorus Michelle Adessa, Lillian Allison, Lily Berthold-Bond, Charlotte Detrick, Kristin Ezell, Veronica Forman, Jenna Hall, Meredith Hudak, Nicole Cherniak Hyde, Elisa Matthews, Julie Anne Miller, Kara Lee Morgan, Elizabeth Moulton, Rachel Nelson, Ellen Grace Peters, Christina Rivera, Aleks Romano, Danielle Ryan, Leighanne Saltsman, Katherine Skovira, Kimberly Sogioka, Chanel Wood Stage Manager Lynn Krynicki Assistant Stage Manager Tom Mehan Assistant Stage Manager Whitney Martin Supertitle Creator Cori Ellison Supertitle Operator Isabel Martin Assistant Coach Nino Sanikidze Assistant Director Thomas Barthol Second Assistant Director Hemma Marlene Prainsack Associate Set and Costume Designer David Newell Assistant Lighting Designer Greg Emetaz Set Design Assistant Kenichi Takahashi Set Construction Tom Carroll Scenery, Cyco Scenic Costumes John Kristiansen, Brian Hemesath Lights PRG

American Symphony Orchestra

Conductor Leon Botstein, Music Director Violin I Erica Kiesewetter, Concertmaster Brian Krinke Yukia Handa Patricia Davis John Connelly Yana Goichman Elizabeth Nielsen Mara Milkis David Steinberg Joanna Jenner Laura Hamilton Violin II Robert Zubrycki, Principal Heidi Stubner Wende Namkung Alvin Rogers Ann Gillette Alexander Vselensky Sebu Sirinian Dorothy Han Lisa Tipton Viola Sarah Adams, Principal Sally Shumway John Dexter Martha Brody Adria Benjamin Louis Day David Fallo Cello Jonathan Spitz, Principal Tatyana Margulis David Calhoun Daniel Miller Igor Scedrov Annie Kalayjian Lanny Paykin

Bass Jacqui Danilow, Principal Jack Wenger Lou Bruno Louise Koby John Babich Jeffrey Levine

Trombone Richard Clark, Principal Kenneth Finn Jeffrey Caswell

Flute Diva Goodfriend-Koven, Principal Judith Mendenhall Karla Moe

Timpani Matthew Beaumont, Principal

Oboe Laura Ahlbeck, Principal Erin Gustafson Alexandra Knoll, English Horn

Tuba Kyle Turner, Principal

Percussion Kory Grossman, Principal Javier Diaz Ralph Guzman Matthew Donello Dean Witten

Clarinet Laura Flax, Principal Jessica Phillips, E-flat Clarinet Amy Zoloto, Bass Clarinet Chris Cullen

Harp Victoria Drake, Principal

Bassoon Charles McCracken, Principal Jane Taylor Gilbert Dejean, Contrabassoon Gili Sharret

Mandolin Scott Kuney

Horn Zohar Schondorf, Principal Will Devos Brad Gemeinhardt Sarah Cyrus Anthony Cecere Ronald Sell Trumpet John Dent, Principal John Sheppard Alex Holton Jeffrey Venho

Celeste Elizabeth DiFelice, Principal

Guitar Steven Benson

Assistant Conductors Teresa Cheung Timothy Myers Personnel Manager Ronald Sell Librarian Jack Parton

Who’s Who Leon Botstein Conductor Leon Botstein is music director and principal conductor of the American Symphony Orchestra and the Jerusalem Symphony Orchestra, the radio orchestra of Israel. Radio broadcasts of some of Mr. Botstein’s concerts with the Jerusalem Symphony Orchestra may be heard in syndication throughout the United States. He is also the founder and co-artistic director of the Bard Music Festival in New York. The 2006–07 season included a recording of Bruno Walter’s Symphony No. 1 with NDR–Hamburg and Paul Dukas’ opera Ariane et Barbe-bleue, which he conducted last season at New York City Opera. Next season will include a gala concert with the BBC Symphony at the Royal Albert Hall with a live telecast and recording. In 2005–06 Mr. Botstein conducted Die ägyptische Helena with Deborah Voigt in Madrid and made appearances with the Düsseldorf Symphony. He also led a triumphant monthlong North American tour with the Jerusalem Symphony Orchestra. His recording with the London Symphony Orchestra of Gavriil Popov’s epic Symphony No. 1 and Shostakovich’s Theme and Variations, Op. 3, received a Grammy nomination in the category of Best Orchestral Performance. Another recording, Chausson’s opera Le roi Arthus with the BBC Symphony for Telarc, has been released to rave reviews. Other acclaimed recordings include two discs with the American Symphony Orchestra: music by Copland, Sessions, Perle, and Rands for New World Records, and music by Ernst von Dohnányi for Bridge Records. Mr. Botstein has also conducted on a prestigious series of recordings for Telarc, which includes Liszt’s Dante Symphony and Tasso; Glière’s Symphony No. 3, “Il’ya Murometz” (all with the London Symphony); Max Reger’s Böcklin Tone Poems and Romantic Suite; Bartók’s Concerto for Orchestra; music of Karol Szymanowski; symphonies of Karl Amadeus Hartmann; Dohnányi’s D Minor Symphony; and Bruckner’s Fifth Symphony in the Schalk edition (all with the London Philharmonic). With the American Symphony Orchestra, again for Telarc, he has recorded live performances of two operas by Richard Strauss: Die ägyptische Helena with Deborah Voigt and Die Liebe der Danae with Lauren Flanigan, both of which received great critical acclaim. Mr. Botstein’s extensive discography also includes works by Brahms, Schubert, Bruch, and Mendelssohn. Mr. Botstein is the editor of The Musical Quarterly and the author of numerous articles and books. For his contributions to music he has received the award of the American Academy of Arts and Letters and Harvard University’s prestigious Centennial Award, as well as the Cross of Honor, First Class, from the government of Austria. Since 1975 he has been president of Bard College in New York.

