Fiesta&Bullshit - September 2019

ISSUE 11 1 8--SEPTEMBER SEPTEMBER019 019--FREE. FREE.

A SERIES OF SKIES WWW.FIESTAYBULLSHIT.COM FROM OUR OD SKY BAR.

Climate change Luis Pérez Calvo Kenny Scharf La nit de l’art Strange hotels World tourism day OD Real Estate Formats & ways Investing in art

www-od-hotels.com

Estoy en la nube, disfrutando de esta puesta de sol, con nubes de ideas, hinchándome a nubes de azúcar.

No te olvides de este momento, guárdalo en la nube. ¿He dicho nube?

Foto tomada desde el Sky Bar de OD Ocean Drive, Marina Botafoch, Ibiza.

[Eng]

I am in the cloud enjoying this sunset, with clouds of ideas, pumping me up to sugar clouds.

Don’t forget this moment, keep it in the cloud.

OD Sky Bar

Did I say cloud?

02

Photo taken from the Sky Bar of OD Ocean Drive, Marina Botafoch, Ibiza.

03

OD Group y Fiesta&Bullshit no se responsabiliza de las imágenes y opiniones vertidas por sus colaboradores. Queda prohibida la reproduccíon total o parcial de contenido sin previo aviso.

El primer hotel que abrimos fue en Ibiza, yo soy de Ibiza y aunque abramos hoteles en Mallorca, Barcelona, Madrid o Francia y beban de la personalidad del destino, nuestro espíritu seguirá siendo ibicenco. Ser de Ibiza nos define.

N O C N E T --

The first hotel we opened was in Ibiza. I am from Ibiza and even though we opened hotels in Majorca, Barcelona, Madrid and France, and they each reflect the character of those places, our spirit is going to remain Ibizan. Being from Ibiza is what defines us.

- Marc Rahola

DIRECCIÓN OD Group Fiesta & Bullshit

REDACCIÓN Teo Molina Info@fiestaybullshit.com

Álvaro Mesa hola@fiestaybullshit.com

DISEÑO GRÁFICO Josefa Calero TRADUCCIÓN William McKenzie

DISTRIBUCIÓN The Team

CONTACTO magazine@fiestaybullshit.com

Sumario

WEB www.od-hotels.com www.ryans.es www.fiestaybullshit.com

04

OD MARKETING CEO Marc Rahola Directora de marketing: Silvia Aparicio Director de arte OD Group: Álvaro González Contacto de publicidad: +34 673 81 25 88

06

NEWS OD & RYANS EVENTS EXCITING PLACES INVESTING IN ART YAYA FORMATS & WAYS LUIS PÉREZ CALVO MAPPING: GLOWAL OD REAL ESTATE PODCASTS LA NIT DE L’ ART CLIMATE CHANGE IBIZA GLOBAL RADIO SOLID GROOVES KENNY SCHARF IN THE STUDIO IBIZA 2019 BASTI GRUB DJ HELL LOCAL HEROES

N S T N 08

012 014 018 020 024 030 032 036

040

042 046 048 056 060 062 074

078

084

05

LISB-ON #Jardim Sonoro se realiza en el parque más emblemático de la ciudad de Lisboa con la increíble luz que le caracteriza. Se trata de una fiesta de tres días en un jardín sonoro casi secreto.

Se podría caracterizar como un evento obligatorio para los amantes de la música que quieran disfrutar de una experiencia urbana a plena luz del día con la ciudad de Lisboa como escenario principal.

El lugar donde se celebra es un jardín del Parque Eduardo VII creando una experiencia para despertar todos los sentidos. Una combinación de patrimonio, música, turismo, cultura, ocio y placer en un solo concepto, un día de fiesta en un jardín tan querido para el público portugués. Para muchos, es la mejor fiesta de la capital. Una marca que destaca por su singularidad en un surco especial para observar, oír y sentir.

Noticias

Los días señalados para la celebración son el 6,7 y 8 de septiembre. El horario de apertura es de 14:00h a 1:00h viernes y sábado, y de 14:00h a 23:00h el domingo. LISB-ON #Jardim Sonoro contará con artistas como:

06

Dixon, Solomun, Carl Craig, Moodymann, Marcel Dettman y Octave One entre otros muchos.

[Eng]

LISB-ON #Jardim Sonoro takes place in the most emblematic park in the city of Lisbon with the incredible light that characterizes it. This is a threeday party in an almost secret sound garden. It could be characterized as a mandatory event for music lovers who want to enjoy an urban experience in broad daylight with the city of Lisbon as the main setting.

The place where it is being held is a garden in Eduardo VII Park, creating an experience to awaken all the senses. A combination of heritage, music, tourism, culture, leisure and pleasure in one single concept, and a holiday in a garden that is much loved by the Portuguese public. For many, it is the best party in the capital, a brand that stands out for its uniqueness in a special groove to be seen, heard and felt.

The days chosen for the event are September 6, 7 and 8 and the opening hours are from 2pm to 1:00 a.m. on Friday and Saturday, and from 2pm to 11pm on Sunday.

It is going to feature artists such as Dixon, Solomun, Carl Craig, Moodymann, Marcel Dettman and Octave One among many others.

NEWS

01

LI SB-ON # JARDIm SO NORO, LISB ON’S DAYTI ME FESTIVAL BAR NON E.

Experimental electronic music at the third edition of Teorema in Barcelona.

El festival Teorema vuelve por tercer año a Barcelona. Anotar del 30 de septiembre al 6 de octubre de 2019, porque habrá varios lugares donde se celebrará y abundante contenido en cada uno de ellos.

[Eng]

The Teorema Festival returns to Barcelona for its third year. Note that it is going on from September 30 to October 6, 2019, because it is going to be held in several places and there is plenty of content in each one of them.

It is not a conventional festival, but rather a festival which brings together experimental formats such as live acts, visual arts, conferences, workshops, performance and short films, all of them conceptualized, created with passion and art, and blended together to offer an experience that few festivals can provide.

The location of Teorema Festival 2019 is the Convent de Sant Agustí, a classic and comfortable space set in the Born district.

No es un festival convencional es un festival dónde se reúnen formatos de experimentación como live, artes visuales, conferencias, talleres, performance y cortometrajes todos ellos conceptualizados, creados con pasión y arte, mezclados entre sí aportando una experiencia que pocos festivales pueden aportar.

La ubicación de Teorema Festival 2019 es el Convent de Sant Agustí, un clásico y confortable espacio del Born.

03

TIME WARP & AWAKENINGS JOIN THEIR FORCES TO HOLD CONNECT FOR THE SECOND CONSECUTIVE YEAR. Alemania y Holanda son países muy conectados con la música electrónica, al igual que los equipos que están detrás de sus respectivos festivales de música como son Time Warp y Awakenings. El año pasado, los promotores de estos eventos europeos combinaron sus fuerzas y su buen hacer para un nuevo festival, Connect, en Dusseldorf, Alemania.

Como era de esperar era el principio de una gran colaboración y ahora van a por su segunda edición que se celebrará el sábado 21 de septiembre.

El evento arrancará a las 8 de la tarde y se alargará hasta las 10 de la mañana del domingo. El line up esta compuesto por pesos pesados de la escena actual. Entre ellos estarán:

AMELIE LENS BORIS BREJCHA CHRIS LIEBING DAX J ENRICO SANGIULIANO HELENA HAUFF JORIS VOORN JOSEPH CAPRIATI LA FLEUR LOCO DICE MACEO PLEX NINA KRAVIZ PAN-POT PEGGY GOU REBEKAH REINIER ZONNEVELD RICHIE HAWTIN SOLOMUN SVEN VÄTH TALE OF US

[Eng]

Germany and Holland are countries that are very connected with electronic music, as are the teams behind their respective music festivals such as Time Warp and Awakenings.

Last year, the promoters of these European events combined their forces and their best efforts to put on a new festival, Connect, in Dusseldorf, Germany. As was expected, it was the beginning of a great collaboration and now they are putting on their second edition to be held on Saturday, September 21. The event will kick off at 8pm and will go on until 10am on Sunday. The line-up is made up of heavyweights on the current scene.

Among them will be: Amelie Lens, Boris Brejcha, Chris Liebing, Dax J, Enrico Sangiuliano, Helena Hauff, Joris Voorn, Joseph Capriati, La Fleur, Loco Dice, Maceo Plex, Nina Kraviz, Pan-pot, Peggy Gou, Rebekah (Live), Reinier Zonneveld (Live) Richie Hawtin, Solomun, Sven Väth, and Tale Of Us.

ADE PRESENTS CONFERENCES SUCH AS WE THE AUDIENCE, WHERE YOU ARE THE PROTAGONIST

Amsterdam Dance Event, una de las citas más importantes de la música electrónica que se celebra cada año en la capital holandesa, vuelve en este 2019 con un completo programa de conferencias.

Uno de los atractivos de ADE es sin lugar a duda las conferencias que se van a ir dando a lo largo de estos días. Cabe destacar la de Lisa Ellis y Pip Rush Jansenof Arcadia Spectacular de Soundcloud, Raymond Roker de AEG Studios, la leyenda de la tecnología Roger Linn en MusicTalks, el Dr. CTO de Amazon. Werner Vogels de ADE TECH y Hannah de ADE HEALTH, y el hecho de que para que sea lo más fácil posible navegar en el amplio programa de conferencias, se están introduciendo verticales temáticas para Live and Health el miércoles, y para Labels, Publishing & Streaming el jueves. También se ha creado “We The Audience”, una oportunidad para que las personas que no suelen ser escuchadas expresen sus opiniones y obtengan retroalimentación inmediata de las personas de la industria que las rodean.

[Eng]

Amsterdam Dance Event, one of the most important electronic music events to be held every year in the Dutch capital, returns in 2019 with a complete program of conferences.

One of the attractions of ADE is, without a doubt, the conferences that are going to be held over these days. One to look out for is the one by Lisa Ellis and Pip Rush Jansen of Arcadia Spectacular from Soundcloud, Raymond Roker of AEG Studios, the technology legend, Roger Linn in MusicTalks, Dr. CTO of Amazon, Werner Vogels of ADE TECH, and Hannah of ADE HEALTH. Added to that is the fact that—to make it as easy as possible to navigate the extensive conference program—thematic verticals are being introduced for Live and Health on Wednesday, and for Labels, Publishing & Streaming on Thursday. “We The Audience” has also been created, an opportunity for people who are not usually heard to express their opinions and get immediate feedback from the people in the industry that surrounds them.

07

08

OD & Ryans Events

www.od-hotels.com

www.ryans.es

UPCOMING EVENTS

Place?

OD Ocean Drive

11/09 FROM 8 PM

with roger sánchez, dj sneak & dj oliver 03/09 FROM 8 PM

with alex andré, odeenr + guests 13/09 FROM 8 PM

balearic resistance

Closing

sky bar 19/09 FROM 7 PM

Talamanca

Place?

OD Talamanca

acoustic concert 03/13/20 SEPTEMBER FROM 9 PM TO 11 PM

15/09 FROM 8 PM

Asian thai EVERY WEDNESDAY FROM 12 TO 4 PM Price €16 P/P

Hola sunset!

dj awards 06/09 FROM 8 PM

+

Vernissage Pili Tejedo

painting & wine

MONDAY 16/09 07/09 FROM 7 PM TO 9 PM €30 Per person - €50 Per couple. Includes two drinks & appetizers.

Jorge traverso 14/09 FROM 7:30 PM

ryans ibiza - EVERY DAY: DJ SET - FROM 11 A.M. TO 5 P.M. // WEEKENDS SPECIAL THEMATICS PARTIES #free #entry

Ibiza

Innovine record showcase

09

Mallorca

Tasting brunch EVERY SATURDAY & SUNDAY

Place?

OD Port Portals EVERY THURSDAY (Last day 12/09)

charity party 20/09 FROM 7:45 PM Event organized by Real Estates United & Joy Ron Foundation.

CODE DRESS: GLAMOUR & GLITZ

03/09 FROM 8 PM

LINE UP: LARRICK EBANKS & RADIO ONE MALLORCA DJ DURING PARTY: RAFFLE & TITO’S GOGOS *Tickets: Donation of €50.

swing party 27/09 FROM 9 PM

EVERY SATURDAY

(Closing party 14/09)

Closing

sky bar & on top restaurant 15/09 FROM 7 PM

OD & Ryans Events

(RESTAURANT FROM 8 PM TO 11 PM)

010

Su central del bricolage, ferretería, jardinería, muebles en kit, menaje, herramientas, fontanería, electricidad, electrodomésticos...

yoga detox EVERY SATURDAY FROM 10 PM *Check

info

Barcelona

Place?

OD Barcelona Brunch

EVERY SUNDAY FROM 12 PM TO 4 PM

Vernissage by astrid perez 13/09 FROM 7 PM

presentation 05/09 FROM 7 PM

Av. Sant Jordi Nº10 - Eivissa Tel: 971 30 65 13 info@tubagua.es www.tubagua.es

011

www.spillersrecords.com

Instagram: @spillersrecords

[Eng]

Spillers Records, established in 1894, is the oldest record shop in the world. It is located in Cardiff, Wales.

Exciting Places #4

Spillers was founded in 1894 by Henry Spiller at its original location in Queens Arcade, where the shop specialised in the sale of phonographs, wax phonograph cylinders and shellac phonograph discs. In the early 1920s, Spiller’s son Edward took over the running of the business and, with the aid of the popular accordionist and bandleader Joe Gregory, sold musical instruments alongside the pre-recorded music. In the late 1940s, Henry moved the shop around the corner to a larger premises on The Hayes.

012

The world’s oldest record shop - on the vinyl frontier since 1894. 世界最古のレコードショップ - 1894年以来のビ ニールフロンティア

Since 2006 the shop’s future was made uncertain when the site rent was increased by Spillers’ landlords, Helical Bar, who stated that they are keen for the shop to survive.

A local campaign to save the shop was initiated, including a petition initiated by Owen John, and supported by members of the Welsh Assembly, the Manic Street Preachers and Columbia Records. In 2010 Spillers moved to the nearby Morgan Arcade, initially on a temporary basis, with the expectation that the move will be made permanent if successful.

[Jap]

年に設立されたSpillers Recordsは、世 界で最も古いレコード店です。ウェール ズのカーディフにあります。

The store also organizes different music events in locations, for lovers of live music in the city.

Spillersは、1894年にHenry Spillerによ って、フォアグラフ、ワックスフォノ グラフシリンダ、シェラックフォノグラ フディスクの販売を専門とするQueens Arcadeの元の場所に設立されました。 1920年代初頭、スピラーの息子エドワー ドが事業の運営を引き継ぎ、人気のアコ ーデオン奏者とバンドリーダーのジョー グレゴリーの助けを借りて、録音済みの 音楽と共に楽器を販売しました。 1940 年代の終わりごろ、ヘンリーはその店を もうすぐThe Hayesの大きな敷地に移動 させました。 2006年以来、Spillersの大家である Helical Barがサイトの賃料を引き上げた ことで、ショップの将来は不透明にな りました。店を救うための地元のキャン ペーンが開始されました。オーウェン・ ジョンによって始められた嘆願書を含 み、ウェールズ議会のメンバー、マニッ ク・ストリート・プリーチャーズ、そ してコロンビア・レコードによって支 持されました。 2010年には、成功した 場合には移動が永続的になることを期待 して、Spillersは当初は一時的に近くの Morgan Arcadeに移動しました。

If you’re a music fan then there’s really nowhere better you can go to find your next hit.

Location: 27 The Morgan Arcade, Cardiff, CF10 1AF

013

Valor histórico Vivo como las estrellas 02

01

co i m ó n o c e r o l a 03 V

Tu eres el propietario

05 Tu eres parte de su historia

Investing in art

Es una simple inversión 06

014

IN VER TIR EN EL ARTE

E MO UNA CLASE D O C TE R A EL D R HABLA NUEVO, AUNQUE O LG A ES O N S ACTIVO RES DE LOS COMPRADO ES POSIBLE QUE NO S DE HOY EN DÍA LE A N O SI A C O TE AR DAS DO LAS PROFUN TO EL D N IE EC APR NTO EL FUNCIONAMIE DIFERENCIAS EN EL ARTE, EN DEL MERCADO D DE ON EL MERCADO C N IÓ C A R A P M O C A AQUÍ UNA MIRAD S. O N O B Y ES N ACCIO NA ERENCIAS AFECTA A CÓMO ESAS DIF VERTIR ENEFICIOS DE IN B Y S O SG IE R S LO EN ARTE.

