Fine Music Magazine March 2013

Page 49

Wednesday 27 March

Dietrich Fischer-Dieskau

0:00 CONTEMPORARY COLLECTIVE

11:30 ORGAN INTERLUDE Prepared by Stephen Wilson

19:00 JAZZ STARS AND STRIPES with Peter Mitchell

Mendelssohn, F. Prelude and fugue in C minor, op 37 no 1 (1837). Andreas Buschnakowski, org. Berlin 0012912BC

20:00 AT THE OPERA Prepared by Colleen Chesterman

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Aspects of Baroque Prepared by Paul Hopwood Handel, G. Overture in D for two clarinets and horn, HWV424 (c1742). Ricercar Consort. Ricercar RIC 049027 13 Locke, M. Music for His Majesty’s sackbutts and cornetts. Malmö Brass Ensemble. BIS CD-223 10 Hertel, J. Trumpet concerto no 1 in E flat. Håkan Hardenberger, tpt; London PO/Elgar Howarth. Philips 426 311-2 13 Scarlatti, A. Arias with solo trumpet. Judith Nelson, sop; Dennis Ferry, tpt; Gordon Murray, hpd. Harmonia Mundi HMA 1905137 15 10:00 MORNING CONCERT Prepared by Derek Parker Dyson, G. Overture: At the Tabard Inn (1943). Bournemouth SO/David Lloyd-Jones. Naxos 8.557720 11 Walton, W. Symphony no 1 in B flat minor (1931-35). London Symphony Ch & O/Colin Davis. LSO Live LS00681 46 Britten, B. Symphonic suite: Gloriana (1953). Bournemouth SO/Uri Segal. LP HMV ASD 4073 25

8

1813

Andreas Buschnakowski

200 th Anniversary

WAGNER

2013

William Walton

Haydn, J. Pieces for mechanical clock. Robert Ampt, org. Move MD 3030 7

Wagner, R. Lohengrin. Opera in three acts. Libretto by composer. First performed Weimar, 1850.

Bach, J.S. Prelude and fugue in G, BWV541 (1712-17). Peter Hurford, org. EMI 5 65028 2 8

LOHENGRIN: Jess Thomas, ten ELSA: Elisabeth Grümmer, sop FREDERICK OF TELRAMUND: Dietrich FischerDieskau, bar ORTRUD: Christsa Ludwig, mezz KING HENRY: Gottlob Frick, bass Vienna State Opera Ch; Vienna PO/Rudolf Kempe. EMI Classics 72435674152 2 3:37

12:00 THE SOUND OF JAZZ with Kevin Jones 13:00 YOUNG VIRTUOSI with Andrew Bukenya; recorded by Greg Ghavalis. Supported by St Catherine’s School and Overs Pianos 14:00 IN CONVERSATION with Michael Morton-Evans What exactly does it take to make music? Leading musicians, composers and performers, both local and visiting from overseas, will be talking live on air telling us why they do it and how they do it. 15:00 AN AFTERNOON CONCERT Prepared by Stephen Wilson Berlioz, H. Overture: Le corsaire, op 21 (1844). Polish State PO/Kenneth Jean. Naxos 8.550231 9

Count Telramund accuses Elsa of murdering her brother, the Duke of Brabant. Elsa prays a knight will come to her defence and a boat drawn by a swan appears. The knight in the prow will defend Elsa on condition that she never asks his name or origin. When Elsa and the knight marry, Ortrud dares her to ask her husband’s name and Elsa succumbs. Telramund and armed men break into the bridal room and the knight kills him. He then tells Elsa he is Lohengrin from Montsalvat; he must leave her because she has asked the forbidden question. The boat appears and the swan turns into her brother. Lohengrin sails away as Elsa falls dead in her brother’s arms.

Saint-Saëns, C. Violin concerto no 1 in A, op 20 (1859). Philippe Graffin, vn; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67074 13 Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Tasmanian SO/Jacques Moscato. LP ABC/WRC VXL1 4065 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh

Fine Music 102.5 streams live on www.finemusicfm.com and can be heard on digital channel Fine Mus. fineMusic FM 102.5

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