Olivier Tambosi Director Olivier Tambosi, who was born in Paris, studied philosophy and theology at the University of Vienna and opera directing at the Vienna Music Academy. He formed Austria’s first independent opera group, the Neue Oper Wien (N.O.W.), in 1989 and was artistic director of the company until 1993. His productions for N.O.W. included Bastien und Bastienne, Joseph and the Amazing Technicolor Dreamcoat, Idomeneo, Medea, Die Zauberflöte, Salieri’s Prima la musica, Macbeth, La serva padrona, K. A. Hartmann’s Simplicius Simplicissimus, Il segreto di Susanna, Pimpinone, Don Pasquale, and Lulu. Between 1993 and 1996 Tambosi was artistic director for opera at the Stadttheater in Klagenfurt, where he directed L’elisir d’amore, Manon Lescaut, La voix humaine, Death in Venice, Künnecke’s Der Vetter aus Dingsda, Così fan tutte, Cavalleria Rusticana, I Pagliacci, Kaufmann’s Dolores, Rigoletto, and Les contes d’Hoffmann. Since 1996 his work has included new productions in Mannheim, Barcelona, Strasbourg, Weimar, Hamburg, Klagenfurt, Bern, for Opera Zuid on tour in the Netherlands, and in Nuremberg. At the Royal Opera, Covent Garden, he directed productions of Jenufa and Luisa Miller, and at the Metropolitan Opera, New York, Jenufa. He has directed new productions of Falstaff (revived at the 2003 Saito Kinen Festival in Japan and in Houston) and Un ballo in maschera for the Lyric Opera of Chicago. Recent engagements include new productions of Irrelohe at the Vienna Volksoper, Rigoletto in Dublin and Wozzeck in Mannheim, Pierrot Lunaire at Gidon Kremer’s Les Muséeiques festival in Basel at the Beyerlein Museum, Lucia di Lammermoor in Linz, and a new production of Manon Lescaut for the Lyric Opera of Chicago that will also be performed in Houston. Tambosi’s engagements in 2006–07 include revivals of Manon Lescaut in San Francisco and Jenufa at the Metropolitan Opera, New York; and new productions of Wozzeck in Klagenfurt and Idomeneo in Lucerne. His future engagements include revivals of Jenufa in Los Angeles, Un ballo in maschera in Houston, Falstaff in Chicago, and a new production of La traviata in Linz. McDermott & McGough Set and Costume Designers David Walter McDermott was born in Hollywood and studied at Syracuse University. Peter Thomas McGough was born in Syracuse, where he studied before attending the Fashion Institute of Technology in New York. Now living and working in New York and Dublin, McDermott & McGough are timebased artists who favor the late 19th and early 20th centuries. Having been part of the East Village art scene in New York City in the 1980s, they are best known for their meticulous historically printed photographs and paintings. They work in a variety of

media to address contemporary political and sociological issues about the nature of progress. Currently represented by Cheim & Read (New York) and Galerie Jérôme de Noirmont (Paris), their work has been exhibited by Torch Gallery (Amsterdam), Temple Bar Gallery (Dublin), Galleria Gian Ferrari (Milan), Galerie Bruno Bischofberger (Zurich), Sperone Westwater (New York), Robert Miller Gallery (New York), and Holly Soloman Gallery (New York), among others, and shown in the 1987, 1991, and 1995 Biennials at the Whitney Museum of American Art; the Fondation Cartier pour l’art contemporain; the Irish Museum of Modern Art (nominated for the First Glen Dimplex Award in 1998); and the Akureyri Art Museum in Iceland. Their book A History of Photography was published by Arena in 1998. Robert Wierzel Lighting Designer As a lighting designer, Robert Wierzel has worked with artists from diverse disciplines and backgrounds in theater, dance, new music, opera, and museums, and on stages throughout the country and abroad. He has worked with choreographer Bill T. Jones and his company for over 20 years. His other dance collaborations include work with choreographers Larry Goldhuber and Heidi Latsky on Worse Case Scenario (Bessie Award); Trisha Brown on How long . . . ; Margo Sappington, Alonzo King, Sean Curran, Molissa Fenley, and Susan Marshall; and Doug Varone, on Orpheus and Euridice (OBIE Award Special Citation). His Broadway credits include The Deep Blue Sea and David Copperfield’s Dreams and Nightmares. His regional credits include work at A.C.T. San Francisco, Arena Stage, Shakespeare Theatre D.C., Hartford Stage, Long Wharf Theatre, Goodman Theatre, Guthrie, Mark Taper Forum, Berkeley Rep, Milwaukee Rep, Chicago Shakespeare, and Westport Country Playhouse, among many others. He has worked with the opera companies of Paris (Garnier), Berlin, Tokyo, Toronto, Montreal, Boston, Glimmerglass, New York City, San Diego, San Francisco, Houston, Washington, Seattle, Virginia, Portland, Vancouver, and Chicago, including Lyric Opera and Chicago Opera Theatre. Wierzel is currently on the faculty of New York University’s Tisch School of the Arts. Warren Adams Choreographer Born and raised in South Africa, Warren Adams won the Linbury/Mandela scholarship to study at the Rambert School of Ballet and Contemporary Dance in London. A graduate of Brunel University in England and winner of the Rudolf Nureyev Award, he has been nominated for the FNB Vita Award for Best Choreographer. Adams was choreographer for the 2006 SummerScape production of Camille at the Fisher Center. His other theater work includes Life is a Dream (South Coast Rep), World Drummers (Hong Kong Disney), Dreaming White City (Salomon Arts/Tribeca), and, as an associate, for the Festival of the Lion King (Hong Kong Disney). He was assistant choreographer for the film Bewitched. His television work includes Windrush Gala and the documentary Sportsbank, both for the BBC, and Top Billing for the South African Broadcasting Corporation. His ballets and

modern works include Worlds Apart, A Bit of Bach (Ballet Theatre Afrikan), Cornered (Phoenix Dance Company), and Organized Chaos and The Deer (Rambert School of Ballet). His upcoming productions include the Disney musical Toy Story. Sharon Bjorndal Chorus Master A native of Clifton, New Jersey, chorus master and pianist Sharon Bjorndal served as an assistant chorus master at New York City Opera where, under the baton of Gary Wedow, she assisted in the preparation of over 30 operas, including premieres by Marc Adamo, Jake Heggie, and Deborah Drattell. As a teaching artist in City Opera’s educational outreach program, she accompanied many mainstage artists in presentations at New York City high schools. In addition to her work at City Opera, Bjorndal served as chorus master for Verdi’s Don Carlo at the Opera Company of Philadelphia. She has prepared the choruses for SummerScape productions since 2003, including Janáˇcek’s Osud, Shostakovich’s The Nose, Blitzstein’s Regina, Copland’s The Tender Land, and Schumann’s Genoveva. A recipient of the C. V. Starr Doctoral Fellowship at The Juilliard School, Bjorndal will enroll in the doctor of musical arts in collaborative piano program this fall in the studio of Margo Garrett. Curt Pajer Music Preparation, Coach Pianist Curt Pajer divides his time between his private vocal coaching studio in New York City and his work on the music staffs of regional opera companies and summer opera festivals. In the fall of 2007 he will join the music staff of the New York City Opera. Since 2004 he has been the head of the music staff of Opera Theatre of Saint Louis, where he began as a member of the music staff in 1999. He has also served as assistant conductor, coach, and rehearsal pianist for Santa Fe Opera, Dallas Opera, Boston Lyric Opera, Houston Grand Opera, San Diego Opera, Opera Colorado, Baltimore Opera, Toledo Opera, and Shreveport Opera. He recently made his debut with the Prague National Opera (Národní Divadlo) for its production of Puccini’s La fanciulla del West. This summer he returns to Bard for his second season on the SummerScape Festival’s opera music staff. In the summer of 2005 he served as the assistant music director of the Astoria Music Festival in Astoria, Oregon. A 1987 graduate of the Oberlin Conservatory and a native of Cleveland, Ohio, Pajer received his master of music and doctor of musical arts degrees from the Peabody Conservatory in Baltimore, Maryland. David Newell Associate Set and Costume Designer David Newell’s scenic design credits include the double bill of La portrait de Manon / La voix humaine at Glimmerglass Opera; the world premiere of All This Intimacy at Second Stage; Sake with the Haiku Geisha at Gotham Stage Company; the American premiere of Martinu’s Mirandolina at Manhattan School of Music; the world premiere of Deborah Drattell’s Marina: A Captive Spirit, directed by Anne Bogart, at American Opera Projects;