[Eng]

Talking about art as an asset class is not something new, although it may well be that today’s casual art buyers do not fully appreciate the profound differences in the way that the art market works when compared to the stocks and bonds market. Here is a look at how those differences affect the risks and benefits of investing in art.

Historical Value [Eng]

El arte ha estado arraigado en la vida humana durante miles de años.

Desde la edad de piedra hasta la edad contemporánea, el arte ha sido una importante forma de libertad de expresión. Ha permitido que las personas empiecen a entenderse desde puntos de vista que no habrían sido evidentes sin ella y nos ha proporcionado una mirada a la historia de la humanidad desde el principio de los tiempos.

Art has been rooted in human life for thousands of years.

From the Stone Age to the present day, art has been an important form of freedom of expression. It has enabled people to begin to understand each other from points of view that would not have been clear without it, and it has given us a view of the history of mankind ever since the beginning of time.

La jirafa en llamas - Dalí

015

I live like the stars [Eng]

Los portafolios modernos están mostrando que, aquellos que tienen los medios para invertir, lo están haciendo y diversificando entre un 5 y un 7% en el mundo del arte. Invertir en artículos de lujo o de coleccionista se está convirtiendo en lo mejor que se puede hacer, ya que los mercados de inversión clásicos se están volviendo muy volátiles. Artículos como vinos caros, coches de época y obras de arte son ahora populares debido a sus mercados menos impredecibles.

Modern portfolios are showing that those who have the means to invest are doing so and seeing returns of between 5 and 7% in the art world.

Investing in luxury or collector’s items is becoming the best thing to do because the traditional investment markets are becoming very volatile. Items such as expensive wines, vintage cars and works of art are popular now due to the fact that their markets are less unpredictable.

Ecoc i m no e u l va [Eng]

La recesión económica de años pasados hizo mucho daño. No muchos mercados lo hicieron bien, pero el mercado del arte se recuperó con una flotabilidad total, quizás el más rápido. De cualquier manera, mucho más rápido que los mercados tradicionales.

Aquellos con inversiones en el arte no se vieron muy afectados. En comparación con la inversión en acciones o bonos, el arte ofrece a los inversores una oportunidad sustitutiva y palpable.

The economic recession that took place a few years ago did a lot of damage. Not many markets coped well, but the art market recovered with total buoyancy, and may have been the fastest to do so.

In any case, much faster than traditional markets.

Those people who possessed investments in art were not very affected. Compared to investment in stocks or bonds, art offers investors a tangible alternative opportunity.

You are the owner

Investing in art

[Eng]

016

Chica frente a un espejo (1932) - Pablo Picasso

Ni el gobierno, ni tus padres ni tu pareja, tú. Este es un objeto de inversión tangible que no tiene al gobierno involucrado de ninguna manera. Por lo tanto, su reventa - si así lo deseas, será rápida y eficiente.

A diferencia de los bienes raíces, no existen mercados financieros causales que interfieran con el precio como cambios de divisas u otros.

Tú cuidarás de tu inversión y serás responsable de su resultado.

Neither the government, nor your parents nor your partner: you. This is a tangible investment item that does not involve the government in any way. For that reason, its resale—if you should wish to do so—will be quick and efficient.

Unlike real estate, there are no causal financial markets to interfere with the price such as currency rates or other factors. You will take care of your investment and you will be responsible for its outcome.

Y ou a re p art of i t’s h isto ry [Eng]

You are part of its La compra de history - buying una obra de a work of art is arte no es sólo not just a retail una compra al purchase. It is por menor. Es something that will algo que estará be on display for en exhibición you and for whoever para ti y para else is part of quienquiera que your family or who sea parte de tu enters your home. familia o que That is why the entre a tu casa. work of art will Por lo tanto, be rooted in your la pieza se history at the same arraigará en tu time that it has historia y tendrá its own. la tuya propia.

It’s a straightforward investment

Calavera con un cigarrillo - Vincent van Gogh

[Eng]

El arte es una mirada al pasado. Puede despertar el apego emocional y también puede explorar partes de la historia de las que no éramos conscientes.

Es algo que se puede disfrutar y apreciar con sólo verlo. Por estas razones, lo más probable es que aumente de valor simplemente debido a su antigüedad. Al igual que el vino fino y los coches clásicos, el arte sólo será más valioso, ya sea a través del valor monetario o del valor expresivo a un posible coleccionista.

Art is a look at the past. It can arouse emotional attachment and can also explore areas of history that we were not aware of. It is something that can be enjoyed and appreciated just by looking at it. For these reasons, it is highly probable that it will increase in value simply due to its age. Like fine wine and classic cars, art will only become more valuable, whether that is through monetary value or its expressive value to a potential collector.

Es cierto que un aspecto importante a la hora de comprar arte es tener un acceso privilegiado a la información de la industria. Si no díganselo a Dmitry Rybolovlev quien pensó que había sido estafado cuando pagó al marchante de arte suizo Yves Bouvier 127,5 millones de dólares por Salvator Mundi de Leonardo da Vinci en 2013, una vez que supo que Bouvier había pagado entre 75 y 80 millones de dólares por ello. Pero después de la venta de Salvator Mundi en noviembre de 2017 en Christie’s por 450.3 millones de dólares, era difícil argumentar que había pagado de más.

It is true that—when it comes to buying art—one important aspect is to have insider access to industry information.

If not, tell that to Dmitry Rybolovlev, who thought he had been scammed when he paid the Swiss art dealer Yves Bouvier $127.5 million for Salvator Mundi by Leonardo da Vinci in 2013, once he found out that Bouvier had paid between $75-80 million for it. However, after the sale of Salvator Mundi in November 2017 at Christie’s for $450.3 million, it was difficult to argue that he had paid too much.

017

018

www.facebook.com/yayamusic www.instragram.com/yaya_tamango www.soundcloud.com/yaya_tamango

Interview

Yaya is one of those artists that make a difference and one of our favourite artists for whom we feel a special affection.

His music shows different influences that we have decided to set out in this special article featuring 4 cities that have marked his life, and, of course, his way of expressing himself through music.

4 PLACES

THARTKED MA E. MY LIF

What is the first thing that comes to your mind when you hear this place mentioned?

The city that never sleeps.

What is the first thing that comes to your mind when you hear this place mentioned?

Savana Potente, which is the name of our party in town for 13 years.

What was it about this city that influenced you or that you like most?

My family and my closest friends are the ones that have motivated and helped me the most to reach my goals.

A magical place in this city that you would recommend to our readers?

Parco Europa. I’ve spent entire (days and nights) in that place. It’s located a few kilometres away from the city and it’s got a sick view from above! It has always been such an inspirational place for me.

The club/bar or restaurant that you would recommend?

For the oysters and raw fish lovers, I say “Simini Restaurant”. No doubt about it!

A track to define the city?

M.A.N.D.Y. vs Booka Shade Body Language.

What was it about this city that influenced you or that you like most?

This city is a must destination for anyone who wants to grow and improve as an artist.

You can really feel the passion of the people for the music and living in there for 4 years has helped me to strengthen my musical skills. In this city, I gave life to some projects, including my label Tamango Records.

What is the first thing that comes to your mind when you hear this place mentioned?

It makes my heart beat intensely. I’ve spent the best moments of my life here, but unfortunately also the worst.

What was it about this place that influenced you or that you like most?

The White Island was definitely my springboard.

In 2003 I had the chance to get in the game playing at some after-parties, meeting nice people and confronting me with many many DJs. That was the Golden Age for sure on the island, when people only wanted to listen to music for real.

A magical place in this place that you would recommend to our readers?

I think that there’s no place more magic than Es Vedra.

The club/bar or restaurant that you would recommend?

“Salvadò Restaurant” has the freshest and most appetizing fish.

A track to define the place?

Loco Diee - Seeing Thought Shadows.

Lisboa

A magical place in this city that you would recommend to our readers?

Club Der Visionaire, it was my 2nd home.

The club/bar or restaurant that you would recommend?

If you want good sushi, I suggest “Aiko Restaurant”.

A track to define the city?

Drexciya - Water Walker.

019

A Lo largo de los últimos años, las maneras de reproducir la música han cambiado lo suficiente como para crear pequeñas guerras entre los defensores de lo analógico y lo digital.

Technologies

FORMATS & WAYS OF LISTENING TO MUSIC.

020

Podríamos diferenciar dos bandos, los más puristas que defendían la calidad de sonido del vinilo, e incluso ahora la moda de los casettes, con los que por el contrario tienen claro que las facilidades que ofrecen servicios de streaming o aplicaciones como Youtube o Soundcloud son la mejor manera para escuchar música.

Esta particular guerra, no solo esta entre los usuarios y oyentes, también se encuentra entre los profesionales que, por unos motivos u otros, la música es parte de sus herramientas de trabajo.

A continuación vamos a repasar algunos de los formatos que en la actualidad son los preferidos, ya sea por calidad o por cantidad, a la hora de reproducir música.

[Eng] Over the past few years, different ways of playing music have changed to the extent that small wars have begun between the defenders of analogue and digital.

We can distinguish between two sides: those who are most purist who defend the sound quality of vinyl—and now even the fashion of cassettes—versus those who, on the contrary, are convinced that the ease of use offered by streaming services or applications such as YouTube and Soundcloud makes them the best way to listen to music.

This particular war is not only between users and listeners, it is also among professionals for whom, for some reason or another, music forms part of their working equipment.

Here below we are going to review some of the formats that are currently preferred, whether for their quality or quantity, when it comes to playing music.

Los discos han existido desde principios de los años 1900. Las primeras versiones giraban a 78 RPM y estaban hechos de goma laca, lo que los hacía ruidosos y frágiles. Debido a la fragilidad de la goma laca, que se rompía con frecuencia durante el transporte empezaron a producir sus LPs y EPs en vinilo.

El vinilo es quizás el formato más sencillo, ya que su señal permanece analógica a lo largo de toda la cadena. La información es presionada en las ranuras de un disco, que son rastreadas por una aguja conectada a un cartucho que reconoce las vibraciones como frecuencias y las envía para que sean amplificadas. Primero por una etapa fonográfica y luego por un amplificador de potencia, todo esto antes de que el sonido salga por los altavoces.

Por lo que podemos decir que toda la información de una grabación está alojada dentro del disco, lo que significa que es en efecto el único formato de audio verdaderamente sin pérdidas. Por lo tanto depende de tu tocadiscos y otros componentes externos en cuanto a lo bien o mal que se traduce.

[Eng]

cassetes

Records have been around since the early 1900s. The first versions went round at 78 RPM and were made of shellac, which made them noisy and fragile. Due to the fragility of shellac, which frequently broke while it was being transported, people began to produce their LPs and EPs on vinyl.

Vinyl is perhaps the simplest format, since its signal remains analogue over the course of the entire chain. The information is pressed into the grooves of a record. They are tracked by a needle connected to a cartridge that recognises vibrations as frequencies and sends them on to be amplified, first in a phonographic phase and then by a power amplifier, all of it before the sound comes out of the speakers.

Which is why we can say that an entire recording’s information is stored inside the disc, which means that it really is the only truly lossless audio format. That is why how well or badly it transfers depends on your turntable and other external components.

It is of course true that size and portability have been one of the biggest drawbacks for vinyl. Over time, the music industry sought a solution and developed new formats, so that people could easily take music to work, to parties or to just enjoy in the streets.

VINyl

Si que es cierto que el tamaño y la portabilidad han sido uno de los mayores ataques contra el vinilo. Con el tiempo, la industria de la música buscó una solución y desarrolló nuevos formatos, para que la gente pudiera llevar fácilmente al trabajo, a las fiestas o simplemente disfrutar por las calles.

Los casetes compactos, o cintas, fueron inventados por la compañía Philips y presentados en Europa en la convención tecnológica Radio Show-Europe en el año 1962.

Los primeros casetes tenían una carcasa invertida con un tiempo máximo de reproducción de 45 minutos de audio estéreo por lado, significativamente más largo que el tiempo de reproducción de un LP de vinilo.

Las cintas también cabían en un paquete más asequible y compacto y su tamaño dio lugar a reproductores portátiles, el conocido walkman. Convirtiéndolos en uno de los reproductores más manejables para transportar conocidos hasta el momento.

La invención de las cintas también introdujo un nuevo concepto volátil en la música grabada, la piratería. La llegada de los casetes y las grabadoras de casetes hizo que las compañías discográficas predijeran efectos devastadores en la industria de la música.

En la actualidad, las cintas no son nuestro principal modo de disfrutar de la música, pero la industria sigue activa, en los últimos meses hemos visto como artistas internacionales de gran nivel, hacen ediciones especiales de sus discos en casete, como Björk o Kraftwerk.

[Eng]

Compact cassettes, or tapes, were invented by the Philips company and presented in Europe at the Radio ShowEurope technology convention in 1962.

The first cassettes had an inverted casing with a maximum playing time of 45 minutes of stereo audio per side; significantly longer than the playing time of a vinyl LP. The tapes also fitted into a more affordable, more compact package and their size led to portable players, such as the famous Walkman. This turned them into one of the most manageable ways of playing music that could be carried with you known up until then.

The invention of tapes also introduced a new and volatile concept into recorded music: piracy. The arrival of cassettes and cassette recorders led to record companies predicting devastating effects on the music industry.

At the present time, tapes are not our main way of enjoying music, but the industry is still active; in recent months, we have seen how high-level international artists such as Björk and Kraftwerk have made special editions of their records on cassette.

021

¿C u á l es el m ej o r for m a to pa r a es c u c h ar m ú si c a ?

cd & mp3 En 1974, Philips, la misma empresa que diera luz al casete, tuvo la idea inicial de los CDs como un reemplazo para los discos y cassettes. Con los CD también venían los reproductores de CD portátiles, las unidades de CD-ROM, los CD grabables y el punto de referencia de 16 bits/44,1 kHz.

Technologies

En los CDs también reunieron lo mejor de todos los formatos anteriores: audio de alta calidad, compacto, portátil, grabable y económico y más duradero que el casette.

022

De pe n de de tu s g u st o s, de lo pur is ta q u e se a s o de dó n de q u ie r as o ír es a m ú si c a y c ó mo , pe r o la c u es ti ón a fi n a l es q u e es cu c h es m uc h m úsi c a y di sfr u te s de el la .

[Eng]

In 1974, Philips, the same company that had come out with the cassette, had the initial idea of ​​CDs as a replacement for records and cassettes. With CDs, there also came portable CD players, CD-ROM drives, recordable CDs and the industry standard 16-bit / 44.1 kHz.

CDs also brought together the best of all the previous formats: they featured high quality audio and were compact, portable, recordable and cheap as well as being En general, el CD fue un desarrollo more durable than cassettes. extremadamente importante para la industria. Pero en muchos In general, the CD was an extremely sentidos el CD fue el principio del important development for the industry. fin de los formatos físicos. Los However, in many ways the CD was the ordenadores y el MP3 se apoderaron beginning of the end of physical formats. rápidamente de nuestros hábitos Computers and MP3s quickly took over our de escucha. Con la invención listening habits. With the invention of the de Internet y a medida que las Internet and as computers became more computadoras se hicieron más sophisticated, the constant demand for sofisticadas, también lo hizo la comfort did so too. It was a requirement constante demanda de comodidad. Era that the CD and the Discman could only una necesidad que el CD y Discman meet for a while. sólo podían satisfacer durante un tiempo.