Mozart’s La clemenza di Tito (Opera Boston); and Jeff Daniels’s Apartment 3A, for which Newell was costume designer. He has also worked on productions of Transparency of Val; Seductions of the Desert (DanceRink); Philistines (directed by Liviu Ciulei); Dangerous Corner; A Midsummer Night’s Dream; Le nozze di Figaro; The Seagull; The Three Sisters; Earth Girls are Easy, The Musical (a benefit concert for Lark Theatre Company); and Lynn Rosen’s Apple Cove (Todd Mountain Theatre Project). As part of the Lincoln Center Theater Directors Lab, he recently participated in the development of minor gods by Charles Forbes, directed by Gaye-Taylor Upchurch. Newell received his M.F.A. degree from the Department of Design for Stage and Film at New York University’s Tisch School of the Arts. Hanan Alattar Ghita, The Dwarf In the upcoming season soprano Hanan Alattar will make her debut at the Arizona Opera as Pamina in Die Zauberflöte. Her recent engagements include her debut at the Berlin Staatsoper as Pousette in Manon; the world premiere of Elliot Goldenthal’s Grendel, directed by Julie Taymor, at the Los Angeles Opera and the Lincoln Center Festival; roles in Don Carlo, Manon, and L’incoronazione di Poppea at the Los Angeles Opera; Gilda in Rigoletto at Opera Santa Barbara; and Water in The Little Prince, Zerlina in Don Giovanni, and First Maid in Daphne at the New York City Opera. As a New Horizon Scholar at the Aspen Music Festival, Alattar’s many appearances there included Blanche in Dialogues des Carmélites, Giorgetta in Il tabarro, Lucia in Lucia di Lammermoor, and concert performances of Barber’s Prayers of Kierkegaard and Stravinsky’s Les noces. In concert, Alattar has appeared with the Chicago Symphony (at the Ravinia Festival), Los Angeles Philharmonic, Fort Worth Symphony Orchestra, and the New World Symphony. She has also performed in Lincoln Center’s Alice Tully Hall and was presented in recital at Weill Hall by the Marilyn Horne Foundation. Alattar received an artist diploma and a master of music degree from The Julliard School, and a bachelor of music degree from the University of Texas at Austin. She is also the recipient of a 2004 Sullivan Foundation Award and the winner of the 2002 Aspen Concerto Competition, and she was a finalist in the Eleanor McCollum Competition for Young Singers. Vanessa Conlin Third Maid, The Dwarf Mezzo-soprano Vanessa Conlin is making her SummerScape debut in The Dwarf. Her recent engagements include Polly Peachum in The Threepenny Opera with Opera Columbus; Donna Elvira in Don Giovanni at the Lyrique-en-Mer Festival in Belle-Ile, France, and the Astoria Music Festival; Susanna in The Marriage of Figaro and Abigail in

The Crucible at Toledo Opera; Yuletide Pops Concerts with the Indianapolis Symphony Orchestra; and Lauretta in Gianni Schicchi with Amarillo Opera. Her other engagements include Micaëla in Carmen with the Evansville Philharmonic; Musetta in La bohème with the Hudson Valley Philharmonic and at the Belleayre Summer Music Festival; Miss Jessel in The Turn of the Screw with Toledo Opera; and Zerlina in Don Giovanni at the Bardavon Opera House. Conlin was a member of the original cast of Baz Luhrmann’s La bohème on Broadway. Her concert work includes Handel’s Messiah and A Toast to Vienna with the West Virginia Symphony; an all-Mozart concert with the Northwest Sinfonietta in Tacoma, Washington; and the Mozart Requiem and Berlioz’s Les nuits d’été with the Amarillo Symphony. Her upcoming engagements include Mercedes in Carmen with Toledo Opera, and a return engagement with the Indianapolis Symphony Orchestra. Jeffrey Dowd Dwarf, The Dwarf Tenor Jeffrey Dowd, a native of New York City, has an active operatic repertory encompassing over 30 major roles in operas that include Norma, Don Carlo, Simon Boccanegra, Parsifal, Madama Butterfly, La fanciulla del West, Britten’s Peter Grimes, Janáˇcek’s Jenufa and Richard Strauss’s Daphne. He has sung the role of Florestan in Beethoven’s Fidelio at the New Zealand International Arts Festival, Erik in Der Fliegende Holländer at the Frankfurt Opera, Don José in Carmen with the Houston Grand Opera, the Prince in Rusalka at the Seattle Opera, and the Kaiser in Die Frau ohne Schatten at the Teatro alla Scala. He has also performed in Lohengrin at the Hamburg Opera. He was Sergei in Lady Macbeth from Mtsensk in Barcelona and Walther in Die Meistersinger von Nürnberg in Antwerp, Dusseldorf, and at the Savonlinna Festival. Most recently, he sang the title role in Schreker’s Der Schatzgräber at the Frankfurt Opera. As a concert soloist, Dowd has sung at the Ludwigsburger Schlossfestspiele, the Concertgebouw, the Musikhalle Hamburg, the Konzerthaus am Gendarmenmarkt in Berlin, Avery Fisher Hall in New York, and the Academy of Music in Philadelphia. He has participated in radio broadcasts of Mahler’s Das Lied von der Erde, Beethoven’s Ninth Symphony, and, from the 2001 Salzburger Festspiele, Honegger’s Jeanne d’Arc au boucher. Thomas Goerz Don Estoban, The Dwarf Bass-baritone Thomas Goerz’s variety of roles ranges from Papageno in Die Zauberflöte with Cincinnati Opera to Herod in L’enfance du Christ with the Canadian Opera Company. At Vancouver Opera Goerz has sung Don Alfonso in Così fan tutte, Sulpice in La fille du regiment, and Mr. Peachum in The Threepenny Opera. He recently added the roles of Leporello in Don Giovanni and Frère Laurent in Roméo et Juliette, both with Opera Ontario, to his repertoire. Goertz has sung two roles in The Barber of Seville: Dr.

Bartolo, for the Lyric Opera of Kansas City; and Don Basilio, for Edmonton Opera. In Edmonton he has also sung the role of Poohbah in The Mikado; he performed the title role with Arizona Opera. Last year he won critical acclaim for his portrayal of Owen Hart in the Canadian premiere of Heggie’s Dead Man Walking with Calgary Opera, and for the role of Bottom in Britten’s A Midsummer Night’s Dream at the Banff Summer Festival. An accomplished oratorio singer, Goerz has sung Beethoven’s Missa Solemnis and Mendelssohn’s St. Paul with the Toronto Mendelssohn Choir, Bach’s Mass in B Minor with the Vancouver Bach Choir, the Mozart Requiem with the Costa Rica Symphony, and Haydn’s Die Schöpfung with the Taipei Symphony. He received wide praise in the role of Inspector Javert in the original Canadian cast of Les Misérables. Bryan Hymel Guido Bardi, A Florentine Tragedy Tenor Bryan Hymel, a native of New Orleans, is a resident artist at the Academy of Vocal Arts in Philadelphia, where he has sung Araquil in Massenet’s La Navarraise and Max in Der Freischütz. He made his debut with Palm Beach Opera this season as Pinkerton in Madama Butterfly, under Bruno Aprea. This summer made his European debut as the Foreign Prince in Dvoˇrák’s Rusalka at the Wexford Festival Opera, under Dmitri Jurowski. In 1998, at the age of 19, Hymel won the Verdi Aria Competition at the Aspen Musical Festival. He was a grand finalist in the 2000 Metropolitan Opera National Council Auditions, and he received two awards from the George London Foundation for Singers: an Encouragement Award in 2001, and the George London Award in 2007. He participated in San Francisco Opera Center’s Merola Program, and he performed the role of Ferrando in Così fan tutte with the Western Opera Theater National Tour in 2001. In 2002 he won both the Opera Lirica d’Orvieto Aria Competition in Perugia, Italy, and the Palm Beach Opera Competition. He has sung with companies around the United States. For his home company, New Orleans Opera Association, Hymel has sung Don Ottavio in Don Giovanni, Froh in Das Rheingold, and Arturo in Lucia di Lammermoor. He will return next season as Michele in Il tabarro and Rinuccio in Gianni Schicchi. Hymel is a graduate of Loyola University. He currently studies with the acclaimed voice teacher Bill Schuman. James Johnson Simone, A Florentine Tragedy Bass-baritone James Johnson began his career as a member of the Staatstheater Braunschweig, the Cologne Opera, and the Graz Opera. He has appeared in productions in many theaters in America and Europe, including the Metropolitan Opera, La Scala, Chicago Lyric Opera, Opéra National de Paris, Vienna State Opera, Teatro Liceu,

Staatsoper Stuttgart, and the Deutsche Oper Berlin. He has also performed in productions with the New National Theatre Tokyo, Megaron of Athens, Royal Opera of Copenhagen, and Théâtre de la Monnaie; in the opera houses in Marseille, Montpellier, Nice, Toulouse, and Strassbourg; and in the Bayreuth, Edinburgh, Aspen, Berliner Festwochen, and Schleswig-Holstein festivals. He has performed under the conductors James Levine, James Conlon, Georges Prêtre, Michael Gielen, Adam Fischer, Michael Schønwandt, and Philippe Jordan. As an active concert singer he has performed with the Berlin, Los Angeles, and Munich philharmonic orchestras; the Vienna Symphony Orchestra; Danish National Radio; the Süd- and Südwestfunk orchestras; and the Staatsorchester Stuttgart. His recordings include Schoeck’s Penthesilea, von Zemlinsky’s Lyrische Symphonie, Zimmermann’s Requiem für Einen Junger Dichter and Schönberg’s Jakobsleiter. Sarah Jane McMahon Donna Clara, The Dwarf Soprano Sarah Jane McMahon’s career highlights include Mabel in a new production of The Pirates of Penzance and Galatea in Acis and Galatea with New York City Opera, for which she received the Kolozsvar Award; Naiad in Ariadne auf Naxos and Fifth Flower Maiden in Parsifal (opposite Plácido Domingo) with Los Angeles Opera; Valencienne in The Merry Widow, Monica in The Medium, and Musetta in La bohème with New Orleans Opera; Abigail Williams in The Crucible with Des Moines Opera; Cleopatra in Handel’s Giulio Cesare with Opera Theater of Connecticut; Kathie in The Student Prince with Central City Opera; and Carrie in Carousel and the title role in Sari with Ohio Light Opera, for which she made the premiere recording on Albany Records. Her musical theater credits include Broadway by the Year 1959 at Town Hall, New York City; Cassie in A Chorus Line; Flaemmchen in Grand Hotel; and Magnolia in Show Boat. McMahon is a graduate of the Yale School of Music. Her upcoming engagements include the leading role of Soprano 2 in King Arthur at New York City Opera, Micaela in Carmen with Opera Grand Rapids, and Maria in West Side Story with New Orleans Opera. Deanne Meek Bianca, A Florentine Tragedy This season mezzo-soprano Deanne Meek was hailed for her performance in the role of Ma Joad in Ricky Ian Gordon’s The Grapes of Wrath (Minnesota Opera, Utah Opera). She also made her Teatro Real debut in Ariadne auf Naxos, and she sang the role of Dejanira in Handel’s Hercules (American Handel Festival) before she came to Bard to sing in the 2007 SummerScape production of A Florentine Tragedy. Meek’s past credits include Ruggiero in Alcina (English National Opera); Dorabella in Così fan tutte (Opéra National du Rhin); Rossweisse in Die Walküre (Châtelet); Hermia in A Midsummer Night’s Dream (Liceu, La Monnaie); Komponist in Ariadne auf Naxos (Tulsa Opera); Rosina in Il barbiere

di Siviglia and Octavian in Der Rosenkavalier (England’s Opera North); Angelina in La Cenerentola (Grange Festival); and Cherubino in Le nozze di Figaro and Hänsel in Hänsel und Gretel (New York City Opera). Her future engagements include Elvira in Don Giovanni (Utah Opera), Meg Page in Falstaff (England’s Opera North), and her debut with Opéra de Lyon in a reprisal of her acclaimed performance of Hermia in A Midsummer Night’s Dream. Julie Anne Miller Second Playmate, The Dwarf Mezzo-soprano Julie Anne Miller, a native of northern California, recently made her New York City debut at Carnegie Hall as a featured soloist in the world premiere of Doot, a new work by Ryan Carter for soprano, mezzo-soprano, and 10 instruments. Her performance was part of the 2007 Osvaldo Golijov/Dawn Upshaw Workshop for Singers and Composers. On the operatic stage, Miller has appeared as Ottavia in Monteverdi’s L’incoronazione di Poppea and as Donna Elvira in Mozart’s Don Giovanni. She has also performed as the mezzo soloist in performances of Bach’s Cantata No. 147a, Mozart’s Requiem and the Coronation Mass, Haydn’s Harmoniemesse, and Schubert’s Mass in Ab Major. She is one of eight students in the new Graduate Program in Vocal Arts, founded in 2006 by Dawn Upshaw, at The Bard College Conservatory of Music. Miller earned her bachelor of music degree in vocal and violin performance at California State University Sacramento. Maghan Stewart Second Maid, The Dwarf A native of Timmins, Ontario, soprano Maghan Stewart’s solo performance highlights include appearances on CBC Radio and Classique 97.1 FM, the main stage at the National Art Centre, and the National Gallery of Canada. She has sung throughout Canada and in Italy, France, and Austria. She is currently pursuing postgraduate work at The Bard College Conservatory of Music, where she was awarded a full scholarship and a teaching position. Her performances with the Conservatory include her Carnegie Hall debut; master classes with maestro James Conlon, director Peter Sellars, and Matthew Horner; and the soprano solo in Mozart’s Coronation Mass with Orchestra. Stewart’s recent prizes include a Canada Council for the Arts Grant, the Académie International d’été de Nice competition, the Canadian Music Competition, and the Brian Law Competition. A graduate of the University of Toronto, she recently earned a master’s degree from the University of Ottawa. Melissa Wegner First Maid, The Dwarf Soprano Melissa Wegner has operatic, concert, and recital credits in the United States, Italy, Austria, and Colombia. Most recently, she debuted at Carnegie Hall premiering