As soon as it became possible to access music by a computer or an MP3 player—a Tan pronto como se hizo posible format that originated with computers—it acceder a la música a través del meant that most people no longer wanted ordenador o del reproductor de MP3, to have physical copies of music when un formato que vino de la mano they could store everything in a folder on de ordenadores, y consiguió que their desktop, or in the cloud, as is the la mayoría de las personas ya no case today. querían tener copias físicas de la música cuando podían almacenar todo In 1998, the first MP3 players began en una carpeta en su escritorio o to appear and, in 2001, the first iPod nube como ocurre hoy en día. established the format once and for all.

The music industry would no longer be the En 1998 comenzaron a aparecer los same since it meant that it was possible primeros reproductores de MP3 to buy track by track, or what was to sink y, en 2001, el primer iPod que the music industry: the possibility of impuso definitivamente el formato. downloading music from the Internet and La industria de la música ya no having entire albums or songs on your MP3 sería la misma, ya que comenzaba player or iPod, the Apple player. la posibilidad de comprar track a track, o lo que hundió la industria While we are on the topic of digital music, de la música, la posibilidad de it is important to take into account the descargar la música de internet y formats that lose quality. tener discos enteros o canciones en Lossless formats. tu reproductor de mp3 o ipod, el reproductor de Apple.

Si hablamos de lo digital, si es importante tener en cuenta, los formatos con perdida de calidad.

Con la expansión de la accesibilidad a Internet 24 horas al día, 7 días a la semana, gracias a los móviles, los desarrolladores y los empresarios vieron la oportunidad de algo grande: La posibilidad de escuchar y descubrir nueva música sin tener que descargar archivos o comprar canciones.

Además, las plataformas de streaming tenían como objetivo hacer de la música digital un modelo de negocio sostenible para todos los implicados.

El lanzamiento del iPhone en 2007 es lo que realmente causó que el streaming y la popularidad de las radios de Internet se disparará.

Las aplicaciones que antes eran sólo de escritorio, ahora estan disponibles en la palma de tu mano como pueden ser Soundcloud, Spotify, Youtube o Mixcloud entre otras muchas.

Apps [Eng]

With the expansion of Internet access 24 hours a day, 7 days a week thanks to mobile phones, developers and entrepreneurs saw the opportunity for something big: The ability to listen to and discover new music without having to download files or buy songs.

In addition, streaming platforms set out with the aim of making digital music a sustainable business model for everyone involved.

The launch of the iPhone in 2007 is what really caused streaming and the popularity of Internet radio to take off.

The applications that were previously only desktop based such as Soundcloud, Spotify, YouTube and Mixcloud, among many others, are now available in the palm of your hand.

023

024

Interview

s é i p a v a L e D ¡ ! o d n u m l a

Luis Pérez Calvo lives by and for art; he’s an artist who dreams of exhibiting at La Casa Encendida in Madrid, a building he has known ever since childhood, and where he already has a big project for this space.

If Luis has to define his art, he defines it as extraterrestrial and traditional.

Here below we chat with him to find out more about what the traditional art coming from the neighbourhood of Lavapiés is like.

Luis Pérez Calvo vive por y para el arte, un artista que sueña con exponer en La Casa Encendida de Madrid, un edificio que conoce desde pequeñito, y donde el ya tiene un gran proyecto para este espacio. Si Luis tiene que definir su arte, lo define como extraterrestre y castizo.

A continuación charlamos con él, para conocer más acerca de cómo es el arte castizo procedente del barrio de Lavapiés.

[Eng]

Cuando se dice que todos llevamos un niño en el interior... ¿Cómo es el niño que lleva Luís?

It is often said that we all have an inner child... what is your inner child like?

No intento hacerme mayor (risas). Soñando bajo los focos de un escenario...

I try not to get older... (laughs). Dreaming beneath the spotlights of a stage...

¿Qué querías ser de pequeño? ¿Con qué trabajo soñabas?

What did you want to be when you were small? What job did you dream about?

Soñaba con conducir un tren, pero no de los de ahora, sino con una locomotora diésel de la serie 340 de color verde, de los años 70 enganchada a un montón de vagones de pasajeros, coches, camas, vagones de mercancías cruzando toda España de Norte a Sur.

I dreamed of driving a train, but not one of those there are now; more like one of the green-coloured 340 series diesel locomotives from the 70’s hooked up to a lot of passenger cars, sleeping cars and freight wagons travelling right across Spain from North to South.

¿Qué es lo que más le influyó a Luis en su niñez, que hoy traslade a sus obras?

Muchas cosas como la publicidad, el cine y la música entre otras.

Luis Pérez Calvo William Klein Acrílico, lápiz y collage sobre cartón.

What when that your

influenced you most you were growing up can be seen today in works?

Many things: advertising, cinema and music, among others.

El circo ha marcado la vida de muchos de los nacidos en los años 70 y 80 de nuestro país. En tu caso, ¿qué tipo de circo es el que recuerdas? (Ya que han cambiado tanto las cosas).

The circus marked the lives of many of those born in the 70s and 80s in our country; in your case, what kind of circus do you remember? Now that things have changed a lot...

Recuerdo el circo Atlas, cuando se instalaba en un solar de la Plaza de Castilla en Madrid, con todos sus remolques, camiones, su cartelería, su carpa, sus animales...

I remember the Atlas circus when it used to set up on a site in Plaza de Castilla in Madrid with all its trailers, lorries, its signage, its tent, its animals...

Luis Pérez Calvo Joyce Pensato 1941-2019 Brooklyn N.Y

025

026

Interview

De aquellos años y de aquellos tipos de arte culturales, ¿qué crees que debería volver a la actual escena artística?

El cine doble de sesión continua.

¿Dónde vives actualmente? ¿Qué tiene que tener un sitio para que Luis despierte cada día en él?

En Madrid; tiene que tener luz, buena música y mucho arte.

En tu biografía dices que si hubieras nacido en un barrio como Soho o Brooklyn, tus obras no se diferenciarían de otros artistas internacionales, pero, ¿qué crees que puede aportar, positivamente hablando para un artista, nacer en un barrio tan castizo como Lavapiés?

Los recuerdos de los cines de Barrio, los mercados de abastos, tener muy cerca el Rastro y la Gran Vía madrileña.

Lavapiés, Embajadores...

Madrid en general, ¿son también lugares chiflados? ¿Qué nos puedes contar de la exposición que realizaste en Madrid, llamada: Mundo Chiflado?

Fue en la galería Blanca Soto compartiendo cartel con mi amigo, también artista, Miguel Ángel Fúnez.

Hicimos juntos un homenaje a los dibujos de la Warner, Looney Tunes, al conejo de la suerte, a Porky, etc. La exposición fue un éxito de público y de crítica. El día de la inauguración vino la policía a última hora para decir que no se podía estar en la calle, por la cantidad de gente que vino a la inauguración, los vecinos se sorprendieron y al final vinieron los municipales.

¿Qué lugar del mundo has conocido que sea más chiflado?

Nápoles, todo a gritos, coches intentando cruzarse por callejones diminutos...

En tus exposiciones, has realizado referencias a artistas como: David Bowie, Jerry Lee Lewis, The Rolling Stones... ¿Cuéntanos a cerca de estas obras y de los materiales que utilizas? Si los tuvieras que hacer de grupos/cantantes españoles, ¿de quiénes los harías?

En mi última exposición colectiva, en el Centro Cultura de La Villa, titulada “Bailar de Arquitectura”, el comisario de la exposición Javier Panera, vio mi instalación en la galería La Gran, donde toda la obra era de grupos extranjeros y me pidió que si podía llevar grupos españoles para la instalación del Centro Fernán Gómez, y enseguida me puse en ello: Leño, Radio Futura, Zombis, Kaka de Luxe, etc. Toda obra reciente de este año.

A lo largo de estos años, ¿cuál es el calificativo más sorprendente que te pusieron?

El de trapero. Supongo que por la acumulación de información popular y objetos en el muro que hice en Bailar de Arquitectura. Un criadero de polvo rindiendo homenaje a la publicidad, a discos de Arehta Franklin y a los jarrones esgrafiados, radios, latas, envases de plástico en cerámica y míticas portadas de discos.

¿Cuáles son tus proyectos más inmediatos?

Sigo con la serie Unplugged. Reinterpretando portadas de discos de pop y rock, mezclando lo extraterrestre y lo castizo. También sigo con mi colección de cromos de artistas, una colección de cromos de arte, de exposiciones de mis artistas favoritos, de amigos artistas y de las exposiciones que veo principalmente en Madrid. Ya voy casi por los 300, los podéis seguir en mi muro de Facebook donde todas las semanas comparto uno o dos, coincidiendo con la exposición, en forma de promoción.

027

In your exhibitions, you have made references to artists such as David Bowie, Jerry Lee Lewis and The Rolling Stones. Tell us about those works and about the materials you use. And if you had to do them about Spanish groups and singers, who could you do them about?

[Eng]

From that time and from those kinds of cultural arts from the past, what do you think we should bring back to the current art scene?

The continuous double session cinema.

Where do you live now? What does a place have to possess for you to wake up there each day?

In Madrid, light and good music and lots of art.

In your biography, you say that if you had been born in a neighbourhood like Soho or Brooklyn, your works would not be different from other international artists, but, what do you think being born in a neighbourhood as traditional as Lavapiés can contribute to an artist in a positive way?

Memories of the neighbourhood cinemas, the wholesale markets, having the flea market nearby and Gran Vía in Madrid.

Lavapiés, Embajadores... Madrid in general; are they also crazy places?

What can you tell us about the exhibition that you had in Madrid called Mundo Chiflado?

It was in the Blanca Soto gallery, sharing the line-up with my friend, the artist Miguel Ángel Fúnez. Together we paid homage to the Warner cartoons, Looney Tunes, the lucky rabbit, Porky, etc. The exhibition was well received by both the public and the critics and—on the day of the inauguration—the police came at the last minute to say that it could not be on the street because of the number of people who came to the opening. The neighbours were surprised and, in the end, the local police turned up.

Where is the craziest place in the world that you have ever been?

Naples, everyone shouting, cars trying to pass one another in tiny alleys...

In my last collective exhibition, at the Cultural Center in La Villa, entitled Bailar de Arquitectura, the curator of the exhibition, Javier Panera, saw my installation in La Gran gallery where all the work was by foreign groups and he asked me whether—for the installation at the Fernán Gómez Center—I could take Spanish groups and I got into it straight away: Leño, Radio Futura, Zombis, Kaka de Luxe, etc... All recent work from this year.

Over the course of the years, what is the most surprising name or adjective that people have called you?

The ragman. I suppose because of the accumulation of popular information and objects on the wall that I did in Bailar de Arquitectura. It was a dust trap that paid homage to advertising, Aretha Franklin’s records and sgraffito vases, ceramic radios and cans and plastic containers and legendary album covers.

What are your upcoming projects?

I am still working on the Unplugged series.

Reinterpreting pop and rock album covers... mixing the extra-terrestrial and the traditional. I am also continuing with my collection of artists’ stickers, a collection of art stickers, of exhibitions by my favourite artists, friends who are artists and the exhibitions I see mainly in Madrid. I’ve got almost 300, and you can follow them on my Facebook wall, where I post one or two every week to coincide with the exhibition, as a way of promoting it.

¿Tu desayuno perfecto es?

Huevos revueltos. ¿Tu obra preferida?

Todas (risas), pero quizás me quede con la serie Mundo Muñeco aquí todos mis gustos se ven reflejados en los papeles. Y que no sean mías, muchas, pero en especial: Un mundo de la pintora Ángeles Santos. ¿Tu artista favorito?

Muchísimos, El Bosco. ¿Tu restaurante preferido?

Mis favoritos son estos de mesas de tablones grandes con asientos de tabla de madera y que tienes al lado el fogón y ves como lo están preparando todo. ¿Tu destino predilecto para una escapada?

Subir al norte y abrazar la hierba.

[Eng]

What is your favourite breakfast?

Scrambled eggs Your favourite work of art?

All of them, (laughs), but perhaps I would stick with the Mundo Muñeco series where all my preferences are reflected on the canvasses. And when it comes to those by others, many, but in particular, Un mundo by the painter Ángeles Santos.

Your favourite artist?

There are so many, Hieronymus Bosch.

Interview

Your favourite restaurant?

My favourites are the ones with big tables and wooden seats where the kitchen is next to you and you can see how they are preparing everything.

028

Your favourite place for a getaway?

Going up north and embracing the grass.

YOUR WINE & PREMIUM SPIRITS STORE

Champagne, wine & spirits ESTABLISHED IN 2008 TO SERVE THE NEEDS OF THE MOST DEMANDING PUBLIC OF IBIZA.

Wine dispenser & wine tasting

Home delivery service

Home sommelier and barman service

Customized winetasting Shop Online Yacht delivery service

VILA VINS FORMENTERA

07860 Formentera, Spain

VILA VINS IBIZA

07800 Ibiza, Spain

+34 971 32 31 23

formentera@vilavins.com

+34 971 19 36 15

info@vilavins.com

C/ Pla del Rei, 115

www.vilavins.com

C/ Diputat Josep Ribas, 5

www.vilavins.com

029

MAPPING BY

Station 5:

Hello Alessandro, hello Fabio, hello Glowal.

Photo: Vitorino

Interview

A pleasure to have you in my section Mapping!

A duo that in just 1 year is breaking all over the world with productions. My most sincere congratulations.

You are the perfect profile for this section!

030

Thanks!

[Eng]

What’s behind Glowal? Where does Alessandro come from and how many years was working in music? And Fabio?

Tell us a little about your influences.

We live in two different Italian cities(Alessandro in Pisa, Fabio in Lecce) so we spend a good part of the day on the phone, talking, planning and exchanging ideas on quite everything around Glowal. We both had, in different ways, an artistic journey before joining forces, with both good and bad experiences and a musical background that is part of our actual sound. We found ideological and artistic affinities in each other and felt the conditions were right for Glowal.

There are many factors that lead you to take this kind of decision, but the feeling that it is the right thing in the end is the one that prevails. Obviously our characters are different, but the passion and determination with which we approach the project is the same. We think this is what makes it work, each one of us has his own attitudes and is completely dedicated to Glowal.

Do you have any rituals to produce? Do you do it together or does everyone do something about the track and send each other the track according to the process of creating them? Tell us a little about the process you’re going through in the studio.

Siamese, Innervisions, ATLANT, Sapiens and now Diynamic. In just a little more than a year. Is this achieved by aiming directly at these labels or by simply letting them carry you away? Tell us what you think has been your secret to go so fast and so well.

There’s no particular secret, we have been doing lot of music and sent it to the labels we believed were the right home for it. Also a little bit of the past experiences helps to see things from a different point of view.

Do you prefer software, hardware or both? Can you explain us the machines that you work with or the pluggins most used by you in the process of creating music?

We use a lot of software, vst and various plug-ins + Midi Controllers, a Native Instrument Maschine, a Midi Keyboard and a microphone, very basic setup + creativity.

Is 2019 the best year of your lives? Why? For sure 2019 is a very good year for us, we are very happy about how things developed during this year for Glowal and we are looking forward to make it better and better.

What do you like the least about the industry, although you’ll probably see everything rosy now?

We work constantly on music and every two months we close ourselfes in the studio together for 10 days or more to finalize the sketches and ideas we collected and to start and finish new tracks from 0.

We love the industry in general, is like a big playground where you learn to play with good and bad experiences on your own skin. If we have to say something we like the least here it is: the superficiality of some people working in the industry who don’t have a little bit of forward thinking about an artist career if it’s not immediately accompanied by great numbers. But yes it’s all part of the game and we love it.

Can you give 3 tips to young guys who want to go as high as you are doing in such a short time?

In the way that you are going...

Where do you see yourself in 5 years? Can you tell us something 1) Work hard on your music. about your next releases? Any clue?

2) Stay connected, be curious and We prefer to keep working step by try to understand what happens in step, one goal at a time, in 5 the industry. years? Who knows.

3) Be humble but always think with We have two remixes for Agoria your head. dropping in September and a new EP coming very soon aswell, but we can’t unveil so much about it in this moment.

031

OD Real Estate

Saying farewell to the summer in Ibiza.