Piosenki by David Bruce, a set of Polish songs written for her in conjunction with the Weill Music Institute. In 2005, Wegner cofounded American Music Productions, an ensemble dedicated to promoting, preserving and creating American music. Her other engagements this summer include concerts at Songfest in Malibu, California. This fall she will return to Annandale-on-Hudson as one of the inaugural members of the Vocal Arts Program at The Bard College Conservatory of Music. She holds degrees from the Manhattan School of Music and the Crane School of Music at SUNY Potsdam. Chanel Wood First Playmate, The Dwarf Last December, soprano Chanel Wood won The Bard College Conservatory of Music Concerto Competition; she will perform Samuel Barber’s Knoxville: Summer of 1915 with the American Symphony Orchestra during the upcoming season. She spent two summers at the Tanglewood Music Center, where she participated in master classes under James Levine and performed the works of Hindemith, Babbitt, Lutoslawski, Simon Bainbridge, Strauss, Mozart, and Sondheim (A Tribute to Stephen Sondheim, with Keith Lockhart and the Boston Pops). Following her success in the Sondheim revue, she was invited by the Boston Pops to sing in their 2005 Holiday Pops Concerts, including the televised production aired in 2006. In 2006 she performed the role of Die Schleppträgerin in a concert version of Elektra at Tanglewood, conducted by James Levine. Throughout her time at Tanglewood she was tutored by Phyllis Curtin, with whom she shared the stage in There and Back. In May she was invited to perform a solo recital for the Tanglewood Ushers’ and Programmers’ Committee in Lenox, Massachusetts. Wood is a member of the inaugural class of the Vocal Arts Program at The Bard College Conservatory of Music. She received her bachelor of music degree in May 2005 from the Shepherd School of Music at Rice University. American Symphony Orchestra The American Symphony Orchestra was founded in 1962 by Leopold Stokowski. As part of Lincoln Center Presents Great Performers, the Orchestra performs thematically organized concerts at Avery Fisher Hall, linking music to the visual arts, literature, politics, and history, often in collaboration with museums and other cultural institutions. With its bold programming, innovative presentation, and commitment to music education, the Orchestra seeks to make great music a relevant, accessible, and enjoyable experience for all kinds of listeners. In addition to its main subscription series at Lincoln Center, the American Symphony Orchestra performs in a lecture/concert series with audience interaction at Symphony Space called Classics Declassified. It is also the resident orchestra of The Richard B. Fisher Center for the Performing Arts at Bard College, where it performs to capacity

audiences in a winter concert series as well as in the summer for the SummerScape Festival and the Bard Music Festival. Its music education programs extend through New York, New Jersey, and Long Island. The American Symphony Orchestra has toured extensively and made numerous recordings and broadcasts. Its most recent recording is of music by Copland, Sessions, Perle, and Rands in a special tribute album to legendary American music patron Francis Goelet, issued by New World Records. The Orchestra also recorded music of Ernst von Dohnányi for Bridge Records. Its recording of Richard Strauss’s opera Die ägyptische Helena with Deborah Voigt was released in 2003 by Telarc to outstanding acclaim. This recording joins the American Symphony’s recording of Strauss’s Die Liebe der Danae, also from Telarc. Other recordings with Leon Botstein include Franz Schubert: Orchestrated on the Koch International label, with works by Joachim, Mottl, and Webern, and, on the Vanguard Classics label, Johannes Brahms’s Serenade No. 1 in D major, Op. 11 (1860). The American Symphony Orchestra inaugurated São Paolo’s new concert hall and has made several tours of Asia and Europe. It also has a long history of appearing in charitable and public benefits for such organizations as Sha’are Zedek Hospital, the Jerusalem Foundation, and PBS. In October, the Orchestra performed in an outdoor production of Peer Gynt in Central Park with the cast of the Peer Gynt Festival of Norway.

Donors to the Fisher Center Leadership Support The Christian A. Johnson Endeavor Foundation Richard B. Fisher Endowment Fund Jeanne Donovan Fisher Martin T. and Toni Sosnoff Martin & Toni Sosnoff Foundation The New York State Music Fund

Golden Circle The Altria Group, Inc. The Barbro Osher Pro Suecia Foundation Carolyn Marks Blackwood Stefano Ferrari and Lilo Zinglersen Emily H. Fisher The Marks Family Foundation

Mr. and Mrs. James H. Ottaway Jr. Felicitas S. Thorne The Millbrook Tribute Garden The Wise Family Charitable Foundation

Friends of the Fisher Center Producer American Elgar Foundati0n Barnes and Noble College Booksellers, Inc. The Danish Arts Agency The Royal Danish Consulate in New York Alexander D. Fisher ’96 and Jennifer Hodges Fisher Catherine C. Fisher and Gregory A. Murphy R. Britton Fisher and Lynne M. Stirrup FMH Foundation David B. Ford Georg Jensen Inc. J. Robin Groves Linda Hirshman and David Forkosh Jane’s Ice Cream Lee and Claire Kaufman Magic Hat Brewing Company Millbrook Vineyards and Winery Eileen K. Murray New York State Council on the Arts (NYSCA) Laurie M. Tisch Foundation

The Ettinger Foundation, Inc. Hannaford Supermarkets The Harkness Foundation for Dance Hotel Madalin HSBC Philanthropic Programs Edna and Gary Lachmund Patti and Murray Liebowitz The Rhinecliff Florence and Robert A. Rosen Blanche and Bruce Rubin Denise S. Simon and Paulo Vieira da Cunha Storm King Contracting Inc. Allan and Ronnie Streichler

Patron The American-Scandinavian Foundation Mary Inga Backlund Gale and Sheldon Baim Anne Donovan Bodnar and James Bodnar Harvey and Anne Brown Consulate General of Sweden Michael J. Del Giudice Tambra Dillon Dirt Road Realty, LLC Barbara Ettinger and Sven Huseby

Supporter Creative Capital Foundation Emily M. Darrow and Brendon P. McCrane Patricia Falk George H. Gallup Adrien E. Glover Carson Glover and Stephen Millikin Rosalind Golembe Dr. Joan Hoffman and Syd Silverman Kassell Family Foundation of the JCF Joanna M. Migdal Dr. Abraham and Gail Nussbaum

Sponsor Ian Buckingham and Randy F. Buckingham ’73 Trevor R. Burgess and Gary M. Hess Elizabeth W. Ely ’65 and Jonathan K. Greenburg Millenium Capital Markets, LLC Barbara and Richard Schrieber Mr. David A. Schulz Mr. Peter K. Schumann Michael A. Stillman, M.D.