032

Ibiza se ha convertido en destino preferido para aquellos que quieren disfrutar de un rincón plagado de relax, atardeceres inolvidables y ocio para todos los gustos.

Una isla rodeada del Mediterráneo, con playas y calas en las que vivir experiencias y desconectar de la rutina diaria y el bullicio de las grandes ciudades. Un icono en cuanto a entorno natural y sus zonas declaradas Patrimonio de la Humanidad.

Por eso decidimos que éste sería un emplazamiento inmejorable para una #TheWhiteAngelExperience, porque somos conscientes de que la ubicación es uno de los factores a tener en cuenta a la hora de seleccionar una vivienda.

Si bien siempre se destacan sus playas y calas, el encanto de los pueblos interiores y costeros no se queda atrás. Si todavía no estás convencido de si este viaje merece la pena, toma papel y boli y no dejes escapar los siguientes nombres entre tus “must to see”:

Sant Jordi de Ses Salines Un pueblo interior al que pertenecen las Salineras, de las que se extrae la sal. Cercano al aeropuerto, ahí se encuentra también la Playa d´en Bossa.

Santa Eulalia del Rio

Santa Inés

Destacada por su entorno natural, con un precioso llano de cultivo de almendros.

Sant Vicente de Sa Cala

Un pueblo del litoral que alberga el único río de la isla.

Uno de los más pequeños pero una buenísima opción para conocer la fauna típica ibicenca.

Sant Francesc de S’Estany

Santa Gertrudis de Fruitera

Un punto en el camino de toda escapada, con mucha historia alrededor de la iglesia construída con la intención de ser un lugar de rezo para los trabajadores de la sal.

Una ruta que merece la pena ser recorrida, concediendo el tiempo necesario para admirar esas edificaciones en las que destaca el blanco tan típico de la arquitectura ibicenca.

Y como guinda final al recorrido, qué mejor que ver atardecer en Cala Comte, una de las más admiradas de Ibiza y con una fama que traspasa fronteras.

Una miniescapada perfecta en la que disfrutar de una zona de calles peatonales, casas blancas, bares y restaurantes.

033

Having the freedom to choose what you spend your time, where and to whom... That is the real luxury.

[Eng]

Ibiza has become a favorite destination for those who want to enjoy a corner full of relaxation, unforgettable sunsets and leisure for all tastes.

An island surrounded by the Mediterranean, with beaches and coves where you live experiences and disconnect from the daily routine and bustle of big cities. An icon in terms of natural environment and its declared World Heritage Sites.

OD Real Estate

That is why we decided that it would be an unbeatable location for a #TheWhiteAngelExperience, because we are affected by the location is one of the factors that take into account when selecting a home.

034

While its beaches and coves always stand out, the charm of the inland and coastal villages is not far behind. If you are still not convinced if this trip is worth it, take paper and pen and do not miss the following names among your “must to see”:

-SANT JORDI DE SES SALINES An interior town to which the Salineras belong, from which salt is extracted.

Near the airport, there is also Playa d’en Bossa.

-SANTA EULALIA IBIZA A coastal town that houses the only river on the island.

-SANTA GERTRUDIS DE FRUITERA A perfect mini-getaway in which you enjoy an area of ​​pedestrian streets, white houses, bars and restaurants.

-SANTA INÉS Noted for its natural environment, with a beautiful plain of almond trees.

-SANT VICENTE DE SA CALA One of the smallest but a very good option to get to know the typical Ibizan fauna.

-SANT FRANCESC DE S´ESTANY A point in the way of any getaway, with a lot of history around the church built with the intention of being a place of prayer for salt workers.

A route that is worth being recorded, granting the necessary time to admire those buildings in which the typical white of the Ibizan architecture stands out.

And as a final icing on the tour, what better way to see the sunset in Cala Comte, one of the most admired in Ibiza and with a reputation that crosses borders.

SHOW HOME OPEN Interior design

by Eric

Kuster

Within freedom lies true luxury 15 LIMITED EDITION HOMES at less than 800m from the beautiful beaches of CALA COMTE.

I

B

I

Z

info@thewhiteangel.com | (+34) 971 394 548 |

A

@thewhiteangelofficial

TWACALACOMTE.COM 035

Fiesta&Bullshit Radioshow 22:00 CET Every Sunday at Ibiza Global Radio

PODCASTS 036

-

ABOUT YOUR PODCAST_ What do we find in your podcast for our radioshow?

Some of the tracks we are playing at the moment in our sets, melodic music with a dark touch.

3 Essential tracks of this 2019?

1.Marino canal - her perfect sky 2.Tunnelvisions - imajas drum(innellea remix) 3.Adana twins - jumanji Your wish for before the end of the year?

Keep doing what we do around people we like.

TEST_ First place where you played?

Vigo.

Best club ever?

It hast been made yet.

Your best session was on?

Can’t choose just one, there are many special moments.

The best Dj you’ve ever seen?

Laurent Garnier.

If you were not dj, what would you be?

Something related to creativity.

Your favorite place in Ibiza?

The old sankeys.

Your specialty in the kitchen?

Seafood rice.

What equipment is missing in your study?

A big synth.

A track to define Ibiza?

Guy Gerber - What to do (&me remix).

037

ABOUT YOUR PODCAST_ What do we find in your podcast for our radioshow?

These days I really have to dig to find inspiring music but after a lot of hours I usually manage to find those gems.

In this podcast I’ll be sharing some music from producers like Stimming, German Brigante, Rancido and &lez and a few more.

3 Essential tracks of this 2019?

1.Devila - Trikk, 1983.

2.Barratt, Owami.

3.Colle & Oluhle.

Your wish for before the end of the year?

To finish the EP I’ve been working on. Ohh and to be more patient.

TEST_ First place where you played?

At the Live stadium in Moscow, was opening for Die Antwoord concert.

Best club ever?

Very difficult question. Some of my favorite plays this year have been:

Podcasts

-Hardpop Cd Juarez, MX. -Beehive Passo Fundo, BR. -Chalet, Berlin.

-Bar Americas Guadalajara, MX. -Cova Santa Woomoon, Ibiza.

038

Your best session was on?

Hardpop in Juarez in Mexico and at Propaganda in Moscow.

The best Dj you’ve ever seen?

Another tough one. So many good artists out there I can’t really think of one as the best.

If you were not dj, what would you be?

Art Dealer. My old job.

Your favorite place in Ibiza?

Beach at Cala Salada.

Your specialty in the kitchen?

Washing the dishes (laughs).

What equipment is missing in your study?

I’m dreaming about two new synthesizers: Moog Subsequent 3 and Roland Juno 106.

A track to define Ibiza?

Owami - Colle & Oluhle.

ABOUT YOUR PODCAST_ We heard something about an event you are playing at Underground. Can you tell our readers more about that date?

Yes, we are doing a Belisa showcase (belisa-booking.com) at my beloved Underground club were I had many magical nights. I’m very exited to share the decks with dear friends Alexis Cabrera, Federico Molinari, Nekes and to meet Fabe for the first time, he’s one of my favorite producers at the moment.

What do we find in your podcast for our radioshow?

Some unreleased tracks from friends plus some current favourites.

3 Essential Tracks of this 2019?

1.Ar.At - Contour (Enter Zen Horror Inc Remix) - Sketches.

2.Ferreler - L’alga Rabia - Loosen Up. 3.Tofu Productions - I Believe I needPerlon.

Your wish for before the end of the year?

Get back in the studio to finish my new experimental album and put together my new live show.

TEST_ First place where you played?

Radio Show 1989.

Best club ever?

Club Der Visionaere, Berlin.

Your best session was on?

Live Act - MUTEK Festival 10th Anniversary & DJ - Panorama Bar CTM Festival 09.

The best Dj you’ve ever seen?

Vincent Lemieux.

If you were not dj, what would you be?

Electronic Engineering.

Your favorite place in Ibiza?

Can Pilot and Underground club.

Your specialty in the kitchen?

Mexican Food and Lemon Pie. What equipment is missing in your study?

A Rhodes.

A track to define Ibiza?

Los Domingos Vuelo a Casa.

039

La noche NIT DE del L’ arte en Palma de Mallorca

ART ‘19

Art night in Palma, Majorca.

19/20/21 Sep

Desde el año 1997, la capital de Mallorca acoge, a mediados de septiembre, la Nit de l’Art, uno de los eventos más importantes de la ciudad en el que los museos y las galerías privadas de arte de la ciudad abren sus puertas a locales y turistas de forma gratuita durante la tarde-noche.

Las noches del final de verano, tienen en la isla balear, un encanto aun más especial con la Nit de l’Art, una versión mallorquina de la popular “Noche en Blanco” que se celebra en diferentes ciudades del mundo.

Este año, el gran protagonista será el arte africano, donde habrá una serie de invitados muy representativos aún no comunicacdos. Además, será la primera vez en la historia en la que participen colaboradores nacionales especializados en arte contemporáneo, como la Fundación ARCO, donde ofrecerán Arco Walks: recorridos gratuitos de arte contemporáneo y visitas guiadas por expertos, donde los asistentes que deseen acudir deberán apuntarse de forma previa.

Muchas de las galerías cuentan con exposiciones especialmente programadas para estos días de artistas de renombre y disfrutar mientras tomas una copa de cava.

También las calles de Palma cobran mucha vida estos días con el arte escénico, la música y el teatro.

Events

Los días elegidos para este año son el 19, 20 y 21 de septiembre y cada jornada comienza a partir a las 19:00 horas, cuando los diferentes museos y galerías abren sus puertas para la Nit de l’Art hasta la medianoche.

040

Esta iniciativa sitúa a Palma en la lista de las capitales que promueven el arte de vanguardia y los nuevos movimientos artísticos. Sin duda, una cita ineludible que genera un vínculo muy importante entre la ciudadanía y la cultura, y se ha consolidado gracias al apoyo entre galerías privada e instituciones públicas.

THIS YEAR, THE MAIN HIGHLIGHT WILL BE AFRICAN ART

[Eng]

Ever since 1997, the capital of Majorca has hosted, in mid-September, the Nit de l’Art, one of the most important events in the city in which the city’s museums and private art galleries open their doors for free to locals and tourists during the evening.

On the Balearic island, the late summer nights have an even more special charm with Nit de l’Art, a Majorcan version of the popular allnight events held in different cities around the world.

This year, the main highlight will be African art, represented by a series of guest artists from all corners of the continent, who are yet to be announced. In addition, it will be the first time in history in which national organisations specialising in contemporary art take part. These include the ARCO Foundation, who are going to offer Arco Walks: free tours and guided visits of contemporary art led by experts, where those who wish to attend are required to sign up beforehand.

Many of the galleries have programmed special exhibitions by renowned artists for these days, conceived to be enjoyed while having a glass of champagne. The streets of Palma also really come to life over this period with performance art, music and theatre.

This year, the chosen dates are September 19, 20 and 21, with each day starting at 7:00 p.m., when the different museums and galleries open their doors for the Nit de l’Art until midnight.

This event places Palma on the list of capitals that promote avantgarde art and up-and-coming artistic movements. Without a doubt, it’s an unmissable event that establishes a very important link between the citizens and culture, and one that has been consolidated thanks to the support among private galleries and public institutions.

Art Work: Africana.es

041

The 9 substitutes for plastic Sin lugar a dudas, una de las obligaciones de la sociedad actual, es acabar con el plástico, sobre todo el de un solo uso que actualmente es ya muy abundante. Un material que tanto daño esta haciendo a nuestro planeta.

¿Cómo sustituirlo? Pues no es solo suficiente con la eliminación de las bolsas de plástico de los supermercados, o las pajitas de los bares, hay mucho más que hacer, y hay materiales que para sorpresa de muchos, pueden convertirse en sustitutos más que perfectos, para el plástico.

[Eng]

Climate change

Without a doubt, one of the obligations of today’s society is to do away with plastic, especially single-use plastic.

This would already be doing a great deal as it is a material that is doing so much damage to our planet.

042

How to replace it? Well, it is not enough just to eliminate plastic bags from supermarkets, or straws from bars; there is much more to do, and, to many people’s surprise, there are materials that can become more than perfect substitutes for plastic.

LOS 9 SUSTITUTOS DEL PLÁSTICO

CH3 PLÁSTICOS VEGETALES VEGETABLE - BASED PLASTIC

PLA

Los A.K.A. Bioplásticos se fabrican a partir de una variedad de fuentes como el maíz, que se descompone en PLA, o ácido poliláctico. Esto es increíblemente sostenible de producir, ya que está hecho de los productos de desecho de la producción de maíz - que también es fácil de cultivar.

El PLA se puede utilizar para fabricar botellas de bebidas y diversos envases incluso de calidad alimentaria.

n

[Eng]

What are known as bioplastics are made from a range of sources such as maize, which breaks down into PLA, or polylactic acid. This is incredibly sustainable to produce, since it is made from waste products from maize production and maize is also easy to grow. PLA can be used to make drinks bottles and various containers, some of which are even food-grade.

RAÍZ DE HONGO MUSHROOM ROOT Con Mycelium o lo que es prácticamente lo mismo, raíces de hongos, se recogen los residuos agrícolas, se mezclan con el micelio en moldes y luego el envase crece literalmente. Algo muy sorprendente a la vez que sostenible.

[Eng]

With mycelium or what is practically the same, fungus roots, agricultural waste is collected and mixed with mycelium in moulds, after which the container literally grows.

Something that is very surprising and sustainable at the same time.

BURBUJAS DE AGUA DE ALGAS MARINAS SEAWEED WATER BUBBLES Se ha creado una burbuja de agua comestible y por defecto biodegradable hecha de algas marinas. Su objetivo es proporcionar la comodidad de las botellas de plástico, limitando al mismo tiempo el impacto medioambiental. El proceso produce 5 veces menos CO₂ que el plástico y utiliza 9 veces menos energía que la producción de PET. [Eng]

A bubble of edible water made from seaweed has been created this is, by default, biodegradable. Its aim is to provide the ease of use of plastic bottles, while limiting environmental impact at the same time. The process produces five times less CO₂ than plastic and uses nine times less energy than PET production.

BAGAZO - BAGASSE El bagazo es un subproducto del procesamiento de la caña de azúcar. Debido a su maleabilidad y pegajosidad, puede ser fácilmente moldeable en envases adecuados para la entrega de alimentos y el servicio de alimentos - similar al poliestireno. A diferencia del poliestireno, este es biodegradable, y al ser un subproducto, es mucho más sostenible de producir.

[Eng]

Bagasse is a by-product of sugarcane processing.

Due to its malleability and stickiness, it can be easily mouldable into containers suitable for food delivery and food service - similar to polystyrene.

Unlike polystyrene, this is biodegradable, and being a by-product, it is much more sustainable to produce.

PAPEL PARA LA DUCHA PAPER FOR THE SHOWER Un gigante de la belleza acaba de lanzar una gama de productos de belleza ecológica, Seed Phytonutrients. Los productos en sí suenan muy bien (hechos de 93-100% de ingredientes naturales, sin crueldad, sin parabenos, etc.), pero la verdadera innovación está en el envase. Fabricado por Ecologic, el cartón exterior es reciclado, reciclable, compostable, sin pegamento y resistente al agua. El forro interior está hecho de plástico reciclable y utiliza un 60% menos de material que las botellas de plástico normales.

[Eng]

A beauty industry giant has just launched a range of organic beauty products, Seed Phytonutrients. The products themselves sound great (made of 93-100% natural ingredients, no cruelty, no parabens, etc.), but the real innovation is in the packaging.

Manufactured by Ecologic, the outer carton is recycled, recyclable, compostable, without glue and waterproof. The inner lining is made of recyclable plastic and uses 60% less material than normal plastic bottles.

043

PAPEL DE PIEDRA STONE PAPER Te sorprenderá saber que el papel puede estar hecho de piedra. Desde luego que sí.

Esta increíble innovación tiene varias aplicaciones de embalaje posibles. Se puede utilizar como alternativa al papel o al plástico, es imprimible, reciclable, impermeable... Y sus credenciales ecológicas también son bastante buenas. Está hecho de carbonato de calcio, que es uno de los recursos más abundantes de la Tierra y su proceso de producción utiliza menos agua, tiene una huella de carbono más baja y es más eficiente energéticamente que la producción de papel regular.

[Eng]

You will be surprised to know that paper can be made of stone. Of course it can.

This incredible innovation has several possible packaging applications. It can be used as an alternative to paper or plastic, and it is printable, recyclable and waterproof, so its ecological credentials are also pretty good. It is made of calcium carbonate, which is one of the most abundant resources on Earth and its production process uses less water, has a lower carbon footprint and is more energy efficient than regular paper production.

CELOFÁN DE PULPA DE MADERA WOOD PULP CELLOPHANE NatureFlex es el hermano menor sostenible del celofán, que está hecho de pulpa de madera certificada FSC y es biodegradable. Viene sin recubrimiento, que es perfecto para chocolate y confitería, así como para artículos del hogar; Semipermeable, que puede utilizarse para productos frescos y lácteos para panadería, snacks, café, té, chocolate, confitería, así como para artículos de cuidado personal y del hogar.

Climate change

[Eng]

044

NatureFlex is the sustainable younger brother of cellophane, which is made of FSC-certified wood pulp and is biodegradable. It comes uncoated, which is perfect for chocolate and confectionery, as well as for household items.

It is also semi-permeable, so it can be used for fresh ingredients and dairy products for baking, snacks, coffee, tea, chocolate and confectionery as well as personal and household care items.

ALMIDÓN DE MAÍZ Y SORGO RELLENO SUELTO CORN STARCH AND SORGHUM LOOSE FILL El relleno suelto EcoFlo está hecho de almidón de maíz y se puede utilizar de la misma manera que el relleno suelto de poliestireno normal.

Esta versión ecológica - que también puede ser hecha de un cultivo similar a las palomitas de maíz llamado W, libre de olores.

[Eng]

EcoFlo loose filler is made from corn starch and can be used in the same way as regular polystyrene loose filler. This ecological version—which can also be made from a crop similar to corn called sorghum—is biodegradable and odour-free.

ANILLO COMESTIBLE DE SEIS PAQUETES EDITABLE SIX PACK RING En América han desarrollado un material para los anillos de los packs de 6 cervezas, que no sólo es biodegradable, sino también comestible. Hecho de restos de cebada y trigo que son un subproducto del proceso de elaboración de la cerveza.

Una manera de eliminar uno de los productos que mas daño hace en nuestros océanos.

[Eng]

In the US, they have developed a material for the rings of six packs of beers, which is not only biodegradable, but also edible. Made from traces of barley and wheat that are a by-product of the brewing process, it is a way to eliminate one of the most harmful products in our oceans.

16 â‚Brunch From 12 to 4 pm

045

O I D A R L A B O L G A IBIZ ANNIVERSARY Ibiza Global Radio, fundada en 2004, celebra este año su 15º aniversario. Quince increíbles años de la mejor música electrónica, artistas, miles de programas de radio, mucho baile, viajar por el mundo y conocer a tanta gente fantástica que compone lo que Ibiza Global Radio es hoy en día: Una comunidad de personas de todo el mundo que tienen algo en común, el amor y la pasión por la música.

Durante estos últimos 15 años, Ibiza Global Radio se ha convertido en una de las mayores marcas de música electrónica del mundo, compuesta por 5 plataformas/canales: Emisoras de radio FM (Ibiza, Mallorca, Italia, Croacia e Israel), TDT (televisión digital terrestre), nuestra aplicación, nuestra página web y un gran número de seguidores en Social Media.

Sin olvidar los inicios de Ibiza Global Radio, cuando

046

un visionario apasionado del medio, Juan Tur, que nos dejó hace poco más de medio año y que recordamos con todo nuestro amor, decidió abrir en Ibiza un canal dedicado las 24 horas del día a la música electrónica más vanguardista, para representar a través del sonido la mejor y más pura esencia de la isla. Se arriesgó y el 4 de agosto de 2004 nació este fenómeno irrepetible llamado Ibiza Global Radio. Un pequeño estudio de radio en el centro de Ibiza, que unos años más tarde se trasladó a un espacio más amplio en la carretera de San Antonio, y donde se han vivido infinidad de experiencias inolvidables, tanto para el equipo de Ibiza Global Radio, para los artistas que nos han visitado, como para los oyentes en un momento en el que se produjo el crecimiento de la marca, hasta llegar a su momento actual, momento

en el que Ibiza Global Radio se encuentra en un lugar tan increíble, integrada en un grupo mediático llamado Grupo Prensa Pitiusa.

Ibiza Global Radio cuenta ya con 16 millones de oyentes/ televidentes al mes a través de nuestra emisora de radio y televisión online, y más de 1,5 millones de seguidores en las redes sociales (Facebook, Twitter, Instagram, Youtube, Soundcloud, Tune In) llegando a más de 180 países, convirtiéndose en un atractivo y sobre todo en un punto de referencia para personas afines de todas las edades y culturas, todas ellas unidas por la isla de Ibiza y la música dance. ¡Gracias por 15 años de Ibiza Global Radio!

[Eng]

Ibiza Global Radio, founded in 2004, celebrates this year its 15th anniversary. 15 amazing years of the best electronic music, incredible artists, thousands of radio shows, lots of dancing, traveling the globe and meeting so many fantastic people that make up what Ibiza Global Radio is today: A community of people from all over the world that all have one thing in common… The love and passion for music.

During these last 15 years, Ibiza Global Radio has become one of the biggest brands in electronic music in the world, consisting of 5 platforms/ channels: FM radio stations (Ibiza, Mallorca, Italy, Croatia and Israel), DTT (digital terrestrial television), our App, website and a huge following on Social Media.

Without forgetting Ibiza Global Radio’s beginnings, when a visionary, Juan Tur, who left us a little more than half a year ago and we remember with all our hearts, was told he was crazy to open a channel for the most avantgarde electronic music and today is one of the main tourist attractions for millions of people, to represent the best and purest essence of the island through sound: He took the risk and on August 4th 2004, this unrepeatable phenomenon called Ibiza Global Radio was born. A small radio studio in the centre of Ibiza, which then moved to a bigger space in San Antonio a few years later and where hundreds of unforgettable experiences have been lived, both for the Ibiza Global Radio team, for the artists who have visited us and for the listeners during a time when the growth of the brand took place, until reaching its current moment, a moment in which Ibiza Global Radio is at such an incredible place, integrated into a media group called Grupo Prensa Pitiusa.

Ibiza Global Radio now has 16 million listeners / viewers per month through our online radio and television station and over 1,5 million followers on social networks (Facebook, Twitter, Instagram, Youtube, Soundcloud, Tune in) and reaches more than 180 countries, becoming an attractive and above all a point of reference for like minded people of all ages and cultures that are all united by the island of Ibiza and dance music.

Thank you to all of the artists that have played at the station over the years, to all of the venues we have broadcast from, to all of the brands and promoters and of course to all of our listeners for their constant support.

From Ibiza to the world… Thank you for 15 years of Ibiza Global Radio!

Soon we’ll be announcing exciting news for the rest of 2019 and for 2020!

047

048

Interview

HOW HAS PAWSA ASSISTED ON THE LABEL SIDE AS A CO-FOUNDER: As SolidGrooves grew on the London scene, I had a very clear vision of the particular sound that I wanted to push forward. At the same time, I was playing a few shows with PAWSA and we had become friends. At an after party somewhere, we both realised we had the same vision to start a label with a new sound that was different from what was being released at that time...

Solid Grooves Records was born.

WHAT MAKES DENNIS SUCH A GREAT RESIDENT AND CENTRAL ARTIST FOR SOLID GROOVES: He’s a top producer, an amazing DJ and all-round great guy!

DESCRIBE SOLID GROOVES IN FOUR WORDS OR LESS: Solid, Groovy, Family & Vibes.

TALK TO US ABOUT YOUR 2019 CONCEPT ‘FUCK THE FAKES’: The posers, the fake ones, the ones who say they know what is what, but they don’t know what is what... I don’t know really, it just sounded cool!

HOW WOULD YOU RATE YOUR IBIZA 2019 SEASON: Amazing!

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Growing up, I used to love drum & bass and there was a DJ at the local pirate radio station that had an incredible vibe… he’s now famous - Andy C. YOUR BEST DJ SET TO DATE: Too many to mention, this year has been mad.

AND YOUR WORST: I try not to remember the bad ones.

WHAT CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Privilege - Vista club!

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: Richy Ahmed, he keeps you on your toes.

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: Jimi Hendrix.

If you weren’t a DJ, what would you be: A bum/jobless...

YOUR FAVOURITE PLACE IN IBIZA: Fish Shack Monday’s.

YOUR FAVOURITE DRINK: Gin & tonic.

REASON FOR THE ARTISTIC: It’s just my name.

DATE OF BIRTH: I’m a June baby.

CITY WHERE YOU LIVE: London.

YEARS AS A DJ: 7 years professionally; 15 years as a passion.

FIRST PLACE/CLUB YOU PERFORMED: A small pub basement venue in Brixton called “The Jam”.

AS THE BRAND FOUNDER, WHERE AND HOW WAS SOLID GROOVES BORN: It was born in Ibiza when a new sound was emerging that we couldn’t describe and had no real genre title yet.

It was Solid, it was Groovy and at the time it was very niche...Every time we heard a track with that vibe we would look at each other and say thats a ‘Solid Groove’.

YOU CELEBRATED THE 7TH ANNIVERSARY EARLIER THIS YEAR, WHAT HAS BEEN THE BIGGEST ACHIEVEMENT TO DATE: The biggest achievement for me is the family we have created. Everyone are friends and we all have the same passion for good quality music.

IS THERE ANYTHING THAT YOU HATE: Nothing really!

MICHAEL BIBI 049

Jesse

REASON FOR THE ARTISTIC NAME: Anagram of our two names.

DATE OF BIRTH: Oz: 19/04/1994 & Jesse: 15/08/1994.

CITY WHERE YOU LIVE: Amsterdam.

YEARS AS A DJ: 8 years.

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Motor City Drum Ensemble.

THE FIRST PLACE/CLUB YOU PERFORMED: Westerliefde.

WHICH CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Lost Beach Club - Ecuador.

WHAT IS THE PERFECT ‘SOLID GROOVES BREAKFAST’: Hierbas.

If you weren’t DJs, what would you be: LIVE artists.

YOUR FAVOURITE PLACE IN IBIZA: Cala Comte.

Oguz

YOUR FAVOURITE DRINK: Hierbas.

ANOTR IS THERE ANYTHING THAT YOU HATE: People that hold up their phones for every drop.

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: Pharell.

Interview

FCUK THE FAKES, WHO? - You.

050

DATE OF BIRTH: 21.05.1990 CITY WHERE YOU LIVE: Barcelona.

BASSEL DARWISH

YEARS AS A DJ: 5 years.

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Marco Carola.

THE FIRST PLACE/CLUB YOU PERFORMED: City Hall, Barcelona.

YOUR BEST DJ SET TO DATE: At E1, London.

AND YOUR WORST: I prefer not to say!

WHAT CLUB DO YOU FEEL IS THE BEST IN THE WORLD: ElRow, Barcelona WHAT IS THE PERFECT ‘SOLID GROOVES BREAKFAST’: Sunrise, music, friends...

IF YOU WEREN’T A DJ, WHAT WOULD YOU BE: Something related to music...

YOUR FAVOURITE PLACE IN IBIZA: Cala Comte.

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: wAFF. YOUR FAVOURITE DRINK: Beer.

IS THERE ANYTHING THAT YOU HATE: Fake people.

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: Michael Jackson.

FCUK THE FAKES, WHO? Again, fake people!

REELOW REASON FOR THE ARTISTIC NAME: Renato is my name - I’m not a tall guy, but low...

IF YOU WEREN’T A DJ, WHAT WOULD YOU BE: A manager, and I believe I would be good at it!

DATE OF BIRTH: 16.10.1986.

YOUR FAVOURITE PLACE IN IBIZA: If you mean a club - DC10. If you mean a place - Atlantis.

CITY WHERE YOU LIVE: Barcelona.

YEARS AS A DJ: 15 years.

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Slam JR. in Hungary.

THE FIRST PLACE/CLUB YOU PERFORMED: Dokk Club in Budapest, Hungary.

YOUR BEST DJ SET TO DATE: In Mexico during winter 2017.

AND YOUR WORST: Happens every time I’ve had to work with Pioneer mixers. I use a lot of external things, so I need a Xone92/96 to do my thing!

WHICH CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Studio 338, London maybe?

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: Ramin Rezaie.

YOUR FAVOURITE DRINK: Moscow Mule.

IS THERE ANYTHING THAT YOU HATE: I don’t really hate anything; it’s better to avoid this word - we have so much hate already...

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: NAS. FCUK THE FAKES, WHO? Everyone...

WHAT IS THE PERFECT ‘SOLID GROOVES BREAKFAST’: Funny side up.

051

PAWSA REASON FOR THE NAME: It comes from big cats...

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Jamie Jones.

DATE OF BIRTH: 1992.

CITY WHERE YOU LIVE: London.

THE FIRST PLACE/CLUB YOU PERFORMED: At a bar in Wimbledon with my mate Guy.

YEARS AS A DJ: 7 years.

HOW HAS PAWSA ASSISTED ON THE LABEL SIDE AS A CO-FOUNDER?: As Solid Grooves grew on the London scene I had a clear vision of the sound that I wanted to push forward, at the same time I was playing a few shows with PAWSA and we had become friends.

At an afterparty somewhere we both realised we had the same vision to start a label with a new sound from what was being released at that time... Solid Grooves Records was born.

WHAT ARE YOUR RESPONSIBILITIES AND WHAT DO FEEL YOU HAVE BROUGHT TO THE BRAND: I like to try to move the sound forward.

WHAT IS YOUR FAVOURITE RELEASE YOU’VE SIGNED TO THE LABEL: Carloh - Back To House.

YOUR BEST DJ SET TO DATE: My last set.

AND YOUR WORST: My first set.

WHICH CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Fabric, London.

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: Last night with ANOTR at Solid Grooves.

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: That changes all the time, but probably Picasso.

IF YOU WEREN’T A DJ, WHAT WOULD YOU BE: A golfer.

Your favourite place in Ibiza: The golf course.

YOUR FAVOURITE DRINK: Coffee.

WHAT ARE THE REQUIREMENTS FOR THE PERFECT VENUE TO HOST A SOLID GROOVES EVENT: A great sound system.

Interview

DESCRIBE SOLID GROOVES IN FIVE WORDS OR LESS: Solid, groovy, beats, party & family.

052

HOW WOULD YOU RATE YOUR IBIZA 2019 SEASON: It’s been great; the sound has had a good balance.

IS THERE ANYTHING THAT YOU HATE: I don’t think there is anything I hate; I try to learn from everything.

WHAT’S NEXT FOR PAWSA: Beats.

REASON FOR THE ARTISTIC NAME: It comes from Eddy Music, then I thought Eddy M was easier and cooler. The “M” is also the initial letter of my surname “Merendino”.

DATE OF BIRTH: 5th October 1992.

CITY WHERE YOU LIVE: I’ve been living in Barcelona since 2011.

YEARS AS A DJ: Since 2009…

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Claude VonStroke.

THE FIRST PLACE / CLUB YOU PERFORMED: Coconut Disco in Sicily, Italy.

YOUR BEST DJ SET TO DATE: Fabrik, Madrid.

AND YOUR WORST: It was at Space in Ibiza during the 2015 season. I was 22, that day was also my birthday and I felt so bad definitely a day to forget.

WHICH CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Warehouse Project, Manchester.

WHAT IS THE PERFECT ‘SOLID GROOVES BREAKFAST’: Passion fruit, sweet candies, croissants with icing sugar on top and a lot of smiles.

IF YOU WEREN’T A DJ, WHAT WOULD YOU BE: A basketball Player.

YOUR FAVOURITE PLACE IN IBIZA: Es Vedra - peace.

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: Whenever I play b2b with Dennis Cruz, we always have so much fun during the set!