James and Purcell Palmer Drs. M. Susan and Irwin Richman Ted Ruthizer and Jane Denkensohn Doris E. and Richard A. Scherbarth Martin Sinkoff and David Stocks Helen Stambler Razelle F. Stempel and Robert C. Stempel ’52 Evan L. Stover Dr. Elisabeth F. Turnauer Taconic Farms, Inc. Jack H. Weiner Nigel Wright Dr. Herbert M. and Audrey S. Wyman Friend John J. Austrian ’91 and Laura M. Austrian Eugene Batkin Richard Benson Daniel Berkenblit and Philippine Meister-Berkenblit Mr. and Mrs. R. O. Blechman Harriet Bloch and Evan Sakellarios Carl and Clare Brandt Diane Brown ’04 Alfred M. Buff and Lenore Nemeth Homer and Jean Byington MaryAnn and Thomas Case Daniel Chu and Lenore Schiff Mr. and Mrs. John Cioffi Richard D. Cohen Jennifer Cole Jean Cook Joan K. Davidson Jackie Del Rossi Stefan Draughton Malcolm Duffy Abby H. and John B. Dux

Lee M. Elman Elman Investors, Inc. Ruth Eng Sara P. Epstein Harold Farberman Milly and Arnold Feinsilber Susan M. Ferris Martha S. Gearhart, D.V.M. Arthur L. Gellert Marvin S. Gilbert Ann Githler Stanley L. Gordon Clifford Gubler David A. Harris Patricia Haswell and Dr. Richard Todd Eliot D. and Paula K. Hawkins Mel and Phyllis Heiko Delmar D. Hendricks Deanna Holden Robert Jaquay Larry and Anna Kadish Corey Kane and Katy Glover Kane Linda L. Kaumeyer Jessica Post Kemm ’74 Mr. and Mrs. William L. Kirchner Sara M. Knight Rose and Josh Koplovitz Chloe Kramer

Benjamin Krevolin Annie Leibovitz Amala and Eric Levine Walter Lippincott Neil and Joan Lipton Paul Lusman Drs. Sara F. Luther and John J. Neumaier Peter J. Mancuso Harvey Marek Sheila M. Moloney ’84 and Prof. John Pruitt Michael J. Moran Joanne and Richard Mrstik Thomas Murphy Nancy Newall Jill Obrig Stephen Olenik Mary Jane Peluso Cusie Pfeifer Sarah T. Rabino Betty Rauch Robert B. Recknagel Richard Reiser Bernard F. Rodgers Jr. Estelle Rosen Phyllis Ross John Royston Bernard and Harriet Sadow

Michele Sayres Edith M. and F. Karl Schoenborn Marc Schweig John and Aija Sedlak Judith and Jeffrey Siegel Bernard Sklar Irving Sperling Norma Spriggs Nadine Bertin Stearns Mim and Leonard Stein Dr. Frank Sun and Dr. Regina Kuliawat Maxine Swartz Albert L. Tarahus Janeth L. Thoron Irene Warshauer Joan E. Weberman Dr. and Mrs. Stanley Weinstock Arthur Weyhe Doug Wingo Dr. Herbert M. and Audrey Wyman Linda Vehlow Irene Vitau Mike and Kathy Zdeb William C. Zifchak Current as of June 7, 2007

Donors to the Bard Music Festival Events in this year’s Bard Music Festival are underwritten in part by special gifts from Jeanne Donovan Fisher James H. Ottaway Jr., Bard trustee Felicitas S. Thorne Festival Underwriters Bettina Baruch Foundation Chamber Music Concerts Mimi Levitt Opening Night Dinner Guest Artists

Joanna M. Migdal Panel Discussions Andrea and Kenneth L. Miron Margo and Anthony Viscusi Preconcert Talks Homeland Foundation Bard Music Festival Preview at Wethersfield New York State Council on the Arts National Endowment for the Arts

Leadership Support The Christian A. Johnson Endeavor Foundation Golden Circle Bettina Baruch Foundation Jeanne Donovan Fisher Homeland Foundation, Inc. Mimi Levitt The Mortimer Levitt Foundation Inc. National Endowment for the Arts (NEA) Mr. and Mrs. James H. Ottaway Jr. Felicitas S. Thorne Elizabeth and E. Lisk Wycoff Jr.

Friends of the Bard Music Festival Benefactor American Elgar Foundation Marina Belica and Steven Lowy Helen ’48 and Robert Bernstein Mr. and Mrs. John K. Castle Joan K. Davidson Robert C. Edmonds ’68 and Katherine Edmonds Elizabeth W. Ely ’65 and Jonathan K. Greenburg FMH Foundation Furthermore Foundation The Ann & Gordon Getty Foundation Linda Hirshman and David Forkosh Anne E. Impellizzeri The J. M. Kaplan Fund, Inc. Peter ’66 and Barbara Kenner Lucy Pang Yoa Chang Foundation Amy and Thomas O. Maggs Marstrand Foundation Ms. Joanna M. Migdal Andrea and Kenneth Miron New York State Council on the Arts (NYSCA) Jane W. Nuhn Charitable Trust Ralph E. Ogden Foundation, Inc The Overbrook Foundation Drs. Gabrielle H. Reem and Herbert J. Kayden Denise S. Simon and Paulo Vieira da Cunha The Slovin Foundation Bruce and Francesca Slovin Martin T. and Toni Sosnoff Martin and Toni Sosnoff Foundation H. Peter Stern The Stevenson Group Thorne and Tucker Taylor David E. Schwab II ’52 and Ruth Schwartz Schwab ’52 Margo and Anthony Viscusi Dr. Siri von Reis Rosalind C. Whitehead Millie and Robert Wise Patron ABC Foundation Roger Alcaly and Helen Bodian Edwin L. Artzt and Marieluise Hessel Mr. and Mrs. Ronald Atkins

Kathleen and Roland Augustine Bank of New York Company, Inc. Helen and Kenneth Blackburn Craig and Gloria Callen Lydia Chapin Constance and David C. Clapp David C. Clapp Foundation Michelle Clayman J. T. Compton Mr. and Mrs. Arnold J. Davis ’44 Barbara and Richard Debs Michael Del Giudice John A. Dierdorff Amy K. and David Dubin Ines Elskop and Christopher Scholz Carlos Gonzalez and Katherine Stewart Mr. and Mrs. Jay M. Gwynne Eliot D. and Paula K. Hawkins Dr. Barbara K. Hogan Frederic K. and Elena Howard HSBC Philanthropic Programs Dr. and Mrs. Bertrand R. Jacobs Susan Jonas Rachel and Dr. Shalom Kalnicki Belinda and Stephen Kaye Susan and Roger Kennedy Seymour and Harriet Koenig Alison L. and John C. Lankenau Mr. and Mrs. Gonzalo de Las Heras Alfred J. Law and Glenda A. Fowler Law Lemberg Foundation, Inc. Barbara and S. Jay Levy Cynthia Hirsch Levy ’65 Patti and Murray Liebowitz Douglas S. and Sarah Mullen Luke Carolyn Marks Blackwood W. Patrick McMullan and Rachel McPherson Metropolitan Life Foundation Matching Gift Program Martin L. and Lucy Miller Murray Ken and Linda Mortenson Newman’s Own Foundation Dimitri B. and Rania Papadimitriou Beatrice Perry Eve Propp Eve Propp Family Foundation, Inc. Barbara B. Reis Drs. M. Susan and Irwin Richman Drs. Morton and Shirley Rosenberg The Schwab Charitable Fund Arlene and Edwin Steinberg