YOUR FAVOURITE DRINK: Whiskey (Johnnie Walker).

IS THERE ANYTHING THAT YOU HATE: Red traffic lights.

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: Rage Against The Machine.

FCUK THE FAKES, WHO? Whoever’s not a groover.

REASON FOR THE NAME: My name is Dennis; however, Cruz is not my real surname but it’s a long story...

DATE OF BIRTH: 28-03-83

YOUR BEST DJ SET TO DATE: Maybe the last time I played at Vertigo, Costa Rica.

AND YOUR WORST: I don’t remember. I try to only focus on the positive things.

CITY WHERE YOU LIVE: Madrid.

YEARS AS A DJ: 19 years.

HOW AND WHEN RELATIONSHIP BEGIN: I met on a rooftop Barcelona in been friends

DID YOUR WITH SOLID GROOVES PAWSA and Bibi party at Sonar 2015, and we’ve ever since.

WHY DO YOU THINK SOLID GROOVES IS SUCH A GOOD FIT FOR YOUR OWN STYLE? It’s solid and groovy easy!

DESCRIBE SOLID GROOVES IN FIVE WORDS OR LESS: Friends, party, music, fun, groovers.

WHAT CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Fabrik, Madrid.

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: Technasia and PAWSA. WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: Michael Jackson.

IF YOU WEREN’T A DJ, WHAT WOULD YOU BE: A sound engineer.

YOUR FAVOURITE PLACE IN IBIZA: Formentera.

YOUR FAVOURITE DRINK: Coca Cola

DO YOU HAVE ANY PROJECTS COMING UP ON THE LABEL? Yes, I’ve got a new EP on Solid Grooves RAW in October.

HOW WOULD YOU RATE YOUR IBIZA 2019 SEASON: 9 out of 10 - it’s been an amazing season, but I like to think you can always improve!

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: Oscar Mulero.

IS THERE ANYTHING THAT YOU HATE: Waiting...

IN GENERAL, WHAT OR WHO STOLE YOUR DREAM FROM YOU: Solid Grooves after parties stole my dream.

WHAT’S NEXT FOR DENNIS CRUZ: I’ve been working hard in the studio over the last few months, so there’s lots of new tracks coming soon!

THE FIRST PLACE/CLUB YOU PERFORMED: Groove Dance Club, Madrid.

EDDY M

DENNIS CRUZ 053

DATE OF BIRTH: 7th August.

CITY WHERE YOU LIVE: Canterbury, Kent.

YEARS AS A DJ: 9 years.

THE FIRST DJ YOU REMEMBER LISTENING TO THAT IMPRESSED YOU: I’d have to say Carl Cox; I’ve been following him since I was a teenager. I love his humble, down-to-earth approach to the industry & he’s a great performer.

THE FIRST PLACE/CLUB YOU PERFORMED: A small venue in Cyprus called ‘Waves’ when I was 18, playing a UK garage set.

YOUR BEST DJ SET TO DATE: Fabric – Solid Grooves.

AND YOUR WORST: An event in Blackpool where I turned up to no sound system and the promoter wouldn’t let people in as nothing was ready. Just bad organisation.

Not mentioning any names though, (laughs).

WHAT CLUB DO YOU FEEL IS THE BEST IN THE WORLD: Privilege Ibiza - you can’t beat that 7am sunrise anywhere on the island.

WHAT IS THE PERFECT ‘SOLID GROOVES BREAKFAST’: Breakfast, what breakfast? Straight to the afterparty!

IF YOU WEREN’T A DJ, WHAT WOULD YOU BE: A professional golfer, as when I was growing up, I’d live on the golf course.

RAMIN REZAIE

YOUR FAVOURITE PLACE IN IBIZA: Es Vedra Rock with friends, absorbing the magical vibes.

WHICH ARTIST HAS BEEN YOUR FAVOURITE B2B PARTNER: Tough one... my favourite B2B’s have been with Dennis Cruz, Reelow & Bassel Darwish. Well, all the groovers!

YOUR FAVOURITE DRINK: Vodka Tonic with lime please. Make it a double.

Interview

IS THERE ANYTHING THAT YOU HATE: When you go out and forget to buy that one thing you need we’ve all done it. Or someone asking to borrow your headphone jack and keeping it: it happens way too often.

054

WHO IS YOUR FAVOURITE ARTIST OUTSIDE OF ELECTRONIC MUSIC: It would have to be Ryan Leslie, an unreal producer & songwriter.

FCUK THE FAKES, WHO? Only the real ones understand.

ALBERTO BRAGADO f o r o t c e r Di

. s e v o o r G Solid

¿CUÁNDO Y CÓMO NACE SOLID GROOVES? Fue fundada por Michael hace 7 años al principio como una fiesta pequeña, muy local de Londres, empezando con poco público pero sólido desde el comienzo.

PRIVILEGE ES VUESTRA CASA DESDE HACE UNOS AÑOS, ¿QUÉ PARTICULARIDADES TIENE QUE TENER UN LUGAR PARA QUE SEA UN LUGAR “SOLID GROOVES”?

La sala Vista de Privilege tiene algo especial, ha sido casa para muchas grandes marcas. Para Solid Grooves siempre buscamos esa esencia especial en cada lugar.

Queremos que la gente sienta esa sensación que caracteriza a Solid Grooves, aparte de que cumpla con unos estándares, de sonido, disposición, etc.

SI TUVIERAS QUE HACER UN “TOP 5” DE CIUDADES/LUGARES EN LOS QUE MÁS FANS/SEGUIDORES TENÉIS, ¿CUÁLES SERIAN? Londres que es nuestra casa, Mánchester, Madrid, Milán, Las Palmas y ahora hay muchas ciudades de Suramérica de las cuales estamos teniendo un buen feedback.

EN LOS ÚLTIMOS AÑOS, SOLID GROOVES ES CASI UNA FORMA DE VIDA PARA MUCHOS, ¿CÓMO HABÉIS VIVIDO ESOS CAMBIOS? Muy contentos con todo el crecimiento de la marca, por supuesto gracias al apoyo de nuestros Groovers, que hacen que la familia siga creciendo desde sus pequeños comienzos en Londres.

En los últimos años además nos hemos enfocado en un mercado más internacional, así llegar a más partes con nuestro concepto y que la gente pueda ser parte de este movimiento. Esto también nos ha servido para solidificar nuestra residencia en Ibiza.

MUCHA GENTE CRITICA LOS CAMBIOS DE IBIZA EN LOS ÚLTIMOS AÑOS, ¿CÓMO ESTAS VIENDO TU LA ISLA? Yo creo que la isla se ha divido entre la música más undeground y otro tipo de turismo más VIP, el cual seguirá creciendo. En nuestro ambiente más underground, necesitas apostar por las nuevas generaciones. Entiendo que otras marcas más antiguas, que no se re-inventan estén sufriendo las consecuencias.

[Eng]

WHEN AND HOW WAS SOLID GROOVES BORN? It was founded by Michael seven years ago; at the beginning, as a small, very local London party that started out with a small but solid public right from the beginning.

PRIVILEGE HAS BEEN YOUR HOME FOR SOME YEARS NOW. WHAT SPECIAL FEATURES DOES A PLACE HAVE TO POSSESS FOR IT TO BE A “SOLID GROOVES” PLACE? The Vista room in Privilege has got something special and it has been home to many great brands.

For “Solid Grooves”, we are always looking for that special essence in each place. We want people to feel that sensation that characterises Solid Grooves, apart from complying with certain standards in terms of sound, layout, etc.

IF YOU HAD TO DO A TOP 5 OF CITIES/PLACES WHERE YOU HAVE MOST FANS /FOLLOWERS, WHICH ONES WOULD THEY BE? London, which is our home, Manchester, Madrid, Milan, Las Palmas and now there are many cities in South America where we are getting very good feedback.

OVER THE LAST FEW YEARS, SOLID GROOVES IS ALMOST A WAY OF LIFE FOR MANY PEOPLE; HOW HAVE YOU EXPERIENCED THE CHANGES IN THESE RECENT YEARS? Very happy with all the brand’s growth, of course, thanks to the support of our Groovers, who ensure that the family continues to grow... from its small beginnings in London. In recent years, what’s more, we have focused on a more international market, thus making it possible to reach more places with our concept and for people to be able to be part of this movement. This has also helped us to consolidate our residence in Ibiza.

MANY PEOPLE ARE CRITICISING THE CHANGES IN IBIZA OVER RECENT YEARS. HOW DO YOU SEE THE ISLAND? I think that the island has been divided between more underground music and another type of tourism that is more VIP, and which is going to keep growing. In our more underground environment, you need to go for the new generations. I think that other older brands that are not re-inventing themselves are suffering the consequences.

The test ¿Lugar preferido para perderte en Ibiza?

Me encanta poder perderme en barco por las diferentes calas de la isla... ¿Un restaurante?

Fish Shack. ¿Una sesión/fiesta para asistir?

Además de Solid Grooves.

Pikes, tiene algo especial. ¿El invitado del verano en la fiesta que más te ha gustado?

Difícil de decir, hemos tenido algunos guests que nos han sorprendido para bien, pero uno que nunca falla es Richy Ahmed… ¡Buena música, buena persona, buen groover!

[Eng]

Your favourite place to get away from it all in Ibiza?

I love being able to get away from it all by boat to the different coves on the island.

A restaurant?

Fish Shack.

A session/party to go to as well as Solid Grooves?

Pikes, it has something special.

The special guest in the party that you have enjoyed the most?

Difficult to say, we have had some guests that have turned out to be a nice surprise, but one who never fails is Richy Ahmed… Good music, a nice person and a good groover!

055

Kenny SCHARF “Cada proyecto que emprendo está construido en mis experiencias pasadas”

“Creo que el artista tiene una responsabilidad social”

“Las emociones son nuestros pensamientos” “Cuanto más lo hago más aprendo, cuanto más aprendo mejor soy” “Soy un observador del impacto del ser humano sobre la naturaleza”

Street Art

Actualmente las obras del artista se encuentra en el espacio artístico “La Nave de las Salinas” de Ses Salines de Ibiza y van a permanecer hasta el próximo 30 de septiembre.

056

[Eng]

“Each project that I undertake is founded on my past experiences” “I think that artists have a social responsibility”

“Emotions are our thoughts” “THE MORE I DO IT, THE MORE I LEARN AND THE MORE I LEARN, THE BETTER I AM”

“I am an observer of the impact of human beings on nature” The artist’s works can currently be found at Ses Salines de Ibiza art gallery, where they are going to be on view until September 30. #FreeEntrance

#EntradaGratuita www.kennyscharf.com

057

058

MuM RECORDS

AÑO DE NACIMIENTO DEL SELLO 2018

RELEASES

2 vinilos editados: -Xandru - Talma 22 (2018) -Pra Jescu - Ob8 ep (2019) En estas dos ocasiones contamos con productores Rumanos, un estilo que nos define mucho, tanto el concepto de las fiestas que organizamos como el estilo que le queremos dar al sello discográfico.

Nuestro próximo release pasa por un Va MuM winter edition, donde contaremos con productores nacionales e internacionales.

ARTISTAS EN EL PROYECTO

Nuestro objetivo es involucrar a todos los artistas que han pasado por nuestras fiestas en los últimos años, muchos de ellos son muy buenos productores y otros tantos buenos amigos de la marca.

ESTILOS

Tenemos un estilo bien marcado y un concepto muy bien definido donde el sonido minimal, house es lo que más nos llega a la hora de planchar vinilos.

FORMATOS

Only Vinyl.

LUGARES DE DONDE SE HAN CELEBRADO SHOWCASES Actualmente nos situamos en la isla de Ibiza, donde celebramos casi todos nuestros eventos en el invierno de dicha localidad.

OTRAS CIUDADES

Londres, Lugano (Suiza), Ischia (IT), Santiago de Chile, Rosario (Arg), Gran Canaria, Madrid y Barcelona entre otras.

For example, whenever I realize I haven’t been using something for, say, half a year, I think about selling it to someone who can make better use of it. I suppose you can get everything from a computer too I just happen to like having outside gear because I used to do everything inside one and I just got really bored of it.

In the studio

My studio doesn’t consist in a lot of stuff really or at least for what I can see in other more «professional» studios.

060

I moved places a lot in the past years so I had to always make sacrifices with machines and try to keep it as small and simple as I can.

At the same time I don’t like having loads of things and I try to have what sounds best for me.

YAMAHA CS-15 A special highlight for me is the Yamaha CS-15, you can find it cheap still, for analog standards, and to me it sounds so alive and old, if that makes sense. I have read people saying it has a nasal character to it and I can understand why they say that; but the real sound is quite organic and deep, it always surprises me. I quite love that machine.

EMPRESS ECHOSYSTEM I love delays and reverbs too. The Empress Echosystem is one of the best delays I have heard, it sounds like it has different dimensions when you dial the right settings. It also has a liquid quality to it that I never experienced with another delay, I really recommend it.

I have the Moog delay and a Thermae too. To be honest, I’m still trying to fill the gap that my tape delay left but nothing gets it right, although those two are quite magic.

DIGITACK My drums take bits of everywhere and I can say they are quite sloppy most of the time. I’m trying to make them right though, that’s why I got the Digitakt, the « in vogue » drum machine. I use the Vermona too but not too much lately, the sounds you can get from that one are amazing but in some ways we don’t connect as well as I wished.

I guess everybody works in different ways but to me, I need a good sounding melody to get me inspired and I try to get it with those machines. Of course, every day is different and you need the ideas first, but keeping a modular and not too big studio works well enough for me. With it I can do fast sketches and all.

It’s like a little notebook where you can draw a bit in everyday and from a simple idea I can start layering sounds, they way you can paint with different colours. The songs are usually a big collage of those first little pieces.

061

SEASON 2019 SEASON 2019

Interview

Como cada año en el final de temporada hemos querido conocer la opinión de artistas y profesionales de la música, acerca de cómo les fue, de cómo se sintieron, y lo más importante, ¿Cómo piensan que será el futuro?

Ibiza 2020 está llegando...

062

Luca Doncelli

¿Cuál es la fiesta de Ibiza 2019?

He visto muchas cosas buenas, pero por ambiente, calidad de la gente y música, Pyramid, los lunes de Amnesia. ¿Cuál ha sido el fracaso/bullshit de Ibiza este año? ¡El coste y la dirección “VIP” que ha cogido la vida de la isla! Estas dos cosas nos han hecho perder los clubbers verdaderos. ¿El futuro de la música en Ibiza está en?

Que vuelvan los clubbers o que la gente que venga aquí, no busque solo lo fácil (fiestas llenas y la misma música que escuchan en el coche). ¿Cuál ha sido para ti el artista revelación 2019?

S.A.M. Lo descubrí hace ya un par de años, pero seguramente este fue su año. ¡Un fenómeno! ¿Qué artista (de los que no suelen estar) te gustaría ver más en la isla?

Laurent Garnier. ¿A qué artista le pagarías un billete de ida para que no volviese a la isla? ¡A todos los que tocan las cosas fácil para agradecer la pista! Desde el techno hasta el reggeaton, bajándose los pantalones...

¿El track del verano 2019?

S.A.M. - Fury’s Laughter. Ha sido como un gran balón de oxigeno para el mercado, súper saturado de la “Tech House barata” como lo llamo.

[Eng] What was the party in Ibiza, 2019?

I have seen lots of good things, but for atmosphere, great people and music, Pyramid, at Amnesia on Mondays.

What has been the failure /bullshit in Ibiza this year?

The high prices and the ‘VIP’ direction that life on this island has gone in! These two things have led us to lose the ‘real’ clubbers.

The future of music in Ibiza lies in?

The return of the clubbers, or that the people who come here are not just in search of what is easy (full parties, and the same music that they listen to in the car).

For you, which artist has been the revelation of 2019?

I discovered S.A.M a few years ago, but this year was definitely his year. A phenomenal artist!

Which artist (of those who do not usually come) would you like to see more of on the island?

Laurent Garnier.

Which artist would you buy a single ticket for so that they did not come back to the island?

All those who play whatever is easiest in order to please the dance floor! All bending over backwards going from techno to reggaeton...

The track of summer, 2019?

S.A.M. - Fury’s Laughter. It was like a big oxygen balloon for the market, super saturated in what I call, ‘cheap Tech House’.

063

Interview

Louie Vega & AnanĂŠ

064

[Eng] ¿Cuál es la fiesta de Ibiza 2019?

Las mejores fiestas de Ibiza 2019 son The Ritual con Anané & Louie Vega en Heart, Cuttin Headz Party, Dixon Presents Transmoderna, Paradise/JJ, Glitterbox y Black Coffee en Hi. Todos estos garantizaron buenos momentos. ¿Eligir uno? The Ritual con Anané y Louie Vega, nos une a todos. ¿Cuál ha sido el fracaso/bullshit de Ibiza este año?

El error más grande es que la isla es muy cara. ¡Alejas a todos los clubbers típicos que quieren venir a Ibiza a pasar un buen rato y son ellos los que llenan los clubs! ¿El futuro de la música en Ibiza está en?

La música del futuro de la isla, no solo es un tipo de música, se trata de buena música, colaboraciones con eventos, djs, artistas y negocios. ¡La polinización cruzada es el futuro! ¿Por qué no un gran artista de reggaeton con un artista house, un artista techno con un artista house, todos reuniéndose y haciendo música en la isla y luego actuando en vivo con una maravillosa fiesta en un lugar especial? La gente quiere venir a ser feliz, cantar y bailar, quieres iluminarte cuando vienes a Ibiza. ¿Cuál ha sido para ti el artista revelación 2019?

Artista revelación en ibiza, lleva tiempo solamente llegar a ese nivel. ¿Qué artista (de los que no suelen estar) te gustaría ver más en la isla?

Queremos ver nuevos artistas en la isla que tengan cierta profundidad musical, no solo tocar crescendos y conseguir que todos griten. ¡Llévalos a algún lugar con tu música, haz que quieran más! De los artistas que generalmente no vienen, queremos ver más a Moodymann (por suerte, toca en nuestra fiesta todos los años), Stevie Wonder, Sade, Timmy Regisford, Chaka Khan, Elements Of Life Band Live, Oscar G, D’Angelo, Eli Escobar, Kraftwerk, Theo Parish, entre otros. ¿A qué artista le pagarías un billete de ida para que no volviese a la isla?

No vamos a responder a esta pregunta directamente, pero todo el mundo tiene la oportunidad de hacer algo especial aquí. Una vez que tengas la oportunidad, depende de ti marcar la diferencia y ser único con tu noche y tu música. ¿El track del verano 2019?

“Let It Go” - Louie Vega & The Martinez Brothers con Marc Bassy (Cuttin’ Headz).

What was the party in Ibiza, 2019?

Best party of Ibiza 2019 is The Ritual with Anané & Louie Vega at Heart, Cuttin Headz Party, Dixon Presents Transmoderna, Paradise/ JJ, Glitterbox, Black Coffee at Hi, guaranteed good times at all of these. Choose one? The Ritual with Ananè & Louie Vega, it brings us all together.

What has been the failure/ bullshit in Ibiza this year?

Biggest mistake is island being so expensive all around, you alienate the every day club head who wants to come to Ibiza to have a good time and they are the numbers that fill the clubs!

The future of music in Ibiza lies in?

The future music of the island, not just one kind of music, its all about good music, collaborations with events, djs, artists, businesses, cross pollinating is the future! Why not a big Reggaton artist with a house artist, a techno artist with a house artist, all getting together and making music on the island and then performing it together live with a wonderful party in a special place. People want to come to be happy, sing, and dance, you want to be enlightened when you come to Ibiza.

For you, which artist has been the revelation of 2019?

Newcomer in Ibiza, it takes time to get to that stage even.

Which artist (of those who do not usually come) would you like to see more of on the island?

We want to see new artists on the island that have some depth musically, not just playing crescendos and getting a scream, take us somewhere with your music, make them want more! Artist who usually don’t come, We want to see more Moodymann (luckily he plays our party every year), Stevie Wonder, Sade, Timmy Regisford, Chaka Khan, Elements Of Life Band Live, Oscar G, D’Angelo, Eli Escobar, Kraftwerk, Theo Parish, among others.

Which artist would you buy a single ticket for so that they did not come back to the island?

We will not answer this one directly, but everyone has a chance to do something special here once you get the opportunity, up to you to make a difference or unique with your night and your music.

The track of summer, 2019?

“Let It Go” - Louie Vega & The Martinez Brothers with Marc Bassy (Cuttin’ Headz).

Photo: @The_Vitorino

065

Marc Maya ¿Cuál es la fiesta de Ibiza 2019?

Aunque el verano no esta siendo bueno ni para mi, ni para ninguna fiesta...

Creo que ElRow sigue siendo la fiesta con mejor repercusión y donde la gente disfruta más. ¿Cuál ha sido el fracaso/bullshit de Ibiza este año?

El fracaso de Ibiza es que se están empezado hacer fiestas de Reggaeton. ¿El futuro de la música en Ibiza está en?

El futuro de la música en Ibiza está en volver un poco a los origines y recuperar las fiestas underground donde no predicaba el postureo. ¿Cuál ha sido para ti el artista revelación 2019?

Denis Horvat es para mi uno de los artistas revelación de 2019 ¿Qué artista (de los que no suelen estar) te gustaría ver más en la isla?

Artistas como Patrice Bäumel por ejemplo. ¿A qué artista le pagarías un billete de ida para que no volviese a la isla?

A Toni Varga (risas). ¿El track del verano 2019?

Agoria – Remedy Feat. Noemie (Denis Horvat Remix).

[Eng]

What was THE party in Ibiza, 2019?

Even though the summer is not going well for me or any other party, I think that El Row continues to be the party that is making the biggest splash and where people are having the best time.

What has been the failure/ bullshit in Ibiza this year?

The failure in Ibiza is that they are starting to do reggaeton parties.

The future of music in Ibiza lies in?

The future of music in Ibiza lies in going back to its beginnings a bit and bringing back the underground parties where there wasn’t all this posing going on.

For you, which artist has been the revelation of 2019?

For me, Denis Horvat has been one of the outstanding artists of 2019.

Which artist (of those who do not usually come) would you like to see more of on the island?

Artists such as Patrice Bäumel, for example.

Which artist would you buy a single ticket for so that they did not come back to the island?

Toni Varga (laughs).

Interview

The track of summer, 2019?

Agoria – Remedy Feat. Noemie (Denis Horvat Remix).

066

¿Cuál es la fiesta de Ibiza 2019?

Considero que ninguna fiesta ha sorprendido. Es un momento de cambios en la isla para muy mal, ha desaparecido el turista clubber, y la llegada a lo grande del reggaetón​ha significado la caída de la electrónica y la calidad en la isla. ¿Cuál ha sido el fracaso/bullshit de Ibiza este año?

Son unos cuantos, la debacle de grandes marcas que no supieron reciclarse como Cocoon, el invento de Amnesia para suplir a Carola con Luciano, Circoloco que año tras año apuesta por lo seguro y no cambia su manera de bookear, sin contar que jamás habrá un español entre sus filas. ¿El futuro de la música en Ibiza está en?

Lamentablemente en la música comercial. Ya no hay ese público joven que esperaba un año para ver a todos esos artistas actuar día tras día en los grandes clubs de la isla. Va a ser muy difícil sacar de Ibiza los sonidos latinos. ¿Cuál ha sido para ti el artista revelación 2019?

Ninguno, escuché muy buenos sets, pero no hay artistas que vengan a tocar de fuera que ningún dj local pueda hacer lo mismo o mejor, faltan oportunidades para demostrarlo únicamente. ¿Qué artista (de los que no suelen estar) te gustaría ver más en la isla?

Zip, Delano Smith, Dj Masda, Margaret Dygas, Chez Damier... ¿A qué artista le pagarías un billete de ida para que no volviese a la isla?

A todos esos artistas que introdujeron el reggaetón, sería la mejor inversión que podríamos hacer... ¿El track del verano 2019?

Feater – Time million feat. Vilja Larjosto (Villalobos remix).

[Eng]

What has been THE party in Ibiza in 2019?

I don’t think that any party has been a surprise. It is a time of changes that are very much for the worst on the island; the clubber tourists have disappeared, and the arrival of reggaeton in a big way has meant the decline of electronic music and of quality on the island.

What has been the failure/bullshit in Ibiza this year?

There have been quite a few: the debacle of big brands—such as Cocoon—who have not known how to reinvent themselves; Amnesia coming up with the idea of replacing Carola with Luciano; Circoloco, who, year after year, bets on the safe side and does not change its way of booking, without counting on the fact that there will never be a Spaniard in its queues.

Where does the future of music in Ibiza lie?

Unfortunately, in commercial music. That young public who used to wait one year to see all those artists perform day after day in the big clubs on the island no longer exists. It is going to be very difficult to rid the island of these Latin beats.

Which artist has been a revelation for you in 2019?

No-one: I heard some very good sets, but there aren’t any artists who come from outside to play that any local DJ couldn’t match or even do better than; just a lack of chances to prove it.

Which artist (of those who are not usually here) would you like to see more of on the island?

Zip, Delano Smith, Dj Masda, Margaret Dygas, Chez Damier...

Jordan

Which artist would you pay a one-way ticket for, so that they did not come back to the island?

All of those artists who introduced reggaeton; it would be the best investment we could possibly make.

The track of summer, 2019?

Feater – Time million feat. Vilja Larjosto (Villalobos remix).

067

Francesco Monti

¿Cuál es la fiesta de Ibiza 2019?

Bajo mi punto de vista musical y con todos los cambios importantes que hubo en la isla...“Music On, en concreto en Destino (Daytime). ¿Cuál ha sido el fracaso/bullshit de Ibiza este año?

Incorporar tantas fiestas latinas.

Han obtenido muchas quejas que se han amplificado en las redes sociales, provocando una bajada de los amantes de la música electrónica en la isla. ¿El futuro de la música en Ibiza está en? “Étnico” de día y “clásicos remezclados” de noche, parece que es la tendencia... ¿Cuál ha sido para ti el artista revelación 2019?

Charlotte de Witte, que desde la nada ha pasado a estar en todos los eventos principales de música electrónica a nivel internacional. ¿Qué artista (de los que no suelen estar) te gustaría ver más en la isla?

Martin Buttrich. ¿A qué artista le pagarías un billete de ida para que no volviese a la isla?

Steve Aoki, personalmente no me gustan los artistas “showman”. En este caso, su expresión artística principal no es la música, sino lanzar tartas... ¿El track del verano 2019?

“Roberto Surace – Joys”, un track que han puesto muchos artistas de diferentes estilos musicales y en diferentes situaciones (festivales, clubs, etc).

[Eng]

What was THE party in Ibiza, 2019?

In my point of view and with all the big changes on the island... To pick one out in particular, Music On by Destino (daytime).

What has been the failure /bullshit in Ibiza this year?

Incorporating so many Latin parties. There have been loads of complaints that have spread all over social media, bringing about a drop in the number of electronic music lovers on the island.

The future of music in Ibiza lies in?

Ethnic music by day and remixed classics by night; it seems that is the trend...

For you, which artist has been the revelation of 2019?

Charlotte de Witte, who has gone from nothing to appearing at all the main electronic music events at the international level.

Which artist (of those who do not usually come) would you like to see more of on the island?

Martin Buttrich.

Interview

Which artist would you buy a single ticket for so that they did not come back to the island?

Steve Aoki: personally, I do not like “showman” artists. In this case, his main way of artistic expression is not music, but rather throwing pies...

068

THE track of summer, 2019?

“Roberto Surace – Joys”, a track that has been played by many artists of a range of musical styles and in different situations (festivals, clubs, etc).

#FOLLOWYOURHEART

BUY YOUR TICKETS: heartibiza.com · BOOK YOUR TABLE · reservas@heartibiza.com · +34 971 933 777 069

FOGO ISLAND INN

Strange hotels

A hotel where renewable energy is the highlight.

El Fogo Island Inn es un hotel en la isla de Fogo, con solo 29 habitaciones disponibles para huéspedes.

El edificio, situado en el extremo oriental de la provincia de Terranova y Labrador en Canadá, se dispone en el paisaje a través de una planta en forma de equis.

Diseñado por el estudio noruego Saunders Architecture, el Fogo Island Inn se alza como una impresionante fortaleza sobre un grupo de pilares de acero, en un afloramiento de roca en el borde norte de la isla de Fogo. Una estructura simple y lineal formada por dos volúmenes rectangulares que se entrecruzan. La posada se hace eco de la asimetría dentada del paisaje que habita, a la vez que infunde a la topografía una estética arquitectónica totalmente contemporánea. Un gesto arquitectónico elegante es que el hotel aparece como un iceberg en la niebla, flotando sobre el suelo.

Hoteles raros

Posee cine, galería de arte, spa e incluso biblioteca tratando de minimizar su impacto en el medio ambiente ya que la Posada utiliza un sistema de recolección y distribución de agua de lluvia; un sistema de calefacción y recirculación de agua alimentado por energía solar; y calefacción radiante alimentada por energía solar en todo el hotel. Estratégicamente elevado por encima de la topografía rocosa de la isla, los pilares de acero de la Posada fomentan la continuación del ecosistema local.

070

[Eng]

Fogo Island Inn is a hotel on the island of Fogo, with only 29 rooms available for guests.

The building, located at the most eastern end of the province of Newfoundland and Labrador in Canada, is set amid its surroundings in the form of an X-shaped building.

Designed by the Norwegian studio, Saunders Architecture, Fogo Island Inn rises up like an impressive fortress on a group of steel pillars, set on a rock outcrop on the northern edge of the island of Fogo.

It is a simple, linear structure made up of two rectangular spaces that intersect.

The inn echoes the jagged asymmetry of the landscape it inhabits while at the same time infusing the surrounding area with a totally contemporary architectural aesthetic. One elegant architectural feature is that the hotel looks like an iceberg in the fog, floating over the ground.

It has a cinema, an art gallery, a spa and even a library. It aims to minimise its impact on the environment thanks to the inn having a system to collect and distribute rain water; a heating system and water recirculation system that run on solar power; and solar-powered radiant heating throughout the hotel. Strategically raised above the island’s rocky topography, the inn’s steel pillars encourage the local ecosystem to continue.

071

WHAT’S Hello my name is

MANUEL MARTÍN NAVARRO. Position inside the company

RESPONSIBLE FOR PURCHASES and CENTRAL MAINTENANCE.

Dos cosas que no te gustan u odies: Me gustan las personas con sentido del humor. ¡Sonríe, es gratis y alivia el dolor de cabeza!

Odio la impuntualidad, me pone muy nervioso, me gusta ser puntual.

Dos cosas que te gustan o que amas: Pasar tiempo con mi familia y con mis amigos me gusta... ¡Y la cerveza muy fría, eso también me gusta! (risas). ¿Por qué trabajas en OD?

OD Talent

Con este llevo 15 años en OD Group, antes realizaba labores comerciales dentro del grupo , ahora, como responsable del departamento de compras y mantenimiento.

En OD Group siempre ha habido muy buen ambiente de trabajo entre los compañeros y te sientes en familia , trabajar así es más fácil.

072

[Eng]

Two things you do not like or cannot stand: I like people who have a sense of humour. Smiling is free and it cures headaches!

I hate unpunctuality because it makes me very nervous: I like to be punctual.

Two things that you like or love: I like spending time with my family and with my friends…and really cold beer—I like that too! (laughs).

Why do you work in OD? This year makes it 15 years in OD Group; previously, I use to carry out commercial jobs within the group.

Now, I am the person in charge of the purchasing department and maintenance. In OD Group, there has always been a very good working environment among colleagues and you feel part of a family: working like that is easier.

073

Interview

9 ARTISTS 9 MOMENTS

074

Which artist did you first see in a show?

Which artists or group do you remember from your childhood?

Definitely Depeche Mode and Kraftwerk. I have always been drawn to electronic music and what these artists did amazed me and inspired me to start doing music myself.