George L. Steiner and R. Mardel Fehrenbach Stewart’s Shops Allan and Ronnie Streichler Phebe Thorne and Paul Wilcox Elizabeth Farran Tozer and W. James Tozer Jr. Illiana Van Meeteren Aida and Albert Wilder William C. Zifchak Sponsor Richard A. Ahlbeck Irene and Jack Banning Didi and David Barrett Judith and Steven Benardete Anne D. Bodnar Mark E. Brossman Hugo M.J. Cassirer and Sarah Buttrick Bob and Kate Denning Andrea and Willem F. De Vogel Tambra Dillon Rt. Rev. Herbert A. and Mary Donovan Cornelia Z. and Timothy Eland Gregory M. Fisk Ellen Berland Gibbs David and Nancy Hathaway Samuel and Ronni Heyman I.B.M. Matching Grants Program Angela O. B. de Mello Keesee and Thomas W. Keesee III John and Karen Klopp Helena Lee Nancy and Robert Lindsay John and Debra Morrison Mr. and Mrs. Gordon B. Pattee Ellen Kaplan Perless ’63 and Robert Perless Samuel and Ellen Phelan Eugenia and Martin Revson The Martin Revson Foundation Inc. Peter Schwalbe and Jody Soltanoff Dorothy and John Sprague Barbara and Donald Tober Mark Trujillo Schulte Roth & Zabel LLP David A. Schulz Supporter Munir and Susan Abu-Haidar Laura and Peter Armstrong

Zelda Aronstein and Norman Eisner Elizabeth and Henry Baker Antonia Bakker-Salvato Alec and Margaret Bancroft Phebe and George Banta Carole and Gary Beller Philip and Mimi Carroll Frederick and Jan Cohen James and Lea G. Cornell Dr. Jasmine and Mr. Kenneth Cowin Daniel Dietrich Dorothy and Seth Dubin Shepard and Jane Ellenberg Dianne Engleke Deborah and Thomas Flexner John and Patricia A. Forelle Samantha Free Donald C. Fresne Diana Hirsch Friedman ’68 Helena and Christopher Gibbs John and Ann Gifford John and Sarah Glaister Peter H. Gleason Victoria and Max Goodwin Janine M. Gordon Samuel L. Gordon Jr. Fayal Greene and David J. Sharpe Seth Grosshandler Susan Heath and Rodney Paterson Susan Hoehn and Allan Bahrs The Grunebaum Foundation Inc. Brian and Isis Hoffman Pamela Howard John R. and Joyce Hupper Dr. and Mrs. Gerald Imber Alexandra and Paul Kasmin Robert E. Kaus Edith and Hamilton F. Kean Karen Kidder and Martin Holub Charles and Katharine King Catherine E. Kinsey Edna and Gary Lachmund Lowell H. and Sandra A. Lamb E. Deane and Judith S. Leonard Mr. and Mrs. Michael Levin Amala and Eric Levine Robert S. Levine Frederick Lee Liebolt Jr. and Suzanne Lloyd Liebolt Walter Lippincott Philip and Tracey Mactaggart Charles S. Maier Lois Mander and Max Pine Milton Meshel

Ann Lawrance Morse Istar H. and George A. Mudge Nancy H. Nesle Mr. and Mrs. Thomas Newberry Mr. and Mrs. William T. Nolan Marta E. Nottebohm Frederick H. Okolowitz Elizabeth J. and Sevgin Oktay James and Purcell Palmer David B. and Jane L. Parshall Francine Pascal Ellen and Eric Petersen Encarnita and Robert Quinlan Claire and John Reid Diane Lunt Rosenfeld and Eric Rosenfeld Alfred J. and Deirdre Ross Dr. Paul H. Schwartz and Lisa Barnes-Schwartz Dagni and Martin Senzel James and Sarah Sheldon Sara Nesbitt Sheldon J. Kevin Smith David and Sarah Stack David C. Thieringer Cynthia M. Tripp ’01 UBS Foundation Matching Gift Program Arete and William Warren Charles P. Werner Jack and Jill Wertheim Joanna G. and Jonathan M. Whitcup Noel White Julia and Nigel Widdowson Mr. Doug Wingo Peter and Maria Wirth Desi and Ben Zalman Friend Barbara Joyce Agren Rev. Albert R. Ahlstrom Bryson Ainsley Jr. Lindsay Baldwin Patricia D. Beard Marge and Edward Blaine Helen W. Blodgett Timothy Bontecou Teresa Brennan Diane Chapman Mr. Joseph Crowley Emily M. Darrow and Brendon P. McCrane Nancy A. Dematto Jackie Drexel Peter Edelman

Dr. Bernhard Fabricius and Sylvia Owen Arthur L. Fenaroli Clark Ferguson and Suzy Wolberg David and Tracy Finn Martha J. Fleischman Luisa E. Flynn John P. Foreman Allan Freedman Emily Fuller Susan Howe Gillespie Anne Gillis Gilberte Vansintejan Glaser and William A. Glaser Mims and Burton Gold Thurston Greene Dorothy and Leo Hellerman Nancy H. Henze David O. Herman Juliet Heyer Elizabeth D. and Robert Hottensen Neil Isabelle Jack and Mary Johnson Rev. Canon Clinton R. Jones ’38* John Kander Richard P. Kelisky Donna Kermeen David and Janet E. Kettler Diana Niles King Thea Kliros Beth Ledy M Group, LLC Hermes Mallea and Carey Maloney Annette S. and Paul N. Marcus Harvey Marek Elizabeth Mavroleon Ellen McGrath, Ph.D. The McGraw-Hill Companies Matching Gift Program John McNally Margaret M. and Raymond E. Meagher Jr. Sumner Milender Deborah D. Montgomery Arvia Morris Polly Murphy and Tim Pierson Harold J. and Helen C. Noah Marilyn and Peter Oswald Gary S. Patrik Lillian Pyne-Corbin Dr. Alice R. Pisciotto Miles Price Robert B. Recknagel George Reeke and Gail Hunt Reeke Barbara Reis

Linda M. Royalty Ted Ruthizer and Jane Denkensohn Sheila Sanders Jay Marc Schwamm Frederick W. Schwerin Jr. Anne Selinger Reginald W. Smith Joel Stein

S. B. Sternlieb, MD Nadine Bertin Stearns Jessica and Peter Tcherepnine Robert G. Thomas Janeth L. Thoron Carole Tindall Dorsey Waxter Muriel Casper Weithorn and Stanley Weithorn

Amy K. White Anne Whitehead John H. Whitworth Jr. Betsy Zimring * Deceased Current as of April 4, 2007

Advisory Board for The Richard B. Fisher Center for the Performing Arts Jeanne Donovan Fisher, Chair Leon Botstein+ Carolyn Marks Blackwood Stefano Ferrari Harvey Lichtenstein

Peter J. Linden, M.D. Robert Martin+ James H. Ottaway Jr. Dimitri B. Papadimitriou+ David E. Schwab II ’52 Martin T. Sosnoff

Toni Sosnoff Felicitas S. Thorne +ex officio

Administration for The Richard B. Fisher Center for the Performing Arts Tambra Dillon, Director Nancy Cook, General Manager Susana Meyer, Associate Director Debra Pemstein, Vice President for Development and Alumni/ae Affairs Mark Primoff, Director of Communications Stephen Millikin, Development Manager Kimberly Keeley-Henschel, Budget Director John Pruitt, Film Festival Curator Jeannie Schneider, Administrative Assistant Production Robert Airhart, Production Manager Stephen Dean, Stage Operations Supervisor Bonnie Anthony, Production Manager Assistant Rick Reiser, Associate Production Manager—Theater Two Katja Khellblau, Associate Production Manager—Spiegeltent Alex Eaton, Production Assistant—Spiegeltent Lacy Post, Production Assistant—Spiegeltent Alexandra Paull, Shopper