That was DJ Pierre at the legendary Stammheim.

Which artist marked you to start in music?

As mentioned before Depeche Mode and Kraftwerk had a lot of impact on me but also Sven Väth, Dj Rush, Dj Ricardo Villalobos and Dj Pierre lead the way.

Who do you remember sharing a back to back with the first time?

I never did a back to back to be honest. I just started playing Dj sets again and before that I played live for the majority of my career.

Which artist disappointed you the most? * BULLSHIT David Hasselhoff - I reached out him a couple of times to collaborate but he just brushed me of saying he’s busy lying on the floor eating cheeseburgers.

Which artist would you party with? *FIESTA Most likely Björk. I expect that to be not just a party and but an adventure.

Which artist did you like working with in the studio?

The people I usually work with are spread around the globe so we keep sending tracks back and forth and don’t work in one place.

Which artist would you like to work with in the near future?

Which artist do you recommend to keep the track?

APRAPTA - the sound is amazing and keeps evolving from track to track.

I am going to work with D.O.P in the near future. A collaboration I have been wanting to do for a while now.

075

WORLD TOURISM DAY

World Tourism Day has been celebrated ever since September 27, 1979, when it was announced by the World Tourism Organisatio n.

It serves to commemorate the anniversary of the approval of its statutes.

In 2018, Spain received 82.6 million international tourists, which is 0.9 % more than a year earlier. Spain is the second most visited country in the world, just behind France, and ahe ad of the United States and China.

Desde el 27 de septiembre del año 1979 se celebra el Día Mundial del Turismo, proclamado por la Organización Mundial del Turismo que sirve para conmemorar el aniversario de la aprobación de sus Estatutos.

En 2018 un país como España, recibió la cantidad de 82,6 millones de turistas internacionales, lo que supone un 0,9% más que un año antes. España es el segundo país más visitado del mundo, solo por detrás de Francia, y por delante de Estados Unidos o China.

s de ayores fuente una de las m turismo, y l de os El turismo es m vi rca estro país, vi lma de Mallo ingreso de nu rcelona o Pa Ba o m ra co pa es os ciudad s elegid lista de lugare encabezan la . ís pa tro conocer nues elos rsidad de mod años, la dive sado os pa tim os úl s em lo H .

En crementado in ha el se o o m sm co de turi l, a otros ,o turismo de so del habitual o de festivales sm ri tu , es rt po o tr de , es or nu ri te en in de que monumentos, hambra Al la o m como no, el de co s monumento más país tenemos monumento e es el octavo 3,5 qu , te da en na am ra de G ximad undo con apro visitado del m o. millones al añ

Día mudial del turismo

: 0 2 o p T

076

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20

-

Bangkok (Thailand): 20,05 million tourists London (United Kingdom): 19,83 Paris (France): 17,44 Dubai (UAE): 15,79 Singapore (Singapore): 13,91 New York (USA): 13,13 Kuala Lumpur (Malaysia): 12,58 Tokyo (Japan): 11,93 Istanbul (Turkey): 10,70 Seoul (South Korea): 9,54 Antalya (Turkey): 9,42 Phuket (Thailand): 9,29 Mecca (Saudi Arabia): 9,18 Hong Kong (China): 9,03 Milan (Italy): 8,81 Palma, Mallorca (Spain): 8,78 Barcelona (Spain): 8,69 Pattaya (Thailand): 8,67 Osaka (Japan): 8,42 Bali (Indonesia): 8,30

Tourism is one of the biggest sources of income in our country; we live from tourism, and cities like Barcelona or Palma in Mallorca head the list of chosen places by those wanting to know our country.

In recent years, the diversity of tourism models has increased.

We have gone from the usual sun and sea-style tourism, to other kinds such as indoor, sports, festival tourism, or of course, heritage, where our country includes monuments such as the Alhambra in Granada, which is the eighth most visited monument in the world with approximately 3.5 million visitors a year.

077

FIRST PLACE WHERE YOU PLAYED? Private parties.

BEST CLUB EVER? Berghain, Panorama bar.

YOUR BEST SESSION WAS AT? It’s still to come.

THE BEST DJ YOU’VE EVER SEEN? Jeff Mills.

DJ HELL IF YOU WERE NOT A DJ, WHAT WOULD YOU BE? A soccer player or an actor.

YOUR FAVOURITE PLACE IN IBIZA? Gran Hotel.

YOUR SPECIALTY IN THE KITCHEN? Cappuccino.

Interview

WHAT PIECE OF EQUIPMENT IS MISSING IN YOUR STUDIO? A holographic DJ set-up.

078

A TRACK TO DEFINE IBIZA? El Loco - Ibiza.

Photo: Sven Marquart

WHERE DO YOU WANT TO PLAY? I have already played all around the world.

Hello Helmut, Hello DJ Hell.

Nice to have you with us. You are a legend, but one that is still very involved in electronic music. We are very happy to have you with us.

What was electronic music like in the 60’s? Who were you following, or who would you compare your sound with?

I was born in the 60s, so electronic music was just getting going and it was all more avant-garde and experimental. Producers and musicians had to find out how to deal with electronic equipment. Kraftwerk was the first band that totally fascinated me, their music was unheard of and new and it had a romantic touch that sounded very life changing.

The 80s was the decade when lots of new music was defined and people were looking for something new and fresh. DJ culture was very different.

What was the main purpose of making this music, since we can suppose there was little chance of it even selling?

I was fascinated by house music in the mid-80s, and when the first acid tracks came out, there was no way back. For me, music was never about selling or becoming famous. For me, it was more like finding my own way of doing it and finding my own musical identity in order to put all my DNA into it.

Is there a year when you started thinking of yourself as a DJ? In which club did you start to develop in the booth?

In the late 70s, I got a residency in local clubs around Munich, and from there more offers came in. I played nearly every day in a different club back then.

Dance music i.e. house and techno was mainly played inside clubs; there were no festivals for them. Very slowly, there were people getting involved to help you with the bookings and travel and contracts, so I could focus on music and producing.

Later, I started my own label called International Deejay Gigolo Records.

You were the founder of International Deejay Gigolo Records. What do you think your label meant for the development of the club scene in Germany?

For Germany and Europe, it was the biggest impact you can imagine. The first year, 1996, I Said, “We only do vinyl and no promotion at all”.

The second year, I started cooperating with press and promo teams in Berlin, London, Paris, Barcelona and NYC. From that moment on, there was massive hype and I thought, “We need to give it a name that people can grasp what’s happening and understand what Gigolo was doing. Electroclash was born and not only the club world, but also the art and fashion world jumped onto this movement. Now we have had around 340 releases over the years and we are still doing what we do.

How many big names have been made with International Deejay Gigolo Records? Is there a lot of material still to be released?

Will that ever come to light?

Lots of new artists are singed like Alex Bau or Federico Leocata, Josh Coffee or Ken x traum.

I will present them at different Gigolo nights soon. My 90s analogue tunes will be released in a digital format for the first time and I have more than 42 tracks that most people don’t know from my early days of techno and rave productions.

As a person who has been in the industry for so many years, what advice would you give to a teenager who wants to dedicate themselves to music? Tell them something you would have liked to hear at the beginning.

I was always listening to the masters, to the great DJs like Jeff Mills or Derrick May—I was watching them play and performing, so that I could learn and get better. Later on, I got a great compliment from Derrick when he said that I was ‘the blackest’ white DJ he had ever heard.

What do you think you still have to do in music? Is there something you haven’t done that you want to do? What’s your next project?

When you are a musician or a producer or a DJ or label owner, there is no question of stopping what you do or doing something different or retiring.

Jazz musicians become masters of what they do when they get older.

DJs are scientists and they get better with more experience and travelling all over the world playing in front of different nationalities. I try to break new ground and experiment with different people and musical genres.

You were one of our guests during Sonar in Barcelona.What did you think of the city compared to other years?

More attention than ever; Sonar has become one of the biggest electronic music festivals in the world. There is also a so-called ‘off-week Sonar’ where lots of labels showcase their work.

079

Conocemos sus problemas, los solventamos haciéndolos nuestros

Bull Group Bull Group es un holding empresarial creado para ofrecer una respuesta global a las necesidades que requieren hoy en día las empresas, ocupándonos de la gestión de todos los aspectos relacionados con el personal, especialmente en servicios y seguridad, ofreciendo la externalización de diferentes puestos vinculados a la hostelería y el sector del turismo: conserjería, recepción, control de acceso, seguridad…

Somos profesionales en la gestión de procesos, contando con un personal cualificado y polivalente para poder ofrecer diferentes soluciones, flexibles, optimas y economizando los recursos, aportando así un excelente capital humano a su empresa.

Services

Building

ACADEMIAS

Seccion

SHOP

080

Madrid - Barcelona - Ibiza - Palma - Girona 902 55 11 30 | info@bullgroup.es www.bullgroup.es

Nuestras ventajas Uniformidad: "adecuada, neutra o personalizada para cada servicio ".

Asistencia eficiente de descubiertos, urgencias o refuerzos de personal.

Versatilidad y adaptación en tareas a ejecutar en función de las necesidades de cada cliente.

Resolución de problemas relacionados con el servicio.

Optimización del control del servicio para combatir pérdidas económicas o de tiempo en su negocio.

Vara De Rey, 4 - Entresuelo B, Ibiza Tlf. 654 55 67 48 yasmin.mantenimientoibiza@hotmail.com

Mantenimiento Ibiza es una empresa dedicada a la rehabilitaciรณn y reforma en general con carรกcter competitivo, situada en la vanguardia de las reformas integrales, pintura y decoraciรณn en Ibiza.

081

La playa es ese lugar que nos enamora a todos, un lugar que muchos disfrutan durante unos pocos días o meses al año, y otros durante todo el año.

A glance at the past - The beach!

Deleitarse de la brisa marina, el sol durante el día o la luna durante la noche, es algo, que de un modo u otro, se ha hecho desde hace muchos años, un autentico placer...

082

Playa de Gandía

Playa d’en Bossa - Ibiza

a d a r i Una m . o d a al pas ! a y a ¡La pl

Playa de Valencia

The beach is somewhere that we all fall in love with, a place that many people enjoy for just a few days or months a year while others do so year round.

Aquí una pequeña selección de fotos de propios y extraños en las playas del mar mediterráneo, ese que nos tiene enamorados.

Taking delight in the sea breeze, the daytime sun or the moon at night is something that, one way or another, people have done for countless years. It’s a genuine pleasure.

Here is a small collection of photos of locals and visitors on the beaches of the Mediterranean, that sea that has captured our hearts.

Playa del Carmen - Málaga

083

¿CUÁL ES TU DJ/PRODUCTOR FAVORITO? Me quedo con la vieja escuela, creo que el arte del dj está muy desvirtuado. Tengo dos claros referentes uno es ZIP, su selección musical y técnica es impecable, y tiene una de las mejores colecciones de vinilos jamás vistas. El otro es Dj Pippi probablemente el mejor dj al corte que he visto jamás, además de una técnica al alcance de muy pocos mezclando estilos como el Funky/ Disco. ¡Como productor sin duda Tuccillo es un genio en el estudio!

LA CANCIÓN QUE ELEGIRÍAS PARA CERRAR UN FESTIVAL AMANECIENDO...

Daniel Campbell - Idolize. ¿EL MEJOR CLUB DÓNDE HAS PINCHADO? Sin duda, WAREHOUSE MALLORCA, un club donde puedes poner cualquier cosa, siempre hay un público entendido y con una mentalidad muy amplia musicalmente hablando, un lujo para cualquiera que ame la sensación de pinchar en un sitio underground.

Nuzzo ¿CUÁL ES TU DJ/PRODUCTOR FAVORITO? Es bastante complicado elegir uno y van variando con el paso de los años pero los productores que siempre me han sorprendido son Move D, Pepe Bradock, Metro area, Soundstream entre muchos otros

Interview

LA CANCIÓN QUE ELEGIRÍAS PARA CERRAR UN FESTIVAL AMANECIENDO...

Otra vez más son varias que he ido poniendo, ahora llevo unos días viajando con la maravilla de Floating Points - Arp3.

084

¿EL MEJOR CLUB EN EL QUE HAYAS PINCHADO? En la terraza de Amnesia Ibiza el año pasado con mi familia de Pyramid, pero tengo devoción por la pequeña y maravillosa Goya cuando toco para Roots. ¡Las dos!

Ion Pananides

Isbel

¿CUÁL ES TU DJ/PRODUCTOR FAVORITO? Io Mulen.

LA CANCIÓN QUE ELEGIRÍAS PARA CERRAR UN FESTIVAL AMANECIENDO...

Fabe - Sense in none. ¿EL MEJOR CLUB DÓNDE HAS PINCHADO? DC10

Jay nortown

¿CUÁL ES TU DJ/PRODUCTOR FAVORITO? Podría nombrar a varios artistas, pero uno de los más referentes para mí hoy en día es Io Mulen. ¿CUÁL ES TU DJ/PRODUCTOR FAVORITO? Como dj, Zip. Como productor, Ricardo Villalobos.

LA CANCIÓN QUE ELEGIRÍAS PARA CERRAR UN FESTIVAL AMANECIENDO...

Isolee - beau mot plage.

LA CANCIÓN QUE ELEGIRÍAS PARA CERRAR UN FESTIVAL AMANECIENDO...

Aflilounge - Lux Dementia (Original Mix). ¿EL MEJOR CLUB EN EL QUE HAYAS PINCHADO? Amnesia, Ibiza.

¿EL MEJOR CLUB EN EL QUE HAYAS PINCHADO? Space, Ibiza.

Amadori ¿CUÁL ES TU DJ/PRODUCTOR FAVORITO? Sinceramente seria imposible elegir uno solo. Me nutro de muchísimos productores increíbles como Weval, Max Cooper, Kiasmos, Kerala Dust, Bonobo, Apparat, Chris Schwarzwälder, Tunnelvisions, Fort Romeau, entre otros.

Ruben solar

LA CANCIÓN QUE ELEGIRÍAS PARA CERRAR UN FESTIVAL AMANECIENDO… Las canciones de cierre suelen ser un momento muy especial. Dependiendo la energía que haya tenido la gente cerraría con uno u otro pero si tengo que elegir 1 creo que The Space Between Us de Dominik Eulberg es muy emotivo y encuadra bien con un amanecer. ¿EL MEJOR CLUB DÓNDE HAS PINCHADO? Se me ocurre que en el evento Rio Electronic Music en punta carrasco (Buenos Aires) un evento out door para 3 mil personas. Aqui en Barcelona Sala Bikini creo que es fue el mejor club donde pincho y donde estaré pinchando la próxima temporada.

085

Fiesta&Bullshit BUSCA LAS 7 FIES

TAS DE IBIZA 2019

ENTER

Partiendo de algunos números ya dispuestos en algunas de las casillas, hay que completar las casillas vacías con dígitos del 1 al 9 y las letras de la A a la G, sin repetirse en una misma fila, columna o región de 4x4.

1 2 3 4 5 6 7

8 9 10 11

086

ACROSS

DOWN

3. Esta en todos los eventos posibles.

5. Las hormigas son su imagen.

7. Davide, Matthiasy Martin son sus componentes.

8. El rey de la noche de los lunes en Pikes.

9. Español residente de Solid Grooves.

10. Chupito que no puede faltar en Ibiza.

11. Fue la fiesta donde Carl Cox celebró su cumpleaños.

1. Fue el protagonista de nuestra portada de Junio.

2. Realizó un exclusivo set en la fiesta Pyramid.

4. Lugar donde es mejor no ir despues de una noche de fiesta.

6. Playa de Ibiza entre dos hoteles OD.

EXIT

087

ISSUE 11 1 8--SEPTEMBER SEPTEMBER019 019--FREE. FREE.

A SERIES OF SKIES WWW.FIESTAYBULLSHIT.COM FROM OUR OD SKY BAR.

Climate change Luis Pérez Calvo Kenny Scharf La nit de l’art Strange hotels World tourism day OD Real Estate Formats & ways Investing in art