Carpenters Kent Cyr, Technical Director Larry I. Hall, Scene Shop Manager Rajiv Shah, Master Carpenter— Theater Two Joan Newhouse, Scenic Charge Allison Jung, Scenic Painter Jeremiah Brown Emil Byrne Amber Callaghan Christian Crum Jamie Del Pino Dan Gibbons Jake Goldwasser ’08 Josh Haner John Ibsen Sean Maloney ’07 Joseph Puglisi Todd Renadette Vincent Roca Arnold Willis ’07 J. Michael Zally Props Scott Brodsky, Property Director Rick Berger, Property Master— Sosnoff Theater Joe Osheroff, Property Master— Theater Two Patricia Dynes Angela Fayerweather Christian Panaite

Electrics Aaron Sporer, Lighting Director Jeremy Wahlers, Master Electrician—Sosnoff Theater Justin McClintock, Master Electrician—Theater Two Brandon Koenig, Assistant Master Electrician—Sosnoff Theater Anup Aurora, Assistant Master Electrician—Theater Two Brenda Lijewski, Light Board Programmer—Sosnoff Theater Andrew Hill, Light Board Programmer—Theater Two Jodi Clemente Jillian Walcher Joe Walls Nathan Winner Sound and Video Paul LaBarbera, Sound and Video Engineer Pete Tomaso, Sound and Video Engineer Assistant Richard Pearson, Sound and Video Supervisor—Sosnoff Theater Kelly Duncan, Sound and Video Supervisor—Sosnoff Theater Amy Altadonna, Sound Design— Theater Two Sara Even, Sound and Video Supervisor—Theater Two

Tony Van Note, Sound and Video Supervisor—Spiegeltent Ted Hudson, Assistant—Sosnoff Phillip Meir Sibli-Landsman, Assistant—Sosnoff Charles Coes, Assistant—Theater Two Jeff Human, Assistant—Spiegeltent Costumes Mary Grusak, Costume Shop Manager Christopher Schramm, Draper Molly Farley, First Hand Charles Peden, Wardrobe Supervisor—Sosnoff Theater Jill Sunderland, Wardrobe Supervisor—Theater Two Reita Braich, Wardrobe Dale Gibbons, Wardrobe Alice Broughton, Stitcher Susan Cox, Stitcher Hair and Makeup Jennifer Donovan, Hair and Makeup Director Heather Bickham Maia Kern

Company Management Kate Pfeffer, Company Manager Jack Bylerly ’09, Assistant Company Manager Grace Converse ’08, Assistant Company Manager Katy Kelleher ’08, Assistant Company Manager Jake Nabel ’07, Assistant Company Manager Markus Paminger ’07, Assistant Company Manager Box Office Elena Batt, Assistant Box Office Manager Grace Leavitt ’07, Assistant Box Office Manager Charlotte Allen ’10, Box Office Assistant Tom Corrado, Box Office Assistant Jessica Dee, Box Office Assistant Rachel Gordon ’10, Box Office Assistant Emma Ann Hill ’07, Box Office Assistant Carl Kranz ’08, Box Office Assistant

Kate Motzenbacker ’09, Box Office Assistant Benjamin Richter ’08, Box Office Assistant Front of House Austin Miller ’06, House Manager and Assistant General Manager Shelley Green, Assistant House Manager Joshua Groffman, Assistant House Manager Christina Reitemeyer ’08, Assistant House Manager Joshua Tyler ’06, Assistant House Manager Facilities Mark Crittenden, Facilities Manager Ray Stegner, Assistant to the General Manager Doug Pitcher, Building Operations Coordinator Jody Cerasano, Housekeeping Valerie Bishop, Housekeeping John Malden, Housekeeping Current as of May 24, 2007

Board and Administration of the Bard Music Festival Board of Directors Robert C. Edmonds ’68, Chair Leon Botstein+ Schuyler Chapin John A. Dierdorff Jeanne Donovan Fisher Christopher H. Gibbs+ Jonathan K. Greenburg Paula K. Hawkins Linda Hirshman Anne E. Impellizzeri Peter Kenner ’66 Mimi Levitt Thomas O. Maggs + Robert Martin Joanna M. Migdal Lucy Miller Murray Kenneth L. Miron Christina A. Mohr James H. Ottaway Jr. David E. Schwab II ’52

H. Peter Stern Tucker Taylor Felicitas S. Thorne Anthony Viscusi Siri von Reis Rosalind C. Whitehead E. Lisk Wyckoff

Program Committee 2007 Byron Adams Leon Botstein Christopher H. Gibbs Robert Martin Richard Wilson Irene Zedlacher

Artistic Directors Leon Botstein Christopher H. Gibbs Robert Martin

Operations Manager Robert Whalen

Executive Director Irene Zedlacher

Development Debra Pemstein Andrea Guido Stephen Millikin

Associate Director Raissa St. Pierre ’87

Public Relations Mark Primoff

Scholar in Residence 2007 Byron Adams

+ ex officio

Support The Richard B. Fisher Center for the Performing Arts at Bard College Since its opening in 2003, the Richard B. Fisher Center for the Performing Arts has transformed cultural life in the Hudson Valley with world-class programming. Our continued success relies heavily on individuals such as you. Become a Friend of the Fisher Center today. Individual Giving Friends of the Fisher Center membership is designed to give individual donors the opportunity to support their favorite programs through the Fisher Center Council or Bard Music Festival Council. As a Friend of the Fisher Center, you will enjoy a behind-the-scenes-look at Fisher Center presentations and exclusive special events and services throughout the year. Corporate Giving Numerous opportunities exist for corporate sponsorship and patronage of the Fisher Center and its programs. By joining The Corporate Council, your company and its employees not only show their support for the Hudson Valley cultural community, but also receive a wide range of marketing opportunities and membership benefits. The Fisher Center will work closely with Corporate Council members to create the benefits package best suited to their needs. As a Friend of the Fisher Center or Corporate Council member, you will gain access to a number of exclusive special events and services created for supporters. Membership levels vary, and based on your gift amount, benefits may include: • Advance notice of programming • Free tours of the Fisher Center • Invitations for you and a guest to a season preview event • Invitations for you and a guest to attend a select dress rehearsal • Invitations for you and a guest to a backstage technical demonstration • A copy of the Bard Music Festival book • Access to an exclusive telephone line for Patron Priority handling of ticket orders • Invitations for you and a guest to a reception with the artists For more information on how you can become a Friend of the Fisher Center, please contact Stephen Millikin at 845-758-7926 or You can also make a gift or schedule monthly gifts to be transferred automatically to the Fisher Center from your checking account or credit card by visiting

Annandale-on-Hudson, New York

SummerScape 2007: A Florentine Tragedy and The Dwarf  

A Florentine Tragedy(Eine Florentinische Tragödie)Music by Alexander von ZemlinskyLibretto by the composer, after the play by Oscar WildeTra...